Browse content similar to Candid Camera. Check below for episodes and series from the same categories and more!
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MAN BREATHES DEEPLY | 0:00:28 | 0:00:30 | |
SHE SIGHS | 0:00:52 | 0:00:53 | |
MOBILE PHONE RINGS | 0:01:28 | 0:01:29 | |
Hello? | 0:01:34 | 0:01:35 | |
Speaking. | 0:01:35 | 0:01:36 | |
Really? | 0:01:38 | 0:01:40 | |
Yes - I am still interested! | 0:01:40 | 0:01:41 | |
When would I need to start? | 0:01:42 | 0:01:44 | |
I'm afraid I can't get away that soon. | 0:01:47 | 0:01:50 | |
Is there any chance...? | 0:01:50 | 0:01:51 | |
I see. | 0:01:53 | 0:01:54 | |
Thanks anyway. Goodbye. | 0:01:56 | 0:01:58 | |
What are you doing here? | 0:02:23 | 0:02:24 | |
MOBILE PHONE RINGS | 0:02:31 | 0:02:32 | |
What, you can't even give me one minute? | 0:02:35 | 0:02:37 | |
-Haven't you done enough damage? -Look, I just need to... | 0:02:37 | 0:02:39 | |
We do have specially trained officers, you know. | 0:02:39 | 0:02:41 | |
We spend all day online tracking people down. | 0:02:41 | 0:02:43 | |
But they don't care one way or another about Doctor Khella. | 0:02:43 | 0:02:46 | |
They won't let their personal feelings cloud their judgment. | 0:02:46 | 0:02:48 | |
I have a name and a clear trail. | 0:02:48 | 0:02:50 | |
I think you've been watching too much telly, mate. | 0:02:50 | 0:02:52 | |
I know my stuff. | 0:02:52 | 0:02:53 | |
Are you really prepared to ignore this? | 0:02:53 | 0:02:55 | |
Three late payments, surely that's not... | 0:02:58 | 0:03:01 | |
Well, I understand that. | 0:03:01 | 0:03:02 | |
Can you at least ask your manager if...? | 0:03:05 | 0:03:07 | |
Thanks for nothing! | 0:03:08 | 0:03:10 | |
I'm sorry. I overslept. | 0:03:10 | 0:03:11 | |
Look at the state of you, Ellie! | 0:03:11 | 0:03:13 | |
You're supposed to be representing the agency. | 0:03:13 | 0:03:15 | |
-I'm not sleeping. -That's half an hour lost. | 0:03:15 | 0:03:17 | |
You could have been out there finding people. | 0:03:17 | 0:03:19 | |
I'm really not sure people like being approached | 0:03:19 | 0:03:21 | |
-this early in the morning... -Oh, is that right? | 0:03:21 | 0:03:24 | |
So my 30 years in the business count for nothing? | 0:03:24 | 0:03:26 | |
I didn't mean... | 0:03:26 | 0:03:27 | |
The talent we've had in this room - the people! | 0:03:27 | 0:03:29 | |
Fay Floyd's still working, you know - she's in her 50s now. | 0:03:29 | 0:03:33 | |
Pinched by that London shower, years ago. | 0:03:33 | 0:03:35 | |
Anna thought the world of you, you know. | 0:03:38 | 0:03:40 | |
Said I should always ask you if I was in a tight spot. | 0:03:40 | 0:03:43 | |
I don't know what she'd say. | 0:03:45 | 0:03:46 | |
-Barely six months after she's died... -OK, OK, I'm sorry! | 0:03:46 | 0:03:49 | |
What's the point? You couldn't find a peacock in a pigsty! | 0:03:49 | 0:03:52 | |
What do you want me to do? | 0:03:52 | 0:03:53 | |
Find me a man. | 0:03:54 | 0:03:56 | |
Jake's just called in sick and the client needs somebody by 4 o'clock. | 0:03:56 | 0:04:00 | |
Our one chance of a job and there's nobody else suitable on the books. | 0:04:00 | 0:04:03 | |
I'll find someone. What should he look like? | 0:04:03 | 0:04:05 | |
Like Jake! 40s, handsome, looks good in a suit! | 0:04:06 | 0:04:10 | |
Right. | 0:04:10 | 0:04:11 | |
Oh, Anna, what am I going to do? | 0:04:15 | 0:04:17 | |
So this one name kept coming up - Steve Grahams. | 0:04:19 | 0:04:22 | |
He's a patient at the Mill. | 0:04:22 | 0:04:24 | |
Last night I was convinced that it was him. | 0:04:24 | 0:04:26 | |
But...the more research I did, the more it didn't add up, | 0:04:26 | 0:04:28 | |
