Browse content similar to A Curse Be Upon Her. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MUSIC: "Daniel" by Bat For Lashes | 0:00:33 | 0:00:35 | |
# Daniel, when I first... # | 0:00:39 | 0:00:42 | |
KNOCKING | 0:00:42 | 0:00:43 | |
# ..Saw you... # | 0:00:43 | 0:00:44 | |
Your mum says to come down for some breakfast. | 0:00:45 | 0:00:48 | |
I'm not hungry. | 0:00:50 | 0:00:51 | |
# And under our blue sky | 0:00:52 | 0:00:56 | |
# Marble movie skies | 0:00:56 | 0:01:00 | |
# I found a home in your eyes | 0:01:00 | 0:01:02 | |
# We'll never be apart. # | 0:01:02 | 0:01:05 | |
PHONE RINGS WITH BRASS BAND VERSION OF THE SWEENEY THEME | 0:01:19 | 0:01:22 | |
Immie. | 0:01:27 | 0:01:28 | |
Yeah, sorry. I know I said I was going to call you. | 0:01:29 | 0:01:34 | |
No, no, she's fine. | 0:01:34 | 0:01:36 | |
She's finally got her head round the fact she's got kids. | 0:01:38 | 0:01:43 | |
Not yet, no. Because it's still too soon. | 0:01:43 | 0:01:47 | |
Another health and safety poster? This is Karen's brain. | 0:01:50 | 0:01:55 | |
Excuse me? | 0:01:55 | 0:01:56 | |
I am doing a mind map for Karen. Putting down things to do | 0:01:56 | 0:02:00 | |
with work - likes, dislikes, things which will help her remember. | 0:02:00 | 0:02:04 | |
So it didn't go well yesterday? | 0:02:04 | 0:02:06 | |
It's going to take time. I know. | 0:02:07 | 0:02:11 | |
Perhaps this will move things along. | 0:02:11 | 0:02:14 | |
It was heartbreaking watching her wander around that house, | 0:02:14 | 0:02:18 | |
hating everything. | 0:02:18 | 0:02:19 | |
Poor Rob. | 0:02:19 | 0:02:21 | |
He was staking everything on the house bringing it back to her. | 0:02:21 | 0:02:24 | |
The trouble was she would just not accept that she ever | 0:02:24 | 0:02:27 | |
lived in such a house. Oh, dear. | 0:02:27 | 0:02:30 | |
Every time she dismissed something it was like an arrow through | 0:02:30 | 0:02:34 | |
Sergeant Hollins's heart. It is almost worse for him, | 0:02:34 | 0:02:36 | |
at least Karen doesn't know what she has forgotten. | 0:02:36 | 0:02:39 | |
No, Dr Carter, at least he knows what year he is in. | 0:02:39 | 0:02:42 | |
No. We have to hope this helps her to remember. | 0:02:42 | 0:02:46 | |
Well, we all really appreciate what you're doing for Karen. | 0:02:46 | 0:02:49 | |
She does not remember me, but she trusts me. | 0:02:49 | 0:02:54 | |
And I will do everything to earn that trust. | 0:02:54 | 0:02:56 | |
# To a place that's vast, Daniel | 0:02:58 | 0:03:04 | |
# Under a sheet of rain... # | 0:03:04 | 0:03:05 | |
You haven't disappeared, you know? | 0:03:05 | 0:03:07 | |
Here's your tea. | 0:03:09 | 0:03:12 | |
# I... # | 0:03:12 | 0:03:13 | |
MUSIC STOPS | 0:03:13 | 0:03:14 | |
Breakfast is waiting for you downstairs. | 0:03:15 | 0:03:18 | |
Leave me alone. | 0:03:25 | 0:03:27 | |
So you can fester all day? | 0:03:27 | 0:03:29 | |
I'm thinking. | 0:03:29 | 0:03:30 | |
No, you're drowning in melancholy. | 0:03:30 | 0:03:33 | |
Come on, Rose. Make an effort. This is making Bruno feel uncomfortable. | 0:03:36 | 0:03:42 | |
It's not my fault. | 0:03:42 | 0:03:43 | |
It's been so much nicer since he moved in, hasn't it? | 0:03:47 | 0:03:50 | |
We don't want him to leave, do we? | 0:03:52 | 0:03:54 | |
What's going on? | 0:03:56 | 0:03:58 | |
Hey. We were just talking about you. | 0:03:58 | 0:04:00 | |
Oh, yeah? | 0:04:00 | 0:04:02 | |
Saying how nice it is having you around, weren't we, sweetie? | 0:04:02 | 0:04:05 | |
I thought you were cooking me some breakfast? | 0:04:06 | 0:04:09 | |
I'll be down in a minute. | 0:04:09 | 0:04:10 | |
I'm just trying to persuade this silly girl to buck her ideas up. | 0:04:10 | 0:04:14 | |
