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'Welcome back, you're listening to Letherbridge University Radio. | 0:00:27 | 0:00:31 | |
'OK, so it's time to tell you about a special event | 0:00:31 | 0:00:34 | |
'happening this evening. | 0:00:34 | 0:00:35 | |
'For one night only, the staff from the Mill Health Centre | 0:00:35 | 0:00:38 | |
'will be taking to the stage for Talent Spectacular, | 0:00:38 | 0:00:42 | |
'a charity gala show raising money for our local youth club. | 0:00:42 | 0:00:46 | |
'Putting themselves in the firing line will be | 0:00:46 | 0:00:48 | |
'a team of talented doctors and nurses showing you things | 0:00:48 | 0:00:51 | |
'that they didn't learn at medical school. | 0:00:51 | 0:00:54 | |
'And casting a critical eye over the proceedings will be a woman | 0:00:54 | 0:00:57 | |
'who doesn't suffer fools gladly. | 0:00:57 | 0:01:00 | |
'Yes, our mystery guest judge is sure to bring a hilarious edge to proceedings. | 0:01:00 | 0:01:05 | |
'So, if you want a guaranteed good night out, then | 0:01:06 | 0:01:09 | |
'tickets are just £10 and will be available on the door...' | 0:01:09 | 0:01:12 | |
Because nobody's bought any! Oi! | 0:01:12 | 0:01:15 | |
Em! Here's your dress. | 0:01:15 | 0:01:18 | |
Ta-da! | 0:01:18 | 0:01:20 | |
Oh. Thanks, Karen. I might have to do something about the hem. | 0:01:20 | 0:01:23 | |
It's, um...yeah....thank you. | 0:01:23 | 0:01:26 | |
Oh, whatever. | 0:01:26 | 0:01:27 | |
Oh, it'll be so much fun. The Supremes, reunited! | 0:01:30 | 0:01:33 | |
Supreme disappointment, more like. | 0:01:33 | 0:01:35 | |
You're not even doing a Diana Ross song. | 0:01:35 | 0:01:37 | |
Yeah, well, it's not in my register. | 0:01:37 | 0:01:39 | |
What are you doing then? A Barry White number? | 0:01:39 | 0:01:42 | |
All very well, you sitting there sniggering, | 0:01:42 | 0:01:44 | |
but I hope you've bought your tickets. | 0:01:44 | 0:01:46 | |
You are coming? | 0:01:47 | 0:01:49 | |
I can think of better things to do with my spare time. | 0:01:49 | 0:01:52 | |
Oh, yeah, of course. | 0:01:52 | 0:01:53 | |
You've got that, erm, that award-winning novel to finish, haven't you? | 0:01:53 | 0:01:57 | |
And how's that cure for cancer coming along? | 0:01:57 | 0:02:00 | |
This close. Ugh! | 0:02:00 | 0:02:01 | |
You're coming, Jimmi, surely? | 0:02:01 | 0:02:03 | |
No, if I turn up they'll want me to sing, and I've done that before, haven't I? Lonely at the top, is it? | 0:02:03 | 0:02:07 | |
Oh, come on, you two. It's for a good cause. | 0:02:07 | 0:02:10 | |
No. We found a better one. | 0:02:10 | 0:02:11 | |
The pursuit of real ale. | 0:02:11 | 0:02:12 | |
You're going to the pub? | 0:02:12 | 0:02:14 | |
Yeah. We're going to sample the rare delights of Letherbridge Longing. | 0:02:14 | 0:02:18 | |
Sounds like one of those DVDs you keep buying off the internet. | 0:02:18 | 0:02:22 | |
Mm! It's a special brew, it's only available one month of the year | 0:02:22 | 0:02:25 | |
and I've managed to persuade the Icon to stock it. | 0:02:25 | 0:02:27 | |
Well, the least you can do is buy a couple of tickets, even if you don't come and see the show. | 0:02:27 | 0:02:31 | |
You miserable sods. | 0:02:35 | 0:02:37 | |
If I don't get back for the show, please apologise to Chris. | 0:02:38 | 0:02:41 | |
It's very sad, but patient welfare must come first. | 0:02:41 | 0:02:44 | |
I do not recall putting a call through to you from Mr Chivers. | 0:02:46 | 0:02:49 | |
Well, I gave him my mobile in case of emergencies. | 0:02:51 | 0:02:53 | |
Oh, now, Dr Carter, when you spoke to him, | 0:02:53 | 0:02:56 | |
