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-We nicking 'er, then, Sarge? -Why not? One more before breakfast. | 0:00:24 | 0:00:27 | |
I'm sorry, I shouldn't... | 0:00:29 | 0:00:30 | |
I can't do this. Rachel's a mate. | 0:00:30 | 0:00:33 | |
This is what he did to me the night before last. Wes...hurts me. | 0:00:33 | 0:00:38 | |
-It's Rachel. She's accusing me of beating her. -He knows. | 0:00:38 | 0:00:43 | |
He knows I'm here. | 0:00:44 | 0:00:45 | |
Rachel is a compulsive liar. It's not her fault. She's ill. | 0:00:45 | 0:00:50 | |
Delusional. | 0:00:50 | 0:00:52 | |
This isn't the way home. | 0:00:52 | 0:00:54 | |
-Let me out! Let me out of here! -Stop that and shut up. | 0:00:55 | 0:01:01 | |
I'm going for a little drive. | 0:01:01 | 0:01:03 | |
Right. Let's get a few things clear. You listening? | 0:01:16 | 0:01:19 | |
-Yeah. -You never, ever pull a stunt like this again. | 0:01:19 | 0:01:23 | |
OK, you never talk to Rachel again. | 0:01:23 | 0:01:25 | |
Not by text, by phone, by e-mail. | 0:01:25 | 0:01:27 | |
You know I check her phone and I check her e-mail, | 0:01:27 | 0:01:29 | |
so if you get in contact with her, then I'm going to know. OK? You've got that? | 0:01:29 | 0:01:33 | |
I won't tell anyone. | 0:01:33 | 0:01:34 | |
And if you do think about telling someone, just think about Rachel. | 0:01:34 | 0:01:38 | |
If you don't want her to get hurt, you'll keep shtoom. | 0:01:38 | 0:01:40 | |
-Out. -I don't know where we are. | 0:01:44 | 0:01:46 | |
You're next to a bus stop. You can find your way home from here. | 0:01:46 | 0:01:49 | |
Jack! Jack, it's me. | 0:01:59 | 0:02:00 | |
Hiya. What are you doing here? | 0:02:08 | 0:02:10 | |
I need to talk to you. | 0:02:10 | 0:02:12 | |
It's about Imogen. | 0:02:14 | 0:02:15 | |
Why, what's happened? | 0:02:15 | 0:02:17 | |
No, it's all right. She's all right. | 0:02:17 | 0:02:19 | |
Just we were driving home and... | 0:02:19 | 0:02:24 | |
I don't know how to say this, | 0:02:26 | 0:02:27 | |
-I hope I haven't got the wrong end of the stick... -Spit it out, son. | 0:02:27 | 0:02:31 | |
I think Imogen's liked me from the first time that we met. | 0:02:33 | 0:02:38 | |
I think that she's only been hanging around with Rachel | 0:02:38 | 0:02:42 | |
so that she could be close to me. | 0:02:42 | 0:02:46 | |
I just shouldn't have given her a lift home. | 0:02:46 | 0:02:48 | |
-She's young and I told her to stop it. -Wait a minute. | 0:02:48 | 0:02:51 | |
Are you trying to say that she came on to you? | 0:02:53 | 0:02:56 | |
Yeah. | 0:02:56 | 0:02:57 | |
Right. | 0:02:57 | 0:02:58 | |
I'm really sorry, Sarge, I hate telling you this... | 0:03:00 | 0:03:03 | |
..but don't be too hard on her. | 0:03:05 | 0:03:07 | |
She's not bad. She's just mixed-up. | 0:03:07 | 0:03:10 | |
We all do stupid things at that age. | 0:03:10 | 0:03:12 | |
Yeah, well. Thank you. | 0:03:12 | 0:03:13 | |
And you've done the right thing. Thanks. | 0:03:16 | 0:03:18 | |
Do you want to tell me what Immie said, Jack? | 0:03:22 | 0:03:25 | |
She rings up saying that she's stranded, | 0:03:25 | 0:03:28 | |
didn't have enough money for a cab, didn't fancy walking. | 0:03:28 | 0:03:31 | |
-So I said, "Just get a taxi here and I'll pay the driver." -Anything else? | 0:03:31 | 0:03:35 | |
She begged me not to tell you. Not to say anything. | 0:03:36 | 0:03:40 | |
Thanks. | 0:03:41 | 0:03:42 | |
-Can I go back to bed now? -Yeah. | 0:03:42 | 0:03:44 | |
