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MUSIC: "Miss Celie's Blues" by Michael Coppola | 0:00:32 | 0:00:35 | |
# Sister, you've been on my mind | 0:00:57 | 0:01:02 | |
# Oh, sister, we're two of a kind | 0:01:02 | 0:01:07 | |
# So, sister I'm keepin' my eyes on... # | 0:01:07 | 0:01:10 | |
Sid! Sid! I know you're in there! | 0:01:10 | 0:01:13 | |
I can see you. | 0:01:13 | 0:01:15 | |
CLOCK TICKS LOUDLY | 0:01:19 | 0:01:21 | |
SHE COUGHS AND WHEEZES | 0:01:32 | 0:01:36 | |
It's getting worse. | 0:01:43 | 0:01:45 | |
Don't be silly. | 0:01:47 | 0:01:49 | |
SHE SIGHS | 0:01:49 | 0:01:51 | |
Right. Here we are. | 0:01:51 | 0:01:53 | |
OK. | 0:01:55 | 0:01:56 | |
Ooh. | 0:01:56 | 0:01:57 | |
Oh. | 0:02:12 | 0:02:13 | |
Oh, no. | 0:02:15 | 0:02:16 | |
# Sufferin' I've been up that lonesome road | 0:02:36 | 0:02:41 | |
# And I've seen a lot of suns goin' down... # | 0:02:41 | 0:02:44 | |
KNOCKING | 0:02:44 | 0:02:45 | |
Enter. | 0:02:45 | 0:02:46 | |
How do you fancy taking out a gorgeous woman this afternoon? | 0:02:46 | 0:02:50 | |
Oh, is Rachel Riley in town? | 0:02:50 | 0:02:52 | |
-Much better, mate. -Better? | 0:02:52 | 0:02:54 | |
She is hot. Trust me. | 0:02:54 | 0:02:56 | |
-She single? -Yes. -No. | 0:02:56 | 0:02:58 | |
Single and hot - there must be something wrong with her. | 0:02:58 | 0:03:00 | |
-She is a bunny boiler. -She does not boil bunnies. | 0:03:00 | 0:03:03 | |
She is a sister of a mate of mine who's in town on a course | 0:03:03 | 0:03:06 | |
and she just needs someone to show her around. | 0:03:06 | 0:03:08 | |
I would do it, mate, but Mandy's off sick | 0:03:08 | 0:03:10 | |
-and I've got to work through lunch. -KNOCKING | 0:03:10 | 0:03:13 | |
Sorry. Mandy's 10:15 and 10:30 are still waiting | 0:03:13 | 0:03:16 | |
and there's a Hillary Grace on the phone about her blood pressure. | 0:03:16 | 0:03:19 | |
-Says it's urgent. -Thank you, Valerie. | 0:03:19 | 0:03:20 | |
-Will you think about it, please, man? -I'm busy. | 0:03:20 | 0:03:23 | |
Great. Cheers. | 0:03:23 | 0:03:24 | |
Don't you look glamorous! | 0:03:31 | 0:03:33 | |
Oh, thank you. I've come for Jonesy's repeat prescriptions. | 0:03:33 | 0:03:39 | |
-That's Jonesy Dalmond, isn't it? -That's right. | 0:03:39 | 0:03:42 | |
Jonesy Dalmond. Sounds a bit like a film director, doesn't it? | 0:03:42 | 0:03:45 | |
"And the Oscar goes to... Jonesy Dalmond!" | 0:03:47 | 0:03:50 | |
-How's he doing? -Oh, he's just fine. | 0:03:52 | 0:03:55 | |
I thought he might have got worse, as we hadn't seen you for a while. | 0:03:55 | 0:03:58 | |
But he's fine, is he? | 0:03:58 | 0:04:00 | |
Do you want to feel? | 0:04:01 | 0:04:03 | |
Oh, right. | 0:04:04 | 0:04:05 | |
Fox. | 0:04:07 | 0:04:08 | |
Jonesy took me to Ronnie Scott's in it, to hear Miles Davis - | 0:04:08 | 0:04:12 | |
-January, 1969. -Miles Davis! | 0:04:12 | 0:04:15 | |
I wore this fur and not much else under. | 0:04:15 | 0:04:19 | |
I ended up sandwiched between Peter Sellers and Reggie Kray. | 0:04:19 | 0:04:23 | |
Well, it WAS the Swinging Sixties. | 0:04:23 | 0:04:26 | |
Ho-ho! I meant at the table, in the nightclub. | 0:04:28 | 0:04:31 | |
Oh, right, got you! Did Reggie Kray have a gun? | 0:04:31 | 0:04:34 | |
I always imagine these East End gangsters to have a gun, | 0:04:34 | 0:04:38 | |
you know, tucked into their belt. | 0:04:38 | 0:04:40 | |
I'll tell you what he did have. | 0:04:40 | 0:04:42 | |
