Browse content similar to Two Roads. Check below for episodes and series from the same categories and more!
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'My compass told a different course | 0:00:27 | 0:00:30 | |
'When I thought my wind set fair | 0:00:30 | 0:00:32 | |
'Before me lay a coral shore | 0:00:34 | 0:00:36 | |
'The fine, red dust of a treeless plain | 0:00:36 | 0:00:39 | |
'A time in dreams Once the dream came | 0:00:41 | 0:00:44 | |
'But I faltered, landlocked Caught upon the quay | 0:00:46 | 0:00:50 | |
'A voice in the landward wind Warning of the sea | 0:00:51 | 0:00:55 | |
'I watched the split horizon Cleft by the pitching sun | 0:01:03 | 0:01:08 | |
'Beckoned by the weaving light Along its golden seam | 0:01:09 | 0:01:13 | |
'I who was the dreamer Had become afraid to dream.' | 0:01:14 | 0:01:18 | |
-Australia?! -Yeah. I decided last night. | 0:01:20 | 0:01:24 | |
I didn't even know you were thinking about leaving. | 0:01:26 | 0:01:29 | |
I just need to move on, I need a fresh start. | 0:01:29 | 0:01:32 | |
Australia? I mean, it's so far away, why there? | 0:01:32 | 0:01:36 | |
Well, it's got a great climate and a great quality of life. | 0:01:36 | 0:01:39 | |
My mate works out there and he's been going onto me for years | 0:01:39 | 0:01:42 | |
about how amazing it is. | 0:01:42 | 0:01:44 | |
And my nan's there. | 0:01:44 | 0:01:45 | |
-I didn't know that. -Yeah, yeah, my mum's mum. | 0:01:46 | 0:01:49 | |
She lives in Melbourne. | 0:01:49 | 0:01:52 | |
Somewhere to stay, you know, while I'm looking for a job. | 0:01:52 | 0:01:55 | |
-Do you think you'll find one? -Well, apparently they want nurses. | 0:01:55 | 0:01:58 | |
But do you know what? | 0:01:58 | 0:01:59 | |
I want to see the Flinders Ranges, I want to go to the Blue Mountains, | 0:01:59 | 0:02:02 | |
Do you know what I mean? Do a bit of trekking around Tasmania. | 0:02:02 | 0:02:06 | |
-Wow. You've really made your mind up, haven't you? -Yeah. | 0:02:06 | 0:02:09 | |
I'm going to miss you. | 0:02:11 | 0:02:13 | |
-You might be the only one, mate. -What do you mean? | 0:02:13 | 0:02:16 | |
Just the way I've been acting lately, | 0:02:16 | 0:02:17 | |
I reckon everyone'll want to see the back of me. | 0:02:17 | 0:02:20 | |
-Give over. -Well, we'll see, come Friday. | 0:02:20 | 0:02:24 | |
You're going on Friday? | 0:02:25 | 0:02:27 | |
Yeah. Well, if Howard lets me out of my contract. | 0:02:27 | 0:02:32 | |
It's highly unusual for the catheter to break the artery wall. | 0:02:32 | 0:02:35 | |
-What I think you'll find... -It takes a surgeon of genius | 0:02:35 | 0:02:38 | |
to make good the damage! | 0:02:38 | 0:02:39 | |
Tom! | 0:02:39 | 0:02:41 | |
I think I preferred "Mr Vaesey". | 0:02:41 | 0:02:43 | |
Or the even more illustrious "Professor Vaesey". | 0:02:43 | 0:02:45 | |
So it was you that carried out the procedure on Mr Johnson here? | 0:02:45 | 0:02:48 | |
A double by-pass. | 0:02:48 | 0:02:50 | |
Got the call they'd bust this fellow's artery, | 0:02:50 | 0:02:52 | |
so looked at the possibility of just a repair, | 0:02:52 | 0:02:55 | |
thought I might as well sort his plumbing out, while I was at it, | 0:02:55 | 0:02:58 | |
and maybe stop him from bleeding to death! | 0:02:58 | 0:03:00 | |
So, what brings you north of Watford? | 0:03:01 | 0:03:04 | |
Well, I'm a GP at a local practice. | 0:03:04 | 0:03:07 | |
What, poking for piles? Prescribing for eczema? | 0:03:07 | 0:03:10 | |
I also have a private clinic, and have some high-end patients. | 0:03:10 | 0:03:15 | |
Loaded ladies after the Granger bedside manner. | 0:03:15 | 0:03:18 | |
I'm with someone, actually, her name's Zara. Very happy. | 0:03:18 | 0:03:21 | |
She must have quite something to pin you down. | 0:03:21 | 0:03:23 | |
PHONE RINGS | 0:03:23 | 0:03:26 | |
Technology. | 0:03:29 | 0:03:31 | |
The only reason I operate instead of a robot | 0:03:32 | 0:03:34 | |
