Browse content similar to Fireworks. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
You fancy going for a late night supper, after I finish work tonight, | 0:00:28 | 0:00:32 | |
the nice Italian you like? | 0:00:32 | 0:00:33 | |
Either you've won the Lottery, or there's an offer on. | 0:00:35 | 0:00:37 | |
There's an offer on. Two-for-one. You can have olives, and everything. | 0:00:37 | 0:00:41 | |
You haven't checked the calendar, have you? | 0:00:41 | 0:00:43 | |
Cos if you'd checked the calendar, you would know I'm going out with Maggie tonight. | 0:00:43 | 0:00:46 | |
We never go out, me and you. I thought, now the kids have gone... | 0:00:46 | 0:00:49 | |
Don't say it like that, like you're glad to be rid of 'em! | 0:00:49 | 0:00:52 | |
..that we'd be living the high life. | 0:00:52 | 0:00:54 | |
I know your idea of a high life! | 0:00:54 | 0:00:56 | |
First one was the dirty weekend... | 0:00:56 | 0:00:59 | |
That was fun, wasn't it? | 0:00:59 | 0:01:01 | |
Yeah, especially the bit where you get locked out of our hotel room | 0:01:01 | 0:01:04 | |
and flashed that woman! Why do all our evenings end in disaster? | 0:01:04 | 0:01:08 | |
So you're going for a girls' night out with Maggie? | 0:01:08 | 0:01:11 | |
Oh, yeah. I'll make it up later on in the week to you. | 0:01:11 | 0:01:13 | |
How about making it up later on tonight? | 0:01:13 | 0:01:16 | |
Am I on a promise? | 0:01:17 | 0:01:19 | |
Bye! See you! | 0:01:22 | 0:01:24 | |
Hey. Hi! | 0:01:29 | 0:01:31 | |
Back to the grind. | 0:01:31 | 0:01:33 | |
Well, I don't think I'd make a very good Scandi detective. | 0:01:33 | 0:01:36 | |
You're just not gloomy enough. | 0:01:36 | 0:01:37 | |
Right, so what are we going to watch next? | 0:01:37 | 0:01:39 | |
I've got the complete Sex And The City. | 0:01:39 | 0:01:41 | |
Your face! | 0:01:41 | 0:01:44 | |
MAN BARKS LIKE A DOG | 0:01:52 | 0:01:55 | |
And give him his bowl of water. | 0:01:55 | 0:01:56 | |
It's not Bonfire Night till tomorrow. | 0:01:57 | 0:02:00 | |
It's bad enough as it is now. | 0:02:00 | 0:02:01 | |
Still, you've got some help. Oh...? | 0:02:01 | 0:02:04 | |
You've got a trainee police surgeon. They're going to shadow you. | 0:02:04 | 0:02:08 | |
Does it have to be today? Orders from on high. | 0:02:08 | 0:02:10 | |
Does it have to be me? | 0:02:10 | 0:02:12 | |
I've got enough on my plate without baby-sitting a trainee. | 0:02:12 | 0:02:14 | |
It's a she. C'mon, you know, Doc, | 0:02:14 | 0:02:16 | |
female police surgeons are like gold dust. | 0:02:16 | 0:02:18 | |
Yeah, well, they should pay me more. | 0:02:18 | 0:02:20 | |
Hi. I'm Dr Sarah Kennett. | 0:02:20 | 0:02:23 | |
Claudia, what are you doing back here again? | 0:02:23 | 0:02:25 | |
I'm looking for Sergeant Hollins? | 0:02:25 | 0:02:28 | |
Yeah, you've found him. Hello. This is Dr Emma Reid. | 0:02:28 | 0:02:31 | |
Dr Reid. Thanks for letting me shadow you. I appreciate it. | 0:02:31 | 0:02:34 | |
Oh, shut the... Don't worry about him. | 0:02:34 | 0:02:37 | |
He's one of our regulars, Ronnie Akingbola. | 0:02:37 | 0:02:39 | |
Somebody should tell him that it was Halloween last week. | 0:02:39 | 0:02:42 | |
He sounds distressed. Shouldn't we... | 0:02:42 | 0:02:44 | |
No, I've just checked on him. | 0:02:44 | 0:02:45 | |
Apart from his multiple health problems, he's no worse than usual. | 0:02:45 | 0:02:50 | |
Right, follow me. I'll show you the police surgeon's room. | 0:02:50 | 0:02:53 | |
KNOCKING | 0:02:58 | 0:02:59 | |
Hello? Hey. | 0:02:59 | 0:03:01 | |
Jimmi! | 0:03:01 | 0:03:03 | |
The official Plasden fan website! | 0:03:03 | 0:03:06 | |
I was just curious. There's some sad geeks on there. | 0:03:06 | 0:03:09 | |
Hm. Pot, kettle. | 0:03:09 | 0:03:11 | |
I'm not obsessed. Not at all. | 0:03:11 | 0:03:13 | |
Anyway, what can I do for you? | 0:03:13 | 0:03:15 | |
Susie Smart isn't playing tonight. She's on next month. Oh. | 0:03:15 | 0:03:18 | |
But there is a band called The Fellowship Of The Ping. | 0:03:18 | 0:03:21 | |