you see, Steve Grahams - he's travelling in the Far East. | 0:04:28 | 0:04:31 | |
Where did you get all this stuff? | 0:04:31 | 0:04:33 | |
Actually, don't tell me. I don't want to know. | 0:04:33 | 0:04:35 | |
Please just hear me out. | 0:04:35 | 0:04:36 | |
The same time last week that Steve Grahams had an appointment | 0:04:36 | 0:04:38 | |
with Doctor Khella at the Mill, | 0:04:38 | 0:04:40 | |
he signed in online at the Kicking Fish in Siem Reap. | 0:04:40 | 0:04:44 | |
The what? | 0:04:44 | 0:04:45 | |
It's an internet cafe in Cambodia. | 0:04:45 | 0:04:48 | |
But there was another name - Gus Harper. | 0:04:48 | 0:04:50 | |
Now, he is a patient at the Mill, he's registered, | 0:04:50 | 0:04:52 | |
but he has never had an appointment. | 0:04:52 | 0:04:54 | |
Now, I kept seeing connections between Steve Grahams | 0:04:54 | 0:04:56 | |
and Gus Harper, like they buy the same things online, | 0:04:56 | 0:04:59 | |
-they make the same complaints to the same seller on eBay. -So what? | 0:04:59 | 0:05:02 | |
Using exactly the same spelling mistakes? | 0:05:02 | 0:05:04 | |
What was the purchase? | 0:05:04 | 0:05:06 | |
Binoculars. | 0:05:06 | 0:05:07 | |
Right, so you're saying that Gus Harper has stolen | 0:05:07 | 0:05:10 | |
Steve Grahams' identity while he was away? | 0:05:10 | 0:05:13 | |
Yes, and used it as cover to terrorise Doctor Khella. | 0:05:13 | 0:05:16 | |
You are going to do something about this? You're going to cover it? | 0:05:18 | 0:05:20 | |
You're going to speak to him the way that you spoke to me? | 0:05:20 | 0:05:23 | |
-We'll look into it. -I'm handing this to you on a plate. | 0:05:23 | 0:05:25 | |
-All you have to do... -Thank you for that, | 0:05:25 | 0:05:27 | |
but just leave it with us now, OK? | 0:05:27 | 0:05:29 | |
You will let me know what happens? | 0:05:33 | 0:05:35 | |
Yeah. | 0:05:36 | 0:05:37 | |
OK, well...thanks for the call, mate. Cheers. | 0:05:45 | 0:05:48 | |
Bad news? | 0:05:49 | 0:05:50 | |
Yeah. They're going to have to close the youth club down. | 0:05:50 | 0:05:53 | |
-The budget's been cut. -Huh, another casualty. | 0:05:53 | 0:05:56 | |
Sorry. | 0:05:56 | 0:05:57 | |
Emma, have you seen the CBT audit? | 0:05:57 | 0:05:59 | |
Oh, yes, I wanted to talk to you about that... | 0:05:59 | 0:06:01 | |
What? That...that... that's it? That's all you've got to say? | 0:06:01 | 0:06:04 | |
I'll catch you later. | 0:06:04 | 0:06:06 | |
Well, maybe it's a chance for you to move on, you know? | 0:06:08 | 0:06:11 | |
Do something different? | 0:06:11 | 0:06:12 | |
Right, well, what about the kids? What do they move on to? | 0:06:12 | 0:06:15 | |
I don't know. | 0:06:15 | 0:06:17 | |
Look, I'm sorry, I know how much it meant to you. | 0:06:17 | 0:06:20 | |
You really have no idea, do you? | 0:06:20 | 0:06:21 | |
Is there anything in it, do you think? | 0:06:25 | 0:06:27 | |
Hard to tell. | 0:06:27 | 0:06:28 | |
I've done some digging. I've been on to the DVLA, | 0:06:28 | 0:06:30 | |
but Harper's still got the old licence, so there's no photograph. | 0:06:30 | 0:06:33 | |
I'm going to go round to his place now, | 0:06:33 | 0:06:35 | |
even if it's just to count him out. | 0:06:35 | 0:06:37 | |
-OK - well, keep me informed. -Will do. | 0:06:37 | 0:06:38 | |
Excuse me, would you mind if I gave you a business card? | 0:06:44 | 0:06:46 | |
I'm looking for a model. | 0:06:46 | 0:06:47 | |
You wouldn't mind if I just took a... | 0:06:47 | 0:06:49 | |
Oh, excuse me, have you ever done any modelling before? | 0:06:49 | 0:06:52 | |
Can I take your picture, please? | 0:06:52 | 0:06:53 | |
I'm looking for a model for a campaign. | 0:06:53 | 0:06:55 | |
Hiya. | 0:06:55 | 0:06:56 | |
Hiya, hi. | 0:07:02 | 0:07:04 | |
