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Line | From | To | |
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FRONT DOOR OPENS | 0:00:31 | 0:00:33 | |
It's black! It's black. | 0:01:23 | 0:01:25 | |
It's... Shhh! | 0:01:25 | 0:01:26 | |
MUFFLED SCREAMS | 0:01:26 | 0:01:27 | |
I thought you'd got a key? | 0:01:34 | 0:01:35 | |
I do. I left it somewhere. | 0:01:35 | 0:01:37 | |
What do you mean "somewhere"? On a bus? | 0:01:37 | 0:01:39 | |
All right, keep your big hair on! | 0:01:39 | 0:01:41 | |
It's in my other bag. | 0:01:41 | 0:01:42 | |
Oh, well, now I feel relaxed(!) | 0:01:42 | 0:01:44 | |
The security of the practice is in safe hands(!) | 0:01:44 | 0:01:47 | |
Sorry I'm a bit late. | 0:01:48 | 0:01:51 | |
Last night was mad. | 0:01:51 | 0:01:52 | |
So... | 0:01:52 | 0:01:53 | |
Where do you want me? | 0:01:54 | 0:01:56 | |
I will tell you in a moment. | 0:01:56 | 0:01:57 | |
I am not quite finished yet. | 0:01:57 | 0:01:59 | |
HE SNORES | 0:02:00 | 0:02:02 | |
PHONE RINGS | 0:02:02 | 0:02:07 | |
PHONE STOPS RINGING | 0:02:17 | 0:02:19 | |
Now we can start! | 0:02:27 | 0:02:29 | |
Finally. | 0:02:29 | 0:02:30 | |
I thought there was a stationery delivery. | 0:02:32 | 0:02:35 | |
Why weren't you at the Icon last night? | 0:02:35 | 0:02:37 | |
Good morning, Mrs Tembe. | 0:02:37 | 0:02:38 | |
Good morning | 0:02:38 | 0:02:39 | |
Excuse me, | 0:02:39 | 0:02:40 | |
was there any printing paper in the stationery delivery? | 0:02:40 | 0:02:43 | |
No, was there supposed to be? | 0:02:43 | 0:02:44 | |
I waited for ages for you, and you didn't come. | 0:02:44 | 0:02:48 | |
I do have a life outside the Icon! | 0:02:48 | 0:02:50 | |
And so do I. | 0:02:50 | 0:02:51 | |
Last night I told Rob I want a divorce. | 0:02:51 | 0:02:54 | |
What? | 0:02:56 | 0:02:58 | |
No, I haven't. | 0:03:01 | 0:03:02 | |
You've called him, I assume? | 0:03:02 | 0:03:04 | |
KNOCK ON DOOR | 0:03:04 | 0:03:06 | |
Sarge, can you just give me a sec? | 0:03:06 | 0:03:09 | |
Is that it? Where's the rest of it? | 0:03:14 | 0:03:16 | |
No, there is a problem with the stationery delivery. | 0:03:16 | 0:03:19 | |
I have called the suppliers. | 0:03:19 | 0:03:21 | |
They'd better get a move on because that report's got to go out today. | 0:03:21 | 0:03:24 | |
I know. Do not worry. | 0:03:24 | 0:03:26 | |
Are you still there, Sarge? | 0:03:26 | 0:03:27 | |
Yes. Well, look, I'm supposed to have a shift with Rob today, so... | 0:03:27 | 0:03:31 | |
why don't I pop by his house to see what's going on? | 0:03:31 | 0:03:33 | |
Yes. | 0:03:33 | 0:03:35 | |
I'll keep you informed. | 0:03:35 | 0:03:37 | |
Thanks Sarge, bye. | 0:03:37 | 0:03:39 | |
I... | 0:03:39 | 0:03:40 | |
Sorry, was that call about Sergeant Hollins? | 0:03:40 | 0:03:43 | |
Yes, he's not turned in for his shift. | 0:03:43 | 0:03:45 | |
I think I may know the reason for that. | 0:03:45 | 0:03:48 | |
How am I supposed to feel? | 0:03:50 | 0:03:51 | |
I can't like someone just cos everyone wants me to! | 0:03:51 | 0:03:54 | |
I don't think anyone's saying that. | 0:03:54 | 0:03:56 | |
They don't have to! I've got eyes, haven't I? | 0:03:56 | 0:03:58 | |
It's the supplier's fault so they should stump up for the courier. | 0:03:58 | 0:04:01 | |
