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MUSIC: "One Way Or Another" by Blondie | 0:00:27 | 0:00:31 | |
# One way or another | 0:00:47 | 0:00:50 | |
# I'm gonna find ya | 0:00:50 | 0:00:52 | |
# I'm gonna getcha, getcha, getcha, getcha | 0:00:52 | 0:00:55 | |
# One way or another I'm gonna win ya | 0:00:55 | 0:00:57 | |
# I'm gonna getcha, getcha, getcha, getcha | 0:00:57 | 0:01:00 | |
# One way or another I'm gonna see ya | 0:01:00 | 0:01:04 | |
# I'm gonna meet ya, meet ya, meet ya, meet ya | 0:01:04 | 0:01:06 | |
# One day, maybe next week... # | 0:01:06 | 0:01:08 | |
No! Two four seasons and a pepperoni. | 0:01:08 | 0:01:13 | |
Hold on! | 0:01:13 | 0:01:15 | |
MUSIC STOPS | 0:01:15 | 0:01:17 | |
Two four seasons and a pepperoni. Lovely. | 0:01:17 | 0:01:22 | |
All right, sleepy? | 0:01:28 | 0:01:30 | |
I ordered your favourite, pepperoni. | 0:01:30 | 0:01:32 | |
Help! Help! | 0:01:34 | 0:01:36 | |
-Somebody please help me. Help! -Help! Help him! Help him, please! | 0:01:36 | 0:01:42 | |
# One way or another I'm gonna lose ya | 0:01:47 | 0:01:49 | |
# I'm gonna give you the slip... # | 0:01:49 | 0:01:51 | |
Just confirm your name! | 0:01:56 | 0:01:58 | |
You think you're being clever but you're not. | 0:02:01 | 0:02:05 | |
Sit down, sergeant! | 0:02:05 | 0:02:07 | |
Sit...down. | 0:02:07 | 0:02:09 | |
We know you're not Steve Grahams. | 0:02:16 | 0:02:18 | |
We know your real name is Gus Harper and we know what you have been up to | 0:02:18 | 0:02:21 | |
because we've got a whole trail of evidence leading back to you. | 0:02:21 | 0:02:24 | |
It's water! | 0:02:35 | 0:02:37 | |
The sedative makes you thirsty. | 0:02:37 | 0:02:39 | |
Take a sip. | 0:02:39 | 0:02:41 | |
HE COUGHS | 0:02:49 | 0:02:52 | |
This week's been so exciting, | 0:02:55 | 0:02:58 | |
watching you watching me. | 0:02:58 | 0:03:02 | |
I loved the way you found my real name. Genius. | 0:03:04 | 0:03:06 | |
You know this is going to be a really boring party | 0:03:09 | 0:03:11 | |
unless you start talking. | 0:03:11 | 0:03:13 | |
Ask me a question. | 0:03:13 | 0:03:15 | |
Ask. | 0:03:15 | 0:03:17 | |
Did you use the Mill's records to become Steve Grahams? | 0:03:18 | 0:03:22 | |
You used the vaccination database to find out who was going abroad, | 0:03:28 | 0:03:31 | |
and then you hacked into his e-mail to see how long he was going for. | 0:03:31 | 0:03:35 | |
Brilliant! Well, nearly. | 0:03:36 | 0:03:39 | |
I knew Steve in passing. | 0:03:40 | 0:03:42 | |
The idiot nearly messed things up by coming back early. | 0:03:43 | 0:03:47 | |
I wet myself when he got arrested on my behalf. | 0:03:47 | 0:03:49 | |
-Such a loser. -What's the party for? | 0:03:49 | 0:03:53 | |
You. We're celebrating. | 0:03:55 | 0:03:57 | |
I've never taken a campaign to this level before. | 0:03:58 | 0:04:00 | |
Never had the opportunity. | 0:04:00 | 0:04:02 | |
You changed all that. | 0:04:02 | 0:04:04 | |
Look at this. | 0:04:07 | 0:04:09 | |
It's my stalker playlist. | 0:04:10 | 0:04:12 | |
Blondie at the top, obviously. | 0:04:12 | 0:04:15 | |
Morrissey, "The More You Ignore Me The Closer I Get", second. | 0:04:15 | 0:04:18 | |
Elvis Costello, "I Want You", coming in at three. | 0:04:18 | 0:04:21 | |
