Browse content similar to Payback. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
And what, in the name of sweet sanity, is drama-therapy? | 0:01:02 | 0:01:06 | |
It's therapy through...drama? | 0:01:06 | 0:01:09 | |
I don't know. | 0:01:09 | 0:01:10 | |
It's a taster session for professionals. | 0:01:10 | 0:01:12 | |
Howard reckons we might want to think about | 0:01:12 | 0:01:14 | |
referring certain patients. | 0:01:14 | 0:01:15 | |
-I managed to wriggle out of that one. -He asked you first? | 0:01:15 | 0:01:18 | |
Yeah. Sorry you got landed with it. | 0:01:18 | 0:01:20 | |
OK. I've got a scenario for you. | 0:01:20 | 0:01:23 | |
I am an out-of-work actor and I have a choice. | 0:01:23 | 0:01:26 | |
My agent says I can go and stand outside the health-food store | 0:01:26 | 0:01:30 | |
wearing a squirrel outfit handing out free Fairtrade nuts. | 0:01:30 | 0:01:34 | |
Or I can try and convince some gullible person | 0:01:34 | 0:01:36 | |
like Howard Bellamy that acting has got something to do with therapy. | 0:01:36 | 0:01:39 | |
Now, which would I choose?! | 0:01:39 | 0:01:42 | |
I'd take the squirrel gig. | 0:01:42 | 0:01:43 | |
So would I, cos you'd get free nuts! | 0:01:43 | 0:01:45 | |
Talking of drama, I'm due at the police station. Have fun! | 0:01:45 | 0:01:48 | |
You think it's a load of old nonsense? | 0:01:52 | 0:01:54 | |
And you don't? | 0:01:54 | 0:01:56 | |
I suppose... Should I try and get out of it? | 0:01:56 | 0:01:58 | |
Absolutely. You stay here and see patients. | 0:01:58 | 0:02:00 | |
I'll go to the group and act like I'm a tree. | 0:02:00 | 0:02:03 | |
I'm kidding! It's a skive. | 0:02:05 | 0:02:07 | |
Grab that with both hands! | 0:02:07 | 0:02:08 | |
-Doug! -Hi there! | 0:02:14 | 0:02:16 | |
-How are you doing? -Fine. | 0:02:16 | 0:02:18 | |
More to the point, how are you? | 0:02:18 | 0:02:19 | |
This is what comes of skipping breakfast. | 0:02:19 | 0:02:22 | |
Touch of stage fright? | 0:02:22 | 0:02:23 | |
I haven't felt this nervous since I played Hamlet | 0:02:23 | 0:02:26 | |
to some school kids in Brooklyn. | 0:02:26 | 0:02:28 | |
I bet they loved it. | 0:02:28 | 0:02:30 | |
To be honest, they thought he was a bit of a wimp! | 0:02:30 | 0:02:32 | |
Thanks, Ollie. For coming...and the rest. | 0:02:32 | 0:02:35 | |
Not at all. I'm here to learn. | 0:02:35 | 0:02:37 | |
I'm looking forward to it. | 0:02:37 | 0:02:38 | |
Hiya. | 0:02:43 | 0:02:45 | |
I'm Niamh. | 0:02:45 | 0:02:46 | |
Alison. | 0:02:46 | 0:02:48 | |
So, which kind of tree are you? | 0:02:48 | 0:02:50 | |
-Tree? -Guess mine. OK... | 0:02:50 | 0:02:51 | |
SHE SOBS | 0:02:54 | 0:02:56 | |
Come on, it's easy. | 0:02:58 | 0:03:00 | |
SHE SOBS | 0:03:01 | 0:03:03 | |
-Weeping willow? -Well done, that man! | 0:03:03 | 0:03:06 | |
-Oh, you're...? -Yup! I'm Doug! | 0:03:06 | 0:03:08 | |
-I'm Alison. -Hiya. | 0:03:08 | 0:03:10 | |
I didn't mean to make fun. | 0:03:10 | 0:03:11 | |
Nothing wrong with fun. That was a great tree! | 0:03:11 | 0:03:14 | |
Morning, everyone, and welcome to this drama-therapy taster workshop. | 0:03:14 | 0:03:18 | |
I'm such an idiot. | 0:03:18 | 0:03:20 | |
Niamh Donoghue, GP, if you can believe that. | 0:03:20 | 0:03:22 | |
Oliver Clarke, Clinical Psychologist. And don't worry, | 0:03:22 | 0:03:26 | |
I think you've made quite a first impression. | 0:03:26 | 0:03:28 | |
I'm Doug Heatherton, as you've probably gathered. | 0:03:28 | 0:03:32 | |
I'd like to clear up one popular misconception. | 0:03:32 | 0:03:35 | |
I'm not an out-of-work actor... | 0:03:35 | 0:03:37 | |
Well, I was, but that's rather a painful story! | 0:03:37 | 0:03:41 | |
Seriously, I've retrained as a drama-therapist. | 0:03:41 | 0:03:44 | |
I'm not in any way biding my time. | 0:03:44 | 0:03:46 | |
