Browse content similar to The Larry Wrigglesworth Affair. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
DOOR OPENS | 0:00:31 | 0:00:33 | |
Evening. | 0:00:54 | 0:00:56 | |
Evening, Officer. | 0:00:56 | 0:00:57 | |
Do you mind me asking what you're doing here? | 0:00:57 | 0:00:59 | |
I'm not parked somewhere I shouldn't? | 0:00:59 | 0:01:02 | |
No, it's just you appeared to be hiding from somebody just now? | 0:01:02 | 0:01:05 | |
Hiding? | 0:01:05 | 0:01:07 | |
I dropped a mint, bent down to pick it up. | 0:01:07 | 0:01:11 | |
And you're here because...? | 0:01:11 | 0:01:13 | |
I was supposed to be picking up a friend. | 0:01:13 | 0:01:15 | |
But... must have missed them. | 0:01:15 | 0:01:17 | |
I'll give them a call, see what's happened. | 0:01:17 | 0:01:19 | |
Good... thank you. | 0:01:20 | 0:01:23 | |
I'm ever so sorry about letting you down tonight. | 0:01:31 | 0:01:33 | |
-Don't be silly. Anyway, do you know which restaurant Rob's going to take you to yet? -No, he still won't say. | 0:01:33 | 0:01:38 | |
Sounds romantic! | 0:01:38 | 0:01:40 | |
Makes me realise why I fell in love with him in the first place. | 0:01:40 | 0:01:42 | |
Aww, Karen! | 0:01:42 | 0:01:44 | |
SHE LAUGHS | 0:01:44 | 0:01:45 | |
Well, I am going to get very drunk and have some fun tonight. | 0:01:45 | 0:01:47 | |
Oh, yeah, Niamh said you're going clubbing? | 0:01:47 | 0:01:50 | |
You're welcome to join us? We're going to try the Roxy. | 0:01:50 | 0:01:53 | |
Oh, no, not really my scene. | 0:01:53 | 0:01:55 | |
I saw Culture Club there. | 0:01:55 | 0:01:56 | |
I missed most of the concert, because I got stuck in the toilet. | 0:01:56 | 0:01:59 | |
I'm amazed it's still going. | 0:01:59 | 0:02:00 | |
Yeah...I don't think it is. | 0:02:00 | 0:02:03 | |
Since then it's been Lucinda's, | 0:02:03 | 0:02:04 | |
then that closed down and then it became Dream and now it's Haven. | 0:02:04 | 0:02:09 | |
Well, is it any good? | 0:02:09 | 0:02:10 | |
Kind of a mixed crowd, so to speak. | 0:02:11 | 0:02:15 | |
Hopefully, not everybody will be trying to twerk. | 0:02:15 | 0:02:17 | |
LAUGHTER | 0:02:17 | 0:02:20 | |
Twerk, what's twerk? | 0:02:20 | 0:02:22 | |
THEY CHUCKLE | 0:02:22 | 0:02:25 | |
No, really, what is twerking? | 0:02:26 | 0:02:29 | |
LAUGHTER | 0:02:29 | 0:02:30 | |
What...? | 0:02:30 | 0:02:32 | |
WHISTLING AND OWL HOOTS | 0:02:32 | 0:02:34 | |
FOOTSTEPS | 0:02:58 | 0:02:59 | |
7514 to Control. | 0:03:09 | 0:03:12 | |
Control to 7514, over. | 0:03:12 | 0:03:14 | |
I've got a robbery in progress. IC1 male. | 0:03:14 | 0:03:16 | |
Intend to pursue. | 0:03:16 | 0:03:17 | |
What's your location? | 0:03:18 | 0:03:20 | |
Letherbridge Gallery. Can you send backup? | 0:03:20 | 0:03:22 | |
Most officers are at the match tonight | 0:03:23 | 0:03:25 | |
and there's been some trouble. | 0:03:25 | 0:03:27 | |
Is there any immediate threat to persons? | 0:03:27 | 0:03:29 | |
Probably not. | 0:03:29 | 0:03:30 | |
OK, proceed with caution. | 0:03:31 | 0:03:33 | |
We'll send a unit as soon as we can, but it might take some time. | 0:03:33 | 0:03:36 | |
DOOR CLOSES | 0:03:39 | 0:03:40 | |
WHISPERS: Come on, where are you? | 0:03:45 | 0:03:48 | |
Show yourself. | 0:03:48 | 0:03:50 | |
CLATTERING | 0:03:50 | 0:03:52 | |
Sod it. | 0:03:59 | 0:04:01 | |
ROMANTIC MUSIC PLAYS | 0:04:03 | 0:04:05 | |
Oh, thank you... | 0:04:10 | 0:04:12 | |
