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PHONE RINGS | 0:00:30 | 0:00:32 | |
SNORING | 0:00:32 | 0:00:35 | |
KNOCK ON DOOR | 0:00:35 | 0:00:37 | |
-WOMAN: -Phil? | 0:00:37 | 0:00:39 | |
SHE KNOCKS AGAIN | 0:00:41 | 0:00:42 | |
PHONE RINGS AGAIN | 0:00:47 | 0:00:50 | |
'Hi, this is Phil. Please leave a message after the tone.' | 0:00:54 | 0:00:57 | |
SHE GASPS | 0:01:10 | 0:01:12 | |
When I rang I asked for a repeat prescription, | 0:01:12 | 0:01:15 | |
but they said I had to come in to see you first. | 0:01:15 | 0:01:18 | |
-Standard procedure, I'm afraid. -I see. | 0:01:18 | 0:01:20 | |
The thing is, I've got a really busy day today. | 0:01:20 | 0:01:22 | |
It would have been so much simpler if I could have... | 0:01:22 | 0:01:25 | |
It's just that sometimes habitual use of sleeping tablets... | 0:01:25 | 0:01:27 | |
I don't use them habitually. | 0:01:27 | 0:01:29 | |
I haven't actually had them for two years. | 0:01:29 | 0:01:33 | |
So this is rather a waste of your time. And mine. | 0:01:33 | 0:01:36 | |
I notice you've recently had a course of anti-depressants. | 0:01:36 | 0:01:39 | |
Is that in any way related to this bout of insomnia? | 0:01:39 | 0:01:43 | |
Nothing particular you're worried about? | 0:01:43 | 0:01:45 | |
No. | 0:01:45 | 0:01:47 | |
So this sleeplessness has just come out of the blue? | 0:01:47 | 0:01:50 | |
Yes. Unfortunately. | 0:01:50 | 0:01:51 | |
I just need a new prescription. | 0:01:53 | 0:01:54 | |
Right. | 0:01:54 | 0:01:55 | |
As I said, I've got a lot on today. | 0:01:57 | 0:01:59 | |
Can you fill that in, please. Thank you. | 0:02:05 | 0:02:08 | |
Good morning! | 0:02:10 | 0:02:11 | |
Oh, good morning, Officer Biglow. Are you all right? | 0:02:11 | 0:02:15 | |
Couldn't be better. | 0:02:15 | 0:02:18 | |
Just thought I'd pop in to update you on staffing arrangements. | 0:02:18 | 0:02:22 | |
I shan't be on shift for the rest of the day. | 0:02:22 | 0:02:25 | |
Right. Well, thank you for informing us. | 0:02:25 | 0:02:30 | |
Don't worry though, young Wayne, my deputy, | 0:02:30 | 0:02:33 | |
will very ably fill my shoes. | 0:02:33 | 0:02:35 | |
Not that he hasn't got a bit to learn yet, | 0:02:35 | 0:02:38 | |
but he shows promise. | 0:02:38 | 0:02:39 | |
-Well, flashes of it, anyway. -I'm sure. | 0:02:39 | 0:02:42 | |
-Thank you. -Bye. | 0:02:43 | 0:02:45 | |
Was there anything else? | 0:02:49 | 0:02:50 | |
I've got a date. Lunchtime. | 0:02:50 | 0:02:52 | |
So the battle re-enactment went very well? | 0:02:52 | 0:02:56 | |
Definitely. Victory was mine. | 0:02:56 | 0:02:58 | |
And you won her heart. | 0:02:59 | 0:03:00 | |
Well, she's invited me back to her place. A bit direct. | 0:03:00 | 0:03:04 | |
But then this is the 21st century, right? | 0:03:04 | 0:03:07 | |
She texted me. But I called back. | 0:03:07 | 0:03:11 | |
Just to confirm the details. Address, et cetera. | 0:03:11 | 0:03:14 | |
Well, I am very pleased for you. | 0:03:14 | 0:03:17 | |
Normally I wouldn't consider making last minute alterations | 0:03:17 | 0:03:20 | |
to my working arrangements. | 0:03:20 | 0:03:22 | |