did he also mention that he passed away last Tuesday? No. | 0:02:56 | 0:03:00 | |
He didn't, did he? | 0:03:02 | 0:03:04 | |
Well, Chris doesn't know that. | 0:03:04 | 0:03:06 | |
You are asking me to lie for you. Well, bend the truth a little. | 0:03:06 | 0:03:09 | |
I am surprised. I thought that you'd be very keen to appear onstage. | 0:03:09 | 0:03:13 | |
Well, normally, yes, but these performances take such a lot out of me. | 0:03:13 | 0:03:16 | |
It's not just singing a song, | 0:03:16 | 0:03:18 | |
it's sharing a glimpse of my soul with the audience. | 0:03:18 | 0:03:22 | |
Urgent house calls. Please! | 0:03:22 | 0:03:24 | |
All ready for this evening, Mrs Tembe? | 0:03:27 | 0:03:29 | |
I have been reading up about this Mr Simon Cowell. | 0:03:31 | 0:03:35 | |
He is a most unpleasant man. | 0:03:35 | 0:03:37 | |
Yeah, well, that's...that's kind of the point. | 0:03:37 | 0:03:39 | |
He has an over-inflated sense of his own self importance. | 0:03:39 | 0:03:43 | |
I do not know why you think I am like him. | 0:03:43 | 0:03:45 | |
No, no, no. People like him because he tells the truth, all right, | 0:03:45 | 0:03:48 | |
no matter how difficult it is to hear. | 0:03:48 | 0:03:50 | |
And it's...it's his straight-talking honesty, | 0:03:50 | 0:03:53 | |
you know, that made me think of you. | 0:03:53 | 0:03:55 | |
Do you really think so? Yeah, yeah, you know, | 0:03:57 | 0:04:00 | |
what this show needs is someone who can cut through all those egos | 0:04:00 | 0:04:04 | |
and just tell people like it is, and I think you're that woman. | 0:04:04 | 0:04:07 | |
Oh, well, er, thank you, Nurse Reid. | 0:04:09 | 0:04:12 | |
So, you've been here all day. How's everyone getting on? | 0:04:13 | 0:04:16 | |
Dr Carter is hiding in his office. | 0:04:19 | 0:04:22 | |
Thank you. And the others? | 0:04:22 | 0:04:25 | |
Mr Bellamy has phoned in with a "sore throat". | 0:04:25 | 0:04:28 | |
And he will not be able to make this evening's performance. | 0:04:28 | 0:04:31 | |
But he has made a very generous donation. | 0:04:31 | 0:04:34 | |
Really? Mm! | 0:04:34 | 0:04:36 | |
Oh, fair enough. | 0:04:36 | 0:04:38 | |
Thank you, Mrs T, I knew I could count on you. | 0:04:40 | 0:04:43 | |
Heston. | 0:04:49 | 0:04:50 | |
Heston. I can see your feet. | 0:04:56 | 0:04:57 | |
Yes, I'm just checking the curtain. | 0:04:57 | 0:04:59 | |
It's been playing up a bit. | 0:04:59 | 0:05:01 | |
Right. Tech rehearsal is at six, please. OK. | 0:05:02 | 0:05:05 | |
One of us has got to go. Why? | 0:05:11 | 0:05:14 | |
Because we're partners! And because I told Chris that we would. | 0:05:14 | 0:05:18 | |
That you would. | 0:05:20 | 0:05:22 | |
If anyone is going to see the show that talent forgot, | 0:05:22 | 0:05:24 | |
it is most definitely you. | 0:05:24 | 0:05:26 | |
OK. Let's draw straws. | 0:05:28 | 0:05:30 | |
Let's see what you got, Tiger. | 0:05:33 | 0:05:37 | |
Hold on. There. | 0:05:37 | 0:05:38 | |
Ha! Have fun! | 0:05:48 | 0:05:49 | |
HE CHUCKLES | 0:05:49 | 0:05:51 | |
Hello? | 0:06:24 | 0:06:25 | |
PHONE RINGS | 0:06:28 | 0:06:31 | |
Chris? Hello. | 0:06:31 | 0:06:32 | |
You have got to be kidding me! | 0:06:34 | 0:06:37 | |
So what's happening? Not a lot. | 0:06:39 | 0:06:40 | |
We're locked out. | 0:06:40 | 0:06:42 | |
I've called the manager's mobile and he forgot that we had a booking, | 0:06:42 | 0:06:45 | |
so Zara's gone to get the keys from the caretaker. | 0:06:45 | 0:06:47 | |
Well how long is that going to take? I need time to acquaint myself with the stage. | 0:06:47 | 0:06:51 | |
I'm sure she won't be long. It's very unprofessional. | 0:06:51 | 0:06:53 | |