..thank you very much. | 0:04:13 | 0:04:14 | |
Great, thanks. | 0:04:14 | 0:04:16 | |
You wouldn't believe the shift I've had today, | 0:04:19 | 0:04:22 | |
half the station covering tonight's game. | 0:04:22 | 0:04:24 | |
Why is it that every time Letherbridge...? | 0:04:24 | 0:04:26 | |
Can we not talk about work. | 0:04:26 | 0:04:28 | |
You're right, sorry, love. | 0:04:28 | 0:04:31 | |
I wish you'd use your glasses. | 0:04:33 | 0:04:35 | |
I don't need 'em. | 0:04:35 | 0:04:37 | |
SHE CHUCKLES | 0:04:37 | 0:04:39 | |
Oooh, they offer "exquisite modern French cuisine", tres cool. | 0:04:39 | 0:04:45 | |
-WHISPERS: -Tres expensive, also. | 0:04:45 | 0:04:48 | |
My pleasure. | 0:04:48 | 0:04:50 | |
-Is it? -Uh-hm. | 0:04:50 | 0:04:53 | |
Ton suit est bon. | 0:04:53 | 0:04:56 | |
Suit? What's that in English? | 0:04:56 | 0:04:59 | |
-This, you ninny! -Oh, suit! | 0:04:59 | 0:05:02 | |
It's the extent of my CSE French. | 0:05:02 | 0:05:05 | |
You can remember more than I can. | 0:05:05 | 0:05:07 | |
So, you like it? | 0:05:08 | 0:05:10 | |
I thought I'd make a bit of an effort, you know. | 0:05:10 | 0:05:14 | |
You look very, very nice, love. | 0:05:14 | 0:05:17 | |
Bet you didn't take me anywhere like this when we first got together. | 0:05:19 | 0:05:22 | |
That's true... but now we can. What is wrong with spoiling ourselves? | 0:05:22 | 0:05:28 | |
Sure it wasn't you who had the bang on the head? | 0:05:28 | 0:05:31 | |
Hm... | 0:05:31 | 0:05:32 | |
THEY CHUCKLE | 0:05:32 | 0:05:33 | |
HE GRUNTS | 0:05:47 | 0:05:48 | |
CLATTERING | 0:05:48 | 0:05:49 | |
WHISPERING: Here he is! | 0:05:49 | 0:05:51 | |
HE GROANS | 0:05:56 | 0:05:58 | |
BANG | 0:06:00 | 0:06:02 | |
What's "Assiette" of pork? | 0:06:08 | 0:06:10 | |
It's, er, different cuts. I think, well, I know, | 0:06:10 | 0:06:14 | |
like belly, leg, cheek... | 0:06:14 | 0:06:16 | |
It's very tasty. | 0:06:16 | 0:06:18 | |
Oh, come on, Mr Superchef, help me out here? | 0:06:18 | 0:06:20 | |
What would you recommend? | 0:06:20 | 0:06:21 | |
For you "Calamars a la Setoise". | 0:06:21 | 0:06:25 | |
Squid. I don't like the sound of that! | 0:06:25 | 0:06:28 | |
Trust me, you will love it. You've not always been a fan until you tried it in Tenerife. | 0:06:28 | 0:06:32 | |
And then it became one of your favourites. | 0:06:32 | 0:06:35 | |
OK. If you have... | 0:06:35 | 0:06:38 | |
"Escargots a la Bordelais". | 0:06:38 | 0:06:41 | |
No, no way! | 0:06:41 | 0:06:43 | |
THEY CHUCKLE | 0:06:43 | 0:06:44 | |
Go on. | 0:06:44 | 0:06:45 | |
Come on, think, man, think. | 0:06:59 | 0:07:01 | |
DANCE MUSIC | 0:07:22 | 0:07:25 | |
I feel a bit over-dressed. | 0:07:30 | 0:07:32 | |
You look great. It's not quite what I expected though. | 0:07:32 | 0:07:35 | |
No wonder! It's student night. | 0:07:35 | 0:07:39 | |
Oh, God! | 0:07:39 | 0:07:41 | |
No worries. | 0:07:41 | 0:07:42 | |
I don't really 'do' clubs any more. | 0:07:42 | 0:07:43 | |
Yeah, I kind of guessed. | 0:07:43 | 0:07:46 | |
Oh, is it that obvious? Maybe we could.... | 0:07:46 | 0:07:49 | |
you know, go somewhere else? | 0:07:49 | 0:07:51 | |
Or call it a night? | 0:07:51 | 0:07:53 | |
You're easy. We're going nowhere. This is brilliant! | 0:07:53 | 0:07:55 | |
What? Dancing with a bunch of 20-year-olds? | 0:07:55 | 0:07:58 | |
You get students of all ages. | 0:07:58 | 0:08:00 | |