Smacks of unprofessionalism, but...under the circumstances.... | 0:03:22 | 0:03:26 | |
I think it'll be worth it, don't you? | 0:03:26 | 0:03:29 | |
I am sure. | 0:03:29 | 0:03:30 | |
No! | 0:03:43 | 0:03:44 | |
HE GROANS | 0:03:45 | 0:03:47 | |
Oh, my head. | 0:03:47 | 0:03:49 | |
Mum. | 0:03:59 | 0:04:00 | |
Mum? | 0:04:03 | 0:04:05 | |
I'm not refusing to prescribe you the tablets. | 0:04:11 | 0:04:14 | |
Seems that way to me. | 0:04:14 | 0:04:16 | |
No. I'm just wondering if it would be any use to you to try and understand | 0:04:16 | 0:04:20 | |
any underlying cause to this, money worries, pressure at work...? | 0:04:20 | 0:04:23 | |
It's mainly work. OK? | 0:04:23 | 0:04:26 | |
OK. | 0:04:26 | 0:04:27 | |
My new class intake for September is up on last year | 0:04:27 | 0:04:30 | |
and it includes a lot of difficult kids too. | 0:04:30 | 0:04:34 | |
So is there anyone at work you can discuss this with? | 0:04:34 | 0:04:36 | |
-Try and come to some solution? -No. Nothing can be done. | 0:04:36 | 0:04:40 | |
Surely the Head...? | 0:04:40 | 0:04:42 | |
It's really not worth talking about. It's my problem. I can deal with it. | 0:04:42 | 0:04:45 | |
But it's just at the moment, I don't feel I can cope without... | 0:04:45 | 0:04:49 | |
Without...? | 0:04:51 | 0:04:52 | |
Enough sleep. | 0:04:52 | 0:04:53 | |
I'm honestly not reliant on the sleeping pills. | 0:04:53 | 0:04:56 | |
This is very much a short term thing. | 0:04:56 | 0:04:59 | |
I probably won't even take them. | 0:04:59 | 0:05:01 | |
It's more about knowing I have them there if I need them. | 0:05:01 | 0:05:04 | |
To help me through this. | 0:05:04 | 0:05:06 | |
OK. | 0:05:10 | 0:05:11 | |
-Morning! -Why are you so perky? | 0:05:15 | 0:05:18 | |
Just got out of the right side of the bed, I guess. | 0:05:18 | 0:05:20 | |
Was there anybody in that bed? | 0:05:20 | 0:05:21 | |
No, there wasn't, but if there are any developments, | 0:05:21 | 0:05:24 | |
-you'll be the first to know. -Ah. | 0:05:24 | 0:05:25 | |
I'm going to go to the deli shop for my lunch. | 0:05:25 | 0:05:27 | |
That's the sort of place where you might meet Miss Perfect. | 0:05:27 | 0:05:30 | |
This is Letherbridge, Niamh, anything could happen. SHE GIGLES | 0:05:30 | 0:05:33 | |
While you're there, there's this carrot cake and it's amazing. | 0:05:33 | 0:05:38 | |
That is the most unsubtle hint. You want me to get you some cake? | 0:05:38 | 0:05:42 | |
Well, if you insist... | 0:05:42 | 0:05:44 | |
I suppose my real concern is establishing a clear connection, | 0:05:47 | 0:05:51 | |
right from kick off. | 0:05:51 | 0:05:52 | |
I am not sure I understand. | 0:05:52 | 0:05:54 | |
Between Matilda and myself. | 0:05:54 | 0:05:56 | |
I don't want there to be any...confusion. | 0:05:56 | 0:05:59 | |
Sorry. I'm probably not explaining myself very well. | 0:06:00 | 0:06:03 | |
This whole...thing... | 0:06:03 | 0:06:07 | |
it's not one of my areas of expertise, you know? | 0:06:07 | 0:06:10 | |
I really do not think that I am qualified... | 0:06:10 | 0:06:13 | |
Ah, but you are. Because you're a woman. | 0:06:13 | 0:06:15 | |
