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SHE SOBS | 0:00:28 | 0:00:31 | |
Graham? Graham? (Graham?) | 0:00:33 | 0:00:37 | |
Graham! | 0:00:37 | 0:00:40 | |
Graham!! | 0:00:40 | 0:00:44 | |
SHE GASPS AND SOBS | 0:00:44 | 0:00:49 | |
I hate porridge. | 0:00:50 | 0:00:52 | |
Well, you liked it well enough yesterday. | 0:00:52 | 0:00:55 | |
There are people starving in the world. | 0:00:55 | 0:00:58 | |
They'd have to be to eat that. | 0:00:58 | 0:01:01 | |
What do you want, then? | 0:01:01 | 0:01:03 | |
Just want to be not bored! | 0:01:03 | 0:01:06 | |
Well, there is a whole pile of washing... | 0:01:06 | 0:01:09 | |
I'd rather go to work. | 0:01:09 | 0:01:10 | |
-Well, that is out of the question. -Why? | 0:01:10 | 0:01:15 | |
Because last time, you were indiscreet. | 0:01:15 | 0:01:18 | |
And besides, Mr Bellamy is back from leave... | 0:01:18 | 0:01:21 | |
-So? -So, I am sorry, but the answer is no. | 0:01:21 | 0:01:26 | |
Well, I'll just have to go back down town, then. | 0:01:26 | 0:01:30 | |
What for? | 0:01:32 | 0:01:33 | |
Oh, Graham, I'm sorry! | 0:01:33 | 0:01:36 | |
I didn't mean it! | 0:01:36 | 0:01:38 | |
SHE GASPS AND SOBS | 0:01:38 | 0:01:40 | |
OMINOUS MUSIC | 0:01:48 | 0:01:51 | |
SHE SOBS AND SCREAMS | 0:01:51 | 0:01:54 | |
Morning, Valerie. | 0:02:06 | 0:02:08 | |
Oh, Dr Carter, it is a work of genius! | 0:02:08 | 0:02:11 | |
-What is? -Cinderella! | 0:02:11 | 0:02:13 | |
Oh, I'd almost forgotten about all that! | 0:02:13 | 0:02:16 | |
Oh! I only hope I can do it justice. | 0:02:16 | 0:02:19 | |
I have every faith in you. | 0:02:19 | 0:02:21 | |
-Has anyone else expressed an opinion? -No. | 0:02:21 | 0:02:24 | |
I'm apprehensive about the read-through at lunch-time. | 0:02:24 | 0:02:27 | |
Trust me, you've got nothing to worry about. | 0:02:27 | 0:02:29 | |
I expect it's the artistic temperament that makes you nervous. | 0:02:29 | 0:02:33 | |
Yes. It's my first venture as a writer. | 0:02:33 | 0:02:36 | |
-You are kidding me. -No, it is absolutely true. | 0:02:36 | 0:02:40 | |
The muse awakened in me and I experienced an epiphany. | 0:02:40 | 0:02:44 | |
The muse. Of course. | 0:02:44 | 0:02:46 | |
The words flowed through my pen, as if they had a life of their own. | 0:02:46 | 0:02:50 | |
-I could barely keep up. -Perhaps it's your destiny to be a writer. | 0:02:50 | 0:02:52 | |
You do hear of people who start writing when they're quite old... | 0:02:52 | 0:02:57 | |
Not that I'm saying you're old exactly, | 0:02:57 | 0:02:59 | |
more...not young, if you see what I mean? | 0:02:59 | 0:03:01 | |
Sorry. | 0:03:01 | 0:03:02 | |
SHE GASPS | 0:03:11 | 0:03:13 | |
SHE SIGHS | 0:03:17 | 0:03:18 | |
SHE DIALS 999 | 0:03:18 | 0:03:21 | |
Hello? I need the police. | 0:03:26 | 0:03:30 | |
My name's Nicola Cranson. | 0:03:30 | 0:03:33 | |
DOOR BANGS | 0:03:35 | 0:03:38 | |
Graham? | 0:03:38 | 0:03:41 | |
SHE SCREAMS | 0:03:41 | 0:03:44 | |
SHE DIALS 999 | 0:03:45 | 0:03:50 | |
Hello. Police. | 0:03:50 | 0:03:53 | |
Pupils dilated. | 0:03:53 | 0:03:57 | |
No sign of life. | 0:03:57 | 0:03:58 | |
Probably a single blow to the head. | 0:03:58 | 0:04:00 | |
How long do you reckon? | 0:04:00 | 0:04:02 | |
The body's still warm... Flaccid. | 0:04:02 | 0:04:06 | |
Three hours, maybe less. | 0:04:06 | 0:04:07 | |
Can you smell something? | 0:04:10 | 0:04:13 | |
No, no, no. I mean, like a foodie smell? | 0:04:13 | 0:04:16 | |
Yeah. Bacon. Smoked. | 0:04:16 | 0:04:20 | |
That's it! | 0:04:20 | 0:04:22 | |
Y'know, apart from the corpse, this place could be a show home. | 0:04:22 | 0:04:25 | |
Well, there's no law against being tidy! | 0:04:25 | 0:04:27 | |
The wife was at home when it happened. | 0:04:27 | 0:04:30 | |
She's being consoled in the next room. | 0:04:30 | 0:04:32 | |