I went to medical school with a woman who was over 40. | 0:08:00 | 0:08:03 | |
Oh, that old(?) | 0:08:03 | 0:08:04 | |
Dust off the cobwebs and let's get a drink. | 0:08:06 | 0:08:09 | |
We'll have two Comfortable Screws, please. | 0:08:12 | 0:08:15 | |
FOOTBALL MATCH ON TV | 0:08:19 | 0:08:21 | |
Yes! | 0:08:21 | 0:08:23 | |
Oi, are you in charge of security? | 0:08:23 | 0:08:25 | |
You are shining that right in my eyes. | 0:08:25 | 0:08:28 | |
Sorry. | 0:08:28 | 0:08:29 | |
Yeah, the other guy's off sick. I'm Jett. What's going on? | 0:08:29 | 0:08:32 | |
Officer Bellamy. | 0:08:32 | 0:08:33 | |
We need to get the lights back on straightaway. | 0:08:33 | 0:08:36 | |
The lights are off? | 0:08:36 | 0:08:37 | |
The CCTV, didn't you see the break-in? | 0:08:37 | 0:08:40 | |
Oh, man! | 0:08:40 | 0:08:41 | |
-There's a suspect on the premises. -Well, where is he now? | 0:08:41 | 0:08:44 | |
He gave me the slip. | 0:08:44 | 0:08:45 | |
HE SCOFFS QUIETLY | 0:08:46 | 0:08:48 | |
SC... that's special constable, isn't it? | 0:08:48 | 0:08:51 | |
Yes... | 0:08:51 | 0:08:53 | |
So you're not a proper copper, then? | 0:08:53 | 0:08:55 | |
Maybe we should just put a call in, wait for the real guys to show up? | 0:08:55 | 0:08:58 | |
I already have. | 0:08:58 | 0:09:00 | |
Most of the police are at that match on crowd-control. | 0:09:00 | 0:09:02 | |
So, in the meantime, I'm sure the two of us can handle things. | 0:09:02 | 0:09:06 | |
Now, he seems to know what he's doing. | 0:09:06 | 0:09:09 | |
Now, what do you think he's after? | 0:09:09 | 0:09:12 | |
I don't know, the whole place is full of stuff, isn't it? | 0:09:12 | 0:09:14 | |
I mean the most valuable things. | 0:09:14 | 0:09:16 | |
The Higson Gallery - I recognise some names there. | 0:09:16 | 0:09:20 | |
Why don't we rendezvous there when we get the lights back up | 0:09:20 | 0:09:22 | |
and running. Here... | 0:09:22 | 0:09:24 | |
Take one of these and keep in contact at all times. | 0:09:26 | 0:09:28 | |
Do you think this is going to take long? | 0:09:30 | 0:09:32 | |
It's just the game... | 0:09:32 | 0:09:33 | |
Yeah, right.. | 0:09:33 | 0:09:35 | |
Thank you. | 0:09:36 | 0:09:38 | |
It doesn't look as nice as the starter. | 0:09:39 | 0:09:41 | |
Go on, give it a go. | 0:09:43 | 0:09:44 | |
It's all right... | 0:09:53 | 0:09:55 | |
SHE LAUGHS | 0:09:55 | 0:09:56 | |
It's lovely! It's really good, I love it! | 0:09:56 | 0:10:00 | |
-You're really clever. -Hidden depths! | 0:10:00 | 0:10:02 | |
Thank you... for this and for everything. | 0:10:03 | 0:10:07 | |
For sticking by me all these months. | 0:10:07 | 0:10:10 | |
Especially after I was so horrible. | 0:10:10 | 0:10:12 | |
I wouldn't quite put it that way. | 0:10:12 | 0:10:14 | |
I was, I was horrible to you. | 0:10:14 | 0:10:15 | |
See, if it had been the other way round | 0:10:17 | 0:10:19 | |
-I don't think I'd have been so patient. -Possibly not. | 0:10:19 | 0:10:21 | |
I didn't know what I was doing. | 0:10:23 | 0:10:25 | |
Everything felt wrong - being married, being middle-aged. | 0:10:26 | 0:10:32 | |
But I didn't stop to think how hard it was for you. | 0:10:32 | 0:10:35 | |
-You had enough to deal with. -I know, but so did you. | 0:10:37 | 0:10:40 | |
You had a wife who didn't remember ANYTHING about you. | 0:10:42 | 0:10:46 | |
