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MUSIC PLAYS ON RADIO | 0:00:32 | 0:00:35 | |
-Sure you don't want some, love? Looks like a good one. -No, ta. | 0:00:40 | 0:00:43 | |
More for me. | 0:00:45 | 0:00:47 | |
-Something's come up, love. I've got to go to the depot. -Bye. | 0:01:17 | 0:01:21 | |
Hello. I did not hear anyone come in. | 0:01:41 | 0:01:44 | |
Sorry about that. Lovely flowers. | 0:01:44 | 0:01:48 | |
It is for a wedding. The florists have done a wonderful job. | 0:01:48 | 0:01:52 | |
Although I would have preferred if they had not left | 0:01:52 | 0:01:55 | |
muddy footprints and detritus all through the church. | 0:01:55 | 0:01:57 | |
-Do you mind if I...? -Of course not. Take as long as you need. -Thanks. | 0:01:57 | 0:02:02 | |
DOORBELL RINGS | 0:02:24 | 0:02:26 | |
-Rebecca... -Sorry I'm late, Mum. Do you know how many magazines | 0:02:31 | 0:02:34 | |
-there are about wedding dresses? -A lot? -More than that. | 0:02:34 | 0:02:37 | |
There's websites, and catalogues... | 0:02:37 | 0:02:39 | |
Did you forget I was coming? | 0:02:39 | 0:02:42 | |
No, of course not. | 0:02:42 | 0:02:44 | |
I thought Karen was exaggerating. | 0:02:46 | 0:02:48 | |
No. It's all sorted now. | 0:02:48 | 0:02:49 | |
I had a word with Mandy, she's giving Lois her marching orders. | 0:02:49 | 0:02:53 | |
-Sounds like that's the best thing for both of them. -Exactly. | 0:02:53 | 0:02:56 | |
-Morning. -Morning. Hey, Mand, how did it go? | 0:02:56 | 0:02:58 | |
-Er, yeah, fine. -Mandy? -Sorry, better get on. | 0:02:58 | 0:03:02 | |
All sorted, then? | 0:03:04 | 0:03:06 | |
Do you like the sleeves? | 0:03:08 | 0:03:10 | |
-I think you'd look lovely in anything, sweetheart. -Mum... | 0:03:10 | 0:03:13 | |
Listen, I've an old school friend who is a caterer. | 0:03:13 | 0:03:15 | |
-Why don't I pop out and have a chat? -I'll come too. | 0:03:15 | 0:03:18 | |
Or we could split up, divide resources. | 0:03:18 | 0:03:22 | |
Actually, Stuart wants to help with the food. | 0:03:22 | 0:03:25 | |
Best crack on, so... | 0:03:27 | 0:03:28 | |
Who sends a postcard of a church? | 0:03:31 | 0:03:34 | |
-Why does it have a Letherbridge postmark? -Oh... | 0:03:34 | 0:03:38 | |
You know the Post Office! | 0:03:39 | 0:03:40 | |
Al, have you seen a film called Dying 2 Kill? | 0:03:44 | 0:03:47 | |
Of course I have. Who hasn't? | 0:03:47 | 0:03:49 | |
Oh, sorry. | 0:03:49 | 0:03:50 | |
Rob's taking me to see a film on my afternoon off, Dying 2 Kill You Too. | 0:03:51 | 0:03:55 | |
Right. You let him choose. Good. | 0:03:55 | 0:03:58 | |
So, what happens in the first one? | 0:03:58 | 0:04:02 | |
It's a plane crash, daring do. | 0:04:02 | 0:04:04 | |
It's like Die Hard meets the Bourne Identity. | 0:04:04 | 0:04:07 | |
But with the panache of an Almodovar. | 0:04:07 | 0:04:11 | |
-Have you seen the Towering Inferno? -Yes! | 0:04:11 | 0:04:13 | |
It's nothing like that. | 0:04:13 | 0:04:15 | |
It's about this cop who loses his wife, his job and his memory. | 0:04:15 | 0:04:20 | |
Then he has to rescue all these hostages, but he can't remember why. | 0:04:20 | 0:04:23 | |
-Sounds complicated. Maybe choose another one? -You'll be fine. | 0:04:25 | 0:04:29 | |
With those kind of films, the plot isn't really the thing. | 0:04:29 | 0:04:31 | |
-What's the thing? -That would be spoiling it, wouldn't it? | 0:04:31 | 0:04:35 | |
-Excuse me. -Hello. -You appear to have finished your business. | 0:04:44 | 0:04:49 | |
Ah. Busted. | 0:04:49 | 0:04:51 | |