Well? Immie? | 0:03:49 | 0:03:51 | |
You're interviewing me. | 0:03:51 | 0:03:53 | |
I've heard Wes's side, I just want to hear yours. | 0:03:53 | 0:03:56 | |
Nothing happened. He just dropped me at the bus stop. | 0:03:58 | 0:04:01 | |
Why would he do that when I told him to take you home, to the door? | 0:04:01 | 0:04:05 | |
-Not five miles away. -I don't know. | 0:04:05 | 0:04:07 | |
Why are you talking to me like I'm a criminal? | 0:04:07 | 0:04:10 | |
Because I spend the whole of my working life | 0:04:10 | 0:04:12 | |
sitting opposite guilty criminals, | 0:04:12 | 0:04:14 | |
and that's exactly how you're behaving. | 0:04:14 | 0:04:16 | |
Do you know how embarrassing this is for me, | 0:04:17 | 0:04:20 | |
what you did with one of my colleagues? | 0:04:20 | 0:04:22 | |
-Tell me that didn't happen? -It didn't! That's not what happened. | 0:04:22 | 0:04:26 | |
Then what did, then? | 0:04:26 | 0:04:27 | |
Wes threatened me. | 0:04:29 | 0:04:31 | |
Dad, it's true what Rachel is saying. He IS beating her up. | 0:04:31 | 0:04:34 | |
And he told me that if I tried to help her | 0:04:34 | 0:04:35 | |
or if I went anywhere near her, then... | 0:04:35 | 0:04:38 | |
Dad, I thought that he was going to kill me. | 0:04:38 | 0:04:40 | |
What? Is that the best you can do? | 0:04:40 | 0:04:43 | |
What?! | 0:04:43 | 0:04:44 | |
You made a pass at him, he turned you down. | 0:04:44 | 0:04:47 | |
Is this your way of getting back at him? I didn't think you'd be so vindictive. | 0:04:47 | 0:04:50 | |
You believe him and not me? | 0:04:52 | 0:04:53 | |
Well, why should I believe you? Cos the last time I believed you, | 0:04:53 | 0:04:56 | |
-put myself on the line for you, you were lying! -I'm not lying now! | 0:04:56 | 0:05:00 | |
He's not beating Rachel. She's making it up. | 0:05:00 | 0:05:03 | |
And she dropped the charges | 0:05:03 | 0:05:05 | |
because she was too scared to see it through! | 0:05:05 | 0:05:07 | |
Dad, you know that happens. | 0:05:07 | 0:05:09 | |
Yes, it does, in REAL domestic violence cases. | 0:05:09 | 0:05:12 | |
-But this... -This is real! | 0:05:12 | 0:05:13 | |
Can you not see what Wes is doing? He's using you. He was so angry | 0:05:13 | 0:05:16 | |
and he was on his way home to Rachel. | 0:05:16 | 0:05:18 | |
If he's killed her, then it's going to be my fault. | 0:05:18 | 0:05:21 | |
He's probably beating her up right now. | 0:05:21 | 0:05:23 | |
-You've got to go round there and stop it! -ENOUGH! | 0:05:23 | 0:05:26 | |
I'm sick of this. | 0:05:28 | 0:05:30 | |
I've had a bellyful. Wes is a good copper. | 0:05:30 | 0:05:34 | |
Everyone who works with him says that. Are we all wrong? | 0:05:34 | 0:05:37 | |
You didn't see how he was. | 0:05:37 | 0:05:40 | |
There's a name for what you're doing, Imogen. | 0:05:40 | 0:05:43 | |
It's called malicious accusation. | 0:05:43 | 0:05:45 | |
If I'm treating you like a criminal, it's because it IS a crime. | 0:05:45 | 0:05:49 | |
Us coppers, we have to put up with this all the time at work, | 0:05:49 | 0:05:51 | |
-we shouldn't have to put up with it when we're off duty! -What do you mean? | 0:05:51 | 0:05:54 | |
People accusing us of assault, all sorts. | 0:05:54 | 0:05:57 | |
Like everyone else, Wes has had to put up with his fair share. | 0:05:57 | 0:06:00 | |
When he's arrested women, them shouting their mouths off, | 0:06:00 | 0:06:02 | |
telling lies about him. | 0:06:02 | 0:06:04 | |
You're doing the same now. | 0:06:04 | 0:06:07 | |