You played Harry Carstairs in At Her Majesty's Service. | 0:03:46 | 0:03:49 | |
The James Bond film? | 0:03:49 | 0:03:51 | |
It's a totally different title. | 0:03:51 | 0:03:53 | |
And, anyway, this one was about tax inspectors. | 0:03:53 | 0:03:56 | |
Moving on! Well-researched, though, Alice. | 0:03:56 | 0:03:59 | |
Alison. | 0:03:59 | 0:04:00 | |
Come on in, grab a seat. | 0:04:03 | 0:04:05 | |
There you go. Sorry it's not a bit more comfy! | 0:04:05 | 0:04:08 | |
Who are you? | 0:04:08 | 0:04:10 | |
Doctor Clay. Thank you. Thanks, we'll be OK. | 0:04:10 | 0:04:14 | |
Right, er.... | 0:04:14 | 0:04:15 | |
Do you know where you are? | 0:04:17 | 0:04:19 | |
Letherbridge police station. | 0:04:20 | 0:04:22 | |
-Do you remember being pulled over by the police? -No. | 0:04:22 | 0:04:25 | |
You have been arrested for driving under the influence of alcohol. | 0:04:25 | 0:04:28 | |
So I have to assess you, to see if you're fit to be interviewed. | 0:04:28 | 0:04:31 | |
Do you understand? | 0:04:31 | 0:04:32 | |
Who did you say you were? | 0:04:32 | 0:04:34 | |
Doctor Clay. | 0:04:34 | 0:04:35 | |
And your name is? | 0:04:35 | 0:04:37 | |
It's, uh... | 0:04:38 | 0:04:39 | |
It won't come to me... | 0:04:41 | 0:04:42 | |
I can't stop my hands shaking. | 0:04:45 | 0:04:47 | |
It's OK. | 0:04:47 | 0:04:48 | |
Drama-therapy is about using drama techniques | 0:04:49 | 0:04:52 | |
to help people understand themselves in new ways. | 0:04:52 | 0:04:55 | |
Can I ask you to all find a space, please? | 0:04:55 | 0:04:57 | |
It's OK, I'm not going to ask you to perform. | 0:04:57 | 0:04:59 | |
Just giving you some play space. | 0:04:59 | 0:05:01 | |
Cos, think about it, | 0:05:01 | 0:05:02 | |
children often re-enact through play. | 0:05:02 | 0:05:05 | |
Though they may not realise it, they quite literally play stuff out. | 0:05:05 | 0:05:09 | |
Turning it into a game, in other words a drama, | 0:05:09 | 0:05:12 | |
gives them some control over events and their outcomes. | 0:05:12 | 0:05:16 | |
So...can I ask you all to walk around for starters? | 0:05:16 | 0:05:19 | |
It doesn't matter which direction. | 0:05:20 | 0:05:22 | |
If you see someone coming towards you, say hi! | 0:05:24 | 0:05:27 | |
Introduce yourselves. Why not? | 0:05:28 | 0:05:30 | |
That's great. | 0:05:31 | 0:05:33 | |
In a moment, I'll shout "stop" and ask you to do something different. | 0:05:33 | 0:05:37 | |
Doug? | 0:05:37 | 0:05:38 | |
Did you ever play a Norman soldier in a film? | 0:05:38 | 0:05:40 | |
Only, I wasn't sure it was you, because of the helmet. | 0:05:40 | 0:05:42 | |
I may have done. But that's all in the past. | 0:05:42 | 0:05:45 | |
You must remember. | 0:05:45 | 0:05:46 | |
I'd much rather you asked me about drama-therapy. | 0:05:46 | 0:05:48 | |
You had a line, "My Lord, the castle is taken." | 0:05:48 | 0:05:52 | |
Now I come to think of it, you're absolutely right. | 0:05:52 | 0:05:54 | |
Stop walking. | 0:05:54 | 0:05:56 | |
The floor is yours. Total freedom. | 0:05:57 | 0:06:00 | |
That's the idea. Great. | 0:06:01 | 0:06:03 | |
I wanted to dance when I was a kid. Never got lessons, though. | 0:06:03 | 0:06:06 | |
Oh, that's a pity. You're doing it now, though. | 0:06:06 | 0:06:08 | |
Making up for lost time. | 0:06:08 | 0:06:09 | |
NIAMH GIGGLES | 0:06:15 | 0:06:17 | |
OK, OK, what's so funny? | 0:06:17 | 0:06:19 | |
You, Prince Charles. | 0:06:19 | 0:06:21 | |
Thanks very much. | 0:06:21 | 0:06:23 | |
I just mean with the hands behind your back. | 0:06:23 | 0:06:25 | |
Well, we can't all have your sylph-like grace. | 0:06:25 | 0:06:27 | |
Sylph-like grace? That's a first! | 0:06:27 | 0:06:31 | |
Good. I'm original, then, if nothing else. | 0:06:31 | 0:06:34 | |
That's great. Thanks, everyone! | 0:06:34 | 0:06:36 | |