And what I need is a woman's perspective. | 0:06:15 | 0:06:17 | |
I see. | 0:06:18 | 0:06:20 | |
My question is, do you think that honesty is the single, | 0:06:20 | 0:06:24 | |
most important ingredient in a relationship? | 0:06:24 | 0:06:27 | |
Yes. Yes, I think I do. | 0:06:28 | 0:06:31 | |
Excellent! Now we're cooking. | 0:06:31 | 0:06:33 | |
So, how do I make sure that it's in the mix then, so to speak? | 0:06:33 | 0:06:38 | |
What I'm getting at is, if I'm being 100% honest - | 0:06:39 | 0:06:43 | |
which is a given, obviously - | 0:06:43 | 0:06:45 | |
how do I make sure Matilda is being honest with me? | 0:06:45 | 0:06:49 | |
I think you are speaking to the wrong person. | 0:06:49 | 0:06:51 | |
No. No. I really would like your opinion. | 0:06:51 | 0:06:53 | |
-I have rather a lot of work to do. -But I just need... | 0:06:53 | 0:06:55 | |
If you will excuse me. | 0:06:55 | 0:06:56 | |
I know you're probably just sleeping off the hangover from hell - | 0:07:03 | 0:07:06 | |
serves you right - but can you call me? | 0:07:06 | 0:07:09 | |
Love you. Bye. | 0:07:11 | 0:07:13 | |
Barry, knocking off early? Not like you. | 0:07:29 | 0:07:32 | |
Exceptional circumstances. I've got a date. | 0:07:32 | 0:07:35 | |
Oh, with the...err...woman from the...? | 0:07:35 | 0:07:38 | |
Right, well, good luck with that. | 0:07:38 | 0:07:40 | |
Thing is, not being that experienced, | 0:07:40 | 0:07:43 | |
I'm a bit undecided how to play it. | 0:07:43 | 0:07:45 | |
How do you mean? | 0:07:45 | 0:07:47 | |
I'm wrestling with two conflicting schools of thought. | 0:07:47 | 0:07:49 | |
One - be myself, act natural. | 0:07:49 | 0:07:52 | |
Or, two - and given the history of one not being a hugely | 0:07:52 | 0:07:55 | |
successful approach - I could consider being more... | 0:07:55 | 0:07:58 | |
-more... -Well, good luck with that. | 0:07:58 | 0:08:01 | |
I want this to be a real, proper date. | 0:08:01 | 0:08:03 | |
I want me and Matilda - if that's her real name - | 0:08:03 | 0:08:06 | |
-to be...like... -Whoa. Whoa. Whoa. | 0:08:06 | 0:08:07 | |
You've got as far as going on a date with her, | 0:08:07 | 0:08:09 | |
but you don't even know if that's her real name? | 0:08:09 | 0:08:11 | |
-She signed it Matilda when she summoned me. -Summoned you? | 0:08:11 | 0:08:14 | |
"Brave Sir Edmund, I need you most urgently. Come post haste! | 0:08:17 | 0:08:23 | |
"Be sure to wear thine armour, as danger lies within..." | 0:08:23 | 0:08:27 | |
Truth is, I just can't picture myself making love to her | 0:08:33 | 0:08:37 | |
-dressed as a sellsword. -A what? | 0:08:37 | 0:08:39 | |
A mercenary. Weapon for hire. | 0:08:39 | 0:08:42 | |
I've got to go. | 0:08:42 | 0:08:43 | |
I imagined that particular scenario to be much more... | 0:08:43 | 0:08:46 | |
No, no, no. No more detail, please! | 0:08:46 | 0:08:48 | |
I just dunno what to think. | 0:08:48 | 0:08:50 | |
Think about this, when was the last time you had a girlfriend? | 0:08:50 | 0:08:53 | |
PHONE RINGS | 0:09:06 | 0:09:08 | |
'Hi, this is Phil, please leave a message after the tone.' | 0:09:23 | 0:09:27 | |