SHE LAUGHS | 0:04:44 | 0:04:46 | |
OK, I'm going to be straight with you. I'm desperate. | 0:04:48 | 0:04:51 | |
I made a promise to my friend and I don't want to let him down. | 0:04:51 | 0:04:54 | |
-I'm busy. -Really? With what? -What about Kevin? If she's hot... | 0:04:54 | 0:04:57 | |
She's really clever. She's a physicist. | 0:04:57 | 0:05:00 | |
I thought she'd appreciate some intelligent conversation | 0:05:00 | 0:05:03 | |
-and vice versa. And Kevin's busy. -She's a physicist? -Yeah. | 0:05:03 | 0:05:07 | |
-Is this Jessica Marlowe? -Yeah. | 0:05:07 | 0:05:10 | |
Oh, I didn't know she was in town. Are you and she..? | 0:05:10 | 0:05:13 | |
I wish. I can't go there, can I? She's my mate's sister! | 0:05:13 | 0:05:17 | |
Come on, Al, you're clever and you've got a great sense of humour, | 0:05:17 | 0:05:21 | |
sometimes. | 0:05:21 | 0:05:22 | |
You're just really clever. She'll love you. | 0:05:22 | 0:05:26 | |
-And she's really pretty? -Yeah. | 0:05:26 | 0:05:28 | |
-Would you say that she's pretty? -Mum, tell him how fit Jessica Marlowe is. | 0:05:28 | 0:05:32 | |
Incredibly. | 0:05:32 | 0:05:33 | |
Mate! | 0:05:34 | 0:05:36 | |
WOMAN SINGS | 0:05:36 | 0:05:38 | |
-What's that? -Sounds like Sid. | 0:05:38 | 0:05:41 | |
SINGING CONTINUES | 0:05:41 | 0:05:43 | |
# Blackbird | 0:05:43 | 0:05:46 | |
# Where somebody waits for me Sugar-sweet, so is he | 0:05:46 | 0:05:52 | |
# Bye, bye, blackbird | 0:05:52 | 0:05:56 | |
# No-one here can love or understand me | 0:05:56 | 0:06:02 | |
# Oh, what hard-luck stories they all hand me | 0:06:03 | 0:06:09 | |
# So, make my bed Light the light... # | 0:06:09 | 0:06:13 | |
-Oh, I don't know it. -Yes, you do! | 0:06:13 | 0:06:16 | |
-Go on, Al! -No. | 0:06:16 | 0:06:19 | |
# I'll be home late tonight | 0:06:19 | 0:06:22 | |
# Blackbird! # | 0:06:22 | 0:06:25 | |
SHE WHEEZES | 0:06:25 | 0:06:27 | |
Sid, you all right? | 0:06:29 | 0:06:30 | |
Come and take a seat. Valerie, will you get some water? | 0:06:32 | 0:06:35 | |
I'll foot the bill, if you take her for lunch. Drinks included. | 0:06:37 | 0:06:41 | |
-Here we are. -You're all making such a fuss. | 0:06:41 | 0:06:44 | |
All right. | 0:06:45 | 0:06:47 | |
-Oh, mate, you're a lifesaver. -Could you not call me that? | 0:06:47 | 0:06:50 | |
-What? -We're not mates, we're work colleagues. | 0:06:50 | 0:06:52 | |
I'm doing this for you because, having been subjected to | 0:06:52 | 0:06:55 | |
the Von Trapp family singers, I need some intellectual stimulation. | 0:06:55 | 0:06:58 | |
That is all. | 0:06:58 | 0:06:59 | |
Whatever...mate. | 0:07:00 | 0:07:02 | |
OK. Are you in any pain? | 0:07:04 | 0:07:06 | |
No. | 0:07:06 | 0:07:07 | |
And are you keeping warm enough? | 0:07:07 | 0:07:09 | |
Cold and damp can really aggravate things at this time of year. | 0:07:09 | 0:07:13 | |
Jonesy and I are as snug as sardines in a tin can. | 0:07:13 | 0:07:15 | |
Sid's a really unusual name for a woman. | 0:07:15 | 0:07:19 | |
My mother knew I was destined for the stage. | 0:07:19 | 0:07:23 | |
Ah. Well, Sid, you do have a rattle. | 0:07:23 | 0:07:26 | |
I always did want to play percussion. | 0:07:26 | 0:07:29 | |
Did you always make light of serious matters? | 0:07:30 | 0:07:33 | |
You've got quite a chest infection. | 0:07:33 | 0:07:36 | |
-I'll prescribe you some antibiotics. -You're really quite pretty. | 0:07:36 | 0:07:40 | |
Sid, this is serious. | 0:07:40 | 0:07:43 | |
