Browse content similar to The Pink Room. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Rise and shine It's the breakfast express! | 0:00:25 | 0:00:28 | |
But, before we eat, Mummy would like you to try and squeeze her hand. | 0:00:29 | 0:00:35 | |
Just one teeny-tiny little squeeze. | 0:00:35 | 0:00:39 | |
Three, two, one, and... | 0:00:39 | 0:00:43 | |
Never mind, you're still a trooper. | 0:00:45 | 0:00:48 | |
In fact, what's this? | 0:00:50 | 0:00:53 | |
The breakfast express heard you tried really hard, | 0:00:53 | 0:00:56 | |
and wants to pay a visit. | 0:00:56 | 0:00:58 | |
Choo-choo! Choo-choo! | 0:00:58 | 0:01:02 | |
And she climbed the highest branch of the tallest tree. | 0:01:02 | 0:01:06 | |
Are you as bored as I am? | 0:01:09 | 0:01:10 | |
Then why don't we read something different? Just don't tell Mum. | 0:01:11 | 0:01:15 | |
That place down the road. | 0:01:18 | 0:01:20 | |
Seems OK. | 0:01:20 | 0:01:21 | |
Rooms are decent, staff seem kind, | 0:01:21 | 0:01:23 | |
but it's the rec facilities that are - wait for it - | 0:01:23 | 0:01:28 | |
swimmingly good. | 0:01:28 | 0:01:30 | |
I mean, the pool's not Olympic or anything, but it's big enough. | 0:01:30 | 0:01:33 | |
What the hell are you doing? | 0:01:33 | 0:01:34 | |
-How could you? -I was just showing her a few pictures. | 0:01:39 | 0:01:42 | |
You promised me. You went behind my back. | 0:01:42 | 0:01:44 | |
We shouldn't have to keep everything from her. | 0:01:44 | 0:01:46 | |
Keep everything from her? I'm protecting her. | 0:01:46 | 0:01:49 | |
I'm just making sure she feels loved. | 0:01:49 | 0:01:51 | |
You're treating her like a child. | 0:01:51 | 0:01:53 | |
Well, mentally, she is a child. I know my daughter. | 0:01:53 | 0:01:55 | |
So do I. | 0:01:55 | 0:01:56 | |
Don't make it like I don't have a stake in this. | 0:01:56 | 0:01:58 | |
Gemma's my daughter too. | 0:01:58 | 0:02:00 | |
Good news - zumba's been cancelled, | 0:02:01 | 0:02:03 | |
and we can have the hall at lunchtime. | 0:02:03 | 0:02:05 | |
Instead of this evening? | 0:02:05 | 0:02:06 | |
As well as. | 0:02:06 | 0:02:08 | |
As well as? But we are in flu season. | 0:02:08 | 0:02:12 | |
It is nearly Christmas, and we are rushed off our feet. | 0:02:12 | 0:02:15 | |
No. No, we need the lunchtime to do administration. | 0:02:15 | 0:02:17 | |
Mrs Tembe, I have very little time to mount this production. | 0:02:17 | 0:02:21 | |
Dr Carter, I appreciate your effort, | 0:02:21 | 0:02:23 | |
but I have two surgeries to run, and I have to put them first. | 0:02:23 | 0:02:26 | |
Which is exactly what I'm doing. | 0:02:26 | 0:02:28 | |
A lot of patients will come and see the show. | 0:02:28 | 0:02:31 | |
Think of our reputation. | 0:02:31 | 0:02:33 | |
And we can catch up with the admin later. | 0:02:33 | 0:02:35 | |
I thought you were observing this morning. | 0:02:39 | 0:02:41 | |
Ah, couldn't make it. One of my clinic patients rescheduled. | 0:02:41 | 0:02:45 | |
Observing? Let me guess. | 0:02:45 | 0:02:47 | |
You're going to cryogenically freeze some teenager's skin cells, | 0:02:47 | 0:02:50 | |
so you can graft them back on in old age? | 0:02:50 | 0:02:52 | |
No, it's therapeutic Botox. | 0:02:52 | 0:02:54 | |
Therapeutic? | 0:02:55 | 0:02:57 | |
Yeah, it's a long-term patient. | 0:02:57 | 0:02:58 | |
She's been having a series of injections at St Phil's | 0:02:58 | 0:03:00 | |
into the flexor muscles of her right hand. | 0:03:00 | 0:03:02 | |
To stop intractable spasms? | 0:03:02 | 0:03:04 | |
And to help with the movement and control of her right thumb, yeah. | 0:03:04 | 0:03:07 | |
I've seen the first two injections. The third one's today. | 0:03:07 | 0:03:10 | |
I'm going to pop round later, and see how she's doing. | 0:03:10 | 0:03:13 | |
The difference that one thumb would make! | 0:03:13 | 0:03:15 | |
I'm impressed. That is proper medicine. | 0:03:15 | 0:03:18 | |
SHE SCOFFS | 0:03:18 | 0:03:19 | |
Someone doesn't agree. | 0:03:20 | 0:03:21 | |
Proper medicine works. We don't yet know if this treatment does. | 0:03:21 | 0:03:25 | |