Tell her to leave me be. | 0:04:16 | 0:04:18 | |
Come on, love. | 0:04:20 | 0:04:22 | |
I just want her to be part of this family | 0:04:22 | 0:04:24 | |
instead of daydreaming in her room. | 0:04:24 | 0:04:26 | |
She's fine. And I'm starving. | 0:04:26 | 0:04:30 | |
I'll be two minutes. | 0:04:30 | 0:04:31 | |
You can at least get dressed. | 0:04:38 | 0:04:41 | |
You can't spend your life moping up here. | 0:04:41 | 0:04:43 | |
The school are asking questions now too. | 0:04:43 | 0:04:46 | |
Ow! | 0:04:46 | 0:04:47 | |
What's that? Nothing. | 0:04:47 | 0:04:50 | |
Rose? | 0:04:50 | 0:04:52 | |
I fell on broken glass. How? | 0:04:52 | 0:04:55 | |
I dropped it. Mum! | 0:04:55 | 0:04:56 | |
It's really inflamed. It's fine. | 0:04:56 | 0:04:58 | |
No, it's not. It's infected. | 0:04:58 | 0:05:00 | |
Why do I always get dodgy Derek? | 0:05:04 | 0:05:07 | |
He insists on seeing a woman doctor. | 0:05:07 | 0:05:09 | |
No reason why he should get one. | 0:05:09 | 0:05:10 | |
Mrs Tembe says we don't need to worry about you. | 0:05:10 | 0:05:15 | |
She says one look from you would turn the devil to stone. | 0:05:15 | 0:05:18 | |
Dr Carmichael, what I meant was you can... It's OK. | 0:05:21 | 0:05:24 | |
It's fine. | 0:05:24 | 0:05:25 | |
I'm giving you all fair warning, | 0:05:29 | 0:05:30 | |
there will be another brown bag lunch meeting in the next week. | 0:05:30 | 0:05:34 | |
Got some staff room issues I need to address. Why? | 0:05:34 | 0:05:37 | |
What have we done now? Staff room hygiene. | 0:05:37 | 0:05:40 | |
Don't know why you don't just talk to Al one-to-one? | 0:05:40 | 0:05:43 | |
I don't like to point fingers, just issue gentle reminders. | 0:05:44 | 0:05:47 | |
PHONE RINGS | 0:05:47 | 0:05:49 | |
The Mill Health Centre. How may I help you? | 0:05:49 | 0:05:51 | |
You all right? | 0:05:51 | 0:05:53 | |
Fine. | 0:05:53 | 0:05:54 | |
I will pass your details on to the doctor on call. | 0:05:56 | 0:05:59 | |
Dr Carmichael? Goodbye. | 0:05:59 | 0:06:02 | |
There is another patient to add to your list. | 0:06:02 | 0:06:05 | |
Imagine my surprise(!) | 0:06:05 | 0:06:08 | |
The mother insists the daughter will not leave the house. | 0:06:08 | 0:06:11 | |
Why would she, when there is a doctor on call? | 0:06:11 | 0:06:14 | |
Hi. How are you? Yeah, I'm fine thanks. | 0:06:16 | 0:06:21 | |
Hello, Rob. Are you all right? | 0:06:23 | 0:06:27 | |
Sorry. I was miles away. | 0:06:29 | 0:06:30 | |
I could see that. Yeah. Is Heston in? | 0:06:30 | 0:06:34 | |
He's in the middle of clinic. | 0:06:34 | 0:06:36 | |
That's all right. I'll call back later. | 0:06:36 | 0:06:40 | |
Is it permanent? | 0:06:40 | 0:06:41 | |
Sorry? | 0:06:43 | 0:06:44 | |
Well, Mrs Tembe says it's like a time warp thing, | 0:06:44 | 0:06:47 | |
like Back To The Future, but the other way round. | 0:06:47 | 0:06:49 | |
I am so sorry, Sergeant Hollins, I was just trying to explain. | 0:06:49 | 0:06:54 | |
No, I was just wondering... | 0:06:54 | 0:06:55 | |
There is a time and a place for questions. | 0:06:55 | 0:06:58 | |
Hi, Rob. I was just going to have some coffee. Do you fancy one? | 0:07:00 | 0:07:04 | |
Yeah. Come through? Thanks. | 0:07:04 | 0:07:08 | |
What is the matter with you? I was just showing my concern. | 0:07:13 | 0:07:17 | |
If something is said to you, it is not your place to repeat it. | 0:07:17 | 0:07:21 | |
Please, just think before you speak. | 0:07:21 | 0:07:23 | |
There you go. Thanks. | 0:07:26 | 0:07:28 | |
Karen's brain! What's all that about? | 0:07:32 | 0:07:34 | |
Mrs Tembe thought it would be a good idea. | 0:07:34 | 0:07:37 | |
What, putting my wife's life on a board? | 0:07:37 | 0:07:39 | |
