Browse content similar to Starting Over. Check below for episodes and series from the same categories and more!
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Here we are. | 0:00:35 | 0:00:36 | |
-Yeah, it's nice. -They're good here. | 0:00:37 | 0:00:40 | |
-I'm ever so sorry, but we're just closing for lunch. -It's all right. | 0:00:40 | 0:00:44 | |
I'll come back another time now I know where you are. | 0:00:44 | 0:00:46 | |
-Do you want to make an appointment? -Nah, you're all right. | 0:00:46 | 0:00:49 | |
Marcus, how are you? | 0:00:49 | 0:00:51 | |
-Good, thanks. -Have you got an appointment? | 0:00:51 | 0:00:54 | |
No, I'm just here to show my...friend where to come and register. | 0:00:54 | 0:00:58 | |
-Oh, you've moved into the area? -Yeah. | 0:00:58 | 0:01:00 | |
I'm going to be taking over Marcus' life. | 0:01:00 | 0:01:03 | |
Sorry? | 0:01:03 | 0:01:04 | |
OK. | 0:01:05 | 0:01:07 | |
Don't stop on my account. | 0:01:20 | 0:01:22 | |
Please don't tell anyone. | 0:01:22 | 0:01:23 | |
We both know that isn't going to happen. Are you cheating? | 0:01:23 | 0:01:26 | |
I'm just trying to get the basic dance step down. | 0:01:26 | 0:01:28 | |
So you'll look good at the beginner's class. | 0:01:28 | 0:01:30 | |
I'm sure everybody will be doing it. | 0:01:30 | 0:01:32 | |
Only if they've got something to prove. | 0:01:32 | 0:01:34 | |
Come on then, do that little flick thing again. | 0:01:34 | 0:01:37 | |
No. | 0:01:37 | 0:01:38 | |
Come on, Mr Bojangles. Do it for me. | 0:01:38 | 0:01:40 | |
All right. | 0:01:41 | 0:01:43 | |
What do you think? | 0:01:53 | 0:01:54 | |
-Please, take a seat. -Oh, I don't want to keep you. | 0:02:04 | 0:02:06 | |
It's lunch time, so we'll be all right. | 0:02:06 | 0:02:09 | |
I just want to find out what's been going on. | 0:02:09 | 0:02:11 | |
Will I be able to have you as my doctor? | 0:02:11 | 0:02:13 | |
I suppose so, if you register. | 0:02:13 | 0:02:15 | |
So what do you mean, you've sold your life? | 0:02:16 | 0:02:18 | |
On the internet. | 0:02:18 | 0:02:20 | |
But what exactly have you sold? | 0:02:20 | 0:02:22 | |
-Everything. -House, business, | 0:02:22 | 0:02:25 | |
introductions to his... Or, I guess, I should say my, friends. | 0:02:25 | 0:02:28 | |
So what will you do? | 0:02:28 | 0:02:30 | |
Move away. Take the money and start over again somewhere new. | 0:02:30 | 0:02:33 | |
This isn't a wind-up? | 0:02:35 | 0:02:36 | |
I hope not. I've got people moving into my old place! | 0:02:36 | 0:02:39 | |
When did you decide to do this? | 0:02:39 | 0:02:41 | |
I've been thinking about it for some time. | 0:02:41 | 0:02:43 | |
I read an article about other people who'd done the same thing - | 0:02:43 | 0:02:46 | |
put everything up for auction. | 0:02:46 | 0:02:48 | |
Do you mind if I have a quick word with Marcus alone? | 0:02:48 | 0:02:51 | |
-No, no worries. -Actually, we do need to... | 0:02:51 | 0:02:53 | |
-It'll only take a couple of minutes. -You're all right, mate. | 0:02:53 | 0:02:55 | |
So, what's going on? | 0:02:59 | 0:03:02 | |
-I told you. -How's the medication? | 0:03:02 | 0:03:04 | |
-It's got nothing to do with that. -You're still taking it? | 0:03:04 | 0:03:06 | |
The tablets are working fine. I'm not depressed any more. | 0:03:06 | 0:03:10 | |
Maybe a little, but I've not gone crazy, if that's what you think. | 0:03:10 | 0:03:13 | |
I wasn't. I'm just concerned. | 0:03:13 | 0:03:15 | |
Since Katie died, I've been stuck. | 0:03:18 | 0:03:21 | |
Nothing ever changes. | 0:03:21 | 0:03:23 | |
