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And then we go into a quarter turn. | 0:00:29 | 0:00:31 | |
It's beautiful. | 0:00:32 | 0:00:33 | |
I saved for a whole year to buy it. | 0:00:33 | 0:00:36 | |
Christmas money, every penny from my paper round. | 0:00:36 | 0:00:39 | |
I never had anything like that. | 0:00:39 | 0:00:41 | |
Gina. | 0:00:41 | 0:00:43 | |
Watch this. | 0:00:43 | 0:00:44 | |
Yeah, that's great, just be careful. | 0:00:46 | 0:00:49 | |
But, Mum, look. | 0:00:49 | 0:00:50 | |
Later, love. Gina. | 0:00:50 | 0:00:53 | |
-I can't take my eyes off you for a minute, can I? -Now what? | 0:00:59 | 0:01:02 | |
-My bank card. And don't try acting innocent. -I haven't even touched your purse. | 0:01:02 | 0:01:07 | |
Well, you're wasting your time because my account is empty. I want your keys now. | 0:01:07 | 0:01:10 | |
And you don't come round again, not without ringing first. Right? | 0:01:10 | 0:01:13 | |
Why would I want to come back here? | 0:01:13 | 0:01:15 | |
FOOTSTEPS ON STAIRS | 0:01:17 | 0:01:19 | |
FRONT DOOR SLAMS | 0:01:19 | 0:01:20 | |
RADIO: # There may be teardrops to shed | 0:01:20 | 0:01:23 | |
# So while there's moonlight and music | 0:01:23 | 0:01:26 | |
# And love and romance | 0:01:26 | 0:01:30 | |
# Let's face the music and dance | 0:01:30 | 0:01:34 | |
# Let's face the music and dance. # | 0:01:34 | 0:01:39 | |
OK. | 0:01:41 | 0:01:43 | |
-And how did this happen exactly? -I fell down the stairs, | 0:01:43 | 0:01:47 | |
-tripped on something. -You didn't go to A&E? | 0:01:47 | 0:01:50 | |
-You were closer. -Pop your jacket back on. | 0:01:50 | 0:01:53 | |
So you'll give me something? | 0:01:56 | 0:01:58 | |
Well, the problem is, I can't find any obvious signs of injury. | 0:01:58 | 0:02:02 | |
-There's no bruising or swelling. -But I'm in agony. | 0:02:02 | 0:02:05 | |
Then I can refer you for a scan to St Phil's. | 0:02:05 | 0:02:08 | |
No! | 0:02:08 | 0:02:09 | |
That'll take too long Look, I need something now. | 0:02:09 | 0:02:13 | |
How many times we been through this, Gina? | 0:02:13 | 0:02:15 | |
Look, I'm being straight with you. | 0:02:15 | 0:02:16 | |
Yeah. Like you were the last time? What was that? | 0:02:16 | 0:02:19 | |
That was gallstones, wasn't it? Or was that the time before? | 0:02:19 | 0:02:22 | |
Look, love, if you want me to help you get into rehab, I... | 0:02:23 | 0:02:26 | |
Forget it. You're just like all the others, | 0:02:26 | 0:02:29 | |
-say you want to help, but it's just all talk, innit? -Gina. | 0:02:29 | 0:02:32 | |
Gi... | 0:02:32 | 0:02:33 | |
DOOR SLAMS | 0:02:33 | 0:02:35 | |
I know this seemed like a good idea last night, | 0:02:38 | 0:02:40 | |
-but now... -Not having second thoughts? | 0:02:40 | 0:02:44 | |
But what if he finds out what we're doing? | 0:02:44 | 0:02:46 | |
Men don't like being spied on. | 0:02:46 | 0:02:48 | |
But you can't ignore the signs. | 0:02:48 | 0:02:51 | |
He's a textbook married man looking for a bit of fun on the side. | 0:02:51 | 0:02:55 | |
You're such a cynic, Elaine. No, this feels wrong. | 0:02:55 | 0:02:58 | |
If you want to be sure... | 0:02:58 | 0:02:59 | |
And how are we going to engineer this meeting? | 0:02:59 | 0:03:01 | |