Eleanor Campbell, come through. | 0:09:28 | 0:09:30 | |
Phil? | 0:09:41 | 0:09:42 | |
If you can hear me, I'm doing this for your own good. | 0:09:44 | 0:09:50 | |
I know it seems a bit...extreme, but you'll thank me in the end. | 0:09:50 | 0:09:55 | |
Phil? | 0:09:57 | 0:09:58 | |
I can't really tell if it's morning sickness or nerves. | 0:10:03 | 0:10:06 | |
Nerves would be understandable, it's not every day you get married. | 0:10:06 | 0:10:09 | |
It's only in a register office. | 0:10:09 | 0:10:11 | |
I just want everything to go right. | 0:10:11 | 0:10:13 | |
Of course. Well, congratulations in advance. | 0:10:13 | 0:10:16 | |
Thanks. It's been a while coming. | 0:10:16 | 0:10:18 | |
Took my boyfriend three goes at proposing till I said yes. | 0:10:18 | 0:10:21 | |
That's a woman's prerogative. | 0:10:21 | 0:10:23 | |
I thought he was just asking out of guilt, you know. | 0:10:23 | 0:10:26 | |
He sounds very keen to me. | 0:10:26 | 0:10:27 | |
The last time he asked was a surprise at our graduation ceremony. | 0:10:27 | 0:10:31 | |
He hired a band, bought champagne, flowers, everything... | 0:10:31 | 0:10:36 | |
Very impressive. | 0:10:36 | 0:10:37 | |
I couldn't say no, could I? | 0:10:37 | 0:10:39 | |
Plus it was really good champagne. | 0:10:39 | 0:10:41 | |
He knows you well. | 0:10:41 | 0:10:42 | |
Not that well. The band was terrible. | 0:10:42 | 0:10:46 | |
Right, this all looks fine. | 0:10:46 | 0:10:48 | |
I'd say it's just a touch of morning sickness. | 0:10:49 | 0:10:52 | |
Unless, of course, you've developed cold feet? | 0:10:52 | 0:10:55 | |
-Then you're good to go. -Thank you. -OK. | 0:10:55 | 0:10:58 | |
CLOCK TICKS | 0:11:01 | 0:11:03 | |
HE GASPS | 0:11:03 | 0:11:05 | |
Mum! | 0:11:11 | 0:11:12 | |
Mum! | 0:11:17 | 0:11:20 | |
Mum! What's going on? | 0:11:20 | 0:11:23 | |
Hail, Sir Edmund! | 0:11:44 | 0:11:45 | |
Err...hail. | 0:11:46 | 0:11:48 | |
-Thanks again. Hope I didn't waste your time. -PHONE BEEPS | 0:12:22 | 0:12:25 | |
No. Always better to be safe than sorry. | 0:12:25 | 0:12:27 | |
Goodbye. Good luck. | 0:12:27 | 0:12:28 | |
Everything all right? | 0:12:30 | 0:12:32 | |
Eleanor? | 0:12:34 | 0:12:36 | |
He ignores my calls all day and then he jilts me. | 0:12:36 | 0:12:38 | |
Oh... I'm so sorry. | 0:12:38 | 0:12:42 | |
By text. | 0:12:42 | 0:12:43 | |
Is there anything I can do? | 0:12:43 | 0:12:45 | |
He's got some serious explaining to do... | 0:12:45 | 0:12:48 | |
PHONE RINGS | 0:12:48 | 0:12:49 | |
'..please leave a message after the tone.' | 0:13:00 | 0:13:03 | |
Who does that? By text! | 0:13:06 | 0:13:09 | |
PHONE BEEPS | 0:13:09 | 0:13:11 | |
"My mind is made up. Don't call me again." | 0:13:13 | 0:13:16 | |
Nice. He's such a...coward. | 0:13:17 | 0:13:21 | |
-Can I call anyone? -You know what? | 0:13:21 | 0:13:23 | |
If Phil hasn't got the guts to finally cut the apron strings | 0:13:23 | 0:13:26 | |
-then I don't want to marry him! -So this is about...? | 0:13:26 | 0:13:29 | |
Mrs Shearer. His mum. She's behind this. | 0:13:29 | 0:13:33 | |