The consultant in question may have raised the family's expectations, | 0:03:25 | 0:03:27 | |
all for nothing. | 0:03:27 | 0:03:29 | |
But if there's a chance that it'll improve the patient's | 0:03:29 | 0:03:31 | |
quality of life, they're going to try, aren't they? | 0:03:31 | 0:03:33 | |
Daniel, back me up here. | 0:03:33 | 0:03:34 | |
Look, you know, you can't generalise. | 0:03:34 | 0:03:36 | |
Every patient's different. | 0:03:36 | 0:03:38 | |
We explained the risks to the parents, | 0:03:38 | 0:03:40 | |
they want to give it a shot. | 0:03:40 | 0:03:41 | |
It's their choice, not ours. | 0:03:41 | 0:03:43 | |
-Hi, Tracy. -Hi. -Keeping well? -Yeah, you? -Yeah, yeah, not bad. | 0:03:47 | 0:03:50 | |
Carol, hi, it's Dr Granger. | 0:03:52 | 0:03:53 | |
-Of all the selfish... -Me, selfish? You're the one who... | 0:03:53 | 0:03:56 | |
-Cares for her? -Controls her! | 0:03:56 | 0:03:57 | |
-Oh, God! -SMASHING | 0:03:57 | 0:04:00 | |
Now look what you've done. | 0:04:00 | 0:04:01 | |
Great(!) The doctor's here to take your side. | 0:04:03 | 0:04:06 | |
-Not a good time. -No, stay. | 0:04:06 | 0:04:09 | |
It's not like I get a say in anything around here. | 0:04:09 | 0:04:11 | |
Something go wrong at the hospital? | 0:04:16 | 0:04:18 | |
No, the injection was fine. | 0:04:18 | 0:04:21 | |
Me and Nick, we put on a front for the consultant. | 0:04:21 | 0:04:25 | |
It's just when we came home and started talking again... | 0:04:25 | 0:04:28 | |
Why don't we take a seat? | 0:04:28 | 0:04:29 | |
Sorry you have to see all this, Dr Granger. It's just... | 0:04:31 | 0:04:36 | |
I caught Nick showing Gemma a brochure, for a care home. | 0:04:36 | 0:04:41 | |
I didn't know you were considering that. | 0:04:42 | 0:04:44 | |
I'm not. Gemma's place is here, with us. | 0:04:44 | 0:04:47 | |
I can't imagine this house without her. How empty it would be. | 0:04:49 | 0:04:53 | |
Nick know how you feel? | 0:04:54 | 0:04:56 | |
Told him, again and again, but he just keeps badgering. | 0:04:56 | 0:05:01 | |
I'm so tired of it. | 0:05:01 | 0:05:03 | |
Would you like me to have a word? | 0:05:04 | 0:05:06 | |
You'd do that? | 0:05:08 | 0:05:09 | |
Of course. I mean, I won't take sides, | 0:05:09 | 0:05:13 | |
but I can certainly remind him that the treatments take time to work. | 0:05:13 | 0:05:17 | |
When Scrooge awoke, it was so dark and he was endeavouring to | 0:05:18 | 0:05:22 | |
pierce the darkness when the chimes of the neighbouring church struck. | 0:05:22 | 0:05:27 | |
Bell rings. And...go. | 0:05:27 | 0:05:30 | |
One o'clock? | 0:05:32 | 0:05:34 | |
It isn't possible that I have slept through a whole day | 0:05:34 | 0:05:37 | |
and far into another night. | 0:05:37 | 0:05:38 | |
Are you the spirit, whose coming was foretold to me? | 0:05:41 | 0:05:45 | |
-BOOMING VOICE: -I am. | 0:05:45 | 0:05:47 | |
OK, can I stop you there, Valerie? | 0:05:47 | 0:05:49 | |
That's very interesting. | 0:05:49 | 0:05:50 | |
I was going for Cate Blanchett in Lord Of The Rings. | 0:05:50 | 0:05:53 | |
Were you? Right, good. Interesting. A little bit, erm... | 0:05:53 | 0:05:58 | |
A bit elvish. | 0:05:58 | 0:05:59 | |
I was thinking grandiose. Remember - you're his charming, | 0:05:59 | 0:06:03 | |
charming spirit guide, taking him on a voyage of discovery. | 0:06:03 | 0:06:08 | |
Mm. Charming. Yep, yep. | 0:06:08 | 0:06:11 | |
Got it. | 0:06:11 | 0:06:12 | |
Right, let's do it again. Al, your last line. | 0:06:12 | 0:06:16 | |
One o'clock? | 0:06:20 | 0:06:22 | |
It isn't possible that I have slept through a whole day | 0:06:22 | 0:06:24 | |
and far into another night. | 0:06:24 | 0:06:26 | |
Are you the spirit whose coming was foretold to me? | 0:06:28 | 0:06:31 | |
-IRISH ACCENT: -That I am, lad! | 0:06:31 | 0:06:33 | |
I am the Ghost of Christmas Past, your past, so get yourself up | 0:06:33 | 0:06:37 | |
out of your bed and come along with me. 'Twill be a great craic! | 0:06:37 | 0:06:41 | |
Can I join you? | 0:06:49 | 0:06:50 | |
As long as you don't lecture me. | 0:06:50 | 0:06:52 | |
On duty, I suppose. | 0:06:57 | 0:06:58 | |