I just rattle around that empty house and all I ever see is ghosts. | 0:03:23 | 0:03:28 | |
But this... This thing I've done. | 0:03:28 | 0:03:31 | |
It's exciting. | 0:03:31 | 0:03:32 | |
The future is unknown again. | 0:03:32 | 0:03:34 | |
And that isn't frightening? | 0:03:34 | 0:03:35 | |
No, it's thrilling! | 0:03:35 | 0:03:37 | |
Where will you go? | 0:03:37 | 0:03:38 | |
The Mediterranean - Italy, at first. | 0:03:38 | 0:03:41 | |
Then I'll move around until I find somewhere that feels right. | 0:03:41 | 0:03:45 | |
I've lived my life here, it's time to move on, | 0:03:46 | 0:03:50 | |
forget everything that's happened. | 0:03:50 | 0:03:52 | |
I'm grateful to you, Dr Tyler, | 0:03:53 | 0:03:56 | |
for everything you did for Katie when she was... | 0:03:56 | 0:03:58 | |
It was a pleasure to know her... | 0:04:00 | 0:04:02 | |
To know you both. | 0:04:02 | 0:04:03 | |
I really need to make a move. There's an awful lot I need to show Ray. | 0:04:04 | 0:04:08 | |
-OK. -Thank you. | 0:04:08 | 0:04:09 | |
We're off. | 0:04:14 | 0:04:15 | |
-Well, good to meet you. -Yeah, you too. | 0:04:17 | 0:04:20 | |
You know, we're having a bit of a do tonight, get some people round. | 0:04:20 | 0:04:23 | |
We don't know if it's a goodbye or a hello party! | 0:04:23 | 0:04:26 | |
-Anyway, if you fancy it, you're welcome to drop in. -I'm sure the doctor doesn't have time for that. | 0:04:26 | 0:04:30 | |
-No, actually, that would be really nice. Thank you. -You know where we are? -Yes. | 0:04:30 | 0:04:33 | |
-Right! See you there. Any time from six onwards. -OK. | 0:04:33 | 0:04:36 | |
-KNOCK AT DOOR -Come in. | 0:04:39 | 0:04:42 | |
You manage to fill in that questionnaire yet? | 0:04:45 | 0:04:48 | |
Oh! Sorry. I got waylaid. | 0:04:48 | 0:04:49 | |
What are you looking at there? | 0:04:52 | 0:04:54 | |
Oh, I finally bought the house off Julia, | 0:04:54 | 0:04:56 | |
so I'm just refreshing the security arrangements. | 0:04:56 | 0:04:59 | |
-That sounds sensible. -You think so? | 0:04:59 | 0:05:01 | |
You can't be too careful these days, | 0:05:03 | 0:05:05 | |
what with long-cons, short-cons and ex-cons, | 0:05:05 | 0:05:07 | |
-it seems everybody's out to get you. -Quite. | 0:05:07 | 0:05:09 | |
Is that the XG426 multi-point? | 0:05:09 | 0:05:13 | |
Yes. | 0:05:13 | 0:05:14 | |
Stay away from that if I was you. | 0:05:14 | 0:05:16 | |
I've attended three cases in the last two months | 0:05:16 | 0:05:18 | |
-where that model has been forced. -Really? | 0:05:18 | 0:05:20 | |
The way the weight is distributed, | 0:05:22 | 0:05:24 | |
it leaves it vulnerable to a direct blow. It's a design fault. | 0:05:24 | 0:05:28 | |
Of course, the weakest spot in any security system is the human element. | 0:05:28 | 0:05:32 | |
I don't have any humans in my house. | 0:05:32 | 0:05:34 | |
Security-wise, that's for the best. At least you know where you stand. | 0:05:34 | 0:05:37 | |
True on so many levels. | 0:05:37 | 0:05:40 | |
Where are you with alarms? | 0:05:40 | 0:05:42 | |
-Julia had one, it's pretty basic. -Multi-zone? | 0:05:42 | 0:05:45 | |
It makes a loud noise if someone smashes a window. | 0:05:45 | 0:05:48 | |
No, can you isolate different parts of the house? | 0:05:48 | 0:05:51 | |
Why would I want to do that? | 0:05:51 | 0:05:52 | |
Say you're having a bath upstairs, | 0:05:52 | 0:05:54 | |
someone breaks a window downstairs, you wouldn't hear it. | 0:05:54 | 0:05:56 | |
Happened to me once. | 0:05:56 | 0:05:57 | |
What I'm trying to say is, you can activate your alarm downstairs | 0:05:57 | 0:06:00 | |