They're pretty good, so I was wondering if you wanted to come along and, er... | 0:03:21 | 0:03:24 | |
Tonight? Yeah. Well, if you've got plans, if you're going to a fireworks party or something... | 0:03:24 | 0:03:28 | |
I'd love to. | 0:03:28 | 0:03:30 | |
Taak. Taak. OK. Straight from work, | 0:03:30 | 0:03:33 | |
we'll grab some good on the way. Yeah, sounds good to me. Cool. | 0:03:33 | 0:03:37 | |
Record-keeping is essential. Every detail. | 0:03:42 | 0:03:45 | |
Of course. With the right evidence, we can solve a crime. | 0:03:45 | 0:03:49 | |
Well, medical evidence can help, | 0:03:49 | 0:03:51 | |
but the police solve the crimes. It's not CSI, you know. | 0:03:51 | 0:03:55 | |
Mostly, we're patching up drunks and junkies | 0:03:57 | 0:03:59 | |
and deciding on whether people are fit enough to interview. | 0:03:59 | 0:04:03 | |
So, why did you decide to do this? | 0:04:05 | 0:04:07 | |
Well, I work in a nice GP practice, I live in a nice area, | 0:04:09 | 0:04:12 | |
my patients are well-off. | 0:04:12 | 0:04:14 | |
Apart from being mugged outside a supermarket once, | 0:04:14 | 0:04:17 | |
I've never even met a criminal. | 0:04:17 | 0:04:18 | |
Well, if you work here, that will change. | 0:04:18 | 0:04:20 | |
I want a challenge. I've got the experience and knowledge to make a difference, so... | 0:04:20 | 0:04:24 | |
KNOCKING Come in. | 0:04:24 | 0:04:27 | |
Got a customer for you, ladies. Linda Ball. | 0:04:27 | 0:04:30 | |
In you come, Linda. | 0:04:30 | 0:04:31 | |
Hello, Linda. | 0:04:36 | 0:04:37 | |
Cheer up. | 0:04:42 | 0:04:43 | |
Why? | 0:04:43 | 0:04:46 | |
You did the right thing. She is OK, though? | 0:04:46 | 0:04:50 | |
Yes, I keep telling you! She's fine. | 0:04:50 | 0:04:53 | |
Really? | 0:04:53 | 0:04:54 | |
Yeah, really. | 0:04:54 | 0:04:56 | |
Kevin? | 0:04:57 | 0:04:58 | |
The good news is, it's not broken. | 0:05:00 | 0:05:03 | |
There's quite a bit of bruising. | 0:05:03 | 0:05:04 | |
I want him charged. | 0:05:05 | 0:05:07 | |
Why did he hit you this time? | 0:05:10 | 0:05:12 | |
Because I got the wrong type of balsamic vinegar. | 0:05:12 | 0:05:14 | |
Something always sets him off. | 0:05:16 | 0:05:18 | |
Or nothing. | 0:05:19 | 0:05:20 | |
Well, if you do want him charged, we've got the evidence. | 0:05:21 | 0:05:24 | |
Photos of your injuries. | 0:05:24 | 0:05:27 | |
All you have to do is make a statement, | 0:05:27 | 0:05:29 | |
and your husband'll be arrested. | 0:05:29 | 0:05:31 | |
And he'll be locked up? | 0:05:31 | 0:05:32 | |
If he's charged. But he may get bail. | 0:05:34 | 0:05:37 | |
But I can promise you Sergeant Hollins will do everything... | 0:05:37 | 0:05:40 | |
I can't do this. I've got to go. | 0:05:40 | 0:05:42 | |
Linda, wait. He'll kill me. | 0:05:42 | 0:05:44 | |
He can't kill you if he's locked up. | 0:05:44 | 0:05:46 | |
But he won't be, will he? | 0:05:46 | 0:05:49 | |
He'll be bailed, and you know that. | 0:05:49 | 0:05:51 | |
And if he isn't... I should never have come here. | 0:05:51 | 0:05:54 | |
Look, at least let me finish cleaning you up. | 0:05:54 | 0:05:56 | |
Then you can make a statement. | 0:05:56 | 0:05:57 | |
But I haven't got time. He's at the pub. | 0:05:57 | 0:06:00 | |
If I go now, I can get back before he gets home | 0:06:00 | 0:06:02 | |
and he'll never know I came here and everything will be all right. | 0:06:02 | 0:06:07 | |
Till the next time. | 0:06:07 | 0:06:08 | |
What are you going to do now? | 0:06:10 | 0:06:12 | |
I'll put some make-up on. | 0:06:12 | 0:06:14 | |
You'll need a good concealer. Yes, well. I've done that before. | 0:06:14 | 0:06:18 | |
Why should you lie for him? | 0:06:18 | 0:06:21 | |
But I can't leave him now. | 0:06:21 | 0:06:23 | |
We've got a dinner party tomorrow night. We've got friends coming! | 0:06:23 | 0:06:27 | |
You don't have to go back to him, | 0:06:27 | 0:06:28 | |
you don't ever have to see him again if you don't want to. | 0:06:28 | 0:06:32 | |
Linda, please let us help you. | 0:06:32 | 0:06:34 | |