The church will be closed to the public in 20 minutes. | 0:04:51 | 0:04:54 | |
People need to set up for the wedding, including musicians. | 0:04:54 | 0:04:58 | |
-Sounds lovely. -There is still a lot to do. | 0:04:58 | 0:05:01 | |
-I won't be any bother. -That is not the point. | 0:05:01 | 0:05:05 | |
People come here to talk to God. And if you're not going to do that... | 0:05:05 | 0:05:08 | |
-Isn't a church supposed to be a place of sanctuary? -Er... | 0:05:08 | 0:05:12 | |
I'm joking. I completely understand. | 0:05:12 | 0:05:15 | |
It's a special day. | 0:05:15 | 0:05:17 | |
Thank you. Any other day, it would not be an issue. | 0:05:17 | 0:05:22 | |
The thing is, I'm meeting someone. | 0:05:22 | 0:05:24 | |
Oh, is she from the church? | 0:05:24 | 0:05:27 | |
Not exactly. | 0:05:27 | 0:05:29 | |
I'm here to meet the love of my life. | 0:05:29 | 0:05:31 | |
What about this one? Didn't you say you liked that one? | 0:05:33 | 0:05:37 | |
I don't know. Maybe we could look online. | 0:05:37 | 0:05:43 | |
Becky, I've a doctor's appointment. | 0:05:43 | 0:05:46 | |
-You should have said. -It slipped my mind. | 0:05:46 | 0:05:48 | |
But you stay here until I come back. | 0:05:48 | 0:05:51 | |
-Why don't I drive you? -No need. | 0:05:51 | 0:05:54 | |
-It's quite far. I think it might rain. -I want to walk, OK?! | 0:05:54 | 0:05:59 | |
Mum, what's going on? Are you ill? | 0:05:59 | 0:06:02 | |
-I'm fine. -So why are you going to a doctor? | 0:06:02 | 0:06:04 | |
It's just a check-up. Better safe than sorry. | 0:06:04 | 0:06:08 | |
You were never very good at lying. | 0:06:08 | 0:06:10 | |
What sort of thing is that to say to your mother? | 0:06:10 | 0:06:13 | |
Who's Sheila? Why have I never heard of her? | 0:06:14 | 0:06:18 | |
I don't know. She's a friend. | 0:06:18 | 0:06:21 | |
This one's got a Letherbridge postmark too. | 0:06:21 | 0:06:23 | |
-It's not what you think. -What? | 0:06:23 | 0:06:27 | |
I know what you're thinking. That's what people say when they're... | 0:06:27 | 0:06:30 | |
But I am definitely not doing that. | 0:06:32 | 0:06:36 | |
Mum, are you having an affair? | 0:06:36 | 0:06:40 | |
You were teenagers? | 0:06:42 | 0:06:43 | |
Pretty much. Like Romeo and Juliet. | 0:06:43 | 0:06:47 | |
Except, instead of Montague and Capulet, | 0:06:47 | 0:06:49 | |
-we were Catholic and Protestant. -I see. | 0:06:49 | 0:06:52 | |
We used to meet in a church, so our parents wouldn't find out. | 0:06:52 | 0:06:56 | |
-Except her dad did, and he went ballistic. -What happened? | 0:06:56 | 0:07:02 | |
He took her to live here in England. | 0:07:02 | 0:07:04 | |
We wrote for a while. | 0:07:04 | 0:07:05 | |
-Postcards, with secret messages. -Oh. | 0:07:05 | 0:07:09 | |
But the distance was hard. | 0:07:11 | 0:07:13 | |
We got older and met other people. She got married. | 0:07:13 | 0:07:17 | |
-I am sorry. -So did I. | 0:07:18 | 0:07:21 | |
-Are you still married? -She died. | 0:07:21 | 0:07:25 | |
Oh, I am sorry to hear that. | 0:07:25 | 0:07:27 | |
Then last year, I thought, "Why don't I try and find Cat?" | 0:07:28 | 0:07:33 | |
And there she was, on the internet. | 0:07:33 | 0:07:35 | |
-Still married? -Divorced. -Oh! So now you do not have to hide any more. | 0:07:35 | 0:07:41 | |
Why are you meeting in church? | 0:07:41 | 0:07:43 | |
Because that's where we used to meet. | 0:07:43 | 0:07:45 | |
I thought it was romantic, but maybe it's silly. | 0:07:45 | 0:07:48 | |
No, it is nice. | 0:07:48 | 0:07:50 | |