Quick breather and then one more exercise. | 0:06:36 | 0:06:38 | |
Could you spell the word "world" for me, | 0:06:38 | 0:06:41 | |
W-O-R-L-D, backwards, please? | 0:06:41 | 0:06:44 | |
W...erm... | 0:06:45 | 0:06:46 | |
I went and got my Lion. | 0:06:50 | 0:06:51 | |
Sorry, did you just say lion? | 0:06:52 | 0:06:55 | |
News Of The World for my dad and the Lion for me. | 0:06:55 | 0:06:59 | |
Right, so that's a comic. | 0:06:59 | 0:07:00 | |
What year is it? | 0:07:00 | 0:07:01 | |
She always keeps one back for me. Mrs Mattingley. | 0:07:01 | 0:07:05 | |
That's very kind of her. What does she call you? | 0:07:06 | 0:07:08 | |
Sonny. She calls me Sonny. | 0:07:08 | 0:07:10 | |
Have you got a plaster? | 0:07:19 | 0:07:21 | |
Yeah, I think I should take a look at that. | 0:07:21 | 0:07:24 | |
Just turn your head this way. Thank you. | 0:07:30 | 0:07:32 | |
Do you remember how you got those scratches on your neck? | 0:07:34 | 0:07:36 | |
Did someone attack you? | 0:07:36 | 0:07:38 | |
KNOCK AT DOOR | 0:07:38 | 0:07:39 | |
Sorry, excuse me. Come on in. | 0:07:39 | 0:07:41 | |
This exercise is called "mirroring". | 0:07:49 | 0:07:52 | |
It encourages empathy within the group and helps us to focus. | 0:07:53 | 0:07:57 | |
We do this with a partner. So, Niamh, would you mind? | 0:07:57 | 0:08:00 | |
OK. | 0:08:00 | 0:08:01 | |
Now, one of you takes the lead. | 0:08:01 | 0:08:03 | |
Better be you. I'm hopeless at leading. | 0:08:03 | 0:08:05 | |
Actually, that's not true. In the last exercise, | 0:08:05 | 0:08:07 | |
you commanded the floor! | 0:08:07 | 0:08:09 | |
-I second that. -Really? | 0:08:09 | 0:08:11 | |
OK, so your movements need to be slow. | 0:08:11 | 0:08:14 | |
The idea is to allow your partner to follow them, not catch them out. | 0:08:14 | 0:08:17 | |
OK, when you're ready. | 0:08:17 | 0:08:18 | |
Notice Niamh is using her right arm, I'm using my left | 0:08:24 | 0:08:27 | |
because this is meant to be through a mirror. | 0:08:27 | 0:08:30 | |
You get the idea. | 0:08:37 | 0:08:38 | |
-I want a go. -Of course. Everyone will get the opportunity to try it. | 0:08:38 | 0:08:42 | |
No, I meant with you. | 0:08:42 | 0:08:44 | |
OK... | 0:08:44 | 0:08:45 | |
-Ah, I see you've started. -Ah, I see you've started. | 0:08:48 | 0:08:51 | |
-Actually, we're not mimicking speech. -Actually, we're not mimicking speech. | 0:08:51 | 0:08:54 | |
-Alison, stop! -Alison, stop! | 0:08:54 | 0:08:56 | |
Are you OK? | 0:08:59 | 0:09:00 | |
It was a joke! | 0:09:03 | 0:09:04 | |
Where's your sense of humour? | 0:09:06 | 0:09:07 | |
OK, everyone, carry on. | 0:09:10 | 0:09:11 | |
Is it me, or was that a TINY bit weird? | 0:09:13 | 0:09:15 | |
It was a joke. | 0:09:22 | 0:09:23 | |
Drama-therapy isn't about performing. | 0:09:23 | 0:09:25 | |
Why did you pick Mrs Doyle, then? | 0:09:25 | 0:09:27 | |
She's been showing off from the start. | 0:09:27 | 0:09:28 | |
She was confident enough to help me with the demonstration. | 0:09:28 | 0:09:31 | |
Not because you fancy her? | 0:09:31 | 0:09:33 | |
Absolutely not. Let's be clear on that. | 0:09:33 | 0:09:35 | |
Alison, many of us suffer from low self-esteem. | 0:09:36 | 0:09:40 | |
Do WE? | 0:09:40 | 0:09:41 | |
These sessions bring things to the surface, often unexpectedly. | 0:09:41 | 0:09:45 | |
Has that ever happened to you? | 0:09:45 | 0:09:47 | |
It's always a possibility. | 0:09:47 | 0:09:48 | |
But, as the therapist, I have to try and stay neutral. | 0:09:48 | 0:09:51 | |
What about today? | 0:09:51 | 0:09:52 | |
We should talk about you. | 0:09:52 | 0:09:54 | |
What you did in there seemed childlike. | 0:09:54 | 0:09:57 | |
There might be something in your childhood you need to look at. | 0:09:57 | 0:10:01 | |
Such as? | 0:10:01 | 0:10:02 | |