I've no idea where he's going to be. | 0:03:01 | 0:03:04 | |
PHONE RINGS | 0:03:04 | 0:03:05 | |
Martin, hi. | 0:03:08 | 0:03:09 | |
Cancel tonight? Yeah, that's fine. | 0:03:11 | 0:03:13 | |
No, I don't have a problem with that. | 0:03:13 | 0:03:15 | |
Right, so you're going to stay on at the golf club for a business meeting? | 0:03:17 | 0:03:20 | |
Sure. Yeah, I'll speak to you tomorrow. Bye. | 0:03:20 | 0:03:24 | |
Business meeting? | 0:03:27 | 0:03:28 | |
At the golf club? | 0:03:28 | 0:03:29 | |
A lot of business gets done over 18 holes. | 0:03:29 | 0:03:32 | |
Only tonight, they'll be a surprise waiting for him at the 19th. | 0:03:32 | 0:03:36 | |
GLASS SMASHING | 0:03:51 | 0:03:53 | |
No? | 0:03:56 | 0:03:57 | |
No? | 0:03:59 | 0:04:01 | |
-What happens when you put your weight on it? -Nothing. | 0:04:03 | 0:04:06 | |
Nothing at all? | 0:04:06 | 0:04:07 | |
-Then, Cinderella, you shall go to the ball. -Oh. | 0:04:08 | 0:04:12 | |
-She's been practising so hard for tonight. -It's just as I thought, it's a minor sprain, | 0:04:12 | 0:04:16 | |
-but you were right to be cautious. -Did you wash my tights? -Yes. | 0:04:16 | 0:04:19 | |
-Do we have enough hair spray? -Will you just calm down? | 0:04:19 | 0:04:23 | |
You'll make yourself sick again. She worked herself into such a state this morning | 0:04:23 | 0:04:26 | |
I had to keep her off school. | 0:04:26 | 0:04:27 | |
Performance anxiety, perfectly natural. | 0:04:27 | 0:04:31 | |
I used to do a bit of stand-up when I was at med school, | 0:04:31 | 0:04:33 | |
but I got so nervous before I went on I had to give it up. | 0:04:33 | 0:04:37 | |
-I think she'll be fine as soon as the music starts. -So do I. | 0:04:38 | 0:04:41 | |
And remember, you, I want to see the photos. | 0:04:41 | 0:04:44 | |
Well, better still, | 0:04:44 | 0:04:45 | |
why don't you come, see me dance? We've got a new routine. | 0:04:45 | 0:04:49 | |
I'd love to, but... | 0:04:51 | 0:04:52 | |
I think Dr Wilson's got plenty of other things she needs to do. | 0:04:52 | 0:04:57 | |
No. No. The ironing can wait. | 0:04:57 | 0:05:01 | |
It's at the community centre. I should be on about eight. | 0:05:01 | 0:05:04 | |
Then I will be there. | 0:05:04 | 0:05:05 | |
Nothing I like better than sequins and glitter. | 0:05:05 | 0:05:09 | |
-It's no good at all. -Give me the money. | 0:05:53 | 0:05:55 | |
I'm sorry about that. | 0:05:55 | 0:05:56 | |
Excuse me, young lady. | 0:06:02 | 0:06:05 | |
Excuse me, could I have a look at that gold watch? | 0:06:13 | 0:06:17 | |
The one on the left. | 0:06:17 | 0:06:19 | |
Oh, that's it. Thank you. | 0:06:21 | 0:06:23 | |
Ah, right. Erm... That's fine. Thank you. | 0:06:24 | 0:06:28 | |
No, that's fine. Thank you. | 0:06:28 | 0:06:29 | |
I'll put the hot water on, you jump in the shower, | 0:06:31 | 0:06:34 | |
then we'll do your hair. | 0:06:34 | 0:06:36 | |
Oh, no. | 0:06:38 | 0:06:40 | |
-Mum? -Look, you wait here. | 0:06:42 | 0:06:45 | |
No, Cleo! Cleo! | 0:06:45 | 0:06:48 | |
No. | 0:06:51 | 0:06:53 | |
Oh. | 0:06:53 | 0:06:55 | |
CLEO SOBS | 0:06:55 | 0:06:58 | |
Hey. | 0:07:01 | 0:07:02 | |
Ooh, you're really going to town with the war paint. | 0:07:09 | 0:07:11 | |
Hmm. Got to look the part. | 0:07:11 | 0:07:13 | |
