Browse content similar to The Girl in the Photograph. Check below for episodes and series from the same categories and more!
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# You won't admit you love me | 0:00:32 | 0:00:35 | |
# And so how am I ever to know? | 0:00:35 | 0:00:41 | |
# You always tell me | 0:00:41 | 0:00:43 | |
# Perhaps, perhaps, perhaps | 0:00:43 | 0:00:46 | |
# A million times I've asked you | 0:00:48 | 0:00:51 | |
# And then I ask you over again | 0:00:51 | 0:00:56 | |
# You only answer | 0:00:56 | 0:00:59 | |
# Perhaps, perhaps, perhaps... # | 0:00:59 | 0:01:02 | |
ECHOING: Daniel! | 0:01:04 | 0:01:06 | |
Daniel? | 0:01:07 | 0:01:09 | |
KNOCK AT DOOR | 0:01:09 | 0:01:11 | |
Daniel? Are you in there? | 0:01:11 | 0:01:13 | |
TURNS TAP OFF | 0:01:15 | 0:01:16 | |
Open the door. | 0:01:16 | 0:01:18 | |
HE BREATHES HEAVILY | 0:01:18 | 0:01:19 | |
Daniel?! | 0:01:19 | 0:01:21 | |
Ta-da! | 0:01:27 | 0:01:29 | |
What do you think? | 0:01:30 | 0:01:31 | |
-I love it. -Had to pay a fortune for a super early appointment! | 0:01:31 | 0:01:35 | |
Well, it looks great! | 0:01:35 | 0:01:36 | |
Wait till you see the dress! | 0:01:36 | 0:01:38 | |
How are the nerves? | 0:01:38 | 0:01:40 | |
Fine! I had a really inspiring day rehearsing with Daniel. | 0:01:40 | 0:01:43 | |
I'm surprised Zara let him off the leash that long! | 0:01:43 | 0:01:46 | |
Honestly, he's been amazing. | 0:01:46 | 0:01:48 | |
I couldn't have asked for a better partner! | 0:01:48 | 0:01:51 | |
Oh, hi. | 0:01:51 | 0:01:53 | |
Well, come on. Let's see. | 0:01:53 | 0:01:54 | |
Gorgeous. | 0:01:58 | 0:01:59 | |
Is Daniel not with you? | 0:02:01 | 0:02:02 | |
He's running late. | 0:02:02 | 0:02:03 | |
I hear you wore him out yesterday. | 0:02:03 | 0:02:05 | |
Right! Better get ready for the onslaught. | 0:02:05 | 0:02:08 | |
Farah! | 0:02:12 | 0:02:14 | |
I'm getting dressed! I'll be down in a minute. | 0:02:14 | 0:02:17 | |
Finally! | 0:02:37 | 0:02:39 | |
Here. Take this. | 0:02:41 | 0:02:44 | |
SHE WINCES | 0:02:45 | 0:02:46 | |
-What's wrong with you? -Nothing. | 0:02:46 | 0:02:48 | |
-You look awful. -Thanks(!) | 0:02:48 | 0:02:50 | |
-What's this? -Hmm? Just stuff to throw out. | 0:02:52 | 0:02:56 | |
It's Lahore. That was my first family holiday! | 0:02:56 | 0:03:00 | |
Some holiday. It rained every day. | 0:03:00 | 0:03:02 | |
No, it didn't. | 0:03:02 | 0:03:04 | |
It's funny how you only remember the rain but I always remember the sun. | 0:03:04 | 0:03:08 | |
Just put the box in the hall, would you? | 0:03:08 | 0:03:10 | |
We've got a lot to do, Farah. We don't have time to be sentimental. | 0:03:10 | 0:03:14 | |
Ow! | 0:03:14 | 0:03:15 | |
-For goodness' sake! -I'm sorry! | 0:03:15 | 0:03:17 | |
Who's this? | 0:03:20 | 0:03:21 | |
Will you just put the box out, please? | 0:03:24 | 0:03:27 | |
TEXT ALERT | 0:03:27 | 0:03:28 | |
Who is that? | 0:03:32 | 0:03:33 | |
-Gavin. -Who's Gavin? | 0:03:33 | 0:03:35 | |
Oh, er...no-one. | 0:03:35 | 0:03:37 | |
Can I see a doctor? | 0:03:49 | 0:03:51 | |
You might have to wait a bit. | 0:03:51 | 0:03:53 | |
That's OK. Better than being at home. | 0:03:53 | 0:03:56 | |
Are you registered with us? | 0:03:56 | 0:03:58 | |
Yeah. My name's Farah Raja. | 0:03:58 | 0:03:59 | |
OK. Take a seat. | 0:03:59 | 0:04:01 | |
