Browse content similar to What Needs to be Done. Check below for episodes and series from the same categories and more!
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OK. | 0:00:31 | 0:00:32 | |
OK, I'll be there. 1:00. | 0:00:37 | 0:00:41 | |
I better go. | 0:00:45 | 0:00:48 | |
No, it's OK, I'll find it. I've got the postcode. | 0:00:48 | 0:00:52 | |
Yeah. | 0:00:52 | 0:00:53 | |
You off to the hospital? | 0:01:07 | 0:01:08 | |
Ah, yes, I am just waiting for my chauffeur. | 0:01:08 | 0:01:10 | |
Chauffeur? | 0:01:10 | 0:01:12 | |
Dr Carter has very kindly offered to drive me | 0:01:12 | 0:01:15 | |
to collect my new house guest. | 0:01:15 | 0:01:17 | |
You must be a bit nervous? | 0:01:17 | 0:01:18 | |
Why would I be nervous? | 0:01:18 | 0:01:21 | |
Karen's been through a lot. | 0:01:21 | 0:01:23 | |
It's not going to be easy sharing a house with her. | 0:01:23 | 0:01:26 | |
This arrangement is not for ever. | 0:01:26 | 0:01:30 | |
In the meantime, it has fallen on me to make sure that she is happy | 0:01:30 | 0:01:34 | |
and comfortable and I will do everything in my power to | 0:01:34 | 0:01:38 | |
make sure that happens. | 0:01:38 | 0:01:40 | |
See you. | 0:01:40 | 0:01:41 | |
Did she go straight off? | 0:01:47 | 0:01:49 | |
Yeah, she's sound asleep. | 0:01:49 | 0:01:51 | |
Where are you meeting him? | 0:01:53 | 0:01:55 | |
What difference does that make? | 0:01:55 | 0:01:57 | |
I just want to know. | 0:01:58 | 0:02:00 | |
I think you should just let me get on with it. Yeah? | 0:02:00 | 0:02:03 | |
You're right. I'm sorry. | 0:02:06 | 0:02:08 | |
I think it's amazing that you're doing this. | 0:02:11 | 0:02:13 | |
Dennis, I don't want to talk about it. | 0:02:13 | 0:02:15 | |
Sergeant Hollins has dropped some of your clothes off at my house | 0:02:18 | 0:02:22 | |
and Dr Carter has very kindly offered to be our chauffeur. | 0:02:22 | 0:02:25 | |
Trust me. | 0:02:31 | 0:02:32 | |
Everything will be fine. | 0:02:32 | 0:02:35 | |
Have you said your goodbyes to all the doctors and nurses? | 0:02:35 | 0:02:38 | |
The nice ones. | 0:02:38 | 0:02:40 | |
It's a routine appointment, really, to see how things are going. | 0:02:52 | 0:02:55 | |
Well, Yasmin's asleep. | 0:02:55 | 0:02:57 | |
How's she doing? | 0:02:57 | 0:02:59 | |
As well as can be expected. | 0:02:59 | 0:03:00 | |
I've looked at the notes. | 0:03:00 | 0:03:02 | |
There doesn't seem to be any new developments? | 0:03:02 | 0:03:04 | |
Not really. | 0:03:04 | 0:03:05 | |
This visit's as much about you two as anything else. | 0:03:05 | 0:03:07 | |
I appreciate your concern, | 0:03:07 | 0:03:09 | |
but I'm not exactly sure what you can do for us. | 0:03:09 | 0:03:12 | |
Are you coping OK? | 0:03:12 | 0:03:13 | |
Do we have a choice? | 0:03:13 | 0:03:14 | |
There's help if you need it. | 0:03:14 | 0:03:16 | |
We know all about the help that's available. | 0:03:16 | 0:03:18 | |
Unfortunately, it's not what we need. | 0:03:18 | 0:03:20 | |
We'll be fine, Dr Clay. | 0:03:20 | 0:03:22 | |
I'm really sorry but I need to be somewhere. | 0:03:24 | 0:03:28 | |
At least wait until the doctor's gone. | 0:03:28 | 0:03:29 | |
I said I'd be there for one. | 0:03:29 | 0:03:31 | |
Look, I'll see you when I get back. | 0:03:31 | 0:03:34 | |
You'll have to excuse me, Doctor. | 0:03:34 | 0:03:36 | |
MAN TALKS ON RADIO | 0:03:44 | 0:03:46 | |
-Do we have to listen to all this talking? -Of course not. | 0:03:46 | 0:03:49 | |
How boring. | 0:03:49 | 0:03:50 | |
You'd think they'd get fed up of the sound of their own voices. | 0:03:50 | 0:03:53 | |
Double boring. | 0:03:53 | 0:03:55 | |
DANCE MUSIC PLAYS | 0:03:55 | 0:03:58 | |