Sometimes a beer's all that gets me through. | 0:06:59 | 0:07:02 | |
Gemma turned 45 this year. | 0:07:06 | 0:07:08 | |
That evening, me and Carol got talking. | 0:07:10 | 0:07:12 | |
We're not getting any younger. | 0:07:13 | 0:07:15 | |
None of us are. | 0:07:15 | 0:07:17 | |
Yeah, but are other men my age spoon-feeding their kids? | 0:07:17 | 0:07:21 | |
Mopping up faeces? | 0:07:21 | 0:07:23 | |
Turning them in bed so they don't get bedsores? | 0:07:23 | 0:07:25 | |
We can always talk to the care team. | 0:07:25 | 0:07:27 | |
I love my daughter. I want to look after her. | 0:07:27 | 0:07:29 | |
Yeah, but you seem to be struggling. | 0:07:29 | 0:07:31 | |
Is there any harm in asking for more support? | 0:07:31 | 0:07:34 | |
It's not about support. It's about age. | 0:07:34 | 0:07:37 | |
I'm getting older, my wife's tired. | 0:07:37 | 0:07:39 | |
We can't keep this up forever, no matter how much help we get. | 0:07:39 | 0:07:42 | |
Which is why you're thinking of residential care. | 0:07:42 | 0:07:44 | |
My aunt died, left me some money. | 0:07:44 | 0:07:47 | |
Not a lot, but it's given us options. | 0:07:47 | 0:07:50 | |
We decided to throw every penny at Gemma. | 0:07:50 | 0:07:53 | |
Pay for Botox, physio, | 0:07:53 | 0:07:56 | |
hiring the expertise that wasn't around when she was a kid. | 0:07:56 | 0:08:00 | |
And if that doesn't work, then you'll put her into a home? | 0:08:00 | 0:08:03 | |
Yeah. But the closer that day gets, the more Carol stalls. | 0:08:03 | 0:08:07 | |
Is it any surprise? Gemma's been her whole life. | 0:08:07 | 0:08:10 | |
Mine too. | 0:08:10 | 0:08:12 | |
But I really wanted to try an accent. | 0:08:12 | 0:08:14 | |
I thought it might help with my character, | 0:08:14 | 0:08:16 | |
and Zara and Sid are doing cockney. | 0:08:16 | 0:08:18 | |
Barely. | 0:08:18 | 0:08:19 | |
I thought it might also help define me as a spirit from the beyond. | 0:08:19 | 0:08:23 | |
Oh, go on, let her try another one. | 0:08:23 | 0:08:26 | |
OK. Keep it simple, Valerie. | 0:08:26 | 0:08:28 | |
Are you the spirit, whose coming was foretold to me? | 0:08:30 | 0:08:33 | |
-FRENCH ACCENT: -Oui, I am ze Ghost of Noel Passe. Votre Passe. | 0:08:33 | 0:08:37 | |
Lose the French. | 0:08:37 | 0:08:39 | |
Who and what are you? | 0:08:39 | 0:08:41 | |
-SOUTHERN US ACCENT: -I am the Ghost of Christmas Past. Your past. | 0:08:41 | 0:08:45 | |
I have some things to show y'all. | 0:08:45 | 0:08:46 | |
It's not really working, is it? | 0:08:46 | 0:08:48 | |
Do you think you could stick to accents from the British Isles? | 0:08:48 | 0:08:52 | |
What is your business? | 0:08:52 | 0:08:53 | |
Your welfare. Now rise, and walk with me! | 0:08:53 | 0:08:56 | |
Is that "pirate"? | 0:08:56 | 0:08:57 | |
Let's pause there, shall we? | 0:08:57 | 0:08:59 | |
I mean, this is very valid, in rehearsals, | 0:08:59 | 0:09:03 | |
but do you think, Valerie, you could try it with your own accent? | 0:09:03 | 0:09:08 | |
Really? Isn't that just a bit obvious? And my mum always said that | 0:09:08 | 0:09:12 | |
I sounded like a shop girl with a bunged-up nose. | 0:09:12 | 0:09:14 | |
You have a lovely voice. It's very clear. | 0:09:14 | 0:09:17 | |
Proper enunciation - one of the reasons I chose you for the part. | 0:09:17 | 0:09:22 | |
Oh, Heston! | 0:09:22 | 0:09:25 | |
So, do you think you could do it with your beautiful voice? | 0:09:25 | 0:09:28 | |
Well, if it was my dulcet tones that got me the part, then OK. | 0:09:28 | 0:09:32 | |
Right, Al, can you go from, "Are you..."? | 0:09:34 | 0:09:36 | |
Are you the spirit, whose coming was foretold to me? | 0:09:36 | 0:09:40 | |
-I am. -Who and what are you? | 0:09:40 | 0:09:43 | |
I am the Ghost of Christmas Past. Your past. | 0:09:43 | 0:09:46 | |
And what is your business? | 0:09:46 | 0:09:48 | |
Your welfare. Now rise, and walk with me. | 0:09:48 | 0:09:51 | |
The dreaded blood pressure test. I'll pump up the cuff. | 0:10:00 | 0:10:03 | |
Any discomfort shouldn't last more than a few seconds, OK? | 0:10:03 | 0:10:07 | |
Here you are, love. | 0:10:07 | 0:10:08 | |
-Thanks. -PHONE RINGS | 0:10:08 | 0:10:09 | |