MOBILE PHONE RINGS | 0:04:03 | 0:04:05 | |
Hi, Mum. | 0:04:07 | 0:04:08 | |
No, I can't right now. | 0:04:08 | 0:04:10 | |
I'm at the gym. I've got a class. I've got to go. Bye. | 0:04:11 | 0:04:14 | |
Bye, Mr Owen. | 0:04:15 | 0:04:17 | |
-Hi! How are you? -Good, thanks. | 0:04:17 | 0:04:19 | |
-Any butterflies? -No, I'm bearing up. | 0:04:19 | 0:04:22 | |
I just wanted to say thanks for yesterday. | 0:04:22 | 0:04:24 | |
I think our corte's really strong now. | 0:04:24 | 0:04:26 | |
We just need to practise our turns and pivots. Can you do 2.30? | 0:04:26 | 0:04:31 | |
Um...yeah. I've just got another patient waiting. Excuse me. | 0:04:31 | 0:04:34 | |
And how are things with you? | 0:04:40 | 0:04:42 | |
Fine, thanks. Apart from my hands. My eczema's really bad again. | 0:04:42 | 0:04:47 | |
Let's have a look. | 0:04:47 | 0:04:48 | |
It is inflamed. Can you think of anything that might have aggravated it? | 0:04:49 | 0:04:53 | |
Have you used a cream that's caused a flare up? | 0:04:53 | 0:04:56 | |
I think it's probably stress. | 0:04:56 | 0:04:58 | |
You've got a lot on your plate at the moment? | 0:04:58 | 0:05:01 | |
I've not been getting much sleep. | 0:05:01 | 0:05:03 | |
Like, insomnia? | 0:05:03 | 0:05:05 | |
No. I've been up all night, sewing. | 0:05:05 | 0:05:08 | |
I'm making costumes for the Ballroom Blitz. | 0:05:08 | 0:05:10 | |
Not you as well? Can't get away from that blooming ballroom dancing. | 0:05:10 | 0:05:15 | |
SHE CHUCKLES | 0:05:15 | 0:05:16 | |
When that is done, things will calm down, yeah? | 0:05:16 | 0:05:19 | |
Yeah. | 0:05:19 | 0:05:20 | |
OK, well, I'll give you a steroid cream that should soothe it. | 0:05:20 | 0:05:24 | |
MOBILE PHONE RINGS | 0:05:24 | 0:05:25 | |
-Thank you. -I probably shouldn't look, should I? | 0:05:34 | 0:05:36 | |
Sorry? | 0:05:36 | 0:05:38 | |
Like seeing the bride before the wedding? | 0:05:38 | 0:05:40 | |
Oh, I've got something else lined up for us later. | 0:05:40 | 0:05:42 | |
Just to make sure we really look the part. | 0:05:42 | 0:05:45 | |
Plotting, are we? | 0:05:45 | 0:05:46 | |
Just discussing strategy. | 0:05:46 | 0:05:48 | |
Are you sure you're not taking this just a little bit too seriously? | 0:05:48 | 0:05:52 | |
Zara. | 0:05:52 | 0:05:54 | |
Mr Collier? | 0:05:54 | 0:05:56 | |
-See you at 2.30, then? -I'll see you then. | 0:05:56 | 0:05:58 | |
Are you all right? | 0:06:04 | 0:06:05 | |
Not really. | 0:06:06 | 0:06:08 | |
Anything I can do? | 0:06:08 | 0:06:09 | |
Not unless you've got a magic wand. | 0:06:11 | 0:06:13 | |
I've got a packed lunch. Cheese and pickle? | 0:06:14 | 0:06:17 | |
No, thanks. | 0:06:17 | 0:06:18 | |
What's wrong? | 0:06:19 | 0:06:21 | |
Oh, I'm supposed to be at home, packing. | 0:06:23 | 0:06:26 | |
Ooh, you're going on holiday? Got room for me in your suitcase? | 0:06:26 | 0:06:31 | |
It's not a holiday. We're moving to Pakistan. | 0:06:31 | 0:06:34 | |
My dad's already there. | 0:06:36 | 0:06:37 | |
He's just found a new premises for the family business. | 0:06:37 | 0:06:40 | |
Oh, what's the business? | 0:06:40 | 0:06:42 | |
Clothing company. | 0:06:42 | 0:06:43 | |
I like fashion. | 0:06:43 | 0:06:45 | |
High volume, ready to wear, like a battery farm but for clothes. | 0:06:46 | 0:06:50 | |
It can't be that bad. | 0:06:50 | 0:06:52 | |