Well, it is the least they can do. | 0:04:01 | 0:04:03 | |
Yes, well, let me know. | 0:04:03 | 0:04:04 | |
Meanwhile, I'll go and deal with Sergeant Hol... | 0:04:04 | 0:04:06 | |
I'll be on my phone. | 0:04:06 | 0:04:07 | |
Go on, then. | 0:04:10 | 0:04:11 | |
Since everybody thinks I've done the worst thing since Hitler! | 0:04:11 | 0:04:14 | |
That is not true! | 0:04:16 | 0:04:18 | |
I am sure, like myself, | 0:04:18 | 0:04:21 | |
they're just wishing you did not rush. | 0:04:21 | 0:04:24 | |
Up until now everybody has just been saying get on with your life! | 0:04:24 | 0:04:27 | |
Oh, do you know what, I'm going to get that printing paper. | 0:04:27 | 0:04:31 | |
At least then I won't have to put up with everybody judging me. | 0:04:31 | 0:04:33 | |
No-one is judging you. | 0:04:33 | 0:04:35 | |
Yeah, right(!) | 0:04:35 | 0:04:36 | |
At least you're alive. That's one mystery solved. | 0:04:38 | 0:04:40 | |
Here's another one. | 0:04:48 | 0:04:50 | |
Five messages. | 0:04:52 | 0:04:53 | |
You're not going to check them? | 0:04:53 | 0:04:55 | |
No. | 0:04:55 | 0:04:56 | |
And I'm not going into work today. | 0:04:56 | 0:04:58 | |
We'll see about that. | 0:04:58 | 0:05:00 | |
Oi! | 0:05:00 | 0:05:02 | |
No slouching on my shift. | 0:05:02 | 0:05:03 | |
Give me that back! That's an order! | 0:05:03 | 0:05:05 | |
I don't take orders from civilians. | 0:05:05 | 0:05:07 | |
But if you were working that would be different. | 0:05:07 | 0:05:09 | |
Oh, don't be so sanctimonious. | 0:05:09 | 0:05:11 | |
I'll be what I have to be to get you off that sofa. | 0:05:11 | 0:05:13 | |
Didn't you hear what I said? | 0:05:13 | 0:05:15 | |
I said I'm not going into work today! | 0:05:15 | 0:05:17 | |
And I probably won't go into work tomorrow either! | 0:05:17 | 0:05:21 | |
Karen told us about her decision. | 0:05:23 | 0:05:25 | |
Did she? | 0:05:26 | 0:05:28 | |
So why are you hassling me? | 0:05:28 | 0:05:30 | |
Cos I'm your mate and I know what you're going through. | 0:05:30 | 0:05:32 | |
No, you don't! Not unless you've had your marriage and your life erased through memory loss! | 0:05:32 | 0:05:36 | |
I know what it's like to have nobody! | 0:05:36 | 0:05:38 | |
Where is it written that me and you get to have personal happiness? | 0:05:40 | 0:05:43 | |
What makes us us is that we're here no matter what. | 0:05:43 | 0:05:46 | |
We look after people. | 0:05:46 | 0:05:48 | |
We protect and serve. So get up. | 0:05:48 | 0:05:51 | |
All right! | 0:05:51 | 0:05:53 | |
OK! | 0:05:53 | 0:05:54 | |
Stop shouting. | 0:05:54 | 0:05:56 | |
I'll call Base, while you get yourself together. | 0:05:58 | 0:06:01 | |
PHONE RINGS | 0:06:20 | 0:06:22 | |
'I'm sorry, but the person you've called is not available. | 0:06:22 | 0:06:25 | |
'Please leave a message after the tone.' | 0:06:25 | 0:06:28 | |
BEEP | 0:06:28 | 0:06:29 | |
'Hi, this is a message for Sian Marden. | 0:06:29 | 0:06:31 | |
'It's Dr Tyler from the Mill Health Centre.' | 0:06:31 | 0:06:33 | |
I'm calling with regards to the consultation we had the other day. | 0:06:33 | 0:06:36 | |
'If you could give me a call back, that would be great. Thank you.' | 0:06:36 | 0:06:39 | |
I need you to take that, that and that out to stores. | 0:06:43 | 0:06:46 | |