That's because I'm having to do everything by myself, Heston. | 0:06:53 | 0:06:56 | |
I've got no-one to help with front of house, the lighting or anything else. | 0:06:56 | 0:06:59 | |
The marketing campaign is me with a felt tip pen. | 0:06:59 | 0:07:01 | |
So yes, it's probably not what you're used to. | 0:07:01 | 0:07:04 | |
You're doing a great job, Chris. Yeah. | 0:07:04 | 0:07:06 | |
Did you get the key? No, I just came to see the sights. | 0:07:07 | 0:07:10 | |
Yes, of course I've got the stupid key. | 0:07:10 | 0:07:12 | |
Hang on. Where are you going? | 0:07:12 | 0:07:14 | |
Anywhere but here. But we need your help. | 0:07:14 | 0:07:17 | |
You've already had my help. Surely it's somebody else's turn. | 0:07:17 | 0:07:20 | |
Well, well, I was thinking that you could be front of house. | 0:07:20 | 0:07:25 | |
You are joking? Do I look like an usherette? | 0:07:25 | 0:07:29 | |
Please. | 0:07:29 | 0:07:30 | |
I am not wearing a uniform. | 0:07:32 | 0:07:36 | |
Damn. Deal. | 0:07:36 | 0:07:38 | |
All right. Hang on a minute. | 0:07:42 | 0:07:44 | |
We have light! | 0:07:50 | 0:07:53 | |
Is that our set? | 0:07:53 | 0:07:54 | |
HE SIGHS | 0:07:54 | 0:07:56 | |
Well, I guess it'll have to be, all right? | 0:07:56 | 0:07:59 | |
I can't give my Mikado with a giant teapot in the background. | 0:07:59 | 0:08:03 | |
It'll look ridiculous. | 0:08:03 | 0:08:04 | |
At least it'll give the audience something entertaining to look at. | 0:08:04 | 0:08:07 | |
Right, can you all just go backstage, please, | 0:08:07 | 0:08:09 | |
and find our dressing rooms. | 0:08:09 | 0:08:11 | |
Men are on the left, women on the right. | 0:08:11 | 0:08:13 | |
And where's mine? | 0:08:13 | 0:08:14 | |
Well, if you're a man, then it's on the left | 0:08:14 | 0:08:17 | |
and if you're a woman... I can't be expected to share! | 0:08:17 | 0:08:20 | |
I need somewhere to prepare, mentally and physically. | 0:08:20 | 0:08:23 | |
Right. Well, there's a room at the end of the corridor. | 0:08:23 | 0:08:26 | |
You can use that. How come he gets his own room? | 0:08:26 | 0:08:28 | |
Because life's not fair. Kev... | 0:08:28 | 0:08:30 | |
Right, I need you to operate the lighting board when I'm onstage. | 0:08:30 | 0:08:33 | |
I'll be able to do it the rest of the time. | 0:08:33 | 0:08:34 | |
And somewhere, there should be personal microphones for everybody. | 0:08:34 | 0:08:38 | |
Professional opera singers don't use microphones. | 0:08:38 | 0:08:40 | |
Well, considering we don't have any professional opera singers here, | 0:08:40 | 0:08:43 | |
I thought it might be better if they could hear what you were saying. | 0:08:43 | 0:08:46 | |
Not necessarily. Right! Can we just get a move on, please? | 0:08:46 | 0:08:49 | |
Yes, yes, all right, all right! And where's Mrs Tembe? | 0:08:49 | 0:08:52 | |
I need to run through the opening of the show. | 0:08:52 | 0:08:54 | |
Kev, please get your head round this lighting board. All right, sweet. | 0:08:54 | 0:08:57 | |
That's more like it. | 0:09:00 | 0:09:02 | |
I am so sorry I am late. | 0:09:11 | 0:09:14 | |
I took a little short cut. | 0:09:14 | 0:09:16 | |
Yeah, and arrived 20 minutes later than everyone else. | 0:09:16 | 0:09:18 | |
I did not say it was an effective short cut. | 0:09:18 | 0:09:20 | |
Right. There's your chair. | 0:09:20 | 0:09:22 | |
Could you not find something smaller? | 0:09:24 | 0:09:26 | |
No. | 0:09:26 | 0:09:28 | |
Now, do I have to stay here for all of the performances? | 0:09:28 | 0:09:30 | |
It's just I have a little church meeting that... Yes, you do. | 0:09:30 | 0:09:33 | |
