Browse content similar to A Caring Professional. Check below for episodes and series from the same categories and more!
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Hello! | 0:00:48 | 0:00:50 | |
What you listening to? | 0:00:50 | 0:00:51 | |
You can put that away! I'm not interested! | 0:00:52 | 0:00:56 | |
Are you stopping in tonight? | 0:01:06 | 0:01:08 | |
I don't know. Why? | 0:01:08 | 0:01:10 | |
No reason! | 0:01:10 | 0:01:11 | |
It's just...not always good to go out on a week night. | 0:01:11 | 0:01:15 | |
Sometimes it's nice to stop in and put your feet up. | 0:01:15 | 0:01:19 | |
Anyway, I'd better get on. | 0:01:19 | 0:01:22 | |
See you! | 0:01:22 | 0:01:24 | |
Jimmi. Just the person I needed... | 0:01:24 | 0:01:26 | |
Can't it wait? I'm late for a meeting then I've got to go down the station. | 0:01:26 | 0:01:29 | |
It's important and you'll know what to do. | 0:01:29 | 0:01:31 | |
-Karen, I'm really sorry, I can't, sorry. -Oh. | 0:01:31 | 0:01:33 | |
What's up? | 0:01:38 | 0:01:40 | |
Oh. Nothing. | 0:01:40 | 0:01:43 | |
OK. | 0:01:48 | 0:01:49 | |
It'll be fine. | 0:01:49 | 0:01:51 | |
Jenna, stop mothering me. | 0:01:51 | 0:01:53 | |
I can't help it. You're such a baby. | 0:01:53 | 0:01:56 | |
Alex Gleeson? | 0:01:56 | 0:01:57 | |
Sorry. Um... | 0:02:06 | 0:02:08 | |
Do you think the vice-chancellor will visit again? | 0:02:08 | 0:02:11 | |
I'm not sure. | 0:02:11 | 0:02:12 | |
But if he does, the place is looking good. | 0:02:12 | 0:02:15 | |
Excellent standard of cleanliness, Mrs Tembe. Well done. | 0:02:15 | 0:02:17 | |
And busy, too. | 0:02:17 | 0:02:19 | |
Those students? I am sorry to disappoint you, Mr Bellamy. | 0:02:19 | 0:02:24 | |
But they are not "customers". They are here to see the defaced sign. | 0:02:24 | 0:02:30 | |
They do not see it as vandalism. | 0:02:30 | 0:02:33 | |
They see it as art. | 0:02:33 | 0:02:35 | |
What, a random piece of graffiti? | 0:02:35 | 0:02:37 | |
Graffito. No-one uses the singular form correctly. | 0:02:37 | 0:02:41 | |
One graffito. | 0:02:41 | 0:02:43 | |
Many graffiti. | 0:02:43 | 0:02:45 | |
Where would I be without you to correct my grammar, Mrs Tembe? | 0:02:45 | 0:02:48 | |
If you need to register, you come here and do that with Mrs Tembe. | 0:02:48 | 0:02:51 | |
-Whoever this graffiti artist is, we should thank him. -Really? | 0:02:51 | 0:02:54 | |
Yep. It is great for business. | 0:02:54 | 0:02:56 | |
Nurse...Marquez. Can I talk to you? It's confidential. | 0:03:06 | 0:03:11 | |
You don't have an appointment and I have got patients. | 0:03:11 | 0:03:14 | |
No, you haven't. Mrs Ives has cancelled. | 0:03:14 | 0:03:18 | |
Well, I think you should see a male nurse. | 0:03:18 | 0:03:21 | |
Chris is tied up with Mrs Worricker. | 0:03:21 | 0:03:23 | |
Not literally, I hope. | 0:03:23 | 0:03:25 | |
Go on, Mand. | 0:03:25 | 0:03:27 | |
You could use Jimmi's room. | 0:03:27 | 0:03:28 | |
Five minutes. | 0:03:30 | 0:03:32 | |
Thanks. I appreciate... | 0:03:33 | 0:03:35 | |
This way. | 0:03:35 | 0:03:36 | |
Just so you know, there are lots of other staff around, | 0:03:45 | 0:03:48 | |
so if you try anything... | 0:03:48 | 0:03:49 | |
I'm not going to harm you. | 0:03:49 | 0:03:51 | |
What do you want? | 0:03:51 | 0:03:52 | |
I'm sorry. I'm so sorry. | 0:03:52 | 0:03:55 | |
I hate doing it. It's stupid. | 0:03:57 | 0:04:00 | |
But there are reasons... | 0:04:00 | 0:04:02 | |
I don't care why you do it. | 0:04:02 | 0:04:04 | |