leaving you free to wander about upstairs. | 0:06:00 | 0:06:03 | |
I hadn't thought of that. | 0:06:03 | 0:06:04 | |
Stick with me. You're in safe hands now. | 0:06:05 | 0:06:08 | |
RINGS DOORBELL | 0:06:20 | 0:06:22 | |
Hiya. | 0:06:27 | 0:06:28 | |
-Hi. -Dr Tyler. | 0:06:28 | 0:06:30 | |
It's still his place till tomorrow. Come in. | 0:06:30 | 0:06:33 | |
-I'll take your coat. -Thanks. | 0:06:34 | 0:06:36 | |
-Marcus, while I've got you alone... -Sorry, I'm just in the middle of something. Do come through, though. | 0:06:39 | 0:06:44 | |
OK, so, we've ruled out the XG426 multi-point locking system, | 0:06:48 | 0:06:52 | |
so should I go for the five-lever | 0:06:52 | 0:06:55 | |
'mortice deadlock system or the automatic dead-latch with key-locking handle? | 0:06:55 | 0:07:01 | |
'Or just go for both?' | 0:07:01 | 0:07:03 | |
-Heston, where are you? -'In a DIY store.' | 0:07:03 | 0:07:06 | |
Well, all depends on which model, really. | 0:07:06 | 0:07:09 | |
Ideally for insurance purposes, you should be looking at a mortice lock which conforms to BS3623. | 0:07:09 | 0:07:15 | |
-'3621.' -'Are you sure?' -'Yes.' | 0:07:15 | 0:07:18 | |
Who's that? | 0:07:18 | 0:07:19 | |
-'Daniel.' -'Put him on speakerphone.' | 0:07:19 | 0:07:22 | |
It's all right, I've got everything under control. | 0:07:22 | 0:07:24 | |
I had to renew the house insurance the other week. | 0:07:24 | 0:07:26 | |
-I went through all of this. -What's he saying? | 0:07:26 | 0:07:28 | |
You're on speakerphone. | 0:07:28 | 0:07:31 | |
Daniel, I'm in a DIY store and there's a lot of choice. | 0:07:31 | 0:07:36 | |
'It all depends how secure you need your house to be.' | 0:07:36 | 0:07:38 | |
'I've been through this already.' | 0:07:38 | 0:07:40 | |
Heston, it's going to be difficult doing this without seeing the choice in front of you. | 0:07:40 | 0:07:44 | |
-Have you got a video on your phone? -I have no idea. | 0:07:44 | 0:07:47 | |
'Try pressing...' | 0:07:47 | 0:07:49 | |
Oh. | 0:07:49 | 0:07:50 | |
-Heston? -'Still here, gentlemen.' | 0:07:52 | 0:07:54 | |
Heston, what kind of phone have you got? | 0:07:54 | 0:07:56 | |
'Nearly there...' | 0:07:57 | 0:07:59 | |
He's cut himself off. BELL RINGS | 0:08:01 | 0:08:03 | |
OK, gentlemen, let's get started. | 0:08:03 | 0:08:05 | |
Look at that S-car go! | 0:08:06 | 0:08:08 | |
HE LAUGHS LOUDLY | 0:08:08 | 0:08:10 | |
This is all very strange, isn't it? Are you a friend of Marcus or Ray? | 0:08:12 | 0:08:16 | |
Everyone here's a friend of Marcus. | 0:08:16 | 0:08:18 | |
Ray didn't bring anyone with him. | 0:08:19 | 0:08:22 | |
-You don't reckon he's on the run, do you? -No. | 0:08:22 | 0:08:25 | |
He just doesn't have any friends? | 0:08:25 | 0:08:28 | |
It happens. | 0:08:28 | 0:08:29 | |
I don't understand how this all works. | 0:08:33 | 0:08:35 | |
So do you all become Ray's friends overnight then? | 0:08:35 | 0:08:38 | |
The deal was that Marcus would introduce the winning bidder to his friends. | 0:08:38 | 0:08:43 | |
After that, it's up to them. | 0:08:43 | 0:08:44 | |
RAY LAUGHS LOUDLY | 0:08:44 | 0:08:46 | |
He seems a nice enough guy. | 0:08:48 | 0:08:50 | |
Hmm. | 0:08:50 | 0:08:52 | |
I'm Kevin, by the way. | 0:08:52 | 0:08:54 | |
Dr Tyler. I know. | 0:08:54 | 0:08:56 | |
Ah, my reputation precedes me. | 0:08:56 | 0:08:58 | |
SHE LAUGHS | 0:08:58 | 0:08:59 | |
Oh, don't flatter yourself. I'm Amy, Marcus' PA. | 0:08:59 | 0:09:04 | |
I know more about his life than he does. | 0:09:04 | 0:09:06 | |
Excuse me. | 0:09:08 | 0:09:10 | |