-You haven't forgotten? -What? | 0:07:15 | 0:07:19 | |
That you're doing it for Julia. | 0:07:19 | 0:07:21 | |
Yeah. Don't worry. I know what I'm doing and who I'm doing it for. | 0:07:21 | 0:07:25 | |
ELAINE HUMS | 0:07:27 | 0:07:31 | |
Oh, erm... I'm glad I've caught you. | 0:07:33 | 0:07:37 | |
I didn't want you wasting your time coming to the competition tonight. | 0:07:37 | 0:07:41 | |
-Oh, is it Cleo's ankle again? -No. | 0:07:41 | 0:07:44 | |
-No, we've had a break-in. -What? What? | 0:07:44 | 0:07:47 | |
Are you OK? Did they get anything? | 0:07:47 | 0:07:49 | |
Well, we only had one thing that was worth anything - | 0:07:49 | 0:07:53 | |
-Cleo's dress. -What would burglars want with a ball gown? | 0:07:53 | 0:07:57 | |
It wasn't burglars. It was Gina. | 0:07:57 | 0:08:02 | |
No, no, no. She wouldn't do that to Cleo. | 0:08:02 | 0:08:05 | |
For drugs? She'd do anything. | 0:08:05 | 0:08:08 | |
People used to stop me in the street | 0:08:09 | 0:08:12 | |
and they'd tell me how beautiful she was. | 0:08:12 | 0:08:14 | |
But now I look at her, there's not a trace of that lovely little girl. | 0:08:14 | 0:08:20 | |
I used to think it was me, | 0:08:20 | 0:08:23 | |
but I've brought Cleo up in exactly the same way | 0:08:23 | 0:08:25 | |
and look at how she's turned out. | 0:08:25 | 0:08:27 | |
Every time I think she can't do anything more to hurt us... | 0:08:27 | 0:08:31 | |
She still speaks really fondly of you and Cleo. | 0:08:31 | 0:08:35 | |
Yeah. Well, she's a good manipulator. | 0:08:35 | 0:08:38 | |
But we're not her family anymore. | 0:08:38 | 0:08:41 | |
We're just more people she can steal from. | 0:08:41 | 0:08:44 | |
But the dress... | 0:08:44 | 0:08:47 | |
She's gone too far this time. | 0:08:47 | 0:08:50 | |
But what if she says she can turn herself around? | 0:08:50 | 0:08:53 | |
Look... | 0:08:54 | 0:08:55 | |
..if you think you can deal with it, well, good luck to you, | 0:08:56 | 0:09:00 | |
but I can't do this anymore. I've... | 0:09:00 | 0:09:03 | |
I've tried, you know I have, but I haven't got anything left to give. | 0:09:03 | 0:09:09 | |
I've got to concentrate on Cleo now. | 0:09:10 | 0:09:13 | |
CLASSICAL MUSIC PLAYS | 0:09:45 | 0:09:47 | |
What are you doing? | 0:09:59 | 0:10:01 | |
I'm keeping myself busy, | 0:10:01 | 0:10:02 | |
so I don't go nuts worrying about what's going on. | 0:10:02 | 0:10:05 | |
It isn't working, by the way. Why can't things just be simple? | 0:10:05 | 0:10:08 | |
Get your coat. You're coming home with me. | 0:10:08 | 0:10:11 | |
Karen... | 0:10:11 | 0:10:13 | |
You know the Crawford Estate? | 0:10:13 | 0:10:15 | |
Where's the best place to score drugs? | 0:10:15 | 0:10:18 | |
Gina. | 0:10:37 | 0:10:39 | |
No, you don't. | 0:10:39 | 0:10:40 | |
You can't run away from this. | 0:10:40 | 0:10:42 | |
-Get out of my way. -Look... | 0:10:42 | 0:10:44 | |
-Listen, I've just seen your mum. She was really upset. -So? | 0:10:44 | 0:10:49 | |
You're eyes are shot. You're high. Great(!) | 0:10:50 | 0:10:53 | |
-How is that any of your business? -Where did you get the money from? | 0:10:53 | 0:10:56 | |
Did you really steal from your own sister? | 0:10:58 | 0:11:01 | |
Oh. | 0:11:01 | 0:11:02 | |
