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So you're probably going to be up to your neck in it today. | 0:00:24 | 0:00:27 | |
I will pick up some lunch for you. | 0:00:27 | 0:00:29 | |
I won't be, but thank you, that's sweet. | 0:00:29 | 0:00:32 | |
It's going to be OK today. | 0:00:32 | 0:00:34 | |
I know. | 0:00:34 | 0:00:35 | |
What? | 0:00:35 | 0:00:37 | |
-Spit it out, Daniel. -What? | 0:00:37 | 0:00:40 | |
Whatever it is you're bursting to say. Probably something about me | 0:00:40 | 0:00:45 | |
remembering to use my softer, more naturally, empathetic side. | 0:00:45 | 0:00:48 | |
Funnily enough, I was going to remind you that some people | 0:00:48 | 0:00:52 | |
find this kind of day a little stressful. | 0:00:52 | 0:00:55 | |
So, yes, a more tactful approach is generally better. | 0:00:55 | 0:00:58 | |
I can do tact. | 0:00:58 | 0:01:00 | |
Sid's appraisal went really well. | 0:01:00 | 0:01:02 | |
All I have to do is ask the questions, tick the boxes, let them | 0:01:02 | 0:01:05 | |
waffle on a little bit and then say, "Well done," and show them | 0:01:05 | 0:01:08 | |
to the door with a winning smile. | 0:01:08 | 0:01:09 | |
Not sure that's exactly what Anthony had in mind. | 0:01:09 | 0:01:12 | |
As far as I'm concerned it's going to be a cushy day with no patients | 0:01:12 | 0:01:15 | |
and in between appraisals I can blitz breast-feeding reports. | 0:01:15 | 0:01:18 | |
All right. Good luck. | 0:01:18 | 0:01:21 | |
Thank you, but luck doesn't come into it. | 0:01:21 | 0:01:24 | |
Do we have a full appointment schedule today? | 0:01:30 | 0:01:32 | |
-Yes. Completely full. -That's my repeat prescriptions done. | 0:01:32 | 0:01:34 | |
But we are going to have to do a lot of juggling, because of these appraisals. | 0:01:34 | 0:01:38 | |
Well, do your best to spread the work load as evenly as you can. | 0:01:38 | 0:01:40 | |
We're all going to have put our shoulders to the wheel. | 0:01:40 | 0:01:42 | |
-Morning. -Hi. | 0:01:42 | 0:01:44 | |
All set for the appraisals? | 0:01:44 | 0:01:45 | |
Yes. Yes, I'm ready. | 0:01:45 | 0:01:47 | |
Excellent. I did a lot of research compiling the new forms. | 0:01:47 | 0:01:50 | |
-Actually I did have one query. -Shoot. | 0:01:50 | 0:01:52 | |
Favourite music tracks. Really? | 0:01:52 | 0:01:55 | |
Ah. I'll e-mail you the link. | 0:01:55 | 0:01:57 | |
It's a recent work-based study on the connection between music | 0:01:57 | 0:02:00 | |
and people's emotional states. | 0:02:00 | 0:02:02 | |
Apparently it can play a huge part in boosting productivity | 0:02:02 | 0:02:04 | |
-and creating a positive atmosphere. -Right. -I'll leave it with you, | 0:02:04 | 0:02:07 | |
but I think it'd be really interesting to focus on how those | 0:02:07 | 0:02:09 | |
track choices relate to people in a work sense. What do you think? | 0:02:09 | 0:02:12 | |
Just have some fun with it. | 0:02:12 | 0:02:15 | |
Go with the flow. | 0:02:17 | 0:02:20 | |
PHONE PLAYS Heroes by David Bowie | 0:02:20 | 0:02:23 | |
MUSIC STOPS | 0:02:26 | 0:02:28 | |
-Oh, I love that track! -Interesting choice. | 0:02:28 | 0:02:30 | |
So why pick it? | 0:02:30 | 0:02:32 | |
Because it reminds me of school discos and my first snog with... | 0:02:32 | 0:02:35 | |
Uh-uh-uh! Enough information. | 0:02:35 | 0:02:38 | |
Well, I was... I was a New Romantic. I still am at heart. | 0:02:38 | 0:02:43 | |
OK. Well, so bringing us back to the more immediate past - | 0:02:43 | 0:02:46 | |
the last year, say - how do you think things | 0:02:46 | 0:02:49 | |
have been going, generally, at The Mill? | 0:02:49 | 0:02:51 | |
-W-What, staff-wise? -Well, yes. | 0:02:51 | 0:02:54 | |
How long have you got? There's been so much going on. | 0:02:54 | 0:02:57 | |
Erm...well, there was Treehouse | 0:02:57 | 0:02:59 | |
and...Mr Bellamy. | 0:02:59 | 0:03:03 | |
Mrs Tembe leaving, | 0:03:03 | 0:03:05 | |
Valerie and Barry's great romance, | 0:03:05 | 0:03:08 | |
Ayesha and her mum - that was mayhem - | 0:03:08 | 0:03:11 | |
and then, of course, Heston | 0:03:11 | 0:03:14 | |