-What the hell is that? -Language, please. | 0:03:58 | 0:04:01 | |
MUSIC: "I Feel For You" by Chaka Khan | 0:04:01 | 0:04:04 | |
Ooh, I know this one. | 0:04:04 | 0:04:06 | |
# I feel for you | 0:04:07 | 0:04:11 | |
# I think I love you | 0:04:11 | 0:04:14 | |
-BOTH: -# I feel for you | 0:04:15 | 0:04:18 | |
# I think I love you | 0:04:18 | 0:04:21 | |
# Chaka Khan, let me rock you | 0:04:23 | 0:04:24 | |
# Let me rock you, Chaka Khan | 0:04:24 | 0:04:25 | |
# Chaka Khan, that's all I wanna do | 0:04:25 | 0:04:27 | |
# Chaka Khan, let me rock you Let me rock you, Chaka Khan... # | 0:04:27 | 0:04:29 | |
This must be putting an incredible strain on you both. | 0:04:29 | 0:04:32 | |
It might help to talk about it. | 0:04:32 | 0:04:34 | |
What good will talking do? | 0:04:35 | 0:04:37 | |
Might spread the burden a bit? | 0:04:37 | 0:04:39 | |
I do know what you're going through. | 0:04:39 | 0:04:41 | |
You've watched your kid slowly die in front of you? | 0:04:43 | 0:04:46 | |
Sorry. | 0:04:48 | 0:04:50 | |
A child on the transplant list is about as stressful as it gets. | 0:04:51 | 0:04:54 | |
I understand the pressure you're under. | 0:04:54 | 0:04:57 | |
BABY CRIES IN OTHER ROOM | 0:04:57 | 0:05:00 | |
What about the pressure of knowing your wife's about to go | 0:05:02 | 0:05:04 | |
and sleep with another man? | 0:05:04 | 0:05:06 | |
Do you understand that as well? | 0:05:06 | 0:05:08 | |
Here we are. | 0:05:18 | 0:05:21 | |
Home sweet home. | 0:05:21 | 0:05:23 | |
-Welcome to my humble abode. -It's nice. | 0:05:23 | 0:05:26 | |
I hope you'll be very happy here. | 0:05:26 | 0:05:29 | |
As the Spanish say, mi casa su casa. | 0:05:29 | 0:05:32 | |
Eh? | 0:05:33 | 0:05:34 | |
It means make yourself at home. Help yourself to anything you need. | 0:05:34 | 0:05:39 | |
Within reason, of course. | 0:05:39 | 0:05:42 | |
Let's start the tour with the living room. | 0:05:42 | 0:05:46 | |
Oh, lovely. You can never have too many cushions. | 0:05:46 | 0:05:50 | |
You and I will be like flatmates. | 0:05:53 | 0:05:57 | |
We'll have ladies' nights in with "chips and dips". | 0:05:57 | 0:06:00 | |
And maybe we can find some music that we both like. | 0:06:00 | 0:06:04 | |
Sounds great. | 0:06:04 | 0:06:06 | |
Let me show you to your room. | 0:06:06 | 0:06:09 | |
She OK? | 0:06:16 | 0:06:18 | |
She's fine. | 0:06:18 | 0:06:19 | |
When did Sophie start having this affair? | 0:06:20 | 0:06:23 | |
It's not an affair. | 0:06:23 | 0:06:25 | |
OK. | 0:06:25 | 0:06:27 | |
It's the first time. | 0:06:27 | 0:06:28 | |
Doesn't make it all right though, does it? | 0:06:30 | 0:06:33 | |
And we agreed to it. | 0:06:33 | 0:06:34 | |
Why would you do that? | 0:06:35 | 0:06:37 | |
It's complicated. | 0:06:38 | 0:06:40 | |
And we said we wouldn't talk to anybody else about it. | 0:06:40 | 0:06:42 | |
Well, you're clearly not comfortable with your decision, | 0:06:42 | 0:06:45 | |
whatever you decided. | 0:06:45 | 0:06:47 | |
It's too late. She's gone. | 0:06:47 | 0:06:49 | |
So call her. Tell her you've changed your mind. | 0:06:49 | 0:06:51 | |
She won't answer. | 0:06:51 | 0:06:53 | |
She doesn't change her mind once it's made up. | 0:06:54 | 0:06:56 | |
-You two should be supporting each other right now. -We are. | 0:06:56 | 0:06:59 | |
I don't... | 0:07:02 | 0:07:03 | |
Do you really think things will be the same after this? | 0:07:05 | 0:07:08 | |
It's too late. | 0:07:08 | 0:07:09 | |
I don't even know where she's gone. | 0:07:10 | 0:07:12 | |
Unless... | 0:07:12 | 0:07:13 | |
..could you look after Yasmin for a minute? | 0:07:16 | 0:07:18 | |
Dennis... | 0:07:18 | 0:07:20 | |
I'll only be a few minutes. | 0:07:20 | 0:07:22 | |
