Browse content similar to The Invisible Woman. Check below for episodes and series from the same categories and more!
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I can confirm that life is extinct. | 0:00:26 | 0:00:28 | |
Time of death? Even a rough indication? | 0:00:28 | 0:00:30 | |
Well within the last hour - | 0:00:30 | 0:00:31 | |
the watch stopped at 1:52. | 0:00:31 | 0:00:33 | |
I can't believe it. | 0:00:33 | 0:00:34 | |
I've just got back. | 0:00:34 | 0:00:36 | |
My flight got in at two. | 0:00:36 | 0:00:38 | |
I came straight here. | 0:00:38 | 0:00:39 | |
We'll get a witness statement from you later, sir. | 0:00:39 | 0:00:41 | |
I didn't see what happened. | 0:00:41 | 0:00:43 | |
I found her like this. | 0:00:43 | 0:00:44 | |
Of course, I called for an ambulance straightaway, | 0:00:44 | 0:00:46 | |
but I didn't ask for the police. | 0:00:46 | 0:00:48 | |
It's standard practice in a case like this. | 0:00:48 | 0:00:50 | |
A suspicious death. | 0:00:50 | 0:00:51 | |
Suspicious? Why suspicious? | 0:00:51 | 0:00:53 | |
She could have just fallen from the staircase. | 0:00:53 | 0:00:55 | |
Well, we'll find out. | 0:00:55 | 0:00:56 | |
I need to go upstairs. | 0:00:57 | 0:00:58 | |
Stairs are out of bounds, sir. | 0:00:58 | 0:01:00 | |
This full area's a crime scene. | 0:01:00 | 0:01:02 | |
Is there any other access? | 0:01:02 | 0:01:03 | |
Yes, there's a rear access. | 0:01:03 | 0:01:05 | |
Is there anyone else here? | 0:01:05 | 0:01:07 | |
No. No-one else lives here. | 0:01:07 | 0:01:08 | |
GLASS SMASHES | 0:01:08 | 0:01:10 | |
Stay there. | 0:01:13 | 0:01:16 | |
Doc... | 0:01:16 | 0:01:17 | |
It's OK, I'm a doctor. | 0:01:19 | 0:01:21 | |
My name is Jimmi. | 0:01:21 | 0:01:22 | |
Can I take a look at your hand? | 0:01:22 | 0:01:23 | |
You call that a search?! | 0:01:23 | 0:01:25 | |
I told you to secure the property! | 0:01:25 | 0:01:27 | |
It's all right. It's just Malia. | 0:01:27 | 0:01:28 | |
She's the cleaner. | 0:01:28 | 0:01:29 | |
You said there was no-one else here. | 0:01:29 | 0:01:31 | |
I didn't think she'd be here today. | 0:01:31 | 0:01:32 | |
OK. Just put this on your hand, OK? | 0:01:32 | 0:01:34 | |
Squeeze it really hard, it'll stop the bleeding. | 0:01:34 | 0:01:36 | |
Yes, sir. | 0:01:36 | 0:01:37 | |
Did you break the window, Malia? | 0:01:37 | 0:01:39 | |
It's all right, it's just the window. | 0:01:39 | 0:01:41 | |
Do you understand English? | 0:01:41 | 0:01:42 | |
Yes, sir. | 0:01:42 | 0:01:44 | |
Well, simple question - | 0:01:44 | 0:01:45 | |
did you break the window? | 0:01:45 | 0:01:47 | |
Malia, there's been a terrible accident. | 0:01:47 | 0:01:49 | |
Habiba is dead. | 0:01:49 | 0:01:51 | |
Do you know anything about this? | 0:01:53 | 0:01:55 | |
Did you see anything? | 0:01:55 | 0:01:57 | |
Did you kill her? | 0:01:58 | 0:02:00 | |
You're going to have to start | 0:02:00 | 0:02:01 | |
answering some questions, young lady. | 0:02:01 | 0:02:04 | |
Oh! | 0:02:04 | 0:02:05 | |
I'm arresting you on suspicion of murder. | 0:02:07 | 0:02:09 | |
Is someone sleeping here? | 0:02:15 | 0:02:16 | |
It's a laundry room. | 0:02:16 | 0:02:18 | |
Malia, I'll get your coat. | 0:02:18 | 0:02:19 | |
'Right!' | 0:02:32 | 0:02:33 | |
Here you are. | 0:02:33 | 0:02:35 | |
Come in. | 0:02:35 | 0:02:36 | |
So, how was your journey, Adam? | 0:02:36 | 0:02:39 | |
Oh, a nightmare! | 0:02:39 | 0:02:40 | |
The taxi driver didn't know how to use a sat nav. | 0:02:40 | 0:02:42 | |
He claimed that Kingsvale didn't exist. | 0:02:42 | 0:02:44 | |
Oh, well, you're here now. | 0:02:44 | 0:02:46 | |
Yes, mind Katie the keyboard. | 0:02:46 | 0:02:48 | |
Oh, sorry. We haven't had a musical kid before, have we? | 0:02:48 | 0:02:51 | |
Oh! We put the decorations up. | 0:02:51 | 0:02:52 | |
We don't usually put them up this early, but we thought that... | 0:02:52 | 0:02:55 | |
Oh, yes. | 0:02:55 | 0:02:56 | |
Very retro. | 0:02:56 | 0:02:58 | |
Tinsel! I love it. | 0:02:58 | 0:02:59 | |
"Retro"?! | 0:02:59 | 0:03:01 | |
Well, let's get you settled in. I hope you like your room. | 0:03:01 | 0:03:03 | |
Oh, so do I, or you'll never hear the end of it! | 0:03:03 | 0:03:05 | |
-Lead on! -All right. Okey dokey. | 0:03:05 | 0:03:08 | |
Mr Mansour, good afternoon. | 0:03:12 | 0:03:14 | |
I'm just going to ask you a few questions. | 0:03:16 | 0:03:18 | |
How long has Miss Ibrahim worked for you? | 0:03:20 | 0:03:23 | |
Malia? | 0:03:23 | 0:03:24 | |
I don't know exactly. | 0:03:24 | 0:03:26 | |
She's not important. | 0:03:26 | 0:03:27 | |
Why are you asking about her? | 0:03:27 | 0:03:29 | |