She's really concerned about Karen | 0:07:39 | 0:07:41 | |
and they've formed quite a bond recently. | 0:07:41 | 0:07:43 | |
As opposed to forming one with her husband of nearly 25 years? | 0:07:43 | 0:07:47 | |
I know this looks crude, but in a way Mrs Tembe has got a point. | 0:07:47 | 0:07:51 | |
It's a bit like Al's wiki site. | 0:07:51 | 0:07:53 | |
Both of them were done with the best of intentions, Rob. | 0:07:53 | 0:07:56 | |
Yeah. Yeah. Of course they were. | 0:07:56 | 0:07:58 | |
I'm finding it really hard to face the fact I might lose her. | 0:08:01 | 0:08:05 | |
Sorry, I don't mean it's the same as losing... | 0:08:08 | 0:08:10 | |
Oh, no. Don't be silly. It's fine. | 0:08:10 | 0:08:12 | |
She makes me feel like I'm a dirty old man trying it on. | 0:08:14 | 0:08:18 | |
And I don't know what to tell the kids. | 0:08:18 | 0:08:21 | |
Karen would know - she'd hold it all together. | 0:08:21 | 0:08:24 | |
She'd be able to handle it all. | 0:08:24 | 0:08:26 | |
But I just keep saying the wrong things to everyone. | 0:08:26 | 0:08:30 | |
Hi, Rob. You all right? | 0:08:31 | 0:08:34 | |
Not really. | 0:08:36 | 0:08:37 | |
I'm sorry to hear about Karen. It must be hard on you. | 0:08:38 | 0:08:42 | |
And Karen. Yes, of course. | 0:08:42 | 0:08:45 | |
Hope things get better soon. | 0:08:49 | 0:08:51 | |
So do I, mate. So do I. | 0:08:51 | 0:08:54 | |
The doctor has come to see you, sweetie. | 0:08:55 | 0:08:57 | |
She's a bit nervous. | 0:08:58 | 0:09:00 | |
I promise I won't upset your daughter. | 0:09:00 | 0:09:02 | |
She's not my daughter. | 0:09:02 | 0:09:04 | |
He's my boyfriend. | 0:09:04 | 0:09:06 | |
So if I could see her on my own? | 0:09:06 | 0:09:08 | |
She asked me to stay. | 0:09:08 | 0:09:09 | |
If you don't mind? | 0:09:11 | 0:09:12 | |
Now then, Rose, what's this all about? | 0:09:18 | 0:09:21 | |
I'm sorry, Doctor, she's like this all the time. | 0:09:25 | 0:09:28 | |
Hello, Rose. | 0:09:28 | 0:09:30 | |
Come on, sweetie. Say hello. | 0:09:31 | 0:09:33 | |
I don't know what to do about it. | 0:09:36 | 0:09:38 | |
She barely leaves the room these days. | 0:09:38 | 0:09:40 | |
Come on, sweetie. Show the doctor your cut. | 0:09:40 | 0:09:44 | |
She's come specially to see you. | 0:09:44 | 0:09:46 | |
I didn't ask her to. | 0:09:46 | 0:09:48 | |
Don't show us up, sweetheart. Sit up. | 0:09:48 | 0:09:51 | |
It's on her right arm. it's really swollen. | 0:09:53 | 0:09:55 | |
I think it might be infected. | 0:09:55 | 0:09:57 | |
If I could just take a quick look at your cut, Rose? | 0:09:59 | 0:10:02 | |
I do not find talking to duvets very informative. | 0:10:05 | 0:10:08 | |
Rose, come out from under there. | 0:10:08 | 0:10:10 | |
How long has it been inflamed? | 0:10:14 | 0:10:16 | |
I only noticed it this morning so it can't have been long. | 0:10:16 | 0:10:19 | |
What did you cut it on? Broken glass. | 0:10:19 | 0:10:21 | |
If Rose perhaps could be allowed to answer for herself. | 0:10:21 | 0:10:24 | |
She barely talks to anyone. | 0:10:24 | 0:10:27 | |
She barely leaves the room. She just sits here moping. | 0:10:27 | 0:10:29 | |
I think...you should leave us to it. | 0:10:29 | 0:10:33 | |
It'd be better if I stay. | 0:10:33 | 0:10:35 | |
You won't get any sense out of her if I'm not here. | 0:10:35 | 0:10:38 | |
I'm perfectly capable of communicating with my patients. | 0:10:38 | 0:10:40 | |
And I think Rose might find it easier if it was just the two of us. | 0:10:40 | 0:10:44 | |
Fine. I'll be downstairs. | 0:10:44 | 0:10:47 | |
So, am I just going to stand here all day? | 0:10:53 | 0:10:56 | |
You could always go. | 0:10:56 | 0:10:58 | |
And you could always die of blood poisoning. But let's compromise. | 0:10:58 | 0:11:02 | |