Well, we can't explore that now. | 0:10:02 | 0:10:04 | |
But if you think I can help, we could always book a session? | 0:10:04 | 0:10:06 | |
Book a session? Is that it?! | 0:10:06 | 0:10:09 | |
SHE SCOFFS | 0:10:09 | 0:10:11 | |
These look quite nasty. You can't remember how you got them? | 0:10:18 | 0:10:22 | |
No. What did the policeman want? | 0:10:22 | 0:10:24 | |
Er... | 0:10:25 | 0:10:26 | |
The car that you were driving has been reported stolen. | 0:10:28 | 0:10:31 | |
Wasn't me. I told you, I was at the paper shop. | 0:10:32 | 0:10:36 | |
So you have no idea how you ended up in the car? | 0:10:36 | 0:10:40 | |
I bought some pear drops as well. She'll tell you, Mrs Mattingley! | 0:10:40 | 0:10:45 | |
You don't remember stealing the car? | 0:10:45 | 0:10:46 | |
I didn't steal it, I just... | 0:10:46 | 0:10:48 | |
Where am I anyway? Who are you? | 0:10:50 | 0:10:53 | |
Oh, come on. Why are you lying to me? | 0:10:53 | 0:10:56 | |
Who are you trying to get away from? | 0:10:56 | 0:10:59 | |
You can't let whoever did this to you get away with it. | 0:10:59 | 0:11:02 | |
Tell the police what happened. | 0:11:02 | 0:11:04 | |
OK, fine. I'm going to tell them you're fit to be interviewed, then. | 0:11:05 | 0:11:08 | |
You mustn't do that! | 0:11:08 | 0:11:10 | |
Just tell them I've lost my memory! | 0:11:10 | 0:11:12 | |
No, sorry, I can't do that. | 0:11:12 | 0:11:14 | |
Please! | 0:11:14 | 0:11:15 | |
You've got to help me! | 0:11:15 | 0:11:17 | |
Are you OK? | 0:11:23 | 0:11:24 | |
Don't pretend you care. | 0:11:24 | 0:11:26 | |
I just wanted to see if I could help, is all. | 0:11:26 | 0:11:28 | |
It's so artificial. | 0:11:28 | 0:11:30 | |
All this caring and sharing | 0:11:30 | 0:11:32 | |
for people you wouldn't be seen dead with normally. | 0:11:32 | 0:11:34 | |
Thanks! | 0:11:34 | 0:11:35 | |
I meant me. | 0:11:35 | 0:11:36 | |
Why would you think that? | 0:11:36 | 0:11:39 | |
Well, would you? Everyone else thinks I'm weird. | 0:11:39 | 0:11:41 | |
No, they don't... Look, why don't we pair up for the next one? | 0:11:41 | 0:11:45 | |
I'd only cramp your style. | 0:11:45 | 0:11:47 | |
I don't have any style! | 0:11:47 | 0:11:49 | |
Easy to say, when you've got men throwing themselves at you. | 0:11:49 | 0:11:51 | |
As if! | 0:11:51 | 0:11:53 | |
Well, Doug's not interested, OK? | 0:11:53 | 0:11:55 | |
-Excuse me? -So just back off! | 0:11:55 | 0:11:57 | |
Worth dying for, is it, your precious job? | 0:12:02 | 0:12:05 | |
-This is only going to make things worse for you. -I don't care. | 0:12:05 | 0:12:08 | |
Look, someone is going to come in and check on us in a minute, | 0:12:08 | 0:12:10 | |
or I could shout and then all hell will break loose. | 0:12:10 | 0:12:13 | |
Which is a shame for you | 0:12:13 | 0:12:14 | |
-because I don't think you intend to actually hurt me. -How do you know? | 0:12:14 | 0:12:18 | |
Because I see violent people all the time in this place. | 0:12:18 | 0:12:20 | |
And I don't think you're one of them. | 0:12:20 | 0:12:23 | |
You sure of that? | 0:12:23 | 0:12:24 | |
Yeah. In fact, I think you're probably a decent guy. | 0:12:25 | 0:12:28 | |
I am. | 0:12:31 | 0:12:32 | |
Any chance of a name, then? | 0:12:33 | 0:12:35 | |
Clive. | 0:12:37 | 0:12:38 | |
Clive, OK. | 0:12:40 | 0:12:41 | |
Would you like to tell me what happened, Clive? | 0:12:42 | 0:12:45 | |
Are you married, Doctor Clay? | 0:12:46 | 0:12:48 | |
No. | 0:12:50 | 0:12:51 | |
But used to be, eh? Me, too. | 0:12:52 | 0:12:55 | |
As from today. | 0:12:57 | 0:12:58 | |
What do you mean? | 0:13:00 | 0:13:01 | |
Margaret told me she was leaving me for another man. | 0:13:03 | 0:13:06 | |
Ten years younger than her. | 0:13:07 | 0:13:10 | |
How long have you been married? | 0:13:10 | 0:13:12 | |