I take it you two don't get on? | 0:13:33 | 0:13:35 | |
I've tried so hard, honestly. | 0:13:35 | 0:13:37 | |
But she just hated me, point blank, from day one. | 0:13:37 | 0:13:41 | |
Doesn't matter what I say or do. | 0:13:41 | 0:13:43 | |
Did you say Shearer? | 0:13:43 | 0:13:45 | |
She even refuses to speak directly to me. | 0:13:45 | 0:13:47 | |
Like I don't exist. She's just not right. | 0:13:47 | 0:13:50 | |
I mean, I feel sorry for her. | 0:13:50 | 0:13:52 | |
She's had this depression thing on and off for years | 0:13:52 | 0:13:55 | |
since she lost Phil's dad. But... | 0:13:55 | 0:13:57 | |
Are you talking about Tricia Shearer? | 0:13:57 | 0:13:59 | |
Phil knows she needs help, but he's done absolutely nothing. | 0:14:01 | 0:14:05 | |
Is he with her now, do you know? | 0:14:05 | 0:14:08 | |
Probably. And that's where he's staying as far as I'm concerned. | 0:14:08 | 0:14:12 | |
Your mead, sir. | 0:14:16 | 0:14:18 | |
Ta. | 0:14:18 | 0:14:19 | |
I thank you, fair maiden. | 0:14:20 | 0:14:22 | |
Tell me more of your brave exploits in battle. | 0:14:26 | 0:14:29 | |
I told you about Letherbridge Castle. | 0:14:29 | 0:14:31 | |
But you were a sellsword, you must have fought in many wars? | 0:14:33 | 0:14:38 | |
Oh, yeah. All over the land. | 0:14:38 | 0:14:43 | |
I've killed many men, stood sieges, ransacked castles. | 0:14:43 | 0:14:48 | |
Your hands are rough, a fighter's hands. Not a lover's. | 0:14:48 | 0:14:54 | |
I have enjoyed the spoils of war. | 0:14:54 | 0:14:58 | |
So you admit you have lain with many women? | 0:14:58 | 0:15:01 | |
(You admit you have lain with many women.) | 0:15:03 | 0:15:06 | |
Oh...pfft. Countless. | 0:15:06 | 0:15:09 | |
And loved them then left them, I bet, you brute? | 0:15:09 | 0:15:12 | |
I'm a soldier first. | 0:15:12 | 0:15:14 | |
More mead, sir? | 0:15:21 | 0:15:23 | |
I wouldn't say no. | 0:15:23 | 0:15:25 | |
SHE GASPS | 0:15:58 | 0:15:59 | |
What the hell have you done to me?! | 0:15:59 | 0:16:01 | |
Phil! No! No! Phil! Wait! | 0:16:01 | 0:16:03 | |
Phil! Please. Listen to me... Listen to me, Phil! | 0:16:03 | 0:16:06 | |
Please. Listen to me, Phil! | 0:16:06 | 0:16:08 | |
-Enough! I'm done! You need help! -SHE SHOUTS AND SOBS | 0:16:08 | 0:16:14 | |
Do you hear me? You're sick! | 0:16:14 | 0:16:17 | |
SHE WAILS | 0:16:17 | 0:16:19 | |
No, Phil. I had to. I had to. Listen to me, please! | 0:16:19 | 0:16:23 | |
Coffee? | 0:16:27 | 0:16:28 | |
Mm, yeah. | 0:16:28 | 0:16:30 | |
How's it going? | 0:16:30 | 0:16:31 | |
Been better. | 0:16:33 | 0:16:35 | |
Can I run something by you? | 0:16:35 | 0:16:38 | |
Why ask? You're going to anyway. | 0:16:38 | 0:16:40 | |
HE CHUCKLES | 0:16:40 | 0:16:41 | |
If you had a friend who's girlfriend was having an affair, | 0:16:41 | 0:16:47 | |
what would you do? | 0:16:47 | 0:16:48 | |
I suppose it depends who it is. | 0:16:49 | 0:16:51 | |
No-one you know. I barely know them. | 0:16:51 | 0:16:54 | |
So why do you care? | 0:16:54 | 0:16:56 | |
Just curious. | 0:16:56 | 0:16:58 | |
-So this is random, idle speculation? -Basically, yeah. | 0:16:58 | 0:17:04 | |