Heston Carter. | 0:07:37 | 0:07:38 | |
-Here's your script for today. Take a seat. -Thank you. | 0:07:38 | 0:07:42 | |
It's really nice. | 0:07:55 | 0:07:58 | |
You don't like it? | 0:07:58 | 0:07:59 | |
Yeah, it's great. It's just... | 0:07:59 | 0:08:02 | |
-What? -Where's the TV? | 0:08:02 | 0:08:04 | |
There is a television downstairs. | 0:08:04 | 0:08:05 | |
I know that, but what if we don't want to watch the same programmes? | 0:08:05 | 0:08:08 | |
-I bet you don't watch Top Of The Pops? -Top of the what? | 0:08:08 | 0:08:11 | |
See? | 0:08:11 | 0:08:12 | |
I do not think it's a good idea to lock yourself away | 0:08:12 | 0:08:15 | |
in your bedroom watching television, it is not healthy for you. | 0:08:15 | 0:08:18 | |
I'm not talking about locking myself away. | 0:08:18 | 0:08:20 | |
I'm just saying that I might need some space now and then. | 0:08:20 | 0:08:23 | |
We can see about getting you a television. | 0:08:24 | 0:08:27 | |
You rock, Mrs T. | 0:08:27 | 0:08:29 | |
Thank you. I think. | 0:08:29 | 0:08:31 | |
What? | 0:08:36 | 0:08:37 | |
It's nothing. | 0:08:37 | 0:08:40 | |
-It's just your youthful enthusiasm, it reminds me of someone. -Who? | 0:08:40 | 0:08:45 | |
Imogen. Your daughter. | 0:08:45 | 0:08:47 | |
I don't know about you, but my tummy is rumbling. | 0:08:53 | 0:08:56 | |
Perhaps you could come and help me to prepare some lunch? | 0:08:56 | 0:09:00 | |
I really need to be going soon. | 0:09:04 | 0:09:06 | |
-I won't be long. -What exactly are you doing? | 0:09:06 | 0:09:08 | |
She put the address into the maps page. I'm checking the history. | 0:09:08 | 0:09:11 | |
Then what? | 0:09:11 | 0:09:14 | |
-You told me I should stop her. -No, I didn't. | 0:09:14 | 0:09:16 | |
Do you really want to confront her while she's with him? | 0:09:16 | 0:09:18 | |
-Things could get nasty. -Bingo. | 0:09:18 | 0:09:20 | |
OK, so we'll take it from the top. | 0:09:22 | 0:09:24 | |
The Ugly Sisters are lost, they've just been chased by Jordan, | 0:09:24 | 0:09:28 | |
the creature in the woods. | 0:09:28 | 0:09:29 | |
Yes, Jordan, "the creature in the woods". | 0:09:29 | 0:09:31 | |
That's a reference to the glamour model. | 0:09:31 | 0:09:34 | |
Isn't it hilarious? | 0:09:34 | 0:09:35 | |
So, I'll read the part of Sharon. | 0:09:35 | 0:09:38 | |
You read the part of Tracy, the eldest of the Ugly Sisters. | 0:09:38 | 0:09:40 | |
-Got it? -Yeah, I think so. | 0:09:40 | 0:09:42 | |
We'll go right up to the part where they buy the golden beans | 0:09:42 | 0:09:44 | |
from Danny Dyer. | 0:09:44 | 0:09:45 | |
Yes, I wasn't entirely sure who Danny Dyer is? | 0:09:45 | 0:09:48 | |
You know. | 0:09:48 | 0:09:49 | |
-COCKNEY ACCENT: -Danny Dyer, he's a geezer, don't mug me off, | 0:09:49 | 0:09:54 | |
jog on, you mug. | 0:09:54 | 0:09:56 | |
Maybe we should just crack on? | 0:09:56 | 0:09:58 | |
Yeah, of course. | 0:09:59 | 0:10:01 | |
I think you start. | 0:10:02 | 0:10:03 | |
Of course, of course. | 0:10:03 | 0:10:05 | |
"Ooh, whatever are we to do, two ladies, | 0:10:06 | 0:10:09 | |
"alone and lost in the woods?" | 0:10:09 | 0:10:11 | |
With that awful creature lurking. | 0:10:11 | 0:10:13 | |
If only we had a strong man with a big weapon to take us the right way. | 0:10:13 | 0:10:18 | |
Or the wrong way even, any way would do. | 0:10:18 | 0:10:21 | |
But you never can find a strong man when you need him. | 0:10:21 | 0:10:23 | |
Especially one with a big weapon. | 0:10:23 | 0:10:25 | |
So we must carry on. | 0:10:25 | 0:10:27 | |
Two innocent damsels, blindly thrusting in the darkness. | 0:10:27 | 0:10:31 | |
What's the problem? That was great. | 0:10:31 | 0:10:34 | |