While you play Master of Andromeda?! | 0:06:46 | 0:06:48 | |
I've got the stock report. | 0:06:48 | 0:06:50 | |
Excuse me? | 0:06:52 | 0:06:53 | |
Oi, you with the phone, I need a box of printing paper. | 0:06:54 | 0:06:58 | |
Paper doesn't come in boxes, only reams. | 0:06:58 | 0:07:01 | |
I'll have a box of reams then. | 0:07:02 | 0:07:03 | |
Five or tens? | 0:07:03 | 0:07:05 | |
Um, five reams. | 0:07:07 | 0:07:09 | |
We only sell tens. | 0:07:09 | 0:07:11 | |
Why did you ask me then? | 0:07:11 | 0:07:13 | |
Oi! Look at me when I'm talking to you. | 0:07:13 | 0:07:15 | |
You're shouting. | 0:07:15 | 0:07:16 | |
Well, then look when I'm shouting! Do you like winding people up? | 0:07:16 | 0:07:19 | |
No. | 0:07:19 | 0:07:20 | |
I was going to tell you our sister shop in Selly Heath | 0:07:20 | 0:07:22 | |
sells fives and if you could wait for ten seconds, | 0:07:22 | 0:07:25 | |
I'll give them a call for you. | 0:07:25 | 0:07:27 | |
Can they bring them here now? | 0:07:27 | 0:07:28 | |
Unlikely. | 0:07:28 | 0:07:30 | |
Well, I'll take tens, then, won't I? | 0:07:30 | 0:07:32 | |
Carlos! | 0:07:32 | 0:07:34 | |
Lady needs a box of copy paper. | 0:07:34 | 0:07:36 | |
I'll be right with you. | 0:07:36 | 0:07:38 | |
Here. | 0:07:53 | 0:07:55 | |
Take these. | 0:07:55 | 0:07:56 | |
Drink that. | 0:07:56 | 0:07:57 | |
I think we should switch to foot patrol. | 0:08:01 | 0:08:04 | |
Well, that's not going to happen, is it? | 0:08:05 | 0:08:07 | |
Come on, you're in no fit state to drive. | 0:08:07 | 0:08:10 | |
Well, thankfully, you don't get to decide, | 0:08:10 | 0:08:13 | |
because you're only a special. | 0:08:13 | 0:08:15 | |
What's she playing at?! | 0:08:20 | 0:08:21 | |
What's she's doing? You can't leave it there. | 0:08:23 | 0:08:26 | |
Go and have a word with her. | 0:08:26 | 0:08:28 | |
What? No. | 0:08:28 | 0:08:30 | |
It's a hazard. | 0:08:30 | 0:08:31 | |
Well, you enlighten her, then! | 0:08:31 | 0:08:33 | |
Oh, I'm only a special, you're the police officer. | 0:08:33 | 0:08:37 | |
Right, well, in that case, then, I think she's fine! | 0:08:37 | 0:08:40 | |
I'm going to give her a pass. | 0:08:40 | 0:08:41 | |
Right. That's your considered judgment? | 0:08:41 | 0:08:44 | |
Consider this, a motorcyclist comes down the hill, comes round the corner, | 0:08:46 | 0:08:50 | |
doesn't see the projectile in the middle of the road, | 0:08:50 | 0:08:52 | |
which is the car, hits the car - potential fatality. | 0:08:52 | 0:08:56 | |
Are you going to go and tell his relatives? | 0:08:56 | 0:08:59 | |
-Because I'm not. -Don't you ever stop?! | 0:08:59 | 0:09:01 | |
Right, OK. | 0:09:03 | 0:09:04 | |
I'll go and tell her. | 0:09:05 | 0:09:07 | |
You want this? | 0:09:15 | 0:09:16 | |
No! | 0:09:18 | 0:09:19 | |
Thank you. | 0:09:23 | 0:09:25 | |
You haven't finished yet! I need a trolley. | 0:09:26 | 0:09:28 | |
We don't have one. Sorry. | 0:09:28 | 0:09:30 | |
How am I supposed to get that to the taxi stand? | 0:09:32 | 0:09:34 | |
If I lift that I'll break my back! | 0:09:34 | 0:09:36 | |
If you don't help me, I'm going to be stuck here even longer. | 0:09:39 | 0:09:42 | |
We'll do it this time. | 0:09:42 | 0:09:44 | |
Oh, looks like you're going to have to do it. | 0:09:46 | 0:09:49 | |