I couldn't even bear to be in the same room as you. | 0:10:46 | 0:10:49 | |
-I'm stubborn. -Well, it means a lot. | 0:10:49 | 0:10:53 | |
This is Officer Bellamy, Jett, do you copy? | 0:11:08 | 0:11:11 | |
Jett, can you hear me? | 0:11:14 | 0:11:16 | |
STATIC | 0:11:18 | 0:11:19 | |
-Is this switched on? -Yes. I can hear! | 0:11:19 | 0:11:21 | |
Great. | 0:11:21 | 0:11:22 | |
Have you found a fuse board yet? | 0:11:23 | 0:11:26 | |
Ah, yeah, but there are loads of switches. | 0:11:26 | 0:11:29 | |
I didn't know which one to push. | 0:11:29 | 0:11:31 | |
-Well... have you got it in front of you? -No, I gave up. | 0:11:31 | 0:11:34 | |
All right, look, I'm going to have to come and have a look. Where are you? | 0:11:36 | 0:11:40 | |
I'm just on my way back to you now. | 0:11:40 | 0:11:41 | |
SCORE BUILDS | 0:11:41 | 0:11:42 | |
Hang on... I see someone. | 0:11:42 | 0:11:45 | |
Jett? | 0:11:46 | 0:11:49 | |
Wait, let me get closer. | 0:11:49 | 0:11:51 | |
Approach with caution. | 0:11:51 | 0:11:52 | |
He's right in front of me. | 0:11:54 | 0:11:56 | |
I repeat, approach with caution. | 0:11:56 | 0:11:59 | |
SCORE REACHES CRESCENDO | 0:11:59 | 0:12:02 | |
Yah! | 0:12:02 | 0:12:03 | |
HE SIGHS | 0:12:05 | 0:12:06 | |
HEAVY BEAT | 0:12:08 | 0:12:10 | |
SHE MOUTHS | 0:12:18 | 0:12:20 | |
I'm really sorry, man. | 0:12:28 | 0:12:30 | |
With your torch off, I didn't know it was you. | 0:12:30 | 0:12:32 | |
Yes, well, I was employing the tactic of pulse flashing. | 0:12:32 | 0:12:36 | |
That way, the intruder wouldn't know where I was. | 0:12:36 | 0:12:38 | |
Or me. | 0:12:39 | 0:12:41 | |
Yeah, well, I'll live. | 0:12:42 | 0:12:44 | |
HE SIGHS | 0:12:45 | 0:12:48 | |
Is that easel supposed to have something on it? | 0:12:48 | 0:12:50 | |
We just got had. | 0:12:52 | 0:12:53 | |
We need to get that power back on, | 0:12:58 | 0:12:59 | |
before this guy snatches anything else! | 0:12:59 | 0:13:02 | |
Come on, we came here to dance! | 0:13:02 | 0:13:05 | |
I will, I'm just waiting for the right moment. | 0:13:05 | 0:13:08 | |
The right what...?! | 0:13:08 | 0:13:09 | |
Doesn't matter. | 0:13:09 | 0:13:11 | |
You need to let your hair down, woman. | 0:13:11 | 0:13:14 | |
Who's that? I think he wants you. | 0:13:14 | 0:13:16 | |
Some postgrad doing biogenesis. Who cares, he's cute! | 0:13:16 | 0:13:21 | |
You know what, you go on. Have some fun. | 0:13:21 | 0:13:24 | |
-OK, but next time, I'm not taking no for an answer. -OK! | 0:13:24 | 0:13:29 | |
Sorry, sorry, excuse me. | 0:13:35 | 0:13:38 | |
Large gin and tonic, please. | 0:13:42 | 0:13:45 | |
Right this should be the one. | 0:13:45 | 0:13:48 | |
Right... | 0:13:52 | 0:13:56 | |
let's work out his modus operandi? | 0:13:56 | 0:13:58 | |
His what...? | 0:13:58 | 0:14:00 | |
Working out his route so far... | 0:14:01 | 0:14:03 | |
Impressive. | 0:14:05 | 0:14:06 | |
Right, we know he was here... and here. | 0:14:06 | 0:14:10 | |
So he's heading that way? | 0:14:11 | 0:14:13 | |
Why, what's down there? | 0:14:13 | 0:14:15 | |
Er, just a small visiting exhibition, I think. | 0:14:15 | 0:14:18 | |
Anything of particular worth? | 0:14:18 | 0:14:20 | |
African art. Clothing, pottery and stuff. | 0:14:20 | 0:14:23 | |
I think I did hear the director banging on about some | 0:14:26 | 0:14:28 | |
little gold statue. | 0:14:28 | 0:14:30 | |
It's thousands of years old, apparently. | 0:14:30 | 0:14:32 | |