It's important that you finish the course and keep warm, | 0:07:43 | 0:07:45 | |
if you're to get well. | 0:07:45 | 0:07:47 | |
On the way out I'd like you to see Valerie. | 0:07:47 | 0:07:50 | |
-Make an appointment to see me in a week's time. -I understand, doctor, | 0:07:50 | 0:07:54 | |
but I'll be seeing Dr Carter. | 0:07:54 | 0:07:56 | |
Women like us get on so much better with men. | 0:07:56 | 0:08:00 | |
Hmmp! | 0:08:00 | 0:08:01 | |
As you wish. | 0:08:03 | 0:08:04 | |
SHE HUMS "BYE, BYE, BLACKBIRD" | 0:08:04 | 0:08:07 | |
I wonder how she does it, Sid? Being so lively all the time? | 0:08:13 | 0:08:17 | |
She's going to lend me one of her albums. Get me into jazz. | 0:08:17 | 0:08:21 | |
Charles Minger. | 0:08:21 | 0:08:22 | |
Mingus. | 0:08:23 | 0:08:24 | |
-Are you into jazz then, Nurse Reid? -No, but my dad was. -Ah. | 0:08:24 | 0:08:30 | |
-How did your consultation with Sid go? -Fine. | 0:08:31 | 0:08:34 | |
I was just saying to Nurse Reid how wonderful she is, you know, | 0:08:34 | 0:08:37 | |
considering. She's going to lend me her Charles Mingus album. | 0:08:37 | 0:08:41 | |
Oh. That reminds me, did she make an appointment | 0:08:41 | 0:08:44 | |
-to see Heston in a week's time? -No. Was she meant to? | 0:08:44 | 0:08:48 | |
Don't worry, I'll give her a ring. | 0:08:48 | 0:08:49 | |
You can't. Been cut off. I've been trying all week, | 0:08:49 | 0:08:52 | |
but what with Jonesy's backlog of repeats. The line's completely dead. | 0:08:52 | 0:08:56 | |
Well, I'll pop in on my break and see what's going on. | 0:08:56 | 0:08:59 | |
Jessica? | 0:09:25 | 0:09:26 | |
Yeah. | 0:09:26 | 0:09:28 | |
Chris described you perfectly. | 0:09:31 | 0:09:33 | |
If you want someone to go sightseeing or do the museums, | 0:09:33 | 0:09:37 | |
-you've got the wrong bloke. -I hate sightseeing. | 0:09:37 | 0:09:40 | |
I was hoping for lunch... a drink and a chat. | 0:09:40 | 0:09:44 | |
Maybe a game of pool...or darts? | 0:09:45 | 0:09:49 | |
What do you think? | 0:09:49 | 0:09:50 | |
What would you like me to sing for you now, my darling? | 0:09:59 | 0:10:02 | |
Some Gershwin! I fancy a bit of Gershwin. | 0:10:02 | 0:10:06 | |
-The walls. -Jonesy? | 0:10:06 | 0:10:08 | |
-The walls. -Jonesy? | 0:10:11 | 0:10:12 | |
The walls. | 0:10:15 | 0:10:17 | |
Yes, Jonesy, what about the walls? | 0:10:17 | 0:10:19 | |
Water. Water. | 0:10:19 | 0:10:22 | |
It's everywhere. Don't you see it? Can't you see? | 0:10:25 | 0:10:28 | |
It's coming down the walls. | 0:10:28 | 0:10:31 | |
We're going to drown. We're going to drown! | 0:10:31 | 0:10:33 | |
KNOCKING | 0:10:33 | 0:10:34 | |
Help me! | 0:10:35 | 0:10:37 | |
Someone help me! | 0:10:37 | 0:10:38 | |
It's all right, it's all right. | 0:10:38 | 0:10:41 | |
No! Who are you?! | 0:10:41 | 0:10:43 | |
-Hello?! -Who are you?! | 0:10:43 | 0:10:47 | |
Sid? It's Dr Reid. | 0:10:47 | 0:10:49 | |
Get away from me. Get away from me! | 0:10:51 | 0:10:53 | |
Get away from me. Get away from me! | 0:10:54 | 0:10:57 | |
Hello? | 0:11:00 | 0:11:01 | |
Is everything all right? | 0:11:02 | 0:11:04 | |
Sid? | 0:11:04 | 0:11:05 | |
You forgot to make your follow-up appointment with Dr Carter, | 0:11:07 | 0:11:11 | |
so I've done it for you. | 0:11:11 | 0:11:13 | |
It is pretty important. | 0:11:14 | 0:11:15 | |
And Valerie said, could I pick up the album you said you'd lend her? | 0:11:16 | 0:11:21 | |
Said she's really looking forward to listening to it. | 0:11:21 | 0:11:23 | |