-Marcus? -What's happening? -I can handle this. It's all right. | 0:09:12 | 0:09:15 | |
-Do you feel faint? -He just needs to sit alone for a bit. | 0:09:15 | 0:09:17 | |
-Has this been happening often? -Are you all right to get up the stairs? -I think I should... | 0:09:17 | 0:09:21 | |
-We don't need your help! -Amy knows what to do. It's nothing. | 0:09:21 | 0:09:24 | |
-It'll pass. It's just nerves. -Come on. | 0:09:24 | 0:09:27 | |
MARCUS BREATHES HEAVILY | 0:09:27 | 0:09:29 | |
Heston, I just saw it there, on the right. | 0:09:29 | 0:09:31 | |
'Where?' BOTH: There! | 0:09:31 | 0:09:33 | |
-'Oh, I see.' -What are you doing? | 0:09:33 | 0:09:35 | |
-Guiding Heston around a shop. -Hasn't he been in one before? | 0:09:35 | 0:09:37 | |
Right, then. | 0:09:37 | 0:09:39 | |
'On the top shelf, first on the right. | 0:09:39 | 0:09:42 | |
There! That's the one you need. | 0:09:42 | 0:09:43 | |
Also, Heston, is the alarm linked to the widows as well as the doors? | 0:09:43 | 0:09:46 | |
Well, it will be, at all potential points of entry. | 0:09:46 | 0:09:49 | |
-Are you robbing a bank? -I'm helping Heston secure his home. | 0:09:49 | 0:09:52 | |
What about this one? It looks stronger. | 0:09:52 | 0:09:54 | |
They're not. It's just that the packaging, it looks bulkier. | 0:09:54 | 0:09:56 | |
-I don't know about that. -Well, I do know. -How? | 0:09:56 | 0:09:59 | |
Heston, I've got to go. I'll see you. | 0:09:59 | 0:10:02 | |
Mustn't keep your dance partner waiting. | 0:10:02 | 0:10:04 | |
He's got ladies queuing round the block for a spin around the dance floor. | 0:10:04 | 0:10:07 | |
-Thank you for your help, Daniel. -No problem. Call me if you need to. | 0:10:07 | 0:10:11 | |
-It's all right, Heston, I'm going nowhere. -I'll see you. -Break a leg. | 0:10:11 | 0:10:14 | |
-That's what they say when you do plays. -My mistake. | 0:10:14 | 0:10:17 | |
Now, Heston, have you thought about pressure mats for your stairs? | 0:10:17 | 0:10:22 | |
Pressure mats? Really? | 0:10:22 | 0:10:26 | |
-Get that down you. -Thanks. | 0:10:27 | 0:10:29 | |
RAY LAUGHS | 0:10:29 | 0:10:31 | |
Where's Marcus? This is his leaving bash too. | 0:10:31 | 0:10:33 | |
He had to go and do something, but he'll be back. | 0:10:33 | 0:10:36 | |
I'll save some for him. | 0:10:36 | 0:10:38 | |
-Cheers. -Cheers. Sorry, Ray, do you mind if I ask...? | 0:10:38 | 0:10:41 | |
-Why am I doing this? -Yeah. | 0:10:42 | 0:10:44 | |
It's a new start. | 0:10:44 | 0:10:45 | |
-What was wrong with your old life? -I outgrew it. | 0:10:45 | 0:10:49 | |
I won a ton of money on the lottery, | 0:10:49 | 0:10:52 | |
not millions, but more than I was likely to see in my lifetime. | 0:10:52 | 0:10:55 | |
-Lucky you! -Not really. | 0:10:55 | 0:10:57 | |
Just drove a wedge between me and my old mates. | 0:10:57 | 0:10:59 | |
Is running away really the answer, then? | 0:10:59 | 0:11:02 | |
What are you, Jeremy Kyle? | 0:11:02 | 0:11:04 | |
Sorry, mate. It's just...all of this is unusual. | 0:11:05 | 0:11:09 | |
If you have enough money you can buy anything. | 0:11:10 | 0:11:13 | |
I chose to buy a life where I wouldn't be treated like a charity. | 0:11:13 | 0:11:17 | |
These people here, they seem decent. | 0:11:17 | 0:11:19 | |
They're not going to come round sniffing around for a handout. | 0:11:19 | 0:11:21 | |
Are you taking over Marcus' business? | 0:11:21 | 0:11:24 | |
Yeah. It'll give me something to do during the days. | 0:11:24 | 0:11:27 | |
Dispatching temps, I think I can manage that. | 0:11:27 | 0:11:30 | |
Shame that PA of his wasn't part of the deal, though. | 0:11:30 | 0:11:32 | |