Don't look like that! It's exactly what you do! | 0:04:22 | 0:04:26 | |
Make lists. Obsess over the details. | 0:04:27 | 0:04:30 | |
Give me a track. | 0:04:32 | 0:04:34 | |
Come on. | 0:04:34 | 0:04:36 | |
Make an effort. | 0:04:38 | 0:04:40 | |
"Every Breath You Take" by The Police. | 0:04:40 | 0:04:43 | |
Our panel says, "Uh-urr!" | 0:04:44 | 0:04:46 | |
Didn't even make the top 20. Too obvious. | 0:04:48 | 0:04:51 | |
We don't want to disappoint, do we? | 0:04:51 | 0:04:53 | |
You ordered three pizzas. | 0:04:56 | 0:04:59 | |
Jas and I love a four seasons. | 0:04:59 | 0:05:01 | |
There is no way you will ever get her to come here. | 0:05:02 | 0:05:06 | |
Of course I won't, she doesn't know me yet. | 0:05:06 | 0:05:08 | |
She knows you though, doesn't she? | 0:05:19 | 0:05:21 | |
PHONE BEEPS | 0:05:25 | 0:05:27 | |
PHONE VIBRATES | 0:05:39 | 0:05:41 | |
Now we've got a party! | 0:05:49 | 0:05:51 | |
Cheer up! You should be pleased. | 0:05:53 | 0:05:56 | |
-She's starting to trust you again. -What are you planning? | 0:05:56 | 0:05:59 | |
I'm planning to get to know her better. | 0:05:59 | 0:06:04 | |
I'm going to show her the real me. | 0:06:05 | 0:06:07 | |
Yeah, somehow I don't think she's quite into dungeons. | 0:06:07 | 0:06:11 | |
HE LAUGHS | 0:06:11 | 0:06:13 | |
We're so alike! | 0:06:13 | 0:06:15 | |
Even our sense of humour. | 0:06:15 | 0:06:17 | |
-Give me another song. -We are not alike. | 0:06:20 | 0:06:22 | |
-Don't sulk. Give me a song. -I am nothing like you. | 0:06:22 | 0:06:26 | |
-HE GASPS -Listen. | 0:06:26 | 0:06:28 | |
Realise that this is the stage in the relationship | 0:06:32 | 0:06:36 | |
where the hostage keeps the kidnapper sweet. | 0:06:36 | 0:06:39 | |
OK? | 0:06:40 | 0:06:42 | |
So? | 0:06:45 | 0:06:47 | |
Radiohead. "Creep". | 0:06:49 | 0:06:52 | |
My number nine. | 0:06:54 | 0:06:56 | |
Another question, please. | 0:07:00 | 0:07:03 | |
Who is the real you? | 0:07:04 | 0:07:06 | |
I've no elevated ideas about myself, Al. | 0:07:07 | 0:07:10 | |
I spend too much time on the internet, | 0:07:10 | 0:07:12 | |
watch way too much porn. | 0:07:12 | 0:07:14 | |
I could eat healthier, too. | 0:07:14 | 0:07:16 | |
But these things are just part of me, | 0:07:17 | 0:07:22 | |
like they're part of you. | 0:07:22 | 0:07:24 | |
"Doctor" - it's just one of the hats you wear. | 0:07:24 | 0:07:28 | |
It isn't "you". | 0:07:28 | 0:07:30 | |
We're complex. Have needs, don't we? | 0:07:30 | 0:07:33 | |
So, my plan is to show Jas what life with me could be like. | 0:07:36 | 0:07:40 | |
Not what she thinks is me, "the stalker", but the real me. | 0:07:42 | 0:07:46 | |
Not down here in the shadows with you, | 0:07:48 | 0:07:51 | |
but upstairs, in the light, in the world. | 0:07:51 | 0:07:55 | |
Tricia Jonas? Sergeant Rob Hollins. Thanks for coming in. | 0:07:59 | 0:08:01 | |
We have a no smoking policy, actually. | 0:08:01 | 0:08:03 | |
Sue me. Where's the idiot that's ruined my afternoon? | 0:08:03 | 0:08:07 | |
Interview room one. If you could just sign in, please. | 0:08:07 | 0:08:11 | |
I was in a one-to-one training session that cost me £60 an hour. | 0:08:11 | 0:08:14 | |