-How much did you get for it, the dress? -Enough. | 0:11:04 | 0:11:07 | |
But it's all gone now in one stupid fix. | 0:11:07 | 0:11:11 | |
And was it worth it? | 0:11:11 | 0:11:13 | |
Yeah. | 0:11:14 | 0:11:15 | |
I just hope that she doesn't find out who trashed her dreams. | 0:11:16 | 0:11:20 | |
-You should have given me what I needed. -Yeah. | 0:11:21 | 0:11:24 | |
-You can't blame this on me. -And why not? | 0:11:24 | 0:11:27 | |
You knew I'd have to get it from somewhere. | 0:11:27 | 0:11:29 | |
GENTLE TAPPING | 0:11:38 | 0:11:41 | |
HE SIGHS | 0:11:58 | 0:12:00 | |
May the raindrops fall lightly on your brow. | 0:12:18 | 0:12:21 | |
May your pockets be heavy and your heart be light. | 0:12:22 | 0:12:25 | |
BOTH CHUCKLE | 0:12:25 | 0:12:27 | |
I don't think I've seen you around before. | 0:12:27 | 0:12:29 | |
No, I'm new to the area. | 0:12:29 | 0:12:31 | |
Martin Millar. | 0:12:31 | 0:12:33 | |
Alicia Hyde. | 0:12:33 | 0:12:36 | |
-Pleased to meet you, Alicia. May I? -Please. | 0:12:36 | 0:12:40 | |
Is Mum in? | 0:13:00 | 0:13:01 | |
She's gone to see if she can borrow another dress, | 0:13:04 | 0:13:06 | |
but she's wasting her time. | 0:13:06 | 0:13:09 | |
I can't dance, not now. | 0:13:09 | 0:13:11 | |
I am so sorry. | 0:13:12 | 0:13:14 | |
What's wrong with people round here? Why did they do it? | 0:13:14 | 0:13:19 | |
Because they just don't think. | 0:13:19 | 0:13:22 | |
Some of the kids at school laugh at me, | 0:13:23 | 0:13:26 | |
but I can deal with it, cos being a dancer, | 0:13:26 | 0:13:30 | |
it's all I've ever wanted. | 0:13:30 | 0:13:32 | |
And you can't give up now, you've worked too hard. | 0:13:32 | 0:13:37 | |
Three years of lessons and practising ruined in five minutes | 0:13:37 | 0:13:39 | |
by some selfish idiot. | 0:13:39 | 0:13:41 | |
-I don't think I've ever met an angel. -We're a dying breed. | 0:13:47 | 0:13:52 | |
What sort of businesses do you invest in? | 0:13:52 | 0:13:55 | |
I'm open-minded, I follow my heart. | 0:13:55 | 0:13:58 | |
-PHONE RINGS -Excuse me. | 0:13:58 | 0:14:00 | |
HE CANCELS CALL | 0:14:03 | 0:14:05 | |
So business must be pretty bad at the moment. | 0:14:05 | 0:14:08 | |
There are still a few good opportunities if you know where to look. | 0:14:08 | 0:14:11 | |
PHONE RINGS Do you want to get that? | 0:14:11 | 0:14:13 | |
-No, it's OK. They'll ring back. -HE CANCELS CALL | 0:14:13 | 0:14:18 | |
Tell me more. | 0:14:18 | 0:14:20 | |
"I'll keep you informed," she said. I'm not feeling very informed, | 0:14:27 | 0:14:30 | |
I'm feeling very in the dark. What's keeping her? | 0:14:30 | 0:14:34 | |
You know a lot about antiques, don't you? | 0:14:35 | 0:14:37 | |
Erm, well, | 0:14:39 | 0:14:41 | |
I'm no Arthur Negus, but I know my Minton from my Meissen. Why? | 0:14:41 | 0:14:46 | |
This place is rammed with Aunty Vi's knick-knacks and Rob wants shot, | 0:14:46 | 0:14:51 | |
and I don't know what's valuable and what's for the charity shop. | 0:14:51 | 0:14:54 | |
I don't mind helping you sort through it. | 0:14:54 | 0:14:57 | |
Oh, would you? I'd be ever so grateful. When are you free? | 0:14:57 | 0:15:01 | |
Every evening for the rest of my life by the looks of it. | 0:15:02 | 0:15:05 | |