is because I'm slightly cheaper and tell better jokes. | 0:03:34 | 0:03:39 | |
-Coffee? -Well, I... | 0:03:39 | 0:03:41 | |
Oh, come on, you're obviously skiving, treating bunions, | 0:03:41 | 0:03:44 | |
or something. Let's leave Mr Johnson with the comforting thought... | 0:03:44 | 0:03:48 | |
that his emergency bypass has at least allowed him to jump the queue! | 0:03:48 | 0:03:52 | |
-So, what's prompted this? -I just fancied a change. | 0:03:54 | 0:03:57 | |
What, and a move to Cleethorpes wouldn't do that for you? | 0:03:57 | 0:03:59 | |
Well, Australia's a little bit more of a challenge. | 0:03:59 | 0:04:01 | |
And I just fancied seeing what was down there for me. | 0:04:01 | 0:04:04 | |
Well, it's your decision. I suppose, with two months to plan, | 0:04:04 | 0:04:07 | |
you'll have time to work out something for yourself down there. | 0:04:07 | 0:04:10 | |
-Actually, I was thinking about going sooner. -When? | 0:04:10 | 0:04:13 | |
-Friday. -What, this Friday? | 0:04:13 | 0:04:16 | |
Yeah. | 0:04:16 | 0:04:18 | |
What about working your notice? | 0:04:18 | 0:04:19 | |
Well, I've already booked my ticket. | 0:04:19 | 0:04:22 | |
What? We're supposed to organise ourselves around your plans? | 0:04:22 | 0:04:25 | |
-Well, I thought that you... -If you go Friday, | 0:04:25 | 0:04:27 | |
that means we'll have to get agency staff in. | 0:04:27 | 0:04:29 | |
Lord knows how much and Lord knows how long for. | 0:04:29 | 0:04:31 | |
-You'll find a replacement. -Yes, eventually. | 0:04:31 | 0:04:34 | |
No, sorry, I can't just lose a nurse at the drop of a hat. | 0:04:35 | 0:04:38 | |
-You're going to have to work your notice. -Howard... | 0:04:38 | 0:04:40 | |
That's the way it's going to be. | 0:04:40 | 0:04:42 | |
Fine. | 0:04:44 | 0:04:46 | |
So you think I should be cooling my heels in the Dordogne? | 0:04:50 | 0:04:54 | |
You've had an eminent career, earned all the plaudits. | 0:04:54 | 0:04:57 | |
You can't be doing it for the money. | 0:04:57 | 0:04:58 | |
It's temporary. | 0:04:58 | 0:05:00 | |
Director of surgery's an old friend. | 0:05:00 | 0:05:03 | |
His cardiac lead developed a post midlife crisis, | 0:05:03 | 0:05:05 | |
-and headed for Mexico. -Leo Brunner? | 0:05:05 | 0:05:08 | |
Yeah. Knew him as a houseman. | 0:05:08 | 0:05:10 | |
Even then, he made me ponder the thin line between genius and lunacy. | 0:05:10 | 0:05:15 | |
-PHONE RINGS -Oh, sorry. | 0:05:15 | 0:05:18 | |
Yes? | 0:05:20 | 0:05:22 | |
Yes, I was with a patient. | 0:05:23 | 0:05:25 | |
Yeah, I know there's a pressure of time. | 0:05:26 | 0:05:30 | |
You have to understand... | 0:05:30 | 0:05:33 | |
I will. | 0:05:33 | 0:05:35 | |
I...I will call you. | 0:05:35 | 0:05:37 | |
Sorry. So, we were talking about the eccentric Mr Brunner. | 0:05:39 | 0:05:43 | |
PHONE RINGS | 0:05:43 | 0:05:45 | |
Look... | 0:05:47 | 0:05:49 | |
Ah! Sally! Sorry, yes. | 0:05:50 | 0:05:53 | |
No, no, it's fine, yes. The procedure went well. | 0:05:53 | 0:05:56 | |
The patient's GP seems pleased. | 0:05:58 | 0:06:00 | |
Yeah, obviously a very attentive one to rock up to his bedside. | 0:06:00 | 0:06:04 | |
Actually, the generous practitioner is somebody we've met before. | 0:06:04 | 0:06:09 | |
One Daniel Granger. | 0:06:09 | 0:06:11 | |
Yes. Yes, I know. Yeah, he's not looking so bad. | 0:06:11 | 0:06:15 | |
Apparently, there's a lady keeping him in check. | 0:06:15 | 0:06:17 | |
Just the one. | 0:06:19 | 0:06:20 | |
Are you free for dinner tonight? | 0:06:21 | 0:06:24 | |
I can't, I'm looking after my son. | 0:06:24 | 0:06:25 | |
Zara's got a night out with the girls. | 0:06:25 | 0:06:28 | |
Nope, domestic duties. | 0:06:28 | 0:06:30 | |
-Lunch? She's dying to see you. -I'll check. | 0:06:30 | 0:06:34 | |
He's passing it upstairs to management. | 0:06:34 | 0:06:37 | |