It would have been our Golden Wedding next year. | 0:13:14 | 0:13:16 | |
How could she throw that away? | 0:13:20 | 0:13:23 | |
How could she? | 0:13:23 | 0:13:24 | |
She seems to believe we have a connection. | 0:13:27 | 0:13:30 | |
You know, years ago, I had a thing about Toyah. | 0:13:30 | 0:13:34 | |
Toyah Wilcox? You kept that quiet! | 0:13:34 | 0:13:37 | |
I was young! | 0:13:37 | 0:13:38 | |
Anyway, the point is, I once asked her for an autograph after a gig | 0:13:38 | 0:13:43 | |
and part of me was surprised that she didn't recognise me. | 0:13:43 | 0:13:47 | |
Because I felt I knew her so well... | 0:13:47 | 0:13:50 | |
You think that's the case with Alison? | 0:13:50 | 0:13:52 | |
She seems to have followed your career very closely. | 0:13:52 | 0:13:55 | |
Oh, no. I suggested she book a session with me. | 0:13:55 | 0:13:58 | |
Really? | 0:13:58 | 0:14:00 | |
I'd better mingle. | 0:14:00 | 0:14:01 | |
I've just had a really odd conversation with Alison. | 0:14:06 | 0:14:10 | |
Oh, you too? | 0:14:10 | 0:14:12 | |
I think she's left in a huff. | 0:14:12 | 0:14:13 | |
-RINGTONE: -# Hey, I just met you and this is crazy... # | 0:14:13 | 0:14:15 | |
What's that? | 0:14:15 | 0:14:17 | |
# But here's my number... # | 0:14:17 | 0:14:19 | |
Ah, of course. That one. | 0:14:19 | 0:14:21 | |
Unwanted admirer? | 0:14:25 | 0:14:27 | |
My mother. I'll keep her in suspense. | 0:14:27 | 0:14:29 | |
Anyway, what's your ringtone? | 0:14:29 | 0:14:31 | |
Ring ring... | 0:14:33 | 0:14:34 | |
OK, everyone ready? | 0:14:34 | 0:14:36 | |
Objects can stimulate memories | 0:14:39 | 0:14:42 | |
and not just in memory-impaired patients. | 0:14:42 | 0:14:45 | |
This helped a young offender to remember his grandmother | 0:14:45 | 0:14:48 | |
brushing her hair. | 0:14:48 | 0:14:49 | |
It was a time he felt safe, secure and wanted. | 0:14:49 | 0:14:52 | |
Textures evoke feelings in us. | 0:14:52 | 0:14:55 | |
Perhaps they can coax someone who's been abused to trust again. | 0:14:55 | 0:14:59 | |
And we've all experienced how smells and sounds | 0:14:59 | 0:15:02 | |
can whisk us back to the moment we thought we had forgotten. | 0:15:02 | 0:15:05 | |
This takes me back to my dad and me | 0:15:07 | 0:15:10 | |
supporting our local team on a Saturday | 0:15:10 | 0:15:12 | |
not long before he died. | 0:15:12 | 0:15:13 | |
Netball on a freezing-cold morning. | 0:15:17 | 0:15:20 | |
My knees knocking together. | 0:15:20 | 0:15:23 | |
Praying that they wouldn't pass the ball to me, | 0:15:23 | 0:15:25 | |
because I am rubbish at all sports! | 0:15:25 | 0:15:27 | |
For me, a plastic whistle | 0:15:28 | 0:15:30 | |
my daughter found in a Christmas cracker. | 0:15:30 | 0:15:34 | |
She drove us mad, blowing it all day long... | 0:15:35 | 0:15:38 | |
I've been a good husband to her. | 0:15:39 | 0:15:41 | |
Anything she wanted, my hand went straight in my pocket. | 0:15:42 | 0:15:46 | |
I worshipped the ground she walked on, I really did. | 0:15:47 | 0:15:50 | |
Maybe she'll change her mind? | 0:15:51 | 0:15:53 | |
Would you forgive that sort of behaviour - | 0:15:54 | 0:15:56 | |
playing away behind your back? | 0:15:56 | 0:15:58 | |
I know it's hard, but that's a lot of years together. | 0:16:01 | 0:16:03 | |
People, when they get older, sometimes they panic. | 0:16:05 | 0:16:07 | |
They think there's not a lot of time left. | 0:16:07 | 0:16:10 | |
That's because there isn't. | 0:16:10 | 0:16:12 | |
You get to my age and you realise this is your lot. | 0:16:12 | 0:16:16 | |
That's kind of my point. Margaret probably feels that way too. | 0:16:16 | 0:16:19 | |
I know you're trying to help, but you don't understand! | 0:16:21 | 0:16:25 | |
OK, fair enough. | 0:16:26 | 0:16:29 | |
But that's why you got drunk and you stole a car | 0:16:29 | 0:16:31 | |