She was in the house when your wife died | 0:03:29 | 0:03:31 | |
in suspicious circumstances. | 0:03:31 | 0:03:32 | |
Don't you want to know? | 0:03:32 | 0:03:34 | |
Malia wouldn't kill my wife. | 0:03:34 | 0:03:35 | |
She wouldn't hurt anyone. | 0:03:35 | 0:03:37 | |
So, why was she trying to break out of the house? | 0:03:37 | 0:03:39 | |
She wasn't. | 0:03:39 | 0:03:40 | |
She was just cleaning some windows, she broke one. | 0:03:40 | 0:03:43 | |
She's careless sometimes. | 0:03:43 | 0:03:45 | |
So, let me get this straight - | 0:03:45 | 0:03:47 | |
she pops over to do the housework, | 0:03:47 | 0:03:49 | |
she finds her employer dead, | 0:03:49 | 0:03:50 | |
doesn't call 999 | 0:03:50 | 0:03:52 | |
and just gets on with the window cleaning. | 0:03:52 | 0:03:54 | |
Like you do(!) | 0:03:54 | 0:03:55 | |
It's a large house. | 0:03:55 | 0:03:57 | |
Malia was working at the back, | 0:03:57 | 0:03:59 | |
my wife, she was at the front. | 0:03:59 | 0:04:02 | |
She might not have seen or heard anything. | 0:04:03 | 0:04:06 | |
She might not have realised. | 0:04:06 | 0:04:09 | |
That would explain why she didn't call 999. | 0:04:09 | 0:04:12 | |
You seem very certain that she's innocent. | 0:04:12 | 0:04:14 | |
I know her. | 0:04:14 | 0:04:16 | |
Malia was very devoted to my wife. | 0:04:16 | 0:04:18 | |
She's extremely upset. | 0:04:19 | 0:04:20 | |
I really think it would be much better if she went home | 0:04:20 | 0:04:23 | |
and we did this tomorrow. | 0:04:23 | 0:04:24 | |
Well, I want to question her, | 0:04:24 | 0:04:26 | |
so she'll stay here until I say she can leave. | 0:04:26 | 0:04:28 | |
I know this is a difficult time for you, sir, | 0:04:28 | 0:04:30 | |
but I'll also need a statement from you - | 0:04:30 | 0:04:32 | |
if you're up to it. | 0:04:32 | 0:04:34 | |
-Of course I am. -Good. | 0:04:34 | 0:04:36 | |
So... | 0:04:36 | 0:04:38 | |
can you tell me where you were this morning? | 0:04:38 | 0:04:40 | |
I've already accounted for that. | 0:04:40 | 0:04:42 | |
Yeah, and you were very keen to make us aware | 0:04:42 | 0:04:44 | |
that you'd only just returned. | 0:04:44 | 0:04:46 | |
The thing is... | 0:04:46 | 0:04:48 | |
..your flight from Jeddah | 0:04:50 | 0:04:52 | |
arrived at eight this morning, | 0:04:52 | 0:04:54 | |
not two in the afternoon as you claimed. | 0:04:54 | 0:04:56 | |
Six hours unaccounted for, | 0:04:56 | 0:04:58 | |
during which time your wife died. | 0:04:58 | 0:05:01 | |
So, where were you? | 0:05:01 | 0:05:02 | |
I did not kill my wife. | 0:05:02 | 0:05:04 | |
Then you won't mind telling us where you were then, will you? | 0:05:04 | 0:05:07 | |
"Fae-zal" Mansour... | 0:05:09 | 0:05:10 | |
"Fie-zal" Mansour. | 0:05:10 | 0:05:12 | |
Faizal Mansour... | 0:05:12 | 0:05:15 | |
I'm arresting you on suspicion of murder. | 0:05:15 | 0:05:17 | |
Have you eaten today? | 0:05:20 | 0:05:22 | |
I'm not allowed to eat till the evening - | 0:05:22 | 0:05:23 | |
till I've finished my work. | 0:05:23 | 0:05:25 | |
No, we can sort you out a meal and a cup of tea here, | 0:05:25 | 0:05:27 | |
if that's OK? | 0:05:27 | 0:05:29 | |
Thank you. | 0:05:29 | 0:05:30 | |
Now, there's just one more thing that I need to ask | 0:05:30 | 0:05:33 | |
before I do anything else. | 0:05:33 | 0:05:35 | |
We need to take your clothes. | 0:05:35 | 0:05:36 | |
Don't worry, we'll give you something else to wear, | 0:05:36 | 0:05:38 | |
but the police need your clothes for evidence, so... | 0:05:38 | 0:05:42 | |
I'll... I'll wait outside, OK? | 0:05:42 | 0:05:43 | |
Doctor... | 0:06:02 | 0:06:03 | |
My solicitor has advised me | 0:06:08 | 0:06:09 | |
to account for my movements this morning, | 0:06:09 | 0:06:11 | |
so I've made a statement. | 0:06:11 | 0:06:13 | |
My plane arrived, on schedule, at eight. | 0:06:17 | 0:06:20 | |
I picked up my car and went to see a friend... | 0:06:20 | 0:06:22 | |
Does she have a name? | 0:06:22 | 0:06:24 | |
His name is Jack Perry. | 0:06:24 | 0:06:25 | |
He's a student at Birmingham University. | 0:06:25 | 0:06:28 | |
His address is Flat 7, Albion Court, Malvern Avenue. | 0:06:28 | 0:06:31 | |
Luxury flats. | 0:06:31 | 0:06:32 | |
Are you sure he's just a student? | 0:06:32 | 0:06:34 | |
I was there from about 9.30 till about 2.30. | 0:06:36 | 0:06:39 | |
I drove home, which took 15 minutes. | 0:06:39 | 0:06:42 | |
I found my wife dead | 0:06:42 | 0:06:43 | |
and dialled 999. | 0:06:43 | 0:06:45 | |
That's all I have to say. | 0:06:46 | 0:06:47 | |
Interview paused at 17.05. | 0:06:52 | 0:06:55 | |
BEEP | 0:06:55 | 0:06:56 | |
She's been beaten repeatedly. | 0:07:01 | 0:07:03 | |
She's got scars all over her back. | 0:07:03 | 0:07:05 | |