You've got to sit there, watch the acts and then deliver your verdict. | 0:09:33 | 0:09:38 | |
It's just I do not want to speak ill of anyone. | 0:09:38 | 0:09:40 | |
Oh, don't worry about abuse, they work with Zara. | 0:09:40 | 0:09:43 | |
Hey! | 0:09:43 | 0:09:44 | |
Sorry. | 0:09:44 | 0:09:45 | |
OK, so we kick off with a classic magic trick. | 0:09:48 | 0:09:51 | |
Actually, I have a problem with it. | 0:09:51 | 0:09:53 | |
Right, and you didn't think to mention this before? | 0:09:53 | 0:09:56 | |
Why is it always the woman that gets sawn in half? | 0:09:56 | 0:09:58 | |
I mean, I just think it's a male fantasy about control. | 0:09:58 | 0:10:02 | |
OK. Well, maybe you can start a discussion group | 0:10:02 | 0:10:05 | |
about it in the bar afterwards. | 0:10:05 | 0:10:07 | |
But for now, can we just press on, please? | 0:10:07 | 0:10:09 | |
All right. If you insist. Kev! Track one, please, dude. | 0:10:09 | 0:10:11 | |
WOMBLES MUSIC PLAYS | 0:10:15 | 0:10:18 | |
What is that? Track one! | 0:10:20 | 0:10:22 | |
I gave them the CD days ago, they said they'd have it ready. | 0:10:24 | 0:10:27 | |
I can't see it. | 0:10:27 | 0:10:29 | |
Right, forget it. I'll look later. Let's just get on. | 0:10:29 | 0:10:32 | |
Right, OK. | 0:10:32 | 0:10:33 | |
I will now saw this lady in half. | 0:10:36 | 0:10:39 | |
I'm not a lady, I'm a woman. | 0:10:39 | 0:10:40 | |
I will now saw this feminist in half. | 0:10:40 | 0:10:44 | |
Agh! Sorry. | 0:10:46 | 0:10:48 | |
Are you all OK? I'm going to kill you, Tyler. | 0:10:48 | 0:10:50 | |
Just after the show, please? | 0:10:50 | 0:10:52 | |
OK. Yeah. | 0:10:54 | 0:10:56 | |
Let's just pretend we're at the end of the trick, | 0:10:56 | 0:10:58 | |
and we go over to Mrs Tembe for comments. | 0:10:58 | 0:11:01 | |
Are you not going to take the saw out of her? | 0:11:04 | 0:11:07 | |
Yes. Later. Just tell me what you thought of the performance. | 0:11:07 | 0:11:09 | |
Right, well, I thought it was very nice. | 0:11:09 | 0:11:12 | |
And? | 0:11:14 | 0:11:15 | |
It was wonderful. | 0:11:17 | 0:11:19 | |
Well, is that it? | 0:11:19 | 0:11:20 | |
You can be as honest as you like. | 0:11:20 | 0:11:22 | |
Oh, for pity's sake! It was an abomination. | 0:11:24 | 0:11:28 | |
They managed to mess up what is literally the oldest trick in the book. | 0:11:28 | 0:11:32 | |
She is at least a generation too old | 0:11:32 | 0:11:34 | |
to be doing something like this and there is literally no | 0:11:34 | 0:11:36 | |
excuse for anyone born later than 1895 to be wearing a hat like that. | 0:11:36 | 0:11:40 | |
I would sooner gnaw my own arm off than willingly sit through | 0:11:40 | 0:11:44 | |
an act like that again. | 0:11:44 | 0:11:46 | |
Um, yeah, yeah. Something a little more like that, Mrs Tembe. | 0:11:49 | 0:11:54 | |
Excuse me...hello? | 0:11:57 | 0:11:59 | |
If someday it may happen... Oh, for heaven's sake! | 0:11:59 | 0:12:02 | |
Sorry. I'm sorry. I'm sorry. | 0:12:02 | 0:12:04 | |
That a victim may be found. | 0:12:04 | 0:12:06 | |
I've got a little list. | 0:12:06 | 0:12:10 | |
RECORD PLAYS OUT OF SYNC | 0:12:10 | 0:12:13 | |
Turn them down! | 0:12:13 | 0:12:14 | |
You are doing very well, Dr Carter. | 0:12:15 | 0:12:18 | |
Amateurs! | 0:12:19 | 0:12:21 | |
Hiya! | 0:12:24 | 0:12:25 | |
Oh, nice of you to grace us with your presence. | 0:12:25 | 0:12:27 | |
Somebody had to lock up. | 0:12:27 | 0:12:28 | |
Oh, no! No, no, no, no, no! | 0:12:32 | 0:12:33 | |
You have got to be kidding me! What? | 0:12:33 | 0:12:36 | |
You just said you were going to turn the hem up. | 0:12:36 | 0:12:38 | |
Well, I just decided to, erm, accessorise a bit. | 0:12:38 | 0:12:40 | |