The nearest taxi stand is a block away. | 0:09:51 | 0:09:53 | |
Oh, no. There's one out the back in Deak Street. | 0:09:53 | 0:09:55 | |
But we'd have to go the front, down the street... | 0:09:55 | 0:09:57 | |
Haven't you got a back door? You're a shop! | 0:09:57 | 0:09:59 | |
All shops have back doors. | 0:09:59 | 0:10:00 | |
For deliveries and staff members only! | 0:10:00 | 0:10:02 | |
You're lucky I'm in a good mood. | 0:10:06 | 0:10:08 | |
So are you! | 0:10:08 | 0:10:09 | |
Oh, you don't tidy up much! | 0:10:19 | 0:10:21 | |
Great(!) | 0:10:28 | 0:10:30 | |
Haven't you got a key? | 0:10:31 | 0:10:32 | |
We're supposed to keep a set in the door. | 0:10:32 | 0:10:34 | |
That doesn't sound very secure! | 0:10:34 | 0:10:37 | |
Carlos?! | 0:10:37 | 0:10:38 | |
Are we locked in? | 0:10:41 | 0:10:42 | |
Carlos! OPEN UP! | 0:10:42 | 0:10:44 | |
Why can't he hear? | 0:10:44 | 0:10:45 | |
Can I borrow your mobile? | 0:10:50 | 0:10:52 | |
If you're nice to me. | 0:10:52 | 0:10:54 | |
It hasn't got a signal. | 0:11:00 | 0:11:01 | |
Useless! | 0:11:01 | 0:11:02 | |
Ah... | 0:11:02 | 0:11:04 | |
That's a good phone, that is, it's one of them intelligent ones. | 0:11:04 | 0:11:08 | |
OK. Since you obviously don't understand, | 0:11:09 | 0:11:11 | |
I'll spell it out for you, | 0:11:11 | 0:11:13 | |
we are STUCK! | 0:11:13 | 0:11:15 | |
One thing about isolation... | 0:11:20 | 0:11:23 | |
..is that you get all that time to think. | 0:11:26 | 0:11:29 | |
Not about revenge. | 0:11:33 | 0:11:34 | |
Well, it is at first, | 0:11:37 | 0:11:40 | |
but, after time... | 0:11:40 | 0:11:42 | |
..after years... | 0:11:43 | 0:11:45 | |
..it changes into something else. | 0:11:46 | 0:11:50 | |
Do you know what that is? | 0:11:53 | 0:11:54 | |
Anticipation. | 0:11:58 | 0:11:59 | |
We had a lovely holiday on this site, didn't we? | 0:12:04 | 0:12:07 | |
You, me... | 0:12:09 | 0:12:11 | |
My boys. | 0:12:13 | 0:12:15 | |
Is there something you want to tell me, Sian? | 0:12:19 | 0:12:22 | |
Open the bag. | 0:12:28 | 0:12:29 | |
Please. | 0:12:31 | 0:12:32 | |
Please, Tom. | 0:12:32 | 0:12:34 | |
Open the bag. | 0:12:34 | 0:12:36 | |
Please! | 0:12:36 | 0:12:37 | |
Do it. | 0:12:38 | 0:12:40 | |
Left buckle first. | 0:12:47 | 0:12:49 | |
Good girl! | 0:12:57 | 0:12:58 | |
Get it out. | 0:13:08 | 0:13:09 | |
There you go. | 0:13:16 | 0:13:17 | |
Thank you. | 0:13:20 | 0:13:21 | |
You can do the honours, if you like. | 0:13:25 | 0:13:27 | |
Is Howard with Rob today? | 0:13:32 | 0:13:34 | |
They are on patrol. | 0:13:34 | 0:13:35 | |
Are you sure? Cos I've texted Rob and he's not getting back to me. | 0:13:35 | 0:13:38 | |
Maybe they are too busy for chit-chat. | 0:13:38 | 0:13:41 | |
It's not chit-chat! | 0:13:41 | 0:13:42 | |
He's got me chasing some agoraphobic, | 0:13:42 | 0:13:43 | |
who never seems to be at home! | 0:13:43 | 0:13:45 | |
I am sorry, but as you can see, I have a lot to do today, | 0:13:45 | 0:13:48 | |
and we are short-staffed. | 0:13:48 | 0:13:50 | |
One, two, three, four, five, si... | 0:13:55 | 0:13:58 | |
Where are the other two? | 0:13:58 | 0:14:00 | |
I don't know what you're fretting for. | 0:14:03 | 0:14:04 | |
Somebody's going to notice we're gone, then they'll open the door. | 0:14:04 | 0:14:07 | |