She's been beaten recently, last few days. | 0:07:05 | 0:07:08 | |
She's covered in bruises. | 0:07:08 | 0:07:09 | |
Who did it? | 0:07:09 | 0:07:10 | |
She said she couldn't tell me. | 0:07:10 | 0:07:12 | |
And she's malnourished. | 0:07:12 | 0:07:13 | |
She claims to be 22, she even got the date of birth right. | 0:07:13 | 0:07:16 | |
She looks about 16. | 0:07:16 | 0:07:18 | |
There's something odd about her. Not the full shilling. | 0:07:18 | 0:07:21 | |
Well, she is terrified. | 0:07:21 | 0:07:22 | |
She's under arrest on suspicion of murder. Hardly surprising. | 0:07:22 | 0:07:26 | |
I don't think it's us she's terrified of. | 0:07:27 | 0:07:29 | |
So, who? | 0:07:29 | 0:07:30 | |
The husband? | 0:07:30 | 0:07:32 | |
The wife? | 0:07:32 | 0:07:34 | |
See, I don't get why Mr Mansour's protecting her. | 0:07:34 | 0:07:36 | |
He insists that she didn't do anything to his wife, | 0:07:36 | 0:07:38 | |
which makes me think, "What's that girl got on him?" | 0:07:38 | 0:07:40 | |
Whatever happened in that house, I think she's a victim. | 0:07:40 | 0:07:43 | |
How about this - | 0:07:43 | 0:07:45 | |
maybe... | 0:07:45 | 0:07:46 | |
the husband likes to beat girls. | 0:07:46 | 0:07:48 | |
That sort of thing turns him on. | 0:07:48 | 0:07:50 | |
He's beating Malia, | 0:07:50 | 0:07:52 | |
she's blackmailing him. | 0:07:52 | 0:07:53 | |
So, how come the wife ended up dead? | 0:07:53 | 0:07:54 | |
And if she's a blackmailer, how come she doesn't have any money? | 0:07:54 | 0:07:57 | |
Huh. | 0:07:57 | 0:07:59 | |
-Is she all right to interview? -Yeah. | 0:07:59 | 0:08:01 | |
All right, let's ask her. | 0:08:01 | 0:08:04 | |
We're ready to interview. | 0:08:04 | 0:08:05 | |
You said you don't want a lawyer. Is that still the case? | 0:08:05 | 0:08:07 | |
Yes, sir. No lawyer. | 0:08:07 | 0:08:09 | |
I think she's a vulnerable person. | 0:08:09 | 0:08:10 | |
She should have an appropriate adult. | 0:08:10 | 0:08:12 | |
Is there anyone we can call for you? | 0:08:12 | 0:08:14 | |
-Family? -No, sir. | 0:08:14 | 0:08:15 | |
-We'll get a social worker, then. -I want him! | 0:08:15 | 0:08:18 | |
Dr Jimmi, please. | 0:08:18 | 0:08:19 | |
-ADDISON SIGHS -All right. Let's go. | 0:08:21 | 0:08:23 | |
What do you think? | 0:08:27 | 0:08:28 | |
I couldn't live without my musicals. | 0:08:28 | 0:08:30 | |
And Glee. | 0:08:30 | 0:08:32 | |
-Glee?! -TV show. -I know. | 0:08:32 | 0:08:34 | |
They look fantastic, Rob. | 0:08:34 | 0:08:37 | |
It's...lovely. | 0:08:37 | 0:08:39 | |
Shall we have a tune? | 0:08:39 | 0:08:40 | |
Erm... | 0:08:40 | 0:08:41 | |
Well, we're not really singers. | 0:08:41 | 0:08:43 | |
Not you, me! | 0:08:43 | 0:08:45 | |
You've taken me in, the least I can do is serenade you. | 0:08:45 | 0:08:47 | |
Lovely! | 0:08:47 | 0:08:49 | |
Malia, you can sit down. | 0:08:52 | 0:08:54 | |
Sit there. | 0:08:55 | 0:08:56 | |
Yes, sir. Sorry. | 0:08:56 | 0:08:58 | |
Simple question to start. | 0:09:01 | 0:09:03 | |
Why did you break the window? | 0:09:03 | 0:09:05 | |
Were you trying to break out of the house? | 0:09:06 | 0:09:09 | |
Is that a "no comment"? | 0:09:10 | 0:09:12 | |
I can't tell you what to say. | 0:09:12 | 0:09:14 | |
No-one's going to hurt you. | 0:09:14 | 0:09:16 | |
Just answer the questions honestly. | 0:09:16 | 0:09:17 | |
-I can't. -Why not? | 0:09:17 | 0:09:19 | |
My family will be killed. | 0:09:21 | 0:09:23 | |
Who told you that? | 0:09:23 | 0:09:25 | |
Mr and Mrs Mansour. | 0:09:25 | 0:09:26 | |
Where's your family? | 0:09:27 | 0:09:29 | |
The Sudan, sir. | 0:09:29 | 0:09:31 | |
Well, right now Mr Mansour's in custody. | 0:09:31 | 0:09:34 | |
And Mrs Mansour's dead. | 0:09:34 | 0:09:36 | |
So how's he going to kill your family | 0:09:36 | 0:09:38 | |
when they're thousands of miles away? | 0:09:38 | 0:09:40 | |
I don't know, sir. | 0:09:42 | 0:09:43 | |
I don't know. I... | 0:09:44 | 0:09:46 | |
Listen, he's right. You're safe. Nothing bad's going to happen. | 0:09:46 | 0:09:49 | |
If you tell us, maybe we can help you. | 0:09:49 | 0:09:51 | |
# When the snowman brings the snow | 0:09:54 | 0:09:58 | |
# Well, he just might like to know | 0:09:58 | 0:10:02 | |
# He's put a great big smile | 0:10:02 | 0:10:05 | |
# On somebody's face... # | 0:10:05 | 0:10:08 | |
How long have you worked there? | 0:10:11 | 0:10:13 | |
Ten years and two months. | 0:10:15 | 0:10:17 | |
Since 2006. | 0:10:17 | 0:10:19 | |
How old were you when you started? | 0:10:19 | 0:10:21 | |
12. | 0:10:21 | 0:10:23 | |
What do you do? | 0:10:23 | 0:10:24 | |
All the housework. | 0:10:24 | 0:10:26 | |