You can be damn sure I'll be tacking that onto my bill, | 0:08:14 | 0:08:17 | |
particularly if it's Steve "pain-in-my-butt" Grahams. | 0:08:17 | 0:08:21 | |
We went to school together. | 0:08:21 | 0:08:23 | |
He was a moron then and some people don't change. Let's go. | 0:08:23 | 0:08:26 | |
You said "before". | 0:08:32 | 0:08:34 | |
Have you done this more than once? | 0:08:36 | 0:08:39 | |
Lots of times. | 0:08:39 | 0:08:41 | |
To lots of women. | 0:08:42 | 0:08:44 | |
None made me feel like Jas, though. | 0:08:47 | 0:08:49 | |
How did you feel when you first saw her? | 0:08:52 | 0:08:55 | |
Did she fill you with a warm glow? | 0:08:55 | 0:08:57 | |
No. It wasn't like that. | 0:08:59 | 0:09:01 | |
Yes, it was. I know. I've dreamt those dreams. | 0:09:02 | 0:09:07 | |
Being alone with beautiful, unreachable, untouchable Jas. | 0:09:08 | 0:09:14 | |
My heart missed a beat when she first entered the letting agency. | 0:09:17 | 0:09:20 | |
I knew she was the one. | 0:09:20 | 0:09:22 | |
It's always been a useful part of my campaigns. | 0:09:25 | 0:09:28 | |
Bold, confident women looking for safe, secure places to live. | 0:09:28 | 0:09:34 | |
What do you do to them? | 0:09:35 | 0:09:37 | |
Nothing you haven't. | 0:09:40 | 0:09:42 | |
I watch, take little mementoes. | 0:09:44 | 0:09:49 | |
Alice was my girl of the month until Jas walked in. | 0:09:50 | 0:09:53 | |
You should have heard the chatter on the police radio | 0:09:55 | 0:09:58 | |
when she reported her goldfish stolen! | 0:09:58 | 0:10:00 | |
They thought she was mental. | 0:10:01 | 0:10:03 | |
Tell me about the CCTV. | 0:10:04 | 0:10:07 | |
You installed it just before Jas moved in, right? | 0:10:07 | 0:10:10 | |
This is my favourite part. | 0:10:10 | 0:10:12 | |
Don't you just love how the geeks are claiming the world? | 0:10:14 | 0:10:17 | |
Steve Grahams. | 0:10:19 | 0:10:21 | |
Are you sure? | 0:10:21 | 0:10:23 | |
-Do I look like I'd waste my breath saying things I don't intend? -No. | 0:10:23 | 0:10:27 | |
Well, then. I need to talk to my client. | 0:10:27 | 0:10:31 | |
You're good, aren't you? | 0:10:47 | 0:10:49 | |
I think so. | 0:10:52 | 0:10:54 | |
I really admired how you posted on her social network site. | 0:10:54 | 0:10:58 | |
Yeah. I liked that too! | 0:10:59 | 0:11:01 | |
Although, hands up, I got a bit carried away with the suicide post. | 0:11:01 | 0:11:06 | |
I was angry. It happens sometimes. | 0:11:06 | 0:11:10 | |
Like when I posted those topless shots. | 0:11:10 | 0:11:12 | |
What did you think of those? | 0:11:16 | 0:11:18 | |
I thought the quality was excellent. | 0:11:18 | 0:11:20 | |
No. What did you feel seeing Jas naked? | 0:11:21 | 0:11:25 | |
I wish I could have seen more. | 0:11:28 | 0:11:31 | |
See? We're the same. | 0:11:31 | 0:11:34 | |
Confession - I was jealous of you. | 0:11:36 | 0:11:39 | |
-Me? -Yeah! | 0:11:39 | 0:11:41 | |
You were doing everything that I was, | 0:11:41 | 0:11:44 | |
but you were working with her as well. | 0:11:44 | 0:11:46 | |
Drinking tea, taking biscuits from the same tin. | 0:11:46 | 0:11:50 | |
I could have killed you! | 0:11:50 | 0:11:52 | |
I'm glad you didn't, Gus! | 0:11:52 | 0:11:54 | |
You've made this so much fun. | 0:11:56 | 0:11:59 | |