Did I say, when I mentioned his appearance, | 0:06:37 | 0:06:39 | |
there's a large female thumbprint on his forehead? | 0:06:39 | 0:06:41 | |
Chris hasn't mentioned anything about leaving to me. | 0:06:44 | 0:06:46 | |
I'm sure he has his reasons. | 0:06:46 | 0:06:49 | |
All right, well, where's our intrepid adventurer off to, then? | 0:06:49 | 0:06:51 | |
-Salford? -Australia. -Wow. | 0:06:51 | 0:06:54 | |
He's hardly ever left Birmingham, what's he going to be doing? | 0:06:54 | 0:06:57 | |
Living, working, experiencing new things, I suppose. | 0:06:57 | 0:07:01 | |
Bit old to be on a gap year, isn't he? | 0:07:01 | 0:07:03 | |
I think it's more serious than that, mate. | 0:07:03 | 0:07:05 | |
He's definitely made his mind up. | 0:07:05 | 0:07:07 | |
You know, it's going to be really weird not having him around. | 0:07:07 | 0:07:10 | |
Not having who around? | 0:07:10 | 0:07:12 | |
Chris, he's...he's going to Australia. | 0:07:12 | 0:07:15 | |
-When? -Friday, if he can. | 0:07:16 | 0:07:19 | |
-Friday? -When did all this happen? | 0:07:19 | 0:07:22 | |
He said he decided last night. | 0:07:22 | 0:07:24 | |
-It's a brave move. -Yeah, but he was brilliant when I was poorly. | 0:07:27 | 0:07:31 | |
And the house is going to be like a morgue, if he's not around. | 0:07:31 | 0:07:34 | |
Stories of my departure might be premature. | 0:07:34 | 0:07:36 | |
-'Blackjack?' -Yeah, that's what his students and colleagues called him. | 0:07:40 | 0:07:44 | |
-Because he was a gambler? -Baccarat, mainly - chemin de fer. | 0:07:44 | 0:07:48 | |
-'And this was your mentor?' -Yeah, medically. | 0:07:48 | 0:07:50 | |
Although, he did take me under his wing in other ways, too. | 0:07:50 | 0:07:53 | |
-Daniel... -'What?' | 0:07:53 | 0:07:56 | |
Look, we're not going to slip off down to the casino, OK? | 0:07:56 | 0:07:58 | |
It's going to be lunch with him and his wife, Sally. She's really nice. | 0:07:58 | 0:08:02 | |
Nice enough to skip having lunch with me? | 0:08:02 | 0:08:04 | |
Who's going out tonight with their girlfriends? | 0:08:04 | 0:08:07 | |
I would actually far rather be having dinner with you. | 0:08:07 | 0:08:09 | |
Ah. Me too. I'll see you. | 0:08:09 | 0:08:12 | |
And I got such a good deal on the flight. | 0:08:16 | 0:08:18 | |
If Howard doesn't let me go, I'll lose it. | 0:08:18 | 0:08:21 | |
Well, Friday is pretty short notice. | 0:08:21 | 0:08:23 | |
Yeah, but I bet he could if he really wanted to. | 0:08:23 | 0:08:25 | |
It's just Howard being Howard. | 0:08:25 | 0:08:27 | |
Who's Bellamy offended this time? | 0:08:27 | 0:08:29 | |
No-one, he's just stopping Chris from going. | 0:08:29 | 0:08:31 | |
-Going where? -I've decided to leave the practice, Zara. | 0:08:31 | 0:08:35 | |
-What? -He's abandoning us and going to Australia. | 0:08:35 | 0:08:38 | |
-When? -Well, I wanted to go on Friday. | 0:08:38 | 0:08:40 | |
How does that square with your contractual obligations? | 0:08:40 | 0:08:42 | |
That's something I'm trying to work through with Howard. | 0:08:42 | 0:08:45 | |
Well, we'll be sorry to lose you. | 0:08:45 | 0:08:48 | |
You're an excellent nurse. | 0:08:48 | 0:08:50 | |
Here he is, as handsome as ever. | 0:08:53 | 0:08:55 | |
Even handsomer, if possible. | 0:08:55 | 0:08:58 | |
That's in the eye of the beholder. | 0:08:58 | 0:08:59 | |
Mine is particularly discerning. | 0:08:59 | 0:09:01 | |
You look as lovely as ever. | 0:09:01 | 0:09:03 | |
Well, there have been some changes. | 0:09:03 | 0:09:05 | |
Nurse Reid has had his difficult moments. | 0:09:09 | 0:09:13 | |
Yeah, but how does legging it to Australia help? | 0:09:13 | 0:09:16 | |
It sounds rather like he's trying to find his place in the world. | 0:09:16 | 0:09:21 | |
He is a young man and it is the prerogative of the young | 0:09:21 | 0:09:24 | |
to seize their chances. | 0:09:24 | 0:09:27 | |