I wish you luck. | 0:07:50 | 0:07:53 | |
In my experience, happiness can happen at any age. | 0:07:53 | 0:07:57 | |
Whether you are a teenager, or... | 0:07:57 | 0:08:00 | |
Oh, my goodness, look at the time! | 0:08:01 | 0:08:03 | |
I'm sorry, that's my fault. | 0:08:03 | 0:08:05 | |
No, I was interested in your story. | 0:08:05 | 0:08:08 | |
I just need to pop into work to get some polish. The polish here | 0:08:08 | 0:08:11 | |
-is of inferior quality. -I'll go. | 0:08:11 | 0:08:14 | |
No... No. Why don't you stay until I come back? | 0:08:14 | 0:08:19 | |
You can keep an eye on the flowers for me. | 0:08:19 | 0:08:22 | |
I won't let them out of my sight. | 0:08:22 | 0:08:25 | |
Do you write to him? | 0:08:33 | 0:08:35 | |
Mum! How long has this been going on? | 0:08:36 | 0:08:38 | |
It's complicated. | 0:08:38 | 0:08:40 | |
-Is it someone I know? -No. | 0:08:40 | 0:08:42 | |
-Who, then? -I can't tell you. | 0:08:42 | 0:08:44 | |
So I do know him. Otherwise, it wouldn't matter. | 0:08:44 | 0:08:48 | |
-I'll find out for myself. -No, don't! | 0:08:49 | 0:08:53 | |
I'll finish it. Just don't ask me who. | 0:08:53 | 0:08:57 | |
I'll go now and I'll tell him that it's over. | 0:08:58 | 0:09:01 | |
-You're not going anywhere. I don't trust you. -Don't say that. | 0:09:01 | 0:09:06 | |
What do you expect? I don't even know you any more. | 0:09:06 | 0:09:10 | |
Anything you want, I'll do. Just don't tell your dad. | 0:09:10 | 0:09:16 | |
I understand... | 0:09:18 | 0:09:20 | |
-Mrs Tembe, I didn't know you were in today. -No, please. | 0:09:20 | 0:09:23 | |
I've just come to pick up a few items for the church. | 0:09:23 | 0:09:25 | |
Do not let me interrupt. | 0:09:25 | 0:09:27 | |
The thing is, Kevin, I've been there myself. | 0:09:27 | 0:09:29 | |
You've been out with your dead ex's sister? | 0:09:29 | 0:09:31 | |
No, we're all attracted to a type. | 0:09:31 | 0:09:33 | |
And at times in our lives, we find ourselves dating people | 0:09:33 | 0:09:37 | |
who bear more than a passing resemblance to a former partner. | 0:09:37 | 0:09:40 | |
This is different. Did you see Lois when she came in? | 0:09:40 | 0:09:43 | |
Just because it's a problem for you | 0:09:43 | 0:09:45 | |
-doesn't mean it's a problem for Mandy. -May I interrupt? -Please do. | 0:09:45 | 0:09:50 | |
In many cultures and religions, | 0:09:50 | 0:09:52 | |
it is positively encouraged | 0:09:52 | 0:09:53 | |
for the younger son to take on the widow of the older son. | 0:09:53 | 0:09:57 | |
-That's just messed up. -Why? | 0:09:58 | 0:10:01 | |
Marrying your brother's wife is like marrying your sister. | 0:10:01 | 0:10:04 | |
There are many complexities to love and human relationships, Dr Tyler. | 0:10:04 | 0:10:09 | |
Some of which you are probably a little too young to appreciate. | 0:10:09 | 0:10:12 | |
On occasions, we find ourselves attracted to | 0:10:12 | 0:10:15 | |
the most unexpected people. | 0:10:15 | 0:10:17 | |
So, who are we to judge others? | 0:10:17 | 0:10:20 | |
-Wise words, Mrs Tembe. -Thank you, Dr Carter. | 0:10:20 | 0:10:24 | |
You... | 0:10:38 | 0:10:41 | |
-Becky? What a surprise! -Don't give me that. I know everything. | 0:10:41 | 0:10:46 | |
You might as well go, because Mum's not coming. | 0:10:47 | 0:10:50 | |
What? I don't know what... | 0:10:50 | 0:10:52 | |
-You're a liar! -I'm not lying. -Please, this is a church! | 0:10:52 | 0:10:58 | |
Creeping around behind everyone's backs. | 0:10:58 | 0:11:00 | |