-How do you mean? -You made me up my game. | 0:11:59 | 0:12:02 | |
If it wasn't for our competition, our "race for Jas", | 0:12:03 | 0:12:07 | |
I'd never have taken things this far. | 0:12:07 | 0:12:09 | |
Thank you. | 0:12:09 | 0:12:11 | |
Well, you've clearly won. | 0:12:12 | 0:12:13 | |
Have to wait and see, won't we? | 0:12:13 | 0:12:17 | |
My client is happy to confirm he's Steve Grahams and not Gus Harper. | 0:12:29 | 0:12:33 | |
You have wasted so much of our time! | 0:12:33 | 0:12:37 | |
Talk. | 0:12:37 | 0:12:39 | |
Two days ago, my client left Cambodia with an amount of dope | 0:12:40 | 0:12:43 | |
in his shoe which can be found at his house on top of his wardrobe. | 0:12:43 | 0:12:47 | |
Yesterday he developed an embarrassing itch, | 0:12:47 | 0:12:50 | |
probably the clap, which is why he booked the appointment at the Mill. | 0:12:50 | 0:12:54 | |
When you arrested him, he wrongly assumed that you knew | 0:12:54 | 0:12:57 | |
he was an international drug smuggler and that you were going to | 0:12:57 | 0:13:00 | |
try and trick him into a confession, hence his "no comment" policy. | 0:13:00 | 0:13:04 | |
My client would like to make it clear | 0:13:04 | 0:13:06 | |
he had no intention of disrupting the course of justice | 0:13:06 | 0:13:09 | |
and therefore would like to ask for leniency. | 0:13:09 | 0:13:12 | |
He has also asked me to ask you if he can be spared the death penalty. | 0:13:16 | 0:13:21 | |
What? | 0:13:22 | 0:13:24 | |
I've watched that show | 0:13:25 | 0:13:27 | |
where the girl got done for drug smuggling in Cambodia. | 0:13:27 | 0:13:30 | |
It wasn't fair. Her friend asked her to do it. | 0:13:30 | 0:13:32 | |
-And then they killed her. -Like I said, he's a moron. | 0:13:32 | 0:13:35 | |
-Trish! -Shut up. | 0:13:35 | 0:13:36 | |
So, apart from the minor drugs misdemeanour | 0:13:36 | 0:13:40 | |
and wasting police time, I think we're done here, aren't we? | 0:13:40 | 0:13:44 | |
What's going on? We were getting on so well. | 0:13:55 | 0:13:58 | |
Nobody likes a sore loser. | 0:14:01 | 0:14:03 | |
-Says the sore loser. -What do you mean? | 0:14:05 | 0:14:09 | |
You're so afraid of losing Jas, | 0:14:09 | 0:14:12 | |
you built a cage in the back of your van. | 0:14:12 | 0:14:14 | |
What are you going to do? Feed her like your goldfish? | 0:14:14 | 0:14:18 | |
Drop food through the bars into her mouth? | 0:14:18 | 0:14:21 | |
The cage is back-up. | 0:14:22 | 0:14:24 | |
Planning. A box to tick. The stuff you do every day. | 0:14:25 | 0:14:28 | |
That's you, that's not me. | 0:14:28 | 0:14:30 | |
I would never do anything like that to Jas. | 0:14:30 | 0:14:32 | |
-Why? Because you love her? -Yes. | 0:14:32 | 0:14:36 | |
I love her, I love her so much | 0:14:36 | 0:14:38 | |
I would just walk away and let her live her life without me. | 0:14:38 | 0:14:41 | |
-You're a fool, then. -Yeah, and you're a loser! -Stop it! | 0:14:41 | 0:14:44 | |
You're a loser and no matter what you do, you will never have her! | 0:14:44 | 0:14:48 | |
-I said stop it! -Never! | 0:14:48 | 0:14:49 | |
-SHUT UP! -DOORBELL RINGS | 0:14:49 | 0:14:52 | |
MUFFLED SHOUTING | 0:14:52 | 0:14:54 | |
Al? | 0:15:04 | 0:15:06 | |
