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'Robbery in progress, Cranworth Street. All units respond.' | 0:00:28 | 0:00:31 | |
7514 responding. | 0:00:31 | 0:00:33 | |
'Negative, 7514, regular officers only on this one.' | 0:00:33 | 0:00:37 | |
Can I help? | 0:00:39 | 0:00:40 | |
-Library, please. -Down there on your left, first on your right. | 0:00:40 | 0:00:44 | |
BELLS CHIME | 0:00:50 | 0:00:53 | |
MAN MUMBLES | 0:00:53 | 0:00:56 | |
Oh! Sorry. Sorry. Couldn't get away! | 0:01:02 | 0:01:06 | |
It's all right, one of those days? | 0:01:06 | 0:01:08 | |
Oh, three no shows! Then, just as I'm about to leave, | 0:01:08 | 0:01:12 | |
Good Time Tina turns up, desperate for the morning-after pill. | 0:01:12 | 0:01:15 | |
Do you know, it's the third time this month? | 0:01:15 | 0:01:17 | |
'Course, she insists on giving me a blow-by-blow. | 0:01:17 | 0:01:19 | |
Oh, lovely! Well, I'm glad you're here. | 0:01:19 | 0:01:22 | |
Five more minutes and I'd have been eating the furniture! | 0:01:22 | 0:01:24 | |
You should have ordered! | 0:01:24 | 0:01:27 | |
Here have a drink. Sounds like you need one. | 0:01:27 | 0:01:29 | |
-Oh, no, better not. -I thought you were on a half day. | 0:01:29 | 0:01:32 | |
Er, yeah. I've got paperwork. | 0:01:32 | 0:01:34 | |
If I have a drink, I'll be asleep by four o'clock. | 0:01:34 | 0:01:37 | |
Er, think I'm just going to have a salad. | 0:01:37 | 0:01:39 | |
-Come on, you need to chill. -No! | 0:01:39 | 0:01:43 | |
Are you all right? | 0:01:43 | 0:01:45 | |
Yeah. Sorry. I just haven't got a lot of time. | 0:01:45 | 0:01:48 | |
When I said I'd meet, | 0:01:48 | 0:01:50 | |
I wasn't accounting for Tina's version of 50 Shades of Grey. | 0:01:50 | 0:01:54 | |
-And it's my turn to cook tonight. -I'll do it! | 0:01:54 | 0:01:58 | |
Really? | 0:01:58 | 0:02:00 | |
Yeah, you're working all day. Plus, I enjoy it. | 0:02:00 | 0:02:05 | |
I wish I didn't have to go back. | 0:02:05 | 0:02:07 | |
Well, if it's only paperwork... | 0:02:07 | 0:02:10 | |
It's still got to be done. | 0:02:10 | 0:02:12 | |
-Come on, one glass won't hurt you. -I said no, Freya! | 0:02:12 | 0:02:15 | |
MAN CHANTS | 0:02:24 | 0:02:27 | |
Are you going to tell me your name or not? | 0:02:27 | 0:02:30 | |
Everybody always wants to know the name. Why is that? | 0:02:30 | 0:02:34 | |
It helps. | 0:02:34 | 0:02:36 | |
Name's are just labels. | 0:02:36 | 0:02:38 | |
OK. What's your label? | 0:02:38 | 0:02:40 | |
-You can call me Gabe. -Gabe. | 0:02:42 | 0:02:46 | |
What are you doing here, Gabe? | 0:02:46 | 0:02:47 | |
GABE CHUCKLES | 0:02:47 | 0:02:48 | |
Why are any of us here? | 0:02:48 | 0:02:52 | |
I've found what I was looking for. How about you? | 0:02:52 | 0:02:55 | |
Are you going to tell me what you're up to? | 0:02:55 | 0:02:58 | |
You know, you ask a lot of questions. | 0:02:58 | 0:03:00 | |
Yes, well, that comes with the uniform. | 0:03:00 | 0:03:01 | |
Ah, yes. Uniforms. Obligate us to behave in certain ways. | 0:03:01 | 0:03:05 | |
Yours compels you to ask questions. | 0:03:05 | 0:03:08 | |
Of course, that's not always a bad thing, | 0:03:08 | 0:03:10 | |
but you have to know what questions to ask and when to ask them. | 0:03:10 | 0:03:14 | |
Well, what questions would you like me to ask? | 0:03:14 | 0:03:18 | |
Good. That's good. | 0:03:18 | 0:03:21 | |
Your uniform dictates that you help people in trouble. | 0:03:21 | 0:03:24 | |
Are you in trouble, Gabe? | 0:03:24 | 0:03:26 | |
Now THAT is a good question. | 0:03:26 | 0:03:29 | |