You know what? It's just not where my passion is. | 0:06:52 | 0:06:56 | |
Like, I love evening wear... | 0:06:56 | 0:06:59 | |
expensive, glamorous, amazing fabrics and colours... | 0:06:59 | 0:07:04 | |
Here. See for yourself. Look at these. | 0:07:04 | 0:07:06 | |
Oh! Wow! | 0:07:09 | 0:07:11 | |
Oh, blimey! They're nice! | 0:07:11 | 0:07:14 | |
-I like that one. -It's for Ballroom Blitz. | 0:07:14 | 0:07:17 | |
I'm going to that! | 0:07:17 | 0:07:19 | |
Well, I saw an advert in the paper | 0:07:19 | 0:07:20 | |
that they were looking for volunteers. | 0:07:20 | 0:07:22 | |
Gavin Cooper, he's the organiser, and choreographer. | 0:07:22 | 0:07:26 | |
He saw my sketches and he loved them. | 0:07:26 | 0:07:29 | |
Wow! Maybe he could open some doors for you? | 0:07:29 | 0:07:31 | |
No. My family would never allow it. | 0:07:34 | 0:07:37 | |
It's your life. You're only young once. | 0:07:38 | 0:07:42 | |
Yeah, well, things are a little bit different in my world. | 0:07:42 | 0:07:44 | |
Well, come on! Get your kit off. > | 0:07:46 | 0:07:48 | |
Now lift your arms up. And puff your chest. > | 0:07:50 | 0:07:53 | |
Aargh! It's freezing! > | 0:07:53 | 0:07:55 | |
Spread your legs. Wider! That's it. > | 0:07:55 | 0:07:58 | |
What's going on? | 0:07:58 | 0:08:00 | |
Nothing. | 0:08:00 | 0:08:01 | |
Are you earwigging?! | 0:08:01 | 0:08:04 | |
You shouldn't go in there. | 0:08:04 | 0:08:06 | |
What's going on?! | 0:08:08 | 0:08:10 | |
Spray tanning! | 0:08:10 | 0:08:12 | |
Daniel... | 0:08:13 | 0:08:15 | |
Daniel, I know you're in there. | 0:08:15 | 0:08:18 | |
Shall I get my phone, take a few snaps? | 0:08:18 | 0:08:20 | |
Pass me the robe, please. | 0:08:21 | 0:08:23 | |
ZARA GASPS | 0:08:29 | 0:08:31 | |
ZARA STARTS LAUGHING | 0:08:32 | 0:08:34 | |
We need to look our best. Stage lights are very bleaching. | 0:08:39 | 0:08:42 | |
LAUGHTER CONTINUES | 0:08:42 | 0:08:44 | |
Sorry, can you put those backstage for a moment? | 0:08:47 | 0:08:49 | |
Thank you. | 0:08:49 | 0:08:51 | |
Erm...Farah! Thank goodness! | 0:08:51 | 0:08:53 | |
Hi. How's it going? | 0:08:53 | 0:08:55 | |
Don't. I've been trying to get hold of you all day. | 0:08:55 | 0:08:58 | |
-I thought you were going to let me down! -I wouldn't do that. | 0:08:58 | 0:09:00 | |
-Well, what have you got for me? -I just hope you like them... | 0:09:00 | 0:09:04 | |
MOBILE PHONE RINGS | 0:09:04 | 0:09:06 | |
Sorry. One minute. | 0:09:06 | 0:09:07 | |
Hi, Mum. | 0:09:09 | 0:09:10 | |
Farah, where are you? You promised you'd help out this afternoon. | 0:09:10 | 0:09:14 | |
'No, I can't right now, I'm busy.' | 0:09:14 | 0:09:16 | |
Listen, I'll call you back later. | 0:09:18 | 0:09:20 | |
Farah? | 0:09:21 | 0:09:22 | |
MOBILE PHONE RINGS | 0:09:24 | 0:09:27 | |
Hi, Oliver. | 0:09:33 | 0:09:34 | |
-Hey! How's it going? -'Great, thanks.' | 0:09:34 | 0:09:36 | |
'What are you doing tonight?' | 0:09:36 | 0:09:38 | |
I'm going to Ballroom Blitz. | 0:09:38 | 0:09:41 | |
Oh, can I come? | 0:09:41 | 0:09:43 | |
I don't really think it'll be your scene. It's probably going to be really tacky. | 0:09:43 | 0:09:46 | |
I'm just going to support some colleagues. | 0:09:46 | 0:09:48 | |
Ah, well, if you think I'd be in the way... | 0:09:48 | 0:09:51 | |
-No, it's not that. -'It'd just be nice to spend some time together, Niamh.' | 0:09:51 | 0:09:55 | |