She's not hard on the eyes. | 0:11:32 | 0:11:34 | |
She's not staying with the firm? | 0:11:34 | 0:11:36 | |
No. Apparently she wanted to "pursue other opportunities". | 0:11:36 | 0:11:40 | |
Right then, who wants some bubbly? | 0:11:40 | 0:11:42 | |
Well, this is nice. | 0:11:47 | 0:11:49 | |
Take a seat. | 0:11:50 | 0:11:51 | |
That's got to be the teacher, the guy with the dark hair. | 0:11:55 | 0:11:58 | |
Wow. I hope he dances with all his pupils! | 0:11:58 | 0:12:02 | |
He's a bit of a cliche, don't you think? | 0:12:02 | 0:12:04 | |
He's authentic. | 0:12:04 | 0:12:05 | |
He's probably from Coventry. | 0:12:05 | 0:12:07 | |
SHE CHUCKLES | 0:12:07 | 0:12:09 | |
OK, class, er, gather round. | 0:12:09 | 0:12:11 | |
Mm. Gather round. | 0:12:11 | 0:12:12 | |
Tonight, er, you are going to be learning the most passionate dance, er - tango. | 0:12:16 | 0:12:21 | |
Some ground rules. | 0:12:22 | 0:12:23 | |
I will teach you the basics, you will not deviate from them | 0:12:23 | 0:12:27 | |
until I feel you are ready. | 0:12:27 | 0:12:29 | |
-Is that understood? -Yes, sir. | 0:12:31 | 0:12:33 | |
HE LAUGHS | 0:12:33 | 0:12:35 | |
Show offs will not be tolerated. | 0:12:35 | 0:12:37 | |
You will not cut corners. | 0:12:37 | 0:12:39 | |
If I see any of you contaminating the room with unauthorised moves, | 0:12:39 | 0:12:45 | |
you will be ejected. | 0:12:45 | 0:12:46 | |
Shall we begin? | 0:12:49 | 0:12:50 | |
How is he? | 0:12:57 | 0:12:58 | |
Er... He'll be fine. | 0:12:59 | 0:13:02 | |
What are you doing out here? | 0:13:02 | 0:13:04 | |
He doesn't like me to be in the bedroom. | 0:13:05 | 0:13:08 | |
-It's... It's where his wife... -Yeah, I know. | 0:13:08 | 0:13:12 | |
-Please, just go downstairs. -I'd like to see him. | 0:13:12 | 0:13:14 | |
No, everything's under control. | 0:13:14 | 0:13:15 | |
He's still my patient and I'm worried about him, so...please? | 0:13:15 | 0:13:18 | |
KNOCK ON DOOR | 0:13:26 | 0:13:28 | |
How you doing? | 0:13:29 | 0:13:31 | |
I just need to be alone for a bit. | 0:13:32 | 0:13:34 | |
I know this place, this room, has a lot of memories for you. | 0:13:34 | 0:13:39 | |
-I loved her. -She knew that. | 0:13:40 | 0:13:43 | |
I wasn't worthy of her. | 0:13:45 | 0:13:47 | |
You're not going away alone, are you? | 0:13:47 | 0:13:50 | |
-Amy told you? -No, but it's obvious. | 0:13:51 | 0:13:54 | |
-Do you think it's always been obvious? -What do you...? | 0:13:55 | 0:13:59 | |
Oh. When did it...? | 0:14:02 | 0:14:04 | |
About...six months before Katie passed. | 0:14:06 | 0:14:10 | |
While she was lying here in pain, I was... | 0:14:12 | 0:14:16 | |
It's always difficult when a loved one's ill. | 0:14:16 | 0:14:20 | |
You mean I'm not the only one to run into someone else's arms? | 0:14:20 | 0:14:23 | |
I'm not saying it's the right thing to do. | 0:14:23 | 0:14:25 | |
I'm just saying it's understandable. | 0:14:25 | 0:14:27 | |
Not for me. | 0:14:27 | 0:14:29 | |
I'm stronger than that... | 0:14:29 | 0:14:30 | |
..or I wish I was. | 0:14:32 | 0:14:33 | |
Do you love her? Amy? | 0:14:33 | 0:14:36 | |
Yeah. | 0:14:36 | 0:14:37 | |
She's bright, | 0:14:39 | 0:14:40 | |
beautiful... | 0:14:40 | 0:14:42 | |
She understands me. | 0:14:42 | 0:14:44 | |
-It sounds like you'll be happy together. -I don't deserve it. | 0:14:44 | 0:14:48 | |
I had a love, a woman who trusted me... | 0:14:48 | 0:14:52 | |
..and I threw it away. | 0:14:53 | 0:14:54 | |
And now I'm selling our home. Everything. | 0:14:57 | 0:15:00 | |