What do they pay you? | 0:10:26 | 0:10:27 | |
They don't. | 0:10:27 | 0:10:29 | |
Where do you live? | 0:10:29 | 0:10:30 | |
In the house. | 0:10:33 | 0:10:35 | |
That room you saw, | 0:10:36 | 0:10:37 | |
he said it was the laundry room, but... | 0:10:37 | 0:10:40 | |
that's my place. | 0:10:40 | 0:10:41 | |
You've been in that house for ten years? | 0:10:42 | 0:10:45 | |
Do you go out? | 0:10:45 | 0:10:46 | |
In summer, | 0:10:48 | 0:10:50 | |
sometimes they let me work in the garden. | 0:10:50 | 0:10:52 | |
I meant outside the property. | 0:10:52 | 0:10:54 | |
No, I'm not allowed. | 0:10:54 | 0:10:56 | |
Not even down the street? | 0:10:56 | 0:10:57 | |
The shops? | 0:10:57 | 0:10:59 | |
No, sir. I have never been. | 0:10:59 | 0:11:00 | |
People must come to the house - | 0:11:00 | 0:11:02 | |
workmen, visitors. | 0:11:02 | 0:11:03 | |
I'm not allowed to speak to them. | 0:11:03 | 0:11:06 | |
They said, if I ever tried to run away, | 0:11:06 | 0:11:08 | |
or contact the authorities, | 0:11:08 | 0:11:11 | |
or use the phone, | 0:11:11 | 0:11:12 | |
or talk to people... | 0:11:12 | 0:11:13 | |
Malia... | 0:11:15 | 0:11:16 | |
Doc says you've been beaten. | 0:11:16 | 0:11:18 | |
I saw the marks on your back. | 0:11:19 | 0:11:21 | |
Yes. | 0:11:25 | 0:11:26 | |
Who did that to you? | 0:11:26 | 0:11:28 | |
She did. | 0:11:28 | 0:11:29 | |
He was away most of the time, | 0:11:31 | 0:11:32 | |
she was always there. | 0:11:32 | 0:11:34 | |
Why did she beat you? | 0:11:34 | 0:11:35 | |
If I did something wrong | 0:11:35 | 0:11:37 | |
or if she wasn't happy. | 0:11:37 | 0:11:39 | |
That's assault. | 0:11:39 | 0:11:41 | |
A crime. | 0:11:41 | 0:11:42 | |
Do you understand? | 0:11:42 | 0:11:44 | |
They can do what they like, | 0:11:44 | 0:11:46 | |
that's what she said, | 0:11:46 | 0:11:47 | |
because they own me. | 0:11:47 | 0:11:49 | |
Own you? How? | 0:11:49 | 0:11:50 | |
They bought me - | 0:11:50 | 0:11:52 | |
27th of September 2006 - | 0:11:52 | 0:11:56 | |
so I belong to them. | 0:11:56 | 0:11:57 | |
POP MUSIC PLAYS | 0:11:59 | 0:12:01 | |
Why can't you be quiet? | 0:12:01 | 0:12:04 | |
I told you I had a headache. | 0:12:04 | 0:12:06 | |
Do you think I want to listen to your noise?! | 0:12:06 | 0:12:08 | |
SHE SCREAMS | 0:12:08 | 0:12:09 | |
POP MUSIC PLAYS | 0:12:09 | 0:12:11 | |
Malia! | 0:12:11 | 0:12:12 | |
'Oh, Mum, it's horrible.' | 0:12:20 | 0:12:21 | |
I don't know what I'm going to do. | 0:12:21 | 0:12:23 | |
They've put me in this attic. | 0:12:23 | 0:12:25 | |
It's cold and damp. | 0:12:25 | 0:12:26 | |
I saw a rat, I swear to God. | 0:12:26 | 0:12:29 | |
There's no TV, no Wi-Fi. | 0:12:29 | 0:12:31 | |
They don't celebrate Christmas. | 0:12:31 | 0:12:33 | |
They think it's ungodly. | 0:12:33 | 0:12:35 | |
Basically... | 0:12:36 | 0:12:38 | |
they're really easy to wind up. | 0:12:38 | 0:12:40 | |
All right, yeah, take care. | 0:12:42 | 0:12:43 | |
I'll see you as soon as I can. | 0:12:43 | 0:12:44 | |
I love you. Bye-bye. Bye, Mum. | 0:12:44 | 0:12:46 | |
Your face! | 0:12:48 | 0:12:49 | |
Are you always this much of a wind-up merchant? | 0:12:49 | 0:12:51 | |
I get it from my mum. | 0:12:51 | 0:12:53 | |
Is that so? | 0:12:53 | 0:12:54 | |
You don't really think she's having a hip operation? | 0:12:54 | 0:12:56 | |
Oh, no - she's on some cheap deal in Torremolinos | 0:12:56 | 0:13:00 | |
with her scaggy boyfriend. | 0:13:00 | 0:13:02 | |
I can see I'm going to have to keep my eye on you. | 0:13:02 | 0:13:05 | |
That's all I ask, Karen. | 0:13:05 | 0:13:07 | |
Keep me in your spotlight! | 0:13:07 | 0:13:08 | |
Tell me what happened today. | 0:13:10 | 0:13:11 | |
I didn't kill her. | 0:13:11 | 0:13:13 | |
-You were in the house. -Yes, sir, but I didn't see... | 0:13:13 | 0:13:15 | |
Just say exactly what you remember. | 0:13:16 | 0:13:19 | |
I was ironing... | 0:13:22 | 0:13:23 | |
..and then I heard her scream. | 0:13:25 | 0:13:28 | |
A crash. | 0:13:28 | 0:13:29 | |
So, I went to look and she was... | 0:13:29 | 0:13:31 | |
I felt for a heartbeat, there was nothing. | 0:13:33 | 0:13:35 | |
You didn't call 999. | 0:13:35 | 0:13:37 | |
I'm not allowed to use the phone. | 0:13:37 | 0:13:39 | |
And what could I do? | 0:13:39 | 0:13:40 | |
She was already dead. | 0:13:40 | 0:13:42 | |
And he was coming back, | 0:13:42 | 0:13:44 | |
so... | 0:13:44 | 0:13:45 | |
I went and hid. | 0:13:45 | 0:13:47 | |
And I heard the police come in... | 0:13:47 | 0:13:49 | |
but... | 0:13:49 | 0:13:51 | |
then I thought... | 0:13:51 | 0:13:53 | |
"Now she's dead, maybe I can try and get out," | 0:13:53 | 0:13:56 | |
so I broke the window. | 0:13:56 | 0:13:58 | |