Hello? | 0:10:13 | 0:10:14 | |
Yes, this is Nick Parnell. | 0:10:14 | 0:10:15 | |
Can't we put off the decision, | 0:10:18 | 0:10:20 | |
just by a week or...? | 0:10:20 | 0:10:21 | |
Yes, I do realise that. | 0:10:23 | 0:10:24 | |
Can I call you back? Thanks. | 0:10:26 | 0:10:28 | |
That was Hopeview House. | 0:10:30 | 0:10:32 | |
A room has come up, but they need a decision today. | 0:10:32 | 0:10:35 | |
No. It's too soon. | 0:10:35 | 0:10:37 | |
How about we make a deal? | 0:10:37 | 0:10:39 | |
You come and see this place, and in return, | 0:10:39 | 0:10:42 | |
I'll stop banging on about care homes. | 0:10:42 | 0:10:44 | |
I'll even throw away the brochure. | 0:10:44 | 0:10:45 | |
Everything OK? | 0:10:45 | 0:10:47 | |
Yeah. A place has come up in Hopeview House. | 0:10:47 | 0:10:50 | |
But we won't be taking it. | 0:10:50 | 0:10:52 | |
We can't visit, anyway, today. Tracy's gone. | 0:10:52 | 0:10:56 | |
I can always hang on a bit longer if you want to go and have a look. | 0:10:56 | 0:11:00 | |
Mrs Tembe, would you like to join Al on stage? | 0:11:02 | 0:11:05 | |
Can I ask a question first, please? | 0:11:05 | 0:11:07 | |
Of course. | 0:11:07 | 0:11:08 | |
I have been reading the original Dickens, | 0:11:08 | 0:11:11 | |
and it always talks about Christmas Present as "it". | 0:11:11 | 0:11:15 | |
"It was clothed", "its feet", "its brown curls." | 0:11:15 | 0:11:19 | |
Am I male or female? | 0:11:19 | 0:11:20 | |
I very much see the three spirits as women. | 0:11:20 | 0:11:23 | |
Yes, but they don't have to be, though, do they? | 0:11:23 | 0:11:25 | |
No, casting is much more fluid these days. | 0:11:25 | 0:11:29 | |
Our actresses could play men. | 0:11:29 | 0:11:30 | |
I think it would be ridiculous seeing Mrs Tembe as a man. | 0:11:32 | 0:11:38 | |
I'm not really sure what that means. | 0:11:38 | 0:11:40 | |
You won't know unless you give it go. | 0:11:40 | 0:11:42 | |
Exactly. Why don't you let her read it in both genders, | 0:11:42 | 0:11:45 | |
and then you can see which works best with the text? | 0:11:45 | 0:11:48 | |
Mrs Tembe in drag might be quite funny. | 0:11:48 | 0:11:51 | |
I am happy to try, Dr Carter. | 0:11:51 | 0:11:53 | |
Miss Pitman experimented with lots of different accents, | 0:11:53 | 0:11:57 | |
and it led to a very good reading in the end. | 0:11:57 | 0:12:00 | |
All right, let's try it. | 0:12:00 | 0:12:02 | |
Emma, cue. | 0:12:03 | 0:12:05 | |
There sat a jolly giant, glorious to see. | 0:12:06 | 0:12:10 | |
DEEP VOICE: I am the Ghost of Christmas Present. Look upon me. | 0:12:12 | 0:12:18 | |
You have never seen the like of me before. | 0:12:18 | 0:12:21 | |
You can say that again. | 0:12:21 | 0:12:22 | |
Dr Carter, I was thinking, | 0:12:22 | 0:12:24 | |
perhaps if I had a long beard and maybe some big boots... | 0:12:24 | 0:12:28 | |
Now, Letherbridge would pay top dollar to see that. | 0:12:28 | 0:12:30 | |
Thank you, Dr Haskey. | 0:12:30 | 0:12:31 | |
Mrs Tembe, thank you very much for a very interesting idea, | 0:12:31 | 0:12:35 | |
but I really think that Christmas Present should be a woman. | 0:12:35 | 0:12:40 | |
Bounty, generosity, fecundity - | 0:12:40 | 0:12:45 | |
all very female traits, wouldn't you agree? | 0:12:45 | 0:12:48 | |
Those plants are really nice. | 0:12:51 | 0:12:54 | |
-And? -This is a care home. | 0:12:54 | 0:12:56 | |
I don't want the staff spending their time picking out plants. | 0:12:56 | 0:12:59 | |
I want them to care. | 0:12:59 | 0:13:01 | |
This place is ranked outstanding. | 0:13:01 | 0:13:03 | |
Why don't you give the staff a chance? | 0:13:03 | 0:13:05 | |
-Hello, welcome to Hopeview. -Hi, I'm Nick Parnell. | 0:13:05 | 0:13:09 | |
-Carol. -Hello. | 0:13:12 | 0:13:14 | |
Hark! The time is drawing near. | 0:13:17 | 0:13:20 | |
Forgive me, but I see something strange protruding from your skirts. | 0:13:20 | 0:13:25 | |
Aye, look here. | 0:13:25 | 0:13:28 | |
Dr Vere, are you there? | 0:13:30 | 0:13:32 | |
Sorry, it's just it's a bit difficult to do this without being, | 0:13:32 | 0:13:34 | |
erm... | 0:13:34 | 0:13:36 | |
indelicate. | 0:13:36 | 0:13:37 | |