If it's cos of your childhood, | 0:04:04 | 0:04:05 | |
or because you got sent to the wrong public school | 0:04:05 | 0:04:08 | |
or because Daddy didn't love you enough... | 0:04:08 | 0:04:09 | |
How about all of the above? | 0:04:09 | 0:04:11 | |
If I'd known you were a nurse... You didn't deserve that. | 0:04:13 | 0:04:16 | |
What - so some women do? | 0:04:16 | 0:04:18 | |
No, I just... | 0:04:18 | 0:04:20 | |
Have you been to the police? | 0:04:20 | 0:04:22 | |
Please don't. | 0:04:22 | 0:04:23 | |
I'm begging you. Please. | 0:04:23 | 0:04:25 | |
So that's why you came to see me - | 0:04:25 | 0:04:26 | |
not to apologise, but to get yourself out of trouble. | 0:04:26 | 0:04:29 | |
C'mon. It's not exactly crime of the century. | 0:04:29 | 0:04:31 | |
First you flash your tackle at me, then you tell me I shouldn't mind! | 0:04:31 | 0:04:35 | |
Time's up. | 0:04:35 | 0:04:37 | |
Wait! | 0:04:37 | 0:04:38 | |
No. If you do not leave, I am calling the police right now. | 0:04:38 | 0:04:42 | |
I was going to call them anyway. | 0:04:42 | 0:04:43 | |
Yes, everything seems to be back in order. | 0:04:51 | 0:04:53 | |
Ship-shape and Bristol fashion, eh? | 0:04:53 | 0:04:55 | |
Good job, good man. | 0:04:55 | 0:04:57 | |
Right, better get back to the Mill. | 0:04:57 | 0:04:59 | |
Any more graffiti, I'll deal with it. | 0:04:59 | 0:05:02 | |
You've got to stamp on something like that straightaway. | 0:05:02 | 0:05:05 | |
Well, you're the man for the job. | 0:05:05 | 0:05:07 | |
Don't send my next patient through yet, Karen. | 0:05:13 | 0:05:15 | |
I need to make a phone call. | 0:05:15 | 0:05:17 | |
Can I talk to you? | 0:05:18 | 0:05:19 | |
What about? | 0:05:19 | 0:05:21 | |
In private. | 0:05:21 | 0:05:23 | |
You as well. | 0:05:23 | 0:05:25 | |
Please. | 0:05:25 | 0:05:27 | |
Follow me. | 0:05:27 | 0:05:29 | |
And you, stay there. | 0:05:30 | 0:05:32 | |
Alex exposed himself to you, didn't he? | 0:05:38 | 0:05:41 | |
-I... -I know he's a flasher. I've known for ages. | 0:05:41 | 0:05:45 | |
How did you find out? | 0:05:45 | 0:05:48 | |
I came home one day and he was...harming himself. | 0:05:49 | 0:05:53 | |
He hates himself for doing it. Don't report him. | 0:05:54 | 0:05:59 | |
Please. | 0:05:59 | 0:06:01 | |
You're a right double act, you two. | 0:06:01 | 0:06:03 | |
If Alex got sent to prison, it'd destroy him. | 0:06:03 | 0:06:06 | |
He'd be put in with the sex offenders. | 0:06:06 | 0:06:08 | |
That's where he belongs! | 0:06:08 | 0:06:10 | |
No. | 0:06:10 | 0:06:11 | |
OK. | 0:06:13 | 0:06:15 | |
Um... Suppose you go to the police, what do you think'll happen? | 0:06:15 | 0:06:20 | |
He might go to court, he might even be convicted. | 0:06:20 | 0:06:24 | |
You don't get long sentences for indecent exposure. | 0:06:24 | 0:06:27 | |
Six months, maximum. | 0:06:27 | 0:06:29 | |
Just long enough for him to lose his job, and be brutalised. | 0:06:29 | 0:06:34 | |
Not enough for him to get any kind of therapy that might make him stop. | 0:06:34 | 0:06:38 | |
You know a lot about it. | 0:06:38 | 0:06:40 | |
I'm a probation officer. I deal with criminals all the time. | 0:06:41 | 0:06:45 | |
Then you should know a creep when you see one. | 0:06:45 | 0:06:47 | |
Not all criminals are evil psychopaths. | 0:06:49 | 0:06:52 | |
They're lost, damaged, addicted, mentally ill. | 0:06:53 | 0:07:00 | |
They're not dangerous. | 0:07:01 | 0:07:03 | |