I stay, and you show me your cut, | 0:11:02 | 0:11:05 | |
and I check that it's not filled with bacteria. | 0:11:05 | 0:11:08 | |
Even the Lady of Shalott wouldn't have fancied dying of blood poisoning. | 0:11:08 | 0:11:12 | |
Terribly unromantic. | 0:11:12 | 0:11:14 | |
ROSE YELPS | 0:11:21 | 0:11:22 | |
Mrs Tembe said it didn't go very well yesterday? | 0:11:24 | 0:11:26 | |
You could say that. | 0:11:26 | 0:11:28 | |
I had to watch her completely deny our lives together, | 0:11:28 | 0:11:31 | |
hating being anywhere near me. | 0:11:31 | 0:11:33 | |
Rob, all this can change. | 0:11:33 | 0:11:34 | |
But what do I do in the meantime? | 0:11:34 | 0:11:36 | |
What do I tell the kids, or her dad? | 0:11:36 | 0:11:38 | |
Well, I know it's difficult. | 0:11:38 | 0:11:40 | |
Oh, I just want to take care of her. | 0:11:40 | 0:11:42 | |
I just want to make things better. | 0:11:42 | 0:11:44 | |
How do I do that? Well... You see, before long, | 0:11:44 | 0:11:47 | |
hospital's not going to be the right place for her, | 0:11:47 | 0:11:50 | |
because, as far as I can see, she's physically mended. | 0:11:50 | 0:11:53 | |
And she's made it perfectly clear that she does not like the house. So what happens then? | 0:11:53 | 0:11:57 | |
Did you broach the subject of her coming home permanently? | 0:11:57 | 0:11:59 | |
She wants to live in a flat, that's what she says. | 0:11:59 | 0:12:01 | |
That's not a good idea. No, it's not, | 0:12:01 | 0:12:03 | |
because she's got no idea how the world works in 2013. | 0:12:03 | 0:12:06 | |
She wouldn't be safe. | 0:12:06 | 0:12:07 | |
All right, give me a few hours, I'll talk to Mr O'Gorman | 0:12:07 | 0:12:10 | |
and a few other people, and...we'll see what we can do. | 0:12:10 | 0:12:13 | |
On either side the river lie | 0:12:16 | 0:12:18 | |
Long fields of barley and of rye | 0:12:18 | 0:12:20 | |
That clothe the wold and meet the sky | 0:12:20 | 0:12:23 | |
And thro' the field the river runs by... | 0:12:23 | 0:12:26 | |
And thro' the field the ROAD runs by... | 0:12:26 | 0:12:30 | |
To many-tower'd Camelot. | 0:12:30 | 0:12:33 | |
Hmm. | 0:12:33 | 0:12:35 | |
I loved that poem. | 0:12:35 | 0:12:37 | |
I do. | 0:12:37 | 0:12:39 | |
It does seem to sum up exactly what it's like to be 15. | 0:12:39 | 0:12:42 | |
So you know then? | 0:12:44 | 0:12:46 | |
What it's like to be 15? | 0:12:46 | 0:12:48 | |
It wasn't that long ago! | 0:12:48 | 0:12:50 | |
About the curse? | 0:12:50 | 0:12:52 | |
Does this hurt? Yes. | 0:12:53 | 0:12:55 | |
You know about the curse? | 0:12:58 | 0:13:00 | |
And this? Ow! | 0:13:00 | 0:13:02 | |
A curse is on her if she stay To... | 0:13:07 | 0:13:10 | |
If I leave the house, I'll die. | 0:13:11 | 0:13:14 | |
You don't believe me. | 0:13:17 | 0:13:19 | |
No-one believes me. | 0:13:21 | 0:13:23 | |
Just let me get this cleaned up. | 0:13:24 | 0:13:26 | |
Is this to do with the curse? | 0:13:29 | 0:13:31 | |
I can't talk about it. | 0:13:31 | 0:13:33 | |
Problems at school? I don't go to school. | 0:13:34 | 0:13:37 | |
Is that because you were being bullied? It's because I can't leave the house. | 0:13:39 | 0:13:43 | |
Right. | 0:13:43 | 0:13:45 | |
Does your mother know about this curse? | 0:13:45 | 0:13:48 | |
Don't say anything to her. | 0:13:49 | 0:13:51 | |
Promise you won't? | 0:13:51 | 0:13:53 | |
I promise. | 0:13:53 | 0:13:55 | |
But you really should talk to someone about this. | 0:13:55 | 0:13:58 | |
I'm sorting it. | 0:14:01 | 0:14:02 | |
I'm sorry she was so difficult. | 0:14:06 | 0:14:07 | |
She's just sensitive. | 0:14:07 | 0:14:09 | |
We were all 15 once. | 0:14:09 | 0:14:11 | |