Yeah, in how long? | 0:14:07 | 0:14:08 | |
I don't know, a year? | 0:14:08 | 0:14:10 | |
It looks like that long since you last cleaned this place. | 0:14:10 | 0:14:13 | |
You haven't got rats, have you? | 0:14:13 | 0:14:15 | |
No. | 0:14:15 | 0:14:16 | |
Cos if you had rats, I'd be out of here! | 0:14:16 | 0:14:19 | |
Oh, would you? Well, let's pray for rats | 0:14:19 | 0:14:21 | |
so you can magically transport us back to the shop! | 0:14:21 | 0:14:24 | |
-It's just an expression! -No, it isn't. | 0:14:24 | 0:14:26 | |
Something isn't just an expression because you say it is! | 0:14:26 | 0:14:29 | |
OK, what about "you're a prat"? Is that all right? | 0:14:29 | 0:14:33 | |
I'm just trying to cheer things up. | 0:14:36 | 0:14:38 | |
Take your mind off you being the reason we're stuck here! | 0:14:40 | 0:14:43 | |
Me? Why did we come in here in the first place? | 0:14:43 | 0:14:46 | |
You should have gone to Selly Heath, they had fives. | 0:14:46 | 0:14:49 | |
I didn't want fives! | 0:14:49 | 0:14:50 | |
Yes, you did! | 0:14:50 | 0:14:51 | |
You worked out you needed fives and then, because you were too lazy, | 0:14:51 | 0:14:55 | |
you decided to stay here and order something with us. | 0:14:55 | 0:14:58 | |
I'm not lazy, Oh, no. | 0:14:58 | 0:15:00 | |
OK, stupid! | 0:15:00 | 0:15:01 | |
Don't call me stupid! | 0:15:01 | 0:15:04 | |
I've got...things going on, that's all. | 0:15:04 | 0:15:07 | |
How would you like it if you went to sleep one night | 0:15:07 | 0:15:10 | |
and then woke up and you were different? | 0:15:10 | 0:15:12 | |
You wouldn't handle it. | 0:15:12 | 0:15:14 | |
So don't call me stupid. | 0:15:14 | 0:15:16 | |
What's wrong with you? | 0:15:20 | 0:15:22 | |
Nothing. | 0:15:22 | 0:15:23 | |
Yes, there is, something is. | 0:15:23 | 0:15:25 | |
My inhaler. It's in the desk. | 0:15:26 | 0:15:29 | |
You've got asthma? | 0:15:31 | 0:15:33 | |
Yes, I've got asthma. | 0:15:33 | 0:15:35 | |
How did I know that? | 0:15:38 | 0:15:40 | |
You said inhaler and asthma popped in my head. | 0:15:40 | 0:15:44 | |
Oh, I don't know. | 0:15:44 | 0:15:45 | |
Maybe because millions of people suffer from it. | 0:15:45 | 0:15:48 | |
Maybe. Or maybe... isn't as stupid as you think! | 0:15:48 | 0:15:51 | |
PHONE RINGS | 0:15:53 | 0:15:55 | |
Are you not going to answer your phone? | 0:15:58 | 0:16:00 | |
Nope. | 0:16:00 | 0:16:01 | |
Put it on silent, then, it's doing my head in. | 0:16:02 | 0:16:05 | |
ANOTHER PHONE RINGS | 0:16:05 | 0:16:07 | |
Hello. | 0:16:10 | 0:16:12 | |
Yes. Yes, he is. | 0:16:12 | 0:16:15 | |
Right, I'll pass him over. | 0:16:15 | 0:16:17 | |
It's Kevin. Dr Tyler. | 0:16:17 | 0:16:19 | |
What? | 0:16:20 | 0:16:21 | |
Finally! I've texted you at least three texts! | 0:16:21 | 0:16:25 | |
Yeah, well, I haven't got them. | 0:16:25 | 0:16:27 | |
Well, I've been thinking about what you said earlier about Sian Marden | 0:16:27 | 0:16:30 | |
and there might be grounds for me to reassess her case, | 0:16:30 | 0:16:33 | |
but she'll have to be honest this time. | 0:16:33 | 0:16:35 | |
You should be telling her that, not me. | 0:16:35 | 0:16:37 | |
I tried. She's not answering her phone. | 0:16:37 | 0:16:39 | |