You look like an explosion in a glitter factory. | 0:12:40 | 0:12:43 | |
You're going to take the attention from Mand. So? | 0:12:43 | 0:12:46 | |
So! I'm Diana Ross. You're just a Supreme. | 0:12:46 | 0:12:50 | |
Well, you can't even sing her songs properly. | 0:12:50 | 0:12:52 | |
I'd like to see you try. I would, but I wouldn't want to show you up. | 0:12:52 | 0:12:55 | |
Oh, I couldn't possibly compete with one of the finest singers of her generation. | 0:12:55 | 0:12:59 | |
You know, if you want to take centre stage, knock yourself out. | 0:12:59 | 0:13:02 | |
Fine, if you insist. Good. Sorted then. | 0:13:02 | 0:13:05 | |
What's going on? | 0:13:15 | 0:13:16 | |
Don't ask. | 0:13:16 | 0:13:18 | |
Hello? Is this on? Can you turn it up? | 0:13:18 | 0:13:21 | |
Turn it up. Up! | 0:13:21 | 0:13:22 | |
Oh, that's better. | 0:13:22 | 0:13:24 | |
Are you singing a solo? | 0:13:24 | 0:13:25 | |
Yes. What's wrong with that? | 0:13:25 | 0:13:27 | |
I've heard you in the shower. | 0:13:27 | 0:13:30 | |
Yes, well, the acoustics are all wrong in the bathroom. | 0:13:30 | 0:13:32 | |
Anyway, you don't know what I'm capable of. | 0:13:32 | 0:13:34 | |
No, I'm...I'm pretty sure I do, Mum. That's...that's the problem. | 0:13:34 | 0:13:38 | |
Tonight, Matthew, I'm going to be... | 0:13:38 | 0:13:41 | |
Diana Ross. | 0:13:41 | 0:13:43 | |
Wrong show. | 0:13:43 | 0:13:45 | |
Let's get started, shall we? | 0:13:45 | 0:13:47 | |
I shall be singing "Stop, In The Name Of Love"... | 0:13:48 | 0:13:52 | |
because I can. | 0:13:52 | 0:13:53 | |
I haven't got any backing music. I don't need music. | 0:13:55 | 0:13:58 | |
No, you really do. | 0:13:58 | 0:14:00 | |
Let's get going. Shall we? | 0:14:00 | 0:14:02 | |
One, two, three, four... | 0:14:03 | 0:14:06 | |
There she is. | 0:14:10 | 0:14:12 | |
Letherbridge Longing. | 0:14:12 | 0:14:13 | |
This is the champagne of Birmingham real ale. | 0:14:14 | 0:14:18 | |
Cheers. Mud in your eye. | 0:14:24 | 0:14:25 | |
Yeah, there's... | 0:14:36 | 0:14:38 | |
Yeah. | 0:14:38 | 0:14:40 | |
I mean...there's a hint of... | 0:14:40 | 0:14:42 | |
It tastes like fertiliser. Yeah. | 0:14:42 | 0:14:45 | |
# Stop in the name of love | 0:14:45 | 0:14:48 | |
# Before you break my heart | 0:14:48 | 0:14:52 | |
# Think it oh-oh-ver | 0:14:52 | 0:14:55 | |
# Think it oh-oh-ver... # | 0:14:55 | 0:14:57 | |
Stop! | 0:14:57 | 0:14:59 | |
In the name of all that is good in the world. | 0:14:59 | 0:15:01 | |
Never have I heard such a thing in my life. | 0:15:01 | 0:15:05 | |
Oh, thank you, Mrs Tembe. | 0:15:05 | 0:15:07 | |
It was as if a cat was being strangled in a wind tunnel. | 0:15:07 | 0:15:11 | |
But worse. | 0:15:11 | 0:15:13 | |
I have never heard a human being make such a noise. | 0:15:13 | 0:15:15 | |
It is the very opposite of music. | 0:15:15 | 0:15:19 | |
How dare you speak to me like that? | 0:15:19 | 0:15:22 | |
How dare I? | 0:15:22 | 0:15:23 | |
After what you have subjected us to, I can say whatever I like. | 0:15:23 | 0:15:27 | |
Quite right, Mrs Tembe. | 0:15:27 | 0:15:29 | |
No, just wait a minute, you two. I have heard quite enough. | 0:15:29 | 0:15:33 | |
I am going to lie awake screaming at the memory of a... | 0:15:33 | 0:15:36 | |
of a cherished song being ruined for ever. | 0:15:36 | 0:15:40 | |
Exit stage left. No, no, no. Wait, wait! I'll sing another song. | 0:15:40 | 0:15:43 | |
A different song... No, no, no, no, no, no. I cannot allow that. | 0:15:43 | 0:15:48 | |
It would be irresponsible of me | 0:15:48 | 0:15:50 | |
to allow such an evil to escape into the world. | 0:15:50 | 0:15:54 | |