I need to take a photo of somebody for a campaign later on, | 0:07:04 | 0:07:07 | |
I think you'd be perfect. You're very good looking... | 0:07:07 | 0:07:10 | |
MOBILE PHONE RINGS | 0:07:17 | 0:07:18 | |
Hi, Queenie. | 0:07:26 | 0:07:27 | |
'I've just had a prize pig trotting up my stairs. | 0:07:27 | 0:07:29 | |
-'What are you doing, Ellie?' -I am trying, but... | 0:07:29 | 0:07:31 | |
DIAL TONE | 0:07:31 | 0:07:32 | |
SHE SIGHS | 0:07:35 | 0:07:36 | |
MOBILE PHONE DINGS | 0:07:56 | 0:07:57 | |
Jas? Hiya, it's Rob Hollins. | 0:08:13 | 0:08:16 | |
Did you say you'd just moved house recently? | 0:08:16 | 0:08:19 | |
Yeah. What was the name of the letting agency? | 0:08:19 | 0:08:21 | |
OK, thanks. | 0:08:24 | 0:08:25 | |
Oh, excuse me, madam. | 0:08:28 | 0:08:29 | |
Have you seen the guy who lives here? | 0:08:29 | 0:08:31 | |
-No, sorry. -OK, it's all right. | 0:08:31 | 0:08:34 | |
-ON RADIO: -'Control to 7244?' | 0:08:34 | 0:08:36 | |
Yeah, go ahead, I'm receiving. | 0:08:36 | 0:08:37 | |
'They've found two more traces on the PNC for your suspect.' | 0:08:37 | 0:08:40 | |
Four names? You're joking? | 0:08:40 | 0:08:42 | |
'Is the suspect there?' | 0:08:42 | 0:08:43 | |
No, no, he's not here. | 0:08:43 | 0:08:45 | |
So I'm going to go to his workplace, then push for a warrant, | 0:08:45 | 0:08:48 | |
come back and take a look around. | 0:08:48 | 0:08:49 | |
-'Received.' -OK, thanks. | 0:08:49 | 0:08:51 | |
And you've cut out caffeine? | 0:08:54 | 0:08:55 | |
-Yeah. -Set bedtime routines? | 0:08:55 | 0:08:57 | |
But I still wake up in the middle of the night and just lie there. | 0:08:58 | 0:09:02 | |
What about your job? Are things any better with your boss? | 0:09:02 | 0:09:05 | |
Not really. | 0:09:05 | 0:09:06 | |
I know I said I didn't want to take any pills, | 0:09:06 | 0:09:08 | |
Doctor Granger, but now... | 0:09:08 | 0:09:09 | |
I still think that we should try and find the root cause first. | 0:09:09 | 0:09:12 | |
So...is there anything in particular that's worrying you? | 0:09:13 | 0:09:17 | |
I am under a lot of pressure at work. | 0:09:22 | 0:09:23 | |
Like today, for example... | 0:09:24 | 0:09:26 | |
Yes? | 0:09:28 | 0:09:29 | |
Have you ever thought about modelling, Doctor Granger? | 0:09:30 | 0:09:33 | |
HE SCOFFS | 0:09:33 | 0:09:34 | |
I'm looking for a particular type of man and you really fit the bill. | 0:09:34 | 0:09:37 | |
You wouldn't mind if I just...? | 0:09:37 | 0:09:39 | |
Erm, Ellie, stop. | 0:09:39 | 0:09:41 | |
You're....you're really handsome, you see. | 0:09:41 | 0:09:43 | |
Ellie, stop now. | 0:09:43 | 0:09:44 | |
Please, Doctor Granger. We've got this special job on this afternoon. | 0:09:44 | 0:09:47 | |
This is ridiculous. I'm your GP. | 0:09:48 | 0:09:51 | |
But you'd fit right in - it's nothing tacky. | 0:09:51 | 0:09:54 | |
I'm going to get into so much trouble if I don't find someone. | 0:09:54 | 0:09:57 | |
Well, I'm sorry, Ellie, but that someone isn't going to be me. | 0:09:57 | 0:10:00 | |
And for another thing... | 0:10:00 | 0:10:01 | |
Ellie? | 0:10:04 | 0:10:05 | |
Ellie? | 0:10:08 | 0:10:09 | |
Yeah, they're dropping like flies here. Some virus. | 0:10:12 | 0:10:15 | |
Oh, dear. So did he phone in sick? | 0:10:15 | 0:10:18 | |
No. Not seen sight nor sound of him since last Thursday. | 0:10:18 | 0:10:22 | |
Boss gave him a roasting. | 0:10:22 | 0:10:24 | |
What was that for? | 0:10:24 | 0:10:25 | |
Skiving off, I think. Here they are. | 0:10:25 | 0:10:28 | |
So what's up? Is he in trouble? | 0:10:28 | 0:10:29 | |
-He seems to have gone missing. -Really? | 0:10:29 | 0:10:32 | |
Yeah. Can you describe Mr Harper for me? | 0:10:32 | 0:10:34 | |