I've only got it on vinyl. | 0:11:24 | 0:11:27 | |
Sid, it's freezing out here. Do you mind if I wait inside? | 0:11:28 | 0:11:32 | |
You'll have to come round the back. | 0:11:34 | 0:11:36 | |
OK. | 0:11:36 | 0:11:37 | |
I'm sorry I've been doing all the talking, | 0:11:45 | 0:11:48 | |
you must be incredibly bored. | 0:11:48 | 0:11:49 | |
I hadn't noticed. | 0:11:49 | 0:11:51 | |
I'll have the soup to start and the pasta Neapolitan for my main. | 0:11:53 | 0:11:58 | |
I'll go for the antipasto, but I'd like to remove the olives | 0:11:58 | 0:12:02 | |
and put them on the side. And I'd like extra Parma ham. | 0:12:02 | 0:12:05 | |
For main, I'd like the steak, cooked medium, medium rare. | 0:12:05 | 0:12:09 | |
Do you want some chips? Just one pot of chips. | 0:12:09 | 0:12:13 | |
-You'll have another drink, though, yeah? -Yeah, yeah, why not? | 0:12:13 | 0:12:16 | |
So, one more pint and that is a... | 0:12:16 | 0:12:18 | |
-Tequila... -A Tequila Gold with lemonade. | 0:12:18 | 0:12:21 | |
Booyah. | 0:12:21 | 0:12:22 | |
So, what first got you interested in theories of biological evolution? | 0:12:24 | 0:12:29 | |
I don't know. I just think it's obvious. How about you? | 0:12:30 | 0:12:33 | |
Exactly the same thing. | 0:12:33 | 0:12:35 | |
It supported my theory that sickness is not caused | 0:12:35 | 0:12:38 | |
by diet, but actually by genetics. | 0:12:38 | 0:12:41 | |
I was very lucky, I got to go travelling. | 0:12:41 | 0:12:43 | |
Somehow, I can't quite imagine you, at 20 years old, | 0:12:43 | 0:12:46 | |
building English-speaking schools for little orphans. | 0:12:46 | 0:12:50 | |
In my gap year, I never experienced that innate sense of well-being | 0:12:50 | 0:12:55 | |
which comes from imposing your culture on the less fortunate. | 0:12:55 | 0:12:59 | |
No, I was so lucky. I got to go to Nepal, where I encountered the Tharu. | 0:12:59 | 0:13:03 | |
The Tharu are... | 0:13:03 | 0:13:05 | |
..the only people in the world immune to malaria. | 0:13:06 | 0:13:08 | |
Yeah. | 0:13:09 | 0:13:11 | |
I mean, they're 100% immune, but they are seven times less likely to... | 0:13:11 | 0:13:16 | |
Mmm. | 0:13:16 | 0:13:17 | |
That's the one thing I regret, not going on a gap year. | 0:13:18 | 0:13:22 | |
I was so focused on studying. I was a complete nerd. | 0:13:22 | 0:13:27 | |
Would you do it again, travel? | 0:13:28 | 0:13:30 | |
Yeah, under the right circumstances. | 0:13:31 | 0:13:35 | |
Like research? | 0:13:35 | 0:13:36 | |
Absolutely. | 0:13:36 | 0:13:38 | |
Yeah, that's why I'd do it. | 0:13:38 | 0:13:40 | |
Please excuse the mess. I had to pack most of the records away. | 0:13:42 | 0:13:46 | |
They're collectors' items, you know. | 0:13:46 | 0:13:49 | |
MALE VOICE MOANS | 0:13:49 | 0:13:51 | |
Is that Jonesy? | 0:13:51 | 0:13:52 | |
Eh, yeah. | 0:13:52 | 0:13:55 | |
Do you mind if I see him? | 0:13:55 | 0:13:57 | |
No. | 0:13:59 | 0:14:00 | |
Jonesy? Jonesy? Can you hear me? | 0:14:09 | 0:14:14 | |
Jonesy, are you in any pain? | 0:14:14 | 0:14:17 | |
-All right. Sid, how did this happen? -We were changing the bed. | 0:14:18 | 0:14:23 | |
-My side! -All right, OK. | 0:14:23 | 0:14:25 | |
Sid. Sid, I need you to help me get Jonesy somewhere more comfortable. | 0:14:25 | 0:14:30 | |
Back into bed. | 0:14:30 | 0:14:31 | |
All right, Jonesy, can you sit up for me? | 0:14:33 | 0:14:35 | |
That's it. Slowly, now. | 0:14:36 | 0:14:37 | |