-Get a kick out of that, did you? -Can I ask you to lower your voices? | 0:11:00 | 0:11:05 | |
Do you not think you are over-reacting? | 0:11:05 | 0:11:06 | |
-They are both adults. -What is she talking about? Is she in on this? | 0:11:06 | 0:11:09 | |
I am not in on anything. | 0:11:09 | 0:11:12 | |
-I have only just met this gentleman, and... -He's married, | 0:11:12 | 0:11:15 | |
and sleeping with his best mate's wife. You should be ashamed! | 0:11:15 | 0:11:19 | |
You have been using the church for your own sinful liaison?! | 0:11:19 | 0:11:23 | |
I invited you to my wedding. | 0:11:23 | 0:11:24 | |
And to think I believed your story! Romeo and Juliet? | 0:11:24 | 0:11:27 | |
I do not think so. More like... | 0:11:27 | 0:11:30 | |
Well, I cannot think of an appropriate play at the moment, | 0:11:30 | 0:11:34 | |
but you really should be ashamed of yourself! | 0:11:34 | 0:11:36 | |
Do you mind? | 0:11:36 | 0:11:38 | |
I have guests arriving here... | 0:11:38 | 0:11:41 | |
I will give you your space, | 0:11:42 | 0:11:45 | |
but I must ask you to keep your voices down. | 0:11:45 | 0:11:47 | |
I never meant to hurt anyone, least of all you. | 0:11:53 | 0:11:56 | |
-What does that mean? -I've loved your mother since she was 19. | 0:11:57 | 0:12:01 | |
But she was with Tony, so nothing happened. | 0:12:01 | 0:12:03 | |
How very noble of you! | 0:12:03 | 0:12:05 | |
We didn't want to hurt anyone. For 30 years, we've done the right thing. | 0:12:05 | 0:12:10 | |
But now, you and your brother are old enough to understand. | 0:12:10 | 0:12:13 | |
How dare you?! How dare you pretend to care about how I feel?! | 0:12:13 | 0:12:18 | |
Well, of course I care! | 0:12:18 | 0:12:19 | |
Both of you, you need to go outside. | 0:12:19 | 0:12:22 | |
There's no "of course" about it. You're a snake, a home-wrecker! | 0:12:22 | 0:12:26 | |
You need to leave now or I will have to call the police. | 0:12:26 | 0:12:29 | |
-You don't know what you're saying. -I do. You're scum of the worst kind. | 0:12:29 | 0:12:33 | |
-The worst kind of scum, to betray my dad like that. -He's not your dad! | 0:12:33 | 0:12:37 | |
I am. | 0:12:37 | 0:12:39 | |
Karen, you're not still worrying about that film, are you? | 0:12:49 | 0:12:54 | |
Don't be daft. | 0:12:54 | 0:12:55 | |
The only thing you need to know is that the main character is a ghost. | 0:12:55 | 0:12:59 | |
-Oh? -It was the twist at the end of the first film. | 0:12:59 | 0:13:01 | |
He found out he was dead all along. | 0:13:01 | 0:13:03 | |
-So the title is like this clever pun - Dying 2 Kill. -Ugh. | 0:13:03 | 0:13:08 | |
Films are much more complicated now, aren't they? | 0:13:08 | 0:13:11 | |
-I can draw you a diagram, if you like. -No, it's doing my head in. | 0:13:11 | 0:13:14 | |
-Let's just change the subject. -No, don't stop on account of me. | 0:13:14 | 0:13:18 | |
If you two have got something to say about me and Lois, | 0:13:18 | 0:13:21 | |
-then I want to hear it. -We're not talking about you. | 0:13:21 | 0:13:25 | |
You expect me to believe that? | 0:13:25 | 0:13:27 | |
-No. -I'm telling Karen... You know the film Dying 2 Kill? | 0:13:27 | 0:13:30 | |
I'm telling Karen about it. | 0:13:30 | 0:13:33 | |
Sorry. | 0:13:34 | 0:13:36 | |
-Mrs Philips. -Hello. | 0:13:38 | 0:13:40 | |
It happened when your mum and dad were engaged. | 0:13:42 | 0:13:46 | |
Back then, he was working on the rigs and was away for weeks at a time. | 0:13:46 | 0:13:50 | |