Hm. I should tell you, I know Nikki Cranson. Professionally, anyway. | 0:04:32 | 0:04:35 | |
MRS TEMBE CLEARS HER THROAT | 0:04:40 | 0:04:42 | |
Dr Tyler is running a little late. | 0:04:42 | 0:04:44 | |
But he will be with you all in due course. | 0:04:44 | 0:04:47 | |
Oh, Karen! The bed in the sick bay needs making up. | 0:04:47 | 0:04:51 | |
I know it's a bit like housework... | 0:04:51 | 0:04:52 | |
-Oh, I don't mind housework! -That is news to me. | 0:04:52 | 0:04:55 | |
Ah, that would help me massively. Thank you. | 0:04:55 | 0:04:57 | |
Yeah, no probs! | 0:04:57 | 0:04:59 | |
Campus Surgery. How may I help you? Mrs Tembe speaking. | 0:04:59 | 0:05:02 | |
Aw! Thank you! Thank you! | 0:05:04 | 0:05:06 | |
-Would you mind giving me a hand? -Of course. -Aw! Thank you! | 0:05:06 | 0:05:09 | |
Professor Simpkins! Now, how are you? | 0:05:09 | 0:05:12 | |
Oh, dear! | 0:05:12 | 0:05:13 | |
Yes, well, tomorrow? | 0:05:13 | 0:05:16 | |
We will see you then. Goodbye. | 0:05:16 | 0:05:18 | |
SCREAMING AND LAUGHING | 0:05:18 | 0:05:20 | |
What's going on in there? | 0:05:20 | 0:05:22 | |
Oh, Mr Bellamy! I have a confession. | 0:05:22 | 0:05:25 | |
LAUGHING | 0:05:27 | 0:05:31 | |
Staff room. | 0:05:31 | 0:05:34 | |
You, too. | 0:05:34 | 0:05:35 | |
Please let me explain. | 0:05:44 | 0:05:46 | |
Just tell me she wasn't treating a patient! | 0:05:46 | 0:05:48 | |
Of course not! | 0:05:48 | 0:05:50 | |
Who is he? | 0:05:50 | 0:05:52 | |
This is Mr Bellamy, the practice manager. | 0:05:52 | 0:05:56 | |
-She has not met you yet. -How do you do? | 0:05:56 | 0:06:01 | |
What's she doing here? She's a liability. | 0:06:01 | 0:06:03 | |
I was only trying to help! | 0:06:03 | 0:06:05 | |
Karen, it's not that I'm... I'm not unsympathetic. | 0:06:05 | 0:06:08 | |
When I say you're a liability, I mean literally. | 0:06:08 | 0:06:12 | |
There are legal issues! | 0:06:12 | 0:06:14 | |
Do you understand? | 0:06:14 | 0:06:15 | |
I am sorry. I did not want to leave her at home today. | 0:06:15 | 0:06:20 | |
I'm going to have to speak to the partners. | 0:06:20 | 0:06:23 | |
Nikki, I'm so sorry. | 0:06:32 | 0:06:35 | |
This is bound to be upsetting, | 0:06:38 | 0:06:39 | |
but the sooner you come to the station and make your statement, | 0:06:39 | 0:06:43 | |
the better, while it's still fresh in your mind. | 0:06:43 | 0:06:46 | |
Er, now? | 0:06:46 | 0:06:48 | |
Is that a problem? | 0:06:48 | 0:06:50 | |
Yeah, yes. I've got a couple of visits to make. | 0:06:50 | 0:06:54 | |
One of my ladies is very close to full-term. | 0:06:54 | 0:06:59 | |
I can't let her down at the last minute. | 0:06:59 | 0:07:01 | |
Nikki, you need to phone the office, | 0:07:01 | 0:07:05 | |
and get them to get some cover. | 0:07:05 | 0:07:07 | |
No, I'm not ill! | 0:07:07 | 0:07:10 | |
No, I know. But this is an emergency. | 0:07:10 | 0:07:16 | |
All right. | 0:07:16 | 0:07:18 | |
I need to examine her before she's interviewed. | 0:07:26 | 0:07:30 | |
She's confused. | 0:07:30 | 0:07:32 | |
You're not kidding! | 0:07:32 | 0:07:34 | |
This had better be important, Howard. | 0:07:34 | 0:07:36 | |
-Morning, Hardup. -You can call me Buttercup! | 0:07:36 | 0:07:38 | |
This meeting's about Karen. | 0:07:38 | 0:07:40 | |
She hasn't deteriorated? | 0:07:40 | 0:07:42 | |
On the contrary. She's back at work. | 0:07:42 | 0:07:44 | |
-Again? -She's been in before? | 0:07:44 | 0:07:47 | |
-Well, only briefly. -Doing what? | 0:07:47 | 0:07:49 | |
-Well, apparently just some basic chores. -"Apparently"? | 0:07:49 | 0:07:52 | |
-None of us were actually here. -And nobody thought to tell me? | 0:07:52 | 0:07:55 | |
Well, to be fair, there hasn't been an opportunity. | 0:07:55 | 0:07:57 | |
Am I the only one who understands how serious this is? | 0:07:57 | 0:08:01 | |