I thought she never left the house? | 0:16:39 | 0:16:41 | |
Thanks, Kevin. | 0:16:43 | 0:16:44 | |
You want to tell me what's going on? | 0:16:52 | 0:16:55 | |
-'HOWARD: -It's me. Just had a call from Sergeant Briggs. | 0:16:55 | 0:16:57 | |
'Rob, at least give us a call. | 0:16:57 | 0:17:00 | |
'Stan Briggs here. Just wondering when you might be coming in.' | 0:17:00 | 0:17:04 | |
'SIAN: It's black! It's black.' | 0:17:04 | 0:17:07 | |
Don't think you're driving. | 0:17:11 | 0:17:13 | |
Still no sign of Karen? | 0:17:19 | 0:17:20 | |
She might have just got distracted. She does that. | 0:17:21 | 0:17:24 | |
Today is an emergency, she knows that. | 0:17:24 | 0:17:27 | |
Unless she's in one of her moods, | 0:17:27 | 0:17:29 | |
she might be dragging her heels deliberately. | 0:17:29 | 0:17:31 | |
Stroppy teenager, remember? | 0:17:31 | 0:17:32 | |
What kind of mood was she in when she left? | 0:17:32 | 0:17:34 | |
The stroppy kind. | 0:17:34 | 0:17:35 | |
Well, I could have a look on the high street, see if I can find her, | 0:17:35 | 0:17:39 | |
but she could be anywhere. | 0:17:39 | 0:17:41 | |
-She's probably out shopping, buying shoes or... -No. | 0:17:41 | 0:17:43 | |
No, you are right, she is just being difficult. | 0:17:43 | 0:17:47 | |
And she will stay that way unless I start treating her like an adult. | 0:17:47 | 0:17:51 | |
Good for you. | 0:17:51 | 0:17:53 | |
PHONE RINGS | 0:18:02 | 0:18:05 | |
It's only been a little while. | 0:18:14 | 0:18:16 | |
Somebody will come in that shop and ask for a box of paper, | 0:18:16 | 0:18:19 | |
and then Carlos will open that door. | 0:18:19 | 0:18:21 | |
No-one buys paper. | 0:18:21 | 0:18:23 | |
-Everything's digital. -OK! | 0:18:23 | 0:18:26 | |
OK. It's really important that you stay calm. | 0:18:26 | 0:18:29 | |
Calm is good. Look, see? I'm calm. | 0:18:29 | 0:18:32 | |
And you don't know my boss, Mrs Tembe. | 0:18:32 | 0:18:35 | |
She's not the least bit digital. | 0:18:35 | 0:18:38 | |
And she's got to print a report today. So, when she realises... | 0:18:38 | 0:18:42 | |
IF she realises... | 0:18:42 | 0:18:43 | |
No, she will, she will. The report, she's printing it, | 0:18:44 | 0:18:47 | |
she's got to get it out today. Lunchtime. | 0:18:47 | 0:18:49 | |
-Lunchtime?! -At the latest! | 0:18:49 | 0:18:51 | |
She's probably wondering right now, where's that paper? | 0:18:51 | 0:18:55 | |
Could you breathe through your nose, not your mouth? | 0:18:56 | 0:18:59 | |
Slowly, that's it. | 0:18:59 | 0:19:01 | |
That's better, isn't it? | 0:19:01 | 0:19:03 | |
You sound like my mum. | 0:19:03 | 0:19:04 | |
Hey! You're here! A lady rang. | 0:19:08 | 0:19:11 | |
-You OK? -Get the inhaler. | 0:19:11 | 0:19:14 | |
It's in the drawer. His inhaler. Drawer. | 0:19:14 | 0:19:16 | |
Everything's OK, isn't it? It's OK. | 0:19:16 | 0:19:19 | |
You don't know the situation inside. | 0:19:23 | 0:19:25 | |
Yes, I do. | 0:19:25 | 0:19:26 | |
We organised a one-word colour code to let me know if he's come back. | 0:19:26 | 0:19:30 | |
Red for outside and black for inside. | 0:19:30 | 0:19:33 | |
Sian! Sian! | 0:19:39 | 0:19:41 | |
-I'll check upstairs. -All right. | 0:19:41 | 0:19:43 | |
It's all clear! Who are you on the phone to? | 0:19:50 | 0:19:52 | |