How do you know that they are lying? | 0:06:07 | 0:06:09 | |
You know, I'd have more respect for you if you admitted it. | 0:06:09 | 0:06:13 | |
Admitted that you were wrong. | 0:06:13 | 0:06:14 | |
No, look, this is pointless. Just go to bed. | 0:06:16 | 0:06:19 | |
You actually believe him. | 0:06:20 | 0:06:22 | |
-You think that I would behave... -I don't know. | 0:06:23 | 0:06:26 | |
I don't know you any more. | 0:06:27 | 0:06:29 | |
Wes hates women. He thinks that we're scum and the dregs of... | 0:06:30 | 0:06:36 | |
SHE SIGHS | 0:06:38 | 0:06:40 | |
Excuse me. | 0:06:52 | 0:06:53 | |
Excuse me! | 0:06:53 | 0:06:56 | |
This is not a public car park. | 0:06:56 | 0:06:58 | |
Excuse me. Excuse me... | 0:07:04 | 0:07:06 | |
Erm...er... | 0:07:10 | 0:07:13 | |
Oh, my... | 0:07:13 | 0:07:14 | |
PHONE ON OTHER END OF LINE RINGS | 0:07:20 | 0:07:22 | |
Rachel, is that you? It's Imogen. | 0:07:26 | 0:07:29 | |
PHONE HANGS UP | 0:07:29 | 0:07:31 | |
SHE SIGHS | 0:07:36 | 0:07:37 | |
Loose change, indigestion tablets, | 0:07:37 | 0:07:40 | |
a driving licence. John Kershaw. | 0:07:40 | 0:07:44 | |
-Doesn't ring any bells. -He's not booked into the morning surgery. | 0:07:46 | 0:07:50 | |
What are we going to do with him? | 0:07:51 | 0:07:53 | |
-I think we should say a prayer. -No. | 0:07:53 | 0:07:56 | |
I mean, we can't just leave him here till the undertakers come. | 0:07:56 | 0:08:01 | |
No, no, I agree. It is not respectful. | 0:08:01 | 0:08:03 | |
Maybe we should bring him inside. | 0:08:05 | 0:08:08 | |
Everything all right? | 0:08:29 | 0:08:31 | |
Yes, yes. Everything is under control. | 0:08:31 | 0:08:34 | |
That drugs rep never showed up. John Kershaw. Have you seen him? | 0:08:34 | 0:08:39 | |
-No. No, I have never seen him before in my life. -Hmm. | 0:08:41 | 0:08:46 | |
Look, I'm just going to pop out. Won't be long. | 0:08:46 | 0:08:49 | |
Oh, an old colleague of mine from PCT's coming over later. | 0:08:49 | 0:08:52 | |
Geoff Adams. Wants to have a look round, | 0:08:52 | 0:08:54 | |
think I'll show him the improvements I've... | 0:08:54 | 0:08:57 | |
What ARE you doing? | 0:08:57 | 0:08:58 | |
-A, er...fire drill. -Fire drill? Why wasn't I inf... | 0:09:00 | 0:09:04 | |
A fire drill is part of my new training. It deserves spontaneity. | 0:09:04 | 0:09:09 | |
I'm sure you are aware of this, Mr Bellamy. | 0:09:09 | 0:09:12 | |
I thought you were on your way out? | 0:09:12 | 0:09:14 | |
FIRE BELL RINGS | 0:09:14 | 0:09:17 | |
Rachel, are you OK? | 0:09:22 | 0:09:23 | |
-What do you want? -Is Wes in there? Cos his car's gone. | 0:09:23 | 0:09:27 | |
-No, he's out. -I just want to help. | 0:09:27 | 0:09:31 | |
You can't. | 0:09:31 | 0:09:32 | |
Please, Rachel, just let me in. | 0:09:32 | 0:09:34 | |
I can't, he's locked me in. | 0:09:34 | 0:09:36 | |
Well, I'm... I'm going to break the door down. | 0:09:39 | 0:09:43 | |
Stand back! | 0:09:44 | 0:09:46 | |
This is your fault. | 0:10:00 | 0:10:02 | |
FIRE ALARM RINGS | 0:10:10 | 0:10:12 | |
This is a fire drill. Please head towards the rear exit. Do not run! | 0:10:12 | 0:10:16 | |
All clear? | 0:10:17 | 0:10:19 | |
-Where to? -Jimmi's at the police station all day. | 0:10:23 | 0:10:28 | |
-No, Mrs Yates, this is an emergency! > -Quick, Howard's office! | 0:10:29 | 0:10:32 | |
-I need to get my shopping. -You would not be able to get your shopping if there was a real fire! | 0:10:32 | 0:10:38 | |
