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No. | 0:00:45 | 0:00:46 | |
Not here! | 0:00:46 | 0:00:47 | |
Not here! | 0:00:48 | 0:00:49 | |
Patrick? It's Viv. | 0:01:06 | 0:01:08 | |
Are you OK? | 0:01:08 | 0:01:09 | |
Is there anything I can do? Patrick? | 0:01:13 | 0:01:15 | |
Stop using my name. | 0:01:15 | 0:01:17 | |
What's wrong? | 0:01:17 | 0:01:19 | |
Don't shout my name, he'll hear you. Can't know I'm here. | 0:01:19 | 0:01:22 | |
Who can't? | 0:01:22 | 0:01:24 | |
Is this the one you talked about before? Has he been here? | 0:01:25 | 0:01:28 | |
He can't know I'm here even if he knows where I live. | 0:01:33 | 0:01:37 | |
-Do you want me to get someone? -Don't use my name. Go away. | 0:01:37 | 0:01:39 | |
You don't know me. You don't know me! | 0:01:39 | 0:01:41 | |
Doctor Clay, I've got someone insisting she sees you. | 0:01:44 | 0:01:49 | |
It must be today, and no-one else will do. | 0:01:49 | 0:01:51 | |
You've got a full list, so... | 0:01:51 | 0:01:54 | |
-Who is it? -Deborah Leigh. | 0:01:54 | 0:01:56 | |
Oh, right, er, yeah. Stick her in this afternoon. | 0:01:56 | 0:01:58 | |
Are you sure? | 0:01:59 | 0:02:02 | |
-You're very chirpy. -Am I? | 0:02:02 | 0:02:05 | |
Yeah, I noticed it the minute you came in. | 0:02:05 | 0:02:07 | |
I said to myself, he has got a definite spring | 0:02:07 | 0:02:10 | |
-and it's nothing to do with the weather. -Can't think why. | 0:02:10 | 0:02:13 | |
Maybe you do know why but you're keeping it to yourself! | 0:02:13 | 0:02:16 | |
Have you met that special someone? | 0:02:17 | 0:02:19 | |
-Nope. -Hmm. I understand! | 0:02:19 | 0:02:22 | |
Yeah. You want to... | 0:02:22 | 0:02:24 | |
First flush, you want to keep it quiet till you're quite sure. | 0:02:24 | 0:02:28 | |
-On the down-low. -So you'll put Deborah Leigh in at two o'clock? | 0:02:28 | 0:02:32 | |
Is it her? Is that why she won't see anyone else? | 0:02:32 | 0:02:35 | |
-She only has eyes for you? -She's just a patient! | 0:02:35 | 0:02:40 | |
So it's some other lucky lady? | 0:02:40 | 0:02:42 | |
Excuse me. | 0:02:42 | 0:02:44 | |
So, what brings you here? Finally? | 0:02:46 | 0:02:50 | |
Erm, I was doing a home visit. | 0:02:50 | 0:02:51 | |
I've got a patient nearby who's bedridden. | 0:02:51 | 0:02:54 | |
I never get a cup of tea unless the home help's there. | 0:02:54 | 0:02:58 | |
Some people are so lazy(!) | 0:02:58 | 0:02:59 | |
Right, now then. | 0:03:01 | 0:03:03 | |
I'm talking about you! | 0:03:03 | 0:03:04 | |
Where were you and your big muscles when I was moving? | 0:03:04 | 0:03:07 | |
Well, you're all settled now. How's work? | 0:03:07 | 0:03:11 | |
Between the move and the Crohn's, a bit quiet. | 0:03:12 | 0:03:15 | |
-Sold a couple of pieces to a woman's mag. -Nice one. | 0:03:15 | 0:03:18 | |
NOISES FROM BELOW | 0:03:20 | 0:03:22 | |
Ooh! Got someone moving in? | 0:03:22 | 0:03:24 | |
That's Patrick. Poor guy. | 0:03:26 | 0:03:28 | |
He's virtually shut in, like, disturbed. | 0:03:28 | 0:03:31 | |
I did wonder if he was one of yours? Patrick Borley? | 0:03:31 | 0:03:35 | |
No. Doesn't ring a bell. | 0:03:35 | 0:03:36 | |
I think he's on medication. | 0:03:37 | 0:03:39 | |
MORE MOVEMENT FROM BELOW | 0:03:39 | 0:03:40 | |
Something's upset him. | 0:03:40 | 0:03:42 | |
We were getting along, neighbours stuff, chatting, you know, | 0:03:42 | 0:03:46 | |
and then... | 0:03:46 | 0:03:47 | |
What? | 0:03:51 | 0:03:52 | |
I don't know, it's weird. | 0:03:52 | 0:03:54 | |
He barely talks to me now, and when he does he keeps saying | 0:03:54 | 0:03:57 | |
that he doesn't want someone to know he's here. | 0:03:57 | 0:03:59 | |
Whether that someone is real or not... | 0:03:59 | 0:04:03 | |