But, you know, if it's not convenient... | 0:09:55 | 0:09:58 | |
Of course you can come. | 0:09:58 | 0:09:59 | |
Great! I'd better start swotting up on my ballroom dancing, then. | 0:09:59 | 0:10:03 | |
What time shall we meet? | 0:10:03 | 0:10:05 | |
6.30-ish. | 0:10:05 | 0:10:07 | |
Perfect. Text me the address, I'll see you there. | 0:10:07 | 0:10:10 | |
Will do. Bye. | 0:10:10 | 0:10:12 | |
Welcome, welcome. Enjoy the show. | 0:10:16 | 0:10:19 | |
Sorry, a couple of mates are dancing. Can we pop backstage? | 0:10:20 | 0:10:24 | |
-Wish them luck? -Sure. The artists' area is that way. Enjoy the show. | 0:10:24 | 0:10:28 | |
Thank you. | 0:10:28 | 0:10:29 | |
-He's a bit of a dish. -You're not kidding. | 0:10:31 | 0:10:34 | |
-Who do you think the special guest is? -Ooh, I hope it's Brendan Cole. | 0:10:34 | 0:10:37 | |
Hello? Everyone decent? | 0:10:41 | 0:10:43 | |
Hey, guys. | 0:10:43 | 0:10:45 | |
Our very own Fred and Ginger. | 0:10:45 | 0:10:47 | |
Jamaican ginger by the look of it. | 0:10:47 | 0:10:49 | |
-It washes off. -It better had. | 0:10:49 | 0:10:51 | |
Some Dutch courage for you both! | 0:10:51 | 0:10:52 | |
Not that you'll need it. | 0:10:52 | 0:10:53 | |
Thank you. Zara come with you? | 0:10:53 | 0:10:55 | |
No. Haven't seen her. Think she left the office early. | 0:10:56 | 0:11:00 | |
Sorry, but it's artists only in here! | 0:11:00 | 0:11:02 | |
Um, could you save a seat for me? | 0:11:03 | 0:11:06 | |
That's for you. | 0:11:14 | 0:11:15 | |
I'm sorry! | 0:11:17 | 0:11:18 | |
Hi. How are you? | 0:11:20 | 0:11:21 | |
The girl who was supposed to be helping has phoned in sick. | 0:11:21 | 0:11:24 | |
I meant, how's everything at home? | 0:11:24 | 0:11:27 | |
Oh, Dad wants me to fly out next week. | 0:11:27 | 0:11:29 | |
The factory's being fitted out. | 0:11:29 | 0:11:32 | |
And I'm going to be responsible for quality control and distribution. | 0:11:32 | 0:11:38 | |
I can kiss goodbye to all this. | 0:11:38 | 0:11:41 | |
-Oh, I'm sorry. You probably think I'm really ungrateful. -No. | 0:11:41 | 0:11:45 | |
Not at all. I know what you mean. When I was your age, | 0:11:45 | 0:11:47 | |
I wanted to get into fashion as well. But it didn't work out. | 0:11:47 | 0:11:51 | |
Yeah, well, sometimes dreams don't come true. | 0:11:51 | 0:11:54 | |
Who on earth told you that?! | 0:11:54 | 0:11:56 | |
Darling, "We are such stuff as dreams are made on"! | 0:11:56 | 0:11:59 | |
Aren't we, Anton? | 0:11:59 | 0:12:00 | |
Certainly are! Hello, ladies. | 0:12:00 | 0:12:03 | |
What a lovely room. | 0:12:03 | 0:12:05 | |
It's you! You're off the telly! | 0:12:05 | 0:12:07 | |
-Anton. This is Farah, the designer I was telling you about. And this is... -Karen. | 0:12:07 | 0:12:12 | |
Hello, Karen, how are you? | 0:12:12 | 0:12:13 | |
-You're my favourite... -Thank you very much! -And Brendan. | 0:12:13 | 0:12:16 | |
-Oh. -Well...and Artem. But...you're my actual favourite. | 0:12:16 | 0:12:21 | |
Oh, good. It was going badly for a second, then! Thank you very much. | 0:12:21 | 0:12:25 | |
You dance the foxtrot really beautifully. | 0:12:25 | 0:12:27 | |
You know what? Actually, I'm looking for a new partner. | 0:12:27 | 0:12:30 | |
Oh, stop! | 0:12:30 | 0:12:31 | |
-Perhaps... -Really? | 0:12:31 | 0:12:33 | |