< I won't be long. | 0:10:38 | 0:10:40 | |
-Where shall we put him? -In the chair. -It's OK. Howard's out. | 0:10:40 | 0:10:43 | |
OK. | 0:10:47 | 0:10:48 | |
HE GROANS | 0:10:48 | 0:10:50 | |
Are we just...are we just going to leave him? | 0:10:50 | 0:10:52 | |
No, of course not. We'll lock the door. | 0:10:52 | 0:10:55 | |
ALARM CONTINUES TO RING | 0:10:55 | 0:10:57 | |
KNOCK AT DOOR | 0:11:08 | 0:11:10 | |
Sarge, I thought you'd be outside on a lovely day like this. | 0:11:10 | 0:11:14 | |
-Hmm. Vicky, do you remember Jo Malpass? -I think she went to prison. | 0:11:14 | 0:11:19 | |
Either that, or she's dead. | 0:11:19 | 0:11:21 | |
Typical junkie. | 0:11:21 | 0:11:23 | |
Always screaming abuse. | 0:11:23 | 0:11:25 | |
-Yeah. Didn't she have a run-in with Wes? -Cried rape. It was ridiculous. | 0:11:25 | 0:11:29 | |
He'd only given her a lift home. | 0:11:29 | 0:11:31 | |
Some women will say all sorts. | 0:11:31 | 0:11:34 | |
-His girlfriend, for example. -Hmm. | 0:11:34 | 0:11:36 | |
KNOCK ON DOOR Oh, talk of the devil! | 0:11:36 | 0:11:39 | |
-Are you gossiping about me again? -Hmm. | 0:11:39 | 0:11:41 | |
WES CLEARS HIS THROAT | 0:11:43 | 0:11:45 | |
Sarge...um... How's Imogen? | 0:11:45 | 0:11:48 | |
She's fine, thanks. | 0:11:48 | 0:11:51 | |
We had a talk. How about you? | 0:11:51 | 0:11:54 | |
I'm going to try and forget yesterday ever happened. | 0:11:54 | 0:11:57 | |
I think that's a good idea. | 0:11:57 | 0:11:59 | |
Listen, um... Thanks. | 0:12:00 | 0:12:04 | |
-For your support. It means a lot. -No problem. | 0:12:04 | 0:12:07 | |
He cut up all my clothes. | 0:12:16 | 0:12:17 | |
What did you expect him to do, after yesterday? | 0:12:20 | 0:12:22 | |
I'm so sorry. I should've believed you. That's why I came round here. | 0:12:22 | 0:12:26 | |
There must be something I can do. | 0:12:26 | 0:12:28 | |
I've got to wash the sheets. | 0:12:28 | 0:12:31 | |
I had a nosebleed in the night. I've got to soak them in cold water. | 0:12:31 | 0:12:35 | |
He'll go mad if I haven't done it by the time he gets home. Rachel, you can't just... | 0:12:35 | 0:12:39 | |
I've got to clean myself up. I don't think I can manage the shower. | 0:12:39 | 0:12:43 | |
Could you help me? | 0:12:43 | 0:12:45 | |
No, you shouldn't wash. It'll destroy all of the evidence. | 0:12:45 | 0:12:49 | |
What evidence? It's not like I'm going back to the police. | 0:12:50 | 0:12:54 | |
Not after yesterday. I knew they wouldn't believe me. | 0:12:54 | 0:12:56 | |
No-one believed me. Not even your dad. Not even you. | 0:12:56 | 0:13:00 | |
-I'm just going to get some lunch. -Dr Carter! | 0:13:03 | 0:13:06 | |
Mr Bellamy is in the car park. He said he's expecting somebody from the PCT. | 0:13:07 | 0:13:11 | |
-Oh! They'll want to use his office. -All right. No problem. | 0:13:11 | 0:13:16 | |
-We'll move the body. -Jimmi's office? | 0:13:16 | 0:13:19 | |
How are we going to get him through reception? | 0:13:19 | 0:13:21 | |
I'll stall him. | 0:13:21 | 0:13:23 | |
The two Vs. | 0:13:27 | 0:13:29 | |
Valium and vodka. They take the edge off. | 0:13:29 | 0:13:34 | |
They're about the only thing that does. You should go. | 0:13:36 | 0:13:40 | |
If Wes finds you here, he'll kill you. | 0:13:40 | 0:13:43 | |
-Rachel, please will you let me call you an ambulance? -I can't! | 0:13:43 | 0:13:46 | |
Wes is a copper. He's always down the A&E. The nurses like him. | 0:13:46 | 0:13:51 | |