She's invalidating not only her sick pay, but our building's insurance! | 0:08:01 | 0:08:05 | |
Nikki... | 0:08:13 | 0:08:15 | |
you do understand that Graham is dead, don't you? | 0:08:15 | 0:08:18 | |
I tried to revive him, but I couldn't! | 0:08:18 | 0:08:22 | |
It was no good! | 0:08:22 | 0:08:24 | |
We've been married for 15 years! | 0:08:26 | 0:08:29 | |
I know. | 0:08:32 | 0:08:34 | |
That policeman with his questions... | 0:08:34 | 0:08:37 | |
Can you tell him I'm not very well? | 0:08:37 | 0:08:39 | |
I'm not well enough! Please, Emma! | 0:08:39 | 0:08:43 | |
Nikki, the police need to talk to you! | 0:08:43 | 0:08:47 | |
It's part of procedure. | 0:08:47 | 0:08:50 | |
Karen's one of the team. We should be supporting her. | 0:08:50 | 0:08:52 | |
How do you suggest we do that? | 0:08:52 | 0:08:54 | |
I need medical information. | 0:08:54 | 0:08:56 | |
Karen's neurologist feels that her being here may stimulate her memory. | 0:08:56 | 0:09:01 | |
Yes, well, he didn't run that past the DWP! | 0:09:01 | 0:09:03 | |
And neither does he have to supervise her. | 0:09:03 | 0:09:05 | |
Look, the question is, do WE want Karen back in her present condition? | 0:09:05 | 0:09:09 | |
You serious? | 0:09:09 | 0:09:10 | |
It's not just about memory loss. | 0:09:10 | 0:09:12 | |
She may have difficulty assimilating new information. | 0:09:12 | 0:09:15 | |
-May. -Precisely. Her unpredictability worries me the most. | 0:09:15 | 0:09:19 | |
There's no way she should be in contact with patients. | 0:09:19 | 0:09:22 | |
Well, I can see we'd have fun with that one! | 0:09:22 | 0:09:24 | |
Frankly, I don't see that coming back to work too soon | 0:09:24 | 0:09:26 | |
will do her any good at all. | 0:09:26 | 0:09:28 | |
It might make matters worse. She could lose confidence. | 0:09:28 | 0:09:31 | |
Zara, this is pure speculation, and you're not a neurologist. | 0:09:31 | 0:09:35 | |
But I do know Karen! | 0:09:35 | 0:09:37 | |
Has anyone even asked if she wants to come back to work? | 0:09:37 | 0:09:39 | |
Of course she does. What was this morning about? | 0:09:39 | 0:09:42 | |
OK, is Karen fit to return to work on full duties? | 0:09:42 | 0:09:45 | |
-No. -Heston? -No, but... -Daniel? | 0:09:45 | 0:09:48 | |
-Oh, I suppose not. -Thank you. Decision made. Meeting over. | 0:09:48 | 0:09:52 | |
Come on, Howard! It's not as cut and dried as that. | 0:09:52 | 0:09:56 | |
She was just a girl. | 0:09:56 | 0:09:58 | |
Approximate age? | 0:09:58 | 0:10:00 | |
17. 18. | 0:10:00 | 0:10:03 | |
Hair colour? | 0:10:03 | 0:10:04 | |
I'm not sure. Dark? | 0:10:04 | 0:10:07 | |
What was she wearing? | 0:10:07 | 0:10:08 | |
One of those... baggy, grey parka things. | 0:10:08 | 0:10:14 | |
-Would you like a glass of water? -No, thank you. | 0:10:14 | 0:10:17 | |
OK. Let's return to the events of this morning. | 0:10:19 | 0:10:23 | |
You say you woke at around eight to find your husband was already up. | 0:10:23 | 0:10:27 | |
That's right. | 0:10:27 | 0:10:29 | |
So you got up, showered and dressed ready for work. | 0:10:29 | 0:10:33 | |
-Yes. -You didn't think to call out to him? | 0:10:33 | 0:10:37 | |
I thought he'd already gone to work. He's a truck driver. | 0:10:37 | 0:10:40 | |
He often gets up first. | 0:10:40 | 0:10:43 | |
And cooks himself breakfast? | 0:10:43 | 0:10:45 | |
Yes. | 0:10:47 | 0:10:49 | |
I take it he doesn't like smoked bacon? | 0:10:49 | 0:10:54 | |
I don't understand? | 0:10:54 | 0:10:56 | |
We found half-cooked rashers of smoked bacon in the pedal bin. | 0:10:56 | 0:10:59 | |
Oh, I must have bought it by mistake! | 0:10:59 | 0:11:04 | |
Easily done. You'd think they'd do something about the packaging. | 0:11:04 | 0:11:10 | |
So, he made an alternative breakfast? | 0:11:10 | 0:11:12 | |