Katie's jewellery, her wedding ring. | 0:15:02 | 0:15:06 | |
Marcus... | 0:15:06 | 0:15:07 | |
Marcus? | 0:15:07 | 0:15:09 | |
What did you say to him? | 0:15:13 | 0:15:14 | |
Now you've learnt the basic steps, | 0:15:17 | 0:15:20 | |
I want you to take your partner in a close hold. | 0:15:20 | 0:15:24 | |
Listen and feel the heartbeat of the music! | 0:15:24 | 0:15:29 | |
Ava, please. | 0:15:29 | 0:15:31 | |
And one... | 0:15:31 | 0:15:34 | |
Side. | 0:15:36 | 0:15:37 | |
Side. | 0:15:43 | 0:15:44 | |
Ava, music, stop. | 0:15:47 | 0:15:49 | |
Maybe I wasn't clear before. | 0:15:51 | 0:15:53 | |
You will follow my instructions. | 0:15:53 | 0:15:56 | |
You will not deviate from them until I feel you are ready. | 0:15:56 | 0:16:00 | |
This is your first and only warning. | 0:16:00 | 0:16:03 | |
OK, fine. Sorry. | 0:16:03 | 0:16:06 | |
-All you have to do is walk. That really so hard? -No. | 0:16:06 | 0:16:10 | |
Let's go again. | 0:16:10 | 0:16:12 | |
Ava, music. | 0:16:12 | 0:16:15 | |
And...let the music sink into you. | 0:16:15 | 0:16:18 | |
Don't think. | 0:16:21 | 0:16:23 | |
Feel the passion. | 0:16:23 | 0:16:25 | |
There you go. | 0:16:29 | 0:16:30 | |
Can I have everyone's attention, please? | 0:16:33 | 0:16:35 | |
I know what you're all thinking, | 0:16:37 | 0:16:40 | |
that I've lost my mind. | 0:16:40 | 0:16:41 | |
Well, you're right, this is crazy. | 0:16:43 | 0:16:46 | |
Many of you were friends with Katie... | 0:16:48 | 0:16:52 | |
most of you. | 0:16:52 | 0:16:53 | |
I don't know how to honour her. | 0:16:55 | 0:16:58 | |
I never deserved her. | 0:17:00 | 0:17:01 | |
I think I'd like you all to go home now. | 0:17:05 | 0:17:07 | |
I'm not going anywhere. | 0:17:08 | 0:17:10 | |
OK, so...moving on, | 0:17:17 | 0:17:19 | |
what I'd like to talk about next is the abrazo hold. | 0:17:19 | 0:17:23 | |
Embrace in tango. | 0:17:23 | 0:17:25 | |
So if you could please join me in the centre. | 0:17:25 | 0:17:28 | |
I want to demonstrate how to hold a beautiful lady. | 0:17:30 | 0:17:33 | |
If you could show us what you were doing. | 0:17:33 | 0:17:36 | |
This... | 0:17:39 | 0:17:40 | |
is how an Englishman holds his lady. | 0:17:40 | 0:17:44 | |
-You're English, too, aren't you? -Not in my heart. | 0:17:44 | 0:17:47 | |
Ava, por favor. | 0:17:47 | 0:17:49 | |
This is my wife, Ava. | 0:17:50 | 0:17:53 | |
-You've got to be kidding me. -Now, show us how you danced, | 0:17:53 | 0:17:56 | |
we'll do the same, and... | 0:17:56 | 0:17:59 | |
the rest of you just watch and compare. | 0:17:59 | 0:18:03 | |
We have a contract! It's legally binding. | 0:18:39 | 0:18:42 | |
I don't care. | 0:18:42 | 0:18:43 | |
I've paid a lot of money for this opportunity. | 0:18:43 | 0:18:46 | |
I've never met anyone more desperate or pathetic. | 0:18:46 | 0:18:48 | |
You disgust me! | 0:18:48 | 0:18:50 | |
Talk sense to him. | 0:18:53 | 0:18:54 | |
-Marcus, what's the problem? -You. | 0:18:56 | 0:18:59 | |
-You... -Don't! You've done enough damage already. | 0:18:59 | 0:19:02 | |
Let's just calm down, shall we? | 0:19:02 | 0:19:04 | |
Can we have the room? | 0:19:04 | 0:19:06 | |
Just for a few minutes. Please. | 0:19:06 | 0:19:09 | |
CLATTERING | 0:19:34 | 0:19:36 | |
DOG BARKS | 0:19:36 | 0:19:39 | |
'I can't do it.' | 0:19:39 | 0:19:40 | |
I can't leave. This is my life, my home. | 0:19:40 | 0:19:44 | |
Look, I know you feel guilty, | 0:19:44 | 0:19:46 | |
but what good is punishing yourself in this way? | 0:19:46 | 0:19:48 | |
I've just come to my senses is all. I'm not young any more. | 0:19:49 | 0:19:53 | |