Dunno... Brown hair, 30s. | 0:10:36 | 0:10:38 | |
Early or late? | 0:10:40 | 0:10:41 | |
Mid, I should think. | 0:10:41 | 0:10:42 | |
Build? | 0:10:43 | 0:10:45 | |
Average. | 0:10:45 | 0:10:46 | |
I'm sorry, I'm not being much help, am I? | 0:10:46 | 0:10:48 | |
That's OK. | 0:10:48 | 0:10:49 | |
Any distinguishing features? | 0:10:49 | 0:10:51 | |
Anything that you would notice him by? | 0:10:51 | 0:10:53 | |
He's just one of those people. | 0:10:53 | 0:10:54 | |
I mean, I see him most days, but... | 0:10:54 | 0:10:57 | |
-What sort of bloke would you say he is? -How do you mean? | 0:10:57 | 0:10:59 | |
Well, is he a joker, is he quiet? | 0:10:59 | 0:11:00 | |
He keeps himself to himself. | 0:11:02 | 0:11:03 | |
Does he ever mention his family or his friends? | 0:11:04 | 0:11:07 | |
Gus? | 0:11:07 | 0:11:09 | |
Spends most of his breaks online. | 0:11:09 | 0:11:10 | |
He's... Well, he's a bit of a nerd, if you know what I mean. | 0:11:10 | 0:11:14 | |
And you try and talk at him, and he comes back at you. | 0:11:14 | 0:11:16 | |
-In what way? -Well, he's a bit sharp. Thinks he's clever. | 0:11:16 | 0:11:20 | |
Oh, does he? | 0:11:20 | 0:11:21 | |
Has he got his own desk or a drawer? | 0:11:22 | 0:11:25 | |
-Yep. -That one? -Yep. | 0:11:25 | 0:11:27 | |
-You won't find him on there. -No? | 0:11:33 | 0:11:35 | |
No, he never comes out with us. | 0:11:35 | 0:11:37 | |
Have you got a staff's Who's Who? | 0:11:39 | 0:11:41 | |
Yeah, but if you work in the back room, you don't need ID, | 0:11:41 | 0:11:44 | |
so photos are optional. | 0:11:44 | 0:11:45 | |
And...well, Gus opted out. | 0:11:45 | 0:11:47 | |
OK. Just one more thing. | 0:11:47 | 0:11:50 | |
Have you ever heard of the name Steve Grahams? | 0:11:50 | 0:11:53 | |
Yeah. Nice bloke. Did some work for us. | 0:11:53 | 0:11:55 | |
Used to do repairs on the houses, then he went off travelling. | 0:11:55 | 0:11:59 | |
Right, well. Thanks very much. | 0:11:59 | 0:12:02 | |
-Is that it? -Yeah. | 0:12:02 | 0:12:03 | |
If he turns up... | 0:12:03 | 0:12:04 | |
..give us a bell at the station. | 0:12:06 | 0:12:08 | |
-Will do. -Thanks. | 0:12:08 | 0:12:09 | |
MACHINE BEEPS | 0:12:22 | 0:12:23 | |
Hello? | 0:12:24 | 0:12:25 | |
Anybody home? It's the police. | 0:12:25 | 0:12:28 | |
DOOR CLOSES | 0:13:37 | 0:13:38 | |
Hello, Sergeant. Is he here, then? | 0:13:46 | 0:13:49 | |
Does it look like it? | 0:13:50 | 0:13:51 | |
What do you want? | 0:13:51 | 0:13:53 | |
You know, just taking an interest. | 0:13:53 | 0:13:55 | |
Is he dead, do you think? | 0:13:55 | 0:13:57 | |
Well, where is he? | 0:14:04 | 0:14:05 | |
Sorry, Queenie, but I couldn't find anyone. | 0:14:05 | 0:14:07 | |
What have you been doing all morning? | 0:14:07 | 0:14:09 | |
What is this junk?! | 0:14:11 | 0:14:12 | |
It's what I'm good at. | 0:14:12 | 0:14:13 | |
Oh... Now, him, I like. | 0:14:13 | 0:14:15 | |
Why didn't you say? | 0:14:15 | 0:14:17 | |
He's a GP at the campus surgery. | 0:14:17 | 0:14:19 | |
Nice grooming - good bones. | 0:14:19 | 0:14:21 | |
When's he coming in? | 0:14:21 | 0:14:22 | |
He's not. I tried, but... | 0:14:22 | 0:14:24 | |
You've absolutely no go in you! | 0:14:24 | 0:14:27 | |
Remember Anna getting that footballer into the Speedos? | 0:14:27 | 0:14:30 | |
People love to be told how good they look - how hard can it be? | 0:14:30 | 0:14:33 | |
He won't do it. | 0:14:33 | 0:14:34 | |
Oh, yes? | 0:14:34 | 0:14:35 | |
Where are you going? | 0:14:35 | 0:14:37 | |
Come on, girl. Watch and learn. | 0:14:37 | 0:14:39 | |
No, Queenie, wait. | 0:14:39 | 0:14:40 | |
So he's got an air rifle? | 0:14:45 | 0:14:47 | |
I mean, I might not trust him round my cat, but... | 0:14:47 | 0:14:50 | |