and the very attractive new midwife Ruhma. | 0:03:14 | 0:03:18 | |
-No way! -Yes way. | 0:03:18 | 0:03:20 | |
Since when? | 0:03:20 | 0:03:21 | |
Oh, no. I mean, she's very lovely and I don't want to gossip. | 0:03:21 | 0:03:26 | |
Karen. | 0:03:26 | 0:03:27 | |
I was a bit of a matchmaker | 0:03:27 | 0:03:29 | |
and I think that Heston is really quite smitten. | 0:03:29 | 0:03:33 | |
You are kidding? Why has no-one kept me informed? | 0:03:33 | 0:03:37 | |
Well, you have to blame Daniel. | 0:03:37 | 0:03:39 | |
He's got to keep his finger on the pulse, hasn't he? | 0:03:39 | 0:03:41 | |
Wow. Heston. I had no idea. | 0:03:41 | 0:03:44 | |
Honestly, my appraisal was plain sailing. | 0:03:44 | 0:03:46 | |
I really don't think there's anything sinister to it, | 0:03:46 | 0:03:48 | |
it's just a little chat about how things are going. | 0:03:48 | 0:03:51 | |
So naive. You have no idea what The Man is capable of. | 0:03:51 | 0:03:55 | |
-The Man? -Yeah, The Man. | 0:03:55 | 0:03:58 | |
Al has a somewhat negative view of Anthony's machinations. | 0:04:00 | 0:04:05 | |
Oh. Right. But you're not worried though? | 0:04:05 | 0:04:08 | |
No. But do I object? | 0:04:08 | 0:04:10 | |
I'm a doctor, not a box-ticker. | 0:04:10 | 0:04:13 | |
Chop chop, boys. It's backing up out there. | 0:04:13 | 0:04:15 | |
Oh! I meant to say, | 0:04:15 | 0:04:16 | |
top marks for your work on the mental health stall, Sid. | 0:04:16 | 0:04:19 | |
Really inspired. Excellent idea. Had some fantastic feedback. | 0:04:19 | 0:04:24 | |
Really? Great! Thanks! I'd better crack on. | 0:04:24 | 0:04:29 | |
You know what? I do feel like I need a new challenge. | 0:04:33 | 0:04:37 | |
It's... It's like I've got this... charge of energy | 0:04:37 | 0:04:40 | |
and I don't know what to do with it. | 0:04:40 | 0:04:43 | |
OK, ideas. What could you channel this energy in to? | 0:04:43 | 0:04:48 | |
Haven't got a clue. | 0:04:48 | 0:04:50 | |
Oh, come on, Karen. What occurs to you instinctively. | 0:04:50 | 0:04:53 | |
Off the top of my head? Mountain-climbing! | 0:04:53 | 0:04:56 | |
I-I just mean something that is more | 0:04:56 | 0:04:59 | |
fittingly pertaining to your role at The Mill. | 0:04:59 | 0:05:01 | |
I've always fancied a Brands Hatch day. | 0:05:01 | 0:05:04 | |
Come on, Karen, this is about your future, | 0:05:04 | 0:05:07 | |
not some Red Letter weekend. | 0:05:07 | 0:05:09 | |
I know there's something I want, I just don't know what it is. | 0:05:09 | 0:05:12 | |
OK, so...lots to think about. | 0:05:12 | 0:05:16 | |
Definitely! I mean, I really think we're getting somewhere here! | 0:05:16 | 0:05:19 | |
Well, maybe you should draw up a bucket-list | 0:05:19 | 0:05:22 | |
and then decide where you're going to start - land, sea or air. | 0:05:22 | 0:05:25 | |
I will! You've really got me going now. I'm buzzing! | 0:05:25 | 0:05:28 | |
Glad to have helped. | 0:05:28 | 0:05:31 | |
No, seriously! That was brilliant! | 0:05:31 | 0:05:34 | |
-Karen? -Hm? | 0:05:34 | 0:05:37 | |
Oh! Thank you! I'll see you later! | 0:05:37 | 0:05:40 | |
It smells like Management Manure to me. | 0:05:44 | 0:05:46 | |
You are, of course, entitled to your opinion. | 0:05:46 | 0:05:48 | |
No doubt dreamt up by some bored think-tank of executives | 0:05:48 | 0:05:51 | |
just trying to justify their over-inflated pay packets, | 0:05:51 | 0:05:54 | |
so they can suppress the proletariat! | 0:05:54 | 0:05:56 | |
The appraisal system is simply designed to be a useful tool | 0:05:56 | 0:05:59 | |
for an open two-way dialogue. | 0:05:59 | 0:06:01 | |
I don't need to be appraised to express my opinion, | 0:06:01 | 0:06:04 | |
-thank you very kindly. -That is abundantly clear, Al. | 0:06:04 | 0:06:06 | |
Ah! How's it going? | 0:06:06 | 0:06:08 | |
-Great. We've hit the ground running. -Excellent. | 0:06:08 | 0:06:11 | |
There was one thing I forgot to brief you on. I think it would be | 0:06:11 | 0:06:14 | |
useful to have a grading system for each employee, | 0:06:14 | 0:06:16 | |