Ooh, look at that! It's as though it was meant to be! | 0:12:35 | 0:12:39 | |
You're a natural. | 0:12:39 | 0:12:40 | |
Oh, yes! | 0:12:40 | 0:12:42 | |
Oh, yes. We'll go for the lift in a minute. | 0:12:42 | 0:12:46 | |
-Right. You all set? -Yep. | 0:12:46 | 0:12:48 | |
OK. Let's get this show on the road, then. Anton, put her down. | 0:12:48 | 0:12:54 | |
We've got a show to do. Come on! | 0:12:54 | 0:12:55 | |
It was really nice to meet you! | 0:12:55 | 0:12:58 | |
It was all my pleasure, thank you very much. | 0:12:58 | 0:13:02 | |
Oh, and Farah, the costumes look amazing. | 0:13:02 | 0:13:06 | |
Let me know and I'll put the word out? | 0:13:06 | 0:13:08 | |
I think you'd get snapped up. | 0:13:08 | 0:13:10 | |
-Oh, my God! That was brilliant! -Yeah. | 0:13:10 | 0:13:14 | |
You all set? | 0:13:14 | 0:13:15 | |
Um, I don't actually work here. | 0:13:16 | 0:13:19 | |
But I don't mind helping out... | 0:13:19 | 0:13:21 | |
'Hi, this is Zara Carmichael. | 0:13:23 | 0:13:25 | |
'Leave a message and I'll get back to you.' | 0:13:25 | 0:13:27 | |
'Good evening, ladies and gentlemen and welcome to Ballroom Blitz.' | 0:13:28 | 0:13:33 | |
APPLAUSE | 0:13:33 | 0:13:35 | |
Good evening. | 0:13:45 | 0:13:47 | |
I'm Gavin Cooper and it's my great pleasure to be your compere | 0:13:47 | 0:13:50 | |
for this very special evening. | 0:13:50 | 0:13:52 | |
We have music...we have moonlight... | 0:13:52 | 0:13:55 | |
Sorry. It's taken. | 0:13:55 | 0:13:57 | |
-..we also have a very special guest... -Where is Karen? | 0:13:57 | 0:14:00 | |
..someone who knows a bit about ballroom dancing! | 0:14:00 | 0:14:02 | |
It's the nation's favourite Mr Twinkle Toes...Anton Du Beke! | 0:14:02 | 0:14:07 | |
APPLAUSE | 0:14:07 | 0:14:08 | |
Hey, what a lovely crowd! I didn't know you had such a lovely audience. | 0:14:13 | 0:14:17 | |
-Are you surprised? -It's gorgeous to be here. Thank you very much. | 0:14:17 | 0:14:22 | |
So? Any words of wisdom for our competitors, Anton? | 0:14:22 | 0:14:25 | |
Well, the most important thing of course is I want them to have fun! | 0:14:25 | 0:14:29 | |
-Sorry I'm late! -Hi. That's OK. | 0:14:29 | 0:14:30 | |
-Um, that's Karen's seat. -Oh, I'll find somewhere else. | 0:14:30 | 0:14:34 | |
Let them enjoy themselves. I want to see something that's strong. | 0:14:34 | 0:14:37 | |
Wonderful posture. Natural and tall and elegant, | 0:14:37 | 0:14:41 | |
But, most importantly, I want to see that smile! | 0:14:41 | 0:14:45 | |
Because if they're having a good time, we're going to be having a good time. | 0:14:45 | 0:14:49 | |
And, of course, we won't be looking at what's going on down below, | 0:14:49 | 0:14:52 | |
which can be very important. I saw them in rehearsals! | 0:14:52 | 0:14:54 | |
LAUGHTER | 0:14:54 | 0:14:55 | |
Ballroom dancing, of course, is all about elegance and class - | 0:14:55 | 0:14:59 | |
two people dancing together in perfect harmony with the music. | 0:14:59 | 0:15:03 | |
Well, we'll see if that's in evidence tonight, | 0:15:03 | 0:15:05 | |
because it's time to invite our first couple onto the stage. | 0:15:05 | 0:15:09 | |
Dancing the cha-cha, please give a warm welcome to... | 0:15:09 | 0:15:12 | |
Tabarhi and Sophie! | 0:15:12 | 0:15:14 | |
APPLAUSE | 0:15:14 | 0:15:17 | |
Not long now. You're next but one. | 0:15:24 | 0:15:26 | |