I'm so sorry. | 0:03:40 | 0:03:42 | |
It was a daft slip of the tongue, that's all. | 0:03:42 | 0:03:45 | |
I don't know why I said it. | 0:03:45 | 0:03:46 | |
It happens! | 0:03:46 | 0:03:48 | |
Mum was always calling us by each other's names. | 0:03:48 | 0:03:51 | |
Seriously, forget about it! | 0:03:51 | 0:03:54 | |
Will you please come back in and have something to eat? | 0:03:54 | 0:03:56 | |
-No, I'd better go. -Mand... | 0:03:56 | 0:03:59 | |
I'm fine, honestly. I'm in a rush. I should have cancelled. | 0:03:59 | 0:04:04 | |
I'm sorry. I'll see you tonight. | 0:04:04 | 0:04:08 | |
You see, I think you were meant to stop by. | 0:04:11 | 0:04:15 | |
Really? Why's that? | 0:04:21 | 0:04:23 | |
-Fate? -Well, I don't believe in fate. | 0:04:23 | 0:04:26 | |
So, you think you just happened to be walking down THIS street | 0:04:26 | 0:04:30 | |
at the exact moment that you were needed? | 0:04:30 | 0:04:33 | |
Needed for what? | 0:04:33 | 0:04:35 | |
If you don't need help, then who does? | 0:04:38 | 0:04:41 | |
You ARE good. | 0:04:41 | 0:04:44 | |
I don't know where to start. | 0:04:44 | 0:04:46 | |
Start by telling me who's in trouble. | 0:04:46 | 0:04:49 | |
-It's complicated. -I'm listening. | 0:04:49 | 0:04:52 | |
It's Helen. | 0:04:52 | 0:04:54 | |
Who's Helen? | 0:04:54 | 0:04:55 | |
-What have you done to her? -I didn't mean to scare her. | 0:04:57 | 0:05:01 | |
You stay put. | 0:05:02 | 0:05:04 | |
It's sweet, I suppose, if you like that sort of thing. | 0:05:13 | 0:05:16 | |
This is Karen and Rob we're talking about. | 0:05:16 | 0:05:18 | |
You know your problem? | 0:05:18 | 0:05:20 | |
Go on, Sigmund, enlighten me. | 0:05:20 | 0:05:22 | |
-You're a cynic. -The words "pot" and "kettle" come to mind. | 0:05:22 | 0:05:25 | |
-It went well, then? -KAREN GIGGLES | 0:05:26 | 0:05:28 | |
Ignore him. He's living vicariously. | 0:05:28 | 0:05:31 | |
Rob took me out for a meal. | 0:05:31 | 0:05:33 | |
And Rob ordered me fish. Whitebait, or something? | 0:05:33 | 0:05:36 | |
-He ordered for you? -Yeah, that's romantic, isn't it? | 0:05:36 | 0:05:39 | |
If you're wearing a corset and living in the Dark Ages. | 0:05:39 | 0:05:41 | |
Anyway, erm, long story short, | 0:05:41 | 0:05:44 | |
I ended up having steak, which I didn't much like. | 0:05:44 | 0:05:47 | |
But the woman on the next table, | 0:05:47 | 0:05:49 | |
she chucked a glass of water over her bloke | 0:05:49 | 0:05:51 | |
and Rob was in the firing line, and he got soaked! | 0:05:51 | 0:05:53 | |
Sounds...exciting(!) | 0:05:53 | 0:05:56 | |
So, he ordered the wrong food and got in the middle of an argument? | 0:05:56 | 0:05:59 | |
Yeah, it was a right laugh! | 0:05:59 | 0:06:00 | |
And we talked for ages, and it wasn't awkward, or anything. | 0:06:00 | 0:06:05 | |
And when he looked at me... | 0:06:05 | 0:06:08 | |
..it was nice. | 0:06:08 | 0:06:09 | |
I saw that. | 0:06:13 | 0:06:15 | |
I don't know what you mean. | 0:06:15 | 0:06:17 | |
It's so cute. | 0:06:17 | 0:06:19 | |
"Cute" isn't even in my vocabulary. | 0:06:19 | 0:06:22 | |
I'm...pleased for them. | 0:06:23 | 0:06:26 | |
It's nice. | 0:06:26 | 0:06:28 | |
Hello? | 0:06:33 | 0:06:35 | |
Hello? | 0:06:36 | 0:06:38 | |
Helen? | 0:06:42 | 0:06:44 | |
Helen, it's the police. DOOR CLOSES UPSTAIRS | 0:06:49 | 0:06:51 | |
-Hi. -Hi. -What's in the bag? | 0:07:01 | 0:07:04 | |
Oh, yeah, er...lunch. | 0:07:04 | 0:07:06 | |
-For you. Smoked salmon. -Ohh. | 0:07:06 | 0:07:08 | |
Ahh! | 0:07:08 | 0:07:11 | |
-Lovely. -I probably should've called. | 0:07:11 | 0:07:14 | |