JULIA SIGHS | 0:15:06 | 0:15:08 | |
-So what do you do when you're not wheeling and dealing? -Ah. | 0:15:13 | 0:15:17 | |
I'm a woman of many facets. | 0:15:17 | 0:15:19 | |
-Sounds -facet-nating. | 0:15:19 | 0:15:23 | |
I like travelling, adventure sports, the wilder the better. | 0:15:23 | 0:15:28 | |
But I also like a long hot soak and a cold glass of Chardonnay. | 0:15:28 | 0:15:33 | |
Your husband's a lucky man. | 0:15:33 | 0:15:35 | |
Ah. | 0:15:35 | 0:15:36 | |
Oh, come on. | 0:15:37 | 0:15:39 | |
You're beautiful, intelligent, wonderful company - | 0:15:40 | 0:15:43 | |
I can't believe anyone hasn't snapped you up. | 0:15:43 | 0:15:45 | |
Oh, my life's a bit of a whirl. You know, work hard, play hard. | 0:15:45 | 0:15:50 | |
Enough about me. What about you? I notice your ring finger's bare. | 0:15:50 | 0:15:56 | |
-Yup. -Is that because you've not found the right woman | 0:15:56 | 0:15:59 | |
or you don't like being tied down? | 0:15:59 | 0:16:01 | |
No, I was married. Didn't work out. | 0:16:01 | 0:16:05 | |
So you're a free agent? | 0:16:05 | 0:16:07 | |
Let me top you up. | 0:16:08 | 0:16:10 | |
-I wouldn't like to get you into trouble. -Trouble? | 0:16:10 | 0:16:13 | |
All the phone calls. Is someone missing you? | 0:16:13 | 0:16:16 | |
PHONE RINGS | 0:16:16 | 0:16:18 | |
Ah. Excuse me. | 0:16:18 | 0:16:20 | |
-Julia? -You said you would call. | 0:16:27 | 0:16:31 | |
-Sorry, I didn't want to rush things. -So what's happening? | 0:16:31 | 0:16:34 | |
He's being very attentive, plying me with drinks. | 0:16:34 | 0:16:37 | |
Someone keeps phoning him - it could be another woman. | 0:16:37 | 0:16:39 | |
So he hasn't actually hit on you yet, then? | 0:16:39 | 0:16:43 | |
I'm sorry, Julia, but I think it's only a matter of time. | 0:16:43 | 0:16:47 | |
Right. Well, that's it. | 0:16:52 | 0:16:54 | |
Me and men are finished. For ever. | 0:16:56 | 0:16:59 | |
Finito. | 0:16:59 | 0:17:00 | |
Gina! | 0:17:26 | 0:17:28 | |
No, no, I shouldn't. | 0:17:30 | 0:17:32 | |
Oh, go on. | 0:17:32 | 0:17:34 | |
Thank you. | 0:17:36 | 0:17:38 | |
So when are you going to play a round with me? | 0:17:38 | 0:17:40 | |
What's your handicap? | 0:17:40 | 0:17:42 | |
Who said anything about golf? | 0:17:42 | 0:17:43 | |
We're consenting adults. | 0:17:45 | 0:17:47 | |
Alicia... | 0:17:48 | 0:17:49 | |
-Martin. -There's something I need to tell you. | 0:17:49 | 0:17:52 | |
-You are married? -No. | 0:17:52 | 0:17:55 | |
-Gay? -No! | 0:17:55 | 0:17:57 | |
Then what's the problem? | 0:17:57 | 0:17:59 | |
-I think there's been a misunderstanding. -Not with me. | 0:17:59 | 0:18:01 | |
I know what you want. | 0:18:01 | 0:18:02 | |
No, you don't. | 0:18:02 | 0:18:04 | |
Why have you been flirting with me all night? | 0:18:09 | 0:18:12 | |
-I was keeping you company because you were all on your own. -What? | 0:18:12 | 0:18:16 | |
Well, you're not the first lonely woman I've seen hanging around here. | 0:18:16 | 0:18:20 | |
You think I'm that desperate? | 0:18:20 | 0:18:22 | |
Well, it's obvious you know nothing about golf. | 0:18:22 | 0:18:24 | |
Why are you here? | 0:18:24 | 0:18:26 | |
-There, is that secure? -Yeah. | 0:18:32 | 0:18:34 | |
-Hiya. -Hi. | 0:18:36 | 0:18:38 | |