-Have you seen Daniel? -No. | 0:15:26 | 0:15:27 | |
Farah! | 0:15:35 | 0:15:36 | |
Mum? How did you know I was here? | 0:15:38 | 0:15:41 | |
You've been going through my stuff? | 0:15:41 | 0:15:43 | |
This Gavin Cooper is old enough to be your father! | 0:15:43 | 0:15:46 | |
Is everything all right? | 0:15:46 | 0:15:48 | |
Are you having a relationship with this man? | 0:15:48 | 0:15:50 | |
No, I'm not having a relationship with him. | 0:15:50 | 0:15:52 | |
You were with him earlier when I called you. | 0:15:52 | 0:15:55 | |
Yeah, because I was setting up. Mum, Gavin's gay. He's got a husband. | 0:15:55 | 0:15:59 | |
In that case, why didn't you tell me about your involvement in all this? | 0:15:59 | 0:16:02 | |
Hmm? Exactly! You are lying. | 0:16:02 | 0:16:05 | |
KNOCK AT DOOR | 0:16:07 | 0:16:08 | |
Daniel? Are you in there? Open the door?! | 0:16:08 | 0:16:12 | |
What do you want? | 0:16:19 | 0:16:21 | |
What's going on? I've been looking everywhere for you. | 0:16:21 | 0:16:24 | |
I can't do it. I look ridiculous. | 0:16:25 | 0:16:28 | |
-No, you don't. -I feel like a prat. | 0:16:29 | 0:16:31 | |
I don't even know what I'm doing here. | 0:16:31 | 0:16:33 | |
You are not a prat and you look very handsome. | 0:16:33 | 0:16:35 | |
You were brilliant in rehearsal. You just have to believe in yourself. | 0:16:38 | 0:16:42 | |
I'm sorry. | 0:16:44 | 0:16:45 | |
So that's it?! | 0:16:49 | 0:16:50 | |
We have spent weeks rehearsing! | 0:16:52 | 0:16:54 | |
There's a whole load of people out there expecting a show! What about the charity? | 0:16:54 | 0:16:58 | |
For God's sake, it's 90 seconds. | 0:16:58 | 0:17:00 | |
Please, Daniel. | 0:17:05 | 0:17:06 | |
Do it for me? | 0:17:08 | 0:17:09 | |
I can't talk right now. In case you hadn't noticed, I'm busy. | 0:17:14 | 0:17:17 | |
Have it your way! | 0:17:17 | 0:17:19 | |
She doesn't want to go to Pakistan. | 0:17:19 | 0:17:21 | |
-Karen! -Is this true? | 0:17:21 | 0:17:23 | |
Gavin can help her get a really good job here. | 0:17:23 | 0:17:26 | |
This is what you aspire to? | 0:17:26 | 0:17:29 | |
Working as a skivvy - dressing people? | 0:17:29 | 0:17:33 | |
-What did you tell her that for? -I thought that's what you wanted. | 0:17:34 | 0:17:38 | |
Go and talk to her. | 0:17:38 | 0:17:39 | |
No! I need to be here. | 0:17:39 | 0:17:41 | |
APPLAUSE | 0:17:48 | 0:17:51 | |
# Ooh ooh | 0:17:51 | 0:17:54 | |
# Ooh ooh | 0:17:55 | 0:17:58 | |
# We've been together for a while now | 0:17:58 | 0:18:01 | |
# We're growing stronger every day now | 0:18:01 | 0:18:06 | |
# It feels so good and there's no doubt APPLAUSE | 0:18:06 | 0:18:10 | |
# I will stay with you | 0:18:10 | 0:18:13 | |
# As each morning brings the sunrise | 0:18:13 | 0:18:18 | |
# And the flowers bloom in springtime | 0:18:18 | 0:18:21 | |
# On my love you can rely | 0:18:21 | 0:18:26 | |
# And I'll stay with you | 0:18:26 | 0:18:29 | |
# Oh, I will stay with you | 0:18:29 | 0:18:33 | |
# Through the ups and the downs | 0:18:33 | 0:18:36 | |
# Oh, I will stay with you | 0:18:36 | 0:18:40 | |
# When no-one else is around | 0:18:40 | 0:18:44 | |
# And when the dark clouds arrive | 0:18:44 | 0:18:48 | |
# I will stay by your side | 0:18:48 | 0:18:52 | |
# I know we'll be all right APPLAUSE | 0:18:52 | 0:18:56 | |
# I will stay with you | 0:18:56 | 0:18:59 | |
# Ooh | 0:18:59 | 0:19:02 | |
# Ooh. # | 0:19:03 | 0:19:07 | |
APPLAUSE AND CHEERING | 0:19:07 | 0:19:08 | |