I'm just a bit concerned. | 0:10:34 | 0:10:36 | |
Do you think this is appropriate for a family audience? | 0:10:36 | 0:10:40 | |
Why wouldn't it be? | 0:10:40 | 0:10:41 | |
All this cheap innuendo. It's a bit misogynistic, isn't it? | 0:10:41 | 0:10:45 | |
And references to obscure celebrities... | 0:10:45 | 0:10:49 | |
That's what pantomimes are all about. It's just a bit of fun. | 0:10:49 | 0:10:52 | |
Well, I'm all for a bit of fun. | 0:10:52 | 0:10:53 | |
And I can appreciate what the writer is attempting... | 0:10:53 | 0:10:55 | |
"Attempting"? | 0:10:55 | 0:10:57 | |
..but pantomime is a very specific art. | 0:10:57 | 0:11:01 | |
It's post-modern. | 0:11:02 | 0:11:03 | |
And you were doing fine. | 0:11:03 | 0:11:05 | |
Now, can we carry on with the reading? | 0:11:05 | 0:11:08 | |
Yes, of course. Where were we? | 0:11:09 | 0:11:13 | |
I'm sorry, Dr Clay. | 0:11:13 | 0:11:14 | |
I need you to look after Yasmin for a little while. This is important. | 0:11:14 | 0:11:17 | |
-Oh, come on! -I'll be back as soon as I can. | 0:11:17 | 0:11:19 | |
-Dennis, wait! -I can't let this happen, you're right. | 0:11:19 | 0:11:22 | |
If that man lays a hand on my wife, I'll kill him. | 0:11:22 | 0:11:24 | |
Dennis... | 0:11:24 | 0:11:26 | |
PAN SIZZLES | 0:11:38 | 0:11:41 | |
-Are you not going to lend a hand? -Can't cook. | 0:11:47 | 0:11:50 | |
Well, perhaps it is time you learned. | 0:11:50 | 0:11:52 | |
My mum used to do all the cooking. | 0:11:52 | 0:11:54 | |
Cooking is one of life's simple pleasures. | 0:11:55 | 0:11:59 | |
Perhaps now is a time that you experienced it. | 0:11:59 | 0:12:03 | |
Come, start stirring. | 0:12:03 | 0:12:05 | |
Very good. Good. | 0:12:09 | 0:12:12 | |
You should start to enjoy the aromas and the colours. | 0:12:12 | 0:12:17 | |
What is it anyway? | 0:12:17 | 0:12:19 | |
It is chicken fajitas. Nurse Marquez told me about it. | 0:12:19 | 0:12:21 | |
She says she makes them for her friends all the time. | 0:12:21 | 0:12:25 | |
The recipe is all the way from Mexico. | 0:12:25 | 0:12:28 | |
Mexico? | 0:12:28 | 0:12:29 | |
Alas, what's that noise? | 0:12:31 | 0:12:33 | |
It's the volcano. I fear it may be about to erupt prematurely. | 0:12:33 | 0:12:38 | |
Don't you just hate it when that happens? | 0:12:38 | 0:12:40 | |
And Jordan, the creature from the woods, is fast approaching. | 0:12:40 | 0:12:43 | |
Why don't we hide in this simple shack until the danger passes? | 0:12:43 | 0:12:48 | |
That's a fine idea, but the door is stuck fast. | 0:12:48 | 0:12:50 | |
Just grab the knob and pull it hard. | 0:12:50 | 0:12:54 | |
You've clearly done that before. | 0:12:54 | 0:12:56 | |
What's wrong now? | 0:12:57 | 0:12:58 | |
I'm sorry, but the material is entirely inappropriate. | 0:12:58 | 0:13:01 | |
The writer doesn't have a modicum of talent. | 0:13:01 | 0:13:04 | |
A modicum? | 0:13:04 | 0:13:05 | |
-A small amount... -I know what it means. | 0:13:05 | 0:13:07 | |
He doesn't understand the history | 0:13:07 | 0:13:08 | |
and tradition of the British pantomime. | 0:13:08 | 0:13:11 | |
It's puerile and he should be ashamed of himself. | 0:13:11 | 0:13:13 | |
Perhaps "he" was aiming to create a pantomime with a difference? | 0:13:13 | 0:13:16 | |
Well, difference doesn't always mean "better". | 0:13:16 | 0:13:19 | |
Is it too late to give him some notes? | 0:13:19 | 0:13:21 | |
Or get him to rewrite the whole thing? | 0:13:21 | 0:13:23 | |
The man is clearly an imbecile. | 0:13:23 | 0:13:26 | |
Oh. | 0:13:26 | 0:13:28 | |
-You wrote this? -Next! | 0:13:28 | 0:13:31 | |
PHONE RINGS | 0:13:53 | 0:13:56 | |
VOICEMAIL: 'Dennis. It's me. | 0:13:58 | 0:14:01 | |
'I've thought of another way. | 0:14:01 | 0:14:03 | |