-Good man. -I'm fine. -OK. | 0:14:37 | 0:14:40 | |
Jonesy. Jonesy, | 0:14:40 | 0:14:42 | |
we'll do what the pretty doctor says, shall we, hmm? | 0:14:42 | 0:14:46 | |
-Oh, I am afraid we ran out of clean sheets. -It's fine, Sid, don't worry. | 0:14:49 | 0:14:54 | |
Let's get him in the chair, shall we? | 0:14:54 | 0:14:56 | |
Yeah. He's quite heavy. | 0:14:56 | 0:14:58 | |
It's all right. You go that side, Sid. | 0:14:58 | 0:15:00 | |
All right, Jonesy - after three. One, two, three. Hup! | 0:15:00 | 0:15:04 | |
Good man. OK, just get your breath. | 0:15:06 | 0:15:09 | |
All right. | 0:15:09 | 0:15:10 | |
-OK. Easy as you go, OK? -I wish you could talk. | 0:15:10 | 0:15:15 | |
There you go. Good man. All right? | 0:15:15 | 0:15:18 | |
I knew they were here somewhere. | 0:15:18 | 0:15:20 | |
Sid, do you ever have any help with Jonesy? | 0:15:20 | 0:15:22 | |
Why would we need help? | 0:15:23 | 0:15:26 | |
We can manage. | 0:15:26 | 0:15:27 | |
They don't understand. | 0:15:28 | 0:15:31 | |
She didn't understand. | 0:15:31 | 0:15:32 | |
The nurse did understand. | 0:15:32 | 0:15:34 | |
Get out! | 0:15:35 | 0:15:36 | |
Jonesy needs my help. | 0:15:36 | 0:15:38 | |
I said get out, Marilyn! | 0:15:38 | 0:15:40 | |
My name's Mary. | 0:15:40 | 0:15:41 | |
It's only the snuff of money that's brought her round, you know. | 0:15:41 | 0:15:44 | |
Do you really think I care about all of this tat? | 0:15:44 | 0:15:47 | |
Oh, I'd give it to her, doctor, | 0:15:47 | 0:15:48 | |
if she spent it on something useful like a facelift or liposuction. | 0:15:48 | 0:15:52 | |
It's all right, I'm used to it. | 0:15:52 | 0:15:54 | |
It's better than being bored to death by her incessant crooning. | 0:15:54 | 0:15:57 | |
Crooning? She loves my singing. | 0:15:57 | 0:15:59 | |
She's a doctor! She's not going to tell you the truth, is she? | 0:15:59 | 0:16:02 | |
That's not true... | 0:16:02 | 0:16:04 | |
She's only jealous because she was born talentless. | 0:16:04 | 0:16:06 | |
The only talented thing about her is her name | 0:16:06 | 0:16:09 | |
and she doesn't even use it. | 0:16:09 | 0:16:10 | |
Who names their child Marilyn in Letherbridge? It's child abuse! | 0:16:10 | 0:16:14 | |
Child abuse? | 0:16:14 | 0:16:16 | |
I'll give you child abuse! | 0:16:16 | 0:16:18 | |
Get out! | 0:16:20 | 0:16:21 | |
Both of you! | 0:16:23 | 0:16:25 | |
She hasn't always been like this. | 0:16:28 | 0:16:30 | |
It's ever since I suggested Dad go into a hospice. | 0:16:30 | 0:16:34 | |
These things are difficult to accept. | 0:16:34 | 0:16:36 | |
I know, but someone needs to get through to her. | 0:16:36 | 0:16:39 | |
-Maybe if you could just... -No. | 0:16:39 | 0:16:42 | |
It's their choice. | 0:16:42 | 0:16:43 | |
If your father wants to spend his final weeks at home... | 0:16:43 | 0:16:47 | |
Even if they can't cope? | 0:16:47 | 0:16:49 | |
Look at this place. They haven't even got heating. | 0:16:49 | 0:16:51 | |
Doctor, my dad's only got... what? Weeks left? | 0:16:53 | 0:16:57 | |
I want him to die in comfort. With dignity. | 0:16:57 | 0:17:01 | |
Maybe they can get some help. | 0:17:01 | 0:17:03 | |
Don't you think I've tried? She got rid of the Macmillan nurse | 0:17:03 | 0:17:06 | |
because she thought the woman was too accepting of Dad's cancer. | 0:17:06 | 0:17:11 | |
Please, doctor. | 0:17:11 | 0:17:12 | |
I mean, would you let your dad live in this filth? | 0:17:12 | 0:17:15 | |