Yeah, but Howard isn't going to let him go and he wants to go on Friday. | 0:09:27 | 0:09:31 | |
Yeah, well, that is very short notice. | 0:09:31 | 0:09:34 | |
And Nurse Reid does have a contract. | 0:09:34 | 0:09:37 | |
So I can appreciate Mr Bellamy's position. | 0:09:37 | 0:09:39 | |
But he can also, sometimes, be a stickler for the rules. | 0:09:41 | 0:09:45 | |
If this is what Nurse Reid wants to do, | 0:09:45 | 0:09:48 | |
trying to stop him now can only make him angry and resentful, | 0:09:48 | 0:09:51 | |
and that would be disruptive for everyone. | 0:09:51 | 0:09:53 | |
Problem? | 0:10:04 | 0:10:06 | |
Zara must be very special. | 0:10:10 | 0:10:12 | |
Has a good grip on him, you mean? | 0:10:13 | 0:10:15 | |
A hold, certainly, of the best kind. | 0:10:15 | 0:10:18 | |
-And now you've also got Joe. -And a daughter - Isobel. | 0:10:18 | 0:10:21 | |
Fatherhood changes you. | 0:10:21 | 0:10:22 | |
Even in some ways that aren't specifically financial. | 0:10:22 | 0:10:25 | |
He's very proud of the children. | 0:10:25 | 0:10:28 | |
Yeah, one's a brickie | 0:10:28 | 0:10:30 | |
and the other reads books to the illiterate. | 0:10:30 | 0:10:32 | |
Lizzie's an architect and Sarah is a lecturer in English. | 0:10:32 | 0:10:37 | |
-Well, it could've been worse - they could have been doctors. -Yes. | 0:10:37 | 0:10:40 | |
It was a fall. | 0:10:44 | 0:10:46 | |
-You don't have to. -Seven years ago. Sailing. | 0:10:46 | 0:10:50 | |
I'd love to say I was up in the rigging and we hit a monster wave, | 0:10:50 | 0:10:54 | |
but it was as we left a restaurant, in the harbour. | 0:10:54 | 0:10:57 | |
Lost my footing on the steps, fell, broke my back on some railings. | 0:10:58 | 0:11:03 | |
I was in a bad way. | 0:11:04 | 0:11:06 | |
It was Tom who basically kept me alive until the ambulance came. | 0:11:07 | 0:11:11 | |
Must have been difficult adjusting. | 0:11:12 | 0:11:14 | |
Sometimes. Maybe more so for Tom. | 0:11:14 | 0:11:20 | |
He's often been angry... | 0:11:20 | 0:11:22 | |
on my behalf. | 0:11:22 | 0:11:23 | |
And you've never been angry? | 0:11:23 | 0:11:25 | |
At the limitations. | 0:11:25 | 0:11:28 | |
Just being able to take your keys and leave the house. | 0:11:28 | 0:11:31 | |
Giving up teaching was the hardest thing. | 0:11:31 | 0:11:33 | |
I'm sure you can still... | 0:11:33 | 0:11:35 | |
I tried. Maybe it was a little too soon. | 0:11:35 | 0:11:38 | |
Maybe I just had to move on. | 0:11:39 | 0:11:40 | |
But I do miss that light in their eyes | 0:11:42 | 0:11:45 | |
when children grasp the meaning of something. | 0:11:45 | 0:11:48 | |
-Gain a new piece of the world. -Yes. | 0:11:48 | 0:11:50 | |
House claret, I'm afraid. | 0:11:52 | 0:11:53 | |
And I'm afraid that I'm driving. | 0:11:53 | 0:11:56 | |
Although it does look marvellous. | 0:11:56 | 0:11:57 | |
Life's too short to drink bad wine. | 0:11:57 | 0:12:00 | |
"If you drink bad wine, your life will be shorter." | 0:12:00 | 0:12:03 | |
So, you were actually listening to me! | 0:12:03 | 0:12:05 | |
THEY CHUCKLE | 0:12:05 | 0:12:07 | |
What's she doing here? | 0:12:21 | 0:12:23 | |
Well, she appears to be breast-feeding. | 0:12:23 | 0:12:25 | |
Yes, I know that! Has she got an appointment? | 0:12:25 | 0:12:27 | |
But you did say she could come back any time she wanted. | 0:12:27 | 0:12:30 | |
I was just trying to be inclusive. | 0:12:30 | 0:12:32 | |
Well, perhaps she's trying to make a statement. | 0:12:32 | 0:12:35 | |
-Ah... -You're going to have to get rid of them. | 0:12:40 | 0:12:43 | |
-Me? -Mrs Tembe, I have always been impressed with | 0:12:43 | 0:12:46 | |
your coolness under pressure and your natural authority. | 0:12:46 | 0:12:49 | |
I'm sure you'll think of something. | 0:12:49 | 0:12:52 | |
Ready? | 0:12:52 | 0:12:54 | |
Bellamy versus breasts! | 0:12:55 | 0:12:57 | |
ALL: Bellamy versus breasts! Bellamy versus breasts! | 0:12:57 | 0:13:01 | |