He might have done, I don't know. | 0:11:12 | 0:11:14 | |
-Then cleared up after himself? -I suppose so. | 0:11:14 | 0:11:17 | |
My wife would think I'd gone nuts if I did that. | 0:11:17 | 0:11:20 | |
You obviously had Graham very well-trained. | 0:11:20 | 0:11:25 | |
We're nearly done. | 0:11:25 | 0:11:28 | |
-You told Dr Reid you tried to revive Graham? -Yes. | 0:11:28 | 0:11:32 | |
-After you'd seen the intruder? -Yes, of course. | 0:11:32 | 0:11:35 | |
But BEFORE you phoned for the police? | 0:11:35 | 0:11:37 | |
Don't you think an ambulance would have been useful? | 0:11:37 | 0:11:39 | |
I'm medically trained. | 0:11:39 | 0:11:41 | |
Mm. | 0:11:43 | 0:11:45 | |
Look, I want to help Karen as much as anyone else. | 0:11:45 | 0:11:47 | |
But the bottom line is she's been signed off with a fit note! | 0:11:47 | 0:11:50 | |
We'll be in the soup if we allow her to work. | 0:11:50 | 0:11:52 | |
I think we get the message, Howard. | 0:11:52 | 0:11:54 | |
What if she had a different fit note? | 0:11:54 | 0:11:56 | |
One that allowed her to undertake light office duties only? | 0:11:56 | 0:11:59 | |
It would have to specify no contact with patients. | 0:11:59 | 0:12:01 | |
Yes, Zara, you've made that abundantly clear! | 0:12:01 | 0:12:03 | |
That's not a bad idea, Heston. Is it workable? | 0:12:03 | 0:12:06 | |
It's worth a shot. | 0:12:06 | 0:12:07 | |
The problem could be getting her to accept limitations. | 0:12:07 | 0:12:10 | |
And retraining? | 0:12:10 | 0:12:12 | |
Let's cross that bridge when we come to it. | 0:12:12 | 0:12:14 | |
The first step is for you to make enquiries. | 0:12:14 | 0:12:18 | |
-Excellent. -Thanks, Howard. | 0:12:18 | 0:12:22 | |
KNOCK AT DOOR | 0:12:22 | 0:12:24 | |
Hi. Problem? | 0:12:24 | 0:12:27 | |
What is your take on Nicola Cranson? | 0:12:27 | 0:12:29 | |
Put it this way, if I was having a baby, I'd want her to deliver it. | 0:12:31 | 0:12:35 | |
Yet she's got no children of her own? | 0:12:35 | 0:12:38 | |
That's neither here nor there. | 0:12:38 | 0:12:41 | |
But I do know she's had at least one miscarriage. | 0:12:41 | 0:12:45 | |
So her marriage could have been rocky? | 0:12:45 | 0:12:48 | |
I don't know. | 0:12:48 | 0:12:50 | |
I only met Graham once at a fundraiser | 0:12:50 | 0:12:52 | |
that Nikki did for the mother and baby unit. | 0:12:52 | 0:12:55 | |
To be honest, I can't remember him. | 0:12:55 | 0:12:57 | |
He was unremarkable, ordinary Joe. | 0:12:57 | 0:13:00 | |
Why? Is she a suspect? | 0:13:00 | 0:13:03 | |
No, not yet. But, according to her, Graham comes downstairs, | 0:13:03 | 0:13:06 | |
cooks himself breakfast and clears up after himself. | 0:13:06 | 0:13:09 | |
You want to see the guy's car. He's a complete slob! | 0:13:09 | 0:13:12 | |
Maybe he takes more care in the kitchen? | 0:13:12 | 0:13:14 | |
OK, so an intruder enters while he's dutifully putting the dishes | 0:13:14 | 0:13:18 | |
away in the right place and hits him over the head. | 0:13:18 | 0:13:21 | |
Does this make any sense to you? | 0:13:21 | 0:13:23 | |
-MOBILE PHONE RINGS -Sorry. | 0:13:23 | 0:13:25 | |
Hello. Cooper. | 0:13:26 | 0:13:30 | |
OK, I'm coming through. Cheers. | 0:13:30 | 0:13:34 | |
A neighbour has identified a girl fitting the description | 0:13:34 | 0:13:38 | |
running from Nikki's house. | 0:13:38 | 0:13:39 | |
There you go, then. | 0:13:39 | 0:13:42 | |
Nikki? | 0:13:42 | 0:13:45 | |
Nikki! Nikki, are you OK? | 0:13:45 | 0:13:46 | |
I can't go to work and I can't go home. | 0:13:49 | 0:13:52 | |
I know. We need to organise some clothes for you. | 0:13:52 | 0:13:57 | |
We need to get you out of this uniform. | 0:13:57 | 0:13:59 | |
That's the last thing I want. | 0:13:59 | 0:14:00 | |
You were wearing it when you tried to revive Graham. | 0:14:00 | 0:14:03 | |