So he asked me to check on your mum and see that she was OK. | 0:13:50 | 0:13:54 | |
-So you took advantage of her? -She missed him. I missed him too. | 0:13:54 | 0:14:01 | |
It was only for a few weeks, but I loved her from the off. | 0:14:02 | 0:14:05 | |
I was ready to tell Tony, but Cat put a stop to it. | 0:14:05 | 0:14:09 | |
She said she'd made Tony a promise and she wouldn't go back on it. | 0:14:10 | 0:14:14 | |
Even when she found out she was pregnant. | 0:14:14 | 0:14:16 | |
She thought Tony would make a better dad. | 0:14:16 | 0:14:19 | |
There hasn't been a day of my life | 0:14:21 | 0:14:23 | |
when I didn't wish she'd chosen me instead. | 0:14:23 | 0:14:26 | |
You don't know how hard it's been, watching you grow, | 0:14:27 | 0:14:30 | |
not being able to say anything. | 0:14:30 | 0:14:32 | |
You won't get me feeling sorry for you. | 0:14:32 | 0:14:34 | |
I can't listen to any more of this. | 0:14:36 | 0:14:38 | |
I don't know what your game is, but you stay away from me and my family. | 0:14:38 | 0:14:41 | |
-Don't! -Becky, please... | 0:14:41 | 0:14:43 | |
You're a sick man, and a liar, | 0:14:43 | 0:14:45 | |
-and I don't believe a word of it! I know who my dad is. -Becky... | 0:14:45 | 0:14:50 | |
I'm sorry. | 0:14:55 | 0:14:56 | |
Let's go down the front. | 0:15:00 | 0:15:02 | |
-No. It's too close. I'll get a stiff neck. -Oh, old man! | 0:15:02 | 0:15:08 | |
I'm not old. I'm experienced. | 0:15:08 | 0:15:10 | |
Experienced at being old. | 0:15:10 | 0:15:12 | |
Yeah. Whatever. | 0:15:12 | 0:15:14 | |
Are you sure you've got enough?! | 0:15:19 | 0:15:21 | |
It's a long film. | 0:15:21 | 0:15:23 | |
The amount that lot cost, you could make your own film. | 0:15:23 | 0:15:26 | |
-If you're skint, you should have said. -Skint, why would I be skint? | 0:15:26 | 0:15:30 | |
I don't know. | 0:15:30 | 0:15:31 | |
Maybe you've got a gambling habit, or you're into expensive...hats. | 0:15:31 | 0:15:36 | |
Expensive hats? | 0:15:36 | 0:15:39 | |
-I don't know what you experienced blokes are into. -Yeah. | 0:15:39 | 0:15:43 | |
You'd prefer somebody young and hunky, like Chris. | 0:15:43 | 0:15:46 | |
-Chris? -You had your hands all over him yesterday afternoon. | 0:15:46 | 0:15:49 | |
Don't be daft. He was poorly. | 0:15:49 | 0:15:51 | |
-Anyway, I'm here now, aren't I? -Hmm. | 0:15:51 | 0:15:54 | |
I'm supposed to be getting married. | 0:15:56 | 0:15:59 | |
Do you know how it feels to find out | 0:15:59 | 0:16:00 | |
-your own parents' marriage is based on a lie? -It wasn't a lie. | 0:16:00 | 0:16:04 | |
I stayed with your dad because I loved him, and I had made a promise. | 0:16:05 | 0:16:11 | |
But I love Frank too. | 0:16:11 | 0:16:13 | |
And there was a whole other world out there I could have had. | 0:16:13 | 0:16:17 | |
Do you know how selfish that sounds? | 0:16:17 | 0:16:20 | |
You could look on it as an opportunity. | 0:16:20 | 0:16:22 | |
Don't you want to get to know your real dad? | 0:16:22 | 0:16:24 | |
I know who my dad is and not you, or him, | 0:16:24 | 0:16:27 | |
will make me change my mind. | 0:16:27 | 0:16:29 | |
Maybe you could make a little space for him in your life. | 0:16:29 | 0:16:32 | |
I'm not asking you to choose... | 0:16:32 | 0:16:34 | |
Well, I am. It's him or me. | 0:16:35 | 0:16:39 | |
-Sweetheart... -Look, I mean it. | 0:16:39 | 0:16:42 | |
Never see Frank again, or I don't want you in my life. | 0:16:42 | 0:16:45 | |
-No wedding, nothing. -You can't make me do that. | 0:16:45 | 0:16:48 | |