Well, in that case, you've come to the right man. | 0:17:04 | 0:17:06 | |
It's recently been made crystal clear to me that most women, | 0:17:06 | 0:17:10 | |
I want to be fair, | 0:17:10 | 0:17:11 | |
most woman are horrifically, horribly superficial. | 0:17:11 | 0:17:15 | |
Ergo, it follows that all relationships - | 0:17:15 | 0:17:17 | |
those based on what the modern world likes to call romantic love - | 0:17:17 | 0:17:21 | |
-are inevitably doomed. -Right. | 0:17:21 | 0:17:24 | |
Especially those fools who made it legal and got married. | 0:17:25 | 0:17:28 | |
On that point, ladies and gentlemen of the jury, I rest my case. | 0:17:28 | 0:17:32 | |
You still haven't told me what you'd do. | 0:17:34 | 0:17:37 | |
Nada. Nothing. No action needs to be taken. | 0:17:37 | 0:17:39 | |
-Really? -Mmm. | 0:17:39 | 0:17:41 | |
OK... | 0:17:41 | 0:17:42 | |
Did you put sugar in that? | 0:17:43 | 0:17:45 | |
No. | 0:17:47 | 0:17:48 | |
PHONE RINGS | 0:17:55 | 0:17:58 | |
Eleanor, it's me. Ignore those texts! | 0:18:06 | 0:18:09 | |
I didn't send them, I swear. I've been... | 0:18:09 | 0:18:11 | |
Oh, look... I'll explain when I see you. | 0:18:13 | 0:18:15 | |
-KNOCK ON DOOR -I'm coming straight to you now. | 0:18:15 | 0:18:17 | |
I'll try you again in a bit. Bye. | 0:18:17 | 0:18:20 | |
Hi there, you must be Phil? | 0:18:22 | 0:18:24 | |
I'm Dr Granger from the Campus Surgery. Is your mum home? | 0:18:24 | 0:18:27 | |
-Why? -Can I come in? | 0:18:27 | 0:18:29 | |
I was just leaving. | 0:18:29 | 0:18:30 | |
Actually, I'm a bit concerned about her. | 0:18:30 | 0:18:33 | |
Yeah, well you should be. She's lost the plot. | 0:18:33 | 0:18:36 | |
-What do you mean? -She doped me up with something! | 0:18:36 | 0:18:38 | |
-What? -Locked me in my bedroom. | 0:18:38 | 0:18:40 | |
Where is she now? | 0:18:40 | 0:18:42 | |
I can't do this anymore. I've had it with her. | 0:18:42 | 0:18:44 | |
If she thinks this is going to stop me... | 0:18:44 | 0:18:46 | |
Please. Just calm down. Try and explain. | 0:18:46 | 0:18:48 | |
-I haven't got time for this! -Phil, where is your mum now? | 0:18:48 | 0:18:50 | |
Getting a taste of her own medicine. | 0:18:50 | 0:18:52 | |
ENGLISH FOLK MUSIC PLAYS | 0:18:58 | 0:18:59 | |
Don't get me wrong, | 0:18:59 | 0:19:01 | |
the battle re-enactment stuff is good fun but... | 0:19:01 | 0:19:04 | |
-I am Matilda. She's part of me. -No... | 0:19:04 | 0:19:07 | |
No, I get that, it's just... | 0:19:09 | 0:19:12 | |
Edmund, give yourself up to it. Live this world. | 0:19:12 | 0:19:16 | |
It's so much richer together, we can be more intense. | 0:19:16 | 0:19:20 | |
-Intense? -Don't divide us. Be strong. For me. | 0:19:22 | 0:19:27 | |
You swore a vow, remember. | 0:19:27 | 0:19:29 | |
Prove yourself and I will...reward you. | 0:19:31 | 0:19:36 | |
I am still yours to command, milady. | 0:19:41 | 0:19:44 | |
So, Sir Edmund, do you swear again your fealty to me? | 0:19:44 | 0:19:48 | |
To the last drop of my blood. | 0:19:48 | 0:19:50 | |
And do you long for the favours that only I can bestow? | 0:19:50 | 0:19:54 | |