just so we have some way of measuring individual outcomes. | 0:06:16 | 0:06:19 | |
-Grading? -I am not a number, I am a free man! -Al... | 0:06:19 | 0:06:23 | |
I'm disappointed in you, Carmichael, being used as a puppet | 0:06:23 | 0:06:25 | |
by this regime and we need to cut those strings! | 0:06:25 | 0:06:27 | |
Come on, Mr Sharrett! | 0:06:27 | 0:06:29 | |
Just a simple star system - one to five, five being excellent. | 0:06:30 | 0:06:34 | |
Here, this gives you a brief overview. | 0:06:34 | 0:06:37 | |
I'm not sure this is a good idea. | 0:06:37 | 0:06:39 | |
Just a simple yardstick to measure each individual outcome, because, otherwise, we... | 0:06:39 | 0:06:44 | |
If you'd like to go through, I'll be with you in just a second. | 0:06:44 | 0:06:48 | |
It's not about judging people. | 0:06:48 | 0:06:50 | |
OK, how about I get everybody to grade themselves? | 0:06:50 | 0:06:54 | |
Is that an idea? | 0:06:54 | 0:06:56 | |
-Yes, that could work. -Great. | 0:06:57 | 0:07:01 | |
-Sorry. -It's all right. Can we crack on though? | 0:07:04 | 0:07:07 | |
Fine. Would you like to play your track? | 0:07:09 | 0:07:11 | |
Really? | 0:07:11 | 0:07:12 | |
PHONE PLAYS Single Ladies by Beyonce | 0:07:16 | 0:07:19 | |
MUSIC STOPS | 0:07:26 | 0:07:28 | |
Do you know what? I do love that track but THIS is killing it. | 0:07:28 | 0:07:31 | |
Fine. So what was the significance of choosing it? | 0:07:32 | 0:07:37 | |
It's just music that I like. | 0:07:37 | 0:07:39 | |
Right. OK, well, let's just go for a quick review of how things | 0:07:41 | 0:07:46 | |
are going at The Mill. I mean, generally? | 0:07:46 | 0:07:49 | |
Everything seems to be running OK. | 0:07:49 | 0:07:52 | |
And what about staff-wise? | 0:07:52 | 0:07:54 | |
Well, if I've got a problem with anyone, they know about it. | 0:07:54 | 0:07:56 | |
I say it how I see it. | 0:07:56 | 0:07:58 | |
So you're happy working here? | 0:07:58 | 0:08:00 | |
Yeah. Patients are mostly OK. We all get on. No complaints. | 0:08:00 | 0:08:04 | |
Well, let's talk about the future, then. | 0:08:06 | 0:08:08 | |
In terms of your aims and goals, where do you see yourself | 0:08:08 | 0:08:11 | |
in, say, a year's time? | 0:08:11 | 0:08:13 | |
Pretty much where I am now. | 0:08:14 | 0:08:16 | |
Mind how you go, Mr Sharrett. | 0:08:19 | 0:08:22 | |
Dr Carter, have you been in for the Ministry of Truth yet? | 0:08:25 | 0:08:28 | |
Not yet. I think I'm in last. | 0:08:28 | 0:08:30 | |
You know, our esteemed leader is going to grade us on the basis of this? | 0:08:30 | 0:08:33 | |
-What? -Yeah, literally going to slap a seasoned professional | 0:08:33 | 0:08:36 | |
such as yourself with a C- or a D+. | 0:08:36 | 0:08:40 | |
-That's ridiculous. -I've a good mind to complain to the BMA. -Really? | 0:08:40 | 0:08:43 | |
No. But I could. | 0:08:43 | 0:08:44 | |
My appraisal was brilliant! It was inspirational! | 0:08:44 | 0:08:49 | |
What on earth is going on in that room? | 0:08:49 | 0:08:51 | |
I'm saying that if you show no desire to develop your career, | 0:08:51 | 0:08:55 | |
then it's hard for us, as partners, | 0:08:55 | 0:08:57 | |
to see the point in investing more in you. | 0:08:57 | 0:08:59 | |
I'm not stocks or shares, I'm a nurse. | 0:08:59 | 0:09:01 | |
I don't need investment, just my monthly pay. | 0:09:01 | 0:09:04 | |
But you can't just stand still. | 0:09:04 | 0:09:06 | |
Chance would be a fine thing given how many patients I have to deal with | 0:09:06 | 0:09:09 | |
and the last thing I need is a lecture from a doctor saying how I should be doing more! | 0:09:09 | 0:09:12 | |
-I didn't mean that. -No disrespect, | 0:09:12 | 0:09:14 | |
but I don't tell you how you could do your job better. | 0:09:14 | 0:09:17 | |
-OK, you've clearly misunderstood. -So have you. Anyway, I've got patients to see, if that's OK? | 0:09:17 | 0:09:21 | |
-Could you just at least give yourself a grade? -A grade? | 0:09:21 | 0:09:24 | |
Yes, on overall performance, out of five, five being "excelling in all areas." | 0:09:24 | 0:09:27 | |