I've had my chance. I've made my choices, my roll of the dice. | 0:19:53 | 0:19:58 | |
You told me how empty this house felt. | 0:19:58 | 0:20:00 | |
Earlier, you talked about leaving it | 0:20:00 | 0:20:02 | |
like it was the most exciting thing you'd done. | 0:20:02 | 0:20:05 | |
I could be anywhere in the world and I've got to live with myself, | 0:20:05 | 0:20:09 | |
with what I did. | 0:20:09 | 0:20:12 | |
If I run away now, | 0:20:12 | 0:20:13 | |
it's like I'm pretending my marriage never happened. | 0:20:13 | 0:20:16 | |
I'd be betraying Katie all over again. | 0:20:16 | 0:20:18 | |
Just because things were complicated near the end of Katie's life, | 0:20:18 | 0:20:22 | |
that doesn't mean that the happy years you spent together | 0:20:22 | 0:20:25 | |
count for nothing. | 0:20:25 | 0:20:27 | |
You can hold on to your memories of her | 0:20:27 | 0:20:29 | |
without throwing the rest of your life away. | 0:20:29 | 0:20:31 | |
But I messed up! | 0:20:31 | 0:20:33 | |
So does everyone, sometime or other. | 0:20:33 | 0:20:37 | |
At least you could admit it, that's half the battle. | 0:20:37 | 0:20:40 | |
What's the other half? | 0:20:43 | 0:20:45 | |
Forgiving yourself. | 0:20:45 | 0:20:47 | |
I think I'd like you to leave now. | 0:20:53 | 0:20:56 | |
OK, but whatever you decide, good luck. | 0:20:56 | 0:20:59 | |
Don't worry, you'll have your King and I moment. | 0:21:10 | 0:21:13 | |
At the moment, I feel more Withnail and I. | 0:21:13 | 0:21:17 | |
OK, class, listen up a minute. | 0:21:17 | 0:21:19 | |
Gentlemen, it is your job is to use your body to indicate | 0:21:19 | 0:21:23 | |
what you would like your lady to do next. | 0:21:23 | 0:21:25 | |
-Is something funny? -Oh, no. | 0:21:30 | 0:21:32 | |
I've heard all the childish jokes before. | 0:21:34 | 0:21:37 | |
This is a dance for men, not sniggering schoolboys. | 0:21:37 | 0:21:40 | |
If you're not up to it, I suggest you leave. | 0:21:40 | 0:21:44 | |
No, I'm fine. Please carry on. | 0:21:44 | 0:21:46 | |
Ladies, don't anticipate. | 0:21:47 | 0:21:50 | |
Just react to the signals the leader gives you. | 0:21:50 | 0:21:53 | |
Now, to make things more interesting, I'd like you to dance with somebody | 0:21:53 | 0:21:57 | |
you haven't danced with before. Please find a new partner. | 0:21:57 | 0:22:00 | |
Just feel the music. | 0:22:09 | 0:22:12 | |
It is as simple... | 0:22:13 | 0:22:16 | |
and complicated as that. | 0:22:16 | 0:22:18 | |
Ow! | 0:22:34 | 0:22:36 | |
-I guess I'll go then. -No. | 0:22:49 | 0:22:51 | |
I'm sorry. | 0:22:52 | 0:22:54 | |
We made plans. | 0:22:56 | 0:22:58 | |
I gave up my life so I could come with you. | 0:22:58 | 0:23:01 | |
It was just nerves, Amy, | 0:23:01 | 0:23:03 | |
saying goodbye to this place. | 0:23:03 | 0:23:05 | |
I know I shouldn't have taken it out on you. | 0:23:05 | 0:23:08 | |
If it was too soon, you should have just said. | 0:23:08 | 0:23:11 | |
We're still going to do it, all of it. | 0:23:11 | 0:23:15 | |
-Really? -Really. | 0:23:15 | 0:23:17 | |
HE CHUCKLES | 0:23:23 | 0:23:26 | |
I owe you an apology, too. | 0:23:28 | 0:23:30 | |
-Those things I said... -Cold feet. | 0:23:30 | 0:23:34 | |
Yeah. Our agreement still stands, if you want. | 0:23:34 | 0:23:38 | |
-Well, I'm here now. -Thanks. You're welcome to my life. | 0:23:38 | 0:23:43 | |
I hope you make a better job of it than I did. | 0:23:43 | 0:23:46 | |
There is a favour I'd like to ask. | 0:23:46 | 0:23:48 | |
There's one thing I'd like to take with me. | 0:23:48 | 0:23:51 | |