Oh, I do. I definitely do. | 0:19:54 | 0:19:57 | |
Tricia! Tricia! It's Dr Granger. | 0:19:58 | 0:20:02 | |
Tricia, did you take all of these? Can you hear me? | 0:20:06 | 0:20:09 | |
Tricia? Can you talk to me? | 0:20:09 | 0:20:12 | |
It's Dr Granger... | 0:20:12 | 0:20:13 | |
SHE MOANS | 0:20:13 | 0:20:14 | |
-Sorry, I'm so sorry. -It's all right. | 0:20:14 | 0:20:18 | |
I don't want to be alone. | 0:20:18 | 0:20:19 | |
You're not alone. I'm here with you now. | 0:20:19 | 0:20:22 | |
He's gone. I've lost him now. | 0:20:22 | 0:20:24 | |
Just keep talking. Come on. Ambulance, please. | 0:20:24 | 0:20:27 | |
I think she's taken an overdose. | 0:20:27 | 0:20:29 | |
Yeah, it's Dr Granger from the Campus Surgery | 0:20:29 | 0:20:31 | |
Phil? Can you try and talk to her while I'm on the phone? | 0:20:31 | 0:20:34 | |
Yes. I'm with a patient in her home... | 0:20:34 | 0:20:36 | |
Phil? | 0:20:36 | 0:20:37 | |
-I have to go. -Phil! Wait! | 0:20:39 | 0:20:41 | |
ENGLISH FOLK MUSIC PLAYS | 0:20:42 | 0:20:45 | |
It's time to reward your loyalty. | 0:20:47 | 0:20:49 | |
I want you, Edmund... | 0:20:50 | 0:20:53 | |
Barry! My name is Barry! | 0:20:53 | 0:20:55 | |
MUSIC WARPS AND STOPS | 0:20:56 | 0:20:58 | |
I'm not Edmund. I don't want to be Edmund. | 0:20:58 | 0:21:02 | |
I'm Barry Norman Biglow. Third Head in Charge of Security... | 0:21:02 | 0:21:09 | |
at Letherbridge University Campus. | 0:21:09 | 0:21:13 | |
And I'm proud of it. | 0:21:14 | 0:21:16 | |
I love my job. | 0:21:17 | 0:21:19 | |
It's who I am. I am a good person. | 0:21:23 | 0:21:27 | |
I like books, dogs, walking, a bit of gardening | 0:21:27 | 0:21:33 | |
and a good chat every now and then. | 0:21:33 | 0:21:35 | |
I really like you but I want to be completely honest here. | 0:21:45 | 0:21:51 | |
I'm not really looking for some fantasy world medieval relationship. | 0:21:53 | 0:21:58 | |
If you're prepared to like me for who I am, | 0:22:00 | 0:22:03 | |
then we might have some future together. | 0:22:03 | 0:22:05 | |
If not, then we best end this here. | 0:22:07 | 0:22:11 | |
So what do you say... | 0:22:14 | 0:22:17 | |
is the door open or is it closed? | 0:22:17 | 0:22:21 | |
ENGINE RUNS | 0:22:49 | 0:22:51 | |
Station, please. | 0:22:55 | 0:22:57 | |
Eleanor! | 0:22:57 | 0:22:58 | |
I'm sorry. I'm so sorry. | 0:23:00 | 0:23:02 | |
Phil... Phil! | 0:23:11 | 0:23:13 | |
It's all right, Tricia. You're in good hands now. | 0:23:13 | 0:23:16 | |
He's gone. He's gone. | 0:23:16 | 0:23:17 | |
Keep breathing. That's it. Nice deep breaths. | 0:23:17 | 0:23:20 | |
SHE SOBS | 0:23:20 | 0:23:22 | |
That's it. Nice and deep. | 0:23:22 | 0:23:24 | |
I didn't think I'd ever get you here. | 0:23:28 | 0:23:30 | |
Nor did I. | 0:23:30 | 0:23:31 | |
I'm so sorry. | 0:23:33 | 0:23:35 | |
It's not your fault. | 0:23:35 | 0:23:37 | |
You've got a lifetime to make it up to me now, anyway. | 0:23:37 | 0:23:40 | |
-I love you. -I love you too. | 0:23:40 | 0:23:42 | |
-Bye, Mr Fox. -Thanks. | 0:23:53 | 0:23:54 | |
You made it then. Congratulations. | 0:23:57 | 0:23:59 | |
Thanks. | 0:23:59 | 0:24:02 | |