Are you sure he's not with the Mill? | 0:04:03 | 0:04:04 | |
Maybe I should check. | 0:04:07 | 0:04:08 | |
Hello? | 0:04:16 | 0:04:17 | |
My name's Chris, I'm a nurse. | 0:04:21 | 0:04:23 | |
Your neighbour sent me down, she's worried about you. | 0:04:23 | 0:04:26 | |
KEY RATTLES IN LOCK | 0:04:27 | 0:04:29 | |
Stand back. | 0:04:30 | 0:04:32 | |
Over there, where I can see you. | 0:04:32 | 0:04:34 | |
That cut looks nasty. | 0:04:37 | 0:04:38 | |
Who sent you? | 0:04:40 | 0:04:41 | |
Your neighbour upstairs - Viv. | 0:04:41 | 0:04:43 | |
Big mouth, nosy, worried about you. | 0:04:43 | 0:04:47 | |
-She should worry about the van. You both should. -What van? | 0:04:47 | 0:04:49 | |
-It's still there, the white van! -Is it? | 0:04:49 | 0:04:52 | |
Why don't you tell me about it while I have a look at that? | 0:04:54 | 0:04:57 | |
It'd be easier to do if you let me inside. | 0:05:01 | 0:05:03 | |
Way too young. You can't be him. | 0:05:06 | 0:05:08 | |
-Rob! Hello. -Hi. | 0:05:24 | 0:05:25 | |
-You all right? -Y-Yeah! | 0:05:26 | 0:05:29 | |
Don't worry, I am here on official business | 0:05:29 | 0:05:32 | |
but it's more to do with... Well, to be honest, Louis sent me an email, | 0:05:32 | 0:05:37 | |
and he wants me to come and check the house, and make sure it's safe. | 0:05:37 | 0:05:40 | |
-Give it the once-over. -You must think I'm crazy! | 0:05:40 | 0:05:43 | |
No, no, no, of course I don't. | 0:05:43 | 0:05:45 | |
He just wants to make sure that you're safe. | 0:05:45 | 0:05:47 | |
Right, where shall we start? | 0:05:50 | 0:05:52 | |
Come in. | 0:05:52 | 0:05:53 | |
I don't think that needs stitches. | 0:05:58 | 0:06:01 | |
Who's your doctor? | 0:06:01 | 0:06:02 | |
You're good looking. | 0:06:03 | 0:06:04 | |
Are you on any medication? | 0:06:06 | 0:06:09 | |
Not because you said that! | 0:06:09 | 0:06:11 | |
I used to be good looking. | 0:06:11 | 0:06:13 | |
60, in-call; 75, out. | 0:06:13 | 0:06:15 | |
Does anyone ever come and see you? | 0:06:17 | 0:06:19 | |
Friends or a social worker? | 0:06:19 | 0:06:21 | |
Police. | 0:06:21 | 0:06:23 | |
The police visit? What, often? | 0:06:23 | 0:06:25 | |
You need to get them. | 0:06:25 | 0:06:27 | |
Now? | 0:06:28 | 0:06:29 | |
-Why? -The white van. | 0:06:29 | 0:06:32 | |
Oh, what, to come and get you in a van? Is that what you mean? | 0:06:33 | 0:06:36 | |
-It's outside. He's out there. -Who? | 0:06:39 | 0:06:42 | |
In the white van. It can't be here. | 0:06:42 | 0:06:46 | |
Get the police. Take it away. | 0:06:46 | 0:06:47 | |
No! No! | 0:06:51 | 0:06:53 | |
Just through the gap. | 0:06:53 | 0:06:55 | |
That one right there? | 0:06:57 | 0:06:59 | |
Shouldn't it be parked there? Do you want it towed? | 0:06:59 | 0:07:02 | |
You're good looking. 60, in-call, easy. | 0:07:03 | 0:07:06 | |
Don't let him see you leave here. | 0:07:08 | 0:07:11 | |
I'll be careful. | 0:07:11 | 0:07:13 | |
He's a ghost. | 0:07:13 | 0:07:14 | |
It all looks pretty secure to me. | 0:07:18 | 0:07:21 | |
Where do you keep your gardening equipment? | 0:07:21 | 0:07:24 | |
-It's inside. I'll show you. -There's no need. | 0:07:24 | 0:07:26 | |
If it's inside, it can't be used to prise open doors and windows. | 0:07:26 | 0:07:30 | |
Same with stepladders. | 0:07:30 | 0:07:32 | |
You know, Louis sent me a really well-thought out email. | 0:07:32 | 0:07:37 | |
He's the smart one in the family. | 0:07:37 | 0:07:38 | |
Don't know where he gets it from. | 0:07:38 | 0:07:41 | |
Yeah. He's come up with some really good ideas. | 0:07:41 | 0:07:43 | |
He seems to be doing really well, considering what he's been through. | 0:07:43 | 0:07:47 | |