They get locked up because nobody knows what else to do with them. | 0:07:03 | 0:07:08 | |
And prison doesn't help them. Often, it just makes them worse. | 0:07:08 | 0:07:13 | |
Alex doesn't need prison. He needs help. | 0:07:13 | 0:07:16 | |
He's got you exactly. | 0:07:25 | 0:07:27 | |
When did he do that? It wasn't there an hour ago! | 0:07:27 | 0:07:31 | |
They work fast. | 0:07:31 | 0:07:33 | |
I'm not having it. | 0:07:33 | 0:07:35 | |
If he thinks he can get away with this sort of thing, | 0:07:35 | 0:07:38 | |
he's got another thing coming! | 0:07:38 | 0:07:39 | |
It's not even just vandalism. This is a vendetta! | 0:07:39 | 0:07:44 | |
I can't stop you going to the police, | 0:07:49 | 0:07:52 | |
but I can suggest an alternative. | 0:07:52 | 0:07:55 | |
Well? | 0:07:57 | 0:07:59 | |
I've done restorative justice. You know what that is? | 0:07:59 | 0:08:03 | |
Yeah, it's where offenders meet the victims and they talk. | 0:08:03 | 0:08:07 | |
You want me to meet Alex? | 0:08:09 | 0:08:11 | |
On neutral ground, obviously. | 0:08:11 | 0:08:13 | |
And you'd mediate? | 0:08:13 | 0:08:15 | |
Since you're so unbiased. | 0:08:15 | 0:08:17 | |
I can be objective. | 0:08:17 | 0:08:18 | |
I know you're angry. You've got every right to be. | 0:08:21 | 0:08:26 | |
But maybe he needs to hear that. | 0:08:26 | 0:08:28 | |
He needs to see the impact that his behaviour has on women. | 0:08:28 | 0:08:31 | |
I've never met one of his victims before. | 0:08:33 | 0:08:36 | |
This is an opportunity. | 0:08:36 | 0:08:39 | |
If you do this, maybe we can help him stop. | 0:08:39 | 0:08:44 | |
PHONE CHIRPS | 0:08:50 | 0:08:53 | |
Mamma mia! | 0:09:13 | 0:09:15 | |
We're rich! | 0:09:20 | 0:09:21 | |
Are we? | 0:09:21 | 0:09:23 | |
Well, the practice is. We are sitting on a gold mine. | 0:09:23 | 0:09:25 | |
This one of your wind-ups? | 0:09:25 | 0:09:27 | |
No. I'm talking about graffiti. | 0:09:27 | 0:09:29 | |
Jimmi just texted me the latest image. | 0:09:29 | 0:09:31 | |
What do you mean, latest? Has he done it again? | 0:09:31 | 0:09:33 | |
Chill out. I went on the internet and did a little bit of research. | 0:09:33 | 0:09:37 | |
And look what I found. Kapow! | 0:09:37 | 0:09:39 | |
What am I looking at? | 0:09:41 | 0:09:42 | |
Let me enlarge it for you. | 0:09:42 | 0:09:44 | |
You see in the bottom right-hand corner? | 0:09:44 | 0:09:46 | |
The "B"? Like all great artists, he signs his work. | 0:09:46 | 0:09:50 | |
I don't get it. | 0:09:50 | 0:09:51 | |
The "B" for Brummski. | 0:09:51 | 0:09:54 | |
He is the hottest graffiti artist on the scene right now. | 0:09:54 | 0:09:56 | |
He just had an exhibition at the Dernham Gallery in town. | 0:09:56 | 0:10:00 | |
What, you mean people pay good money for this stuff? | 0:10:00 | 0:10:02 | |
You've heard of Banksy, right? | 0:10:02 | 0:10:04 | |
You mean it could be worth thousands? | 0:10:06 | 0:10:08 | |
Kerching! | 0:10:08 | 0:10:09 | |
Of course, as the creator, | 0:10:09 | 0:10:11 | |
-Brummski would be entitled to some of the profits. -Oh, no! | 0:10:11 | 0:10:13 | |
He defaced campus property! It's ours. | 0:10:13 | 0:10:15 | |
He's not getting a penny. | 0:10:15 | 0:10:16 | |
Of course, all profits would go back into the practice, and benefit the patients. | 0:10:16 | 0:10:20 | |
It's a shame that Bigalow got rid of the other one. | 0:10:20 | 0:10:22 | |
We're lucky that he tagged us again. | 0:10:22 | 0:10:24 | |
I told Barry to get rid of any graffiti. | 0:10:26 | 0:10:28 | |