Tell your client by the time we're finished with the drug charges, | 0:15:07 | 0:15:10 | |
there'll be nothing "minor" about them! | 0:15:10 | 0:15:12 | |
I hear you. Steve Grahams sitting in your cell is not the problem. | 0:15:12 | 0:15:15 | |
Gus Harper not sitting in your cell is. | 0:15:15 | 0:15:18 | |
HE HUMS A TUNE | 0:15:20 | 0:15:23 | |
Wouldn't want you to miss anything. | 0:15:31 | 0:15:33 | |
Jas isn't answering her mobile, and she's not at the Mill. | 0:15:48 | 0:15:50 | |
She's popped out but didn't say where. | 0:15:50 | 0:15:53 | |
Send a car round to Dr Khella's house now. | 0:15:53 | 0:15:55 | |
-Rob... -Yeah, yeah, I'll keep trying. | 0:15:55 | 0:15:57 | |
HE GROANS | 0:16:06 | 0:16:08 | |
PHONE RINGS | 0:16:09 | 0:16:11 | |
CORK POPS | 0:16:13 | 0:16:15 | |
PHONE CONTINUES RINGING | 0:16:18 | 0:16:20 | |
Put it in the ice bucket. | 0:16:20 | 0:16:23 | |
I'm so happy that you're here. | 0:16:43 | 0:16:45 | |
'I've managed to find out the new address of where Gus Harper's living. | 0:16:50 | 0:16:53 | |
'I'll e-mail the address to you at the station.' | 0:16:53 | 0:16:56 | |
Find that e-mail, get me that address. | 0:16:56 | 0:16:58 | |
We'll want back up. Rob, you're driving. | 0:16:58 | 0:17:00 | |
I've dreamt of this for so long. | 0:17:02 | 0:17:04 | |
It's not so bad, is it? | 0:17:05 | 0:17:08 | |
You can talk. I won't bite. | 0:17:10 | 0:17:13 | |
Just, um... | 0:17:14 | 0:17:17 | |
nervous, that's all. | 0:17:17 | 0:17:20 | |
Don't be, please. | 0:17:20 | 0:17:22 | |
I should be the nervous one. | 0:17:22 | 0:17:24 | |
I've got to try and show you what I'm really like. | 0:17:26 | 0:17:28 | |
What are you...really like? | 0:17:28 | 0:17:32 | |
Well, nothing like Steve Grahams! | 0:17:32 | 0:17:34 | |
Sorry. | 0:17:37 | 0:17:38 | |
Honestly... | 0:17:40 | 0:17:42 | |
I'm thoughtful, kind, forgiving. | 0:17:42 | 0:17:47 | |
In fact, I'm prepared to forgive you, Jas. | 0:17:48 | 0:17:51 | |
-Forgive me for what? -Your infidelities. | 0:17:51 | 0:17:54 | |
You didn't know me before. | 0:17:56 | 0:17:58 | |
But you will. | 0:17:59 | 0:18:00 | |
So, what do you say? Shall we forgive and forget? | 0:18:02 | 0:18:05 | |
All units, we are moving in on a confirmed location. | 0:18:11 | 0:18:15 | |
A detached property, the old farmhouse on Hepden Road. | 0:18:15 | 0:18:18 | |
Suspect is Gus Harper, an IC1 male, late 30s, could be dangerous. | 0:18:18 | 0:18:23 | |
We'll live together, perhaps get married | 0:18:25 | 0:18:30 | |
and maybe one day even have kids, hey? | 0:18:30 | 0:18:32 | |
I realise I'm moving quickly. | 0:18:36 | 0:18:38 | |
But it's just I know you. | 0:18:40 | 0:18:42 | |
That champagne, it's not just any. It's your favourite. | 0:18:43 | 0:18:46 | |
You celebrated becoming a doctor with it. | 0:18:46 | 0:18:50 | |
See? I know. | 0:18:50 | 0:18:51 | |
I want you. | 0:18:55 | 0:18:57 | |
I want you so badly. | 0:18:58 | 0:19:00 | |
And if we lived together, built a life together... | 0:19:02 | 0:19:06 | |
..I know that you'd want me too. | 0:19:08 | 0:19:10 | |
-It's...a lot to take in. -It is. | 0:19:13 | 0:19:16 | |
Would we live here? | 0:19:18 | 0:19:20 | |
You're smart! | 0:19:22 | 0:19:24 | |