-If I go, they'll tell him. -They're not allowed. | 0:13:51 | 0:13:53 | |
If I need to go to the hospital, Wes'll take me when he gets home. | 0:13:53 | 0:13:56 | |
-I don't think you can wait that long. -I'm all right. | 0:13:56 | 0:13:59 | |
Got my painkillers. | 0:13:59 | 0:14:02 | |
-So just go. Run back home to Daddy. -I can't. He hates me. He's furious. | 0:14:04 | 0:14:08 | |
-Wes told him... -I know, you said. -Dad wouldn't even listen to me... | 0:14:08 | 0:14:13 | |
Welcome to my world. | 0:14:14 | 0:14:16 | |
Here, let me make a sling for your wrist. | 0:14:18 | 0:14:21 | |
-Get back! Get back! -No, no, it's too late. | 0:14:25 | 0:14:28 | |
Howard! Howard, Howard! How was the meeting? | 0:14:29 | 0:14:34 | |
Yes, yes. Very productive. Everything OK here? | 0:14:34 | 0:14:37 | |
-Oh, is that, um, something on your jacket? -Is it? I can't see anything. | 0:14:37 | 0:14:42 | |
I think my eyes must be playing tricks on me. | 0:14:42 | 0:14:45 | |
Do not worry, Mr Bellamy. We have opened all the windows in your office | 0:14:45 | 0:14:50 | |
and I'm that your chair can be steam-cleaned. | 0:14:50 | 0:14:53 | |
Excuse me? | 0:14:53 | 0:14:54 | |
I haven't told him yet. | 0:14:54 | 0:14:57 | |
PHONE MESSAGE: 'Hi, it's Imogen. You know what to do.' | 0:14:57 | 0:15:02 | |
Immie, it's your dad. Will you give us a call? Thanks. Bye. | 0:15:02 | 0:15:04 | |
-ON RADIO: -'Report of a disturbance on Boyle Street. Can anyone assist?' -7244 responding. | 0:15:04 | 0:15:08 | |
Yes, I'll take that. I'm on my way. | 0:15:08 | 0:15:10 | |
Mr Kershaw is not a patient, he didn't die in our care, he's not our responsibility. | 0:15:11 | 0:15:16 | |
-He is until the undertakers collect him. -He can't stay here. -Well, what do you suggest we do? | 0:15:16 | 0:15:21 | |
-We could pop him outside. -Oh, pop him outside? -Not outside outside. We can put him back in his car. | 0:15:21 | 0:15:26 | |
-Why don't we put him in the car boot(?) -Well... | 0:15:26 | 0:15:29 | |
We are not putting him outside! Let's get him on the bed. | 0:15:29 | 0:15:32 | |
One, two... | 0:15:32 | 0:15:34 | |
HE STRAINS | 0:15:34 | 0:15:36 | |
-BOTH: -Back on the chair. | 0:15:38 | 0:15:41 | |
-Wes'll ring again in a bit. -What would happen if you just didn't answer? Or if you switched it off? | 0:15:43 | 0:15:49 | |
I can't. | 0:15:49 | 0:15:50 | |
That's why I failed my exams last year. | 0:15:52 | 0:15:54 | |
I don't see how... | 0:15:56 | 0:15:58 | |
You know you have to switch your phone off while you're sitting exams? | 0:15:58 | 0:16:02 | |
I didn't answer Wes's calls for three hours. | 0:16:03 | 0:16:06 | |
He... He raped me. | 0:16:07 | 0:16:10 | |
Punishment. | 0:16:12 | 0:16:13 | |
Couldn't think straight after that. That's why I failed my A-levels. | 0:16:15 | 0:16:19 | |
-That's what he wanted. -But then you retook them and you did really well. | 0:16:19 | 0:16:23 | |
-And now you can go to Slade. -But it's no good. | 0:16:23 | 0:16:26 | |
If I went to London, I'd leave Wes, and he knows it. | 0:16:26 | 0:16:30 | |
He went on and on at me to give up my place, | 0:16:30 | 0:16:34 | |
go to Letherbridge uni instead. | 0:16:34 | 0:16:35 | |
-I gave in. -It's not too late to change. -Wes said it was. | 0:16:35 | 0:16:40 | |
Yeah, well, Wes is full of it. | 0:16:40 | 0:16:42 | |
You have a way out. A way of leaving him. | 0:16:43 | 0:16:47 | |
-You look good, Jo. You've obviously got yourself clean? -Yeah. | 0:16:53 | 0:16:57 | |