and you went a bit crazy, yeah? | 0:16:31 | 0:16:33 | |
A bit crazy. | 0:16:34 | 0:16:35 | |
That's about right. | 0:16:36 | 0:16:38 | |
You still haven't explained who attacked you. | 0:16:41 | 0:16:43 | |
Who do you think? | 0:16:43 | 0:16:45 | |
I suppose the next stage is to interpret the memory. | 0:16:47 | 0:16:50 | |
Absolutely. Any thoughts, anyone? | 0:16:50 | 0:16:53 | |
Yeah. I hate being in competitive situations. | 0:16:53 | 0:16:57 | |
And I think the netball thing is showing me that. | 0:16:57 | 0:16:59 | |
And you've realised your daughter gets on your nerves? | 0:16:59 | 0:17:02 | |
No, not at all. | 0:17:02 | 0:17:04 | |
It's just that she lives with her mum now | 0:17:04 | 0:17:07 | |
and I miss seeing her every day. | 0:17:07 | 0:17:10 | |
Oh, my heart bleeds. | 0:17:10 | 0:17:12 | |
Alison, that's harsh. | 0:17:12 | 0:17:13 | |
Imagine how SHE must feel. | 0:17:13 | 0:17:15 | |
She probably thinks blowing that whistle drove you away. | 0:17:15 | 0:17:18 | |
-We should move on. -Fine by me. | 0:17:18 | 0:17:21 | |
This is my object. | 0:17:21 | 0:17:23 | |
My dad gave it to my mum. | 0:17:23 | 0:17:25 | |
I'm not sure it's the appropriate time for this, Alison. | 0:17:25 | 0:17:29 | |
He bought it to celebrate my birth. | 0:17:29 | 0:17:31 | |
My mum was so proud because all the other women on the ward | 0:17:31 | 0:17:34 | |
got flowers if they were lucky. | 0:17:34 | 0:17:36 | |
What's your interpretation of that memory? | 0:17:36 | 0:17:39 | |
Obviously, you were very much wanted. | 0:17:39 | 0:17:40 | |
Not only that, he was a bit of a celebrity. | 0:17:40 | 0:17:42 | |
And, so he signed autographs for everyone. | 0:17:42 | 0:17:46 | |
It was the happiest day of my mum's life. | 0:17:46 | 0:17:49 | |
Little did she know it would be downhill from then on. | 0:17:49 | 0:17:51 | |
Perhaps you should leave it there. | 0:17:51 | 0:17:53 | |
Why? | 0:17:53 | 0:17:54 | |
It's just getting interesting! Because a few weeks later | 0:17:54 | 0:17:57 | |
you moved to America. | 0:17:57 | 0:17:58 | |
You said you'd send for us when you got settled. | 0:17:58 | 0:18:01 | |
We'd be living in Hollywood | 0:18:01 | 0:18:03 | |
and driving down the boulevard in a Cadillac. | 0:18:03 | 0:18:05 | |
This is total fantasy. | 0:18:05 | 0:18:07 | |
Alison, Doug is not your father. | 0:18:07 | 0:18:09 | |
Really? | 0:18:09 | 0:18:11 | |
Or does he need his memory stimulated? | 0:18:11 | 0:18:13 | |
Take a closer look. | 0:18:13 | 0:18:14 | |
You lying hypocrite! | 0:18:16 | 0:18:18 | |
Please believe me. I'm not your father. | 0:18:18 | 0:18:20 | |
You recognised this. I could see it in your face. | 0:18:20 | 0:18:22 | |
Yes...I've seen one... very much like it. | 0:18:22 | 0:18:25 | |
-Doug, are you all right? -You can drop dead for all I care! | 0:18:25 | 0:18:28 | |
You deserve it. You killed my mother. | 0:18:28 | 0:18:31 | |
Doug. | 0:18:31 | 0:18:32 | |
Niamh, there's no pulse. | 0:18:34 | 0:18:36 | |
Someone call an ambulance! | 0:18:36 | 0:18:38 | |
Niamh. Niamh! | 0:18:38 | 0:18:40 | |
ABC - Airways, Breathing, Circulation... | 0:18:40 | 0:18:43 | |
People don't always want to admit to domestic abuse. | 0:18:49 | 0:18:52 | |
Especially if they're blokes. | 0:18:52 | 0:18:54 | |
That's not it. | 0:18:56 | 0:18:57 | |
Well, it looks to me as if she meant to hurt you. | 0:19:00 | 0:19:03 | |
Why would she do that? | 0:19:05 | 0:19:07 | |
She was defending herself. | 0:19:10 | 0:19:12 | |
She was defending herself? | 0:19:15 | 0:19:16 | |
I walk in and she's packing her bags. | 0:19:18 | 0:19:22 | |
I'm begging her not to go | 0:19:24 | 0:19:26 | |
and she's telling me how I'm old before my time... | 0:19:26 | 0:19:32 | |
and boring... | 0:19:32 | 0:19:36 | |