But you can't. Can you? | 0:06:35 | 0:06:38 | |
You told Sigourney you can't go out with her any more | 0:06:42 | 0:06:45 | |
because you're dying of a made-up illness? | 0:06:45 | 0:06:47 | |
It was supposed to make her feel better. | 0:06:47 | 0:06:49 | |
Saying you're terminally ill? | 0:06:49 | 0:06:50 | |
Yes, so she wouldn't think that it was her fault that I couldn't... | 0:06:50 | 0:06:54 | |
I was trying to be sensitive! | 0:06:54 | 0:06:55 | |
You complete prat. | 0:06:55 | 0:06:57 | |
I feel terrible about it, OK? | 0:06:57 | 0:06:58 | |
Yeah. So terrible you're swanning off on holiday! | 0:06:58 | 0:07:01 | |
Maybe I wasn't ready for a real relationship. | 0:07:01 | 0:07:04 | |
You're 30, Kevin. When are you going to be ready? | 0:07:04 | 0:07:06 | |
Last week, she was "the one". | 0:07:06 | 0:07:08 | |
You're throwing all that away, because you have a problem. | 0:07:08 | 0:07:10 | |
It's never happened to me before. It hasn't! | 0:07:10 | 0:07:13 | |
You know it's temporary, or it can be treated, | 0:07:13 | 0:07:15 | |
but you just want to run away. | 0:07:15 | 0:07:17 | |
Take all that baggage into your next relationship ` | 0:07:17 | 0:07:19 | |
what if it happens again? I give up. | 0:07:19 | 0:07:22 | |
One thing to think about. Your clothes. My clothes? | 0:07:26 | 0:07:29 | |
Mm. You're showing a bit of cleavage. Best not to show any. | 0:07:29 | 0:07:33 | |
High-necked blouses all the way, | 0:07:33 | 0:07:34 | |
unless you want the crims looking at your boobs. | 0:07:34 | 0:07:36 | |
Oh, no, of course not. | 0:07:36 | 0:07:38 | |
Two words to gladden your heart, Doc. Big Steve. | 0:07:38 | 0:07:41 | |
He's early. Yeah. Probably thought he'd come now and beat the rush. | 0:07:41 | 0:07:44 | |
Arrested for assault, cuts and bruises. | 0:07:44 | 0:07:46 | |
I need to know how unfit he is for interview. Thanks, Rob(!) | 0:07:46 | 0:07:49 | |
Big Steve? He's harmless. Do you want to help out? | 0:07:49 | 0:07:52 | |
Sure. Anything I should know? | 0:07:52 | 0:07:54 | |
He's dying. Cirrhosis of the liver, and he's homeless. | 0:07:54 | 0:07:58 | |
And he does have a habit of throwing his faeces at people | 0:07:58 | 0:08:01 | |
when he's in a bad mood. | 0:08:01 | 0:08:02 | |
It's fine. You just need to remember to duck. | 0:08:02 | 0:08:05 | |
Jimmi Clay, what do you say, shall we go for a pint? | 0:08:15 | 0:08:20 | |
No, I can't. I'm going to a gig tonight. | 0:08:20 | 0:08:22 | |
Rock and roll... Oh, that hurts. Let's do that instead. | 0:08:22 | 0:08:25 | |
It's been ages since we've had gentlemen's day. | 0:08:25 | 0:08:28 | |
Er, I'm going with Jas. | 0:08:28 | 0:08:30 | |
Hm. All right. Well, have fun. | 0:08:30 | 0:08:35 | |
OK. | 0:08:35 | 0:08:35 | |
Yeah, OK, Karen, I'll lock up. | 0:08:38 | 0:08:40 | |
You're a star! See you tomorrow. | 0:08:40 | 0:08:43 | |
Yeah. Bye! | 0:08:43 | 0:08:46 | |
Ready? Yeah. | 0:08:46 | 0:08:49 | |
After you. | 0:08:50 | 0:08:51 | |
Ernie, this is Dr Kennett. | 0:08:58 | 0:09:01 | |
Hello. Is it raining out? | 0:09:02 | 0:09:04 | |
No. Got hosed down. | 0:09:04 | 0:09:06 | |
We've got a big office building, by the station, there's an undercroft. | 0:09:06 | 0:09:11 | |
Sometimes some of our homeless friends, they sleep there. | 0:09:11 | 0:09:13 | |
But the owners don't like it, so every now and again they bring a high-powered hose, don't they? | 0:09:13 | 0:09:18 | |
They flushed us out. | 0:09:18 | 0:09:20 | |
Is that legal? | 0:09:20 | 0:09:22 | |
It happens. Ernie, I'm going to get someone to find you some dry clothes. | 0:09:22 | 0:09:26 | |
And I'm going to get you a cup of tea. | 0:09:26 | 0:09:27 | |
Thanks, you're very kind. | 0:09:27 | 0:09:29 | |
The bloke who assaulted you. Do you know who it was? | 0:09:29 | 0:09:33 | |
He said he was going to rip out my heart. | 0:09:33 | 0:09:35 | |
Do you know his name? No. They just call him Psycho. | 0:09:35 | 0:09:39 | |
Boss, Ronnie's having a seizure. I'll see to him. | 0:09:40 | 0:09:42 | |