Yeah, he is. | 0:07:47 | 0:07:49 | |
He's got a really practical mind. | 0:07:49 | 0:07:52 | |
He's sorting out an appeal against my back-to-work ruling, too. | 0:07:52 | 0:07:55 | |
They've passed you fit to work? | 0:07:55 | 0:07:57 | |
Yeah. The doctor say's I'm fine, apparently. | 0:07:57 | 0:08:00 | |
This is what Louis has written. | 0:08:00 | 0:08:02 | |
Doctor Tyler. | 0:08:07 | 0:08:09 | |
Do you know him? | 0:08:09 | 0:08:10 | |
Our paths have crossed. | 0:08:11 | 0:08:13 | |
-Excuse me, mate, is this your van? -No, it's not mine. | 0:08:18 | 0:08:21 | |
Patrick? | 0:08:37 | 0:08:38 | |
It's only me. | 0:08:38 | 0:08:40 | |
Why don't you come up to mine for a coffee? | 0:08:43 | 0:08:46 | |
Valerie, my printer's getting really low on ink | 0:08:50 | 0:08:54 | |
and there's no new ink cartridges in the store cupboard | 0:08:54 | 0:08:56 | |
so could you tell Mrs Tembe to order some new ones, please? | 0:08:56 | 0:08:59 | |
I can do that. | 0:08:59 | 0:09:00 | |
Of course, it reminds me of all those happy memories of when Ashley | 0:09:01 | 0:09:04 | |
and I were getting together. | 0:09:04 | 0:09:06 | |
Ink cartridges? | 0:09:07 | 0:09:08 | |
No, what I was telling you about Jimmi finding his great love. | 0:09:08 | 0:09:12 | |
Loneliness is now a thing of the past for me. | 0:09:12 | 0:09:15 | |
Is that right? | 0:09:15 | 0:09:17 | |
Yeah, Ashley has completely changed my life. | 0:09:17 | 0:09:19 | |
Until then, I thought only Jeffery could fill that void. | 0:09:19 | 0:09:23 | |
My cat. | 0:09:23 | 0:09:24 | |
At least Ashley can change his own litter tray. | 0:09:25 | 0:09:28 | |
Isn't that what everyone wants, Al? | 0:09:28 | 0:09:30 | |
Someone strong, and independent? | 0:09:30 | 0:09:32 | |
I can only wish Jimmi the same happy ending. | 0:09:33 | 0:09:37 | |
Yeah. | 0:09:37 | 0:09:38 | |
Me too. | 0:09:38 | 0:09:39 | |
I bet they met in a supermarket. | 0:09:39 | 0:09:41 | |
They both reached for the last meal for one in the chiller cabinet, | 0:09:41 | 0:09:44 | |
their eyes met. They will still be eating the same chicken carbonara | 0:09:44 | 0:09:49 | |
every Friday night, but it won't be for one anymore. | 0:09:49 | 0:09:51 | |
Oh. | 0:09:53 | 0:09:55 | |
What is it Jack's doing again? | 0:09:58 | 0:10:00 | |
He's finishing his law training. | 0:10:00 | 0:10:02 | |
Law, eh? Like father, like son? | 0:10:02 | 0:10:04 | |
No. Completely his own decision. | 0:10:04 | 0:10:07 | |
He's up there in the north east. | 0:10:07 | 0:10:09 | |
Immie's at art college in London. | 0:10:09 | 0:10:11 | |
We'd like them to be... | 0:10:11 | 0:10:13 | |
I'd, er, I'd like them to be a bit closer, | 0:10:14 | 0:10:17 | |
but you can't have everything, can you? | 0:10:17 | 0:10:19 | |
I bet Karen would like that too. Any mother would. | 0:10:19 | 0:10:22 | |
Yeah, well, er... | 0:10:22 | 0:10:24 | |
Karen's been through a lot of... | 0:10:25 | 0:10:29 | |
really heavy stuff recently. | 0:10:29 | 0:10:31 | |
Grab a seat, tell me what's up. | 0:10:34 | 0:10:36 | |
Well, I'm not sure anything is. | 0:10:36 | 0:10:38 | |
I was doing a home visit out by Broadside, and I'd swung | 0:10:38 | 0:10:42 | |
by another patient's flat, and she's got this bloke living downstairs. | 0:10:42 | 0:10:46 | |
Noisy neighbour? | 0:10:46 | 0:10:47 | |
Well, yeah, but he's on meds, a little bit disconnected | 0:10:47 | 0:10:52 | |
and there's this...he wants the police to come and move this van | 0:10:52 | 0:10:55 | |
from outside the front of his house. | 0:10:55 | 0:10:57 | |
He's getting really worked up about it. | 0:10:57 | 0:11:00 | |
Near Broadside? | 0:11:00 | 0:11:01 | |