Yeah, I'll admit - there's nothing really concrete, but... | 0:14:50 | 0:14:53 | |
But you have a hunch he's the man? | 0:14:53 | 0:14:55 | |
I think he spotted Doctor Khella | 0:14:56 | 0:14:57 | |
when she was looking to rent a house | 0:14:57 | 0:14:59 | |
and he's been following her ever since. | 0:14:59 | 0:15:01 | |
And your evidence? | 0:15:01 | 0:15:03 | |
I found this in his house. | 0:15:03 | 0:15:04 | |
Well, he could have printed it off the internet. | 0:15:05 | 0:15:07 | |
Plenty to choose from on there. | 0:15:07 | 0:15:09 | |
I don't think he has. | 0:15:09 | 0:15:10 | |
I've checked all the social network pages and I can't see it. | 0:15:10 | 0:15:13 | |
It's taken outside the Mill. | 0:15:13 | 0:15:15 | |
Where is she now? | 0:15:18 | 0:15:19 | |
At the Mill. | 0:15:19 | 0:15:20 | |
-What? She's still going to work? -Mm. | 0:15:20 | 0:15:23 | |
And although she doesn't know it yet, | 0:15:23 | 0:15:25 | |
this Gus Harper made an appointment and saw her last week. | 0:15:25 | 0:15:28 | |
Right. Let's get down there. | 0:15:30 | 0:15:32 | |
Oh, I...I am so sorry, Doctor Granger. | 0:15:39 | 0:15:42 | |
-Ellie? -Even better in the flesh. | 0:15:42 | 0:15:44 | |
Dr Granger, Queenie - Q & A Models. | 0:15:48 | 0:15:50 | |
You can't hide that light under a bushel, Doctor Granger. | 0:15:50 | 0:15:54 | |
-Ellie, I told you this morning... -I know, I'm sorry. | 0:15:54 | 0:15:56 | |
Those eyes, that chin - you're perfect for my client. | 0:15:56 | 0:16:00 | |
I'm not interested. And I have patients to see... | 0:16:00 | 0:16:03 | |
Executive fashion. High-end watch company. | 0:16:03 | 0:16:05 | |
-Not going to happen. -Sharp suit, plate glass, big desk. | 0:16:05 | 0:16:10 | |
-Please leave? -I'll make sure you're well remunerated. | 0:16:10 | 0:16:13 | |
Look, I don't know what kind of an outfit you think you're | 0:16:13 | 0:16:15 | |
-running here... -We're a very high class agency. | 0:16:15 | 0:16:17 | |
Then perhaps you'll take no for an answer | 0:16:17 | 0:16:19 | |
and leave my consulting room? | 0:16:19 | 0:16:21 | |
Unless, of course, you'd like me to call security? | 0:16:21 | 0:16:23 | |
-SHE SCOFFS -I thought you said he was charming? | 0:16:23 | 0:16:26 | |
You need personality too in this game, you know, | 0:16:26 | 0:16:28 | |
and that's something you clearly haven't got. | 0:16:28 | 0:16:31 | |
Come on, Ellie. | 0:16:31 | 0:16:32 | |
SHE MOUTHS | 0:16:34 | 0:16:35 | |
You were hopeless in there. | 0:16:36 | 0:16:38 | |
I tried to tell you. | 0:16:38 | 0:16:39 | |
I need to fix my face. Where's the ladies? | 0:16:39 | 0:16:41 | |
Just down the stairs. | 0:16:41 | 0:16:43 | |
I just... I need to get a prescription. | 0:16:43 | 0:16:45 | |
Well, hurry up! | 0:16:45 | 0:16:46 | |
You've got half an hour to find somebody else. | 0:16:46 | 0:16:49 | |
Excuse me! | 0:16:49 | 0:16:50 | |
Please? | 0:16:50 | 0:16:51 | |
Ellie, you heard what I said. | 0:16:55 | 0:16:56 | |
I wanted to apologise for my... | 0:16:58 | 0:17:00 | |
Fine, now go. | 0:17:00 | 0:17:01 | |
..mother. | 0:17:01 | 0:17:03 | |
That woman was your mother? | 0:17:03 | 0:17:04 | |
Take a seat. | 0:17:06 | 0:17:08 | |
Aunt Anna, Mum's sister, died six months ago. | 0:17:14 | 0:17:16 | |
I'd just got a photography internship at Country Lens. | 0:17:17 | 0:17:20 | |
It's a nature magazine. | 0:17:21 | 0:17:23 | |
Mum made me give it up to come back and work for her. | 0:17:23 | 0:17:26 | |
She made you? | 0:17:26 | 0:17:28 | |
You've seen how...insistent she can be. | 0:17:28 | 0:17:30 | |
Anna was always the creative force behind the business - | 0:17:33 | 0:17:36 | |