Thanks. You never know - he might not be faking it this time. | 0:09:42 | 0:09:45 | |
Sarah. Are you all right to carry on here? Yes, of course. | 0:09:45 | 0:09:48 | |
Don't worry, I've done this before. | 0:09:51 | 0:09:54 | |
This might sting a bit. | 0:10:00 | 0:10:02 | |
Thanks. You're very kind. | 0:10:02 | 0:10:05 | |
It's a nasty cut. | 0:10:05 | 0:10:06 | |
Are you sure you don't want to bring charges? | 0:10:06 | 0:10:09 | |
No. I deserve it. I'm a bad person. | 0:10:09 | 0:10:13 | |
I'm sure that's not true. I am. | 0:10:13 | 0:10:16 | |
I killed someone. | 0:10:16 | 0:10:17 | |
It was 1981, the year of the Royal Wedding. | 0:10:19 | 0:10:23 | |
She was such a lovely girl. | 0:10:24 | 0:10:27 | |
Who was, Ernie? | 0:10:27 | 0:10:28 | |
Princess Diana. | 0:10:29 | 0:10:30 | |
If it'd help to talk about it... | 0:10:31 | 0:10:33 | |
It was my dad. I killed my dad. | 0:10:33 | 0:10:35 | |
I was ill, see. Heard voices. | 0:10:37 | 0:10:40 | |
They weren't real, but I thought they were. | 0:10:40 | 0:10:42 | |
They said that I had to kill him. | 0:10:42 | 0:10:45 | |
I pushed him in the canal. | 0:10:45 | 0:10:48 | |
They all thought it was an accident, but it wasn't, it was me. | 0:10:48 | 0:10:52 | |
Um... | 0:10:54 | 0:10:56 | |
Ernie's just confessed to a murder. | 0:10:59 | 0:11:02 | |
We need to have a quick word. Stay there, Ernie. | 0:11:03 | 0:11:06 | |
Claudia, stop getting into so many fights! | 0:11:10 | 0:11:13 | |
If you're going to dress like a lady, at least act like one, eh? | 0:11:13 | 0:11:16 | |
Here. Your patient ` he's here all the time. | 0:11:19 | 0:11:23 | |
We call him Ernie the Confessor. | 0:11:23 | 0:11:25 | |
He's confessed to every murder that's happened and some that haven't. | 0:11:25 | 0:11:28 | |
But what if this time he's telling the truth? | 0:11:28 | 0:11:31 | |
It would've been classed as an accidental death, surely we can... | 0:11:31 | 0:11:34 | |
I know it's not true. | 0:11:34 | 0:11:35 | |
His dad is alive and well and living in an old folk's home. | 0:11:35 | 0:11:39 | |
Ernie was diagnosed with schizophrenia | 0:11:39 | 0:11:41 | |
when he was a teenager. | 0:11:41 | 0:11:42 | |
But he sounded so real. | 0:11:42 | 0:11:44 | |
You'd be surprised what people would confess to, to get a bed. | 0:11:44 | 0:11:48 | |
Who's his GP? | 0:11:48 | 0:11:50 | |
No, he sleeps rough - he hasn't got one. | 0:11:50 | 0:11:52 | |
He shuttles between hospital, the streets, prison and here. | 0:11:52 | 0:11:55 | |
There must be something we can do. | 0:11:55 | 0:11:57 | |
Take your time cleaning him up. Why? | 0:11:57 | 0:12:00 | |
He's in here for breach of the peace, | 0:12:00 | 0:12:02 | |
so the longer we all take to process him, | 0:12:02 | 0:12:04 | |
the longer he gets to stay in the warm. | 0:12:04 | 0:12:06 | |
BAAAAABBBBBE! KAZZA!! | 0:12:21 | 0:12:24 | |
Kazza! You're looking fantastic. | 0:12:24 | 0:12:28 | |
So are you ` you've lost weight. | 0:12:28 | 0:12:30 | |
I haven't. Well, not much. | 0:12:30 | 0:12:32 | |
I think this dress just makes me look slimmer. | 0:12:32 | 0:12:34 | |
I got us a table. They're doing cocktails with sparklers in. | 0:12:34 | 0:12:38 | |
Gunpowder, they call them. | 0:12:38 | 0:12:40 | |
Bring them on! | 0:12:40 | 0:12:42 | |
KNOCKING | 0:12:45 | 0:12:46 | |
Come in. | 0:12:46 | 0:12:47 | |
Right. There you are, Nell. I've put you some sugar in. | 0:12:51 | 0:12:54 | |
Thanks. | 0:12:54 | 0:12:56 | |
Now, the police will need to interview you, | 0:12:56 | 0:12:58 | |
but I need to look at your injuries first. | 0:12:58 | 0:13:01 | |
OK? | 0:13:01 | 0:13:03 | |
Ooh. I'll have to take some photographs. Will that be all right? | 0:13:07 | 0:13:12 | |
WEAKLY: Yeah, yeah. | 0:13:12 | 0:13:14 | |
OK. I know it takes a lot of courage to come in, | 0:13:14 | 0:13:17 | |
but you've done the right thing. | 0:13:17 | 0:13:20 | |
So you're going to press charges? | 0:13:20 | 0:13:22 | |
Yeah. I think so. | 0:13:22 | 0:13:24 | |
Good. What's your boyfriend's name? | 0:13:24 | 0:13:26 | |