-No idea. -Just a rough estimate. | 0:09:27 | 0:09:30 | |
What's...three? | 0:09:30 | 0:09:31 | |
-"Meeting some, exceeding others." -That'll do. Put me down for that. | 0:09:31 | 0:09:35 | |
And can you remind Al... | 0:09:35 | 0:09:38 | |
that he's next? | 0:09:38 | 0:09:39 | |
So what exactly did Zara ask you? | 0:09:39 | 0:09:42 | |
Oh, you know, future plans, aims, ambitions, that sort of thing. | 0:09:42 | 0:09:47 | |
Mr Clarke, would you like to go straight through? | 0:09:47 | 0:09:49 | |
So she asked you to draw up a bucket list? | 0:09:49 | 0:09:51 | |
-PHONE RINGS -How did you know that? -Been there, done that. | 0:09:51 | 0:09:54 | |
Mill Health Centre. How can I help? | 0:09:54 | 0:09:56 | |
Oh, how did she get on? | 0:09:56 | 0:09:59 | |
-That bad? -Worse. Anyway, Zara says she's ready when you are. | 0:09:59 | 0:10:03 | |
No can do, I'm in the middle of a patient prescription | 0:10:03 | 0:10:06 | |
and my printer has just gone on the blink. | 0:10:06 | 0:10:09 | |
Well, I could take yours now. Swap later. | 0:10:09 | 0:10:11 | |
Perfect! Thanks, VP! | 0:10:11 | 0:10:13 | |
Thank you. | 0:10:15 | 0:10:16 | |
If you go so much as even an inch close to saying, | 0:10:19 | 0:10:22 | |
"I told you so," Daniel. No? | 0:10:22 | 0:10:24 | |
-No. Very wise. -KNOCK ON DOOR | 0:10:24 | 0:10:27 | |
Look, I've got to go. Yep. Yes. OK. Bye. | 0:10:27 | 0:10:32 | |
Al's busy with a patient, so I suggested that I squeeze... | 0:10:32 | 0:10:35 | |
-Oh, erm...I wasn't expecting... -I've brought my favourite. | 0:10:35 | 0:10:39 | |
OK. Hit me. | 0:10:39 | 0:10:41 | |
PHONE PLAYS Power Of Love by Jennifer Rush | 0:10:43 | 0:10:47 | |
MUSIC STOPS | 0:10:55 | 0:10:56 | |
Normally it'd be Ricky Delaney, | 0:10:56 | 0:10:58 | |
but she's got such an incredible voice. | 0:10:58 | 0:11:00 | |
Mm. And why did you choose this? | 0:11:00 | 0:11:04 | |
Well, the message, mainly. You know, all about following your heart. | 0:11:04 | 0:11:07 | |
I think that's really the only way to be happy. | 0:11:07 | 0:11:10 | |
And are you happy working at The Mill? | 0:11:10 | 0:11:12 | |
-Oh, definitely. I really do feel at home here. -Good. Good. | 0:11:12 | 0:11:16 | |
Which means a lot to me because of the cancer. | 0:11:16 | 0:11:19 | |
-Right. -Which has drained me dry. | 0:11:19 | 0:11:22 | |
And I don't just mean the treatment, which is exhausting enough, | 0:11:22 | 0:11:26 | |
but...the weight of carrying it every day. | 0:11:26 | 0:11:30 | |
It must be tough. Still, you've got the wedding to look forward to. | 0:11:30 | 0:11:34 | |
Oh, that's one thing that's keeping me going. | 0:11:34 | 0:11:36 | |
I want it to be absolutely perfect. | 0:11:36 | 0:11:39 | |
I'm sure it will be. | 0:11:39 | 0:11:41 | |
Obviously I had to accept the fact that there were limits in the budget. | 0:11:41 | 0:11:44 | |
Well, you can be...creative. | 0:11:44 | 0:11:46 | |
Exactly. And I drew the line at the dress. | 0:11:46 | 0:11:49 | |
No compromise there. | 0:11:49 | 0:11:51 | |
-Well, I'm sure it looks amazing. -Oh, it does. | 0:11:51 | 0:11:54 | |
Oh, you should see it, Zara. | 0:11:54 | 0:11:56 | |
Actually, we do really need to just get back to the appraisal. | 0:11:56 | 0:12:00 | |
So where do you see yourself five years from now? | 0:12:00 | 0:12:03 | |
Dead. | 0:12:03 | 0:12:06 | |
I'm not being funny, | 0:12:06 | 0:12:07 | |
it's just better to face these things, isn't it? | 0:12:07 | 0:12:10 | |
I-I-I suppose. | 0:12:10 | 0:12:13 | |
On a brighter note, there is something that I wanted to raise. | 0:12:13 | 0:12:16 | |
OK. | 0:12:16 | 0:12:18 | |
Something that I think would definitely help me to be more positive. | 0:12:18 | 0:12:22 | |
I'd like a permanent contract here. | 0:12:23 | 0:12:26 | |
Right. | 0:12:26 | 0:12:28 | |
I mean, just to have that little bit of security, you know? | 0:12:28 | 0:12:31 | |
OK, well, I will make sure that, as soon as possible, | 0:12:31 | 0:12:34 | |
I speak to the partners about that. | 0:12:34 | 0:12:37 | |
Oh, and Ayesha mentioned a star system. | 0:12:37 | 0:12:39 | |