Anything you want. | 0:23:51 | 0:23:53 | |
Thanks. | 0:23:53 | 0:23:55 | |
Thank you all for coming. | 0:23:56 | 0:23:58 | |
We hope to see MOST of you again next week. | 0:23:58 | 0:24:02 | |
-Don't feel bad. She's probably just putting it on. -You think? | 0:24:02 | 0:24:05 | |
So, how was it? | 0:24:11 | 0:24:14 | |
Oh, it was wonderful. I really enjoyed it. | 0:24:14 | 0:24:17 | |
-You've danced before, I can tell. -I've dabbled. | 0:24:17 | 0:24:20 | |
Hey, I'm sorry I hurt your wife. | 0:24:20 | 0:24:23 | |
Yeah, dancing isn't for everyone. | 0:24:23 | 0:24:25 | |
Do you know what? Actually, there was a moment before the incident | 0:24:25 | 0:24:29 | |
where I could feel what it would be like to do this properly. | 0:24:29 | 0:24:32 | |
-Really? -Yeah. | 0:24:32 | 0:24:34 | |
-But you won't be coming back? -Oh, yes, I will. Bring it on. | 0:24:34 | 0:24:39 | |
HE SIGHS | 0:24:46 | 0:24:49 | |
DOORBELL RINGS | 0:25:09 | 0:25:12 | |
Who is it? | 0:25:22 | 0:25:23 | |
Hi, there, my name's Alex from West Midlands Energy. | 0:25:23 | 0:25:26 | |
Hello, there, how are you doing this evening? | 0:25:31 | 0:25:33 | |
Is this a good time? You're not about to go out? | 0:25:33 | 0:25:37 | |
What business is that of yours? | 0:25:37 | 0:25:39 | |
Well, I just want to make sure I'm not intruding | 0:25:39 | 0:25:41 | |
because I have some great news about your energy supply. | 0:25:41 | 0:25:44 | |
-Not interested. -Hear me out | 0:25:44 | 0:25:45 | |
because we previously spoke to the lady that used to own this house. | 0:25:45 | 0:25:49 | |
-She said she wished she had switched to us and... -Julia? | 0:25:49 | 0:25:52 | |
Yes, Julia. She said she wished she had switched to us and made some | 0:25:52 | 0:25:56 | |
significant savings, but had just signed with another supplier. | 0:25:56 | 0:26:00 | |
Well, being as she's moved away, | 0:26:00 | 0:26:03 | |
I'd like to offer you the same great deal I offered her. | 0:26:03 | 0:26:05 | |
How do you know so much about this house? | 0:26:05 | 0:26:07 | |
We keep a close eye on all our potential customers, | 0:26:07 | 0:26:10 | |
so we can keep them fully informed on our market-leading services. | 0:26:10 | 0:26:14 | |
So, what we're offering is what we call | 0:26:14 | 0:26:16 | |
our Dual Fuel Combo Price Buster Deal and it's... | 0:26:16 | 0:26:20 | |
-Are you all right? -Why do you ask? | 0:26:21 | 0:26:24 | |
You look... | 0:26:25 | 0:26:27 | |
Maybe I should come back another time. | 0:26:27 | 0:26:29 | |
No, stay away from my home! | 0:26:29 | 0:26:31 | |
-Do you understand? -Have I done something wrong? | 0:26:31 | 0:26:34 | |
Have you done something wrong?! | 0:26:34 | 0:26:36 | |
-What's wrong with you people? -Sorry? | 0:26:36 | 0:26:38 | |
Don't think you can sneak around when I'm at work. | 0:26:38 | 0:26:40 | |
I've taken measures. I'll know. You will not get away with it! | 0:26:40 | 0:26:43 | |
OK. I'm sorry to have disturbed you. | 0:26:43 | 0:26:45 | |
Keep away from house! I'm warning you! | 0:26:45 | 0:26:48 | |
-This is serious, Heston. -I appreciate that. -Do you? | 0:27:06 | 0:27:09 | |
Do you mind if I ask you something? It's about Claire. | 0:27:09 | 0:27:13 | |
Do you believe you're in your right mind? | 0:27:13 | 0:27:15 | |
-Yes. -Well, then, you need a private investigator. | 0:27:15 | 0:27:19 | |
-Can I just confirm...? -Will you sit back and keep out of sight?! | 0:27:19 | 0:27:23 | |
Do not give up before you have even started. | 0:27:23 | 0:27:25 | |
-What were you thinking of? -I wish I knew, Rob. | 0:27:25 | 0:27:28 |