You're going to arrest him? | 0:13:28 | 0:13:30 | |
We certainly are. | 0:13:30 | 0:13:31 | |
Paul. Paul...Miller. | 0:13:33 | 0:13:36 | |
And does he live with you? | 0:13:36 | 0:13:38 | |
Not all the time. I've never been to his place. | 0:13:38 | 0:13:42 | |
Sorry, I don't know his address... | 0:13:42 | 0:13:44 | |
That's all right. If he's on the system, we'll find him. | 0:13:44 | 0:13:47 | |
Can you describe him to me, please? | 0:13:47 | 0:13:49 | |
Er... | 0:13:50 | 0:13:51 | |
He's...very tall. | 0:13:51 | 0:13:55 | |
He's got tattoos everywhere and a scar on his forehead. | 0:13:55 | 0:13:59 | |
And he's got these... mad, like, starey eyes... | 0:14:01 | 0:14:06 | |
It's OK. Right, OK. Paul Miller. | 0:14:06 | 0:14:08 | |
Let's try and get this sorted. | 0:14:08 | 0:14:10 | |
I haven't been to a gig for ages! | 0:14:16 | 0:14:18 | |
How much do I owe you for the ticket? | 0:14:18 | 0:14:21 | |
Don't be silly. You can get them next time. | 0:14:21 | 0:14:23 | |
Next time? | 0:14:23 | 0:14:24 | |
Right, I'll get some drinks. | 0:14:24 | 0:14:26 | |
Oh, do you want me to...? Right, thanks. Cheers. | 0:14:26 | 0:14:31 | |
I think she's lying. | 0:14:35 | 0:14:36 | |
What? But you saw her injuries. | 0:14:36 | 0:14:38 | |
Oh, they're real all right. | 0:14:38 | 0:14:39 | |
I think she's lying about how she got them. | 0:14:39 | 0:14:42 | |
Or rather who gave them to her. | 0:14:42 | 0:14:44 | |
How can you say that? It's hard enough for victims of domestic abuse | 0:14:44 | 0:14:47 | |
to come forward. Look at that poor lady earlier. | 0:14:47 | 0:14:50 | |
And if no-one believes them... | 0:14:50 | 0:14:51 | |
Something's not adding up. | 0:14:51 | 0:14:53 | |
Her injuries aren't consistent with what she describes. | 0:14:53 | 0:14:57 | |
She said her boyfriend pushed her down the stairs. | 0:14:57 | 0:14:59 | |
What injuries would you expect to see? | 0:14:59 | 0:15:01 | |
Bruises and lacerations to her back, but... | 0:15:01 | 0:15:04 | |
Exactly. And there aren't any. | 0:15:04 | 0:15:06 | |
That still doesn't mean that she's... | 0:15:06 | 0:15:08 | |
Come on. The description. "Mad, starey eyes"? | 0:15:08 | 0:15:12 | |
It's just that some people who commit crimes | 0:15:12 | 0:15:15 | |
invent this fictitious villain who's done it instead. | 0:15:15 | 0:15:18 | |
They always have mad, starey eyes. | 0:15:18 | 0:15:20 | |
You think she's making it up based on that? | 0:15:20 | 0:15:22 | |
Normally, I would be very suspicious. But Paul Miller's real. | 0:15:22 | 0:15:27 | |
He's got loads of previous, including domestic violence. | 0:15:27 | 0:15:31 | |
And he matches the description. | 0:15:31 | 0:15:33 | |
So I am going to bring him in. | 0:15:33 | 0:15:35 | |
THEY LAUGH | 0:15:42 | 0:15:44 | |
There's two blokes giving us the eye over there. | 0:15:45 | 0:15:48 | |
Don't look! | 0:15:48 | 0:15:49 | |
I've got to. I'll be subtle. | 0:15:49 | 0:15:51 | |
Oh, my God, they're coming over! | 0:15:54 | 0:15:56 | |
Can I buy you two ladies a drink? | 0:15:59 | 0:16:01 | |
Sorry, lads. We're spoken for. | 0:16:01 | 0:16:03 | |
We're married. Not to each other. | 0:16:03 | 0:16:06 | |
All right, cheers. | 0:16:06 | 0:16:08 | |
Play it cool, you said. Subtle, you said! | 0:16:08 | 0:16:11 | |
We've still got it! Yeah! | 0:16:11 | 0:16:12 | |
See? That's what men want. They don't just want someone young. | 0:16:12 | 0:16:16 | |
They want women like us with a bit of maturity and confidence, | 0:16:16 | 0:16:19 | |
and experience. | 0:16:19 | 0:16:20 | |
Oh, I've got experience all right! Lots of experience. | 0:16:20 | 0:16:24 | |
All right, calm down, Paul. Get off me! I'm innocent! | 0:16:27 | 0:16:31 | |
Get off me! Calm down! Stop it! | 0:16:31 | 0:16:34 | |
Leave it out. | 0:16:34 | 0:16:36 | |
We'll talk to you when you're sober. | 0:16:36 | 0:16:38 | |
Let me out! | 0:16:43 | 0:16:45 | |
It's good news, Nell. You're safe now. | 0:16:45 | 0:16:48 | |
You've arrested him? | 0:16:49 | 0:16:51 | |