and she just can't stick any more of me... | 0:19:36 | 0:19:39 | |
..and then... | 0:19:41 | 0:19:42 | |
I've... | 0:19:44 | 0:19:46 | |
put my hands around her neck. | 0:19:46 | 0:19:48 | |
She's had one of those French manicures. | 0:19:50 | 0:19:53 | |
And I'm thinking what a waste of money. | 0:19:54 | 0:19:58 | |
What a waste...! | 0:20:00 | 0:20:02 | |
HE SOBS | 0:20:05 | 0:20:08 | |
Well, that was a close call. | 0:20:13 | 0:20:15 | |
What have they said? | 0:20:17 | 0:20:18 | |
Not a lot. They've been running tests. | 0:20:18 | 0:20:21 | |
Alison, I'm not sure this is a good time. | 0:20:23 | 0:20:26 | |
-I am his daughter! -It's OK, Ollie. | 0:20:26 | 0:20:28 | |
We have unfinished business. | 0:20:28 | 0:20:30 | |
Even so, at least wait. | 0:20:30 | 0:20:31 | |
I can't wait, Ollie. I need to speak to her. | 0:20:31 | 0:20:34 | |
For my own peace of mind. | 0:20:35 | 0:20:37 | |
Just remember his condition. | 0:20:37 | 0:20:39 | |
We'll just be outside. | 0:20:40 | 0:20:41 | |
He's under close observation. | 0:20:48 | 0:20:50 | |
-If she kicks off, they'll have her out of there anyway. -Yeah. | 0:20:50 | 0:20:52 | |
Look, um... | 0:20:55 | 0:20:57 | |
Niamh, | 0:20:57 | 0:20:59 | |
this may not be the best time... | 0:20:59 | 0:21:00 | |
Sounds ominous. | 0:21:00 | 0:21:02 | |
No, not at all... At least, I hope not. | 0:21:02 | 0:21:06 | |
I just wondered if... | 0:21:06 | 0:21:08 | |
Oh. Can you hang on one second? | 0:21:08 | 0:21:10 | |
-I want to see if I can find anything out. -Um... | 0:21:10 | 0:21:13 | |
Right. | 0:21:15 | 0:21:16 | |
-Grab a chair. -I'm not staying. | 0:21:18 | 0:21:21 | |
I only came back to make sure you were alive. | 0:21:23 | 0:21:25 | |
Well, it's a start. | 0:21:25 | 0:21:27 | |
Not that I care either way. | 0:21:27 | 0:21:28 | |
I just...needed to know. | 0:21:28 | 0:21:31 | |
I bought that pendant for a woman called Sandra. Sandra Steele. | 0:21:33 | 0:21:38 | |
-Is she your mum? -You know she is. | 0:21:38 | 0:21:40 | |
Was. | 0:21:42 | 0:21:43 | |
Can't believe she's dead. | 0:21:43 | 0:21:46 | |
How did it happen? | 0:21:46 | 0:21:47 | |
-Overdose. -I'm so sorry. | 0:21:51 | 0:21:54 | |
They said it was accidental, | 0:21:54 | 0:21:55 | |
like she was some sort of hopeless junkie. | 0:21:55 | 0:21:58 | |
It was your fault. | 0:22:00 | 0:22:01 | |
How could you abandon us like that? What kind of man are you? | 0:22:01 | 0:22:04 | |
Alison, please. | 0:22:04 | 0:22:05 | |
I used to have this dream that I'd come out of school one day | 0:22:05 | 0:22:08 | |
and you'd be waiting for me. | 0:22:08 | 0:22:09 | |
My film-star dad. | 0:22:11 | 0:22:12 | |
And finally, finally, all the other kids would believe me. | 0:22:12 | 0:22:17 | |
-Alison... -When I heard you came back, I waited for you to get in touch. | 0:22:17 | 0:22:21 | |
But you didn't. | 0:22:21 | 0:22:22 | |
I felt sure some paternal instinct would kick in as soon as you saw me. | 0:22:22 | 0:22:26 | |
-Pathetic, isn't it... -Please. -..how much faith I still had in you...? | 0:22:28 | 0:22:32 | |
Please, let me try to explain! | 0:22:32 | 0:22:34 | |
In spite of all the Christmases you forgot... | 0:22:34 | 0:22:37 | |
..all the birthdays you've ignored... | 0:22:38 | 0:22:42 | |
A cheap little card would have done! | 0:22:42 | 0:22:44 | |
Signed, "love, Dad." | 0:22:44 | 0:22:47 | |
I don't even know when your birthday is! | 0:22:47 | 0:22:50 | |
You've forgotten! | 0:22:50 | 0:22:51 | |
Just tell me what date you were born. | 0:22:51 | 0:22:54 | |
17th of September, 1993. | 0:22:56 | 0:23:00 | |
OK. | 0:23:00 | 0:23:01 | |
So...Sandra and I went out together for a couple of months. | 0:23:01 | 0:23:04 | |
We split in December '92, just before I went to the States. | 0:23:04 | 0:23:07 | |