Granger was the young man about town. | 0:13:04 | 0:13:08 | |
Us old dogs merely followed and marvelled. | 0:13:08 | 0:13:11 | |
I don't believe that for a minute. | 0:13:11 | 0:13:13 | |
It's true. I'd never played a hand of baccarat till I met him. | 0:13:13 | 0:13:17 | |
I think that's the other way around. | 0:13:17 | 0:13:19 | |
OK, I did actually teach you the difference in baccarat | 0:13:19 | 0:13:22 | |
between chemin de fer and punto banco. | 0:13:22 | 0:13:25 | |
And what's the difference? | 0:13:25 | 0:13:27 | |
Chemin de fer is a game of strategy, | 0:13:27 | 0:13:28 | |
played by those with guile and patience. | 0:13:28 | 0:13:31 | |
Punto banco is a game of chance played by those addicted to chance. | 0:13:31 | 0:13:37 | |
-Still play? -No. | 0:13:37 | 0:13:39 | |
Heavens, family life claimed your spirit? | 0:13:39 | 0:13:42 | |
-I haven't played for quite a while. -Perhaps he found other diversions. | 0:13:42 | 0:13:46 | |
What, like golf? | 0:13:46 | 0:13:47 | |
I'm actually quite good at that. | 0:13:47 | 0:13:49 | |
-A good walk not spoiled, but ruined! -No... | 0:13:49 | 0:13:51 | |
Don't tell me you've morphed into suburban man? | 0:13:51 | 0:13:54 | |
-Would that be so bad? -A tragedy! | 0:13:54 | 0:13:56 | |
PHONE RINGS | 0:13:56 | 0:13:58 | |
Ah. | 0:14:04 | 0:14:06 | |
-So, pudding? -In the fridge. I can go. | 0:14:07 | 0:14:10 | |
No, no, no. I'm adept at transporting extra calories! | 0:14:10 | 0:14:15 | |
THEY CHANT: Bellamy versus breasts! | 0:14:17 | 0:14:19 | |
Ladies, please. You are causing a considerable disturbance! | 0:14:19 | 0:14:22 | |
Civil disturbance. | 0:14:22 | 0:14:24 | |
Civil as in peaceful, disturbance as in interrupting the status quo. | 0:14:24 | 0:14:28 | |
What status quo? | 0:14:28 | 0:14:30 | |
The male hegemony and anti-woman agenda that exists at this practice. | 0:14:30 | 0:14:34 | |
-There is no such thing. -Howard Bellamy. | 0:14:34 | 0:14:37 | |
Mr Bellamy is not anti-woman. | 0:14:37 | 0:14:40 | |
He's a patriarchalist of the highest order. | 0:14:40 | 0:14:43 | |
-How? -The very fact that you refer to him as MISTER Bellamy! | 0:14:43 | 0:14:48 | |
That is his title. | 0:14:48 | 0:14:51 | |
Reinforcing structures of power | 0:14:51 | 0:14:53 | |
while using other forms of suppression, | 0:14:53 | 0:14:56 | |
such as demonising the process of mother-child nurturing! | 0:14:56 | 0:14:59 | |
You are causing our patients discomfort. | 0:15:01 | 0:15:04 | |
Maybe we are encouraging them to make an informed choice. | 0:15:05 | 0:15:08 | |
Do they want to be part of an inclusive | 0:15:08 | 0:15:11 | |
-or a discriminatory practice? -Mr... | 0:15:11 | 0:15:14 | |
The practice manager has engaged with inclusivity. | 0:15:16 | 0:15:19 | |
PR. Well, we'll see how effective that is when the press arrive. | 0:15:20 | 0:15:25 | |
-Press? -We've called them. | 0:15:25 | 0:15:28 | |
We want people to know that attitudes | 0:15:29 | 0:15:31 | |
like Howard Bellamy's have no place in modern society. | 0:15:31 | 0:15:35 | |
THEY CHANT: Bellamy versus breasts! | 0:15:35 | 0:15:39 | |
It's funny, I never found that that helped. | 0:15:44 | 0:15:47 | |
-Sorry, helped? -I know there's a problem, Tom. | 0:15:47 | 0:15:50 | |
-What problem? -Who are they? | 0:15:50 | 0:15:52 | |
-What do you mean? -The people you owe money to? -I don't! | 0:15:52 | 0:15:55 | |
-Look, I got myself into trouble. -Gambling? | 0:15:56 | 0:15:59 | |
Yeah. I owed money to somebody. Considerable sums. | 0:15:59 | 0:16:01 | |
-What were they, criminals? -What I'm trying to say is... | 0:16:01 | 0:16:04 | |
-I'm not in hock to criminals. -I understand. | 0:16:04 | 0:16:06 | |
I know the self-delusion, the denial. It just takes someone to... | 0:16:06 | 0:16:09 | |
-I'm not in debt! -GLASS SHATTERS | 0:16:09 | 0:16:11 | |
-Are you all right? -Let me have a look at that. | 0:16:11 | 0:16:14 | |