But I might never wear it again! | 0:14:03 | 0:14:05 | |
What makes you say that? | 0:14:05 | 0:14:07 | |
Nikki? | 0:14:09 | 0:14:11 | |
Nikki, it is really important that you tell the police everything. | 0:14:11 | 0:14:16 | |
I have. | 0:14:16 | 0:14:18 | |
Nikki?! | 0:14:18 | 0:14:21 | |
Before we start, can I ask a question? | 0:14:21 | 0:14:23 | |
-Of course. Fire away. -Why is it in verse? | 0:14:23 | 0:14:26 | |
Because that's how 19th century pantomimes were written. | 0:14:26 | 0:14:29 | |
Mine is in that tradition. | 0:14:29 | 0:14:32 | |
Sorry we're late. The childminder is having one of her migraines. | 0:14:32 | 0:14:35 | |
No problem. | 0:14:35 | 0:14:36 | |
I would be honoured to give Joe his first taste of theatre. | 0:14:36 | 0:14:41 | |
Anyone know where Jimmi is? | 0:14:41 | 0:14:42 | |
Perhaps he's shying away from playing Daisy? | 0:14:42 | 0:14:46 | |
-I'd be very happy to... -No. My casting decision will stand. | 0:14:46 | 0:14:49 | |
Right. Mrs Tembe's not here, so we will skip the prologue | 0:14:49 | 0:14:54 | |
and go straight to Cinderella's first speech. | 0:14:54 | 0:14:56 | |
JOE GURGLES | 0:15:00 | 0:15:04 | |
Everything all right, Valerie? | 0:15:04 | 0:15:06 | |
I am a woman condemned to grovel in the ashes of a spent fire. | 0:15:06 | 0:15:10 | |
A woman with no name. | 0:15:10 | 0:15:12 | |
Do I even remember what my real name is? | 0:15:12 | 0:15:16 | |
It's very commendable, but we've a lot to get through. | 0:15:16 | 0:15:19 | |
I'm ready. | 0:15:19 | 0:15:22 | |
Meet Montague. Monty for short. | 0:15:22 | 0:15:27 | |
Monty is an old and trusted friend. | 0:15:27 | 0:15:29 | |
I am supposed to be talking to a mouse. | 0:15:29 | 0:15:31 | |
He'll help with my motivation. | 0:15:31 | 0:15:33 | |
OK, Louise, empty your pockets. | 0:15:35 | 0:15:39 | |
If I lose this baby, I'll sue ya. Right? | 0:15:39 | 0:15:41 | |
Yeah, and I'm quaking in my boots. | 0:15:41 | 0:15:43 | |
Tom? | 0:15:43 | 0:15:45 | |
She might have a point. She looks full-term to me. | 0:15:48 | 0:15:53 | |
I should take a look at her. | 0:15:53 | 0:15:57 | |
OK. I'll get Nikki in to ID. | 0:15:57 | 0:15:59 | |
Each morning I rise and rake the cinders that are my own namesakes. | 0:16:04 | 0:16:10 | |
There's none so lowly in this house. Except for you, o tiny mouse. | 0:16:10 | 0:16:17 | |
Shall the Earth the meek inherit? | 0:16:17 | 0:16:20 | |
Do those Gospel words hold any merit? | 0:16:20 | 0:16:25 | |
SHE SIGHS | 0:16:25 | 0:16:26 | |
Enough of dreaming, I must away and prepare my dear pa's breakfast tray. | 0:16:26 | 0:16:33 | |
JOE BREAKS WIND | 0:16:33 | 0:16:34 | |
RAA! | 0:16:34 | 0:16:36 | |
AL LAUGHS | 0:16:36 | 0:16:37 | |
Obviously destined to be a theatre critic. | 0:16:37 | 0:16:39 | |
-I beg your pardon? -Sorry. | 0:16:39 | 0:16:42 | |
Sorry. I need to take him away to have a change. | 0:16:42 | 0:16:46 | |
Thank you, Valerie, for your sterling effort. | 0:16:46 | 0:16:48 | |
Thank you for a wonderful part, Dr Carter. | 0:16:48 | 0:16:51 | |
-When am I on? -Patience, Howard. | 0:16:51 | 0:16:54 | |
Daisy is not here, so we will skip scene two | 0:16:54 | 0:16:57 | |
and go straight to Buttons. | 0:16:57 | 0:16:59 | |
AL SIGHS | 0:17:01 | 0:17:03 | |
There she goes, my Cinders fair. | 0:17:03 | 0:17:05 | |
With her sparkling eyes and golden hair. | 0:17:05 | 0:17:08 | |
Will Valerie be wearing a wig? | 0:17:08 | 0:17:10 | |
-Please don't interrupt. -I'm just saying, | 0:17:10 | 0:17:12 | |
because if she isn't you're going to have to change... Carry on. | 0:17:12 | 0:17:15 | |
Buttons? | 0:17:15 | 0:17:16 | |
This maid means all the world to me. And yet our love can never be. | 0:17:16 | 0:17:20 | |
Her presence brings me infinite joy. But to her I'm just a funny boy. | 0:17:20 | 0:17:26 | |