Queenie was more of an administrator. | 0:17:36 | 0:17:38 | |
She's got no idea! | 0:17:39 | 0:17:41 | |
Her idea of style is stuck somewhere around Princess Grace | 0:17:41 | 0:17:44 | |
and you've seen what she's like with people. | 0:17:44 | 0:17:47 | |
Not that I'm any better myself. | 0:17:47 | 0:17:49 | |
I love photography, but I know my limitations. | 0:17:52 | 0:17:55 | |
I can't take pictures of people - I haven't got the confidence. | 0:17:55 | 0:17:58 | |
I can't sweet talk them - do the patter. | 0:17:58 | 0:18:01 | |
Just walk away, then. | 0:18:01 | 0:18:03 | |
How can I? | 0:18:03 | 0:18:04 | |
I know how lonely she is - underneath it all. | 0:18:04 | 0:18:07 | |
How much she misses Anna. | 0:18:07 | 0:18:09 | |
Yeah, but neither of you are any good at the business. | 0:18:09 | 0:18:11 | |
I know - it's hopeless. | 0:18:11 | 0:18:13 | |
And the magazine called today. They still want me. | 0:18:15 | 0:18:18 | |
Have you told your mum? | 0:18:18 | 0:18:19 | |
She's never valued my work and I can't leave her. | 0:18:20 | 0:18:24 | |
She's under so much strain - I'm worried about her health. | 0:18:26 | 0:18:28 | |
Thanks for listening, Doctor Granger. | 0:18:32 | 0:18:34 | |
I just needed to get it all off my chest. | 0:18:34 | 0:18:37 | |
I feel better now. | 0:18:37 | 0:18:38 | |
You know, keeping your mother in the dark | 0:18:42 | 0:18:44 | |
isn't going to help either of you. | 0:18:44 | 0:18:47 | |
It's for the best. | 0:18:47 | 0:18:48 | |
Well, when I say I haven't got anybody, what I mean is... | 0:18:55 | 0:18:59 | |
I see. Well, that's your choice... | 0:18:59 | 0:19:02 | |
If you change... | 0:19:02 | 0:19:04 | |
Fine! | 0:19:04 | 0:19:06 | |
I've never felt so humiliated in my life. | 0:19:06 | 0:19:08 | |
I'm sorry. | 0:19:08 | 0:19:09 | |
Just look at you, Ellie. | 0:19:09 | 0:19:10 | |
Maybe I'm not cut out for this. | 0:19:10 | 0:19:12 | |
Where did you get that rag from? | 0:19:12 | 0:19:13 | |
I just had to grab something... | 0:19:13 | 0:19:14 | |
Have you taken a look at yourself in the mirror this morning? | 0:19:14 | 0:19:17 | |
Anna used to... | 0:19:17 | 0:19:18 | |
I'm not Anna, Mum. And neither are you. | 0:19:18 | 0:19:20 | |
What? | 0:19:20 | 0:19:22 | |
Nothing. | 0:19:22 | 0:19:23 | |
And why have you always got that ugly monstrosity clutched to | 0:19:23 | 0:19:26 | |
yourself like some comfort blankie? | 0:19:26 | 0:19:28 | |
What is it? Let me have a look. | 0:19:28 | 0:19:30 | |
Mum, please. | 0:19:30 | 0:19:31 | |
Have you used the agency's printer for this? | 0:19:31 | 0:19:33 | |
Flowers and little birds and fluffy bunnies! | 0:19:33 | 0:19:37 | |
Stop it! Stop it! | 0:19:37 | 0:19:38 | |
You're behaving like a lunatic! | 0:19:38 | 0:19:41 | |
Anna was the one who made the business - | 0:19:41 | 0:19:43 | |
she was the only one with any flair and you know it! | 0:19:43 | 0:19:46 | |
You were just a...just a glorified pen-pusher - | 0:19:46 | 0:19:48 | |
the Rottweiler she'd set on late-payers. | 0:19:48 | 0:19:50 | |
You haven't got a clue about fashion, about people. | 0:19:52 | 0:19:55 | |
And you're hiding behind me because you're terrified of facing up to it! | 0:19:55 | 0:19:59 | |
Well, I've had enough. | 0:19:59 | 0:20:00 | |
The magazine still wants me and I'm going. | 0:20:00 | 0:20:03 | |
Q & A Models can go to hell for all I care! | 0:20:03 | 0:20:05 | |
Mum? Mum? | 0:20:09 | 0:20:11 | |
Help! | 0:20:11 | 0:20:12 | |
Steve Grahams? | 0:20:13 | 0:20:15 | |
Yeah. We just need to check his records? | 0:20:15 | 0:20:16 | |
He had backache. | 0:20:18 | 0:20:20 | |
Can you tell us anything about his appearance? | 0:20:20 | 0:20:22 | |
And did he ask you anything personal? | 0:20:22 | 0:20:24 | |