HE BREATHES HEAVILY | 0:14:41 | 0:14:43 | |
ALARM BLARES | 0:14:58 | 0:15:00 | |
It's gone. | 0:15:07 | 0:15:08 | |
Right, now the alarm's gone off, he'll be doing a runner. | 0:15:08 | 0:15:11 | |
Which is the quickest way to get back to where he came in? | 0:15:11 | 0:15:13 | |
Hi. I'm Gareth. | 0:15:16 | 0:15:19 | |
-Emma. -So, you're not a student either? | 0:15:19 | 0:15:22 | |
Maybe I am. | 0:15:22 | 0:15:24 | |
I came here with a couple of young bucks from the office, | 0:15:24 | 0:15:27 | |
but, to be totally honest, | 0:15:27 | 0:15:29 | |
I'm feeling like a real fish out of water. | 0:15:29 | 0:15:31 | |
I was recommended by a guy at work who knows all the clubs, | 0:15:31 | 0:15:34 | |
but he didn't tell me that Tuesday was student night. | 0:15:34 | 0:15:37 | |
HE CHUCKLES | 0:15:37 | 0:15:38 | |
Right now, I could wring his neck! | 0:15:38 | 0:15:40 | |
This isn't exactly my idea of a night out but... | 0:15:40 | 0:15:44 | |
things seem to be improving. | 0:15:44 | 0:15:46 | |
Oh, they do, do they? | 0:15:46 | 0:15:48 | |
THEY CHUCKLE | 0:15:48 | 0:15:50 | |
Well, unless you want to join the loonies on the dance floor? | 0:15:50 | 0:15:52 | |
SHE CHUCKLES | 0:15:52 | 0:15:54 | |
No, I don't know about you, but I can't dance to this stuff. | 0:15:54 | 0:15:57 | |
Me, neither. | 0:15:57 | 0:15:59 | |
But, judging from this lot, | 0:15:59 | 0:16:01 | |
it definitely doesn't seem to be a problem! | 0:16:01 | 0:16:03 | |
-See that guy over there. -Yeah. | 0:16:03 | 0:16:06 | |
He's dreadful, you know what... | 0:16:06 | 0:16:08 | |
he has made a play for every girl in the place. | 0:16:08 | 0:16:11 | |
HE CHUCKLES | 0:16:11 | 0:16:13 | |
Whoa, that woman's not holding back. | 0:16:13 | 0:16:15 | |
No. How would you describe her dancing? | 0:16:15 | 0:16:18 | |
Miley Cyrus meets the Birdie Song. | 0:16:18 | 0:16:20 | |
LAUGHTER | 0:16:20 | 0:16:21 | |
I mean, someone should just tell her, put her out of her misery. | 0:16:21 | 0:16:24 | |
Oh, well, that would have to be me. | 0:16:24 | 0:16:27 | |
What? | 0:16:27 | 0:16:29 | |
She's my friend. | 0:16:29 | 0:16:30 | |
I'm sorry, Emma, III didn't... | 0:16:32 | 0:16:34 | |
No, no, I'm teasing. | 0:16:34 | 0:16:36 | |
To be honest, I don't know her that well, | 0:16:36 | 0:16:38 | |
it's the first time we've been out together. | 0:16:38 | 0:16:41 | |
And, well, I didn't realise she had quite so much joie de vivre! | 0:16:41 | 0:16:45 | |
LAUGHTER | 0:16:45 | 0:16:46 | |
That's, certainly one way of putting it. | 0:16:46 | 0:16:48 | |
Oh, she knows how to have a good time. | 0:16:48 | 0:16:50 | |
You know, and so should we. Drink? | 0:16:50 | 0:16:55 | |
-Don't mind if I do! -All right. | 0:16:55 | 0:16:57 | |
Let's be grateful for what we've got, and not take | 0:17:01 | 0:17:05 | |
-anything for granted from now on, yeah? -Deal. | 0:17:05 | 0:17:07 | |
And I was thinking... we should do something special, and really eat like the French do. | 0:17:12 | 0:17:16 | |
I thought that's what we were doing? | 0:17:16 | 0:17:18 | |
No, I'm talking about booking a weekend in Paris. | 0:17:18 | 0:17:20 | |
-Ooh, la, la! -MOBILE RINGS | 0:17:20 | 0:17:22 | |
-Can we have a boat ride on the river? -Hold on a sec'. | 0:17:22 | 0:17:25 | |
-No, leave it. -I can't, it's Immie. | 0:17:25 | 0:17:27 | |
Hi, love. | 0:17:27 | 0:17:28 | |