-He is your dad. -No, he isn't. | 0:16:48 | 0:16:50 | |
And unless you choose, you're not my mum. | 0:16:51 | 0:16:53 | |
Becky, I won't let you bully me! | 0:16:53 | 0:16:56 | |
Fine... | 0:16:59 | 0:17:00 | |
..have it your own way! | 0:17:02 | 0:17:04 | |
What happened? | 0:17:05 | 0:17:07 | |
She made me choose. | 0:17:08 | 0:17:10 | |
I chose you. | 0:17:12 | 0:17:13 | |
-Excuse me. Can we just...? -Sorry. Sorry. | 0:17:17 | 0:17:21 | |
-This one? Is this OK? -Yeah. | 0:17:25 | 0:17:27 | |
-Right, is that better? -Yeah, much better. | 0:17:36 | 0:17:40 | |
There was something about where we were sitting, with the speakers, | 0:17:40 | 0:17:43 | |
-the sound was funny, didn't you think? -Yeah. Not your neck, then? | 0:17:43 | 0:17:47 | |
No, of course not, old man! | 0:17:47 | 0:17:50 | |
What's happened to my popcorn? | 0:17:53 | 0:17:55 | |
You know where it's gone. Everyone's wearing it! | 0:17:55 | 0:17:57 | |
-Are you being funny? -You tell me! | 0:17:57 | 0:18:01 | |
Erm, I'd give you six out of ten. No, six and a half. | 0:18:01 | 0:18:04 | |
Yeah, I can live with that. | 0:18:04 | 0:18:08 | |
-It should start in a minute. -Ooh, better open my Bombay mix. | 0:18:08 | 0:18:11 | |
-Do you want me to open it for you? -No, it's fine. -Are you sure? -Yeah. | 0:18:11 | 0:18:15 | |
-Ooh! -Ooh! | 0:18:17 | 0:18:19 | |
Sorry. Sorry. | 0:18:19 | 0:18:22 | |
I'm so sorry. | 0:18:22 | 0:18:24 | |
It's fine. It saves time passing it around. | 0:18:26 | 0:18:29 | |
Any regrets? | 0:18:38 | 0:18:40 | |
Just that we didn't do it sooner. | 0:18:40 | 0:18:42 | |
That's my girl! | 0:18:42 | 0:18:44 | |
First time we've done that in public. | 0:18:46 | 0:18:48 | |
When will you tell Claire? | 0:18:50 | 0:18:51 | |
Tonight... | 0:18:53 | 0:18:54 | |
Oh, she's got an evening class. | 0:18:54 | 0:18:56 | |
-So, ring her. -I can't do it on the phone. | 0:18:57 | 0:19:01 | |
-No, I'll go and see her. -Grand. | 0:19:01 | 0:19:04 | |
Can you believe this is finally happening? | 0:19:06 | 0:19:09 | |
A new life... | 0:19:09 | 0:19:12 | |
at our age. | 0:19:12 | 0:19:14 | |
We're not that old. | 0:19:14 | 0:19:16 | |
SHE LAUGHS | 0:19:16 | 0:19:19 | |
Do you remember when we were going to run away to Blackpool? | 0:19:19 | 0:19:22 | |
You were going to work on the pier. | 0:19:22 | 0:19:24 | |
And you were going to be a singer in the clubs. | 0:19:24 | 0:19:26 | |
THEY LAUGH | 0:19:26 | 0:19:29 | |
Imagine what a disaster that would have been! | 0:19:29 | 0:19:32 | |
Is that what you want, to go to Blackpool? | 0:19:32 | 0:19:35 | |
Why not? There's nothing keeping us here. | 0:19:35 | 0:19:40 | |
-Ooh, sorry! -Easy. -Sorry. | 0:19:48 | 0:19:50 | |
-I'm sorry I didn't get to meet Lois yesterday. -Not you, as well! | 0:19:50 | 0:19:54 | |
-What? -Everyone keeps making polite comments, | 0:19:54 | 0:19:56 | |
and I know they're all talking about me behind my back. | 0:19:56 | 0:19:59 | |
-You know what, Chris? I don't care what anyone else thinks. -Good. | 0:19:59 | 0:20:04 | |
-Eh? -It's no-one else's business but yours. | 0:20:05 | 0:20:08 | |
I just wanted to say, good on you. | 0:20:08 | 0:20:10 | |
I'm glad you've found someone. You deserve to be happy. | 0:20:10 | 0:20:13 | |
-Thanks. I really needed to hear that. -Watch the ribs. -Sorry. | 0:20:15 | 0:20:20 | |
Are you sure about this? | 0:20:22 | 0:20:24 | |
Aren't you? | 0:20:24 | 0:20:25 | |
I've never wanted something so much in my life. | 0:20:25 | 0:20:28 | |