Sian's son. | 0:19:52 | 0:19:53 | |
Louis. It's Sergeant Rob Hollins from Letherbridge Police. | 0:19:53 | 0:19:56 | |
I think your mum might have gone missing. | 0:19:56 | 0:19:58 | |
Tell him straight, why don't you? | 0:19:58 | 0:20:00 | |
Just blame me later, son. For now, listen to me and think. | 0:20:00 | 0:20:03 | |
Because I think your dad might have taken her somewhere. | 0:20:03 | 0:20:06 | |
You know him! | 0:20:07 | 0:20:08 | |
You might hate him but you do know him. | 0:20:08 | 0:20:10 | |
Can you think, where would he take her? | 0:20:10 | 0:20:12 | |
What's this? | 0:20:13 | 0:20:15 | |
Why would your mum randomly have a real horseshoe in the kitchen? | 0:20:15 | 0:20:18 | |
Where could that have come from? | 0:20:18 | 0:20:21 | |
Really, right, OK. I'll check it out. | 0:20:21 | 0:20:24 | |
Hang on, where are you going? | 0:20:24 | 0:20:26 | |
The Willow Forge campsite. | 0:20:26 | 0:20:27 | |
He used to take them there in the summer. | 0:20:27 | 0:20:29 | |
You haven't even got any evidence, | 0:20:29 | 0:20:31 | |
all you've got is a horseshoe and a hunch! | 0:20:31 | 0:20:33 | |
OK, it's a long shot, but it's all I've got. | 0:20:33 | 0:20:35 | |
We have a procedure to follow for a reason. | 0:20:35 | 0:20:37 | |
-Give me the keys. -No. | 0:20:37 | 0:20:39 | |
Give me the keys, I won't ask you again. | 0:20:40 | 0:20:42 | |
No, you're not even fit! | 0:20:42 | 0:20:43 | |
I had to drag you out of your own house, remember? | 0:20:43 | 0:20:45 | |
Now you want to go off and play hero again. | 0:20:45 | 0:20:47 | |
You're the one who reminded me that we have to serve and protect! | 0:20:47 | 0:20:50 | |
Give me the keys now. | 0:20:50 | 0:20:51 | |
No. | 0:20:51 | 0:20:53 | |
Ow! | 0:20:54 | 0:20:55 | |
Sorry, Howard. | 0:20:58 | 0:20:59 | |
Are you all right there? | 0:21:11 | 0:21:12 | |
It is heavy. | 0:21:12 | 0:21:13 | |
I don't see any shopping. | 0:21:14 | 0:21:16 | |
She has not been shopping. | 0:21:17 | 0:21:19 | |
I was too busy saving someone's life! | 0:21:19 | 0:21:21 | |
She is a hero. | 0:21:21 | 0:21:22 | |
Look what you've done to me. | 0:21:45 | 0:21:47 | |
This isn't me. | 0:21:49 | 0:21:51 | |
This is not me. | 0:21:53 | 0:21:54 | |
I had a family. | 0:21:57 | 0:21:59 | |
SHE SOBS | 0:21:59 | 0:22:00 | |
Didn't I? | 0:22:01 | 0:22:03 | |
But you... | 0:22:05 | 0:22:06 | |
You drove my Rick to... | 0:22:08 | 0:22:10 | |
Sian? | 0:22:10 | 0:22:11 | |
SHE GASPS | 0:22:11 | 0:22:12 | |
He's here. | 0:22:12 | 0:22:14 | |
Sian? | 0:22:14 | 0:22:15 | |
Sian! | 0:22:16 | 0:22:18 | |
You're not even armed! | 0:22:22 | 0:22:23 | |
Why don't you put the gun down? | 0:22:25 | 0:22:27 | |
Oh, I don't think so, Sergeant Hollins. | 0:22:27 | 0:22:30 | |
You've got some nerve, interrupting at a time like this. | 0:22:30 | 0:22:34 | |
Very rude. | 0:22:34 | 0:22:36 | |
This is a private matter between a husband and a wife. | 0:22:36 | 0:22:38 | |
Ex-wife. | 0:22:38 | 0:22:39 | |
She's still mine. | 0:22:39 | 0:22:41 | |
And you should have kept your dirty little hands off her. | 0:22:41 | 0:22:44 | |
The squad cars are on the way. | 0:22:44 | 0:22:46 | |
Oh, really? And they sent you in first? | 0:22:46 | 0:22:49 | |
Nah. | 0:22:51 | 0:22:52 | |