ALARM CONTINUES | 0:17:30 | 0:17:31 | |
Wait, wait... | 0:17:31 | 0:17:34 | |
What are you doing? | 0:17:34 | 0:17:35 | |
I thought he'd get off now. | 0:17:35 | 0:17:37 | |
I fixed it so he can't get out. | 0:17:37 | 0:17:38 | |
So he's trapped? | 0:17:38 | 0:17:40 | |
He's running off that way. What's down there? | 0:17:40 | 0:17:42 | |
Er... the back exit. | 0:17:42 | 0:17:44 | |
We need to get ahead of him. Which is the quickest way there? | 0:17:44 | 0:17:47 | |
Er, back through the Higson. Come on. | 0:17:47 | 0:17:49 | |
I'm arresting you for breaking and entering and on suspicion of theft. | 0:17:55 | 0:17:59 | |
What's your name? | 0:17:59 | 0:18:01 | |
Turn it off, will you? Turn the alarm off! | 0:18:01 | 0:18:03 | |
Name? | 0:18:03 | 0:18:06 | |
Oh, waiting for a friend, are you(?) | 0:18:06 | 0:18:09 | |
I'm going to have to search you. | 0:18:09 | 0:18:11 | |
Where have you stashed the painting? | 0:18:13 | 0:18:16 | |
And the statue? | 0:18:16 | 0:18:18 | |
ALARM STOPS | 0:18:18 | 0:18:19 | |
Right, what's your name? | 0:18:19 | 0:18:21 | |
I can get it from the car registration | 0:18:21 | 0:18:23 | |
so you're not doing yourself any good. | 0:18:23 | 0:18:25 | |
Larry Wrigglesworth. | 0:18:25 | 0:18:27 | |
Right, Larry, where have you hidden them? | 0:18:27 | 0:18:31 | |
Shouldn't you be asking security? | 0:18:31 | 0:18:33 | |
If pieces have gone missing, it's their responsibility. | 0:18:33 | 0:18:35 | |
Hey. Don't get smart. | 0:18:35 | 0:18:37 | |
We're talking about valuable pieces of art that've been stolen. | 0:18:37 | 0:18:40 | |
Stolen's a very big word and something I'm not guilty of. | 0:18:40 | 0:18:43 | |
Let's go and have a look then, shall we? | 0:18:43 | 0:18:45 | |
Jett, meet us upstairs, in the visiting gallery. | 0:18:47 | 0:18:49 | |
Will do, over. | 0:18:49 | 0:18:51 | |
Really...? OK. Yeah. | 0:18:53 | 0:18:56 | |
Immie's had her purse stolen from some bar. | 0:18:56 | 0:18:58 | |
-She's put it down on the table for a second and someone's nicked it. Can you believe it? -No. | 0:18:58 | 0:19:02 | |
I'm just telling your mum. | 0:19:02 | 0:19:04 | |
Have you reported it stolen? | 0:19:04 | 0:19:07 | |
OK. Who are you with? | 0:19:07 | 0:19:09 | |
Right, well, OK. That's good, because you're going to need to | 0:19:09 | 0:19:13 | |
borrow some money to get home, aren't you? | 0:19:13 | 0:19:15 | |
At least she's with her mates. Karen...? | 0:19:15 | 0:19:18 | |
What? | 0:19:18 | 0:19:20 | |
Oh, yeah, and have you got your address in your purse? | 0:19:20 | 0:19:23 | |
Well, well, that's a relief, then. | 0:19:23 | 0:19:25 | |
You're going to need to cancel those cards as soon as you get home. | 0:19:25 | 0:19:28 | |
Have you got the numbers or do you need help with that? | 0:19:28 | 0:19:30 | |
You DO realise your daughter's in trouble here? | 0:19:32 | 0:19:35 | |
'Course I do! | 0:19:35 | 0:19:36 | |
OK... let me think... | 0:19:39 | 0:19:42 | |
Er... | 0:19:42 | 0:19:45 | |
Hello, where's Mr... Biogenesis thingy? | 0:19:46 | 0:19:53 | |
Gone off with someone else. | 0:19:53 | 0:19:54 | |
No! | 0:19:54 | 0:19:55 | |
Always happens to me. | 0:19:55 | 0:19:57 | |
They have a laugh with me and then | 0:19:57 | 0:19:59 | |
they disappear at the end of the night with a nice, quiet girl. | 0:19:59 | 0:20:03 | |