You can just put me down for five stars. Thanks. | 0:12:39 | 0:12:41 | |
What was I talking...? Oh, yeah, the dress! | 0:12:41 | 0:12:44 | |
Oh, yeah, you see, it's not exactly A-line, | 0:12:44 | 0:12:47 | |
-but it has got a tight bit at the top, which sort of... -Wow. | 0:12:47 | 0:12:51 | |
..flares out at the bottom, there. | 0:12:51 | 0:12:54 | |
You should be in with Zara. | 0:12:56 | 0:12:58 | |
They can't hit a moving target. No, thank you. | 0:12:58 | 0:13:01 | |
You think you can dodge it? | 0:13:01 | 0:13:03 | |
I dodged every school PE lesson from 1983 through to 1989. | 0:13:03 | 0:13:08 | |
This is easy in comparison. | 0:13:08 | 0:13:10 | |
-They can stick their appraisals right where... -SHE CLEARS THROAT | 0:13:10 | 0:13:13 | |
Oh, hi, Anthony. | 0:13:13 | 0:13:15 | |
Not making any exceptions, Al. You're in after Niamh. | 0:13:15 | 0:13:18 | |
This ain't over. | 0:13:20 | 0:13:22 | |
PHONE PLAYS One Day Like This by Elbow | 0:13:23 | 0:13:26 | |
Got to love that song. It nearly always makes me cry. | 0:13:31 | 0:13:35 | |
Please, don't. | 0:13:35 | 0:13:37 | |
-MUSIC STOPS -It's a bit early and... | 0:13:37 | 0:13:40 | |
I haven't had a drink, so you should be safe. | 0:13:40 | 0:13:42 | |
Right. | 0:13:42 | 0:13:43 | |
I'm going to ask you to think back over the last year. | 0:13:43 | 0:13:47 | |
How do you think things have gone generally at the practice? | 0:13:47 | 0:13:51 | |
Good. | 0:13:51 | 0:13:53 | |
We have ups and downs, but, generally, we're a good team. | 0:13:53 | 0:13:56 | |
So you feel like you're on top of everything now? | 0:13:56 | 0:13:59 | |
Yeah. I'm really enjoying my work. Actually, I've never been happier. | 0:13:59 | 0:14:03 | |
Great! So in terms of your future professional development, | 0:14:03 | 0:14:06 | |
what is it that you hope to achieve? | 0:14:06 | 0:14:08 | |
Well, it's going to sound kind of bad, | 0:14:08 | 0:14:11 | |
but actually...I'm really comfortable where I am. | 0:14:11 | 0:14:15 | |
Comfortable? Well, that's not a word you should be using. | 0:14:15 | 0:14:18 | |
You do realise that the point of these appraisals is to | 0:14:18 | 0:14:21 | |
identify areas that are in need for improvement. | 0:14:21 | 0:14:24 | |
Well...yes, but I'm doing OK though, aren't I? | 0:14:24 | 0:14:29 | |
OK is not good enough. | 0:14:29 | 0:14:31 | |
You need more training or experience in a new discipline. | 0:14:31 | 0:14:34 | |
A special area of interest. Paediatrics. | 0:14:34 | 0:14:37 | |
-Geriatrics. -I don't know. | 0:14:37 | 0:14:40 | |
It's taken me a while to settle into this job as it is. | 0:14:40 | 0:14:43 | |
I'd rather wait until things are on an even keel. | 0:14:43 | 0:14:46 | |
We all know how you struggled early on. | 0:14:47 | 0:14:49 | |
You had to get over a real crisis of confidence. | 0:14:49 | 0:14:53 | |
Yes, we've covered that, thank you. | 0:14:53 | 0:14:54 | |
But that's no excuse to keep treading water professionally. | 0:14:54 | 0:14:57 | |
-It feels like you are trying to undermine me. -No. | 0:14:57 | 0:15:00 | |
I'm just trying to point out that you will go | 0:15:00 | 0:15:02 | |
nowhere in your career, unless you pursue it. | 0:15:02 | 0:15:05 | |
It's not that I'm not ambitious. | 0:15:05 | 0:15:07 | |
Well, that's what it sounds like. Distinctly like you lack in focus. | 0:15:07 | 0:15:11 | |
I thought this was going to be an informal chat? | 0:15:12 | 0:15:15 | |
I'm just being honest. | 0:15:15 | 0:15:16 | |
And you have to be honest with yourself too. | 0:15:16 | 0:15:19 | |
You know what? I've got work to do. | 0:15:19 | 0:15:22 | |
Yes, but, Niamh... | 0:15:22 | 0:15:23 | |
we haven't finished... | 0:15:23 | 0:15:25 | |
Oh! Are you OK? | 0:15:28 | 0:15:31 | |
Do I look it? | 0:15:31 | 0:15:33 | |
I take it the appraisal did not go well? | 0:15:33 | 0:15:36 | |
-Appraisal? It was more like interrogation. -Oh, dear. | 0:15:36 | 0:15:38 | |
-I'm in later, after Emma. -Good luck. You'll need it. | 0:15:38 | 0:15:42 | |