What?! I'll leave you to it. | 0:10:28 | 0:10:30 | |
"You've reached the voicemail of Barry Norman Bigalow. | 0:10:35 | 0:10:39 | |
"Third head in charge of security at Letherbridge University. | 0:10:39 | 0:10:43 | |
"Please leave a message after the tone. | 0:10:43 | 0:10:46 | |
"Alternatively, you can visit the Campus Security Office | 0:10:46 | 0:10:50 | |
"which is open from 9-5 Monday to Friday, | 0:10:50 | 0:10:54 | |
"10-4 on Saturday and closed on Sunday." | 0:10:54 | 0:10:58 | |
I'm really worried about Chris. | 0:11:10 | 0:11:13 | |
What's up? | 0:11:13 | 0:11:14 | |
Yesterday, he got in this massive row. | 0:11:14 | 0:11:16 | |
It was really kicking off. | 0:11:16 | 0:11:18 | |
I had to step in and break them up. | 0:11:18 | 0:11:21 | |
So? | 0:11:21 | 0:11:22 | |
He was really aggressive. It was like he really wanted a fight. | 0:11:24 | 0:11:29 | |
Well, that's what it looked like, anyway. | 0:11:29 | 0:11:31 | |
He's having a rough time. Him and Emma. | 0:11:31 | 0:11:34 | |
I know, cos it's the anniversary of Sam... | 0:11:34 | 0:11:37 | |
So I'd leave him alone. | 0:11:37 | 0:11:39 | |
-Really? -He's a grown-up. He's dealing with things in his own way. | 0:11:39 | 0:11:43 | |
If he wants help, he'll ask for it. | 0:11:43 | 0:11:45 | |
If he doesn't, I wouldn't go steaming in. | 0:11:45 | 0:11:49 | |
Yeah, OK. I suppose. | 0:11:49 | 0:11:51 | |
Anyway, that's enough about Chris. What's going on with you and Rob? | 0:11:51 | 0:11:55 | |
Oh... There is no me and Rob. | 0:11:56 | 0:11:59 | |
OK. Look. | 0:12:05 | 0:12:08 | |
I am sorry if bad things have happened to you, | 0:12:08 | 0:12:11 | |
but that is no excuse. | 0:12:11 | 0:12:13 | |
Some man abused you, | 0:12:13 | 0:12:14 | |
and you're taking it out on women! At least, I hope it's women. | 0:12:14 | 0:12:18 | |
Or do you expose yourself to children? Girls? | 0:12:18 | 0:12:21 | |
No, I would never do that. | 0:12:21 | 0:12:22 | |
How many times have you done this? | 0:12:22 | 0:12:24 | |
-It's not that many. -I am asking him. | 0:12:24 | 0:12:26 | |
-I've only ever done it a handful of times. -"Only"? | 0:12:26 | 0:12:29 | |
I'm sorry. | 0:12:29 | 0:12:31 | |
Every time you do this, you spoil some place for somebody. | 0:12:31 | 0:12:35 | |
You flash at a woman in the park, | 0:12:35 | 0:12:37 | |
and she will never feel safe there again. | 0:12:37 | 0:12:40 | |
I know it'd be worse if you actually assaulted someone, | 0:12:43 | 0:12:47 | |
but what you do is bad enough. | 0:12:47 | 0:12:49 | |
What if the woman you're flashing at is a victim of rape, | 0:12:49 | 0:12:52 | |
or been abused? | 0:12:52 | 0:12:53 | |
I don't want to upset anyone. | 0:12:53 | 0:12:55 | |
Well, don't be a flasher, then! | 0:12:55 | 0:12:57 | |
It is not harmless. | 0:12:59 | 0:13:01 | |
It is upsetting. | 0:13:01 | 0:13:02 | |
That's all I wanted to say. | 0:13:04 | 0:13:06 | |
Barry! | 0:13:12 | 0:13:13 | |
I hate doing it. I just can't stop. | 0:13:20 | 0:13:23 | |
It's...an addiction, a compulsion. Does that make sense? | 0:13:25 | 0:13:29 | |
I don't do it all the time. Months'll go by, | 0:13:31 | 0:13:33 | |
and then something triggers it. | 0:13:33 | 0:13:36 | |
So you choose someone, flash at them, and then what? | 0:13:36 | 0:13:39 | |
I run away. | 0:13:39 | 0:13:41 | |
Go home. | 0:13:42 | 0:13:45 | |
Shower. | 0:13:45 | 0:13:46 | |
Sometimes I get drunk. | 0:13:47 | 0:13:49 | |