I'm sorry. I didn't have any choice. | 0:24:02 | 0:24:05 | |
I couldn't let Eleanor down. | 0:24:05 | 0:24:06 | |
I just wanted to know how my mum is. | 0:24:07 | 0:24:09 | |
She's been admitted to St Phil's. She's going to be fine | 0:24:09 | 0:24:12 | |
but they're keeping her there for observation for a while. | 0:24:12 | 0:24:14 | |
What's going to happen to her? | 0:24:14 | 0:24:16 | |
I suspect she will probably be sectioned. She clearly needs help. | 0:24:16 | 0:24:19 | |
It's going to take time but your support will matter. | 0:24:21 | 0:24:23 | |
Just being there for her. | 0:24:23 | 0:24:25 | |
I have been there. Too much and for too long. | 0:24:25 | 0:24:28 | |
-It must have been tough, but... -I can't prop her up forever. | 0:24:28 | 0:24:31 | |
I'm going to be a dad. | 0:24:33 | 0:24:34 | |
I've just got married. I have other responsibilities now. | 0:24:34 | 0:24:37 | |
Yes, I understand that. | 0:24:37 | 0:24:39 | |
Maybe this stay in hospital will give you a bit of a break | 0:24:39 | 0:24:42 | |
and then after that you can...? | 0:24:42 | 0:24:44 | |
Maybe. I...I don't know. | 0:24:44 | 0:24:46 | |
Phil, no matter how over-dependent your mother has become on you, | 0:24:46 | 0:24:50 | |
it's really important that she knows she hasn't lost you. | 0:24:50 | 0:24:53 | |
She must have been feeling pretty desperate to do what | 0:24:54 | 0:24:57 | |
she did today, right? | 0:24:57 | 0:24:58 | |
Just give yourself some time, think about it. | 0:24:58 | 0:25:01 | |
We're going to stay with Eleanor's mum and dad in Edinburgh. | 0:25:01 | 0:25:05 | |
With the baby coming, it'll be good for us | 0:25:05 | 0:25:07 | |
to be with family who can...help. | 0:25:07 | 0:25:09 | |
Anyway, thanks...for what you did. | 0:25:10 | 0:25:14 | |
If you see her, can you tell her... | 0:25:21 | 0:25:23 | |
Tell her I'll call. | 0:25:25 | 0:25:27 | |
Phew. That felt like a long day. | 0:25:38 | 0:25:41 | |
Not rushing off for a hot date tonight then? | 0:25:41 | 0:25:44 | |
Hot bath, maybe. | 0:25:44 | 0:25:46 | |
Oh, hi. Perfect timing. | 0:25:48 | 0:25:50 | |
-Ready? -More than. You OK? | 0:25:50 | 0:25:53 | |
Yeah, why? | 0:25:53 | 0:25:55 | |
Turn that frown upside down. | 0:25:55 | 0:25:57 | |
Had a difficult case today. Not sure I handled it too well. | 0:25:57 | 0:26:01 | |
It's a battlefield out there. You win some... | 0:26:01 | 0:26:04 | |
Come on, you're a good doctor. Give yourself a break. | 0:26:05 | 0:26:08 | |
-Let's go. -Just got to get something from my room. One sec. | 0:26:08 | 0:26:11 | |
It's my husband. | 0:26:26 | 0:26:28 | |
He's smuggling immigrants into the country! | 0:26:28 | 0:26:31 | |
You think I don't know your dirty secret!? | 0:26:31 | 0:26:33 | |
-What you on about? -I saw that foreign fella climbing out of your truck. | 0:26:33 | 0:26:36 | |
You always travel alone? | 0:26:36 | 0:26:38 | |
No. I've got a truck-load of Camembert to keep me company. | 0:26:38 | 0:26:40 | |
Your test results. | 0:26:40 | 0:26:43 | |
C'mon! Tell me what I already know! | 0:26:43 | 0:26:45 | |
Oh. | 0:26:45 | 0:26:46 |