I mean, yeah, it's their best album, but Wish is totally underrated. | 0:17:18 | 0:17:23 | |
I completely agree. | 0:17:23 | 0:17:25 | |
It's just really unfortunate where it falls in the canon. | 0:17:25 | 0:17:28 | |
-Mmm! -Disintegration - impossible act to follow! | 0:17:28 | 0:17:30 | |
Exactly! Friday I'm In Love's kinda lightweight, | 0:17:30 | 0:17:34 | |
but didn't tarnish the album at all in my mind. | 0:17:34 | 0:17:38 | |
Actually, don't tell anyone, | 0:17:38 | 0:17:40 | |
but that track is a guilty pleasure of mine. | 0:17:40 | 0:17:43 | |
Thursday, I don't care about you. It's Friday and I'm in love. Me too! | 0:17:43 | 0:17:46 | |
You're not eating? | 0:17:48 | 0:17:50 | |
Oh, um... | 0:17:50 | 0:17:51 | |
There's a piece of chicken in it. | 0:17:51 | 0:17:53 | |
Bonus! Do you want me to... | 0:17:53 | 0:17:55 | |
No, don't say anything. | 0:17:55 | 0:17:56 | |
Why? Are you a vegetarian? | 0:17:58 | 0:18:00 | |
-No, no. -Thank goodness. | 0:18:00 | 0:18:01 | |
-No, I'm a vegan. -Say what? | 0:18:01 | 0:18:03 | |
You're a vegan? | 0:18:05 | 0:18:07 | |
Is that OK? | 0:18:07 | 0:18:08 | |
Yeah, sure. | 0:18:08 | 0:18:11 | |
Fine. | 0:18:11 | 0:18:12 | |
Sid? Open the door. | 0:18:14 | 0:18:17 | |
Jonesy's in a lot of pain. | 0:18:17 | 0:18:19 | |
You think I don't know that? | 0:18:19 | 0:18:21 | |
He's not going to the hospice to end up on a mortuary slab. | 0:18:21 | 0:18:24 | |
Jonesy is sick, Sid. | 0:18:25 | 0:18:28 | |
He will wet the bed again and you're not strong enough to help him. | 0:18:28 | 0:18:32 | |
I was out. I went out! | 0:18:32 | 0:18:34 | |
Give him his dignity, Mum. | 0:18:34 | 0:18:36 | |
He's going to need stronger and stronger medication, | 0:18:36 | 0:18:40 | |
and more and more help. | 0:18:40 | 0:18:41 | |
JONESY WHEEZES | 0:18:42 | 0:18:44 | |
Sid... | 0:18:44 | 0:18:45 | |
I...I'm dying. | 0:18:45 | 0:18:47 | |
You don't know what you're talking about. | 0:18:50 | 0:18:53 | |
SHE GASPS | 0:18:54 | 0:18:56 | |
Sid! | 0:18:58 | 0:18:59 | |
Mum, open the door. | 0:19:01 | 0:19:03 | |
SID COUGHS | 0:19:03 | 0:19:04 | |
Sid? Sid, are you all right? | 0:19:04 | 0:19:07 | |
Sid! | 0:19:08 | 0:19:10 | |
-Sid! -Mum! | 0:19:10 | 0:19:12 | |
SID WHEEZES | 0:19:12 | 0:19:14 | |
Sid. | 0:19:14 | 0:19:16 | |
Get me some water. | 0:19:16 | 0:19:17 | |
-Don't panic. -What's wrong with her? | 0:19:17 | 0:19:20 | |
Don't panic. Look at me. | 0:19:20 | 0:19:22 | |
Will someone please tell me what's wrong with her? | 0:19:23 | 0:19:28 | |
He's a legend. | 0:19:28 | 0:19:30 | |
The man is a demi-god. What first got you into him? | 0:19:30 | 0:19:34 | |
Carrie. | 0:19:34 | 0:19:35 | |
-Christine. -Ah! | 0:19:35 | 0:19:37 | |
Only for me, those books weren't just about horrors. | 0:19:37 | 0:19:40 | |
They were about being marginalised. Not fitting in. | 0:19:40 | 0:19:43 | |
It's the ultimate empowerment of the geek. | 0:19:43 | 0:19:46 | |
THEY LAUGH | 0:19:46 | 0:19:48 | |
-Is that why you drink tequila? -Sorry? | 0:19:48 | 0:19:50 | |
Beer and wine, they have animal by-products in them, haven't they? | 0:19:50 | 0:19:54 | |
Yes. I drink wine, but only if it's vegan. | 0:19:54 | 0:19:56 | |
Salem's Lot or It? | 0:19:58 | 0:20:00 | |
Oh. Well... | 0:20:00 | 0:20:01 | |
We're talking vampires versus clowns, aren't we? Clowns win every time. | 0:20:01 | 0:20:05 | |
-Clowns are scary. -Yeah! | 0:20:05 | 0:20:07 | |
You wearing plastic shoes? | 0:20:07 | 0:20:09 | |