Aren't you going to introduce me? | 0:20:03 | 0:20:05 | |
Oh, sorry... | 0:20:05 | 0:20:07 | |
Niamh, Gareth. Gareth, Niamh. | 0:20:07 | 0:20:12 | |
Pleasure to meet you. | 0:20:12 | 0:20:13 | |
We were just discussing our ideal night out. | 0:20:13 | 0:20:16 | |
LAUGHTER | 0:20:16 | 0:20:18 | |
You can't beat a ceilidh, I know, I know, but it's total madness! | 0:20:18 | 0:20:22 | |
You've got my vote! | 0:20:22 | 0:20:24 | |
OK, folks, I'm going to love you and leave you. | 0:20:27 | 0:20:31 | |
No, no, no... you can't go! | 0:20:31 | 0:20:34 | |
Stay. And you can tell me tomorrow what you decide... | 0:20:34 | 0:20:38 | |
Your perfect night out. | 0:20:38 | 0:20:40 | |
Oh, OK, I will. | 0:20:40 | 0:20:43 | |
SHE LAUGHS | 0:20:43 | 0:20:45 | |
We don't have to limit ourselves to the UK, right? | 0:20:45 | 0:20:51 | |
Oh, you're thinking more exotic? I'm liking this. | 0:20:51 | 0:20:54 | |
Yeah, I'm thinking... | 0:20:54 | 0:20:56 | |
um, a Bedouin tent in an Arabian desert. | 0:20:56 | 0:21:01 | |
Sipping champagne at a sky bar in Bangkok? | 0:21:02 | 0:21:07 | |
Oh, have you been? | 0:21:07 | 0:21:09 | |
I certainly have. | 0:21:09 | 0:21:11 | |
I've yet to do that one, but... beat this... | 0:21:11 | 0:21:14 | |
Standing on a mountain | 0:21:14 | 0:21:16 | |
looking at the Northern Lights! | 0:21:16 | 0:21:19 | |
Hm... | 0:21:19 | 0:21:20 | |
Care to illuminate? | 0:21:24 | 0:21:25 | |
No? | 0:21:29 | 0:21:30 | |
Something there? | 0:21:42 | 0:21:43 | |
Painting stashed somewhere close-by, no doubt? | 0:21:59 | 0:22:01 | |
Who do you think you are, Thomas Crown? | 0:22:05 | 0:22:06 | |
So, when did they fire you then? | 0:22:08 | 0:22:10 | |
Come on, you're over familiar with the building, | 0:22:12 | 0:22:16 | |
you knew where to break in, how to cut the power off. | 0:22:16 | 0:22:19 | |
And you've got some sort of issue with security. | 0:22:19 | 0:22:21 | |
Larry? | 0:22:21 | 0:22:23 | |
I took over from him two weeks ago. | 0:22:24 | 0:22:25 | |
We did a bit of a handover. | 0:22:25 | 0:22:27 | |
Waste of time that was. | 0:22:27 | 0:22:29 | |
The kid hasn't got a clue. | 0:22:29 | 0:22:31 | |
He only got the job through nepotism. | 0:22:31 | 0:22:34 | |
His uncle's the director. | 0:22:34 | 0:22:36 | |
Yeah, I'll be talking to him about tonight. | 0:22:36 | 0:22:38 | |
You can't tell him... | 0:22:40 | 0:22:42 | |
he'll do his nut! | 0:22:42 | 0:22:44 | |
He's the one in the wrong here. | 0:22:44 | 0:22:46 | |
So what was the idea then... make it look like a robbery, | 0:22:46 | 0:22:50 | |
then tip the police off? | 0:22:50 | 0:22:51 | |
The pieces were bound to turn up eventually. | 0:22:52 | 0:22:55 | |
Dropping Jett in it. | 0:22:57 | 0:22:59 | |
If you hadn't got involved, | 0:23:02 | 0:23:04 | |
he wouldn't have even known I was here, staring at that gadget of his! | 0:23:04 | 0:23:09 | |
Intelligence is worth much more than youth | 0:23:09 | 0:23:11 | |
when it comes to security work. | 0:23:11 | 0:23:13 | |
My uncle just said you were getting a bit past it. | 0:23:13 | 0:23:16 | |
No need for that. | 0:23:18 | 0:23:19 | |
Go on... | 0:23:20 | 0:23:22 | |
Right. | 0:23:23 | 0:23:24 | |
Larry Wrigglesworth, I am arresting you for breaking and entering. | 0:23:24 | 0:23:27 | |
You can't! I'll never work in security again. | 0:23:28 | 0:23:32 | |
Well, you should've thought about that. | 0:23:32 | 0:23:34 | |