That'll be a white van then, will it? | 0:11:01 | 0:11:04 | |
Yeah, how did you know? | 0:11:04 | 0:11:06 | |
Front desk told me you were here. | 0:11:06 | 0:11:08 | |
Come to take me out for lunch? | 0:11:08 | 0:11:09 | |
Yeah, I just needed some advice. | 0:11:09 | 0:11:12 | |
Chris met Patrick Borley this morning. | 0:11:12 | 0:11:14 | |
I see. | 0:11:15 | 0:11:17 | |
Can you tell me who is he, please? | 0:11:17 | 0:11:19 | |
Cos I haven't got a clue what to make of him. | 0:11:19 | 0:11:22 | |
Patrick, as far as we know, | 0:11:22 | 0:11:24 | |
is the only surviving victim of a killer who targeted male sex workers | 0:11:24 | 0:11:28 | |
around Birmingham, a few years ago. | 0:11:28 | 0:11:30 | |
She doesn't want to see Jack or Immie either. | 0:11:34 | 0:11:37 | |
There's... | 0:11:38 | 0:11:39 | |
There's been no contact between them. | 0:11:39 | 0:11:42 | |
That's terrible. | 0:11:43 | 0:11:44 | |
I mean, for all of you, but for you to... | 0:11:46 | 0:11:49 | |
to just be shut out like that. | 0:11:49 | 0:11:51 | |
It is complicated. | 0:11:51 | 0:11:54 | |
But to lose her like that... | 0:11:54 | 0:11:55 | |
I feel like I've lost half of myself. | 0:11:57 | 0:12:00 | |
I can imagine. | 0:12:01 | 0:12:02 | |
It's just totally blindsided me. | 0:12:03 | 0:12:05 | |
Since the accident, she's changed completely. | 0:12:08 | 0:12:11 | |
She's moved on now. | 0:12:13 | 0:12:15 | |
She's found somebody else. | 0:12:16 | 0:12:18 | |
No? Already? | 0:12:18 | 0:12:20 | |
When exactly did this happen? | 0:12:23 | 0:12:25 | |
Nine years ago? | 0:12:25 | 0:12:27 | |
I can vaguely remember something when I was at school. | 0:12:27 | 0:12:32 | |
We had bog-all to go on, near enough. | 0:12:32 | 0:12:35 | |
Men just vanished without a trace. | 0:12:35 | 0:12:37 | |
How many were there? | 0:12:37 | 0:12:38 | |
Difficult to say, given what they did for a living. | 0:12:38 | 0:12:41 | |
Prostitution's an itinerate profession. | 0:12:41 | 0:12:44 | |
Some lose their looks, others just move on. | 0:12:44 | 0:12:47 | |
And some completely disappeared? | 0:12:47 | 0:12:49 | |
We reckon at least five. | 0:12:49 | 0:12:51 | |
Body parts were identified from one victim, dug up by a farmer. | 0:12:52 | 0:12:56 | |
I was the police surgeon on call. | 0:12:56 | 0:12:58 | |
We think the killings might have happened in the back of this van. | 0:12:58 | 0:13:01 | |
No scene of crime for us to discover. | 0:13:01 | 0:13:03 | |
Patrick's the only one that got away. Physically, anyway. | 0:13:03 | 0:13:08 | |
And he couldn't tell you anything? | 0:13:08 | 0:13:10 | |
The killer had given him a massive dose of GHB. | 0:13:10 | 0:13:13 | |
Effectively, it fried his brain. | 0:13:14 | 0:13:16 | |
The only thing he could say coherently was, | 0:13:16 | 0:13:19 | |
"The ghost man in his ghost-white van." | 0:13:19 | 0:13:22 | |
Rob, I know this is difficult for you to talk about, and you must | 0:13:24 | 0:13:29 | |
still care about Karen, but when do you start thinking about yourself? | 0:13:29 | 0:13:34 | |
I really don't know. | 0:13:36 | 0:13:37 | |
I look at you and see someone who's in pain. | 0:13:39 | 0:13:42 | |
I know what that's like. | 0:13:42 | 0:13:44 | |
And how much I stood my ground when everyone told me to move on. | 0:13:44 | 0:13:48 | |
Yeah. Not quite the same. | 0:13:48 | 0:13:50 | |
I kept telling myself it would be all right. | 0:13:52 | 0:13:55 | |
But it took someone else... | 0:13:57 | 0:14:00 | |
it took someone else to put me straight, | 0:14:00 | 0:14:02 | |
and to save my life. | 0:14:04 | 0:14:06 | |
Sian. | 0:14:08 | 0:14:09 | |
I was just doing my job. | 0:14:12 | 0:14:14 | |