Well, it's a lovely thought. | 0:07:17 | 0:07:19 | |
I'll leave you to it. | 0:07:24 | 0:07:26 | |
-TOGETHER: -How are you? -Did you have a good morning? | 0:07:28 | 0:07:31 | |
THEY LAUGH | 0:07:31 | 0:07:32 | |
Y-yeah, I have had a good morning, actually. | 0:07:32 | 0:07:35 | |
Bit of a...manic chase, some guy stealing a handbag. | 0:07:35 | 0:07:40 | |
-Did you catch him? -I did, yeah. | 0:07:40 | 0:07:42 | |
SHE GIGGLES | 0:07:42 | 0:07:44 | |
What?! I can run, you know! | 0:07:44 | 0:07:47 | |
Well, come on, then, don't leave me hanging. What happened? | 0:07:47 | 0:07:49 | |
SOBBING | 0:07:55 | 0:07:56 | |
-Helen? -Go away! | 0:07:56 | 0:07:59 | |
Helen, my name's Howard Bellamy. | 0:08:00 | 0:08:02 | |
Please, leave me alone! I didn't mean it! | 0:08:02 | 0:08:05 | |
You didn't mean what? Are you all right? | 0:08:05 | 0:08:09 | |
I'm Howard Bellamy, I'm a special constable. | 0:08:09 | 0:08:13 | |
A special what? | 0:08:13 | 0:08:14 | |
I'm with the police. | 0:08:14 | 0:08:16 | |
-You're a policeman? -Yes. Are you all right? | 0:08:17 | 0:08:21 | |
-Who sent you? -Nobody sent me. | 0:08:21 | 0:08:24 | |
Helen, I need you to open the door. I need to make sure you're all right. | 0:08:24 | 0:08:28 | |
How do I know you're a policeman? | 0:08:28 | 0:08:32 | |
Here, under the door. | 0:08:34 | 0:08:37 | |
It's nothing to be frightened of. | 0:08:38 | 0:08:40 | |
I'm not going to let anything happen to you. | 0:08:40 | 0:08:43 | |
Helen? | 0:08:43 | 0:08:45 | |
Helen? | 0:08:46 | 0:08:47 | |
And this guy would have given Usain Bolt a run for his money, | 0:08:56 | 0:08:59 | |
I am telling you. But I didn't give up. | 0:08:59 | 0:09:01 | |
OK, I might have got a bit lucky - he tripped. | 0:09:01 | 0:09:03 | |
-But then, after that, I was on him. -Wow, well done you! | 0:09:03 | 0:09:07 | |
What's that? | 0:09:07 | 0:09:09 | |
Rob was saying how he went after this guy with a handbag. | 0:09:09 | 0:09:11 | |
Oh, yeah, never mind. You can't win 'em all, mate. | 0:09:11 | 0:09:14 | |
-Sorry? -The guys at the station said. | 0:09:14 | 0:09:15 | |
The poor guy was running after the bus. It was...his handbag. | 0:09:15 | 0:09:19 | |
Yes, but he was built like a... | 0:09:19 | 0:09:22 | |
he was built like a, like a brick outhouse, | 0:09:22 | 0:09:26 | |
and he was running hell for leather down the street, | 0:09:26 | 0:09:29 | |
carrying a pink handbag. How was I supposed to know it was his? | 0:09:29 | 0:09:32 | |
Yeah, well, anyway, I think I'd better go. | 0:09:34 | 0:09:36 | |
-Oh, you don't have to go yet? -No, I do, sorry, I do. | 0:09:36 | 0:09:39 | |
I'll see you later. | 0:09:39 | 0:09:41 | |
Anyway, I'll... | 0:09:41 | 0:09:42 | |
Oh! | 0:09:42 | 0:09:44 | |
HE SIGHS | 0:09:44 | 0:09:46 | |
I'm making a right mess of this, aren't I? | 0:09:47 | 0:09:49 | |
You're doing all right from where I'm sitting. | 0:09:49 | 0:09:52 | |
Oh. Er... | 0:09:52 | 0:09:55 | |
Well, I'll see you. | 0:09:55 | 0:09:57 | |
-Has anyone hurt you? -No. | 0:10:05 | 0:10:08 | |
-Did anyone break in? -No. | 0:10:08 | 0:10:10 | |
Why did you lock yourself in? | 0:10:11 | 0:10:13 | |
I'm just trying to help. I know you're scared. | 0:10:13 | 0:10:16 | |
Has this got anything to do with the man outside? | 0:10:16 | 0:10:19 | |
SHE BREATHES RAPIDLY | 0:10:19 | 0:10:21 | |
LAUGHTER | 0:10:23 | 0:10:25 | |
The poor man was just trying to impress her, and you blew it. | 0:10:25 | 0:10:27 | |
How was I to know? | 0:10:27 | 0:10:29 | |
If it helps, in my experience, all men exaggerate. | 0:10:29 | 0:10:33 | |