Ah, that's lovely. | 0:17:26 | 0:17:27 | |
I hadn't realised until now how much of a loser Buttons is. | 0:17:27 | 0:17:30 | |
One thing's for sure, he's not funny. | 0:17:30 | 0:17:32 | |
Think tears of a clown. | 0:17:32 | 0:17:35 | |
Pantomime is supposed to be knockabout fun, Heston. | 0:17:35 | 0:17:38 | |
Where are the innuendoes, the references to popular culture? | 0:17:38 | 0:17:42 | |
Hashtag twerking? | 0:17:42 | 0:17:44 | |
Why don't we mention a few soap star names to liven it up a bit? | 0:17:44 | 0:17:47 | |
That would be difficult. I only watch Scandinavian noir. | 0:17:47 | 0:17:50 | |
Maybe Cinders could wear a Sarah Lund jumper? | 0:17:50 | 0:17:54 | |
Ooh! | 0:17:54 | 0:17:55 | |
Speaking of noir... Daisy. | 0:17:55 | 0:17:59 | |
-Do you know when your baby's due? -I'm saying nothing to you. | 0:18:05 | 0:18:09 | |
Well, I am a doctor. | 0:18:09 | 0:18:10 | |
Yeah, and this is a police station. Do I look stupid? | 0:18:10 | 0:18:14 | |
What's the name of your GP? | 0:18:14 | 0:18:17 | |
Are you registered with a clinic? | 0:18:21 | 0:18:23 | |
I live on the streets! | 0:18:23 | 0:18:26 | |
It's due on New Year's Day. Will that do ya? | 0:18:26 | 0:18:29 | |
-Could you remove some of your clothes, please? -Why? | 0:18:29 | 0:18:32 | |
I would like to examine you! | 0:18:32 | 0:18:34 | |
Know what? I'm taking this to the Court of Human Rights. | 0:18:34 | 0:18:38 | |
Aaargh! | 0:18:41 | 0:18:45 | |
All right, Louise. | 0:18:45 | 0:18:48 | |
-Breathe. -Aaaaargh! | 0:18:48 | 0:18:50 | |
We have one of these women in custody. | 0:18:50 | 0:18:52 | |
She was caught stealing food from a house | 0:18:52 | 0:18:55 | |
a couple of streets away from yours. | 0:18:55 | 0:18:57 | |
-You see anyone you know? -No. I'm sorry. | 0:18:57 | 0:19:00 | |
-Are you sure about that? -'Can I get some help in here, please!' | 0:19:00 | 0:19:04 | |
Mrs Cranson? | 0:19:04 | 0:19:06 | |
That's a woman in labour! | 0:19:06 | 0:19:07 | |
Don't worry, we've got it covered. Can we get back to the photos? | 0:19:07 | 0:19:10 | |
No! That woman's in distress. You need to do something! | 0:19:10 | 0:19:15 | |
I'm going to die! Call a priest! | 0:19:21 | 0:19:24 | |
No, you're not, Louise. | 0:19:24 | 0:19:26 | |
-I've called an ambulance. -Are you sure she's not faking? | 0:19:26 | 0:19:29 | |
Tom, her waters have broken. She's a month early. | 0:19:29 | 0:19:32 | |
You can't go in there, Mrs Cranson! | 0:19:32 | 0:19:33 | |
I'm a midwife! Emma? | 0:19:33 | 0:19:35 | |
No, Nikki. | 0:19:36 | 0:19:37 | |
-Come on! -Check the baby's heart rate! | 0:19:37 | 0:19:39 | |
Come on! | 0:19:39 | 0:19:41 | |
LOUISE SCREAMS | 0:19:41 | 0:19:43 | |
The humour in this pantomime will not be broad, | 0:19:43 | 0:19:46 | |
rather a subtle play on words. | 0:19:46 | 0:19:49 | |
You're going to have to trust me on this. | 0:19:49 | 0:19:52 | |
Ah, Prince Charming is back! | 0:19:52 | 0:19:53 | |
We can go straight to the ball scene. | 0:19:53 | 0:19:56 | |
Dr Carter, I've brought some more props. | 0:19:56 | 0:19:59 | |
-OK. -For Cinderella, Buttercup and one for Daisy. | 0:19:59 | 0:20:04 | |
Fantastic. | 0:20:04 | 0:20:06 | |
Great for flirting. | 0:20:08 | 0:20:09 | |
You'd know. | 0:20:09 | 0:20:11 | |
Come on, Jimmi, get in the spirit. | 0:20:11 | 0:20:13 | |
You are a feminine woman over 30 and nature has not been kind. | 0:20:13 | 0:20:16 | |
Shut up! | 0:20:16 | 0:20:18 | |
Right. Are we ready? | 0:20:18 | 0:20:19 | |
Fishnets. Thigh boots. Can't wait. | 0:20:19 | 0:20:21 | |
Charming enters the ballroom and Baron Hardup crosses his path. | 0:20:21 | 0:20:25 | |
Your Highness, I think you oughta cast an eye over my two daughters. | 0:20:30 | 0:20:34 | |