Karen's new behaviour is because of a freak accident. | 0:14:17 | 0:14:20 | |
I don't have the same excuse, no matter how tempted I am. | 0:14:22 | 0:14:26 | |
No, of course not. | 0:14:28 | 0:14:30 | |
I've just had a phone call from Hermione. | 0:14:34 | 0:14:37 | |
-She said she'll meet you at lunchtime. -Hermione? | 0:14:37 | 0:14:40 | |
His secret love! Well, not so secret anymore, | 0:14:40 | 0:14:43 | |
-it goes without saying. -But you said it anyway. | 0:14:43 | 0:14:46 | |
-We're all happy for you. -Hold up. Hermione? | 0:14:46 | 0:14:48 | |
I know! Isn't it wonderful? | 0:14:48 | 0:14:50 | |
Our Jimmi has got himself caught up in his own Harry Potter romance. | 0:14:50 | 0:14:53 | |
-That'll do, thank you. -Has she got you spellbound? | 0:14:53 | 0:14:56 | |
Yeah, have you shown her your wand yet? | 0:14:56 | 0:14:58 | |
No, no! She's the enchantress. | 0:14:58 | 0:15:00 | |
Jimmi's just the helpless mortal under her influence. | 0:15:00 | 0:15:03 | |
Ooh! Lucky Jimmi. | 0:15:03 | 0:15:05 | |
She's just a friend. | 0:15:06 | 0:15:07 | |
We could do a Hogwarts thing for Valentine's Day. | 0:15:07 | 0:15:10 | |
Love potions, costumes... I'll make cupcakes. | 0:15:10 | 0:15:13 | |
Has she invited you into her Chamber of Secrets yet? | 0:15:15 | 0:15:18 | |
-Valerie! -Ooh! | 0:15:18 | 0:15:20 | |
So you're back to work properly now then, are you? | 0:15:24 | 0:15:28 | |
Well, I never left really. | 0:15:28 | 0:15:29 | |
I'd better start thinking about that - a job. | 0:15:31 | 0:15:34 | |
What can I do, though? | 0:15:34 | 0:15:35 | |
Why don't you just wait and see how the appeal goes? | 0:15:35 | 0:15:38 | |
Oh, it could take ages. | 0:15:38 | 0:15:39 | |
Tell you what, why don't you let me | 0:15:41 | 0:15:44 | |
have a word with Doctor Tyler. | 0:15:44 | 0:15:46 | |
Rob, I couldn't ask you to do that. | 0:15:46 | 0:15:48 | |
-You've done so much already. -No, no, it's all right. It's fine. | 0:15:48 | 0:15:52 | |
You don't want to be going back to work yet. | 0:15:52 | 0:15:54 | |
With me and Louis fighting your corner, | 0:15:54 | 0:15:56 | |
we might just get the right result. | 0:15:56 | 0:15:58 | |
Patrick, it's Chris, remember? | 0:16:03 | 0:16:05 | |
I've just spoken to Sergeant Briggs, he says he knows you. | 0:16:05 | 0:16:09 | |
Can't keep you away. | 0:16:10 | 0:16:12 | |
-Is he in? -He's always in. | 0:16:12 | 0:16:14 | |
I just popped out to get some air, have a break from his noise. | 0:16:14 | 0:16:17 | |
-Go away! -It's only me, mate. | 0:16:20 | 0:16:22 | |
Look, did you hear what I said about Sergeant Briggs? | 0:16:22 | 0:16:25 | |
He's going to swing by and have a chat with you about the van. | 0:16:25 | 0:16:28 | |
I've just passed it. There's someone there now. | 0:16:28 | 0:16:30 | |
He's here? | 0:16:32 | 0:16:33 | |
He was putting something in the back. | 0:16:34 | 0:16:36 | |
It's him, he's found me. You've got to hide. | 0:16:36 | 0:16:38 | |
Or I could go and talk to him and ask him to move it. | 0:16:38 | 0:16:41 | |
No, no, go and hide. | 0:16:41 | 0:16:42 | |
Patrick, right, it is not the ghost man. | 0:16:42 | 0:16:45 | |
-OK? I'll be back in a sec. -No, no, no! | 0:16:45 | 0:16:47 | |
Can I get you something? Let me help. | 0:16:47 | 0:16:51 | |
Patrick, who's the ghost man? | 0:16:51 | 0:16:53 | |
All right? | 0:17:17 | 0:17:18 | |
This is Pavel, our man with a van. | 0:17:20 | 0:17:23 | |
He's been doing a loft conversion up the road. | 0:17:23 | 0:17:25 | |
-This is the closest place he could park. -Hardly a ghost. | 0:17:25 | 0:17:28 | |
Well no, but look at what he's wearing. He's got white overalls on. | 0:17:28 | 0:17:31 | |
That might have been what Patrick saw that night. | 0:17:31 | 0:17:34 | |