I seem to remember I'm the surgeon. | 0:16:14 | 0:16:16 | |
PHONE BEEPS | 0:16:16 | 0:16:18 | |
THEY CHANT: Bellamy versus breasts! | 0:16:20 | 0:16:23 | |
BABY CRIES | 0:16:23 | 0:16:25 | |
Have you seen reception? It looks like Greenham Common! | 0:16:28 | 0:16:31 | |
Mrs Tembe's dealing with it. | 0:16:31 | 0:16:34 | |
As they're name-checking you, why don't you do something? | 0:16:34 | 0:16:37 | |
A volatile situation can sometimes be better defused | 0:16:37 | 0:16:41 | |
by a female presence. In the police force... | 0:16:41 | 0:16:44 | |
Don't go all Special Constabulary on me. | 0:16:44 | 0:16:46 | |
The last time breasts were used like that in anger | 0:16:46 | 0:16:48 | |
was when Boadicea took on the Romans. | 0:16:48 | 0:16:50 | |
Look, it's annoying that they're doing this, | 0:16:50 | 0:16:52 | |
-but surely they do have a point. -What? | 0:16:52 | 0:16:55 | |
It's very difficult, breast-feeding in public. | 0:16:55 | 0:16:57 | |
People will come up and tell you it's disgusting, | 0:16:57 | 0:16:59 | |
they tell you it's immoral. | 0:16:59 | 0:17:01 | |
They tell you it should be behind closed doors. | 0:17:01 | 0:17:04 | |
-Well, that's not me. -No, but they don't know that. | 0:17:04 | 0:17:07 | |
So perhaps an apology might be the way forward. | 0:17:07 | 0:17:09 | |
-Ah, Chris. -Howard, you've made your... | 0:17:14 | 0:17:17 | |
-You can go. -What? | 0:17:17 | 0:17:19 | |
You can leave on Friday. | 0:17:21 | 0:17:24 | |
-Why the change? -I've had a look at the figures. | 0:17:24 | 0:17:27 | |
There's a bit left in the budget to cover for any agency staff. | 0:17:27 | 0:17:31 | |
That's brilliant. Thank you. | 0:17:31 | 0:17:34 | |
Erm... There's one little thing. | 0:17:34 | 0:17:38 | |
-Don't tell me you've changed your mind? -No, no, no. | 0:17:38 | 0:17:40 | |
I need to pick up my visa on Friday. | 0:17:40 | 0:17:42 | |
I mean, mate, I can work the morning... | 0:17:42 | 0:17:44 | |
So, not only do you want to leave, you want a half-day off as well? | 0:17:44 | 0:17:47 | |
Yeah, sorry. | 0:17:47 | 0:17:49 | |
You can be the one that tells Mandy she has to cover. | 0:17:49 | 0:17:52 | |
You've got to take your chances. | 0:17:52 | 0:17:55 | |
Grab it with both hands. | 0:17:55 | 0:17:57 | |
-An accident? -Yeah. Just broken glass. | 0:18:01 | 0:18:03 | |
-Is he all right? -Cut to the hand. | 0:18:03 | 0:18:06 | |
I offered to help but apparently, he's still the master. | 0:18:06 | 0:18:09 | |
What have you done? | 0:18:09 | 0:18:11 | |
Some over-confidence with the cake-slice. | 0:18:11 | 0:18:13 | |
And to think how dexterous I am with a number seven scalpel. | 0:18:13 | 0:18:17 | |
-Let me get you a better bandage. -No, no, really. It's... | 0:18:17 | 0:18:20 | |
I'll get a new one from the box in the hall. | 0:18:20 | 0:18:23 | |
You have no right. | 0:18:28 | 0:18:30 | |
Who is H, Tom? | 0:18:31 | 0:18:33 | |
-No-one, really. It's... -Who is she? | 0:18:37 | 0:18:40 | |
So, what made Howard change his mind? | 0:18:43 | 0:18:44 | |
Guess he's not all that unreasonable after all. | 0:18:44 | 0:18:47 | |
-In which dimension? -THEY LAUGH | 0:18:47 | 0:18:49 | |
-Well, I'm pleased for you. -Cheers, man. | 0:18:49 | 0:18:53 | |
I will second that. | 0:18:53 | 0:18:55 | |
I don't know what to say. | 0:18:56 | 0:18:58 | |
Say you're going to leave your last wages behind the bar at The Icon. | 0:18:58 | 0:19:01 | |
To be honest, I don't really want to make a fuss. | 0:19:01 | 0:19:04 | |
-I'd rather just pack my rucksack and head off. -Aw! | 0:19:04 | 0:19:07 | |
If you're saving up to buy a didgeridoo, | 0:19:07 | 0:19:09 | |
-how about we pay for the party? -No, I'm being serious. | 0:19:09 | 0:19:13 | |
We need your support. | 0:19:13 | 0:19:15 | |
The militant ladies are stepping up their protest! | 0:19:15 | 0:19:18 | |
A free show! | 0:19:18 | 0:19:20 | |