Why do you think she fell down the stairs? | 0:13:58 | 0:14:01 | |
She was drinking. | 0:14:01 | 0:14:02 | |
She would drink all day, sometimes. | 0:14:02 | 0:14:05 | |
She was drunk today? | 0:14:05 | 0:14:06 | |
Yes. | 0:14:06 | 0:14:07 | |
We'll find out. | 0:14:07 | 0:14:09 | |
We can do tests to see how much alcohol was in her system. | 0:14:09 | 0:14:11 | |
-So, if you're lying... -I'm not lying. | 0:14:11 | 0:14:14 | |
That's what she did. | 0:14:14 | 0:14:15 | |
She would drink and she would beat me... | 0:14:15 | 0:14:18 | |
..and she will never beat me again. | 0:14:19 | 0:14:21 | |
SHE SCREAMS | 0:14:22 | 0:14:26 | |
Please don't think of this as "am-dram". | 0:14:29 | 0:14:32 | |
We are working to the highest possible level. | 0:14:32 | 0:14:36 | |
Every line will be learnt... | 0:14:37 | 0:14:39 | |
DOOR SLAMS | 0:14:39 | 0:14:42 | |
..and everyone will be punctual. | 0:14:42 | 0:14:45 | |
Good of you to join us. | 0:14:45 | 0:14:46 | |
Sorry, the traffic was bad. | 0:14:46 | 0:14:49 | |
Now, I hope you've all had a chance to read my adaptation. | 0:14:49 | 0:14:53 | |
-Do you have...? -TABLE SCRAPES LOUDLY ON FLOOR | 0:14:53 | 0:14:58 | |
Say it again. I missed that bit. | 0:14:58 | 0:14:59 | |
You've all had a chance to read my adaptation. | 0:14:59 | 0:15:03 | |
Do you have any questions? | 0:15:03 | 0:15:04 | |
Oh, yes, I have. | 0:15:04 | 0:15:05 | |
I was just wondering why there are so many narrators, | 0:15:05 | 0:15:08 | |
cos there's Zara and there's Ruhma, and they're also playing parts as well, | 0:15:08 | 0:15:12 | |
so won't that just be confusing? | 0:15:12 | 0:15:13 | |
It's a recognised style. | 0:15:13 | 0:15:15 | |
We all narrate, | 0:15:15 | 0:15:16 | |
we move the scenery, | 0:15:16 | 0:15:18 | |
we play music. | 0:15:18 | 0:15:20 | |
It's a homage to David Edgar's 1980s adaptation | 0:15:20 | 0:15:24 | |
of Nicholas Nickleby for the RSC. | 0:15:24 | 0:15:25 | |
It's called "Rough Theatre". | 0:15:25 | 0:15:27 | |
It will be rough with us doing it. | 0:15:27 | 0:15:30 | |
Now, a few people can't make it - | 0:15:30 | 0:15:32 | |
Jimmi, Karen and Daniel - | 0:15:32 | 0:15:34 | |
but I would like to introduce Lena, | 0:15:34 | 0:15:36 | |
who's very kindly agreed to be our stage manager. | 0:15:36 | 0:15:39 | |
Hello. | 0:15:39 | 0:15:41 | |
I'm really looking forward to working with Heston, and all of you. | 0:15:41 | 0:15:45 | |
You say that now. | 0:15:45 | 0:15:47 | |
Jack Perry's vouched for you. | 0:15:47 | 0:15:49 | |
He says you arrived at 9.30 | 0:15:49 | 0:15:50 | |
and left just after 2.30. | 0:15:50 | 0:15:52 | |
Obviously, we've checked the CCTV | 0:15:52 | 0:15:54 | |
and your vehicle was parked outside Mr Perry's flat all that time. | 0:15:54 | 0:15:58 | |
There's only one entrance, and neither of you left. | 0:15:58 | 0:16:02 | |
You were there when your wife died. | 0:16:02 | 0:16:04 | |
Of course. | 0:16:04 | 0:16:05 | |
I'm telling the truth. | 0:16:05 | 0:16:07 | |
We also found out that Mr Perry's a male escort. | 0:16:07 | 0:16:10 | |
Really? | 0:16:10 | 0:16:12 | |
I had no idea. | 0:16:12 | 0:16:13 | |
So, what were you doing at his flat? | 0:16:13 | 0:16:15 | |
We're friends. | 0:16:15 | 0:16:16 | |
We drink coffee, | 0:16:16 | 0:16:18 | |
talk about books. | 0:16:18 | 0:16:20 | |
That's not what Mr Perry says. | 0:16:20 | 0:16:22 | |
He told us that you go there for sex. | 0:16:23 | 0:16:26 | |
It's a regular arrangement. | 0:16:27 | 0:16:30 | |
You pay generously, so do his other clients. | 0:16:30 | 0:16:32 | |
That's how he's funding his degree. | 0:16:32 | 0:16:34 | |
I'm not a homosexual. | 0:16:39 | 0:16:40 | |
Of course not, sir. | 0:16:40 | 0:16:42 | |
You just like having sex with men. | 0:16:42 | 0:16:45 | |
I'm a married man. | 0:16:45 | 0:16:47 | |
I have sons. | 0:16:47 | 0:16:48 | |
I provide for my family. | 0:16:48 | 0:16:50 | |
That's what a proper man does. | 0:16:50 | 0:16:52 | |
Did your wife know? | 0:16:52 | 0:16:53 | |
Maybe it was convenient for you that she died. | 0:16:56 | 0:16:58 | |
"Convenient"? | 0:16:58 | 0:16:59 | |
Do you think I want to be gay? | 0:17:01 | 0:17:03 | |
To come out? | 0:17:03 | 0:17:06 | |
In my community? | 0:17:06 | 0:17:07 | |
Actually... | 0:17:09 | 0:17:11 | |
I believe you. | 0:17:11 | 0:17:13 | |
It worked nicely for you, didn't it? | 0:17:13 | 0:17:15 | |
As long as you had her... | 0:17:15 | 0:17:17 | |
nobody wondered about you. | 0:17:17 | 0:17:19 | |
But, see, that's the trouble with suspicious deaths - | 0:17:19 | 0:17:22 | |
all sorts of secrets come out of the woodwork. | 0:17:22 | 0:17:24 | |