I think she just needs a bit of TLC at the moment. | 0:14:11 | 0:14:14 | |
Did she say anything to you? | 0:14:14 | 0:14:16 | |
I'm sorry? | 0:14:16 | 0:14:17 | |
She's, er, having a hard time having Bruno move in. | 0:14:17 | 0:14:21 | |
We've been on our own since her dad left, | 0:14:21 | 0:14:23 | |
and I guess she just can't deal with sharing me. | 0:14:23 | 0:14:25 | |
Have you thought about her seeing a counsellor? | 0:14:25 | 0:14:28 | |
It's just teenage silliness! | 0:14:28 | 0:14:29 | |
I wouldn't call agoraphobia silliness. | 0:14:29 | 0:14:31 | |
If it were my daughter, I'd want to get to the bottom of it. | 0:14:31 | 0:14:34 | |
Think about it. I can recommend someone. | 0:14:34 | 0:14:37 | |
Come on. | 0:14:37 | 0:14:39 | |
Thanks. | 0:14:58 | 0:15:00 | |
Hectic morning. | 0:15:00 | 0:15:02 | |
"There she weaves by night and day | 0:15:05 | 0:15:08 | |
"A magic web with colours gay | 0:15:08 | 0:15:11 | |
"She has heard a whisper say | 0:15:11 | 0:15:12 | |
"A curse is on her if she stay..." | 0:15:12 | 0:15:14 | |
To look down to Camelot. | 0:15:14 | 0:15:18 | |
"She knows not what the curse may be | 0:15:18 | 0:15:21 | |
"And so she weaveth steadily..." | 0:15:21 | 0:15:23 | |
And little other care hath she, | 0:15:23 | 0:15:25 | |
BOTH: The Lady of Shallot. | 0:15:25 | 0:15:27 | |
Tennyson in the morning? | 0:15:27 | 0:15:29 | |
Teenage girls. | 0:15:29 | 0:15:32 | |
I had a house call this morning, | 0:15:32 | 0:15:34 | |
it was all floating white nightdresses, | 0:15:34 | 0:15:37 | |
angst-ridden and ghostly pale, surrounded by pre-Raphaelite posters. | 0:15:37 | 0:15:40 | |
Perfectly normal for her age. | 0:15:40 | 0:15:42 | |
All a bit pretentious, if you ask me. | 0:15:42 | 0:15:44 | |
Ooh, you're a hard woman, Zara Carmichael. | 0:15:44 | 0:15:46 | |
Still, it is a bit extreme. | 0:15:46 | 0:15:48 | |
Actually, there's new research which proves that the emotional side | 0:15:48 | 0:15:52 | |
of teenagers' brains are overdeveloped | 0:15:52 | 0:15:54 | |
which is why they're so angst-ridden and ruled by their emotions. | 0:15:54 | 0:15:58 | |
Researchers stating the blatantly obvious. How refreshing(!) | 0:15:58 | 0:16:01 | |
Her mother's got this sleazy boyfriend hanging around, | 0:16:03 | 0:16:06 | |
dodgy and too interested by half. | 0:16:06 | 0:16:08 | |
So no "red-cross knight for ever kneel'd", then? | 0:16:08 | 0:16:11 | |
Definitely not. | 0:16:11 | 0:16:13 | |
You could refer her. | 0:16:13 | 0:16:14 | |
That's what I suggested, but the mother was adamant that I didn't. | 0:16:14 | 0:16:17 | |
There's not much else I can do. | 0:16:17 | 0:16:18 | |
"She left the web she left the loom." | 0:16:18 | 0:16:23 | |
Of course! | 0:16:23 | 0:16:25 | |
It's not just about wandering around being pale and cursed, | 0:16:25 | 0:16:27 | |
she drowns herself. Not the stuff of happy endings. | 0:16:27 | 0:16:30 | |
Oh, no... | 0:16:30 | 0:16:33 | |
She's self-harming. | 0:16:33 | 0:16:35 | |
She said that she'd cut her arm on a glass, and I didn't realise. | 0:16:35 | 0:16:38 | |
What is wrong with me?! | 0:16:38 | 0:16:39 | |
Hectic morning? That is no excuse. | 0:16:39 | 0:16:42 | |
HE SIGHS | 0:16:53 | 0:16:55 | |
HE EXHALES SLOWLY | 0:17:01 | 0:17:03 | |
KNOCKING AT DOOR | 0:17:06 | 0:17:07 | |
Rose! | 0:17:07 | 0:17:09 | |
KNOCKING CONTINUES | 0:17:09 | 0:17:11 | |
Rose, open the door! | 0:17:11 | 0:17:13 | |
I'm serious, young lady. Stop messing about. | 0:17:15 | 0:17:18 | |
Have you said something to upset her? This isn't about me. | 0:17:18 | 0:17:21 | |
Look, let's just leave her to it, she's probably sulking. | 0:17:21 | 0:17:24 | |
No, look, I think that Rose is self-harming. | 0:17:24 | 0:17:28 | |