You got her here, that's good. | 0:18:39 | 0:18:42 | |
Yeah, well, I wasn't going to let her throw her dreams away | 0:18:42 | 0:18:44 | |
just because of one set back. | 0:18:44 | 0:18:47 | |
But whether she'll actually dance or not... | 0:18:47 | 0:18:49 | |
Oh, good. I'm not too late. | 0:18:50 | 0:18:53 | |
But how? | 0:18:56 | 0:18:58 | |
That's not important now. | 0:18:58 | 0:19:00 | |
Here, come on, you're next. | 0:19:00 | 0:19:02 | |
Go on, hurry up. | 0:19:02 | 0:19:03 | |
Good luck, love. | 0:19:04 | 0:19:05 | |
The one good thing in her life and you have to dirty that as well. | 0:19:08 | 0:19:13 | |
Look, things are going to be different this time, I promise | 0:19:13 | 0:19:16 | |
-Oh, change the record. -Dr Wilson's going to help me. | 0:19:16 | 0:19:19 | |
Yeah, we can talk about a rehab... | 0:19:19 | 0:19:21 | |
Do you even know when you're lying anymore? | 0:19:21 | 0:19:23 | |
I can do it this time. Get clean, | 0:19:23 | 0:19:26 | |
-come home. -No. | 0:19:26 | 0:19:27 | |
-We can be a family again. -It's too late. | 0:19:28 | 0:19:31 | |
Mum, please! | 0:19:32 | 0:19:33 | |
I need you out of Cleo's life, for good. | 0:19:33 | 0:19:36 | |
Look, I'm sorry to have upset you, | 0:19:48 | 0:19:50 | |
it's the last thing I wanted to do, believe me. | 0:19:50 | 0:19:52 | |
I've been where you are. | 0:19:52 | 0:19:55 | |
Eating alone in restaurants. | 0:19:55 | 0:19:57 | |
Having to ask if there's a single supplement whenever you go on holiday. | 0:19:57 | 0:20:01 | |
If this had happened a couple of weeks ago, who knows? | 0:20:01 | 0:20:04 | |
Things might have been different. | 0:20:04 | 0:20:06 | |
But the truth is, | 0:20:06 | 0:20:08 | |
I've just met a pretty wonderful woman. | 0:20:08 | 0:20:11 | |
It's early days, but I'm hoping it's the real deal. | 0:20:13 | 0:20:16 | |
Does wonder woman have a name? | 0:20:17 | 0:20:19 | |
Julia. | 0:20:19 | 0:20:21 | |
She's beautiful, makes me laugh. | 0:20:21 | 0:20:25 | |
I don't know, there's just something about her. | 0:20:25 | 0:20:30 | |
Just hearing her voice lifts my whole day. | 0:20:30 | 0:20:32 | |
I'm living proof - | 0:20:34 | 0:20:36 | |
it's never too late to find someone. | 0:20:36 | 0:20:39 | |
I'm interrupting. | 0:20:42 | 0:20:43 | |
-No, no, no. Why don't you join us? -No, no, I couldn't. | 0:20:43 | 0:20:46 | |
Come and meet Bob. He's divorced, no kids. | 0:20:46 | 0:20:51 | |
Has a wonderful house in the Dordogne. | 0:20:51 | 0:20:52 | |
Thank you, no. Look, I... I wish you well, really. | 0:20:52 | 0:20:57 | |
-Thank you. -Goodbye. | 0:20:58 | 0:21:00 | |
PHONE RINGS | 0:21:11 | 0:21:14 | |
JULIA SIGHS | 0:21:22 | 0:21:24 | |
OK. I'm ready. Give it to me straight. | 0:21:24 | 0:21:27 | |
-I'm on my way home. -And? | 0:21:27 | 0:21:30 | |
I think he's a very rare creature - | 0:21:30 | 0:21:34 | |
a good, honest, faithful man. | 0:21:34 | 0:21:37 | |
I'll tell you about it tomorrow. | 0:21:37 | 0:21:39 | |
-JULIA GIGGLES -Well? | 0:21:41 | 0:21:43 | |
I never doubted him. | 0:21:44 | 0:21:46 | |
So you're not going to become a nun, then? | 0:21:46 | 0:21:48 | |
Oh, this calls for a celebration. What? Have you drunk all the wine? | 0:21:48 | 0:21:52 | |