'I don't have to do it. We can still get the money. | 0:14:03 | 0:14:06 | |
'Just come to 7 Chambers Street and wait outside in case I need backup. | 0:14:06 | 0:14:11 | |
'He might get a bit angry.' | 0:14:11 | 0:14:13 | |
Sophie. Wait. | 0:14:13 | 0:14:15 | |
HE SIGHS | 0:14:20 | 0:14:22 | |
Looks like Uncle Jimmi is taking you on a trip... | 0:14:27 | 0:14:32 | |
..to stop your parents getting into trouble. | 0:14:34 | 0:14:38 | |
And we need to find out what the hell is going on. | 0:14:38 | 0:14:41 | |
And now to enjoy the fruits of our labour. | 0:14:43 | 0:14:47 | |
What are you supposed to do with it? | 0:14:47 | 0:14:48 | |
I will show you. | 0:14:48 | 0:14:50 | |
It is quite simple when you know what you're doing. | 0:14:50 | 0:14:54 | |
Where's the cutlery? | 0:14:56 | 0:14:58 | |
Ah, this is the thing. With fajitas, you do not need cutlery. | 0:14:58 | 0:15:03 | |
It is important for you to try new things. | 0:15:05 | 0:15:08 | |
Even if they are strange at first. | 0:15:08 | 0:15:12 | |
The only things I eat with my fingers are sandwiches and chips. | 0:15:12 | 0:15:16 | |
Well, it is time for you to expand your horizons. | 0:15:16 | 0:15:20 | |
You found me OK then? | 0:15:41 | 0:15:43 | |
Looks like it. | 0:15:43 | 0:15:44 | |
Well, I'm certainly glad about that. | 0:15:46 | 0:15:48 | |
I've been looking forward to spending some time with you. | 0:15:48 | 0:15:50 | |
Can I get you a drink of something? | 0:15:50 | 0:15:52 | |
No, I'm fine, thanks. | 0:15:52 | 0:15:54 | |
Surely you'll have a little something to loosen you up a bit? | 0:15:54 | 0:15:57 | |
Honestly. | 0:15:57 | 0:15:59 | |
Suit yourself. | 0:15:59 | 0:16:00 | |
Actually, a glass of wine would be great. | 0:16:02 | 0:16:05 | |
Of course. Pinot Grigio OK? | 0:16:05 | 0:16:07 | |
I'll be right back. | 0:16:09 | 0:16:11 | |
Can I use the bathroom? | 0:16:11 | 0:16:13 | |
Of course, of course. First on the left. | 0:16:13 | 0:16:15 | |
Sorry, all I'm saying is that pantomime is a great | 0:16:28 | 0:16:31 | |
British tradition and we should show it a little more respect. | 0:16:31 | 0:16:34 | |
Perhaps you should concentrate on learning to deliver your own | 0:16:34 | 0:16:38 | |
lines properly and let writers worry about the actual writing. | 0:16:38 | 0:16:41 | |
I'm trying to apologise here. | 0:16:41 | 0:16:42 | |
One should never apologise for a lack of ability. | 0:16:42 | 0:16:44 | |
That's not... Look, | 0:16:44 | 0:16:45 | |
pantomime is often children's first experience of theatre. | 0:16:45 | 0:16:49 | |
Think of the damage you could inflict with this rubbish. | 0:16:49 | 0:16:53 | |
It's understandable that someone of your vintage might not | 0:16:53 | 0:16:56 | |
-appreciate a more modern take on an older format. -I beg your pardon? | 0:16:56 | 0:17:00 | |
I'm sure Tim Burton faced similar slings and arrows | 0:17:00 | 0:17:02 | |
when he reinvented Alice In Wonderland. | 0:17:02 | 0:17:04 | |
But real artists don't allow themselves to get | 0:17:04 | 0:17:07 | |
bogged down by out-dated tradition. | 0:17:07 | 0:17:08 | |
Real artists do not rely on cheap innuendo and references | 0:17:08 | 0:17:12 | |
to B-list celebrities. | 0:17:12 | 0:17:14 | |
They use their art and their craft to move people. | 0:17:14 | 0:17:16 | |
You're just going to move people to the exit signs. | 0:17:16 | 0:17:19 | |
Who do you think you are? | 0:17:19 | 0:17:21 | |
Some wannabe sophisticate in some dreadful backwater, | 0:17:21 | 0:17:24 | |
trying to lecture me on art and the theatre?! | 0:17:24 | 0:17:26 | |
Well, somebody has to, clearly you don't understand both. | 0:17:26 | 0:17:29 | |