No. This is fake. It's a rental. | 0:19:24 | 0:19:28 | |
We'd get somewhere just like it, though. | 0:19:31 | 0:19:33 | |
Wouldn't be as bland as this, though. | 0:19:36 | 0:19:39 | |
We'd have to have something more individual! | 0:19:43 | 0:19:45 | |
I'd let you choose. | 0:19:45 | 0:19:47 | |
Open it. | 0:19:52 | 0:19:54 | |
I used my life savings to buy that. | 0:20:05 | 0:20:07 | |
This is just a token of my feelings. | 0:20:30 | 0:20:33 | |
I'd give you so much more if you'd let me. | 0:20:38 | 0:20:41 | |
What do you say? | 0:20:47 | 0:20:49 | |
DOORBELL RINGS | 0:20:59 | 0:21:01 | |
-GLASS SHATTERS -Argh! | 0:21:01 | 0:21:03 | |
# One way or another I'm gonna lose ya | 0:21:03 | 0:21:06 | |
# I'm gonna give you the slip | 0:21:06 | 0:21:09 | |
# A slip of the hip | 0:21:09 | 0:21:10 | |
# ..Or another, I'm gonna lose ya | 0:21:10 | 0:21:12 | |
# I'm gonna trick ya, I'll trick ya | 0:21:12 | 0:21:15 | |
# One way or another I'm gonna lose ya | 0:21:15 | 0:21:17 | |
# I'm gonna trick ya, trick ya, trick ya, trick ya | 0:21:17 | 0:21:20 | |
# One way or another I'm gonna lose ya | 0:21:20 | 0:21:24 | |
# I'm gonna give you the slip... # | 0:21:24 | 0:21:26 | |
Cut myself shaving. | 0:21:29 | 0:21:31 | |
SHE MOANS | 0:21:31 | 0:21:33 | |
MUSIC CONTINUES | 0:21:33 | 0:21:35 | |
There's a light switch by the door. | 0:21:41 | 0:21:44 | |
Look, there's a knife. Cut me loose. | 0:21:50 | 0:21:53 | |
That's it. | 0:21:59 | 0:22:01 | |
Quickly! | 0:22:03 | 0:22:04 | |
MUSIC STOPS ABRUPTLY | 0:22:05 | 0:22:07 | |
Run. | 0:22:07 | 0:22:08 | |
You have to get out of here. | 0:22:08 | 0:22:11 | |
A bit late for that, don't you think? | 0:22:11 | 0:22:13 | |
ETA five minutes. | 0:22:20 | 0:22:22 | |
Any other units closer? | 0:22:22 | 0:22:23 | |
Put the knife down. | 0:22:27 | 0:22:28 | |
-I said put the knife down. -Jas, it's OK. Do as he says. | 0:22:30 | 0:22:34 | |
-You can put the knife... -Don't you listen to him. | 0:22:34 | 0:22:37 | |
This is my party. | 0:22:38 | 0:22:40 | |
Not his. Mine! | 0:22:40 | 0:22:41 | |
I'm sorry! | 0:22:41 | 0:22:44 | |
You shouldn't have hurt me. | 0:22:48 | 0:22:50 | |
Still look so beautiful. | 0:22:58 | 0:23:00 | |
I ordered you a four seasons. You'll be able to eat soon. | 0:23:02 | 0:23:06 | |
We're going on a long drive. | 0:23:08 | 0:23:09 | |
I always intended to leave, Al. | 0:23:11 | 0:23:14 | |
One way or another. | 0:23:14 | 0:23:15 | |
Did you really think I made a mistake posting this address online? | 0:23:15 | 0:23:19 | |
I don't make mistakes. I wanted you here. | 0:23:19 | 0:23:23 | |
No, no, no, no! No, no, no! | 0:23:25 | 0:23:28 | |
-SHE SCREAMS -Don't do this! | 0:23:28 | 0:23:31 | |
Please. Stop! I'll come with you. | 0:23:31 | 0:23:33 | |
No! No! | 0:23:33 | 0:23:35 | |
Sorry, Al. | 0:23:35 | 0:23:37 | |
Looks like your pizza's going to be a bit burnt. | 0:23:37 | 0:23:40 | |
Pick up Alice. | 0:23:40 | 0:23:43 | |
The fish! | 0:23:43 | 0:23:44 | |
Looks like I won. | 0:23:47 | 0:23:49 | |
# And if I haver Then you know I'm gonna be | 0:23:49 | 0:23:52 | |
# I'm gonna be the man who's havering to you... # | 0:23:52 | 0:23:54 | |
I'm sorry? | 0:23:54 | 0:23:56 | |