-About everything! -I didn't mean anything by it. | 0:10:33 | 0:10:36 | |
Actually, I thought it was quite sweet, cos it proves that he cares. | 0:10:36 | 0:10:39 | |
Yeah? When are you going to see him again, then? | 0:10:39 | 0:10:41 | |
Oh, I don't know. I didn't arrange anything. | 0:10:41 | 0:10:43 | |
Do you think I should phone...? | 0:10:43 | 0:10:45 | |
SHE BREATHES SLOWLY | 0:10:45 | 0:10:47 | |
Good. That's it. You're doing really well. | 0:10:47 | 0:10:51 | |
You saw him? | 0:10:52 | 0:10:54 | |
There was somebody outside, yes. | 0:10:54 | 0:10:56 | |
Why is he still here? What does he want? | 0:10:56 | 0:11:00 | |
What happened? | 0:11:00 | 0:11:02 | |
What did he do? | 0:11:02 | 0:11:03 | |
You saw him? | 0:11:03 | 0:11:05 | |
I'm guessing you know him, or he does, at any rate. | 0:11:06 | 0:11:09 | |
He called you by name. | 0:11:09 | 0:11:11 | |
-He spoke to you? -He said he'd scared you. | 0:11:11 | 0:11:13 | |
It's not his fault. | 0:11:14 | 0:11:17 | |
He wasn't angry? | 0:11:17 | 0:11:19 | |
Angry? No. | 0:11:19 | 0:11:21 | |
So, you do know him? | 0:11:21 | 0:11:24 | |
I did. | 0:11:24 | 0:11:26 | |
Who is he? | 0:11:26 | 0:11:27 | |
He was my husband. | 0:11:28 | 0:11:30 | |
My Toby. | 0:11:32 | 0:11:34 | |
Toby's dead. | 0:11:36 | 0:11:37 | |
Can you let me know if Mrs Jamieson's test results have arrived, please? | 0:11:42 | 0:11:45 | |
Right, because I'm sat here twiddling my thumbs. | 0:11:45 | 0:11:47 | |
-Can't you ask at reception? -Who rattled your cage? | 0:11:47 | 0:11:50 | |
Sorry. Sorry, I'm just a bit snowed under. | 0:11:50 | 0:11:54 | |
I'll leave you to it, then. | 0:11:54 | 0:11:56 | |
Ah, I wouldn't, if I were you. | 0:11:56 | 0:11:58 | |
Not unless you've got a tin hat and a flak jacket handy. | 0:11:58 | 0:12:02 | |
If this is you doing fine, I'd hate to see you when you're not. | 0:12:05 | 0:12:08 | |
SHE SIGHS | 0:12:08 | 0:12:10 | |
Have you been using this to contact him? | 0:12:17 | 0:12:19 | |
I just wanted to make sure he was all right. | 0:12:19 | 0:12:22 | |
I didn't think it had worked. | 0:12:22 | 0:12:24 | |
I went to get some lunch, I looked out of the window | 0:12:24 | 0:12:26 | |
and there he was, large as life. | 0:12:26 | 0:12:28 | |
Well, maybe it was somebody who looked like him. A brother? | 0:12:28 | 0:12:31 | |
He doesn't have any family, and I know my own husband. | 0:12:31 | 0:12:35 | |
If it was Toby, then why did you lock yourself in the bathroom? | 0:12:36 | 0:12:39 | |
Why didn't you want to speak to him? | 0:12:39 | 0:12:40 | |
There's got to be a way of undoing this, of sending him back! | 0:12:40 | 0:12:44 | |
When did you lose him? | 0:12:50 | 0:12:52 | |
Three years ago. | 0:12:52 | 0:12:53 | |
I can't believe it's been that long. | 0:12:54 | 0:12:56 | |
What happened? | 0:12:58 | 0:13:00 | |
I don't know. Something awful. | 0:13:00 | 0:13:03 | |
I searched everywhere for him, but there was no sign of him. | 0:13:03 | 0:13:06 | |
I just wish I knew what happened. | 0:13:06 | 0:13:09 | |
I had a service and everything, | 0:13:09 | 0:13:11 | |
but it's not the same without a body to bury, is it? | 0:13:11 | 0:13:14 | |
What made you think he was dead? | 0:13:14 | 0:13:16 | |
You've obviously not met your soul mate, otherwise you'd know. | 0:13:17 | 0:13:21 | |
We were inseparable. | 0:13:21 | 0:13:23 | |
I shouldn't have used the board. | 0:13:25 | 0:13:27 | |
I was expecting a message, not a flaming visit. | 0:13:27 | 0:13:30 | |