Could be. | 0:17:34 | 0:17:35 | |
Anyway, he's moving it now. There's a space closer to the house. | 0:17:35 | 0:17:38 | |
Ghost man has got him. | 0:17:47 | 0:17:49 | |
Not again. Not again! | 0:17:50 | 0:17:52 | |
60, in-call, 75 out. | 0:17:52 | 0:17:55 | |
Ghost man. | 0:17:57 | 0:17:58 | |
LIFT BEEPS | 0:17:58 | 0:18:00 | |
Oh! | 0:18:02 | 0:18:03 | |
Ghost man. | 0:18:04 | 0:18:05 | |
Patrick keeps saying, "60 in-call, 75 out". | 0:18:25 | 0:18:28 | |
His fee when he was on the game. | 0:18:28 | 0:18:30 | |
-60, you go to his place, 75... -Got it. | 0:18:30 | 0:18:32 | |
Do you want me to come inside with you? | 0:18:32 | 0:18:34 | |
No, two people turning up on his doorstep might be more | 0:18:34 | 0:18:36 | |
than he can handle if he's having a bad day. | 0:18:36 | 0:18:38 | |
TYRES SCREECH | 0:18:40 | 0:18:42 | |
Patrick? Can you hear me? | 0:18:47 | 0:18:49 | |
-1610 to control. -'Go ahead, 1610'. | 0:18:51 | 0:18:53 | |
I'm at an RTC at Crowngate Place. I need an ambulance. | 0:18:53 | 0:18:56 | |
'It's on its way.' | 0:18:56 | 0:18:57 | |
A ghost man. | 0:18:58 | 0:18:59 | |
Can you hear me, Patrick? | 0:18:59 | 0:19:01 | |
Ghost man in his ghost white van. | 0:19:01 | 0:19:04 | |
Lie still for me, mate, OK? | 0:19:04 | 0:19:05 | |
Got me in the white van. | 0:19:07 | 0:19:09 | |
Yeah, and you stopped him getting me, mate. You're a hero. | 0:19:09 | 0:19:12 | |
Always knew he'd come back. | 0:19:12 | 0:19:14 | |
-What happened? -Stand back, please. | 0:19:14 | 0:19:15 | |
Patrick? Why did you think he'd come back? | 0:19:15 | 0:19:18 | |
-Viv, just back off. -Is this him? | 0:19:18 | 0:19:19 | |
He made me a ghost. | 0:19:21 | 0:19:22 | |
He made me a ghost, too. | 0:19:22 | 0:19:24 | |
I wonder if they'd go for a September wedding. | 0:19:29 | 0:19:32 | |
-Who? -Jimmi and Hermione. | 0:19:33 | 0:19:35 | |
Ooh, that sounds like a red-headed girl's name, doesn't it? | 0:19:35 | 0:19:39 | |
You couldn't be blonde with a name like that, could you? | 0:19:39 | 0:19:41 | |
You see, then they could go for autumnal colours. | 0:19:41 | 0:19:45 | |
I wonder if she's taller than he is. | 0:19:45 | 0:19:47 | |
Of course, she'd avoid wearing heels to play it down. | 0:19:47 | 0:19:50 | |
I'm sure she's thoughtful like that. | 0:19:50 | 0:19:52 | |
What do you think, Karen? | 0:19:52 | 0:19:54 | |
I think that the pamphlets need straightening. | 0:19:55 | 0:19:58 | |
That would be helpful, thank you. | 0:19:59 | 0:20:01 | |
I was wondering if you'd be here. | 0:20:07 | 0:20:09 | |
It's where I work. | 0:20:09 | 0:20:11 | |
Of course it is. | 0:20:11 | 0:20:12 | |
Actually I'm after Kevin. Is he in? | 0:20:12 | 0:20:15 | |
Er... | 0:20:15 | 0:20:17 | |
He's running a little late on morning surgery at the moment, | 0:20:17 | 0:20:19 | |
but if you'd like to wait? | 0:20:19 | 0:20:22 | |
Yeah, thanks. | 0:20:22 | 0:20:23 | |
So, how have you been? | 0:20:27 | 0:20:29 | |
I, er... | 0:20:34 | 0:20:35 | |
..I saw the article in the newspaper, Sergeant Hollins. | 0:20:36 | 0:20:40 | |
You looked very distinguished in your photo. | 0:20:40 | 0:20:43 | |
Do you not think? | 0:20:43 | 0:20:45 | |
Yeah, it was nice. | 0:20:47 | 0:20:49 | |
Well, you are very much appreciated for the work you do. | 0:20:51 | 0:20:54 | |
And admired too, I am sure. | 0:20:54 | 0:20:57 | |
Yeah, well done. Good for you. | 0:20:59 | 0:21:01 | |
Perhaps you would like to wait in the staffroom, | 0:21:04 | 0:21:07 | |
-and I'll let you know when Doctor Tyler is available. -Good idea. | 0:21:07 | 0:21:11 | |
-Thank you very much. -How bad is it? | 0:21:22 | 0:21:23 | |