Or...cut myself. | 0:13:49 | 0:13:51 | |
Sometimes I just go and hide under the duvet. | 0:13:53 | 0:13:56 | |
If you hate it so much, why do you do it? | 0:13:58 | 0:14:01 | |
This'll sound weird... but it isn't about sex. | 0:14:05 | 0:14:09 | |
It isn't. It's about power. | 0:14:11 | 0:14:13 | |
When I was abused, the worst thing was being completely powerless. | 0:14:15 | 0:14:19 | |
And when I expose myself, I feel this sense of power. | 0:14:21 | 0:14:25 | |
A total high. Even if it doesn't last. | 0:14:26 | 0:14:29 | |
I know that's horrible. I'm trying to be honest. | 0:14:30 | 0:14:35 | |
HOOTS HORN | 0:14:43 | 0:14:45 | |
Barry! | 0:14:45 | 0:14:47 | |
Barry! | 0:14:49 | 0:14:50 | |
I've never had the chance to talk to one of my victims before. | 0:14:56 | 0:15:00 | |
I never thought about the impact it must have on them. | 0:15:01 | 0:15:04 | |
Isn't that the point? Scaring women, threatening them? | 0:15:04 | 0:15:07 | |
No. The women aren't important. | 0:15:07 | 0:15:09 | |
I mean...they all sort of blend into one. | 0:15:09 | 0:15:13 | |
I can't remember their faces. | 0:15:13 | 0:15:15 | |
Sometimes I catch women looking at me in the supermarket, | 0:15:15 | 0:15:20 | |
down the pub, and I think, did they recognise me? | 0:15:20 | 0:15:24 | |
Did I do it to them? | 0:15:24 | 0:15:26 | |
If it's any comfort, I spend my life feeling miserable and paranoid. | 0:15:28 | 0:15:35 | |
This isn't fun. | 0:15:37 | 0:15:39 | |
I've been dreading coming face-to-face with someone I'd... | 0:15:40 | 0:15:43 | |
Now you have. | 0:15:43 | 0:15:45 | |
You've made me see the damage that I've been doing. | 0:15:47 | 0:15:50 | |
I think it really will help me to stop. | 0:15:50 | 0:15:54 | |
Well, um...good. | 0:15:54 | 0:15:56 | |
How do you feel, Mandy? Has this helped you? | 0:15:58 | 0:16:02 | |
Um...yeah. | 0:16:02 | 0:16:04 | |
I suppose I was building you up into some sort of monster. | 0:16:04 | 0:16:09 | |
And you're not. | 0:16:09 | 0:16:12 | |
So yeah, yeah, I'm glad I did it | 0:16:12 | 0:16:15 | |
and glad you talked me into it. | 0:16:15 | 0:16:17 | |
You have destroyed a piece of art! That would've been worth thousands! | 0:16:20 | 0:16:23 | |
Well, it wasn't art when it was on your nice new sign! | 0:16:23 | 0:16:26 | |
I was merely fulfilling my job description. | 0:16:26 | 0:16:28 | |
Plus, I was prioritising this area on your direct orders. | 0:16:28 | 0:16:32 | |
I can't help it if you suddenly change your mind! | 0:16:32 | 0:16:34 | |
You two should be ashamed of yourselves! Behaving like children! | 0:16:34 | 0:16:39 | |
Someone has already complained. | 0:16:39 | 0:16:41 | |
-He started it. -Yes, well, I am finishing it. | 0:16:41 | 0:16:43 | |
I am trying to register patients up there, | 0:16:43 | 0:16:45 | |
and your behaviour is putting them off. | 0:16:45 | 0:16:48 | |
I must say, Captain Bellamy, I'm disappointed in you. | 0:16:48 | 0:16:50 | |
As a military man, I expected you to have a more mature response | 0:16:50 | 0:16:53 | |
to this kind of thing. | 0:16:53 | 0:16:55 | |
Yes? Speaking. | 0:16:55 | 0:16:58 | |
Vice-chancellor. | 0:16:58 | 0:16:59 | |
Ah. I see. | 0:17:02 | 0:17:05 | |
Well, you won't even reconsider? | 0:17:06 | 0:17:09 | |
OK. Thanks for letting me know. | 0:17:09 | 0:17:12 | |
Goodbye. | 0:17:12 | 0:17:13 | |
That scheme I had - | 0:17:16 | 0:17:17 | |
all new students being automatically registered - he's not going for it. | 0:17:17 | 0:17:21 | |