Typical Toby! Never does things by halves. I should have known. | 0:13:33 | 0:13:39 | |
I must have scared him. | 0:13:42 | 0:13:44 | |
-You scared HIM? -Screaming. | 0:13:44 | 0:13:46 | |
Do you have a photo of him? | 0:13:48 | 0:13:50 | |
Yes, of course. | 0:13:50 | 0:13:52 | |
This is Toby? | 0:13:59 | 0:14:01 | |
The love of my life. | 0:14:01 | 0:14:04 | |
I don't know where I'd be now if it hadn't been for him. | 0:14:05 | 0:14:08 | |
Where are you going? | 0:14:09 | 0:14:11 | |
You don't think he's still out there? | 0:14:11 | 0:14:13 | |
-If he is, would you like to speak to him? -No! | 0:14:13 | 0:14:15 | |
No, he mustn't come in. He'll be trapped - his spirit! | 0:14:15 | 0:14:19 | |
What have I done? | 0:14:19 | 0:14:21 | |
I need to fix this. | 0:14:21 | 0:14:23 | |
Ask him. Ask him what I need to do. | 0:14:23 | 0:14:25 | |
I don't think you've got anything to worry about. | 0:14:25 | 0:14:28 | |
Give me five minutes. I'll see what I can do. | 0:14:28 | 0:14:31 | |
How is she? | 0:14:44 | 0:14:46 | |
-You're still here? -I can't leave yet. | 0:14:46 | 0:14:48 | |
Unfinished business. | 0:14:48 | 0:14:50 | |
Is she all right? | 0:14:50 | 0:14:52 | |
She thinks that her husband's dead. | 0:14:52 | 0:14:54 | |
He's not, though, is he...Toby? | 0:14:55 | 0:14:58 | |
That was a long time ago. | 0:14:59 | 0:15:01 | |
Toby was someone else, not me. | 0:15:01 | 0:15:04 | |
I never meant to scare her. | 0:15:05 | 0:15:07 | |
I shouldn't have come back. | 0:15:07 | 0:15:09 | |
Why does she think you're dead? Some sort of insurance scam? | 0:15:10 | 0:15:14 | |
-I wouldn't! -What, then? | 0:15:14 | 0:15:16 | |
I just need to know she's all right. | 0:15:16 | 0:15:19 | |
I can't go until I know. | 0:15:19 | 0:15:21 | |
I think we should continue this conversation down the station, don't you? | 0:15:21 | 0:15:25 | |
I hear you nearly took Zara's head off. | 0:15:29 | 0:15:31 | |
You're all over the place. | 0:15:34 | 0:15:36 | |
Lucky for you she's in a good mood | 0:15:36 | 0:15:37 | |
or I'd be sweeping what's left of you up with a dustpan. | 0:15:37 | 0:15:40 | |
-Lois isn't Freya. -I know that. | 0:15:41 | 0:15:44 | |
But there are a lot of similarities. | 0:15:44 | 0:15:46 | |
If that doesn't mess with your head, I don't know what will. | 0:15:46 | 0:15:49 | |
They're not that similar. | 0:15:49 | 0:15:50 | |
Seriously? You're telling me you can't see it? | 0:15:50 | 0:15:53 | |
I don't believe you. | 0:15:53 | 0:15:56 | |
So they're sisters. They look alike. So what? | 0:15:56 | 0:16:00 | |
-So, you don't need this. -I told you, I can handle it. | 0:16:00 | 0:16:03 | |
Why are you doing this? | 0:16:03 | 0:16:05 | |
Mandy? | 0:16:05 | 0:16:07 | |
SHE SIGHS | 0:16:07 | 0:16:09 | |
I'm just trying to help. You know, for Freya? | 0:16:09 | 0:16:13 | |
I know. | 0:16:13 | 0:16:15 | |
But she wouldn't want to see you like this. | 0:16:15 | 0:16:18 | |
You need to tell Lois that she needs to...stay somewhere else. | 0:16:18 | 0:16:23 | |
She'll understand. | 0:16:23 | 0:16:25 | |
So you divorced her? | 0:16:31 | 0:16:33 | |
-TOBY divorced her. -You're Toby! | 0:16:33 | 0:16:35 | |
Not any more. I've moved on. | 0:16:35 | 0:16:37 | |
So, you left and changed your name? | 0:16:37 | 0:16:39 | |
She wasn't taking her medication. | 0:16:39 | 0:16:42 | |
-What medication? -Keeps her on an even keel. | 0:16:42 | 0:16:45 | |
She had a breakdown? | 0:16:45 | 0:16:46 | |
She has a history of it. All her life. | 0:16:46 | 0:16:48 | |
I guess she wasn't coping with me leaving. | 0:16:48 | 0:16:51 | |