Yep, he's in custody. | 0:16:52 | 0:16:54 | |
But...how did you...? | 0:16:54 | 0:16:56 | |
That was easy. We've nicked him before. | 0:16:56 | 0:16:58 | |
I don't want to press charges. | 0:17:01 | 0:17:03 | |
Don't give up now, Nell, you've come this far. | 0:17:03 | 0:17:05 | |
I don't want to get anyone into trouble. | 0:17:05 | 0:17:07 | |
If he's hit you, he's got himself into trouble. | 0:17:07 | 0:17:09 | |
It's not your fault. | 0:17:09 | 0:17:11 | |
I can't. I can't. I'm sorry. | 0:17:11 | 0:17:13 | |
If you go back to him now, it'll get worse. | 0:17:13 | 0:17:15 | |
It always does. He could kill you. | 0:17:15 | 0:17:17 | |
He's done it to other women, not just you. | 0:17:17 | 0:17:19 | |
If you make a complaint, we can get him charged, | 0:17:19 | 0:17:21 | |
get him off the street, and he won't get away with it again. | 0:17:21 | 0:17:24 | |
He hasn't done anything, he didn't do it! Someone did. | 0:17:24 | 0:17:27 | |
I did it to myself. | 0:17:30 | 0:17:31 | |
Nell, you don't have to lie for him. | 0:17:32 | 0:17:34 | |
I'm not lying, I've never even met him! | 0:17:34 | 0:17:36 | |
So who have I got sitting in my cell? | 0:17:36 | 0:17:38 | |
I made him up. | 0:17:38 | 0:17:41 | |
I didn't know there was a real Paul Miller! | 0:17:41 | 0:17:43 | |
Testing, one, two, one, two. | 0:17:49 | 0:17:51 | |
I don't think much of the lyrics! | 0:17:51 | 0:17:53 | |
SCATTERED APPLAUSE | 0:17:53 | 0:17:55 | |
Where's this band, then? | 0:17:56 | 0:17:58 | |
They're here, I reckon. Just making us wait. Delayed gratification. | 0:17:58 | 0:18:02 | |
They're probably out the back going, "We'll give it another hour or so." | 0:18:02 | 0:18:05 | |
Do you want to play a game? It's something I do when I'm on my own. | 0:18:05 | 0:18:09 | |
OK. | 0:18:09 | 0:18:10 | |
You look at the other people in the pub and imagine what they're saying. | 0:18:10 | 0:18:14 | |
So...I'll go first. See that woman over there? | 0:18:14 | 0:18:18 | |
Yeah. | 0:18:18 | 0:18:19 | |
So... | 0:18:19 | 0:18:21 | |
RUSSIAN ACCENT: "Where is my contact? | 0:18:21 | 0:18:23 | |
"I have brought the secret codes. I am here. | 0:18:23 | 0:18:26 | |
"Maybe he has been intercepted... | 0:18:26 | 0:18:28 | |
"Oh, no, he is here. | 0:18:28 | 0:18:31 | |
"All right, duck! | 0:18:31 | 0:18:32 | |
"The Black Country's off, they were changing the barrel, | 0:18:32 | 0:18:35 | |
"but I got us some pork scratchings..." What accent is that? | 0:18:35 | 0:18:38 | |
Russian. | 0:18:38 | 0:18:40 | |
It's about as Russian as a meerkat! | 0:18:40 | 0:18:42 | |
Go on, your turn... | 0:18:42 | 0:18:44 | |
OK. Um... "I'm MASSIVELY pretentious. | 0:18:44 | 0:18:47 | |
"I do love the sound of my own voice, but then I am a genius." | 0:18:47 | 0:18:51 | |
"Oh, Neville, you're so clever. | 0:18:51 | 0:18:52 | |
"I wish I could be as profound as you." Neville?! | 0:18:52 | 0:18:55 | |
He looks like a Neville. APPLAUSE | 0:18:55 | 0:18:57 | |
Ooh, finally, something's happening. | 0:18:57 | 0:19:00 | |
Promise me - no air guitar. | 0:19:00 | 0:19:02 | |
I won't if you won't. | 0:19:02 | 0:19:04 | |
We have real victims of domestic violence who come here | 0:19:08 | 0:19:12 | |
and are in fear of their lives. | 0:19:12 | 0:19:13 | |
I'm sorry. I didn't want to get anyone into trouble. | 0:19:13 | 0:19:16 | |
You didn't think that coming to a police station | 0:19:16 | 0:19:19 | |
and making an accusation like that and giving us a name, | 0:19:19 | 0:19:21 | |
that we wouldn't go and try and find them and arrest them? | 0:19:21 | 0:19:24 | |
No. I'm so sorry. | 0:19:24 | 0:19:27 | |
You are very lucky that I don't charge you with wasting police time. | 0:19:27 | 0:19:31 | |
Just go home. | 0:19:31 | 0:19:33 | |
Wait a minute. | 0:19:33 | 0:19:35 | |
Nell... why do you think you self-harm? | 0:19:35 | 0:19:40 | |
I don't know. | 0:19:40 | 0:19:41 | |
I never used to before I came to uni. | 0:19:43 | 0:19:45 | |
Well, you're not alone. Lots of people self-harm. | 0:19:47 | 0:19:51 | |