ALICE SCOFFS | 0:17:28 | 0:17:29 | |
That's nonsense! | 0:17:29 | 0:17:31 | |
I hope I'm wrong, but we can't just ignore this. | 0:17:31 | 0:17:34 | |
Rose? | 0:17:34 | 0:17:36 | |
Out the way. | 0:17:38 | 0:17:39 | |
Rose? | 0:17:41 | 0:17:43 | |
Rose, come on, love, open the door. | 0:17:43 | 0:17:46 | |
Rose, open the door. Let us in, it'll be all right... | 0:17:49 | 0:17:53 | |
Do you think she's done something stupid? | 0:17:53 | 0:17:56 | |
What do you think?! | 0:17:56 | 0:17:57 | |
ROSE! | 0:17:58 | 0:18:00 | |
HE YELLS | 0:18:00 | 0:18:02 | |
ROSE SCREAMS | 0:18:02 | 0:18:03 | |
Rose?! Are you all right? | 0:18:03 | 0:18:06 | |
It's Bruno you should be looking at. | 0:18:06 | 0:18:08 | |
I'm so sorry! I didn't mean to... | 0:18:08 | 0:18:10 | |
This is your fault. | 0:18:10 | 0:18:12 | |
Oh, I think I've broken my arm. | 0:18:12 | 0:18:13 | |
Try moving it. I'm so sorry! | 0:18:13 | 0:18:16 | |
It's a bit late for sorry now after all the trouble you've caused. | 0:18:16 | 0:18:19 | |
ROSE SOBS | 0:18:19 | 0:18:22 | |
I didn't mean for this to happen! | 0:18:23 | 0:18:25 | |
KNOCK AT DOOR | 0:18:29 | 0:18:30 | |
Lunch? | 0:18:30 | 0:18:32 | |
I'm snowed under. | 0:18:32 | 0:18:33 | |
Oh, come on, you deserve a break. | 0:18:33 | 0:18:35 | |
Try telling the committee waiting for this report. | 0:18:35 | 0:18:37 | |
My treat. What, so you can keep your eye on what I'm eating? | 0:18:37 | 0:18:40 | |
No. If you say so. | 0:18:40 | 0:18:42 | |
No, I...I just thought it would be nice to... | 0:18:42 | 0:18:45 | |
Look, I'm fine, all right? | 0:18:45 | 0:18:48 | |
Fine. | 0:18:49 | 0:18:50 | |
You said it wasn't broken. | 0:18:55 | 0:18:57 | |
I know, but best to let A take a look, just in case. | 0:18:57 | 0:19:00 | |
I'll stay here. She hardly knows you. She should be with us. | 0:19:00 | 0:19:03 | |
It'll be fine. I'll just have a chat with her. | 0:19:03 | 0:19:06 | |
Come on. | 0:19:06 | 0:19:07 | |
Don't upset her. She's sensitive. | 0:19:07 | 0:19:10 | |
I have no intention of doing that. | 0:19:10 | 0:19:12 | |
Come on, love. Thank you, Doctor. | 0:19:12 | 0:19:14 | |
We'll be back soon. | 0:19:16 | 0:19:18 | |
Rose? | 0:19:26 | 0:19:28 | |
On either side the river lie | 0:19:44 | 0:19:46 | |
Long fields of barley and of rye, | 0:19:46 | 0:19:48 | |
That clothe the wold and meet the sky... | 0:19:48 | 0:19:51 | |
ROSE: 'And thro' the field the road runs by | 0:19:51 | 0:19:54 | |
'To many-tower'd Camelot.' | 0:19:54 | 0:19:56 | |
Hello, Rose. | 0:20:02 | 0:20:04 | |
Leave me alone. | 0:20:04 | 0:20:06 | |
Down she came to find a boat. | 0:20:06 | 0:20:09 | |
Is that what you're doing? | 0:20:11 | 0:20:12 | |
Were you going to float down to Camelot? | 0:20:12 | 0:20:14 | |
Don't laugh at me. | 0:20:14 | 0:20:16 | |
You know I told you I loved that poem? | 0:20:16 | 0:20:18 | |
Well, I lied. | 0:20:18 | 0:20:20 | |
I used to love it, when I was 15, | 0:20:20 | 0:20:22 | |
but, as I got older, I realised that it was... | 0:20:22 | 0:20:25 | |
condemning a young women to death. | 0:20:25 | 0:20:27 | |
It was the curse. | 0:20:27 | 0:20:28 | |
The curse is an idea put in her head by the poet. | 0:20:28 | 0:20:33 | |
The relentless rhythm of the verse | 0:20:33 | 0:20:35 | |
forcing her on to an unnecessary death. | 0:20:35 | 0:20:38 | |
No, he was writing about what has to happen when there's no other choice. | 0:20:38 | 0:20:42 | |
I'm trying to explain to you that the poem | 0:20:42 | 0:20:44 | |
makes suicide seem painless and beautiful, but it's not. | 0:20:44 | 0:20:47 | |
But if there's no other choice... | 0:20:47 | 0:20:50 | |
There's always a choice. | 0:20:50 | 0:20:52 | |