She used to tell me everything. | 0:19:12 | 0:19:14 | |
Now she treats me like I'm a stranger. | 0:19:14 | 0:19:17 | |
That's teenagers for you. | 0:19:17 | 0:19:19 | |
-Do you have children? -Two. | 0:19:19 | 0:19:22 | |
Do they listen to you? | 0:19:22 | 0:19:23 | |
This is going to break her father's heart, if she doesn't come to Pakistan. | 0:19:25 | 0:19:28 | |
Maybe her future's here? | 0:19:28 | 0:19:31 | |
Don't tell me how to have a relationship with my own daughter. | 0:19:31 | 0:19:34 | |
You have no idea how these things work in our culture. | 0:19:34 | 0:19:38 | |
No, I don't. But surely the main thing is that they're happy. | 0:19:38 | 0:19:43 | |
Isn't that what we all want? | 0:19:43 | 0:19:44 | |
Wow, what a dance. I thought that was sensual, dramatic... | 0:19:50 | 0:19:56 | |
You captured the essence of the dance. I had to avert my eyes. | 0:19:56 | 0:20:01 | |
So I'm going to give you...a NINE! | 0:20:01 | 0:20:03 | |
APPLAUSE | 0:20:03 | 0:20:05 | |
I thought it was hypnotic... exotic...with a slight | 0:20:07 | 0:20:11 | |
touch of the erotic. | 0:20:11 | 0:20:12 | |
So I'm also going to give you...a nine! | 0:20:12 | 0:20:16 | |
APPLAUSE | 0:20:16 | 0:20:18 | |
Congratulations, guys. That's our highest score so far. | 0:20:18 | 0:20:21 | |
You've really raised the bar! Ladies and gentlemen! | 0:20:21 | 0:20:23 | |
Give them a round of applause! | 0:20:23 | 0:20:25 | |
APPLAUSE | 0:20:25 | 0:20:27 | |
Time now for our last dance of the evening and it's another tango... | 0:20:29 | 0:20:33 | |
Told you! That was brilliant! | 0:20:33 | 0:20:34 | |
..an Argentine tango. So can I invite our final couple onto the stage? | 0:20:34 | 0:20:39 | |
Please show your appreciation for Michael Di Amore and Anastasia Onatopp! | 0:20:39 | 0:20:44 | |
APPLAUSE | 0:20:44 | 0:20:46 | |
MUSIC STARTS | 0:20:57 | 0:20:59 | |
I missed it! They're going to kill me! | 0:22:16 | 0:22:20 | |
Is that Zara?! Oh, my days! | 0:22:20 | 0:22:23 | |
When did we stop talking to each other? | 0:22:25 | 0:22:28 | |
You just wouldn't understand. | 0:22:28 | 0:22:30 | |
You said you didn't recognise her. Look again. | 0:22:31 | 0:22:34 | |
-But... -But what? I look so young? | 0:22:37 | 0:22:40 | |
So full of dreams? | 0:22:40 | 0:22:42 | |
You're beautiful. | 0:22:44 | 0:22:46 | |
My dream was to be an actress. | 0:22:46 | 0:22:47 | |
So what stopped you? | 0:22:49 | 0:22:50 | |
Duty...family. | 0:22:51 | 0:22:53 | |
So if you really insist on staying here, then tell me now. | 0:22:55 | 0:23:01 | |
I won't be the one who holds you back. | 0:23:01 | 0:23:03 | |
Yeah, but that's just it, Mum. It's not what I want. | 0:23:05 | 0:23:08 | |
APPLAUSE AND CHEERING | 0:23:20 | 0:23:22 | |
So, Anton, what are your thoughts on Michael and Anastasia's performance? | 0:23:33 | 0:23:37 | |
Well, what about that. I loved it! | 0:23:37 | 0:23:41 | |
It was filth! | 0:23:41 | 0:23:42 | |
It was fiery and it was fantastic! | 0:23:42 | 0:23:46 | |
So for that reason, I'm going to give you top marks, a ten! | 0:23:46 | 0:23:49 | |
APPLAUSE | 0:23:49 | 0:23:51 | |
Guys, you really made me feel like I was in a back street bar | 0:23:56 | 0:24:00 | |
in Buenos Aires. | 0:24:00 | 0:24:02 | |