But I'm innocent. | 0:17:24 | 0:17:25 | |
No-one needs to know about this conversation. | 0:17:26 | 0:17:29 | |
Maybe. | 0:17:29 | 0:17:30 | |
Maybe not. | 0:17:30 | 0:17:32 | |
I can't give you any guarantees. | 0:17:32 | 0:17:34 | |
Look on the bright side, though - | 0:17:34 | 0:17:36 | |
you've got a solid alibi. | 0:17:36 | 0:17:38 | |
So... | 0:17:43 | 0:17:44 | |
am I free to go? | 0:17:44 | 0:17:46 | |
HE SCOFFS | 0:17:46 | 0:17:47 | |
Not yet. | 0:17:47 | 0:17:48 | |
We've dealt with your private life, | 0:17:49 | 0:17:52 | |
now I want to talk to you about Malia. | 0:17:52 | 0:17:53 | |
Why? She's not important. | 0:17:53 | 0:17:55 | |
I believe that you and your wife kept Malia as a slave... | 0:17:55 | 0:17:58 | |
"Slave"? | 0:17:58 | 0:17:59 | |
..which is illegal under the Slavery Act. | 0:17:59 | 0:18:01 | |
Valerie. | 0:18:03 | 0:18:05 | |
Ooh! | 0:18:05 | 0:18:06 | |
Oh, good. Everyone! | 0:18:13 | 0:18:14 | |
What? | 0:18:14 | 0:18:16 | |
Everyone! | 0:18:16 | 0:18:18 | |
THEY LAUGH | 0:18:20 | 0:18:23 | |
And bow. | 0:18:23 | 0:18:24 | |
Fantastic! | 0:18:24 | 0:18:26 | |
Zara. | 0:18:26 | 0:18:27 | |
Erm... | 0:18:27 | 0:18:29 | |
OK. | 0:18:30 | 0:18:32 | |
I'm most awfully pleased to meet you. | 0:18:33 | 0:18:35 | |
"I'm most awfully pleased to meet you." | 0:18:35 | 0:18:37 | |
ALL: "I'm most awfully pleased to meet you." | 0:18:37 | 0:18:41 | |
Al, are you going to join us? | 0:18:41 | 0:18:43 | |
No. Bah, humbug. | 0:18:43 | 0:18:44 | |
ALL: "No. Bah, humbug." | 0:18:44 | 0:18:47 | |
THEY LAUGH | 0:18:48 | 0:18:50 | |
As Peter Brook once said, "A play is play." | 0:18:50 | 0:18:52 | |
And as John Gielgud once said to Peter Brook, | 0:18:52 | 0:18:55 | |
"We open a week on Wednesday." | 0:18:55 | 0:18:57 | |
Who's that? Mr Grumpy-pants? | 0:18:57 | 0:18:59 | |
No, it's just Al. | 0:18:59 | 0:19:00 | |
Don't worry, though, he's going to make a fantastic Mr Scrooge. | 0:19:00 | 0:19:03 | |
I can see that! | 0:19:03 | 0:19:05 | |
I was away on business most of the time. | 0:19:05 | 0:19:07 | |
Habiba dealt with the domestic arrangements. | 0:19:07 | 0:19:10 | |
I assumed Malia was being paid. | 0:19:10 | 0:19:12 | |
-How long has she worked for you? -I don't know. | 0:19:12 | 0:19:15 | |
I don't take an interest in these matters. | 0:19:15 | 0:19:17 | |
Did she live in the house? | 0:19:17 | 0:19:18 | |
No, she has a flat somewhere. | 0:19:18 | 0:19:20 | |
I'm showing the suspect Exhibit SJC1 - | 0:19:20 | 0:19:24 | |
photos of an area in your house | 0:19:24 | 0:19:26 | |
which you described as the laundry room. | 0:19:26 | 0:19:29 | |
Malia says it's her room, | 0:19:29 | 0:19:30 | |
and you and your wife imprisoned her for years. | 0:19:30 | 0:19:33 | |
"Imprisoned"? I don't know why she's telling such lies! | 0:19:33 | 0:19:35 | |
-Surely you don't... -She's not lying about the beatings, is she? | 0:19:35 | 0:19:38 | |
Our doctor examined her. | 0:19:38 | 0:19:39 | |
She's been beaten repeatedly. | 0:19:39 | 0:19:40 | |
-That's terrible. -Yeah. | 0:19:40 | 0:19:42 | |
-Do you know who did it? -No! | 0:19:42 | 0:19:44 | |
I would never strike a woman, nor would my wife. | 0:19:44 | 0:19:46 | |
Who did, then? | 0:19:46 | 0:19:48 | |
I don't know! | 0:19:48 | 0:19:49 | |
I don't know anything about this wretched girl! | 0:19:49 | 0:19:51 | |
Malia claims that she's been working for you, unpaid, for ten years. | 0:19:51 | 0:19:54 | |
But that's ridiculous. | 0:19:54 | 0:19:55 | |
That would mean we employed her since she was 12. | 0:19:55 | 0:19:58 | |
So you DO know how old she is, then. | 0:20:01 | 0:20:03 | |
He's a nice kid, isn't he? | 0:20:09 | 0:20:12 | |
He's as camp as Christmas. | 0:20:12 | 0:20:13 | |
Well, that's appropriate, then. | 0:20:13 | 0:20:16 | |
He doesn't seem too worried about his mum. | 0:20:16 | 0:20:18 | |
Oh, Rob, it's all front. | 0:20:18 | 0:20:21 | |
He's got more front than Blackpool. | 0:20:21 | 0:20:23 | |
Right, I'm going to sort out my garage. | 0:20:23 | 0:20:25 | |
You all right? | 0:20:30 | 0:20:31 | |
Want another mince pie? | 0:20:31 | 0:20:33 | |
No. I'm watching my figure. | 0:20:33 | 0:20:34 | |
So... | 0:20:36 | 0:20:37 | |
..it must be really weird | 0:20:39 | 0:20:41 | |
being away from home at Christmas. | 0:20:41 | 0:20:44 | |
What did you and your mum do? | 0:20:44 | 0:20:46 | |
I want to try and make it the same. | 0:20:46 | 0:20:47 | |
Well... | 0:20:47 | 0:20:49 | |
as soon as it's past midnight, | 0:20:49 | 0:20:51 | |
-I get to open all of my presents... -OK. | 0:20:51 | 0:20:53 | |
..and then I can have as much chocolate and crisps as I want. | 0:20:53 | 0:20:56 | |