-KNOCK ON DOOR -Come in. | 0:15:48 | 0:15:50 | |
Haskey. | 0:15:53 | 0:15:55 | |
Take a seat. | 0:15:56 | 0:15:58 | |
Well, I don't know what I'm supposed to do with a blank form. | 0:16:03 | 0:16:07 | |
OK. Not blank. You managed to write your name. | 0:16:11 | 0:16:15 | |
I'll tell you what, let's start with your favourite track. | 0:16:17 | 0:16:19 | |
It might put us both in a better mood. | 0:16:19 | 0:16:21 | |
-PHONE: -# ..Fight the power... # | 0:16:24 | 0:16:27 | |
Thank you. | 0:16:27 | 0:16:29 | |
-Thank you, Al! -# ..Fight the power... # | 0:16:29 | 0:16:33 | |
Moving on. | 0:16:33 | 0:16:36 | |
What do you feel you've contributed to the practice | 0:16:36 | 0:16:39 | |
over the last year and where do you think you're heading? | 0:16:39 | 0:16:41 | |
-PHONE: -# We're on the road to nowhere... # | 0:16:42 | 0:16:46 | |
-Funny(!) -# ..Come on inside... # | 0:16:46 | 0:16:49 | |
Funny, Al(!) | 0:16:49 | 0:16:52 | |
Perhaps you prefer that we talk about you. | 0:16:52 | 0:16:55 | |
How do you currently feel about working here? | 0:16:55 | 0:16:58 | |
# We've got to get out of this place... | 0:16:58 | 0:17:01 | |
# If it's the last thing we ever do... # | 0:17:01 | 0:17:05 | |
Please, just stop the music, Al! | 0:17:05 | 0:17:07 | |
MUSIC STOPS | 0:17:07 | 0:17:09 | |
This appraisal is supposed to be about helping you | 0:17:09 | 0:17:12 | |
and if you refuse to even talk to me... | 0:17:12 | 0:17:15 | |
Please, just say something. | 0:17:15 | 0:17:17 | |
# I hate you so much right now I hate you so much right now... # | 0:17:17 | 0:17:22 | |
Fine. You've made your point. | 0:17:22 | 0:17:25 | |
Just go. | 0:17:25 | 0:17:26 | |
# I'm free to do what I want any old... # | 0:17:29 | 0:17:34 | |
-ON PHONE: -'Hi.' | 0:17:38 | 0:17:39 | |
Hi. How you doing? Almost finished? | 0:17:39 | 0:17:41 | |
'You could say that.' | 0:17:41 | 0:17:42 | |
I'm about ready to kill someone. Preferably Al. | 0:17:42 | 0:17:45 | |
'Really?' | 0:17:45 | 0:17:46 | |
-Don't say anything. -'I won't.' | 0:17:46 | 0:17:50 | |
Hey, how about a chicken Caesar? | 0:17:50 | 0:17:53 | |
Daniel, I just don't care! | 0:17:53 | 0:17:55 | |
'I'm just about to pass by your favourite patisserie. | 0:17:55 | 0:17:57 | |
'Maybe I could pick you up one of your...?' PHONE BEEPS | 0:17:57 | 0:17:59 | |
Zara? | 0:17:59 | 0:18:01 | |
That's rude. | 0:18:03 | 0:18:05 | |
-KNOCK ON DOOR -Come in. | 0:18:05 | 0:18:07 | |
Oh, sorry. It's... It's been a hell of a day. | 0:18:07 | 0:18:12 | |
-Do you mind if we don't take too long over this? -Suits me. | 0:18:12 | 0:18:15 | |
It's just that I am snowed under with patients. | 0:18:15 | 0:18:18 | |
Sorry, this has been a pain for everybody. | 0:18:18 | 0:18:21 | |
Well, it's not your fault. | 0:18:21 | 0:18:22 | |
So let's start with your track? | 0:18:22 | 0:18:25 | |
I just didn't have time... | 0:18:25 | 0:18:28 | |
You know what? Don't worry about it. It was Anthony's idea. | 0:18:28 | 0:18:31 | |
Let's crack on with these instead, shall we? | 0:18:31 | 0:18:33 | |
The first question is about a general overview of the last year. | 0:18:33 | 0:18:37 | |
Let's fast forward. | 0:18:37 | 0:18:40 | |
Understandable. This next one is about professional development. | 0:18:41 | 0:18:45 | |
Well, there are three courses that I'm considering, | 0:18:45 | 0:18:48 | |
although one of them may involve me taking some time off. | 0:18:48 | 0:18:52 | |
I need to up my admin rate, | 0:18:52 | 0:18:54 | |
I'm falling behind on the patient summaries, | 0:18:54 | 0:18:57 | |
but apart from that, I'm pretty much on top of things. | 0:18:57 | 0:19:00 | |
Er...biggest failing, stats. | 0:19:00 | 0:19:04 | |
-I hate doing them. -Don't we all? | 0:19:04 | 0:19:07 | |
But, you know, I'm aiming to get better | 0:19:07 | 0:19:10 | |
-and last month was quicker, so... -Excellent. | 0:19:10 | 0:19:13 | |
And how are you feeling...things are going on a personal level? | 0:19:13 | 0:19:19 | |
Is this you subtly steering me to talk about Howard? | 0:19:19 | 0:19:23 | |