Fine, well, if that's what you all think, | 0:15:54 | 0:15:57 | |
then you can do the show without me. | 0:15:57 | 0:15:59 | |
No, Mum! | 0:15:59 | 0:16:00 | |
I...I...I did not mean to upset her. | 0:16:02 | 0:16:05 | |
I was just speaking my mind, like you said. | 0:16:05 | 0:16:07 | |
I do not want anyone throwing eggs at me. | 0:16:07 | 0:16:09 | |
Don't worry, Mrs Tembe. | 0:16:09 | 0:16:11 | |
That was exactly what I wanted from you. | 0:16:11 | 0:16:13 | |
Next act, please. | 0:16:13 | 0:16:14 | |
No-one has ever spoken to me like that before. | 0:16:17 | 0:16:21 | |
Really? She's doing what she's been asked to. | 0:16:21 | 0:16:23 | |
She's meant to be our resident Simon Cowell. | 0:16:23 | 0:16:25 | |
Really? Well, she wouldn't know talent if it bit her. | 0:16:25 | 0:16:28 | |
'I don't see why we couldn't just get a proper judge in. | 0:16:28 | 0:16:30 | |
'I mean someone who knows what they're talking about.' | 0:16:30 | 0:16:33 | |
Emma's mic is still on. Chris. | 0:16:33 | 0:16:34 | |
'I try and help out, and this is the thanks I get. | 0:16:34 | 0:16:36 | |
'We're doctors, not entertainers. | 0:16:36 | 0:16:39 | |
'Why we couldn't just do a raffle or something? | 0:16:39 | 0:16:42 | |
'This is going to be a shambles, a disaster!' | 0:16:42 | 0:16:44 | |
Shall we carry on? | 0:16:48 | 0:16:50 | |
# Do, re, mi, fa, sol, la... # | 0:16:51 | 0:16:54 | |
Which one's Heston's? | 0:16:54 | 0:16:55 | |
Do you know what? That's it. I've had enough. Everyone go home. | 0:16:55 | 0:16:58 | |
The show's cancelled. Come on, mate, we're nearly there. Nearly there? | 0:16:58 | 0:17:01 | |
Like the Titanic nearly made it to America? Come on, mate, it's not that bad! | 0:17:01 | 0:17:05 | |
I'll have to pay for this theatre out of my own pocket, | 0:17:05 | 0:17:07 | |
but I really don't care any more. I've had it with the lot of you. | 0:17:07 | 0:17:09 | |
Well, if nobody appreciates me, then I shall leave. | 0:17:13 | 0:17:16 | |
Emma, you left your microphone on. What? | 0:17:16 | 0:17:17 | |
Oh! | 0:17:20 | 0:17:21 | |
Did they hear? | 0:17:23 | 0:17:25 | |
Yeah. Everything. | 0:17:25 | 0:17:28 | |
Chris is saying the show's cancelled. | 0:17:28 | 0:17:30 | |
Oh, well done(!) | 0:17:30 | 0:17:33 | |
What? So, that's it? We just go home? | 0:17:33 | 0:17:35 | |
Yeah, I guess. | 0:17:35 | 0:17:37 | |
Well, don't look at me like that. It's not my fault. | 0:17:40 | 0:17:42 | |
I'm not the only one who had doubts about the show. | 0:17:42 | 0:17:45 | |
The thing is, Emma, your singing sucked! So does your attitude. | 0:17:45 | 0:17:49 | |
That's right. Blame me. | 0:17:53 | 0:17:55 | |
Make me the scapegoat. | 0:17:55 | 0:17:57 | |
All right. What can I do? | 0:18:04 | 0:18:06 | |
Are you sure about this? Yep. | 0:18:12 | 0:18:14 | |
I am sick of having to rely on other people who don't give a damn. | 0:18:14 | 0:18:17 | |
Wait. Wait. No, you can't! | 0:18:17 | 0:18:20 | |
Chris, look! I'm so sorry. | 0:18:20 | 0:18:23 | |
Yeah, right. I mean it. | 0:18:23 | 0:18:25 | |
Since you've got here, right, you have done nothing but complain. | 0:18:25 | 0:18:28 | |
And you know how important this is to me, | 0:18:28 | 0:18:30 | |
and you just couldn't care less. | 0:18:30 | 0:18:32 | |
No. I'm so proud of you for organising it. | 0:18:32 | 0:18:34 | |
Well, you've got a funny way of showing it. | 0:18:34 | 0:18:36 | |
You know what I'm like, I didn't mean the things I said, | 0:18:36 | 0:18:39 | |
I just...you know, speak first, think later. | 0:18:39 | 0:18:41 | |
You keep saying this whole show's a joke and maybe you're right. | 0:18:41 | 0:18:45 | |