O, handsome prince, make me your wife. | 0:20:38 | 0:20:40 | |
Don't choose her, she'll give you strife. | 0:20:40 | 0:20:43 | |
Charming turns, | 0:20:43 | 0:20:44 | |
his gaze falling for the first time on the mysterious princess. | 0:20:44 | 0:20:48 | |
By Jove! | 0:20:50 | 0:20:52 | |
Please don't slap your thigh. It's the most appalling cliche. | 0:20:52 | 0:20:55 | |
MOBILE PHONE RINGS | 0:20:55 | 0:20:56 | |
Got to take this. | 0:20:56 | 0:20:58 | |
OK, Charming, stay in the moment. | 0:20:58 | 0:21:01 | |
By Jove! | 0:21:02 | 0:21:04 | |
Is this a dream or can that be a princess gazing back at me? | 0:21:04 | 0:21:07 | |
More...beauteous... I can't say "beauteous." | 0:21:08 | 0:21:13 | |
Just say beautiful instead. | 0:21:13 | 0:21:15 | |
No, don't. It doesn't scan. | 0:21:15 | 0:21:17 | |
No-one has said "beauteous" in over 5,000 years. | 0:21:17 | 0:21:20 | |
It's no longer a word. | 0:21:20 | 0:21:22 | |
Any English dictionary would say otherwise. | 0:21:22 | 0:21:24 | |
My literacy is not in question here. | 0:21:24 | 0:21:27 | |
The key is character. | 0:21:27 | 0:21:29 | |
What character? | 0:21:29 | 0:21:30 | |
Would you please restrict your comments to your own part? | 0:21:30 | 0:21:33 | |
OK. Why is Buttons such a loser? | 0:21:33 | 0:21:35 | |
I wasn't aware that Buttons was in the ball scene! | 0:21:35 | 0:21:38 | |
He's not. | 0:21:38 | 0:21:39 | |
Please shut up! | 0:21:39 | 0:21:40 | |
Fine. | 0:21:40 | 0:21:41 | |
Zara, please? | 0:21:41 | 0:21:43 | |
To be honest with you, I'd question why he would say "by Jove". | 0:21:43 | 0:21:46 | |
The Prince, he's quite a one-dimensional character, really. | 0:21:46 | 0:21:50 | |
Oh, I see. Anyone else? | 0:21:50 | 0:21:53 | |
-Jimmi? -I think Daisy could do with a few more lines. | 0:21:53 | 0:21:55 | |
She's just standing around. There's no stage directions. | 0:21:55 | 0:21:58 | |
Ditto Buttercup. | 0:21:58 | 0:21:59 | |
And don't you think she'd try a little bit harder to pull the Prince? | 0:21:59 | 0:22:02 | |
Thank you, cast, for your resounding vote of confidence(!) | 0:22:02 | 0:22:07 | |
We're just trying to find ways to get the script improved. | 0:22:07 | 0:22:09 | |
It doesn't need improvement! | 0:22:09 | 0:22:11 | |
By Jove it does. It's awful. | 0:22:11 | 0:22:13 | |
It's pompous. The rhymes are weak. | 0:22:13 | 0:22:15 | |
How long did it take you to write this, Heston? | 0:22:15 | 0:22:18 | |
30 minutes? | 0:22:18 | 0:22:19 | |
How dare you! | 0:22:19 | 0:22:21 | |
Heston, don't be so sensitive. | 0:22:21 | 0:22:22 | |
You just need to take it to another draft, or two. | 0:22:22 | 0:22:26 | |
Just a few tweaks. | 0:22:26 | 0:22:28 | |
SHE GROANS AND WHIMPERS | 0:22:32 | 0:22:34 | |
She should be OK now. | 0:22:37 | 0:22:38 | |
By the way, there was some blood on her trainer. | 0:22:40 | 0:22:45 | |
Maybe she shouldn't waste time bonding with the baby. | 0:22:45 | 0:22:47 | |
That must have been very difficult for you, not being able to help. | 0:22:51 | 0:22:55 | |
I'm surprised you wanted to. If she did kill Graham, then... | 0:22:55 | 0:23:00 | |
There's something I need to show you. | 0:23:02 | 0:23:04 | |
HE SIGHS | 0:23:06 | 0:23:07 | |
I am utterly humiliated. | 0:23:14 | 0:23:16 | |
What do they know? | 0:23:16 | 0:23:18 | |
You mustn't give up. | 0:23:18 | 0:23:20 | |
Please put it back. I am withdrawing from this production. | 0:23:20 | 0:23:25 | |
Now you listen to me. | 0:23:25 | 0:23:27 | |
Before I read this, I had no idea that Cinderella was so deep. | 0:23:27 | 0:23:31 | |
If other people can't see that, that's their lookout. | 0:23:31 | 0:23:34 | |
I know you're trying to be kind... | 0:23:34 | 0:23:37 | |
No, I mean it. | 0:23:37 | 0:23:38 | |
Loads of writers are misunderstood at first, aren't they? | 0:23:38 | 0:23:41 | |