You're just here to have another sniff at that. | 0:22:52 | 0:22:54 | |
Get on your knees. | 0:22:55 | 0:22:56 | |
Does pointing that gun make you feel like a bigger man? | 0:22:56 | 0:22:59 | |
Get on your knees. | 0:22:59 | 0:23:01 | |
What? To someone who tortures women? | 0:23:01 | 0:23:03 | |
She's my WIFE! Get it in your skull. | 0:23:03 | 0:23:05 | |
No, you get it through your skull, | 0:23:05 | 0:23:07 | |
she's not your wife, your marriage is over. | 0:23:07 | 0:23:09 | |
All she wants is to get away from you. | 0:23:09 | 0:23:11 | |
You don't know what she wants! | 0:23:11 | 0:23:12 | |
And you do? | 0:23:12 | 0:23:14 | |
When is the penny going to drop, eh? | 0:23:14 | 0:23:16 | |
That she hates you, and she does. | 0:23:18 | 0:23:19 | |
She hates you. | 0:23:19 | 0:23:22 | |
So why don't you face it and walk away? | 0:23:22 | 0:23:25 | |
Oh, no, you can't, can you? | 0:23:25 | 0:23:27 | |
Because you can't face up to your mess of a life. | 0:23:27 | 0:23:31 | |
You keep talking and I'll blow your head off. | 0:23:31 | 0:23:34 | |
Go on, then. | 0:23:34 | 0:23:36 | |
You see, I don't care. | 0:23:40 | 0:23:42 | |
You can't do it, can you? | 0:23:47 | 0:23:48 | |
And I bet you can't look in the mirror | 0:23:50 | 0:23:52 | |
because you have lost everything. | 0:23:52 | 0:23:55 | |
Say goodbye. | 0:23:57 | 0:23:58 | |
Police! | 0:24:00 | 0:24:02 | |
GUNSHOT | 0:24:09 | 0:24:11 | |
She's in there! | 0:24:17 | 0:24:18 | |
Get off him! | 0:24:27 | 0:24:29 | |
Rob, he's down already! | 0:24:29 | 0:24:30 | |
He's down. | 0:24:30 | 0:24:31 | |
Rob! | 0:24:31 | 0:24:33 | |
What was weird | 0:24:39 | 0:24:40 | |
was how I knew what I was doing, but at the same time, I didn't. | 0:24:40 | 0:24:42 | |
Are you all right there, Mrs Tembe? | 0:24:42 | 0:24:44 | |
I will be when I've finished this. | 0:24:44 | 0:24:45 | |
That must have been really weird. | 0:24:45 | 0:24:47 | |
And, it was like I was watching me being someone else. | 0:24:47 | 0:24:50 | |
Cos, I mean, what do I know about asthma? Nothing. | 0:24:50 | 0:24:53 | |
But the other me knew that he had to stay calm and... | 0:24:53 | 0:24:57 | |
It's not really a memory, is it? | 0:24:57 | 0:24:58 | |
Not quite. Real memory is easily accessible. But hey, it's a development. | 0:24:58 | 0:25:03 | |
You should tell Al, he'll be so chuffed. | 0:25:03 | 0:25:05 | |
Are you all right, Mrs Tembe, do you want a hand? | 0:25:06 | 0:25:09 | |
Well, thank you. That is very much appreciated. | 0:25:09 | 0:25:12 | |
They're all in the wrong order now. | 0:25:12 | 0:25:14 | |
Rob... | 0:25:23 | 0:25:24 | |
Rob, I want to thank him. | 0:25:26 | 0:25:30 | |
Later. | 0:25:30 | 0:25:31 | |
-Single? -Yes. -No. If she's single and hot, there must be something | 0:26:01 | 0:26:04 | |
-wrong with her. She is a bunny boiler. -She does not boil bunnies. | 0:26:04 | 0:26:07 | |
I ended up sandwiched between Peter Sellers and Reggie Kray. | 0:26:07 | 0:26:12 | |
Well, it was the swinging '60s. | 0:26:12 | 0:26:14 | |
It's coming down the walls. We're going to drown. | 0:26:14 | 0:26:17 | |
Do you want to stay for dessert | 0:26:17 | 0:26:19 | |
or would you rather come back to my hotel for a coffee? | 0:26:19 | 0:26:22 | |
I'll get the bill. | 0:26:22 | 0:26:23 |