But you left anyway. Nice(!) | 0:16:51 | 0:16:53 | |
It wasn't like that. | 0:16:53 | 0:16:54 | |
I'd done everything I could for her. | 0:16:54 | 0:16:57 | |
It was time. | 0:16:57 | 0:16:58 | |
I had to go, or I would've been trapped there forever. | 0:16:58 | 0:17:01 | |
But you're here. | 0:17:01 | 0:17:03 | |
Hmm. I wanted to see for myself how bad she was. | 0:17:04 | 0:17:08 | |
I didn't mean to scare her. | 0:17:08 | 0:17:11 | |
I shouldn't have come back. | 0:17:11 | 0:17:13 | |
How did you know she was struggling in the first place? | 0:17:13 | 0:17:16 | |
Let's just say we have a mutual friend | 0:17:16 | 0:17:19 | |
who keeps an eye on her for me. | 0:17:19 | 0:17:22 | |
Well, she's seen you now, so I'd say that's game over. | 0:17:22 | 0:17:25 | |
Oh, no, no, no. No, you don't understand. | 0:17:25 | 0:17:27 | |
She'd never let me go. Please, I'm desperate. | 0:17:27 | 0:17:30 | |
The woman's got a Ouija board out looking for your spirit! | 0:17:30 | 0:17:33 | |
-THAT'S desperate! -She's dabbling with that stuff again? | 0:17:33 | 0:17:36 | |
Crystals, and tarot, and Ouija boards. | 0:17:36 | 0:17:40 | |
She's into all that. Usually when she's not on her medication. | 0:17:40 | 0:17:43 | |
She wanted to see that you were happy. | 0:17:43 | 0:17:46 | |
-You could tell her. -Tell her what? | 0:17:46 | 0:17:48 | |
That I'm happy, it's time for her to move on, | 0:17:48 | 0:17:51 | |
and that she's got to take her medication. | 0:17:51 | 0:17:53 | |
I'm not your errand boy. Do it yourself. | 0:17:53 | 0:17:55 | |
You're here for a reason. | 0:17:55 | 0:17:57 | |
-It's fate. -Don't start that again. I'm not lying to your wife. | 0:17:57 | 0:18:01 | |
But it isn't a lie. I am happy. | 0:18:01 | 0:18:03 | |
And if you tell Helen that... well, I'll stay that way. | 0:18:03 | 0:18:06 | |
I couldn't go back to being Toby even if I wanted to. | 0:18:07 | 0:18:11 | |
He doesn't exist any more. | 0:18:11 | 0:18:13 | |
What about her? | 0:18:13 | 0:18:15 | |
Believe me, it's the only way she could be at peace. | 0:18:15 | 0:18:19 | |
She'd never deal with the idea of Toby leaving her any other way. | 0:18:19 | 0:18:23 | |
So...will you? | 0:18:24 | 0:18:27 | |
-Oh, sorry. -Are you all right? | 0:18:31 | 0:18:34 | |
-Yeah. Sorry. I've got a headache. I'm going home. -OK. | 0:18:34 | 0:18:37 | |
-Mandy! -It's OK. I'll sort it. | 0:18:38 | 0:18:41 | |
-Everything OK? -Yeah, fine. | 0:18:41 | 0:18:44 | |
You back again, mate? | 0:18:44 | 0:18:46 | |
-I had a call just down the road. -Right. OK. | 0:18:46 | 0:18:48 | |
Before you tackle me to the ground, you see that? | 0:18:48 | 0:18:52 | |
That bag belongs to me. | 0:18:52 | 0:18:53 | |
HE LAUGHS | 0:18:53 | 0:18:55 | |
No, I know. Zara's a secret agent and her cover's blown. | 0:18:55 | 0:18:58 | |
No. Don't tell me. The Mill is a front for international espionage. | 0:18:58 | 0:19:02 | |
-SCOTTISH ACCENT: -My name is Hollins. Rob Hollins. | 0:19:02 | 0:19:06 | |
Very funny. | 0:19:06 | 0:19:07 | |
Like I said, I was in the area. | 0:19:07 | 0:19:10 | |
You've been in the area a lot today, haven't you? | 0:19:10 | 0:19:12 | |
-I'm not judging. I'm just saying. -I was passing, that's all. | 0:19:12 | 0:19:15 | |
-Just saying, whatever. -No big deal. | 0:19:15 | 0:19:17 | |
I don't understand. | 0:19:20 | 0:19:22 | |
-Well, his body was never found. -No. | 0:19:22 | 0:19:26 | |
Have you ever considered the possibility he may be still alive? | 0:19:26 | 0:19:31 | |
-I don't want to upset you. -No, he can't be. | 0:19:31 | 0:19:33 | |