-I'm off the junk and the game. -Good. | 0:16:57 | 0:17:01 | |
What d'you want? | 0:17:01 | 0:17:03 | |
PC Wes Harding. | 0:17:03 | 0:17:06 | |
-What about him? -A few years ago, you accused him of rape. -Yeah. | 0:17:06 | 0:17:12 | |
-That's because he raped me. -Will you tell me what happened? -Why? | 0:17:12 | 0:17:18 | |
No-one believed me last time. | 0:17:18 | 0:17:21 | |
Things might've changed. | 0:17:21 | 0:17:23 | |
And if what you are saying is true, then other people could be in danger. | 0:17:23 | 0:17:27 | |
So please... | 0:17:27 | 0:17:29 | |
I'm only telling you cos you were always decent. | 0:17:29 | 0:17:33 | |
For a copper, anyway. | 0:17:33 | 0:17:36 | |
It was an average night. | 0:17:36 | 0:17:39 | |
I was working, I was high. | 0:17:39 | 0:17:41 | |
Harding arrested me | 0:17:41 | 0:17:43 | |
and said he'd let me off with a caution if I did him a favour. | 0:17:43 | 0:17:46 | |
I thought it'd be a quickie and off home. | 0:17:50 | 0:17:52 | |
But, um... | 0:17:54 | 0:17:55 | |
He didn't just rape me. | 0:17:57 | 0:17:58 | |
He... | 0:18:00 | 0:18:01 | |
Some punters aren't just paying for sex, they want someone to beat up. | 0:18:03 | 0:18:08 | |
Like a punch bag, only better. | 0:18:09 | 0:18:13 | |
A punch bag can't feel pain or fear. | 0:18:13 | 0:18:15 | |
That's what Harding likes. That's what turns him on. | 0:18:15 | 0:18:18 | |
I know this happened a long time ago, | 0:18:18 | 0:18:21 | |
but would you be prepared to make a formal statement? | 0:18:21 | 0:18:24 | |
You're wasting your time, Sgt Hollins. | 0:18:24 | 0:18:27 | |
-There's proof it happened, there's no proof it was him. -Would you, anyway? | 0:18:27 | 0:18:32 | |
I don't know. | 0:18:32 | 0:18:34 | |
But I'll tell you one thing - | 0:18:35 | 0:18:37 | |
it wasn't just me. | 0:18:37 | 0:18:39 | |
There was others. | 0:18:39 | 0:18:41 | |
Who? | 0:18:41 | 0:18:42 | |
Prostitutes. Junkies. | 0:18:44 | 0:18:47 | |
To him, we're the dregs. Not even human. | 0:18:48 | 0:18:51 | |
He's probably still doing it. | 0:18:53 | 0:18:55 | |
Or maybe he's got a girlfriend now. | 0:18:55 | 0:18:57 | |
Someone at home he can beat up to make him feel like a real man. | 0:18:57 | 0:19:01 | |
Someone vulnerable... | 0:19:01 | 0:19:02 | |
He has, hasn't he? | 0:19:06 | 0:19:08 | |
I've got to go. | 0:19:09 | 0:19:11 | |
Thank you. | 0:19:11 | 0:19:12 | |
PHONE RINGS | 0:19:16 | 0:19:19 | |
-Hello. -All right. How are you doing? | 0:19:28 | 0:19:31 | |
OK. | 0:19:31 | 0:19:33 | |
-Cleaned yourself up? -'Yeah.' -I don't finish till ten, so I'll be back late. | 0:19:33 | 0:19:39 | |
-I'll have your dinner ready. -'Thanks.' | 0:19:39 | 0:19:43 | |
I love you, Rachel. | 0:19:43 | 0:19:46 | |
I love you, too. | 0:19:46 | 0:19:49 | |
Bye. | 0:19:49 | 0:19:50 | |
He said he loved me. | 0:19:52 | 0:19:54 | |
He beats me to a pulp and then tells me he loves me... | 0:19:58 | 0:20:03 | |
Rachel, I'm calling an ambulance. OK? | 0:20:07 | 0:20:10 | |
This is a farce! I leave the surgery for five minutes... | 0:20:12 | 0:20:16 | |
-Are you suggesting we did this deliberately? -Of course not! | 0:20:16 | 0:20:19 | |
Or that Mr Kershaw had a heart attack to spite YOU? | 0:20:19 | 0:20:22 | |
You could've used your own office! But, oh no, you had to use my office. My chair. MY chair! | 0:20:22 | 0:20:26 | |
-Is that all you care about? -It's been extremely inconvenient! -Hey, hey! Will you stop it! | 0:20:26 | 0:20:30 | |