No steering, but obviously if you want to talk about... | 0:19:23 | 0:19:28 | |
Absolutely not. | 0:19:28 | 0:19:30 | |
I'm coping. That's all. | 0:19:30 | 0:19:34 | |
-Pretty emphatic. -That's how I feel about it. | 0:19:34 | 0:19:39 | |
Grieving...can be a long and difficult process. | 0:19:39 | 0:19:46 | |
Maybe there are issues which you think you've dealt with | 0:19:46 | 0:19:49 | |
-and then they resurface later? -What issues? | 0:19:49 | 0:19:53 | |
I mean, specifically, I don't know. | 0:19:53 | 0:19:57 | |
Just...the loss of someone so close is so difficult. | 0:19:57 | 0:20:02 | |
You've had a very tough time. | 0:20:02 | 0:20:04 | |
Not as tough as for some and you just keep going, don't you? So... | 0:20:04 | 0:20:11 | |
Absolutely and you have done brilliantly. | 0:20:11 | 0:20:14 | |
I don't know how you've managed it. Just the volume of your workload, | 0:20:14 | 0:20:19 | |
taking time out to look after Ayesha and not to mention your responsibilities as a landlady. | 0:20:19 | 0:20:24 | |
And the miscarriage on top of the loss of Howard... | 0:20:24 | 0:20:27 | |
What? | 0:20:27 | 0:20:28 | |
Sorry. | 0:20:31 | 0:20:32 | |
Should I not have said? | 0:20:32 | 0:20:34 | |
How do you know? | 0:20:35 | 0:20:37 | |
Well, Daniel told me. | 0:20:37 | 0:20:40 | |
Daniel? | 0:20:40 | 0:20:41 | |
Right. | 0:20:43 | 0:20:44 | |
Yes, of course. | 0:20:47 | 0:20:48 | |
Well, it's good to know that my most intimate details are being | 0:20:50 | 0:20:55 | |
bandied around the surgery. | 0:20:55 | 0:20:57 | |
Now, look, don't be so paranoid. | 0:20:57 | 0:21:00 | |
I'm just trying to offer you a supportive... | 0:21:00 | 0:21:03 | |
-Supportive?! You?! Is that a joke! -This is just like you, Emma! | 0:21:03 | 0:21:08 | |
You're always flying off the handle! | 0:21:08 | 0:21:10 | |
Where, of course, you take criticism so perfectly, I suppose! | 0:21:10 | 0:21:13 | |
-OK, this is going nowhere. -Why am I not surprised?! | 0:21:13 | 0:21:17 | |
You asking me about my personal life, well, that's just another | 0:21:17 | 0:21:21 | |
little task, isn't it, to tick off your list! | 0:21:21 | 0:21:24 | |
Well, real life isn't that straightforward - thank God! | 0:21:24 | 0:21:27 | |
It is sad and it is messy and that is what makes it worthwhile, | 0:21:27 | 0:21:32 | |
but you will never understand that. | 0:21:32 | 0:21:34 | |
I don't know why I'm wasting my breath! | 0:21:34 | 0:21:37 | |
You have absolutely no natural compassion for me or anybody else! | 0:21:37 | 0:21:42 | |
DOOR SLAMS | 0:21:45 | 0:21:46 | |
SHE SIGHS | 0:21:48 | 0:21:49 | |
So, how did go? | 0:21:57 | 0:21:59 | |
The earth moved, darling. How was it for you? | 0:21:59 | 0:22:01 | |
Come on, you must have got something from it? | 0:22:01 | 0:22:03 | |
Absolutely. I feel all...empowered. | 0:22:03 | 0:22:07 | |
Excellent. So you've changed your opinion of the appraisal process? | 0:22:07 | 0:22:11 | |
Yes, I'm actually looking forward to the next one. | 0:22:11 | 0:22:14 | |
What did you think of my addition, the music bit? | 0:22:14 | 0:22:17 | |
The music was my favourite part. | 0:22:17 | 0:22:19 | |
# I'm free to do what I want Any old time. # | 0:22:19 | 0:22:25 | |
CLASSICAL MUSIC PLAYS | 0:22:27 | 0:22:34 | |
Thank you. That was spiritually replenishing. | 0:22:34 | 0:22:39 | |
Well, that's answers my first question. | 0:22:39 | 0:22:42 | |
So the next question is a general overview of the past year. | 0:22:42 | 0:22:46 | |
Do we have to? I've made notes. | 0:22:46 | 0:22:48 | |
Yes, you have. Copious ones. | 0:22:48 | 0:22:50 | |
OK, let's skip to the next bit, personal development. | 0:22:50 | 0:22:53 | |
How are you feeling about your role here at The Mill? | 0:22:53 | 0:22:57 | |
I'm not sure my emotional state is anyone's business. | 0:22:57 | 0:22:59 | |
It's important to talking about these things. | 0:22:59 | 0:23:02 | |
I don't really want to share that kind of information. | 0:23:02 | 0:23:04 | |
Well, the whole point of this appraisal process is that | 0:23:04 | 0:23:07 | |