HE PANTS | 0:23:56 | 0:23:57 | |
What did you say? | 0:23:57 | 0:23:59 | |
It's The Proclaimers, "I'm Gonna Be". | 0:24:00 | 0:24:04 | |
It's my number one. | 0:24:04 | 0:24:07 | |
# But I would walk 500 miles | 0:24:07 | 0:24:11 | |
# And I would walk 500 more | 0:24:11 | 0:24:14 | |
BOTH: # Just to be the man who walked 1,000 miles | 0:24:14 | 0:24:21 | |
# To fall down at your door. # | 0:24:21 | 0:24:25 | |
-That's genius. -Yeah, it is. | 0:24:25 | 0:24:29 | |
Now, Gus. | 0:24:29 | 0:24:31 | |
Say goodbye to Alice. | 0:24:31 | 0:24:33 | |
GLASS SHATTERS | 0:24:33 | 0:24:35 | |
They're definitely here. That's Al's car and that's Jas'. | 0:24:56 | 0:24:59 | |
You two, round the back. You two, stay by the gate. | 0:24:59 | 0:25:03 | |
You can put the gun down now, Jas. | 0:25:09 | 0:25:11 | |
Jas? | 0:25:11 | 0:25:13 | |
Jas, please. | 0:25:16 | 0:25:17 | |
Gus Harper, this is the police. We know you're in here. | 0:25:19 | 0:25:21 | |
We need you to show yourself immediately. | 0:25:21 | 0:25:24 | |
Look. The police are here. It's over. | 0:25:24 | 0:25:26 | |
Jas, please, can't we just go home? | 0:25:28 | 0:25:32 | |
He threw me down the stairs. | 0:25:32 | 0:25:34 | |
He was going to kill you. | 0:25:34 | 0:25:36 | |
-He was going to take me, and he was... -Stop! | 0:25:37 | 0:25:42 | |
Gus, we know you're down there. | 0:25:42 | 0:25:44 | |
You have 30 seconds to come up. | 0:25:44 | 0:25:46 | |
Jas, this isn't you. | 0:25:46 | 0:25:48 | |
This is him. He is nothing. | 0:25:48 | 0:25:51 | |
And you are everything. | 0:25:51 | 0:25:53 | |
You are kind. | 0:25:54 | 0:25:56 | |
You are intelligent and you are beautiful. | 0:25:56 | 0:26:01 | |
Jas, please. | 0:26:02 | 0:26:05 | |
# When I go out I know who I'm gonna be | 0:26:07 | 0:26:10 | |
# I'm gonna be the man who goes along with you | 0:26:10 | 0:26:15 | |
# When I get drunk | 0:26:15 | 0:26:17 | |
# I know who I'm gonna be | 0:26:17 | 0:26:18 | |
# I'm gonna be the man who gets drunk next to you | 0:26:18 | 0:26:22 | |
# And if I haver I know I'm gonna be | 0:26:22 | 0:26:25 | |
# I'm gonna be the man who's havering to you | 0:26:25 | 0:26:29 | |
# I would walk 500 miles | 0:26:29 | 0:26:31 | |
# And I would walk 500 more | 0:26:31 | 0:26:35 | |
# Just to be that man who walks a thousand miles | 0:26:35 | 0:26:40 | |
# To fall down at your door | 0:26:40 | 0:26:43 | |
# When I'm working I know who I'm gonna be | 0:26:43 | 0:26:46 | |
# I'm gonna be the man who's working hard for you | 0:26:46 | 0:26:50 | |
# And when the money comes in for the work I do | 0:26:50 | 0:26:53 | |
# I'll pass almost every penny on to you... # | 0:26:53 | 0:26:57 | |
See! I told you? I knew it was negative. | 0:26:59 | 0:27:03 | |
You know, if you hadn't stopped me, I'd have pulled the trigger. | 0:27:03 | 0:27:07 | |
Letherbridge Fitness Corps is looking for members to swell their ranks. | 0:27:07 | 0:27:11 | |
-Fancy joining? -Running, scrambling under nets kind of thing? -Yes. -No. | 0:27:11 | 0:27:14 | |
His car had broken down, so I offered him a cup of tea. | 0:27:14 | 0:27:17 | |
-Did he stay long? -I can't remember. | 0:27:17 | 0:27:21 | |
Subtitles by Red Bee Media Ltd | 0:27:44 | 0:27:47 |