Oh, no, I trust you, Dr Vere. | 0:13:37 | 0:13:39 | |
Besides, I have made certain provisions in that area. | 0:13:39 | 0:13:43 | |
Oh, good grief! | 0:13:43 | 0:13:44 | |
Sorry, Heston, what exactly am I supposed to be doing here? | 0:13:46 | 0:13:49 | |
You are manifestations of Want and Need, | 0:13:49 | 0:13:52 | |
clutching at Present's robe in despair. | 0:13:52 | 0:13:55 | |
Would a robe help? | 0:13:55 | 0:13:57 | |
-Oh, yeah, I think so. -Good thinking, Lena. | 0:13:57 | 0:13:59 | |
So, Sid, we only need to see your hands, | 0:13:59 | 0:14:02 | |
and when Mrs Tembe raises the robe, that's your cue to start clutching. | 0:14:02 | 0:14:09 | |
But just to be clear - I'm not clutching her actual legs? | 0:14:10 | 0:14:12 | |
No. Er, Dr Carter? | 0:14:12 | 0:14:14 | |
You clutch at the robe, OK? Shall we try that? | 0:14:14 | 0:14:18 | |
Forgive me, but I see something strange protruding from your skirts. | 0:14:18 | 0:14:23 | |
Aye, look here. | 0:14:23 | 0:14:25 | |
Sorry, what's happening? | 0:14:27 | 0:14:29 | |
Dr Vere, are you all right? | 0:14:29 | 0:14:31 | |
I'm sorry, it's just I can't quite reach. | 0:14:31 | 0:14:32 | |
The lad's at full stretch back here. | 0:14:32 | 0:14:34 | |
Well, it's no use if we can't see anything. | 0:14:34 | 0:14:36 | |
Come on, Dr Vere, please. | 0:14:36 | 0:14:37 | |
Sorry, but it is a bit dark down here. | 0:14:37 | 0:14:38 | |
That's what she said. | 0:14:38 | 0:14:40 | |
Thank you, Dr Haskey! | 0:14:40 | 0:14:41 | |
OK, let's try it again, OK? Al, cue. | 0:14:41 | 0:14:45 | |
Forgive me, but I see something strange protruding from your skirts. | 0:14:45 | 0:14:49 | |
Aye, look here. | 0:14:50 | 0:14:52 | |
How's that? | 0:14:57 | 0:14:58 | |
I love rehearsals. Can't we just do this all the time? | 0:15:00 | 0:15:03 | |
OK, so just like in the hospital, I'm going to check your range | 0:15:03 | 0:15:06 | |
of movement by very gently turning your fingers. | 0:15:06 | 0:15:08 | |
-PHONE RINGS -Sorry, just check... | 0:15:08 | 0:15:11 | |
Got to take this. One second. | 0:15:11 | 0:15:14 | |
Hi, I stayed on with Gemma. Can I call you back? | 0:15:14 | 0:15:16 | |
I just want to let you know that I have found a Tiny Tim outfit. | 0:15:16 | 0:15:19 | |
Would you believe that there is a children's tailor in London | 0:15:19 | 0:15:23 | |
that make Victorian suits? | 0:15:23 | 0:15:24 | |
-They're adorable. -How much? | 0:15:24 | 0:15:26 | |
We will cherish the photographs for years. | 0:15:26 | 0:15:29 | |
-Zara, how much? -I'll show you the website tonight, | 0:15:29 | 0:15:31 | |
and then you can fall in love all by yourself before the bill arrives. | 0:15:31 | 0:15:34 | |
Gemma, was that...? | 0:15:34 | 0:15:36 | |
Was that a spasm, or did you move your thumb on purpose? | 0:15:36 | 0:15:39 | |
OK, I'm going to ask you a question. | 0:15:39 | 0:15:41 | |
Tap twice if your name is Gemma. | 0:15:41 | 0:15:43 | |
I am in the presence of the Ghost of Christmas Yet to... | 0:15:44 | 0:15:49 | |
RUHMA BREATHES LOUDLY | 0:15:49 | 0:15:51 | |
Seriously? | 0:15:51 | 0:15:53 | |
It's not really working, is it? | 0:15:53 | 0:15:54 | |
No, it's not really working. | 0:15:54 | 0:15:56 | |
It's like we'd suddenly been transported to Tatooine | 0:15:56 | 0:15:58 | |
and a Jawa has entered. | 0:15:58 | 0:15:59 | |
-(What's that?) -Star Trek. | 0:15:59 | 0:16:02 | |
Star Wars, if you please. | 0:16:02 | 0:16:04 | |
I can just about put up with the lady of 1,000 voices | 0:16:04 | 0:16:07 | |
and the Jolly Green Giant, but I'm going to draw the line at Scrooge | 0:16:07 | 0:16:10 | |
going for a midnight walk with a member of the Lollipop League. | 0:16:10 | 0:16:14 | |
-No offence. -We didn't really think this through, did we? | 0:16:14 | 0:16:16 | |
Maybe we could fly her? | 0:16:16 | 0:16:17 | |
-What? -How, exactly? | 0:16:17 | 0:16:19 | |
Do we have a fly tower? | 0:16:19 | 0:16:21 | |
You are joking. | 0:16:21 | 0:16:23 | |
-Well, look at her! -I am standing right here. | 0:16:23 | 0:16:25 | |
Trampoline? Bungee cord? Box? | 0:16:25 | 0:16:27 | |