it's about your opinions. Your feelings, they matter. | 0:23:07 | 0:23:11 | |
Do they? Do they really? | 0:23:11 | 0:23:14 | |
Of course. This is all strictly in confidence, Heston. | 0:23:14 | 0:23:17 | |
I don't think anyone would bother listening | 0:23:17 | 0:23:19 | |
if they were broadcast all over Letherbridge! | 0:23:19 | 0:23:21 | |
So you feel like no-one is listening to you? | 0:23:21 | 0:23:25 | |
You have communication issues. | 0:23:25 | 0:23:27 | |
I have been a doctor long enough to know when I'm being treated | 0:23:27 | 0:23:32 | |
with respect and when I'm being treated like a junior lackey. | 0:23:32 | 0:23:36 | |
I am a highly effective, senior member of staff. | 0:23:36 | 0:23:41 | |
-Yes, of course... -No, no, no, I'm resolving our communication issues. | 0:23:41 | 0:23:44 | |
I am fed up with the lack of recognition. OK... | 0:23:44 | 0:23:47 | |
-If I pull more than my weight it is taken for granted! -Heston... | 0:23:47 | 0:23:51 | |
If I come up with an initiative, credit is given to someone else! | 0:23:51 | 0:23:54 | |
Hell is empty and all the devils are here! | 0:23:54 | 0:23:57 | |
Heston. | 0:24:00 | 0:24:01 | |
KNOCK ON DOOR | 0:24:10 | 0:24:12 | |
-Heston... -Ta-da! | 0:24:12 | 0:24:15 | |
Erm...I just saw Heston in the corridor. | 0:24:17 | 0:24:21 | |
Am I right in saying that things haven't gone exactly to plan? | 0:24:21 | 0:24:24 | |
Understatement of the year. | 0:24:24 | 0:24:26 | |
Well, you are in luck, because there is some good news. | 0:24:26 | 0:24:30 | |
I passed by your favourite patisserie, as a backup... | 0:24:30 | 0:24:34 | |
Any wine? | 0:24:34 | 0:24:35 | |
No. | 0:24:35 | 0:24:37 | |
Daniel, everyone hates me. | 0:24:40 | 0:24:43 | |
-I don't. -Oh, that makes it all right then. | 0:24:43 | 0:24:47 | |
I made a total hash of this. | 0:24:49 | 0:24:51 | |
I bet you didn't. And I'll prove it. | 0:24:51 | 0:24:54 | |
Do me. | 0:24:54 | 0:24:55 | |
Do you? | 0:24:55 | 0:24:57 | |
No, appraise me. | 0:24:57 | 0:25:00 | |
-Oh, Daniel! -All right, fine. I'll do you. | 0:25:00 | 0:25:03 | |
Er... | 0:25:03 | 0:25:04 | |
Oops. That... No. Better. The royal pen. | 0:25:04 | 0:25:09 | |
OK, er...how have I contributed to the practice? | 0:25:09 | 0:25:15 | |
Blah, blah, blah. Future development. Ah! | 0:25:15 | 0:25:19 | |
Where do you see yourself later this evening? | 0:25:19 | 0:25:21 | |
May I help you fill this one out? | 0:25:21 | 0:25:23 | |
OK, I see myself at home in my bath, | 0:25:23 | 0:25:28 | |
with my extraordinarily good-looking partner, | 0:25:28 | 0:25:35 | |
with a glass of white wine, chilled. | 0:25:35 | 0:25:38 | |
Specific aims and ambitions. Right. | 0:25:40 | 0:25:42 | |
That's not... That's not easy... Ah, it is easy. | 0:25:42 | 0:25:45 | |
I want to get to bed super early, because I want to... | 0:25:45 | 0:25:50 | |
HE MUTTERS | 0:25:50 | 0:25:53 | |
-Daniel! -SHE LAUGHS | 0:25:57 | 0:25:59 | |
And I want to listen to my favourite track in the world, which is... | 0:25:59 | 0:26:05 | |
Etta James, because... | 0:26:05 | 0:26:08 | |
she sings like she just... | 0:26:08 | 0:26:11 | |
BOTH: ..doesn't care. | 0:26:11 | 0:26:13 | |
# I don't want you to be no slave | 0:26:24 | 0:26:28 | |
# I don't want you to work all day | 0:26:28 | 0:26:33 | |
# But I want you to be true | 0:26:33 | 0:26:37 | |
# And I just wanna make love to you | 0:26:37 | 0:26:42 | |
# Love to you ooh-ooh | 0:26:42 | 0:26:47 | |
# Love to you... # | 0:26:47 | 0:26:49 | |
Well done, Dr Carmichael. Five stars. | 0:26:52 | 0:26:56 | |
Would you do me the honour of being my wife? | 0:27:05 | 0:27:08 | |
No, wait. | 0:27:08 | 0:27:10 | |
-But it's my big night, I'm going to go bold. -Good for you. | 0:27:10 | 0:27:13 | |
-Sid. -Zach. How you doing? | 0:27:13 | 0:27:17 | |
Let's just have a nice drink, eh? | 0:27:17 | 0:27:19 | |
He's got off lightly. | 0:27:19 | 0:27:21 | |
You've got to admit, this is the most boring stag ever. | 0:27:21 | 0:27:23 | |
-To Valerie. -Cheers! -To Valerie! -ALL: -Valerie! | 0:27:23 | 0:27:27 |