Her name is Helen. Helen Rogerson. | 0:19:21 | 0:19:25 | |
We met when we were students. | 0:19:25 | 0:19:27 | |
When she came into the lecture hall that first morning, | 0:19:30 | 0:19:33 | |
everything else just faded. She was luminous. | 0:19:33 | 0:19:37 | |
I pursued her and pursued her. | 0:19:39 | 0:19:41 | |
There was a lot of competition, but she said yes. Finally. | 0:19:42 | 0:19:48 | |
And we shared the best summer of my life. | 0:19:49 | 0:19:52 | |
But then she met someone else, American. | 0:19:54 | 0:19:57 | |
When she told me, it was...devastation. | 0:19:57 | 0:20:01 | |
After she finished her studies, she went off with him | 0:20:04 | 0:20:07 | |
back to the States. | 0:20:07 | 0:20:10 | |
Married. | 0:20:10 | 0:20:11 | |
That was the last I heard of her for years. | 0:20:11 | 0:20:14 | |
Then, last August I got an e-mail. | 0:20:16 | 0:20:18 | |
She was divorced and she was visiting relatives. | 0:20:18 | 0:20:21 | |
We chatted, e-mail and phone, and there was a spark. | 0:20:23 | 0:20:26 | |
We met up. She was staying at a hotel in Cheshire and, well... | 0:20:30 | 0:20:34 | |
..it was everything I thought it would be. | 0:20:36 | 0:20:39 | |
It was real, Daniel. It is real! | 0:20:40 | 0:20:42 | |
We met up several times before she went back to America. | 0:20:44 | 0:20:47 | |
-She wants me to join her there. -Are you going to go? | 0:20:49 | 0:20:53 | |
THEY CHANT: Bellamy versus breasts! | 0:20:56 | 0:21:00 | |
-What are we going to do? -Chuck 'em out. | 0:21:04 | 0:21:06 | |
When was the last time you mixed it with militant breast-feeders? | 0:21:06 | 0:21:09 | |
Do not ask him that! | 0:21:09 | 0:21:11 | |
-OK, call the cops. -Oh, yeah(!) | 0:21:11 | 0:21:13 | |
Like Rob and his mates will want to deal with this lot! | 0:21:13 | 0:21:16 | |
They have summoned the press. | 0:21:16 | 0:21:18 | |
-The publicity would be extremely negative. -Where is Howard? | 0:21:18 | 0:21:21 | |
I imagine he's somewhere thinking up a strategy. | 0:21:21 | 0:21:24 | |
Otherwise known as "hiding". | 0:21:24 | 0:21:27 | |
-Ladies. -Even your opening gambit is patronising! | 0:21:27 | 0:21:31 | |
Well, what would you prefer I call you? | 0:21:31 | 0:21:33 | |
We would prefer that you treated us with some respect. | 0:21:33 | 0:21:36 | |
Which is what I always endeavour. | 0:21:36 | 0:21:39 | |
Actually, we have thought of one way of extracting some empathy from you. | 0:21:39 | 0:21:43 | |
THEY LAUGH | 0:21:45 | 0:21:47 | |
So, man enough to wear them? | 0:21:47 | 0:21:50 | |
There's a teaching post in Boston. I'm short-listed. | 0:21:54 | 0:21:57 | |
So, you've already made your decision? | 0:21:57 | 0:22:00 | |
My final hand, my last chance. | 0:22:00 | 0:22:03 | |
At what? Destroying everything you have? | 0:22:03 | 0:22:05 | |
-I know there will be consequences. -You'll lose your family. | 0:22:05 | 0:22:08 | |
-Not necessarily... -You will lose them, Tom. | 0:22:08 | 0:22:10 | |
You said the final yes to her? | 0:22:13 | 0:22:15 | |
-Why are you hesitating? -I'm not callous. | 0:22:16 | 0:22:19 | |
And you're not a fool either. | 0:22:19 | 0:22:21 | |
What if it was the woman that you loved? | 0:22:22 | 0:22:25 | |
I'm with the woman I love. | 0:22:25 | 0:22:27 | |
And I think you're lucky enough to be with the woman who loves you. | 0:22:27 | 0:22:31 | |
Tom? | 0:22:32 | 0:22:34 | |
-There wasn't a bandage in the box. -Don't worry. I'll sort it myself. | 0:22:35 | 0:22:39 | |
-Has he made his decision? -Pardon? | 0:22:44 | 0:22:47 | |
Helen. | 0:22:47 | 0:22:50 | |
Is he going to choose her over me? | 0:22:50 | 0:22:52 | |
My actions have been misconstrued. | 0:22:56 | 0:22:58 | |
-How? -I have never been anti-breast. | 0:22:58 | 0:23:01 | |
When I say anti-breast, I mean... | 0:23:01 | 0:23:03 | |
That it's OK for breasts to be objects of male desire, | 0:23:03 | 0:23:06 | |