She didn't have one! | 0:20:52 | 0:20:54 | |
She's young... | 0:20:55 | 0:20:57 | |
vulnerable, impressionable, | 0:20:57 | 0:21:00 | |
struggling with life. | 0:21:00 | 0:21:01 | |
A bit out of her depth, not sure who she is yet. | 0:21:01 | 0:21:05 | |
I'm sure she's got a lot of stuff going on, | 0:21:05 | 0:21:07 | |
stuff that she's finding it difficult to cope with, | 0:21:07 | 0:21:09 | |
and so she fixes everything on this knight. | 0:21:09 | 0:21:13 | |
What the poem should be about is a young woman | 0:21:15 | 0:21:17 | |
stealing the knight's armour and running off into the world. | 0:21:17 | 0:21:19 | |
stealing the knight's armour and running off into the world. | 0:21:19 | 0:21:20 | |
How can she do that if she's trapped? | 0:21:20 | 0:21:23 | |
I mean, REALLY trapped? | 0:21:23 | 0:21:26 | |
She's only trapped because she's afraid of reality. | 0:21:26 | 0:21:29 | |
She is stuck seeing the world in reflection, | 0:21:29 | 0:21:33 | |
"half sick of shadows." | 0:21:33 | 0:21:35 | |
But what if reality doesn't make sense? | 0:21:36 | 0:21:39 | |
KNOCK AT DOOR Come in. | 0:21:44 | 0:21:46 | |
Peace offering. | 0:21:53 | 0:21:55 | |
When was the war? | 0:21:56 | 0:21:58 | |
I shouldn't have bitten your head off. | 0:21:58 | 0:22:00 | |
Well, I've had worse. | 0:22:00 | 0:22:02 | |
That last bout was a bad one. | 0:22:02 | 0:22:05 | |
I know I've got you to thank for getting me out of this. | 0:22:05 | 0:22:07 | |
As long as you're...all right. | 0:22:07 | 0:22:10 | |
I just wish you didn't know my dirty, sordid secret. | 0:22:10 | 0:22:12 | |
Howard... | 0:22:12 | 0:22:14 | |
I don't think any the less of you because of it. | 0:22:14 | 0:22:17 | |
Well, in future, please let me deal with it on my own. | 0:22:17 | 0:22:20 | |
Right. | 0:22:20 | 0:22:22 | |
Of course. | 0:22:22 | 0:22:24 | |
Bruno! | 0:22:30 | 0:22:33 | |
It's all right, I'm here. I won't let him near you. | 0:22:33 | 0:22:36 | |
What? You don't have to go back to him. | 0:22:36 | 0:22:38 | |
But I texted him. | 0:22:38 | 0:22:40 | |
You don't have to be scared of him any more. | 0:22:40 | 0:22:42 | |
I'm not. He's wonderful. | 0:22:42 | 0:22:45 | |
Maybe you think you're in love with him... | 0:22:45 | 0:22:46 | |
You've got it all wrong. He's made everything better. | 0:22:46 | 0:22:49 | |
No, Rose. He's the only one that's ever been there for me. | 0:22:49 | 0:22:52 | |
That's what he wants you to think. He rescued me. | 0:22:52 | 0:22:54 | |
This is no knight in shining armour, Rose. | 0:22:54 | 0:22:57 | |
I am sorry, but what he's been doing is grooming you. | 0:22:57 | 0:22:59 | |
That's not true. | 0:22:59 | 0:23:00 | |
He's never taken advantage of me. | 0:23:00 | 0:23:03 | |
Even when I wanted him to... | 0:23:03 | 0:23:06 | |
When I tried to, he wouldn't. | 0:23:06 | 0:23:08 | |
He just looks out for me. | 0:23:08 | 0:23:10 | |
He's the only one that could have helped me break the curse. | 0:23:11 | 0:23:15 | |
And now it's too late. | 0:23:15 | 0:23:17 | |
Well, we were right, Mr O'Gorman agrees | 0:23:23 | 0:23:25 | |
that hospital is not the best place for Karen. | 0:23:25 | 0:23:28 | |
It was only a matter of time. | 0:23:28 | 0:23:29 | |
They'll continue to give her psychological support as an outpatient, | 0:23:29 | 0:23:33 | |
but she needs a home environment in order to make the next step. | 0:23:33 | 0:23:36 | |
Exactly. So, will they help to convince her to come home then? | 0:23:36 | 0:23:38 | |
I don't think it's going to be that easy. | 0:23:38 | 0:23:40 | |
Because I'm sure, in time, she would get used to the house... | 0:23:40 | 0:23:43 | |
Not really an option, but I have a proposition. | 0:23:43 | 0:23:45 | |