So I'm also going to have to give you a TEN! | 0:24:02 | 0:24:04 | |
ZARA GASPS | 0:24:04 | 0:24:06 | |
APPLAUSE | 0:24:06 | 0:24:07 | |
And that means we have a change at the top of our leader board. | 0:24:09 | 0:24:13 | |
Tom and Caroline remain in third with 15 points, | 0:24:13 | 0:24:16 | |
Daniel and Toni stay in second with 18, but in first place with | 0:24:16 | 0:24:21 | |
the maximum 20 points, | 0:24:21 | 0:24:22 | |
tonight's winners are... Michael and Anastasia!! | 0:24:22 | 0:24:25 | |
APPLAUSE | 0:24:25 | 0:24:28 | |
Can our gallant runners-up please join us on stage for the presentation? | 0:24:30 | 0:24:33 | |
Congratulations. | 0:24:36 | 0:24:37 | |
Thank you. | 0:24:37 | 0:24:39 | |
Marvellous. Well done. Congratulations. | 0:24:41 | 0:24:43 | |
I knew my daughter was intelligent, but I had no idea you were so creative. | 0:24:53 | 0:24:59 | |
This is exquisite work, Farah. Why didn't you tell me? | 0:24:59 | 0:25:03 | |
You and Dad were so proud of me for getting a business degree. | 0:25:03 | 0:25:07 | |
I just didn't want to let you down. | 0:25:07 | 0:25:09 | |
Well, you could bring this talent to the family business. | 0:25:09 | 0:25:11 | |
Yeah, but I want to do evening wear. | 0:25:11 | 0:25:13 | |
Well, I'm sure we can talk him into bankrolling your ideas. | 0:25:15 | 0:25:18 | |
But maybe in return, | 0:25:18 | 0:25:19 | |
you could help with some of the daywear designs for the business? | 0:25:19 | 0:25:22 | |
Do you really mean that? | 0:25:22 | 0:25:24 | |
All I want is for you to be happy. | 0:25:24 | 0:25:26 | |
Ah... Thank you! | 0:25:26 | 0:25:28 | |
-Thank you, Karen. -Hey, it's all right! | 0:25:30 | 0:25:34 | |
Thank you, Karen. | 0:25:34 | 0:25:36 | |
Oh! | 0:25:36 | 0:25:37 | |
< '...Anton du Beke!' | 0:25:37 | 0:25:39 | |
Oh, I want to catch Anton before he leaves. | 0:25:39 | 0:25:43 | |
Bye! | 0:25:43 | 0:25:44 | |
So...drink? | 0:25:48 | 0:25:50 | |
I'm going to go home... I'm really tired. Sorry. | 0:25:50 | 0:25:54 | |
Niamh... There's something I've been meaning to say. | 0:25:54 | 0:25:58 | |
I've never met anyone like you. | 0:25:58 | 0:26:02 | |
You're funny, intelligent... | 0:26:02 | 0:26:05 | |
and you're just a bit gorgeous. | 0:26:05 | 0:26:08 | |
And I can be myself with you... you know. | 0:26:08 | 0:26:11 | |
I think we could be really good together. | 0:26:13 | 0:26:16 | |
So, um, how long have you been planning this? | 0:26:30 | 0:26:36 | |
A while. | 0:26:36 | 0:26:37 | |
Wait till I get you home. | 0:26:40 | 0:26:42 | |
That sounds promising. | 0:26:42 | 0:26:44 | |
Should I...change, or... | 0:26:44 | 0:26:48 | |
keep this on? | 0:26:48 | 0:26:50 | |
What do you think? | 0:26:50 | 0:26:51 | |
You looked fantastic. You were clearly the belle of the ball. | 0:27:02 | 0:27:05 | |
And who knew that Zara had hidden talents? | 0:27:05 | 0:27:08 | |
There's been a spate of burglaries in the area. | 0:27:08 | 0:27:10 | |
-You don't know anything about them do you, Frank? -I can't help you. | 0:27:10 | 0:27:13 | |
It's like a game to them. | 0:27:13 | 0:27:15 | |
They just change the rules when it suits them. | 0:27:15 | 0:27:17 | |
What do they get if they win? | 0:27:17 | 0:27:20 | |
Fiendishly clever, don't you think? | 0:27:20 | 0:27:22 | |
Ah, that's doctors for you. | 0:27:22 | 0:27:23 |