-Me? -Mmm-hmm. | 0:21:52 | 0:21:54 | |
Ah! | 0:21:56 | 0:21:58 | |
-I'm going to book you a taxi. -Hm. | 0:21:58 | 0:22:00 | |
Get a grip, man. | 0:22:31 | 0:22:33 | |
# There may be trouble ahead | 0:22:39 | 0:22:44 | |
# But while there's moonlight and music | 0:22:44 | 0:22:47 | |
# And love and romance | 0:22:47 | 0:22:51 | |
# Let's face the music and dance | 0:22:51 | 0:22:54 | |
# Before the fiddlers have fled | 0:22:56 | 0:22:59 | |
# Before they ask us to pay the bill | 0:23:00 | 0:23:05 | |
# And while we still have the chance | 0:23:05 | 0:23:09 | |
# Let's face the music and dance... # | 0:23:09 | 0:23:13 | |
Gina. Gina, wait! | 0:23:16 | 0:23:18 | |
Oh, I'm sorry, love. Come and see me tomorrow, yeah? | 0:23:21 | 0:23:24 | |
What's the point? | 0:23:24 | 0:23:26 | |
To get clean. Then you can try that again. | 0:23:26 | 0:23:29 | |
Yeah. No, it was hard enough before, I can't do it on my own. | 0:23:29 | 0:23:33 | |
You're not on your own, are you? You've got me. | 0:23:33 | 0:23:37 | |
We'll get through this, OK? | 0:23:37 | 0:23:40 | |
Look, I'll wait for your call. It's going to be OK, all right? | 0:23:42 | 0:23:47 | |
You take care. | 0:23:47 | 0:23:48 | |
Ah! | 0:23:53 | 0:23:56 | |
Freya! | 0:24:06 | 0:24:08 | |
Gina! | 0:24:11 | 0:24:13 | |
-Gina, it's OK. -Oh. | 0:24:13 | 0:24:16 | |
Ah. It's all right, sweetheart. | 0:24:16 | 0:24:18 | |
# We'll be without the moon | 0:24:18 | 0:24:20 | |
# Humming a different tune | 0:24:20 | 0:24:22 | |
# And then | 0:24:22 | 0:24:25 | |
# There may be teardrops to shed | 0:24:25 | 0:24:28 | |
# So while there's moonlight and music... # | 0:24:29 | 0:24:32 | |
Help! I need some help here, please, someone! | 0:24:32 | 0:24:36 | |
Anyone, help! | 0:24:36 | 0:24:38 | |
It's all right, darling. It's OK. | 0:24:39 | 0:24:41 | |
No. No! | 0:24:41 | 0:24:44 | |
Right, put your hands here. Push. Push! | 0:24:44 | 0:24:48 | |
Yeah. Ambulance. | 0:24:50 | 0:24:52 | |
Deighton Road community centre. | 0:24:54 | 0:24:56 | |
I've got a 21-year-old female, stab wound to the abdomen. | 0:24:56 | 0:24:59 | |
Just hurry. Please, please, hurry. | 0:24:59 | 0:25:02 | |
Why wouldn't you listen to me? Why wouldn't you listen to me? | 0:25:02 | 0:25:07 | |
Just one more chance. Please, Mum? | 0:25:10 | 0:25:13 | |
# There may be teardrops to shed | 0:25:20 | 0:25:22 | |
# So while there's moonlight and music | 0:25:23 | 0:25:26 | |
# And love and romance | 0:25:26 | 0:25:30 | |
# Let's face the music and dance | 0:25:30 | 0:25:37 | |
# Let's face the music | 0:25:37 | 0:25:41 | |
# And dance. # | 0:25:41 | 0:25:46 | |
HE SIGHS | 0:25:46 | 0:25:48 | |
I see a lot of hungry people in here. | 0:26:28 | 0:26:30 | |
Are you lumping me in with the people that come here? | 0:26:30 | 0:26:33 | |
Do you think I'd let anyone look after him | 0:26:33 | 0:26:36 | |
that I wasn't confident we could trust? | 0:26:36 | 0:26:38 | |
I'm turning into one of those neurotic first-time mothers | 0:26:38 | 0:26:40 | |
I'm always complaining about, aren't I? | 0:26:40 | 0:26:42 | |
-Well, actually... -Sssh. Quick. KNOCKING | 0:26:42 | 0:26:44 | |
-Get back. Shh. -What? | 0:26:44 | 0:26:47 | |
Subtitles by Red Bee Media Ltd | 0:27:06 | 0:27:09 |