He says we're already attracting enough new patients as it is. | 0:17:21 | 0:17:25 | |
That is a shame. | 0:17:25 | 0:17:26 | |
So all this fuss has been for nothing? | 0:17:26 | 0:17:28 | |
And we're not going to be able to make any more money | 0:17:28 | 0:17:30 | |
from this graffiti - graffito - all because of you. | 0:17:30 | 0:17:33 | |
And I'll be invoicing you for all the cleaning materials | 0:17:33 | 0:17:36 | |
I've used this week! | 0:17:36 | 0:17:37 | |
So what happens now? | 0:17:42 | 0:17:44 | |
This is just the start, | 0:17:45 | 0:17:47 | |
but I think today's been a real breakthrough. | 0:17:47 | 0:17:49 | |
We'll get more help. We will beat this. | 0:17:49 | 0:17:53 | |
I've got to go. I've got a case conference at work, but, Mandy, | 0:17:53 | 0:17:57 | |
thank you so much. Again. See you later. | 0:17:57 | 0:18:02 | |
How come you didn't go with her? | 0:18:08 | 0:18:09 | |
My work's in the opposite direction. | 0:18:09 | 0:18:12 | |
-Can I give you a lift? -No, no, I've got my car, so... | 0:18:12 | 0:18:15 | |
I wish we'd met under different circumstances. | 0:18:22 | 0:18:25 | |
Well...good luck. With everything. | 0:18:25 | 0:18:29 | |
There you are. | 0:18:54 | 0:18:55 | |
-Oh, I was just finished. I... -Sit. Stay. | 0:18:55 | 0:18:58 | |
Now, tell me what's going on between you and Rob. | 0:18:59 | 0:19:05 | |
There's nothing's going on now. | 0:19:05 | 0:19:09 | |
So you are splitting up, after all that you've been through? | 0:19:09 | 0:19:13 | |
He's dumped me and he's taken a job in Leamington. | 0:19:14 | 0:19:18 | |
And you're not going to do anything to try and change his mind? | 0:19:18 | 0:19:22 | |
Where's your fighting spirit, Karen? | 0:19:22 | 0:19:24 | |
I mean, Leamington Spa! Seriously! | 0:19:24 | 0:19:27 | |
It's not funny. | 0:19:27 | 0:19:29 | |
It's a tragedy of epic proportions. | 0:19:29 | 0:19:32 | |
You've got to try and stop him. | 0:19:32 | 0:19:34 | |
You and Rob can't be finished. You always seemed so right together. | 0:19:34 | 0:19:37 | |
Well, that's what everyone says! | 0:19:37 | 0:19:39 | |
How great we were, you know, the perfect family. | 0:19:39 | 0:19:42 | |
Well, you weren't exactly the Waltons. | 0:19:42 | 0:19:43 | |
I can't remember what we were. | 0:19:43 | 0:19:46 | |
OK, you can't remember. | 0:19:46 | 0:19:49 | |
How do you feel about him now? | 0:19:51 | 0:19:52 | |
I feel... | 0:19:54 | 0:19:56 | |
I don't... | 0:19:56 | 0:19:59 | |
Well, he's always been there, | 0:19:59 | 0:20:01 | |
ever since I woke up from the accident, you know, | 0:20:01 | 0:20:04 | |
there was this old bloke telling me he was my husband. | 0:20:04 | 0:20:06 | |
It was really scary at first, | 0:20:06 | 0:20:09 | |
but he stuck around, whether I wanted him to or not. | 0:20:09 | 0:20:12 | |
And now he's finally given up on me. | 0:20:13 | 0:20:15 | |
Brass tacks. What do you want? | 0:20:17 | 0:20:21 | |
I don't know! | 0:20:21 | 0:20:23 | |
I mean, if he took me back, it would be really easy. | 0:20:23 | 0:20:28 | |
It's all there, ready made. | 0:20:28 | 0:20:31 | |
The house, the kids, the life. | 0:20:31 | 0:20:35 | |
So do you want to be with him because it's easier, | 0:20:35 | 0:20:38 | |
or because you love him? | 0:20:38 | 0:20:40 | |
I feel like I need him. | 0:20:45 | 0:20:48 | |
There's your answer. | 0:20:51 | 0:20:53 | |
It doesn't matter how much brain tissue you've lost. | 0:20:53 | 0:20:56 | |