Have you heard yourselves? You sound like a couple of kids. | 0:20:30 | 0:20:34 | |
This has not been great for Mr Kershaw, you know, being shunted from pillar to post. | 0:20:34 | 0:20:39 | |
Maybe you should show him a bit of respect? Hey? | 0:20:39 | 0:20:44 | |
You're right, Mandy. You are absolutely right. | 0:20:44 | 0:20:46 | |
The ambulance said they'd only be 15 minutes, so it won't be long. | 0:20:52 | 0:20:55 | |
While we're waiting, there's something you should do. | 0:20:55 | 0:20:59 | |
-You got a camera on your phone? -Yeah. -Take some pictures. -You want me to? -Yeah. | 0:20:59 | 0:21:03 | |
-It's like you said, it's evidence. My stomach. -Ohh... | 0:21:03 | 0:21:08 | |
My arms. | 0:21:10 | 0:21:11 | |
I'm ready for my close-up. | 0:21:14 | 0:21:16 | |
That should do it. SHE GASPS | 0:21:19 | 0:21:22 | |
-What is it? -It hurts. It hurts to breathe. | 0:21:22 | 0:21:25 | |
What can I do? | 0:21:25 | 0:21:26 | |
DOOR BANGS | 0:21:26 | 0:21:28 | |
That'll be the ambulance. Thank goodness. Hang on. | 0:21:28 | 0:21:31 | |
Hello, Imogen. | 0:21:36 | 0:21:39 | |
I've called an ambulance, it'll be here any second. You are not going to get away with this again. | 0:21:44 | 0:21:49 | |
-You can't pretend she did that to herself! -I'm not going to. | 0:21:49 | 0:21:52 | |
Imogen Hollins, I'm arresting you on suspicion of breaking and entering, criminal damage, GBH. | 0:21:52 | 0:21:56 | |
-GBH?! -Yeah, you broke into my flat and assaulted my girlfriend. You brought a weapon. | 0:21:56 | 0:22:02 | |
GBH with intent - that's ten years. If she dies, that'll be murder. | 0:22:02 | 0:22:07 | |
You can't...you can't pretend... I didn't do this! | 0:22:07 | 0:22:10 | |
Yeah, but everyone will believe you did. | 0:22:10 | 0:22:13 | |
I can make them believe whatever I want. You've helped me. | 0:22:13 | 0:22:16 | |
You attacked Rachel at the station, in front of all the police. | 0:22:16 | 0:22:19 | |
You were jealous because she was with me. I was worried, | 0:22:19 | 0:22:23 | |
so I came back to the flat, to make sure everything was OK, and I found you here. | 0:22:23 | 0:22:27 | |
-Imogen! Imogen! -Sarge, she's assaulted Rachel! I found her here, she'd broken in. | 0:22:27 | 0:22:33 | |
7244 to control. I need immediate assistance. | 0:22:33 | 0:22:37 | |
Serious assault at 22 Brown Street, flat 2. | 0:22:37 | 0:22:41 | |
The perpetrator is still on the premises. | 0:22:41 | 0:22:43 | |
You can drop the act, Wes. I know you did it. | 0:22:46 | 0:22:50 | |
-Imogen, no, no! -Ohh! -Drop it! I said let her go. | 0:22:54 | 0:22:59 | |
Cancel the call. Cancel the call! Tell them you made a mistake and then I'll let her go. | 0:22:59 | 0:23:04 | |
-And you just let me walk. -You can't get away with this. | 0:23:04 | 0:23:07 | |
Don't tell me what I can and can't do! | 0:23:07 | 0:23:09 | |
-The whole relief will be here in one minute. -Your daughter will be dead by then. -OK. All right. | 0:23:09 | 0:23:14 | |
OK. Calm down. | 0:23:14 | 0:23:18 | |
SHE CHOKES | 0:23:18 | 0:23:20 | |
I'll make the call. 7244... | 0:23:20 | 0:23:22 | |
HE SHRIEKS AND GROANS | 0:23:22 | 0:23:25 | |
You're under arrest! | 0:23:25 | 0:23:27 | |
-Are you all right? -Yeah. | 0:23:27 | 0:23:30 | |
It's Rachel... I called an ambulance. | 0:23:30 | 0:23:32 | |
SIRENS WAIL | 0:23:32 | 0:23:34 | |
-Where's Wes? -He's at the station. -They have arrested him? -Oh, yeah. | 0:23:48 | 0:23:53 | |