If you can work out why, maybe you can stop. | 0:19:51 | 0:19:54 | |
I don't know anyone. | 0:19:55 | 0:19:58 | |
I can't talk to anyone. | 0:19:58 | 0:20:01 | |
You're talking to us. | 0:20:01 | 0:20:02 | |
Yeah, but...but at college. | 0:20:02 | 0:20:05 | |
I go to lectures, I do my coursework, | 0:20:05 | 0:20:09 | |
and there's days when I don't talk to anyone. | 0:20:09 | 0:20:13 | |
No-one notices. | 0:20:13 | 0:20:15 | |
Lots of students probably feel the way you do. | 0:20:15 | 0:20:18 | |
No, they don't. | 0:20:18 | 0:20:20 | |
Everyone else can hack it. It's just me that's useless. | 0:20:21 | 0:20:27 | |
You ask me why I do this to myself. Why not? | 0:20:27 | 0:20:31 | |
No-one notices. | 0:20:31 | 0:20:33 | |
Do you want them to? | 0:20:33 | 0:20:34 | |
Well, erm... | 0:20:36 | 0:20:38 | |
one person did. This lecturer. | 0:20:38 | 0:20:43 | |
She thought it was domestic violence, someone'd done this to me. | 0:20:43 | 0:20:49 | |
She was so sympathetic. | 0:20:50 | 0:20:53 | |
And you thought if you came here, we'd be sympathetic too. | 0:20:53 | 0:20:56 | |
Yeah. | 0:20:56 | 0:20:58 | |
I didn't want to accuse anyone. | 0:20:58 | 0:21:00 | |
You must think I'm mental. | 0:21:00 | 0:21:02 | |
I'm not...I'm not like this at... | 0:21:02 | 0:21:05 | |
At home I had friends. I had people I could talk to. | 0:21:05 | 0:21:09 | |
So what's changed? Apart from leaving home? | 0:21:09 | 0:21:12 | |
My dad died. | 0:21:16 | 0:21:17 | |
I'm sorry. | 0:21:18 | 0:21:20 | |
And you haven't told anyone? | 0:21:20 | 0:21:22 | |
Great conversation starter(!) | 0:21:24 | 0:21:26 | |
"What course are you doing? | 0:21:28 | 0:21:29 | |
"I'm doing IT, and oh, yeah, my dad's just died." | 0:21:29 | 0:21:33 | |
I'm sure there's a counsellor at the university | 0:21:35 | 0:21:38 | |
that you can talk to. They'll listen. | 0:21:38 | 0:21:41 | |
They won't think you're weird. Would that help? | 0:21:41 | 0:21:43 | |
See, I thought I'd mind when the kids left. | 0:21:49 | 0:21:52 | |
But Rob minded more. He really missed them. | 0:21:52 | 0:21:55 | |
Even talked about fostering at one point. Fostering? | 0:21:57 | 0:22:01 | |
I think it was a phase, a reaction. | 0:22:01 | 0:22:04 | |
Just enjoy your freedom while you've got it. | 0:22:04 | 0:22:07 | |
There'll soon be the patter of tiny feet again. | 0:22:07 | 0:22:10 | |
Do you know something I don't? | 0:22:10 | 0:22:12 | |
Grandchildren! Oh, them! | 0:22:12 | 0:22:14 | |
You'll be baby-sitting and changing nappies, reading them stories. | 0:22:14 | 0:22:20 | |
Singing Making Your Mind Up to get them to sleep. | 0:22:20 | 0:22:23 | |
I've done all that. I don't want to do it again. | 0:22:23 | 0:22:26 | |
Anyway, Jack and Immie don't seem to want kids. | 0:22:26 | 0:22:29 | |
It's not always something you plan. | 0:22:29 | 0:22:31 | |
They've got careers. We didn't have careers. | 0:22:31 | 0:22:33 | |
Speak for yourself! | 0:22:33 | 0:22:35 | |
They're so clever. | 0:22:35 | 0:22:37 | |
Oh, you know, going to uni and art college. | 0:22:37 | 0:22:41 | |
I'm so proud of them. | 0:22:43 | 0:22:45 | |
You need another drink! | 0:22:45 | 0:22:47 | |
What time is it? Oh, my days! | 0:22:48 | 0:22:52 | |
It's after ten! | 0:22:52 | 0:22:53 | |
So? Are you going to turn into a pumpkin? | 0:22:53 | 0:22:56 | |
No, I've got to phone Robert. He'll be finishing his shift. | 0:22:56 | 0:23:01 | |
I've got to ring him. | 0:23:01 | 0:23:02 | |
I can't get my glasses on! | 0:23:05 | 0:23:07 | |
You did well. | 0:23:14 | 0:23:16 | |
I've seen people take one look at this place and run away screaming. | 0:23:16 | 0:23:19 | |
And that was just the Chief Super! | 0:23:19 | 0:23:21 | |
Seriously. You've survived your first shift, that's the main thing. | 0:23:21 | 0:23:25 | |
Anyway, I've been summoned by the missus, so I better go. | 0:23:25 | 0:23:27 | |
See you soon. Might see you again. | 0:23:27 | 0:23:29 | |
I'm not fishing for compliments, but really, how did I do? | 0:23:33 | 0:23:37 | |