And there wasn't much there in the first place, was there? | 0:20:56 | 0:20:59 | |
It's guts that count. | 0:20:59 | 0:21:01 | |
Argh! | 0:21:17 | 0:21:19 | |
Stop, you pervert! What the hell's wrong with you? | 0:21:19 | 0:21:22 | |
-Stop! -You're filthy, you weirdo! | 0:21:22 | 0:21:24 | |
-Dirty beggar! He flashed at us. -Yeah, I know. | 0:21:24 | 0:21:27 | |
Who are you, his girlfriend? | 0:21:27 | 0:21:28 | |
-They attacked me. -You deserve it, you pervert! | 0:21:28 | 0:21:31 | |
Don't. Do you want to be done for assault? | 0:21:31 | 0:21:34 | |
He is not worth it. | 0:21:34 | 0:21:35 | |
Alex. I'm going to get you some help. | 0:21:35 | 0:21:38 | |
Look, your daughters are upset. | 0:21:38 | 0:21:39 | |
Take them for an ice cream. | 0:21:39 | 0:21:42 | |
Why are you helping him? | 0:21:42 | 0:21:43 | |
Because I'm a nurse. He needs medical attention. | 0:21:43 | 0:21:45 | |
He needs castrating! | 0:21:45 | 0:21:47 | |
Right, hold that, apply some pressure. That'll stop the bleeding. | 0:21:47 | 0:21:50 | |
Hello, ambulance. Yeah - and the police. | 0:21:55 | 0:22:00 | |
You said you wouldn't call the police! | 0:22:00 | 0:22:02 | |
You said you didn't expose yourself to kids. | 0:22:02 | 0:22:05 | |
Yeah, yeah, I can stay on the line. No, he is not going anywhere. | 0:22:05 | 0:22:10 | |
Argh! | 0:22:10 | 0:22:11 | |
Keep still, it'll hurt less. | 0:22:11 | 0:22:13 | |
It was all lies, wasn't it? | 0:22:13 | 0:22:15 | |
All that stuff you said in the cafe! | 0:22:15 | 0:22:18 | |
Have you got the search warrant? | 0:22:19 | 0:22:21 | |
Right. | 0:22:21 | 0:22:23 | |
Yeah, well, I'll see you there, then. OK. | 0:22:24 | 0:22:27 | |
Karen? What are you doing here? | 0:22:28 | 0:22:30 | |
I came to see if Rob was around, but he's busy. | 0:22:30 | 0:22:33 | |
-OK, well, you know that chat you wanted earlier? -Yeah. | 0:22:33 | 0:22:35 | |
I'm free now if you want to grab a cup of tea. | 0:22:35 | 0:22:37 | |
OK. Who's that woman? | 0:22:37 | 0:22:39 | |
DCI Driver. | 0:22:39 | 0:22:41 | |
Maybe it's my fault. I pushed him too hard, too soon. | 0:22:44 | 0:22:49 | |
Oh, for goodness' sake! | 0:22:49 | 0:22:51 | |
It's not your fault! He's screwed up, he's manipulative. | 0:22:51 | 0:22:54 | |
Alex isn't manipulative. | 0:22:54 | 0:22:56 | |
Stop deluding yourself! Can't you see he's just using you? | 0:22:56 | 0:23:00 | |
No. | 0:23:00 | 0:23:02 | |
He loves me. | 0:23:02 | 0:23:03 | |
I love him. | 0:23:03 | 0:23:05 | |
And when you love someone, you don't run away because they've got problems. | 0:23:05 | 0:23:08 | |
You stick with it. I can change him. | 0:23:08 | 0:23:11 | |
He is not going to stop. And he doesn't have to, while he's with you. | 0:23:11 | 0:23:15 | |
Cos you are going to carry on protecting him | 0:23:15 | 0:23:18 | |
no matter what he does. | 0:23:18 | 0:23:19 | |
Just tell me, what's in it for you? | 0:23:21 | 0:23:25 | |
Do you get some sort of weird kick out of it? | 0:23:25 | 0:23:27 | |
Don't be ridiculous! Of course I don't! | 0:23:27 | 0:23:29 | |
And getting me to be part of it! To collude in... | 0:23:29 | 0:23:32 | |
I know a collusive relationship when I see one. | 0:23:32 | 0:23:36 | |
How do you know? | 0:23:38 | 0:23:40 | |
Look, I know what it's like, | 0:23:40 | 0:23:43 | |
to do something that you know is wrong, because you love somebody. | 0:23:43 | 0:23:48 | |
Then you understand. | 0:23:49 | 0:23:51 | |
He can't go to prison. I need him. | 0:23:51 | 0:23:54 | |