How dare you! | 0:17:29 | 0:17:30 | |
How dare you inflict this drivel on a paying audience! | 0:17:30 | 0:17:34 | |
Good luck with your sordid little show, you're going to need it. | 0:17:34 | 0:17:38 | |
I am born for the theatre, you will not deter me | 0:17:40 | 0:17:43 | |
with your slings and arrows. | 0:17:43 | 0:17:45 | |
-Here you go. -Thanks. | 0:18:00 | 0:18:02 | |
Now, how about we retire to the living room? | 0:18:02 | 0:18:05 | |
Of course. | 0:18:06 | 0:18:08 | |
Relax, Sophie. We've known each other long enough, haven't we? | 0:18:08 | 0:18:12 | |
I want us both to try and enjoy this. | 0:18:13 | 0:18:15 | |
You might even surprise yourself. | 0:18:15 | 0:18:17 | |
I used to watch you. | 0:18:19 | 0:18:21 | |
Every morning as you came into the office. | 0:18:21 | 0:18:23 | |
I was devastated when you handed in your notice | 0:18:23 | 0:18:26 | |
and just disappeared without even a goodbye. | 0:18:26 | 0:18:29 | |
Then, I saw your advert and... | 0:18:30 | 0:18:32 | |
..I knew my dreams had come true. | 0:18:34 | 0:18:37 | |
If I go through with this, | 0:18:38 | 0:18:41 | |
you're definitely going to give us the money, right? | 0:18:41 | 0:18:44 | |
I'm a man of my word. | 0:18:44 | 0:18:46 | |
It's not ideal that your unfortunate predicament is a factor in this | 0:18:46 | 0:18:50 | |
but at least this way, everyone benefits. | 0:18:50 | 0:18:53 | |
I get to help you out with your problem | 0:18:53 | 0:18:55 | |
and we get to spend a pleasant few hours together. | 0:18:55 | 0:18:57 | |
Come on now. | 0:19:13 | 0:19:14 | |
Coy is only alluring for so long. | 0:19:14 | 0:19:18 | |
Can I have the money first? | 0:19:22 | 0:19:24 | |
Let's stop all this talk about finance. | 0:19:24 | 0:19:26 | |
It's a bit of a passion-killer, if you ask me. | 0:19:26 | 0:19:28 | |
I've waited a long time for this. | 0:19:28 | 0:19:30 | |
-I don't want to do this. -I beg your pardon? | 0:19:33 | 0:19:36 | |
I'm leaving. | 0:19:36 | 0:19:37 | |
You really think it's that simple? What about your daughter? | 0:19:37 | 0:19:41 | |
I just want to go now. | 0:19:41 | 0:19:42 | |
I've waited years for this. You're going nowhere. | 0:19:43 | 0:19:46 | |
Let go of me. | 0:19:46 | 0:19:48 | |
We had a deal and we're sticking to it. | 0:19:48 | 0:19:50 | |
Well, I've changed my mind. Let me go. | 0:19:50 | 0:19:53 | |
Or what? | 0:19:53 | 0:19:54 | |
I'll scream. | 0:19:54 | 0:19:55 | |
You can scream all you want. Nobody will hear you. | 0:19:55 | 0:19:58 | |
Ow! | 0:19:58 | 0:19:59 | |
-'Sophie?!' -Dennis! | 0:19:59 | 0:20:01 | |
PHONE RINGS | 0:20:03 | 0:20:06 | |
Excuse me. | 0:20:06 | 0:20:08 | |
Yes, hello? | 0:20:10 | 0:20:11 | |
Oh, no. | 0:20:13 | 0:20:15 | |
No, no, no. I think you have the wrong number. | 0:20:15 | 0:20:18 | |
No, no, there is no problem. | 0:20:18 | 0:20:21 | |
Thank you. Yes, goodbye. | 0:20:21 | 0:20:23 | |
Now that is what I like to see. | 0:20:27 | 0:20:31 | |
You should have some more. | 0:20:31 | 0:20:33 | |
-I'm stuffed, thanks. -Are you sure? | 0:20:33 | 0:20:35 | |
Couldn't eat another bite. | 0:20:35 | 0:20:37 | |
Well, as long as you're sure? | 0:20:37 | 0:20:39 | |
Because a hearty, | 0:20:39 | 0:20:40 | |
home-cooked meal can only help with the recovery process. | 0:20:40 | 0:20:44 | |
Now, I think I have some yoghurt. | 0:20:44 | 0:20:47 | |
MUFFLED SCREAMING | 0:20:50 | 0:20:53 | |
-Are you OK? -Where's Yasmin? | 0:20:54 | 0:20:56 | |
I left her with the doctor. | 0:20:56 | 0:20:57 | |
-We had a deal. -And now we don't. | 0:20:57 | 0:20:59 | |
-I ought to smash your face in. -Dennis, please, just don't. | 0:20:59 | 0:21:02 | |