I know it's difficult to get your head around. | 0:19:33 | 0:19:35 | |
No, you don't understand. He really can't be. | 0:19:35 | 0:19:39 | |
I've got his death certificate. | 0:19:39 | 0:19:41 | |
-Sorry? -He was declared dead, officially, | 0:19:41 | 0:19:44 | |
-I've got the documentation. -Can I see it? | 0:19:44 | 0:19:47 | |
Yes, it's in the second drawer down. | 0:19:47 | 0:19:50 | |
HE SIGHS | 0:19:50 | 0:19:52 | |
-Syringes? -Here you go. | 0:20:17 | 0:20:19 | |
KNOCK ON DOOR | 0:20:19 | 0:20:21 | |
There you are. | 0:20:21 | 0:20:22 | |
-You really are keen. -I was in the area. | 0:20:22 | 0:20:25 | |
Of course you were(!) | 0:20:25 | 0:20:27 | |
I am a bit busy. | 0:20:27 | 0:20:29 | |
Yeah, I... | 0:20:29 | 0:20:31 | |
I just wondered if you...? | 0:20:31 | 0:20:33 | |
If you fancied another date? | 0:20:34 | 0:20:36 | |
Yeah, that'd be nice. | 0:20:37 | 0:20:39 | |
I thought you might like to come fishing. | 0:20:39 | 0:20:42 | |
-BOTH: -Fishing?! | 0:20:42 | 0:20:43 | |
You old romantic you. | 0:20:43 | 0:20:45 | |
Fishing? Seriously? | 0:20:48 | 0:20:49 | |
I don't understand it. | 0:20:53 | 0:20:55 | |
They're fakes, they must be. | 0:20:55 | 0:20:57 | |
Your sister's on her way. She can't believe you haven't called sooner. | 0:20:57 | 0:21:00 | |
-Divorce papers? -I'm sorry. | 0:21:00 | 0:21:03 | |
But... But, Toby's dead. | 0:21:03 | 0:21:05 | |
Why are you doing this? | 0:21:07 | 0:21:09 | |
-You and Toby are divorced. -Why do you keep saying that?! | 0:21:09 | 0:21:14 | |
-Toby wouldn't leave me! -Try not to upset yourself. | 0:21:14 | 0:21:17 | |
You're trying to trick me. | 0:21:17 | 0:21:19 | |
-This is some sort of scam. -I'm trying to help. | 0:21:19 | 0:21:23 | |
Get out! Get out! I'm going to call the police. Just get out! | 0:21:23 | 0:21:27 | |
I'm going nowhere until your sister gets here. Now please...sit down. | 0:21:27 | 0:21:31 | |
It's going to be all right. | 0:21:35 | 0:21:37 | |
DANCE MUSIC PLAYS | 0:21:42 | 0:21:45 | |
What's all this? | 0:21:45 | 0:21:46 | |
You are early! | 0:21:46 | 0:21:48 | |
Yeah, I had a headache. | 0:21:48 | 0:21:50 | |
I was just expecting pasta or something. | 0:21:50 | 0:21:53 | |
No! | 0:21:53 | 0:21:55 | |
Garlic mushrooms, vegetable pad thai, sticky toffee pudding | 0:21:55 | 0:21:59 | |
and plenty of wine. | 0:21:59 | 0:22:02 | |
Wow. Erm... | 0:22:02 | 0:22:04 | |
You shouldn't have. | 0:22:04 | 0:22:07 | |
It's all right. Listen, why don't you go and have a long soak or something? | 0:22:07 | 0:22:12 | |
Leave me to work my magic. and I'll even clean up, I promise. | 0:22:12 | 0:22:16 | |
-Lois. -Mm? | 0:22:18 | 0:22:21 | |
-Thank you. -Go on. | 0:22:24 | 0:22:26 | |
No. No. Think about it, the two of us, | 0:22:34 | 0:22:38 | |
cosied up on the riverbank under a great big umbrella. | 0:22:38 | 0:22:41 | |
Knee deep in mud. Covered in maggots. | 0:22:41 | 0:22:43 | |
Don't you have something important to do? | 0:22:43 | 0:22:46 | |
Anyway, as I was saying. Right. OK. | 0:22:46 | 0:22:49 | |
So, there we are wrapped up in a nice big, | 0:22:49 | 0:22:52 | |
thick, warm blanket, sharing a flask, | 0:22:52 | 0:22:55 | |
listening to the rain. | 0:22:55 | 0:22:57 | |
-It does sound... -Totally unappealing. | 0:22:57 | 0:23:00 | |
..quite romantic when you put it like that. | 0:23:00 | 0:23:02 | |
I wanted to mount the giant pike that you caught, | 0:23:02 | 0:23:05 | |
only you insisted we throw it back. | 0:23:05 | 0:23:08 | |
I caught something? | 0:23:08 | 0:23:09 | |