That's what this is about. | 0:23:55 | 0:23:58 | |
What's going to happen to you? | 0:24:02 | 0:24:04 | |
When your bosses find out you've been protecting a criminal. | 0:24:04 | 0:24:07 | |
I don't know. | 0:24:08 | 0:24:10 | |
I could lose my job. | 0:24:12 | 0:24:14 | |
You probably think I deserve to. | 0:24:14 | 0:24:17 | |
I hope he does go to prison, even if it's not for very long. | 0:24:17 | 0:24:21 | |
And I hope he gets some help. | 0:24:21 | 0:24:23 | |
But he's not going to get it from you. | 0:24:24 | 0:24:26 | |
So Chris got in a fight? | 0:24:48 | 0:24:50 | |
Blokes get stupid, they knock ten bells out of each other. | 0:24:50 | 0:24:52 | |
It's not very mature, but... | 0:24:52 | 0:24:54 | |
Chris isn't like that, though, is he? | 0:24:54 | 0:24:56 | |
He's young. He'll grow up, eventually. Most of us do. | 0:24:56 | 0:24:59 | |
So you think I'm making too much of it? | 0:24:59 | 0:25:01 | |
Maybe. Have you tried talking to him? | 0:25:01 | 0:25:04 | |
Will you talk to him? Man to man. | 0:25:04 | 0:25:08 | |
I'll try. I don't know when I'll get the time, though. | 0:25:08 | 0:25:11 | |
Now you're here, are you going to talk to Rob? | 0:25:11 | 0:25:14 | |
What's the point? He doesn't want to see me. | 0:25:14 | 0:25:17 | |
I'm sorry to hear... | 0:25:17 | 0:25:19 | |
-PHONE RINGS -I'm sorry. | 0:25:19 | 0:25:22 | |
-Dr Clay speaking. -I should go. I'm sorry. | 0:25:25 | 0:25:28 | |
Ah-ha. | 0:25:30 | 0:25:31 | |
It's not her fault. | 0:25:44 | 0:25:45 | |
It's nobody's fault. It's just a horrible situation. | 0:25:45 | 0:25:48 | |
I do feel better now I've decided to leave. | 0:25:54 | 0:25:56 | |
Yeah. It'll be a fresh start. | 0:25:56 | 0:25:59 | |
You'll like Leamington. It's a good team. | 0:25:59 | 0:26:01 | |
Good DCI, too. I know him. | 0:26:01 | 0:26:04 | |
I could put in a word for you if you like. | 0:26:04 | 0:26:06 | |
And there was me thinking my own brilliance would speak for itself. | 0:26:06 | 0:26:10 | |
-And it's only just down the road. I'll still see you. -Yeah. | 0:26:10 | 0:26:13 | |
We could go for a drink, maybe. | 0:26:13 | 0:26:16 | |
-Yeah. I am single now. -Mm. | 0:26:16 | 0:26:19 | |
Rob, um... | 0:26:19 | 0:26:21 | |
I need to talk to you. It's important. | 0:26:21 | 0:26:24 | |
PHONE RINGS Karen, I've got to take this. | 0:26:24 | 0:26:27 | |
Sergeant Hollins. | 0:26:27 | 0:26:28 | |
You always fancied him! Always trying to get him to yourself. | 0:26:31 | 0:26:35 | |
Well, me and him are still together, so back off. | 0:26:35 | 0:26:38 | |
That's not what he's saying. | 0:26:38 | 0:26:41 | |
I'm his boss. We're at work. | 0:26:41 | 0:26:43 | |
Do you think you should go home? Do you need someone to take you? | 0:26:43 | 0:26:46 | |
I can manage, thank you. I'm not senile. | 0:26:46 | 0:26:49 | |
OK, boss, we're on. | 0:26:50 | 0:26:52 | |
I'll, er... I'll call you later. | 0:26:52 | 0:26:55 | |
We have to go, now. | 0:26:55 | 0:26:57 | |
Hello, lover boy. | 0:27:08 | 0:27:10 | |
At least you don't have to deal with the motorists. | 0:27:10 | 0:27:12 | |
They're a lot more unpredictable than trees. | 0:27:12 | 0:27:15 | |
Karen. | 0:27:16 | 0:27:18 | |
What was that about? | 0:27:18 | 0:27:20 | |
I'd have thought it was blooming obvious. | 0:27:20 | 0:27:22 | |
I'm not hiding anything! | 0:27:22 | 0:27:24 | |
You can't kid a kidder. I've been there. | 0:27:24 | 0:27:27 | |
I know what it's like. | 0:27:27 | 0:27:28 |