It won't do your precious little girl any good to have her | 0:21:02 | 0:21:05 | |
-daddy in jail now, will it? -You don't talk about her. | 0:21:05 | 0:21:07 | |
You don't mention her again, do you understand me? | 0:21:07 | 0:21:09 | |
Just let go of me and leave. Nothing more will be said. | 0:21:09 | 0:21:12 | |
Just let him go, Dennis. You don't need to do this. | 0:21:12 | 0:21:15 | |
Hello? Dennis! Dennis, let go of him. | 0:21:15 | 0:21:18 | |
I can deal with this, Doctor. | 0:21:18 | 0:21:19 | |
You're a doctor? You've witnessed this. | 0:21:19 | 0:21:21 | |
I want you to call the police. This is assault. | 0:21:21 | 0:21:23 | |
Dennis, let go of him now. What the hell is going on here? | 0:21:23 | 0:21:26 | |
We found a donor abroad, but we couldn't get a visa. | 0:21:26 | 0:21:30 | |
He said he'd pay for Yasmin's treatment abroad if I... | 0:21:30 | 0:21:32 | |
I want you all to leave immediately or I'm calling the police. | 0:21:32 | 0:21:35 | |
Listen, if what she said is true, | 0:21:35 | 0:21:36 | |
-the police are the last people you need. -Of course it's true. | 0:21:36 | 0:21:39 | |
These people are liars. I've no idea what they're talking about. | 0:21:39 | 0:21:42 | |
Really? Well, I've got proof. | 0:21:42 | 0:21:44 | |
Everything has been recorded. | 0:21:44 | 0:21:46 | |
PEOPLE TALKING ON TV | 0:21:51 | 0:21:55 | |
Please could you take your feet down? | 0:21:59 | 0:22:01 | |
-Oh, sorry. -Thank you. | 0:22:01 | 0:22:03 | |
Uh, they should not pay more than £20 for that. | 0:22:03 | 0:22:06 | |
Do we honestly have to watch this? | 0:22:06 | 0:22:09 | |
What's wrong with it? | 0:22:09 | 0:22:10 | |
It's old people. | 0:22:10 | 0:22:12 | |
What would you like to watch instead? | 0:22:14 | 0:22:16 | |
Haven't you got any videos or anything? | 0:22:16 | 0:22:18 | |
That is a good idea. There are some DVDs under the television. | 0:22:18 | 0:22:22 | |
DVDs! | 0:22:23 | 0:22:25 | |
It will be nice to watch something together. | 0:22:25 | 0:22:28 | |
Oh, now, those are my favourites. You choose one. | 0:22:30 | 0:22:34 | |
Have you not got any comedies? Or horrors even? | 0:22:34 | 0:22:37 | |
Haven't seen Nightmare On Elm Street? | 0:22:37 | 0:22:38 | |
I do not think a horror movie is appropriate. | 0:22:38 | 0:22:41 | |
Right. I'll go for a walk then. | 0:22:41 | 0:22:46 | |
Out? | 0:22:46 | 0:22:47 | |
To get some fresh air. | 0:22:47 | 0:22:48 | |
No, no, no. | 0:22:48 | 0:22:50 | |
-What? -I'm afraid you can't do that. -Why not? | 0:22:50 | 0:22:52 | |
You have to stay inside until you are familiar with your surroundings. | 0:22:52 | 0:22:56 | |
I'm not a cat. I just want some fresh air. | 0:22:56 | 0:22:58 | |
I will come with you. | 0:22:59 | 0:23:01 | |
Am I a prisoner or something? | 0:23:02 | 0:23:04 | |
I do not think it is a good idea for you to be wandering the streets. | 0:23:04 | 0:23:08 | |
I'm not going to wander the streets. | 0:23:08 | 0:23:10 | |
I just want to go for a walk. | 0:23:10 | 0:23:11 | |
Going out alone is out of the question. | 0:23:11 | 0:23:13 | |
Oh, God! | 0:23:13 | 0:23:14 | |
I wish I'd never come here. It's so flaming boring. | 0:23:14 | 0:23:17 | |
What's the point in being forty-odd | 0:23:17 | 0:23:19 | |
if you can't go out the front door without a baby-sitter?! | 0:23:19 | 0:23:22 | |
My mum's been letting me go out on my own since I was about 12! | 0:23:22 | 0:23:24 | |
-Just calm down... -No, I won't calm down. | 0:23:24 | 0:23:27 | |
I can't bear it here! | 0:23:27 | 0:23:28 | |
DOOR SLAMS | 0:23:28 | 0:23:31 | |
STATIC PLAYS FROM RECORDER | 0:23:31 | 0:23:34 | |
As I said before, Dr, this has all been a misunderstanding. | 0:23:41 | 0:23:44 | |