-You fancied him, didn't you? -I... | 0:24:00 | 0:24:05 | |
I... | 0:24:06 | 0:24:08 | |
-Yeah. I was so stupid. -Lots of girls have. | 0:24:08 | 0:24:13 | |
Just like he uses everything. | 0:24:15 | 0:24:18 | |
KNOCK ON DOOR | 0:24:18 | 0:24:21 | |
-How are you feeling? -Better. -Good. | 0:24:26 | 0:24:30 | |
-I owe you an apology. -No. | 0:24:30 | 0:24:34 | |
You and Imogen, you... You saved my life. | 0:24:36 | 0:24:40 | |
You don't have to make your mind up now, | 0:24:40 | 0:24:44 | |
but if you do want to press charges, I've found somebody else who will. | 0:24:44 | 0:24:47 | |
-And even if they don't, I will. -Yes. I'm pressing charges. | 0:24:47 | 0:24:52 | |
-They will lock him up? -He should get life. -Here's hoping. | 0:24:53 | 0:24:56 | |
When you get out of hospital, you could always come and stay with us for a bit. | 0:25:00 | 0:25:04 | |
-Your stuff's still there. -No. | 0:25:04 | 0:25:07 | |
I'm going to change course. If I can. | 0:25:07 | 0:25:11 | |
Go to London. | 0:25:11 | 0:25:13 | |
I never want to come back here again. | 0:25:15 | 0:25:17 | |
-We'll have our own gallery yet. -Mainly showing my stuff. -Shut up! | 0:25:17 | 0:25:23 | |
And I put you in a car with him(!) I thought you'd be safe. | 0:25:25 | 0:25:30 | |
Dad, he didn't touch me. He didn't have to. He could scare me stupid without that. | 0:25:30 | 0:25:35 | |
-Why are you still angry with me? -I'm not angry with you. | 0:25:36 | 0:25:40 | |
I'm angry with me. | 0:25:42 | 0:25:43 | |
What sort of copper am I, who can't even spot a villain he's working with? | 0:25:43 | 0:25:48 | |
-He fooled everyone. He fooled me. -Yeah, well, I should have known! | 0:25:48 | 0:25:51 | |
And I should've believed you. But after last time? | 0:25:51 | 0:25:54 | |
What do you want me to say? I thought you'd be pleased. | 0:25:56 | 0:25:59 | |
What, pleased that you nearly got yourself killed? | 0:25:59 | 0:26:02 | |
I was just trying to help. | 0:26:03 | 0:26:05 | |
What you did was stupid! | 0:26:05 | 0:26:08 | |
Going there alone, without telling anyone - | 0:26:08 | 0:26:11 | |
you should have left it to, I don't know, somebody else. | 0:26:11 | 0:26:15 | |
-There was no-one else! -You could've been killed! | 0:26:15 | 0:26:19 | |
You have pulled some stunts in your time, Imogen Hollins, but this one takes the cake! | 0:26:19 | 0:26:23 | |
But I'm proud of you. | 0:26:26 | 0:26:28 | |
Just don't do it again. | 0:26:28 | 0:26:31 | |
Dad, what are the chances of..? | 0:26:31 | 0:26:33 | |
SHE SOBS | 0:26:33 | 0:26:35 | |
Hey, hey, hey. Come on. Hey! | 0:26:35 | 0:26:37 | |
It's all right. You just need to eat something. | 0:26:37 | 0:26:41 | |
You must be starving. Come on, hey? I'll cook, we'll eat, and everything'll be OK. | 0:26:41 | 0:26:46 | |
Cor, I can't even look after you when you're here, | 0:26:47 | 0:26:51 | |
-never mind when you leave home! -I can look after myself. -Can you? | 0:26:51 | 0:26:55 | |
Well, chop those potatoes small, then. | 0:26:55 | 0:26:57 | |
Thank you. That concludes the sale of goods and effects of Miss Jane Reed. | 0:27:03 | 0:27:09 | |
I find out what you're doing through Howard?! | 0:27:09 | 0:27:12 | |
You know how that makes me feel. | 0:27:12 | 0:27:14 | |
He'd never forgive me. | 0:27:14 | 0:27:15 | |
Could you forgive him, if you never saw your daughter again? | 0:27:15 | 0:27:19 | |
Cherry... I have to ask you something. | 0:27:19 | 0:27:23 | |
Subtitles by Red Bee Media Ltd | 0:27:40 | 0:27:45 |