No-one will touch me. It's me life! | 0:23:34 | 0:23:36 | |
I'm sorry. | 0:23:36 | 0:23:38 | |
I don't know what's wrong with me, | 0:23:41 | 0:23:43 | |
what's been happening these last couple of weeks. | 0:23:43 | 0:23:46 | |
Yeah, well, losing your job was bound to hit you pretty hard. | 0:23:46 | 0:23:50 | |
What have I done? | 0:23:50 | 0:23:51 | |
What was I thinking? | 0:23:52 | 0:23:54 | |
You do not have to say anything, but it may harm your defence if you do not mention | 0:23:57 | 0:24:01 | |
when questioned something which you later rely on in court. | 0:24:01 | 0:24:03 | |
Anything you do say may be given in evidence. | 0:24:03 | 0:24:06 | |
It's too much for her to deal with, on her own. | 0:24:09 | 0:24:12 | |
She'll be OK. You said she was with mates. | 0:24:12 | 0:24:15 | |
Yeah, but they're young, and you know what that's like. | 0:24:15 | 0:24:18 | |
Maybe I should go down tonight? | 0:24:18 | 0:24:20 | |
To London?! That's a bit over the top? | 0:24:20 | 0:24:22 | |
-Over the top, what do you mean? -She's a grown woman. | 0:24:22 | 0:24:26 | |
Yeah, and so are you. This is your daughter we're talking about. | 0:24:26 | 0:24:30 | |
-What kind of mother are you? -What?! | 0:24:30 | 0:24:32 | |
You know what...? For months and months and months | 0:24:32 | 0:24:34 | |
you haven't wanted to talk about YOUR kids. | 0:24:34 | 0:24:37 | |
-I've gone along with that, because I though it wasn't your fault. -It isn't. | 0:24:37 | 0:24:40 | |
But I'm starting to think now it's because you don't want to. | 0:24:40 | 0:24:43 | |
You'd prefer it if they'd didn't exist. | 0:24:43 | 0:24:45 | |
-And that turns my stomach. -But it was you on the phone. | 0:24:45 | 0:24:49 | |
Right, there you go, that should cover it. | 0:24:49 | 0:24:51 | |
You can't leave? How am I supposed to get home? | 0:24:51 | 0:24:55 | |
You'll be all right. You're a grown woman! | 0:24:55 | 0:24:58 | |
WOMAN STARTS | 0:25:02 | 0:25:03 | |
-What took you so long? -Traffic after the match. | 0:25:09 | 0:25:13 | |
-Did they win? -4-0. | 0:25:13 | 0:25:14 | |
Come on. | 0:25:16 | 0:25:18 | |
I'll see you. | 0:25:20 | 0:25:21 | |
RADIO CHATTER | 0:25:22 | 0:25:24 | |
I'm sure I just saw aurora borealis. | 0:25:31 | 0:25:33 | |
No. How drunk are you?! | 0:25:33 | 0:25:37 | |
Is this us? | 0:25:37 | 0:25:39 | |
Home sweet home. | 0:25:39 | 0:25:41 | |
Yeah, I love old houses. How long have you had it? | 0:25:41 | 0:25:44 | |
Let me show you around. | 0:25:44 | 0:25:45 | |
LAUGHTER | 0:25:45 | 0:25:47 | |
LAUGHTER | 0:25:54 | 0:25:56 | |
SHE SIGHS | 0:25:56 | 0:25:58 | |
LAUGHTER | 0:26:01 | 0:26:02 | |
You have a very lovely place. Lovely! | 0:26:02 | 0:26:07 | |
LAUGHTER | 0:26:07 | 0:26:08 | |
Yes, I do. | 0:26:08 | 0:26:09 | |
HE GRUNTS | 0:26:09 | 0:26:11 | |
SHE LAUGHS | 0:26:11 | 0:26:13 | |
Very nice. | 0:26:13 | 0:26:14 | |
Angelica Harley. I have an appointment with Howard Bellamy. | 0:26:16 | 0:26:19 | |
-Oh, yes. -It IS you! | 0:26:19 | 0:26:21 | |
Heston! | 0:26:21 | 0:26:23 | |
I sometimes wonder if Bennie hadn't come along if... | 0:26:23 | 0:26:27 | |
LAUGHTER | 0:26:27 | 0:26:29 | |
Hey, am I missing something? | 0:26:29 | 0:26:31 | |
No. We were just talking about... | 0:26:32 | 0:26:34 | |
Emma's love life. | 0:26:34 | 0:26:36 | |
She's been a naughty girl...! | 0:26:36 | 0:26:37 |