But what about Becky? | 0:20:28 | 0:20:30 | |
You've seen one wedding, you've seen them all. She'll come round. | 0:20:31 | 0:20:35 | |
What if she doesn't? | 0:20:35 | 0:20:37 | |
-Stop it. I chose you. -I know. | 0:20:37 | 0:20:41 | |
All these years, I've seen the way you looked at me. | 0:20:43 | 0:20:47 | |
-I wasn't... -It's OK. I know how hard it must have been | 0:20:47 | 0:20:52 | |
-and I'm sorry, Frank, but I'll make it up to you. -You don't owe me. | 0:20:52 | 0:20:56 | |
I know, but I can make it right. | 0:20:56 | 0:20:59 | |
Is this what you want? | 0:21:00 | 0:21:02 | |
This is what I want. | 0:21:02 | 0:21:03 | |
-You're a bad liar, Cat. -What are you talking about? | 0:21:07 | 0:21:11 | |
Telling Becky has changed things. | 0:21:11 | 0:21:13 | |
She hates me now, but that will only get worse | 0:21:13 | 0:21:16 | |
if I take you away from her. | 0:21:16 | 0:21:18 | |
And what about grandkids, are you willing to give that up? | 0:21:18 | 0:21:21 | |
I love you, Frank. | 0:21:21 | 0:21:22 | |
I love you too... | 0:21:22 | 0:21:24 | |
..but we missed our moment, sweetheart. | 0:21:26 | 0:21:28 | |
-Don't say that. -I'll take Claire away. | 0:21:28 | 0:21:32 | |
-I've been thinking of opening a depot in Warrington. -No. | 0:21:32 | 0:21:36 | |
It's for the best. Tony need never know. | 0:21:36 | 0:21:39 | |
-I won't let you do this. -You can't stop me. | 0:21:39 | 0:21:42 | |
It's my turn to do the right thing. | 0:21:42 | 0:21:43 | |
What about me? I can't go back. | 0:21:43 | 0:21:47 | |
Yes, you can. Nothing really happened, Cat. | 0:21:47 | 0:21:51 | |
Not for a long time. | 0:21:51 | 0:21:53 | |
-Who's she? -We don't know yet. | 0:21:57 | 0:22:01 | |
-Was she in the first film? -No. No, no. | 0:22:01 | 0:22:03 | |
-What's she doing?! -MOANING | 0:22:05 | 0:22:07 | |
We're about to find out. | 0:22:07 | 0:22:09 | |
Is she killing him? | 0:22:09 | 0:22:10 | |
..Oh. | 0:22:10 | 0:22:12 | |
-Ooh, that's a bit forward! -Yeah. You'd think she was cold. | 0:22:13 | 0:22:17 | |
-And him. She's not the one he was with... -No, no. | 0:22:17 | 0:22:20 | |
-She's another one. -He's a popular guy. | 0:22:20 | 0:22:24 | |
GUNSHOTS | 0:22:26 | 0:22:29 | |
So...is he a ghost? | 0:22:31 | 0:22:33 | |
-What? -Al said that at the end of the other film, the first film, | 0:22:35 | 0:22:39 | |
you find out that the hero's a ghost. | 0:22:39 | 0:22:42 | |
What were you talking to Al about it for? | 0:22:44 | 0:22:46 | |
I didn't want the film to go over my head. He was helping me. | 0:22:46 | 0:22:50 | |
I think he's been messing you about. | 0:22:52 | 0:22:54 | |
Really? I'm going to kill him. | 0:22:55 | 0:22:57 | |
Uh... | 0:23:03 | 0:23:05 | |
SHE GIGGLES | 0:23:05 | 0:23:09 | |
I can see why you wanted to sit on the front row! | 0:23:09 | 0:23:13 | |
Sorry... Sorry, I just couldn't help myself. | 0:23:13 | 0:23:19 | |
Well, I'm not complaining. | 0:23:19 | 0:23:21 | |
-Karen... -Mmm. | 0:23:23 | 0:23:26 | |
Get a room! | 0:23:26 | 0:23:27 | |
-Mint humbug? -Yeah. Ha-ha! | 0:23:31 | 0:23:34 | |
Ooh... | 0:23:35 | 0:23:37 | |
Ow! | 0:23:37 | 0:23:39 | |
Mr Shannon, you are still here? | 0:23:51 | 0:23:53 | |
Where is...? | 0:23:53 | 0:23:56 | |
She's gone. | 0:23:56 | 0:23:57 | |
Perhaps it is for the best. | 0:23:58 | 0:24:00 | |
It doesn't feel like it. It feels like the worst. | 0:24:01 | 0:24:05 | |
I'm probably an idiot for letting her go again. | 0:24:07 | 0:24:10 | |
So why did you? | 0:24:10 | 0:24:12 | |