Even Shakespeare must have suffered. | 0:23:41 | 0:23:45 | |
I doubt that very much. | 0:23:45 | 0:23:47 | |
Just imagine him onstage, expecting applause, | 0:23:47 | 0:23:50 | |
only to be jeered at and pelted with rotten vegetables | 0:23:50 | 0:23:53 | |
because his Hamlet was in rhyming couplets. | 0:23:53 | 0:23:56 | |
Well, I'm not sure... | 0:23:56 | 0:23:57 | |
And like the song, he picked himself up, | 0:23:57 | 0:23:59 | |
dusted himself off and... | 0:23:59 | 0:24:02 | |
# Started all over again. # | 0:24:02 | 0:24:04 | |
As you must. | 0:24:04 | 0:24:06 | |
We're going to be brilliant. | 0:24:09 | 0:24:11 | |
I hope so, Valerie. Thank you. | 0:24:11 | 0:24:15 | |
It's the same old story. | 0:24:25 | 0:24:28 | |
He beats me. | 0:24:30 | 0:24:33 | |
He breaks down. | 0:24:33 | 0:24:35 | |
And I forgive him. | 0:24:35 | 0:24:38 | |
Why forgive him? | 0:24:38 | 0:24:40 | |
Because I knew he wasn't a monster like his father. | 0:24:40 | 0:24:43 | |
He wasn't. He made me laugh, honestly. | 0:24:43 | 0:24:47 | |
He was just damaged. | 0:24:49 | 0:24:50 | |
He couldn't help it. | 0:24:51 | 0:24:53 | |
Nikki, what happened this morning? | 0:24:54 | 0:24:58 | |
We had a row because I'd bought the wrong bacon. | 0:24:58 | 0:25:02 | |
He started sneering, calling me "Porky" and snorting like a pig. | 0:25:04 | 0:25:10 | |
So I knew I was in for another beating, | 0:25:11 | 0:25:14 | |
but instead of bracing myself, I swung at him with the frying pan. | 0:25:14 | 0:25:19 | |
It was as if someone else was doing it, not me. | 0:25:21 | 0:25:24 | |
Why cover it up? | 0:25:25 | 0:25:27 | |
Because I knew I'd lose my job. | 0:25:27 | 0:25:29 | |
I couldn't bear to think of that. | 0:25:29 | 0:25:31 | |
SHE SOBS | 0:25:32 | 0:25:34 | |
I'll never deliver another baby. | 0:25:34 | 0:25:36 | |
All that good work. | 0:25:38 | 0:25:41 | |
From today I'll be known as the woman who killed her husband. | 0:25:44 | 0:25:47 | |
Mr Bellamy has some news for you. | 0:25:57 | 0:26:01 | |
Yes. I've had a word with the other partners | 0:26:01 | 0:26:05 | |
and we're very happy for you to come back to work. | 0:26:05 | 0:26:07 | |
Now, before you can do that, I need to contact... | 0:26:07 | 0:26:10 | |
I might not want to. | 0:26:10 | 0:26:12 | |
Ah... Is that because of what happened earlier this morning? | 0:26:12 | 0:26:15 | |
No, I'm thinking of writing a bestseller. | 0:26:15 | 0:26:17 | |
Ah. Well, I dare say you'd earn more than as a receptionist. | 0:26:17 | 0:26:21 | |
What do I get? | 0:26:21 | 0:26:23 | |
Mr Bellamy. | 0:26:23 | 0:26:25 | |
If you told her that, I would have to deal with the consequences. | 0:26:25 | 0:26:29 | |
What are you whispering about? | 0:26:29 | 0:26:31 | |
Well, I'm sorry, Mrs Tembe, but Karen has rights. | 0:26:31 | 0:26:35 | |
Here you go. | 0:26:36 | 0:26:37 | |
Your salary. | 0:26:42 | 0:26:45 | |
For a month's work? | 0:26:45 | 0:26:46 | |
A week. | 0:26:46 | 0:26:48 | |
Flaming Ada! | 0:26:50 | 0:26:51 | |
That is not a lot nowadays. | 0:26:51 | 0:26:53 | |
-Aw! -We can talk about this. | 0:26:53 | 0:26:56 | |
Oh! | 0:26:56 | 0:26:57 | |
I'm rich! | 0:26:58 | 0:27:00 | |
Did you want to see a doctor? | 0:27:00 | 0:27:03 | |
-Are you taking the mickey out of me? -Not at all. | 0:27:03 | 0:27:06 | |
It's my money! | 0:27:06 | 0:27:07 | |
I am sorry. Speak to your husband. | 0:27:07 | 0:27:11 | |
What are you? My jailor?! | 0:27:11 | 0:27:13 | |
Not only are you incompetent, you're also extremely rude. | 0:27:13 | 0:27:17 | |
I'M rude? | 0:27:17 | 0:27:18 | |
She is probably still out shopping. Not to worry. | 0:27:18 | 0:27:22 | |
Whoa! Did you say that she's out shopping? | 0:27:22 | 0:27:24 | |
Subtitles by Red Bee Media Ltd | 0:27:45 | 0:27:49 |