How about Sid and Jimmi put her on their shoulders? | 0:16:27 | 0:16:30 | |
Right, that's not going to happen. | 0:16:30 | 0:16:31 | |
Oh, for goodness' sake! | 0:16:31 | 0:16:32 | |
The Greeks could make gods descend from Mount Olympus, | 0:16:32 | 0:16:35 | |
Shakespeare could make Ariel fly to the heavens, | 0:16:35 | 0:16:38 | |
there must be something - something - we can do | 0:16:38 | 0:16:41 | |
to give this poor woman a bit of height. | 0:16:41 | 0:16:43 | |
Poor? | 0:16:43 | 0:16:44 | |
I've got it - stilts. Let's buy some stilts. | 0:16:44 | 0:16:47 | |
-Emma? -What? | 0:16:47 | 0:16:49 | |
-You're the producer. Produce an idea. -Nice! | 0:16:49 | 0:16:51 | |
Oh, I get it. | 0:16:51 | 0:16:52 | |
So I get lumbered with having to produce a miracle | 0:16:52 | 0:16:54 | |
because you didn't think this through properly? | 0:16:54 | 0:16:56 | |
I am writing and directing and starring in this piece. | 0:16:56 | 0:17:00 | |
Surely I can't be expected to solve every problem?! | 0:17:00 | 0:17:04 | |
Well, with an ego so big, | 0:17:06 | 0:17:08 | |
maybe Ruhma can float in on it! | 0:17:08 | 0:17:12 | |
OK, I'm going to take Emma for a quick loo break, | 0:17:12 | 0:17:16 | |
and we'll have a bit of a brainstorm. | 0:17:16 | 0:17:19 | |
Good idea. | 0:17:19 | 0:17:20 | |
I bet you ten quid they break your neck. | 0:17:25 | 0:17:27 | |
Make it 20. | 0:17:27 | 0:17:28 | |
I can't remember the last time I sat and watched the clouds. | 0:17:32 | 0:17:36 | |
I remember when we lay on a beach and looked for shapes in them. | 0:17:36 | 0:17:39 | |
When was that? | 0:17:39 | 0:17:40 | |
Our honeymoon. | 0:17:44 | 0:17:46 | |
You looked so relaxed. | 0:17:47 | 0:17:49 | |
Young, is what I looked. | 0:17:49 | 0:17:50 | |
I'm not talking about your age. | 0:17:50 | 0:17:52 | |
I can't remember the last time you didn't have this knot | 0:17:53 | 0:17:56 | |
between your eyebrows, this crosshatch. | 0:17:56 | 0:17:59 | |
If you're aiming at flattery... | 0:17:59 | 0:18:01 | |
I'm aiming at care. | 0:18:01 | 0:18:02 | |
Gemma's my daughter, but you're my wife. | 0:18:04 | 0:18:05 | |
I have to look after both of you. | 0:18:05 | 0:18:07 | |
You DO look after me. | 0:18:07 | 0:18:09 | |
Really? When was the last time you took a holiday? | 0:18:09 | 0:18:12 | |
I don't care about holidays. | 0:18:12 | 0:18:14 | |
Or pampered yourself? Slept the whole night? | 0:18:14 | 0:18:17 | |
Gemma's more important than any of that. Looking after her. | 0:18:17 | 0:18:21 | |
You can still do that here. You'll be visiting every day. | 0:18:21 | 0:18:26 | |
I'll be popping in each evening, every weekend. | 0:18:26 | 0:18:29 | |
When I'm retired, I'll come weekdays too. | 0:18:29 | 0:18:32 | |
Why can't we move her next year? | 0:18:33 | 0:18:35 | |
The year after? What's the rush? | 0:18:35 | 0:18:37 | |
We're getting older, love. | 0:18:38 | 0:18:40 | |
Can't we enjoy life before there's none of it left? | 0:18:40 | 0:18:43 | |
OK, we'll reserve the room. | 0:18:45 | 0:18:50 | |
PHONE RINGS | 0:18:50 | 0:18:54 | |
It's Dr Granger. | 0:18:54 | 0:18:55 | |
Hello? | 0:18:56 | 0:18:57 | |
Heston, could I have a word? | 0:18:57 | 0:18:59 | |
Can this wait till after rehearsal? | 0:18:59 | 0:19:01 | |
It's about the play. You know Adam, the lad that I'm fostering? | 0:19:01 | 0:19:03 | |
-He's a really talented performer... -I'm afraid it's too late to recast. | 0:19:03 | 0:19:07 | |
No, no, I was wondering, could you slot him in? | 0:19:07 | 0:19:10 | |
Cos it wouldn't take much rehearsal, cos he can already sing | 0:19:10 | 0:19:14 | |
and dance, he's got his own YouTube channel. | 0:19:14 | 0:19:16 | |
He's got 600 followers. I could show you a video... | 0:19:16 | 0:19:19 | |
YELPING AND LAUGHTER | 0:19:19 | 0:19:21 | |
This is really not a good time. | 0:19:21 | 0:19:22 | |
OK, just one. | 0:19:22 | 0:19:24 | |
I wouldn't ask, but he's away from home | 0:19:24 | 0:19:26 | |
and everybody else is doing family Christmas-y stuff. | 0:19:26 | 0:19:30 | |
OK, just one video. | 0:19:30 | 0:19:32 | |
-No, I... Well, you can't... -You can't do that. | 0:19:34 | 0:19:37 | |