The whole idea's stupid and we should just stick to what we know. | 0:18:45 | 0:18:48 | |
No, look, the whole idea was to make people laugh and to raise money. | 0:18:48 | 0:18:52 | |
And we can still do that. | 0:18:52 | 0:18:53 | |
Who cares if it's a bit rough around the edges? | 0:18:53 | 0:18:56 | |
A bit rough?! | 0:18:56 | 0:18:57 | |
Yeah, come on. We're all here now. | 0:18:57 | 0:18:59 | |
Well, you ain't going on like that, cos you'll upstage Mandy. | 0:19:03 | 0:19:07 | |
Fine. | 0:19:07 | 0:19:08 | |
I'll stand in the wings if you want, but don't throw in the towel. | 0:19:08 | 0:19:12 | |
Please? | 0:19:12 | 0:19:13 | |
Do you want another? Nah. | 0:19:19 | 0:19:21 | |
We've only had three quarters. It might be an acquired taste. | 0:19:22 | 0:19:26 | |
Yeah, so is pond water, | 0:19:26 | 0:19:27 | |
but I don't really want to try another on the off-chance. | 0:19:27 | 0:19:30 | |
Do you want to go and see the show? It's only round the corner. | 0:19:35 | 0:19:38 | |
It will be awful. | 0:19:38 | 0:19:40 | |
Yeah. Might be fun! | 0:19:40 | 0:19:42 | |
Schadenfreude! | 0:19:42 | 0:19:44 | |
If it turns out that anybody can sing, I will be severely disappointed. | 0:19:45 | 0:19:48 | |
I can pretty much guarantee you satisfaction then. | 0:19:48 | 0:19:53 | |
OK. Yeah! | 0:19:53 | 0:19:55 | |
Is the show any good? I loved it. | 0:20:07 | 0:20:09 | |
See - I told you it would be terrible. Fantastic. | 0:20:09 | 0:20:12 | |
Good evening, ladies and gentlemen. | 0:20:19 | 0:20:21 | |
I'm thrilled to see so many of you here. | 0:20:21 | 0:20:23 | |
If you have come tonight expecting an evening of comedy, | 0:20:23 | 0:20:27 | |
singing and magic, then you've come to the right place. | 0:20:27 | 0:20:31 | |
If you're in the mood for bingo tonight, | 0:20:31 | 0:20:33 | |
then that's at the church hall, which is just down the road. | 0:20:33 | 0:20:37 | |
The aim of tonight's performance is to raise money | 0:20:38 | 0:20:41 | |
for the local youth club. | 0:20:41 | 0:20:43 | |
It's been a major fixture in many of our childhoods, | 0:20:43 | 0:20:46 | |
and it would be a real tragedy to see it slip away. | 0:20:46 | 0:20:49 | |
Due to logistical reasons, we will be performing tonight's | 0:20:49 | 0:20:53 | |
show on the set of "Pirates in Toyland". | 0:20:53 | 0:20:56 | |
Unfortunately the pirates didn't make it back in time to clear the set. | 0:20:56 | 0:21:00 | |
JIMMI AND AL LAUGH | 0:21:00 | 0:21:01 | |
So, sit back, relax, and enjoy "Talent Spectacular"! | 0:21:02 | 0:21:07 | |
Ladies and gentlemen, | 0:21:13 | 0:21:16 | |
I will now saw my glamorous assistant...in half. | 0:21:16 | 0:21:23 | |
Oh, wonderful. | 0:21:23 | 0:21:24 | |
Now, this is a Freudian nightmare come true! | 0:21:26 | 0:21:28 | |
GILBERT AND SULLIVAN BACKING TRACK PLAYS | 0:21:34 | 0:21:37 | |
APPLAUSE | 0:21:52 | 0:21:54 | |
Does he always do Gilbert and Sullivan songs? | 0:21:57 | 0:21:59 | |
Yeah, I think he was at school with them. | 0:21:59 | 0:22:01 | |
Well, that was probably the worst performance of that song | 0:22:01 | 0:22:07 | |
I have heard all evening. | 0:22:07 | 0:22:09 | |
But, er, it is also the best performance I have heard of that song all evening! | 0:22:11 | 0:22:16 | |
# In the pale moonshine, our hearts entwine | 0:22:23 | 0:22:27 | |
# Where she carved her name and I carved mine | 0:22:27 | 0:22:31 | |
# Oh, June | 0:22:31 | 0:22:33 | |
# Like the mountains I'm blue | 0:22:33 | 0:22:35 | |
# Like the pine | 0:22:35 | 0:22:37 | |
# I am lonesome for you | 0:22:37 | 0:22:39 | |
LAUGHTER | 0:22:41 | 0:22:44 | |