He's being assessed by the trauma team. | 0:21:23 | 0:21:25 | |
What was with all the questions? What's this about? | 0:21:25 | 0:21:29 | |
I was just trying to help him, draw him out. | 0:21:29 | 0:21:33 | |
Why? | 0:21:33 | 0:21:34 | |
Viv? | 0:21:35 | 0:21:36 | |
I've been working on a book about the killings. | 0:21:38 | 0:21:40 | |
I've spent months trying to find what little there is. | 0:21:40 | 0:21:43 | |
When the flat above Patrick's became available, I had to have it. | 0:21:43 | 0:21:47 | |
Your chance to cash in? | 0:21:47 | 0:21:48 | |
I saw that he was starting to remember more. | 0:21:48 | 0:21:51 | |
This is what he drew - his "ghost man". | 0:21:51 | 0:21:53 | |
No-one has seen that before. | 0:21:53 | 0:21:55 | |
So you've been pestering him? | 0:21:55 | 0:21:57 | |
Trying to force a memory so horrifying that it has left him in that state? | 0:21:57 | 0:22:00 | |
It wasn't like that. | 0:22:00 | 0:22:02 | |
Books about unsolved crimes sell by the bucket load. | 0:22:02 | 0:22:05 | |
I can establish myself, | 0:22:05 | 0:22:07 | |
and help the police. | 0:22:07 | 0:22:10 | |
Getting the whole story out there might jog some memories. | 0:22:10 | 0:22:12 | |
All you have done, right, is traumatise him even more. | 0:22:12 | 0:22:16 | |
Kevin, Sergeant Hollins is waiting for you. | 0:22:26 | 0:22:28 | |
-Er, yeah, I just need some pens. I'm running low. -Right. | 0:22:28 | 0:22:32 | |
Thought you had to rush off for lunch? | 0:22:33 | 0:22:35 | |
Yeah, I do, I've just got some, erm...filing to do. | 0:22:35 | 0:22:38 | |
-Have you locked the doors? -Er, no, you see Doctor Clay... | 0:22:39 | 0:22:41 | |
-What's going on? -Not a clue. | 0:22:41 | 0:22:43 | |
Sorry, we're closed for lunch. | 0:22:47 | 0:22:49 | |
No, she's with me. | 0:22:49 | 0:22:50 | |
Hello. | 0:22:51 | 0:22:53 | |
-ALL: -Hello. | 0:22:53 | 0:22:54 | |
Hi. | 0:22:54 | 0:22:55 | |
Hermione, this is everyone. Everyone, this is Hermione. | 0:22:57 | 0:23:00 | |
Welcome to the Mill. I'm sure Jimmi's told you what a happy, | 0:23:00 | 0:23:04 | |
close-knit family we are. I'm Valerie. | 0:23:04 | 0:23:07 | |
-You didn't say there'd be an audience? -I didn't know. | 0:23:07 | 0:23:10 | |
Oh, well. | 0:23:10 | 0:23:11 | |
Jimmi's about to ravage me on the bonnet of his car, | 0:23:11 | 0:23:14 | |
if anyone wants to watch? | 0:23:14 | 0:23:15 | |
Is that my phone? | 0:23:20 | 0:23:21 | |
If a white van goes kerb crawling in the red light district, | 0:23:24 | 0:23:27 | |
it clears the streets in seconds flat. | 0:23:27 | 0:23:29 | |
It's become an urban myth - the ghost man in his ghost white van. | 0:23:29 | 0:23:33 | |
He's still out there. | 0:23:34 | 0:23:36 | |
And you played on that with Patrick, stoking his paranoia. | 0:23:36 | 0:23:40 | |
-You caused this. -You can't blame me! | 0:23:41 | 0:23:44 | |
If he makes it through today, you leave him alone. | 0:23:45 | 0:23:48 | |
He was doing fine before you moved in. | 0:23:49 | 0:23:51 | |
Patrick, how are you? | 0:23:54 | 0:23:56 | |
It hurts. | 0:23:56 | 0:23:57 | |
Wait! I'll be here when you get back from surgery. | 0:23:57 | 0:23:59 | |
There's nothing to be afraid of. | 0:23:59 | 0:24:01 | |
It's you he needs to be scared of, not the van. | 0:24:01 | 0:24:03 | |
I'll always be scared of that. He's found me. | 0:24:03 | 0:24:05 | |
No, no, he hasn't, but if you tell me about this - | 0:24:05 | 0:24:07 | |
-is this him with the green eyes? -It's not him. It's nothing. | 0:24:07 | 0:24:10 | |
The police will want to see that. It's new information. | 0:24:10 | 0:24:12 | |
You must tell someone. | 0:24:12 | 0:24:13 | |
I've got to get away. No stories. No stories. | 0:24:13 | 0:24:16 | |