I get to choose what we watch on TV. | 0:20:56 | 0:20:59 | |
Really? | 0:20:59 | 0:21:00 | |
No! | 0:21:00 | 0:21:02 | |
No, Mum's well strict. | 0:21:02 | 0:21:04 | |
We can't afford loads of presents, | 0:21:04 | 0:21:05 | |
and she's dead set on me eating my greens. | 0:21:05 | 0:21:08 | |
She makes me eat all of my sprouts before I can have any pudding, | 0:21:08 | 0:21:11 | |
and she gives me loads. | 0:21:11 | 0:21:12 | |
She's heartless, honestly. | 0:21:12 | 0:21:13 | |
She sounds it(!) | 0:21:13 | 0:21:15 | |
Don't worry about doing anything special. | 0:21:15 | 0:21:17 | |
Do what you normally do. | 0:21:17 | 0:21:19 | |
Right, wrap the presents at three o'clock on Christmas morning | 0:21:19 | 0:21:22 | |
and panic about the turkey! | 0:21:22 | 0:21:24 | |
That sounds like a proper family Christmas. | 0:21:24 | 0:21:26 | |
Do you know, I think I'm going to like it here. | 0:21:26 | 0:21:30 | |
You say that Malia wasn't a slave, that your wife employed her and paid her. | 0:21:30 | 0:21:34 | |
Yes. | 0:21:34 | 0:21:35 | |
Did your wife have her own money? | 0:21:35 | 0:21:36 | |
Her own bank account? | 0:21:36 | 0:21:38 | |
No. She had credit cards. | 0:21:38 | 0:21:40 | |
She could buy whatever she wanted, | 0:21:40 | 0:21:42 | |
I pay the bills. | 0:21:42 | 0:21:43 | |
There was no need for a bank account. | 0:21:43 | 0:21:45 | |
So you controlled the money? | 0:21:45 | 0:21:46 | |
Yes. | 0:21:46 | 0:21:48 | |
So you'll be able to tell us exactly when and how Malia was paid. | 0:21:48 | 0:21:51 | |
-No. -We're going to go through your finances - | 0:21:51 | 0:21:53 | |
every bill, every bank statement. | 0:21:53 | 0:21:55 | |
-Go ahead. -We've already looked at some... -Good. | 0:21:55 | 0:21:57 | |
..and there's no sign of you paying her anything. | 0:21:57 | 0:21:59 | |
Not even cash-in-hand. | 0:21:59 | 0:22:01 | |
She's got no credit card, no phone, no keys. | 0:22:01 | 0:22:03 | |
In fact, Malia doesn't officially exist. | 0:22:03 | 0:22:06 | |
She's worked for you for years, | 0:22:06 | 0:22:08 | |
and she doesn't even have a national insurance number. | 0:22:08 | 0:22:10 | |
How do you explain that? | 0:22:10 | 0:22:11 | |
Maybe my wife wasn't employing her legally. | 0:22:11 | 0:22:14 | |
Yeah, you can blame your wife for everything, now that she's dead. | 0:22:14 | 0:22:16 | |
It's not blame. | 0:22:16 | 0:22:17 | |
We did find this. | 0:22:17 | 0:22:18 | |
I've shown the suspect Exhibit SJC2 - | 0:22:20 | 0:22:25 | |
a child's passport in the name of Malia Ibrahim, | 0:22:25 | 0:22:28 | |
issued June 2006. | 0:22:28 | 0:22:30 | |
It's expired. | 0:22:30 | 0:22:32 | |
You had her passport. | 0:22:32 | 0:22:33 | |
You bought her, you owned her. | 0:22:33 | 0:22:35 | |
You kept her as a slave for ten years, you and your wife. | 0:22:35 | 0:22:38 | |
She can't be tried for that... | 0:22:38 | 0:22:40 | |
but you can. | 0:22:40 | 0:22:41 | |
Heston, the Cratchits - | 0:23:00 | 0:23:02 | |
they're working-class, right? | 0:23:02 | 0:23:04 | |
I think I might call them lower-middle. | 0:23:04 | 0:23:06 | |
Right. | 0:23:08 | 0:23:09 | |
OBJECT CLATTERS Whoo! | 0:23:11 | 0:23:13 | |
A ghost! | 0:23:13 | 0:23:14 | |
No, actually, they're Cockneys, aren't they? | 0:23:17 | 0:23:19 | |
So, shouldn't we be doing accents? | 0:23:19 | 0:23:21 | |
Oh, yeah, OK. | 0:23:21 | 0:23:23 | |
Try one. See if it works. | 0:23:23 | 0:23:24 | |
OK. | 0:23:24 | 0:23:26 | |
BAD COCKNEY ACCENT: How did little Tim beha-a-ave? | 0:23:29 | 0:23:31 | |
-HE LAUGHS -I'm sorry. | 0:23:31 | 0:23:33 | |
Look, I haven't even practised. I'm giving it... | 0:23:33 | 0:23:35 | |
Let's forget the accent for now | 0:23:35 | 0:23:37 | |
and concentrate on the emotional truth of the character. | 0:23:37 | 0:23:40 | |
Heston, would you like me to read in Tiny Tim's lines? | 0:23:40 | 0:23:43 | |
That would be very useful. | 0:23:43 | 0:23:45 | |
Who's playing him, anyway? Do we have a child? | 0:23:45 | 0:23:47 | |
Actually, my little boy is. | 0:23:47 | 0:23:48 | |
He's very talented and super-keen. | 0:23:48 | 0:23:50 | |
Aw, that's great. | 0:23:50 | 0:23:51 | |
Hope you can put up with my rendition for now. | 0:23:51 | 0:23:54 | |
Cool. | 0:23:54 | 0:23:55 | |
Zara, could you go back to the narration? | 0:23:55 | 0:23:57 | |
"And then came Mrs Cratchit, | 0:24:02 | 0:24:05 | |
"dressed up, but poorly, | 0:24:05 | 0:24:06 | |
"in a twice-turned gown | 0:24:06 | 0:24:08 | |
"but brave in ribbons, and laid the cloth." | 0:24:08 | 0:24:11 | |
And then I come in with Tiny Tim on my shoulders? | 0:24:11 | 0:24:14 | |