-But... -Now, if you'll kindly leave before I call the police. | 0:23:44 | 0:23:48 | |
You should be ashamed of yourself taking advantage of a child's illness. | 0:23:48 | 0:23:51 | |
I have no idea what you're talking about. | 0:23:51 | 0:23:53 | |
Leave. | 0:23:53 | 0:23:55 | |
Come on, guys, we're going. | 0:23:56 | 0:23:58 | |
Dennis! | 0:24:01 | 0:24:03 | |
Stop! | 0:24:03 | 0:24:04 | |
You witnessed that assault. | 0:24:06 | 0:24:08 | |
I'm afraid I have no idea what you're talking about. | 0:24:08 | 0:24:10 | |
Come on, we need to go. | 0:24:10 | 0:24:12 | |
WHEEZING | 0:24:12 | 0:24:14 | |
KNOCK AT DOOR | 0:24:14 | 0:24:16 | |
May I come in? | 0:24:20 | 0:24:22 | |
Your house. You can do what you want. | 0:24:22 | 0:24:24 | |
I want this to be your home too. | 0:24:26 | 0:24:29 | |
How can it be my home if you keep me like a prisoner? | 0:24:29 | 0:24:31 | |
You are not a prisoner. | 0:24:31 | 0:24:33 | |
Seems like it to me. | 0:24:35 | 0:24:36 | |
I have been asked to look after you. | 0:24:38 | 0:24:41 | |
And I intend to take care of my responsibilities in a proper manner. | 0:24:41 | 0:24:47 | |
Maybe you should get yourself some keys and a chain. | 0:24:47 | 0:24:51 | |
You are recovering from a serious head injury. | 0:24:51 | 0:24:54 | |
We have to be careful. | 0:24:54 | 0:24:56 | |
Yeah, but it doesn't mean you have to treat me like a child. | 0:24:56 | 0:24:59 | |
I'm not treating you like a child. | 0:24:59 | 0:25:02 | |
Could have fooled me. | 0:25:02 | 0:25:03 | |
Why don't we put all this behind us? | 0:25:08 | 0:25:12 | |
Perhaps we could choose another film? | 0:25:12 | 0:25:15 | |
What about the Nightmare On Twelfth Street that you mentioned earlier? | 0:25:15 | 0:25:21 | |
I just want you to leave me alone. | 0:25:23 | 0:25:26 | |
Very well. | 0:25:29 | 0:25:31 | |
I thought you wanted me to do it? | 0:25:40 | 0:25:43 | |
You said it was an amazing thing I was doing. | 0:25:43 | 0:25:45 | |
I thought you'd already made up your mind. | 0:25:45 | 0:25:48 | |
I didn't want to make it any harder for you. | 0:25:49 | 0:25:51 | |
Listen. | 0:25:53 | 0:25:54 | |
I know it's not easy finding donors for mixed-race kids in this country | 0:25:54 | 0:25:58 | |
but at least you've got a match, that's something. | 0:25:58 | 0:26:00 | |
Not much use when he's thousands of miles away. | 0:26:00 | 0:26:04 | |
But whatever happens now, you need to stick together | 0:26:04 | 0:26:06 | |
and support each other. | 0:26:06 | 0:26:08 | |
PHONE RINGS | 0:26:16 | 0:26:18 | |
Oh, Dr Carter. | 0:26:23 | 0:26:25 | |
'I'm just checking how things are going.' | 0:26:25 | 0:26:28 | |
Everything is absolutely fine. | 0:26:28 | 0:26:30 | |
She is resting in her room. | 0:26:30 | 0:26:33 | |
'How about you? How was your day of leisure?' | 0:26:33 | 0:26:35 | |
Oh, excellent. Couldn't have been better. | 0:26:35 | 0:26:38 | |
'Well, I'm very glad to hear that.' | 0:26:38 | 0:26:39 | |
I will see you in the morning? | 0:26:39 | 0:26:42 | |
You certainly shall. | 0:26:42 | 0:26:44 | |
-How do you feel about wearing tights? -Sorry? | 0:27:06 | 0:27:09 | |
Heston's writing a pantomime. | 0:27:09 | 0:27:11 | |
-I'd like to see him. -No way, you've caused enough trouble. | 0:27:11 | 0:27:14 | |
Sometimes I don't think I can do this, Gav. | 0:27:14 | 0:27:17 | |
Watch from the sidelines while everyone gets on with life. | 0:27:17 | 0:27:20 | |
Course you can. | 0:27:20 | 0:27:21 | |
I know that the man I really want to spend the rest of my life | 0:27:21 | 0:27:24 | |
-with is Aran. -"Aran"? | 0:27:24 | 0:27:26 | |
The ex-ex? | 0:27:26 | 0:27:28 | |
Subtitles by Red Bee Media Ltd | 0:27:29 | 0:27:33 |