You did very well. | 0:23:37 | 0:23:39 | |
You obviously care about the patients, even the crims. | 0:23:40 | 0:23:44 | |
That's a novelty in itself. How did you find it? | 0:23:44 | 0:23:47 | |
I loved it. It's so interesting. Nothing's like you'd expect. | 0:23:47 | 0:23:50 | |
Mm, this place can be addictive. | 0:23:50 | 0:23:52 | |
I know I need to stop making assumptions. I need to listen more. | 0:23:52 | 0:23:56 | |
We haven't scared you off, though? | 0:23:56 | 0:23:58 | |
Not at all. Bring it on. | 0:23:58 | 0:24:00 | |
BOTH: # Like a vir-gin | 0:24:01 | 0:24:03 | |
# Touched for the very first tiiiiime | 0:24:03 | 0:24:07 | |
# Like a vir-ir-ir-ir-gin | 0:24:07 | 0:24:11 | |
# When your heart beats next to-o mine! # | 0:24:11 | 0:24:16 | |
Oh, there's Rob. All right, Rob? Hiya! | 0:24:16 | 0:24:19 | |
Aw! Kazza. Ba-abe! | 0:24:19 | 0:24:22 | |
THEY GIGGLE | 0:24:22 | 0:24:24 | |
How are you getting home, Maggie? I've got a taxi, it's all right. | 0:24:24 | 0:24:27 | |
Are you sure? Yeah! | 0:24:27 | 0:24:29 | |
Be careful. Bye! | 0:24:29 | 0:24:31 | |
How many have you had? | 0:24:34 | 0:24:35 | |
I'm not drunk! Only had a cockle-a...couple... | 0:24:35 | 0:24:38 | |
couple of cocktails! | 0:24:38 | 0:24:40 | |
Really? So why are you trying to get in the driver's side? | 0:24:40 | 0:24:43 | |
Oh! Go on, get round. I'll reverse so you can get in. | 0:24:43 | 0:24:46 | |
You're bossy. | 0:24:46 | 0:24:48 | |
I'll make it up to you. | 0:24:48 | 0:24:51 | |
Karen, go on! Go! | 0:24:51 | 0:24:52 | |
Oh, flaming Ada! Oh! | 0:24:57 | 0:24:59 | |
HE STARTS ENGINE | 0:24:59 | 0:25:01 | |
Karen? | 0:25:09 | 0:25:10 | |
SHE GROANS Are you all right? | 0:25:10 | 0:25:12 | |
Agh! You said I was drunk! | 0:25:12 | 0:25:15 | |
You ran me over! | 0:25:15 | 0:25:17 | |
SHE GIGGLES | 0:25:18 | 0:25:21 | |
Come on. | 0:25:21 | 0:25:23 | |
It's been a brilliant evening. Yeah. | 0:25:23 | 0:25:25 | |
Thank you for asking me. Well, I'm glad I did. | 0:25:25 | 0:25:29 | |
HOOTING That'll be my cab. | 0:25:32 | 0:25:35 | |
Yeah. Just give me a text when you're back, | 0:25:35 | 0:25:39 | |
so I know you're safe. | 0:25:39 | 0:25:40 | |
Yeah. See you tomorrow. OK. See you. | 0:25:40 | 0:25:45 | |
I know I hit you because I heard it. | 0:25:48 | 0:25:50 | |
You didn't. It's just my shoulder... | 0:25:50 | 0:25:52 | |
Yeah, well, I hope nothing's broken. | 0:25:52 | 0:25:54 | |
I'm fine, I'm just bladdered and I want to go home. | 0:25:56 | 0:26:00 | |
I think we should go to A | 0:26:00 | 0:26:02 | |
We'll be there all night! I want to sleep in my own bed. | 0:26:02 | 0:26:06 | |
Let's just make sure. Go on, we'll get it checked over properly. | 0:26:06 | 0:26:10 | |
I'm HCA-trained. | 0:26:10 | 0:26:13 | |
I'd know if there's something wrong. | 0:26:13 | 0:26:16 | |
There's loads of doctors at work. I'll get them to check me over | 0:26:16 | 0:26:20 | |
if you're still worried, OK? | 0:26:20 | 0:26:22 | |
Stop fussing, please, let's go home. | 0:26:22 | 0:26:26 | |
SHE GIGGLES | 0:26:29 | 0:26:32 | |
Wait till I tell the kids! | 0:26:32 | 0:26:35 | |
"Your dad ran me over." | 0:26:35 | 0:26:36 | |
You're never going to let me forget this, are you? | 0:26:38 | 0:26:41 | |
Not on your life, sunshine! | 0:26:41 | 0:26:43 | |
Scared the bloody life out of me, woman! | 0:26:45 | 0:26:48 | |
If you don't get a move on, you're going to be late for work. | 0:26:56 | 0:26:59 | |
Get up! | 0:26:59 | 0:27:00 | |
Is the environmental inspection happening today or not? | 0:27:00 | 0:27:03 | |
We're the only ones that should know about this. Nobody else. | 0:27:03 | 0:27:06 | |
Don't worry. Your dirty little secret is safe with me. | 0:27:06 | 0:27:10 | |
It's more serious than we thought. | 0:27:10 | 0:27:12 | |
A lot more serious. | 0:27:14 | 0:27:15 | |
Subtitles by Red Bee Media Ltd | 0:27:20 | 0:27:23 | |
# One, two, three, four... # | 0:27:47 | 0:27:48 | |
A family memoir that captured the hearts of millions. | 0:27:48 | 0:27:52 |