We parted as friends, or so I thought. | 0:23:08 | 0:23:11 | |
You're trying to say you're not my dad. | 0:23:13 | 0:23:15 | |
No, I'm telling you I MIGHT be. | 0:23:15 | 0:23:17 | |
But I didn't abandon you, because I didn't know you existed. | 0:23:17 | 0:23:20 | |
My mum wouldn't lie. | 0:23:22 | 0:23:23 | |
We'd watch the video and she'd tell me how you were coming home. | 0:23:25 | 0:23:28 | |
And that everything would be OK. | 0:23:28 | 0:23:30 | |
I'm telling you the truth. On my life. | 0:23:30 | 0:23:32 | |
I never heard from her again. | 0:23:32 | 0:23:34 | |
Why would she let me believe you'd abandoned me? | 0:23:36 | 0:23:39 | |
She loved me, she wouldn't be that cruel! | 0:23:39 | 0:23:42 | |
This makes no sense to me either. | 0:23:42 | 0:23:45 | |
But you and I have to deal with the here and now. | 0:23:45 | 0:23:47 | |
Don't pretend this isn't the worst news you've ever had. | 0:23:47 | 0:23:50 | |
The most astonishing, certainly, but not the worst! | 0:23:50 | 0:23:53 | |
-You mean that? -Of course. | 0:23:56 | 0:23:58 | |
When I get out of here we'll do a DNA test, we'll sort it out. | 0:23:58 | 0:24:02 | |
You still can't accept you're my dad? | 0:24:02 | 0:24:05 | |
We both have to find out for sure, don't we? | 0:24:05 | 0:24:08 | |
If I'm not your dad, then the real one is out there somewhere | 0:24:08 | 0:24:11 | |
and I'll help you with that. | 0:24:11 | 0:24:13 | |
If I am, then you and I have got a lot of catching up to do. | 0:24:13 | 0:24:17 | |
Sorry. | 0:24:33 | 0:24:34 | |
He's got ischaemic heart disease. | 0:24:42 | 0:24:44 | |
The chest pains he thought were indigestion were actually angina. | 0:24:44 | 0:24:48 | |
But with the right treatment he'll be OK. | 0:24:48 | 0:24:50 | |
-Good. -I've got to get back to work. | 0:24:50 | 0:24:52 | |
Oh, right. You go ahead. I'd better hang around here a bit longer. | 0:24:52 | 0:24:58 | |
OK. Bye, then. | 0:24:58 | 0:25:00 | |
Bye. | 0:25:00 | 0:25:02 | |
Actually...Niamh... | 0:25:04 | 0:25:06 | |
Yes? | 0:25:06 | 0:25:07 | |
I'm divorced, | 0:25:09 | 0:25:11 | |
as you know. | 0:25:11 | 0:25:13 | |
And, uh... | 0:25:13 | 0:25:15 | |
..I'd like to start dating again. | 0:25:17 | 0:25:19 | |
Oh, you should. You definitely should. | 0:25:19 | 0:25:24 | |
Oh... | 0:25:26 | 0:25:28 | |
you mean, with me? | 0:25:28 | 0:25:29 | |
Well...yes. | 0:25:29 | 0:25:31 | |
Is that too horrifying a prospect? | 0:25:31 | 0:25:33 | |
No. It's just ... | 0:25:33 | 0:25:34 | |
Oh, you're seeing someone. | 0:25:34 | 0:25:37 | |
Of course, bound to be. Sorry. I should have realised! | 0:25:37 | 0:25:40 | |
No, I'm not. Honestly, I'm not. | 0:25:40 | 0:25:42 | |
And it sounds like fun. | 0:25:42 | 0:25:43 | |
I'd love to. | 0:25:43 | 0:25:45 | |
Oh! | 0:25:46 | 0:25:47 | |
Great. | 0:25:47 | 0:25:48 | |
What about dinner, then? Savoureux's? | 0:25:50 | 0:25:53 | |
THE Savoureux's? | 0:25:53 | 0:25:55 | |
-Are there two? -Not that I know of! | 0:25:55 | 0:25:58 | |
Right... | 0:25:58 | 0:25:59 | |
I'll call you, then, shall I? | 0:26:01 | 0:26:03 | |
Brilliant. I'll look forward to it. | 0:26:03 | 0:26:05 | |
You're, um... going to need my number. | 0:26:12 | 0:26:14 | |
So I will. | 0:26:15 | 0:26:17 | |
See ya. | 0:26:17 | 0:26:18 | |
Very soon, I hope. | 0:26:18 | 0:26:20 | |
Aren't you the least bit bothered | 0:26:27 | 0:26:28 | |
that I'm going to be spending the next couple of days in a hotel? | 0:26:28 | 0:26:31 | |
With Toni? | 0:26:32 | 0:26:34 | |
I couldn't care less. | 0:26:34 | 0:26:35 | |
Have you got a hot date or something? | 0:26:35 | 0:26:37 | |
I do actually. He's picking me up from work. | 0:26:37 | 0:26:39 | |
Hi, it's me. Sorry I haven't caught you in. | 0:26:39 | 0:26:43 | |
I love you and I'll speak to you in a bit. | 0:26:44 | 0:26:47 |