So when I was seeing Steve Grahams... | 0:20:26 | 0:20:30 | |
I...I asked him to take his shirt off. | 0:20:33 | 0:20:36 | |
Do you remember what he looked like? | 0:20:36 | 0:20:38 | |
I...I don't know. He was just another patient. | 0:20:40 | 0:20:43 | |
I examined him, I touched him! | 0:20:44 | 0:20:47 | |
It's OK. | 0:20:47 | 0:20:49 | |
It was all false, wasn't it? | 0:20:52 | 0:20:54 | |
There was no pain. | 0:20:54 | 0:20:56 | |
Try and put that out of your mind for the moment, think back. | 0:20:56 | 0:20:58 | |
We need all the information we can get | 0:21:00 | 0:21:01 | |
if we're going to catch this man. | 0:21:01 | 0:21:03 | |
30s, I think. | 0:21:07 | 0:21:08 | |
Maybe....brown hair. | 0:21:08 | 0:21:10 | |
I don't know. | 0:21:10 | 0:21:12 | |
It's OK, Jas, it really will be OK. | 0:21:12 | 0:21:14 | |
-Are you still at 22 Sandford Drive? -Yeah. | 0:21:14 | 0:21:17 | |
Well, I strongly advise you to go and stay with friends, | 0:21:17 | 0:21:20 | |
at least for the time being. | 0:21:20 | 0:21:21 | |
No. Running away isn't going to help. | 0:21:21 | 0:21:24 | |
Neither is putting yourself at risk. | 0:21:24 | 0:21:26 | |
KNOCK ON DOOR | 0:21:26 | 0:21:27 | |
You said to let you know if a Steve Grahams makes contact. | 0:21:27 | 0:21:30 | |
Yes? | 0:21:30 | 0:21:31 | |
He's made an appointment for tomorrow afternoon. | 0:21:31 | 0:21:34 | |
Perfect. Thank you, Mr Bellamy. | 0:21:34 | 0:21:36 | |
I won't have to see him, will I? | 0:21:39 | 0:21:41 | |
This is our chance to get hold of him, | 0:21:41 | 0:21:43 | |
so if you can come in as normal, | 0:21:43 | 0:21:44 | |
we'll be here and we promise he won't get anywhere near you. | 0:21:44 | 0:21:47 | |
Do you think you can you do that for us? | 0:21:49 | 0:21:51 | |
Yeah. | 0:21:51 | 0:21:52 | |
Let's have a look around. See what we need. | 0:21:52 | 0:21:55 | |
Right, so there'll be me and Sergeant Hollins | 0:21:59 | 0:22:02 | |
and a couple of other officers inside, | 0:22:02 | 0:22:04 | |
all posing as patients. | 0:22:04 | 0:22:05 | |
And there'll be more officers outside. | 0:22:05 | 0:22:07 | |
Right, so you are going to be here, Boss? | 0:22:07 | 0:22:09 | |
Yeah, gets me out of the office for a couple of hours. | 0:22:09 | 0:22:11 | |
You could pose as the cleaner? We've got a new mop and bucket. | 0:22:11 | 0:22:15 | |
How would you like me to position my staff? | 0:22:15 | 0:22:17 | |
Everybody is at your disposal | 0:22:17 | 0:22:18 | |
apart from Doctor Carmichael, whose father is ill. | 0:22:18 | 0:22:21 | |
Well, just carry on as normal. | 0:22:21 | 0:22:22 | |
Right you are, ma'am. | 0:22:22 | 0:22:23 | |
Believe me, you couldn't have a better man in place | 0:22:23 | 0:22:25 | |
for an operation like this. | 0:22:25 | 0:22:27 | |
Mr Bellamy's ex-military. | 0:22:27 | 0:22:29 | |
Very good. But this is a police matter. | 0:22:29 | 0:22:31 | |
Yes, but there may be more cross-fertilisation | 0:22:31 | 0:22:35 | |
going on than you think. | 0:22:35 | 0:22:37 | |
And you'll be on reception, so that everything looks as usual? | 0:22:37 | 0:22:41 | |
Why wouldn't I be? | 0:22:41 | 0:22:42 | |
Thanks. | 0:22:43 | 0:22:44 | |
And it's not her heart? | 0:22:45 | 0:22:47 | |
Her heart seems fine. | 0:22:47 | 0:22:48 | |
It's all my fault. | 0:22:51 | 0:22:53 | |
She seems to have been stressed for quite a while. | 0:22:53 | 0:22:56 | |
I said some terrible things. | 0:22:57 | 0:22:58 | |
Well, maybe she needed to hear them. | 0:23:00 | 0:23:03 | |
Sometimes, the kindest thing you can do for someone is to tell them | 0:23:03 | 0:23:06 | |
when to throw in the towel in. | 0:23:06 | 0:23:08 | |