Mm-hm. | 0:24:14 | 0:24:15 | |
-That's not going to happen. -No! | 0:24:15 | 0:24:16 | |
-I'll just say it from here. -OK. | 0:24:16 | 0:24:18 | |
-IN HIGH VOICE: -"God bless us, every one!" | 0:24:20 | 0:24:22 | |
Sid! | 0:24:23 | 0:24:24 | |
Sid, are you going to ever actually say a line?! | 0:24:24 | 0:24:27 | |
Sorry. It's like hiccups, you can't stop. | 0:24:27 | 0:24:29 | |
Sorry, that was my fault. | 0:24:29 | 0:24:31 | |
OK, let's take five, everyone. | 0:24:31 | 0:24:33 | |
Do you understand what DI Addison said, yeah? | 0:24:41 | 0:24:44 | |
You're free to go. There's no charge. | 0:24:44 | 0:24:46 | |
-"Free"? -You're not going to be on your own. | 0:24:46 | 0:24:49 | |
There'll be someone there to look after you, to help you adjust. | 0:24:49 | 0:24:51 | |
It's going to take some time but... | 0:24:51 | 0:24:53 | |
there are people, there are organisations there to support you. | 0:24:53 | 0:24:56 | |
What will it be like? | 0:24:56 | 0:24:58 | |
Better than where you were. | 0:24:58 | 0:25:00 | |
Malia, what Mr Mansour did to you... | 0:25:01 | 0:25:03 | |
..was a crime. | 0:25:04 | 0:25:06 | |
He's been charged and he'll be tried. | 0:25:06 | 0:25:08 | |
Hopefully, you'll be able to stay in the country at least until then, | 0:25:08 | 0:25:11 | |
and then maybe you'll have permanent leave to remain. | 0:25:11 | 0:25:13 | |
Why would I want to stay? | 0:25:13 | 0:25:15 | |
Dr Jimmi, people came to the house all the time. | 0:25:15 | 0:25:18 | |
I served them food and drinks. | 0:25:18 | 0:25:20 | |
They saw me... | 0:25:21 | 0:25:22 | |
..but they didn't see me... | 0:25:23 | 0:25:26 | |
and they didn't care... | 0:25:26 | 0:25:27 | |
so I just want to go home and... | 0:25:27 | 0:25:30 | |
find my family, if they're still alive. | 0:25:30 | 0:25:33 | |
There is nothing here, but... | 0:25:34 | 0:25:37 | |
thank you, Dr Jimmi. | 0:25:37 | 0:25:39 | |
You've been kind. | 0:25:40 | 0:25:42 | |
Good luck with everything. | 0:25:42 | 0:25:44 | |
-Take care. -Thank you. | 0:25:46 | 0:25:47 | |
Malia! | 0:25:50 | 0:25:52 | |
When I call, you come immediately! | 0:25:53 | 0:25:56 | |
You're useless. | 0:25:56 | 0:25:57 | |
A lazy, stupid girl. | 0:25:57 | 0:25:59 | |
Don't you dare look at me that way. | 0:26:00 | 0:26:03 | |
I will kill you! | 0:26:03 | 0:26:05 | |
SHE SCREAMS | 0:26:05 | 0:26:08 | |
SHE WHIMPERS | 0:26:22 | 0:26:25 | |
APPLAUSE | 0:26:39 | 0:26:40 | |
Fantastic effort, everyone. Well done. | 0:26:40 | 0:26:42 | |
Or, to translate, that was dreadful and he's in despair. | 0:26:42 | 0:26:46 | |
It was a nightmare. | 0:26:46 | 0:26:47 | |
I knew I couldn't act, and if I keep getting the giggles... | 0:26:47 | 0:26:50 | |
I really enjoyed it. | 0:26:50 | 0:26:51 | |
Yeah, you can. You're not in it. | 0:26:51 | 0:26:53 | |
It's great. | 0:26:53 | 0:26:54 | |
You're going to be great, Sid. | 0:26:54 | 0:26:56 | |
-Don't worry about clearing up. I'll do it. -Really? Thank you. | 0:26:56 | 0:27:00 | |
Thank you so much, Lena. | 0:27:00 | 0:27:02 | |
What do you think of my actors? | 0:27:02 | 0:27:04 | |
-They're great. -They are, aren't they? -Yes, they are. | 0:27:04 | 0:27:06 | |
Really committed. | 0:27:06 | 0:27:08 | |
It's brilliantly cast. | 0:27:08 | 0:27:09 | |
-Thank you. -Everyone's right for the part they play. | 0:27:09 | 0:27:11 | |
-Heston, quick word. -Oh, I thought you'd gone. | 0:27:11 | 0:27:13 | |
It's just a few extra notes, actually - | 0:27:13 | 0:27:15 | |
but, firstly, I want to talk to you about Joe. | 0:27:15 | 0:27:17 | |
He is so good. I think his part should be expanded. | 0:27:17 | 0:27:20 | |
So I've just got, in here, a few tweaks... | 0:27:20 | 0:27:22 | |
and I'm considering, also, the opening and finale. | 0:27:22 | 0:27:24 | |
I think probably he could do a little bit of a solo. | 0:27:24 | 0:27:26 | |
At the very end, we're all standing around - | 0:27:26 | 0:27:28 | |
he could hold a little candle that would light his face, he'd look adorable... | 0:27:28 | 0:27:32 | |
I'm just making sure she feels loved. | 0:27:33 | 0:27:35 | |
You're treating her like a child. | 0:27:35 | 0:27:37 | |
Well, mentally, she is a child. | 0:27:37 | 0:27:38 | |
She's been having a series of injections at St Phil's | 0:27:38 | 0:27:41 | |
into the flexor muscles of her right hand. | 0:27:41 | 0:27:43 | |
I am ze Ghost of Noel Passe. | 0:27:43 | 0:27:44 | |
Lose the French. | 0:27:44 | 0:27:46 | |
I am the Ghost of Christmas Present. | 0:27:46 | 0:27:49 | |
Now, Leatherbridge will pay top dollar to see that. | 0:27:49 | 0:27:52 | |
Gawd bless us, every one! | 0:27:52 | 0:27:54 |