You are correct, sir. | 0:20:09 | 0:20:11 | |
You know, the thing I love most about Stephen King... | 0:20:12 | 0:20:15 | |
How long have you been a vegan? | 0:20:15 | 0:20:18 | |
Uh, since I was ten. | 0:20:18 | 0:20:19 | |
Hmm. Yeah, I can see you now. | 0:20:20 | 0:20:23 | |
One minute you're petting Peppa Pig in her pen and the next, | 0:20:23 | 0:20:25 | |
Mummy's served her up for breakfast. | 0:20:25 | 0:20:27 | |
No, it was Henrietta the chicken. | 0:20:27 | 0:20:30 | |
Ah! Were you one of those kids who ruined every party they went to | 0:20:30 | 0:20:33 | |
cos they couldn't eat anything. | 0:20:33 | 0:20:35 | |
I didn't ruin any parties! | 0:20:35 | 0:20:37 | |
"Mummy, I can only wear plastic shoes from this day forth!" | 0:20:37 | 0:20:40 | |
Plastic shoes versus body piercing, underage drinking, drugs, sex, | 0:20:40 | 0:20:45 | |
to a parent, I was a godsend. | 0:20:45 | 0:20:47 | |
Me too. I never left my bedroom. | 0:20:47 | 0:20:49 | |
That didn't come out right. | 0:20:51 | 0:20:52 | |
Um, do you want to stay for dessert | 0:20:54 | 0:20:57 | |
or would you rather come back to my hotel for a coffee? | 0:20:57 | 0:21:00 | |
-Coffee? -Mmm. | 0:21:00 | 0:21:02 | |
Do vegans drink coffee? | 0:21:02 | 0:21:04 | |
We don't have to drink coffee, Al. | 0:21:05 | 0:21:07 | |
I'll get the bill. | 0:21:09 | 0:21:10 | |
If you don't look after yourself, Sid, this could turn into pneumonia. | 0:21:12 | 0:21:16 | |
Pneumonia? | 0:21:16 | 0:21:18 | |
Jonesy, it's fine. | 0:21:18 | 0:21:20 | |
Marilyn? | 0:21:20 | 0:21:21 | |
Yes, Dad? | 0:21:21 | 0:21:23 | |
Take me to St Christopher's. | 0:21:23 | 0:21:25 | |
Don't let her bully you. | 0:21:27 | 0:21:29 | |
You could die, Sid. | 0:21:29 | 0:21:30 | |
I don't care. I want to be with you. | 0:21:30 | 0:21:33 | |
I want to stay with you. | 0:21:33 | 0:21:36 | |
Why do you have to leave me, Jonesy? I hate you. I hate you! | 0:21:37 | 0:21:41 | |
Because it's the way it is | 0:21:41 | 0:21:43 | |
and I don't regret it, | 0:21:43 | 0:21:46 | |
and you shouldn't regret it. | 0:21:46 | 0:21:47 | |
Since the day I met you, I've been with you every single day. | 0:21:49 | 0:21:55 | |
And it's been a delight. | 0:21:57 | 0:21:58 | |
It's been an honour to have known you, my darling. | 0:22:00 | 0:22:04 | |
And it's enough. | 0:22:05 | 0:22:07 | |
It's enough to make me happy. | 0:22:07 | 0:22:11 | |
Complete. | 0:22:13 | 0:22:14 | |
What will I do without you? | 0:22:20 | 0:22:23 | |
Your grandchildren would love to spend more time with you. | 0:22:23 | 0:22:27 | |
I'd only be in the way. | 0:22:27 | 0:22:28 | |
Just be you, Sid. | 0:22:28 | 0:22:31 | |
The girl I fell in love with. | 0:22:31 | 0:22:34 | |
That's all I want. To see you... | 0:22:36 | 0:22:39 | |
..my strong, beautiful, happy Sid. | 0:22:41 | 0:22:48 | |
Where is she, eh? | 0:22:52 | 0:22:54 | |
Where is she? | 0:22:56 | 0:22:57 | |
She's right here. | 0:23:00 | 0:23:01 | |
That's my girl. | 0:23:03 | 0:23:05 | |
Now, you let Marilyn take care of things, | 0:23:05 | 0:23:08 | |
so that you can get better, eh? | 0:23:08 | 0:23:09 | |
That's an order! | 0:23:13 | 0:23:15 | |
What would you like me to sing? | 0:23:20 | 0:23:22 | |
Perhaps we should ask our guest. | 0:23:25 | 0:23:28 | |
Oh, um... | 0:23:29 | 0:23:30 | |
What about Bye Bye Blackbird? | 0:23:32 | 0:23:34 | |