My daughter. I can handle Becky hating me, | 0:24:12 | 0:24:18 | |
but she and Cat were close. | 0:24:18 | 0:24:21 | |
Cat would never survive without Becky. | 0:24:21 | 0:24:24 | |
-She is a most impressive young woman. -She is. | 0:24:26 | 0:24:29 | |
Now what? | 0:24:31 | 0:24:33 | |
You still have a wife that loves you. | 0:24:35 | 0:24:37 | |
-She deserves better. -Perhaps. | 0:24:39 | 0:24:42 | |
Perhaps you can be better for her. | 0:24:42 | 0:24:45 | |
-Do you think so? -Only you can answer that question. | 0:24:46 | 0:24:50 | |
Now, I have 80 wedding guests | 0:24:51 | 0:24:54 | |
and a photographer who are going to come out in a moment, | 0:24:54 | 0:24:57 | |
and they're going to want to take some photographs. | 0:24:57 | 0:25:00 | |
I'm sorry for all the trouble. | 0:25:01 | 0:25:03 | |
I was in there for a few minutes. | 0:25:05 | 0:25:07 | |
They seem like a nice... | 0:25:08 | 0:25:10 | |
nice couple. | 0:25:10 | 0:25:12 | |
I hope they can make each other happy. | 0:25:13 | 0:25:15 | |
I hope it all goes well for them... | 0:25:16 | 0:25:19 | |
I hope... I wish... | 0:25:19 | 0:25:22 | |
Anyway, I can't stand around talking all day. | 0:25:30 | 0:25:33 | |
Some of us have homes to go to. | 0:25:33 | 0:25:35 | |
Good luck. | 0:25:37 | 0:25:38 | |
-You've been avoiding me. -I'm avoiding everyone. | 0:25:50 | 0:25:53 | |
Come on, Mand. Last night, you were ready to dump Lois. What's happened? | 0:25:53 | 0:25:57 | |
Nothing's happened. I'm just tired of everyone | 0:25:57 | 0:26:00 | |
telling me who I can and can't see. | 0:26:00 | 0:26:01 | |
It's because we care about you. | 0:26:01 | 0:26:03 | |
You've got a funny way of showing it. | 0:26:03 | 0:26:05 | |
-Lois makes me happy. -Yeah, of course she does. | 0:26:06 | 0:26:11 | |
She's your Freya substitute. She's Freya light. | 0:26:11 | 0:26:14 | |
-What did you say? -You heard me. | 0:26:15 | 0:26:18 | |
Do you have any idea how insensitive that sounds? | 0:26:18 | 0:26:21 | |
I don't care. I've tried being sensitive, it doesn't work. | 0:26:21 | 0:26:24 | |
Sorry, I must have missed that bit! | 0:26:24 | 0:26:26 | |
You're deluding yourself. | 0:26:26 | 0:26:27 | |
I'm sorry if that sounds harsh... | 0:26:27 | 0:26:29 | |
Actually, I'm not, you need to hear this. It's...bloody weird. | 0:26:29 | 0:26:34 | |
Oh, back off, Kevin. | 0:26:34 | 0:26:36 | |
-No. What you're doing is wrong, it's messed up. -How dare you? | 0:26:36 | 0:26:39 | |
If you don't see that, you're not the person I thought you were. | 0:26:39 | 0:26:41 | |
Who are you to tell me what's right?! | 0:26:41 | 0:26:44 | |
What about crazy Lauren? | 0:26:44 | 0:26:48 | |
What about that tattoo you have on your backside of my ex? | 0:26:48 | 0:26:51 | |
Maybe you should worry about yourself! | 0:26:51 | 0:26:53 | |
Maybe you should get help, instead of sticking your nose in | 0:26:53 | 0:26:56 | |
-other people's business! -Mandy... -No, Kevin, I'm done listening! | 0:26:56 | 0:27:01 | |
You think this is a dirty weekend? | 0:27:08 | 0:27:10 | |
-No. -Look at him. He's gorge, yeah? | 0:27:11 | 0:27:14 | |
But these brooding loner types, | 0:27:14 | 0:27:17 | |
it just gets messy. | 0:27:17 | 0:27:18 | |
Is today completely lost on you? | 0:27:18 | 0:27:21 | |
Of what, Mum? A man in bed, desperate to die! | 0:27:21 | 0:27:23 | |
You're the one banging on about us having a perfect marriage! | 0:27:25 | 0:27:27 | |
Why would I come here with another man? You tell me! | 0:27:27 | 0:27:30 |