Yes. Yes, but that's not the point. | 0:23:10 | 0:23:12 | |
The important thing is that we spend time together... | 0:23:12 | 0:23:15 | |
..and you absolutely love the peace just before dawn. | 0:23:16 | 0:23:22 | |
Dawn! Give the girl a break. Breakfast in bed at least. | 0:23:22 | 0:23:27 | |
OK. Why not? | 0:23:27 | 0:23:29 | |
-Really? -Really? | 0:23:29 | 0:23:31 | |
Hmm... How about tomorrow? | 0:23:31 | 0:23:34 | |
-OK. I'll pick you up. -OK! | 0:23:34 | 0:23:36 | |
The giant pike she caught? | 0:23:39 | 0:23:41 | |
Helen. | 0:23:49 | 0:23:51 | |
Thank you. | 0:23:51 | 0:23:53 | |
SHE SOBS | 0:23:55 | 0:23:58 | |
-That was quick. -Yeah. I had a shower instead. I needed to wake myself up. | 0:24:05 | 0:24:10 | |
You know I've loved you being here... | 0:24:13 | 0:24:16 | |
Oh. | 0:24:18 | 0:24:20 | |
It's just... | 0:24:20 | 0:24:22 | |
It's a bit...confusing, you know? | 0:24:22 | 0:24:25 | |
Sorry. I didn't think. | 0:24:26 | 0:24:28 | |
Oh, no. No. It's not your fault. | 0:24:28 | 0:24:30 | |
Maybe it'd be better if... | 0:24:31 | 0:24:33 | |
You know? Oh, sorry! | 0:24:34 | 0:24:38 | |
No, it's fine. Honestly. | 0:24:38 | 0:24:40 | |
-I can go tomorrow. -No. | 0:24:41 | 0:24:43 | |
No, there's no rush. Whenever you're ready. | 0:24:43 | 0:24:47 | |
Look, you're right. | 0:24:47 | 0:24:49 | |
I would hate to think I'd made you feel uncomfortable in your own home. | 0:24:50 | 0:24:54 | |
You haven't... You haven't. | 0:24:54 | 0:24:58 | |
Come on. | 0:25:02 | 0:25:04 | |
If this is going to be our last night together... | 0:25:04 | 0:25:07 | |
..we should make it a good one. | 0:25:09 | 0:25:10 | |
Yeah? | 0:25:10 | 0:25:12 | |
-Cheers. -Cheers. | 0:25:15 | 0:25:18 | |
So what is it then? | 0:25:21 | 0:25:23 | |
A monastery? Spiritual retreat? Commune? | 0:25:23 | 0:25:27 | |
Something like that. | 0:25:27 | 0:25:28 | |
But you're not going to tell me. | 0:25:29 | 0:25:32 | |
-Is she going to be all right? -Her sister's with her. | 0:25:32 | 0:25:35 | |
Kate was always able to get through to her. | 0:25:35 | 0:25:37 | |
Letting her think that you were dead was stupid. | 0:25:38 | 0:25:42 | |
If she'd have found out the truth sooner, she'd be over you by now. | 0:25:42 | 0:25:45 | |
She already knew the truth. | 0:25:45 | 0:25:48 | |
She signed the papers. | 0:25:48 | 0:25:50 | |
She just has ups and downs and forgets. | 0:25:50 | 0:25:53 | |
This was a down. | 0:25:53 | 0:25:55 | |
Well, you didn't help matters. In fact, you probably made it worse. | 0:25:55 | 0:25:59 | |
I don't know. | 0:25:59 | 0:26:00 | |
My being here got you involved. | 0:26:00 | 0:26:02 | |
So what about you? | 0:26:07 | 0:26:09 | |
Where do you go from here? | 0:26:10 | 0:26:11 | |
This was really good of you. | 0:26:26 | 0:26:28 | |
Oh, have I been a right cow? | 0:26:28 | 0:26:31 | |
Hey... You couldn't if you tried. | 0:26:31 | 0:26:34 | |
I can give you a list of people a mile long who'd argue with that. | 0:26:34 | 0:26:38 | |
None of whom matter tonight. | 0:26:39 | 0:26:41 | |
-The good lord has given you a fit young body. -Whoa, Mrs T! | 0:27:01 | 0:27:04 | |
This is the first time I've slept with anyone since Freya, | 0:27:04 | 0:27:08 | |
and it just happens to be her sister! | 0:27:08 | 0:27:10 | |
-Get off! -Don't be like that! | 0:27:10 | 0:27:13 | |
You're taking advantage of a sick woman! | 0:27:13 | 0:27:14 | |
How can I do that? You won't let me anywhere near you. | 0:27:14 | 0:27:17 | |
You think this is about Freya? | 0:27:17 | 0:27:18 | |
I don't know. | 0:27:19 | 0:27:21 |