# In the Blue Ridge Mountains of Virginia | 0:22:44 | 0:22:50 | |
# On the trail of the lonesome pine... # | 0:22:50 | 0:22:53 | |
I think I preferred them when they were silent. | 0:22:53 | 0:22:55 | |
And invisible. | 0:22:55 | 0:22:56 | |
MUSIC: "Man! I Feel Like A Woman" by Shania Twain | 0:23:13 | 0:23:16 | |
Let's go, girls! | 0:23:16 | 0:23:18 | |
If I don't survive this, tell my parents that I love them. | 0:23:18 | 0:23:21 | |
C'mon! | 0:23:21 | 0:23:22 | |
# I'm going out tonight | 0:23:24 | 0:23:26 | |
# I'm feelin' all right | 0:23:26 | 0:23:28 | |
# Gonna let it all hang out | 0:23:28 | 0:23:31 | |
# Wanna raise my voice | 0:23:31 | 0:23:34 | |
# Really make some noise | 0:23:34 | 0:23:36 | |
# Man, I'm gonna scream and shout | 0:23:36 | 0:23:40 | |
# No inhibitions, make no conditions | 0:23:43 | 0:23:47 | |
# Get a little outta line | 0:23:47 | 0:23:52 | |
# I ain't gonna act politically correct | 0:23:52 | 0:23:55 | |
# I only wanna have a good time | 0:23:55 | 0:24:00 | |
# The best thing about being a woman | 0:24:00 | 0:24:03 | |
# Is her prerogative to have a little fun, and... | 0:24:03 | 0:24:08 | |
# Oh, oh, oh, totally crazy, forget I'm a lady | 0:24:08 | 0:24:13 | |
# Men's shirts, short skirts | 0:24:13 | 0:24:15 | |
# Oh, oh, oh, really go wild, yeah | 0:24:15 | 0:24:19 | |
# Doin' it in style | 0:24:19 | 0:24:22 | |
# Oh, oh, oh, get in the action, feel the attraction | 0:24:22 | 0:24:27 | |
# Colour my hair, do what I dare | 0:24:27 | 0:24:29 | |
# Oh, oh, oh, I wanna be free, yeah | 0:24:29 | 0:24:32 | |
# To feel the way I feel | 0:24:32 | 0:24:36 | |
# Man! I feel like a woman! # | 0:24:36 | 0:24:38 | |
C'mon! Clap your hands! | 0:24:42 | 0:24:44 | |
# The best thing about being a woman | 0:24:55 | 0:24:59 | |
# Is the prerogative to have a little fun... fun... | 0:24:59 | 0:25:04 | |
# Oh, oh, oh, go totally crazy | 0:25:04 | 0:25:08 | |
# Forget I'm a lady | 0:25:08 | 0:25:10 | |
# Men's shirts, short skirts | 0:25:10 | 0:25:12 | |
# Oh, oh, oh, really go wild, yeah | 0:25:12 | 0:25:15 | |
# Doin' it in style | 0:25:15 | 0:25:18 | |
# Oh, oh, oh, get in the action | 0:25:18 | 0:25:21 | |
# Feel the attraction | 0:25:21 | 0:25:23 | |
# Colour my hair, do what I dare | 0:25:23 | 0:25:26 | |
# Oh, oh, oh, I wanna be free, yeah | 0:25:26 | 0:25:29 | |
# To feel the way I feel | 0:25:29 | 0:25:32 | |
# Man! I feel like a woman! | 0:25:34 | 0:25:37 | |
# I feel like a woman! # | 0:25:45 | 0:25:48 | |
CHEERING AND APPLAUSE | 0:25:48 | 0:25:51 | |
That is, without doubt... | 0:25:57 | 0:26:00 | |
the best performance I have seen all evening! | 0:26:00 | 0:26:03 | |
I just want to say, thank you all so much. | 0:26:20 | 0:26:22 | |
It's brilliant that so many of you have turned out tonight, | 0:26:22 | 0:26:25 | |
and we have raised £1,030 for the youth club. | 0:26:25 | 0:26:30 | |
APPLAUSE Thank you. | 0:26:30 | 0:26:33 | |
I just want to say thank you to the cast and crew, | 0:26:33 | 0:26:36 | |
but most of all, to you, the audience. | 0:26:36 | 0:26:39 | |
And... | 0:26:44 | 0:26:45 | |
..that's all, folks. | 0:26:47 | 0:26:48 | |
It's a little bit like my first day in the army. | 0:26:52 | 0:26:55 | |
Bit of adrenaline. It's a good thing. | 0:26:55 | 0:26:58 | |
Right, let's go and see...see what the day's got in store, shall we? | 0:27:00 | 0:27:04 | |
Yes, it's one of the most notorious streets in Letherbridge. | 0:27:04 | 0:27:08 | |
It's only been ten minutes and look what we've found already. | 0:27:08 | 0:27:12 | |
Nice car! | 0:27:13 | 0:27:14 | |
Subtitles by Red Bee Media Ltd | 0:27:32 | 0:27:35 |