Go on? I've spoken to Mrs Tembe, because Karen seems to trust her, | 0:23:45 | 0:23:50 | |
so what I propose is, for the short-term, | 0:23:50 | 0:23:53 | |
is that Karen moves in with her. | 0:23:53 | 0:23:56 | |
You, stay back. | 0:23:59 | 0:24:01 | |
What do you think I'm going to do? | 0:24:01 | 0:24:02 | |
I've called the police. The police?! I'm sorry, Rose. | 0:24:02 | 0:24:05 | |
You've got it all wrong! | 0:24:05 | 0:24:07 | |
You can't take him away. | 0:24:07 | 0:24:09 | |
This is what he was protecting me from. What? Who? | 0:24:25 | 0:24:29 | |
Alice? | 0:24:35 | 0:24:37 | |
Don't be melodramatic, Rose. | 0:24:37 | 0:24:39 | |
No way is Bruno getting the blame for something you've done. | 0:24:39 | 0:24:43 | |
I've told you what she's like before. | 0:24:43 | 0:24:46 | |
When she was a kid, she used to do things to herself. | 0:24:46 | 0:24:50 | |
She used to make things up. | 0:24:50 | 0:24:52 | |
Nothing I do helps. | 0:24:52 | 0:24:55 | |
There's no way that Rose has done all these things to herself. | 0:24:55 | 0:24:58 | |
And some of them have been there a long time. | 0:24:58 | 0:25:02 | |
It started when my dad left. | 0:25:02 | 0:25:04 | |
You helped. | 0:25:04 | 0:25:06 | |
When you came, she stopped. | 0:25:06 | 0:25:08 | |
Rose... | 0:25:08 | 0:25:10 | |
stop. | 0:25:10 | 0:25:11 | |
Come on, love. | 0:25:14 | 0:25:15 | |
You know what a drama queen she can be. | 0:25:15 | 0:25:18 | |
She'd do anything to split us up! | 0:25:18 | 0:25:21 | |
She kept me so tight, I couldn't breathe. | 0:25:22 | 0:25:25 | |
I couldn't cope. | 0:25:25 | 0:25:28 | |
But now... | 0:25:28 | 0:25:30 | |
Come on. Rose... | 0:25:33 | 0:25:36 | |
Rose, come back! | 0:25:39 | 0:25:42 | |
Rose! | 0:25:42 | 0:25:43 | |
Don't be ridiculous! | 0:25:43 | 0:25:45 | |
SIRENS WAIL | 0:25:45 | 0:25:47 | |
Rose! | 0:25:47 | 0:25:49 | |
This is just until her memories return. | 0:25:52 | 0:25:54 | |
How long's that going to take? | 0:25:54 | 0:25:56 | |
Well, that's anybody's guess. | 0:25:56 | 0:25:57 | |
But once they do, we can start re-introducing her to her old life. | 0:25:57 | 0:26:01 | |
And what if she starts a new life without me? | 0:26:01 | 0:26:03 | |
Maybe she'll never remember who I am. You're painting a bleak picture. | 0:26:03 | 0:26:06 | |
It's a delicate situation, but, at the moment, | 0:26:06 | 0:26:09 | |
Karen has bonded with Mrs Tembe, and that counts for a lot. | 0:26:09 | 0:26:12 | |
And I'm just supposed to be all right with this? | 0:26:12 | 0:26:14 | |
Well, you have to be all right with more than that, I'm afraid. | 0:26:14 | 0:26:17 | |
Meaning? | 0:26:17 | 0:26:19 | |
Another thing O'Gorman said was... | 0:26:19 | 0:26:22 | |
What? What did he say? | 0:26:22 | 0:26:25 | |
..you should completely stay away from Karen for a while, | 0:26:25 | 0:26:29 | |
to allow her memory to return naturally. | 0:26:29 | 0:26:33 | |
Are you for real?! | 0:26:33 | 0:26:34 | |
We have to do what's best for Karen. | 0:26:34 | 0:26:37 | |
I don't really have any choice, do I? | 0:26:39 | 0:26:43 | |
You rock, Mrs T! Thank you... | 0:26:47 | 0:26:49 | |
I think. | 0:26:49 | 0:26:51 | |
Where are you meeting him? | 0:26:51 | 0:26:52 | |
What difference does that make? | 0:26:52 | 0:26:54 | |
I used to watch you every morning as you came into the office. | 0:26:54 | 0:26:57 | |
Then, I saw your advert... | 0:26:57 | 0:26:58 | |
If that man lays a hand on my wife, I'll kill him. Dennis... | 0:26:58 | 0:27:02 | |
It's important for you to try new things, | 0:27:02 | 0:27:04 | |
even if they are strange at first. | 0:27:04 | 0:27:08 | |
Subtitles by Red Bee Media Ltd | 0:27:30 | 0:27:33 |