Let him stay lost, Viv. | 0:24:24 | 0:24:26 | |
Who? Patrick or the killer? | 0:24:28 | 0:24:30 | |
Both. For Patrick's sake. | 0:24:30 | 0:24:32 | |
Rob? What can I do for you? | 0:24:38 | 0:24:39 | |
It's about a fit-for-work case. | 0:24:41 | 0:24:44 | |
Sian Marden. | 0:24:44 | 0:24:45 | |
Sorry, you know I can't discuss that. | 0:24:45 | 0:24:47 | |
No, I know. I'm here on her behalf. | 0:24:47 | 0:24:50 | |
I'm just trying to work out if you're aware that she still carries | 0:24:50 | 0:24:53 | |
physical and mental scars from when her husband tortured her | 0:24:53 | 0:24:56 | |
-with a branding iron? -I know her full history. | 0:24:56 | 0:24:58 | |
You do, and you still passed her? | 0:24:58 | 0:25:01 | |
Really? What - that's it? | 0:25:01 | 0:25:03 | |
Have you taken enough time to find out what she really went through? | 0:25:03 | 0:25:07 | |
Everything in the consultation pointed to her being fit for work. | 0:25:07 | 0:25:11 | |
Fit for work? How can she be fit for work | 0:25:11 | 0:25:13 | |
when she can hardly leave the house? | 0:25:13 | 0:25:15 | |
She needs support. | 0:25:15 | 0:25:17 | |
You're supposed to be in a caring profession. | 0:25:17 | 0:25:19 | |
And I think you're using your profession to lean on me | 0:25:19 | 0:25:22 | |
-for what sound like personal reasons. -Oh, yeah? | 0:25:22 | 0:25:25 | |
-Well she's still going to appeal. -That's her right. | 0:25:25 | 0:25:28 | |
Just how long did your consultation take? | 0:25:29 | 0:25:33 | |
Are you implying that I didn't do my job properly? | 0:25:33 | 0:25:36 | |
I'm implying that you should take a closer look. | 0:25:36 | 0:25:39 | |
Her husband was a sadistic animal who robbed her of her dignity, | 0:25:39 | 0:25:43 | |
and her peace of mind. She's suffering. | 0:25:43 | 0:25:45 | |
It's still nothing to do with how I conducted myself. | 0:25:45 | 0:25:48 | |
Oh, I get it. Just tick all the right boxes, eh? | 0:25:48 | 0:25:50 | |
Do you know what? | 0:25:52 | 0:25:54 | |
Your attitude is everything that's wrong with the world these days. | 0:25:54 | 0:25:58 | |
Then your problem is with how the world works, not with me. | 0:25:58 | 0:26:01 | |
And if you think you can fix that, | 0:26:01 | 0:26:03 | |
then winning some award has gone right to your head. | 0:26:03 | 0:26:06 | |
Rob? | 0:26:09 | 0:26:10 | |
Yeah? | 0:26:12 | 0:26:13 | |
I just wanted to say that I'm sorry for what I said before. | 0:26:14 | 0:26:18 | |
-What? -I'm sorry. | 0:26:18 | 0:26:20 | |
-Has Mrs Tembe put you up to this? -No. | 0:26:20 | 0:26:23 | |
I don't want to be somebody who disappoints people all the time. | 0:26:23 | 0:26:27 | |
You're not. | 0:26:27 | 0:26:29 | |
I am. | 0:26:29 | 0:26:31 | |
I'm not who you want me to be. | 0:26:31 | 0:26:32 | |
I'm not her, I'm not this wonder Karen. | 0:26:32 | 0:26:37 | |
She's not in here. | 0:26:37 | 0:26:39 | |
She is. You just don't know it. | 0:26:39 | 0:26:41 | |
-You seem like a decent bloke. -Yeah, I am. | 0:26:43 | 0:26:46 | |
I think we should get a divorce. | 0:26:47 | 0:26:50 | |
That way you would be free to find somebody else | 0:26:50 | 0:26:53 | |
who really appreciates you. Sorry. | 0:26:53 | 0:26:55 | |
Go on then, seeing as everybody thinks | 0:27:05 | 0:27:07 | |
I've done the worst thing since Hitler. | 0:27:07 | 0:27:09 | |
I'm not going into work today. | 0:27:09 | 0:27:11 | |
-Yeah, we'll see about that. -Oi! | 0:27:11 | 0:27:14 | |
No one is judging you. | 0:27:14 | 0:27:16 | |
Yeah, right. | 0:27:16 | 0:27:17 | |
I'll spell it out for you. | 0:27:17 | 0:27:19 | |
We are stuck. | 0:27:19 | 0:27:21 | |
Sorry, Howard. | 0:27:22 | 0:27:24 |