I know you're right. | 0:23:08 | 0:23:10 | |
I feel like I've just been just been helping her fail. | 0:23:10 | 0:23:13 | |
I've been doing that quite well without your help, Ellie. | 0:23:16 | 0:23:19 | |
We're broke. | 0:23:19 | 0:23:21 | |
Q & A Models has pretty much had it. | 0:23:21 | 0:23:23 | |
Why didn't you tell me? | 0:23:23 | 0:23:24 | |
I'm a very selfish woman... | 0:23:26 | 0:23:27 | |
and if I lost the agency, I'd lose you. | 0:23:27 | 0:23:31 | |
-But you... -I know I...treated you very badly. | 0:23:31 | 0:23:34 | |
It's not an excuse... | 0:23:35 | 0:23:36 | |
..but maybe grief comes out in strange ways. | 0:23:37 | 0:23:40 | |
Right. | 0:23:41 | 0:23:43 | |
Now, I want you to phone that editor, | 0:23:43 | 0:23:44 | |
the one who wants to speak to you, and go. | 0:23:44 | 0:23:48 | |
And leave you on your own? | 0:23:48 | 0:23:49 | |
Don't worry. I'll cope. | 0:23:49 | 0:23:50 | |
What will you do? | 0:23:50 | 0:23:52 | |
Sell up, go abroad, top up my tan. | 0:23:52 | 0:23:55 | |
You'll still visit me? | 0:23:55 | 0:23:56 | |
Maybe. If you'll have me. | 0:23:56 | 0:23:58 | |
Oh, come on. | 0:23:59 | 0:24:00 | |
Let's get out of here, makes me feel old. | 0:24:00 | 0:24:02 | |
Thank you, Doctor Granger. | 0:24:09 | 0:24:10 | |
Well, it certainly is a good cause, | 0:24:18 | 0:24:20 | |
but I think we should switch things round now and then. | 0:24:20 | 0:24:23 | |
It's going to take a shed-load of spare change to save the youth club. | 0:24:23 | 0:24:27 | |
I just keep picturing it all boarded up. | 0:24:27 | 0:24:30 | |
Men in suits. What do they know? And then there's the kids. | 0:24:30 | 0:24:33 | |
And I'm just...I'm just gutted for them. | 0:24:33 | 0:24:35 | |
Some of them are coming on so well lately. | 0:24:35 | 0:24:38 | |
Cometh the hour, cometh the man. | 0:24:38 | 0:24:40 | |
What's that mean? | 0:24:41 | 0:24:42 | |
Your youth club needs saving. | 0:24:44 | 0:24:46 | |
Then stop moaning about it and get out there and save it! | 0:24:47 | 0:24:50 | |
Me? | 0:24:51 | 0:24:52 | |
'You've got through to Sergeant Hollins at Letherbridge police. | 0:25:02 | 0:25:05 | |
'Please leave a message. Thank you.' | 0:25:05 | 0:25:07 | |
'Hi, it's Rob Hollins, please leave a message, thanks.' | 0:25:12 | 0:25:15 | |
Hello, Sergeant Hollins. It's Al again... | 0:25:15 | 0:25:18 | |
'I would just love it if you could tell me what's going on? | 0:25:18 | 0:25:22 | |
'This guy is a serious head-case. | 0:25:23 | 0:25:25 | |
'So I really hope that you are doing something. | 0:25:26 | 0:25:29 | |
'Please give me a call.' | 0:25:29 | 0:25:30 | |
-Ooh, sorry. -Sorry. | 0:25:32 | 0:25:33 | |
You all set for tomorrow? | 0:25:37 | 0:25:39 | |
Yeah. Of course. | 0:25:39 | 0:25:40 | |
All sorted? | 0:25:53 | 0:25:55 | |
Yeah, although Doctor Khella is a bit jumpy. | 0:25:55 | 0:25:58 | |
She'll hold it together. | 0:25:58 | 0:25:59 | |
Oh, and thanks, by the way. | 0:25:59 | 0:26:00 | |
-What for? -For trusting me on this. | 0:26:00 | 0:26:02 | |
Good old-fashioned police work, eh? | 0:26:02 | 0:26:04 | |
We carry on as normal. | 0:26:16 | 0:26:18 | |
Only until the suspect arrives do the undercover 'patients' | 0:26:18 | 0:26:21 | |
spring into action and arrest him. | 0:26:21 | 0:26:22 | |
What if he suddenly flips his lid and decides to attack me? | 0:26:22 | 0:26:26 | |
Why would anyone want to do that to you? | 0:26:26 | 0:26:28 | |
I want a stab vest or something for protection. | 0:26:28 | 0:26:30 | |
Just wondering how Doctor Khella is, really. | 0:26:30 | 0:26:33 | |
She's...everything's under control. She's being very brave. | 0:26:33 | 0:26:37 | |
Subtitles by Red Bee Media Ltd | 0:26:39 | 0:26:42 |