just not to be seen fulfilling their natural purpose? | 0:23:06 | 0:23:08 | |
I have never said that breasts were objects of male desire. | 0:23:08 | 0:23:12 | |
You know, obviously, they are. | 0:23:12 | 0:23:16 | |
-Shall we help him out? -Absolutely not! | 0:23:16 | 0:23:18 | |
-Sally, it's really not my place... -He has asked you for advice? | 0:23:20 | 0:23:23 | |
-Maybe not advice, but... -Tom's always been like that - | 0:23:23 | 0:23:26 | |
strident, humorous, | 0:23:26 | 0:23:29 | |
boring details like bills and school fees falling off his back. | 0:23:29 | 0:23:33 | |
But he's like the rest of us when it comes to emotions - | 0:23:33 | 0:23:37 | |
unsure, indecisive, needing the reassurance of a second opinion. | 0:23:37 | 0:23:42 | |
I knew when he started mentioning her name. | 0:23:45 | 0:23:47 | |
I'd known there was someone, that I didn't have the whole of him. | 0:23:49 | 0:23:53 | |
But then there was life, work, the children. | 0:23:55 | 0:23:59 | |
Does Zara have the whole of you? | 0:23:59 | 0:24:02 | |
There was someone, once, for me. | 0:24:06 | 0:24:08 | |
A sweet and creative man. | 0:24:08 | 0:24:10 | |
I stayed with Tom. | 0:24:12 | 0:24:14 | |
And when I had the accident, it was Tom who saved me. | 0:24:14 | 0:24:18 | |
Not sure the ward sister would have approved. | 0:24:19 | 0:24:21 | |
As long as it heals. | 0:24:21 | 0:24:23 | |
-I'd better be getting back. -It's been good to see you. | 0:24:23 | 0:24:26 | |
-Thank you for a superb lunch. -Is it true that in baccarat, | 0:24:26 | 0:24:30 | |
you can lose everything with the final hand? | 0:24:30 | 0:24:32 | |
Yes, it is. | 0:24:34 | 0:24:36 | |
I didn't mean to banish breast-feeding | 0:24:41 | 0:24:43 | |
or confuse the role of the breast! | 0:24:43 | 0:24:45 | |
I have always been and always will hold them in high regard... | 0:24:45 | 0:24:50 | |
I mean, you know, regard them with great interest... | 0:24:52 | 0:24:55 | |
'My compass told a different course | 0:24:56 | 0:24:59 | |
'And the journey was long from where I came | 0:24:59 | 0:25:03 | |
'Mine was a landfall between two shores | 0:25:04 | 0:25:07 | |
'Caught by two winds adrift on the main | 0:25:07 | 0:25:11 | |
'But there was a destination | 0:25:12 | 0:25:16 | |
'And I could never be the same. | 0:25:16 | 0:25:18 | |
I was thinking... | 0:25:26 | 0:25:28 | |
we could go away. | 0:25:28 | 0:25:30 | |
A few days in the country. | 0:25:30 | 0:25:33 | |
And after? | 0:25:33 | 0:25:35 | |
St Phil's have offered me the job. Permanent basis. | 0:25:36 | 0:25:40 | |
I'm going to take it. | 0:25:47 | 0:25:49 | |
If you have no problem with breast-feeding, | 0:25:57 | 0:25:59 | |
why did you banish me to a private room? | 0:25:59 | 0:26:01 | |
That was for your comfort and convenience. | 0:26:01 | 0:26:03 | |
So, it wasn't from your own sense of patriarchal prudery? | 0:26:03 | 0:26:07 | |
-I'm neither patriarchal nor... -A prude? | 0:26:07 | 0:26:10 | |
I don't think this is funny any more. | 0:26:10 | 0:26:12 | |
Do you know what? You're right. It isn't. | 0:26:12 | 0:26:15 | |
This is about dignity and understanding, | 0:26:15 | 0:26:17 | |
and I want the public to know exactly where you stand! | 0:26:17 | 0:26:21 | |
-Now, come on! -FLASHBULB SOUNDS | 0:26:22 | 0:26:24 | |
No pictures, please. | 0:26:24 | 0:26:26 | |
Mrs Tembe! Mrs Tembe. Any sign of the papers? | 0:26:27 | 0:26:32 | |
You shouldn't be allowed to do anything. | 0:26:33 | 0:26:36 | |
You shouldn't be allowed anywhere near these women! | 0:26:36 | 0:26:38 | |
-He'll get used to it. -Get off! | 0:26:38 | 0:26:40 | |
HE GROANS More pain? | 0:26:40 | 0:26:43 | |
He's going to die, isn't he? Like Mum. | 0:26:43 | 0:26:44 | |
Now he's going, there's nothing to hold me back. | 0:26:44 | 0:26:47 | |
It's a bit drastic, selling your house, isn't it? | 0:26:47 | 0:26:49 |