How does this work? | 0:19:37 | 0:19:39 | |
Take a seat. She seems to find it easier if you support her wrist. | 0:19:39 | 0:19:43 | |
Like this? | 0:19:44 | 0:19:45 | |
Yeah, and then ask her a question. | 0:19:45 | 0:19:47 | |
She'll tap once for no, twice for yes. | 0:19:47 | 0:19:48 | |
Do you understand me? | 0:19:52 | 0:19:53 | |
-Nothing's happening. -It's OK. Gemma, take your time. | 0:19:56 | 0:19:59 | |
Oh, yes! | 0:20:08 | 0:20:10 | |
You stay with Gemma. | 0:20:13 | 0:20:14 | |
Yes, a lovely tone in that last video. Almost vibrato. | 0:20:19 | 0:20:22 | |
Who's that? | 0:20:23 | 0:20:25 | |
Adam. | 0:20:25 | 0:20:26 | |
-The boy you're fostering? -Yeah. -Will he be helping backstage? | 0:20:26 | 0:20:30 | |
Oh, no, he's more of a performer. | 0:20:30 | 0:20:33 | |
There's only one part for a boy in this production. | 0:20:33 | 0:20:35 | |
Tiny Tim. | 0:20:35 | 0:20:37 | |
Is Tiny Tim up for grabs? | 0:20:37 | 0:20:39 | |
You know very well it isn't. | 0:20:39 | 0:20:41 | |
Well, he's maybe a bit old for Tiny Tim, he's 15. | 0:20:41 | 0:20:44 | |
But it would be an absolute waste not to use him. | 0:20:44 | 0:20:47 | |
He's got the most incredible singing voice. | 0:20:47 | 0:20:51 | |
Heston, this is the costume that I've sourced for Joe. | 0:20:51 | 0:20:54 | |
It's already on order. | 0:20:54 | 0:20:56 | |
Thanks. | 0:21:03 | 0:21:04 | |
I should have known Gemma understood me. | 0:21:10 | 0:21:13 | |
How? I've been a GP for years, | 0:21:13 | 0:21:15 | |
and I had no idea she had such a high level of cognitive function. | 0:21:15 | 0:21:19 | |
You're not an expert. | 0:21:19 | 0:21:20 | |
I'm her mother. | 0:21:22 | 0:21:24 | |
I just wish I could have done more. | 0:21:24 | 0:21:26 | |
Perhaps you should be easier on yourself. | 0:21:28 | 0:21:30 | |
PHONE RINGS | 0:21:30 | 0:21:32 | |
Excuse me. | 0:21:32 | 0:21:33 | |
Er, look, this is the consultant. | 0:21:34 | 0:21:35 | |
Do you want to give me a minute, and I'll fill him in? | 0:21:35 | 0:21:38 | |
Hi. Yeah. | 0:21:38 | 0:21:40 | |
I've been asking Gemma what she likes. | 0:21:45 | 0:21:48 | |
Bananas and smoothies. | 0:21:48 | 0:21:50 | |
I hardly ever make smoothies. | 0:21:50 | 0:21:52 | |
Well, you can now. | 0:21:52 | 0:21:53 | |
Here, why don't you take her hand? | 0:21:53 | 0:21:55 | |
Oh, darling, I'm sorry I ran out. This is all so strange. | 0:22:00 | 0:22:06 | |
All these years I've looked at you, wondering what you were thinking. | 0:22:06 | 0:22:10 | |
You don't have to wonder any more. Ask a question. | 0:22:10 | 0:22:13 | |
Do you resent me? | 0:22:14 | 0:22:16 | |
Choose an easy one, why don't you? | 0:22:16 | 0:22:18 | |
It's all I can think of. | 0:22:18 | 0:22:20 | |
Are you angry I treated you like a child? | 0:22:20 | 0:22:22 | |
No. Nick, she said no. | 0:22:25 | 0:22:28 | |
There's something else. | 0:22:29 | 0:22:30 | |
When I was asking her what she likes, we got on to colours. | 0:22:30 | 0:22:34 | |
Gemma doesn't like pink. | 0:22:35 | 0:22:37 | |
We'll redecorate. | 0:22:37 | 0:22:38 | |
From now on, I promise you'll have anything you want. | 0:22:38 | 0:22:42 | |
That's what I said. | 0:22:42 | 0:22:44 | |
Then I asked her if she liked this room, just to check, | 0:22:44 | 0:22:49 | |
and she said no. So then I asked her if she liked this house. Again, no. | 0:22:49 | 0:22:54 | |
So, finally, I asked her if she wanted to live somewhere else. | 0:22:55 | 0:23:00 | |
And Gemma said yes. | 0:23:01 | 0:23:03 | |
Hopeview House? | 0:23:03 | 0:23:05 | |
I've already explained she can't go. | 0:23:05 | 0:23:07 | |
We need you here. We want to get to know you. | 0:23:07 | 0:23:10 | |
You do understand that? | 0:23:10 | 0:23:12 | |
No. | 0:23:14 | 0:23:16 | |
You're bored? You want a change? | 0:23:16 | 0:23:18 | |
Yes. | 0:23:21 | 0:23:23 | |
Nick, we did promise to give her anything she wanted. | 0:23:23 | 0:23:26 | |
This will always be your real home, | 0:23:29 | 0:23:32 | |
but we'll take you to Hopeview. | 0:23:32 | 0:23:35 | |
If you like it, we'll reserve the room. | 0:23:35 | 0:23:38 | |