# Pack up all my cares and woes | 0:23:41 | 0:23:45 | |
# Here I go, singing low | 0:23:45 | 0:23:50 | |
# Bye-bye... # | 0:23:50 | 0:23:52 | |
Do you have black cabs in Letherbridge? | 0:23:52 | 0:23:54 | |
Yeah, I shall hail us one with my very loud whistle. | 0:23:54 | 0:23:57 | |
THEY LAUGH | 0:23:57 | 0:23:58 | |
-Oh! -Oh! | 0:23:58 | 0:24:00 | |
It is a nipping and an eager air. Let's keep you warm. | 0:24:01 | 0:24:05 | |
Thank you. | 0:24:05 | 0:24:07 | |
Oh... | 0:24:11 | 0:24:13 | |
No. Um... | 0:24:16 | 0:24:18 | |
I think I've got something stuck in my teeth. | 0:24:19 | 0:24:23 | |
What? | 0:24:23 | 0:24:24 | |
I think I've got some steak stuck in my teeth. | 0:24:24 | 0:24:27 | |
Um... I've got some dental floss back at the hotel. | 0:24:29 | 0:24:32 | |
But you were still going to kiss me, though, weren't you? | 0:24:35 | 0:24:38 | |
This is all just attention-seeking, isn't it? | 0:24:40 | 0:24:43 | |
Playing the geek, | 0:24:45 | 0:24:47 | |
nerd chic. | 0:24:47 | 0:24:48 | |
Kissing me. | 0:24:49 | 0:24:51 | |
Just to wait for you to be the outsider, | 0:24:51 | 0:24:53 | |
so you get in the limelight. | 0:24:53 | 0:24:54 | |
-I'm sorry? -No, come on, you know, | 0:24:56 | 0:24:58 | |
won't eat that, can't eat that. | 0:24:58 | 0:25:00 | |
"I only wear plastic shoes, Mummy." | 0:25:00 | 0:25:02 | |
Answer me this - if you had to choose between steak or starvation, | 0:25:02 | 0:25:07 | |
would you really choose starvation? | 0:25:07 | 0:25:10 | |
I don't think so. | 0:25:10 | 0:25:11 | |
You are designed to eat meat. | 0:25:11 | 0:25:13 | |
If you were meant to chew cud like a cow in a field, | 0:25:14 | 0:25:17 | |
you would have a head full of molars, but you don't, | 0:25:17 | 0:25:20 | |
you have a very moist mouth | 0:25:20 | 0:25:23 | |
which has incisors and canines. | 0:25:23 | 0:25:27 | |
Not to mention the harm you're doing to yourself | 0:25:27 | 0:25:30 | |
by eating vegetarian sausages. Come on! | 0:25:30 | 0:25:33 | |
That's just cardboard food. It has no nutritional value whatsoever. | 0:25:33 | 0:25:36 | |
Why would you do that? | 0:25:36 | 0:25:38 | |
Why would you eat something that looks like it's meat? | 0:25:38 | 0:25:41 | |
I'll tell you why. It's because deep down inside you, | 0:25:41 | 0:25:46 | |
you know that you need to eat meat, that you want to eat meat. | 0:25:46 | 0:25:50 | |
You can fake everything about your life, Jessica. | 0:25:51 | 0:25:55 | |
But you can't fake genetics. | 0:25:56 | 0:25:58 | |
I've got to go now, Al. | 0:26:02 | 0:26:05 | |
It's been interesting meeting you. | 0:26:07 | 0:26:09 | |
MUSIC: "Bye Bye Blackbird" | 0:26:11 | 0:26:14 | |
Magnificent, Haskey. | 0:26:18 | 0:26:19 | |
You coward. | 0:26:21 | 0:26:23 | |
# Bye bye, blackbird | 0:26:25 | 0:26:30 | |
# Make my bed | 0:26:34 | 0:26:36 | |
# Light my light | 0:26:37 | 0:26:39 | |
# I'll arrive late tonight | 0:26:40 | 0:26:45 | |
# Blackbird | 0:26:46 | 0:26:51 | |
# Bye bye | 0:26:51 | 0:26:55 | |
# Bye bye. # | 0:26:58 | 0:27:04 | |
-I want what's best for our son. -And I don't? | 0:27:07 | 0:27:10 | |
Aren't you going to turn around? We should be burning some rubber. | 0:27:10 | 0:27:13 | |
Nobody is burning my rubber until I know what's going on. | 0:27:13 | 0:27:16 | |
I would like to commend Rob's bravery for tackling a dangerous armed suspect. | 0:27:16 | 0:27:20 | |
It was very irresponsible of you to go off with a vulnerable patient. | 0:27:20 | 0:27:24 | |
Oi! Stop right now! Stop! | 0:27:25 | 0:27:28 |