Now, in the life you had before you entered the Spirit World, | 0:23:40 | 0:23:44 | |
where were you born? Past? | 0:23:44 | 0:23:46 | |
I was born in a four-poster bed, in a castle, to a raven-haired queen. | 0:23:46 | 0:23:52 | |
Chobe National Park, during the hunters' feast. | 0:23:52 | 0:23:55 | |
Er, St Phil's. | 0:23:55 | 0:23:57 | |
And how did you pass into the Spirit World? | 0:23:59 | 0:24:02 | |
Poisoned by a jealous lover. | 0:24:02 | 0:24:03 | |
Lion attack. | 0:24:03 | 0:24:04 | |
Knocked over by the 42 bus. | 0:24:04 | 0:24:05 | |
Hold on to your hats, luvvies. | 0:24:07 | 0:24:11 | |
I think we're about ready to show you what we've got. | 0:24:11 | 0:24:13 | |
There you are. | 0:24:17 | 0:24:19 | |
You are not going to believe this. | 0:24:19 | 0:24:21 | |
Gobby Hollins is only trying to take away Joe's part! | 0:24:21 | 0:24:24 | |
She was showing videos of her foster son to Heston, behind my back. | 0:24:24 | 0:24:29 | |
The boy's 15 if he's a day. He's nearly as tall as Sid. | 0:24:29 | 0:24:32 | |
I've just got back from the Parnells'. | 0:24:34 | 0:24:35 | |
Oh, no. | 0:24:35 | 0:24:37 | |
Did something go wrong with the injection? | 0:24:37 | 0:24:39 | |
No, completely the opposite. The treatment worked. | 0:24:39 | 0:24:44 | |
Gemma has the use of her thumb. | 0:24:44 | 0:24:45 | |
That's wonderful. | 0:24:49 | 0:24:50 | |
Yeah. You know, it's at times like these I realise how lucky we are. | 0:24:50 | 0:24:57 | |
We have our health. We don't need anything else. | 0:24:57 | 0:25:00 | |
AS COCKNEY: God bless us, every one! | 0:25:01 | 0:25:04 | |
That still needs work. | 0:25:06 | 0:25:08 | |
This is it, darling. Do you like it? | 0:25:12 | 0:25:15 | |
She likes it. | 0:25:18 | 0:25:19 | |
There are other homes. You don't have to choose this one. | 0:25:21 | 0:25:24 | |
But this one has a pool. | 0:25:24 | 0:25:26 | |
You do like water? | 0:25:26 | 0:25:28 | |
Nick, it's what she wants. | 0:25:28 | 0:25:30 | |
OK. | 0:25:30 | 0:25:32 | |
Two taps for yes - | 0:25:33 | 0:25:35 | |
would you like us to reserve this room? | 0:25:35 | 0:25:37 | |
Welcome to your future home. | 0:25:44 | 0:25:46 | |
The entrance of Christmas Yet to Come. | 0:25:49 | 0:25:52 | |
And lifting up his eyes, Scrooge beheld a solemn Phantom, | 0:25:52 | 0:25:57 | |
draped and hooded, coming towards him. | 0:25:57 | 0:26:01 | |
This mysterious figure filled him with solemn dread... | 0:26:01 | 0:26:05 | |
RHUMA WAILS EERILY | 0:26:05 | 0:26:07 | |
-..but did NOT speak. -Oh, sorry, sorry. | 0:26:07 | 0:26:10 | |
I am in the presence of the Ghost of Christmas Yet to Come? | 0:26:10 | 0:26:15 | |
Well done, Ruhma. What have you got under there? | 0:26:15 | 0:26:18 | |
The wheels need a bit of work, but it does the trick, don't you think? | 0:26:18 | 0:26:21 | |
It's marvellous. | 0:26:21 | 0:26:23 | |
I think it's ingenious. | 0:26:23 | 0:26:24 | |
Can you see it on the trolley? | 0:26:24 | 0:26:26 | |
Right, let's use this momentum, and push on with the scene. | 0:26:28 | 0:26:32 | |
You are about to show me shadows of things that have not happened, | 0:26:32 | 0:26:35 | |
but will happen in the time before us. Is that so? | 0:26:35 | 0:26:39 | |
I fear you more than any spectre I have seen, | 0:26:42 | 0:26:45 | |
but as I know your purpose is to do me good, | 0:26:45 | 0:26:47 | |
and as I hope to live to be another man from what I was, | 0:26:47 | 0:26:50 | |
I am prepared to bear your company and do it with a thankful heart. | 0:26:50 | 0:26:53 | |
Lead on, then, spirit, lead on! | 0:26:53 | 0:26:56 | |
And point upstage. | 0:26:56 | 0:26:58 | |
Upstage. | 0:26:58 | 0:26:59 | |
RUHMA SHRIEKS | 0:27:00 | 0:27:03 | |
It'll be OK, darling. Everything's going to be OK. | 0:27:10 | 0:27:13 | |
I can't think straight. What am I going to do? | 0:27:15 | 0:27:18 | |
Come on. Come on. | 0:27:18 | 0:27:19 | |
Just nipping to the gents'. | 0:27:21 | 0:27:23 | |
With all Dr Haskey's complaints, I forgot about decorating here. | 0:27:23 | 0:27:27 | |
I'll do it. | 0:27:27 | 0:27:29 | |
-BOTH: -Large gin. | 0:27:29 | 0:27:31 |