Browse content similar to That Time of Year. Check below for episodes and series from the same categories and more!
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SOFT CLASSICAL MUSIC | 0:00:30 | 0:00:32 | |
CLOCK TICKING | 0:00:32 | 0:00:34 | |
SLOW BREATHING | 0:00:34 | 0:00:37 | |
WIND CHIME TINKLES | 0:00:41 | 0:00:43 | |
BANG! | 0:00:48 | 0:00:50 | |
# Da, da-da-da Da, da-da-da | 0:00:50 | 0:00:54 | |
# Baby, we were born to run - yee! | 0:00:54 | 0:00:57 | |
# Da, da-da-da | 0:00:57 | 0:01:00 | |
# We were born to run We were born to run. # | 0:01:01 | 0:01:04 | |
1940s MUSIC PLAYS | 0:01:07 | 0:01:11 | |
I'm really glad you saw the show last night. | 0:01:12 | 0:01:14 | |
Are you? | 0:01:14 | 0:01:16 | |
Yes...as we're here. | 0:01:16 | 0:01:18 | |
It would have been a shame to have missed it. | 0:01:18 | 0:01:20 | |
-It was absolutely fantastic, wasn't it? -It was, wasn't it? | 0:01:24 | 0:01:28 | |
HE CLEARS HIS THROAT | 0:01:29 | 0:01:31 | |
I said, did you get my cake? | 0:01:31 | 0:01:34 | |
Did you get my cake? | 0:01:38 | 0:01:40 | |
Might have. On the other hand, | 0:01:41 | 0:01:43 | |
I might have been too embarrassed to be seen buying that type of junk. | 0:01:43 | 0:01:47 | |
There's nothing wrong with a bit of cake. | 0:01:47 | 0:01:49 | |
No, not if you're a couch potato with a burning desire for diabetes. | 0:01:49 | 0:01:53 | |
Have you not heard of the national sugar addiction? | 0:01:53 | 0:01:57 | |
The obesity epidemic they're always on about? | 0:01:57 | 0:02:00 | |
They're always on about something. You can't keep up with everything. | 0:02:00 | 0:02:03 | |
Yeah, well, I'm sure that's what the dinosaurs said | 0:02:03 | 0:02:06 | |
before breathing in their last. | 0:02:06 | 0:02:08 | |
'How can I help you?' | 0:02:08 | 0:02:10 | |
How much sugar is in a Victoria sponge cake? | 0:02:10 | 0:02:16 | |
'Let me think about that. | 0:02:16 | 0:02:18 | |
'100g of Victoria sponge cake contains 37g of sugar.' | 0:02:20 | 0:02:25 | |
Ahhhh! | 0:02:25 | 0:02:27 | |
Maybe I should ask HER to get my cake. | 0:02:28 | 0:02:30 | |
Whose is all this? There's a week's worth of shopping in here. | 0:02:32 | 0:02:35 | |
Sorry! I daren't take it home in case the vultures have it. | 0:02:35 | 0:02:38 | |
Along with my teabags, shampoo | 0:02:38 | 0:02:39 | |
and two tubs of peanut butter they've already had this week. | 0:02:39 | 0:02:42 | |
TWO tubs? | 0:02:42 | 0:02:43 | |
Yeah, I think Tim and his girlfriend have found some new and original use for it. | 0:02:43 | 0:02:47 | |
Oh! | 0:02:47 | 0:02:48 | |
Told you I needed out. | 0:02:48 | 0:02:49 | |
Hope it's the smooth kind. | 0:02:49 | 0:02:52 | |
Letherbridge Life? You won a subscription or something? | 0:02:52 | 0:02:55 | |
No. They want to do an interview about my app. | 0:02:55 | 0:02:58 | |
Oh, nice one! | 0:02:58 | 0:02:59 | |
Nah, think I'll give it a miss. | 0:02:59 | 0:03:03 | |
You should totally speak to them about peanut butter-gate. | 0:03:03 | 0:03:05 | |
HE CHUCKLES Yeah. | 0:03:05 | 0:03:07 | |
I've got nothing better to do since Anthony got the boot, have I? | 0:03:07 | 0:03:09 | |
Yeah, well, from the goss I've heard, we're well rid. | 0:03:09 | 0:03:12 | |
And things'll start falling into place, | 0:03:12 | 0:03:14 | |
especially now you've got Zara in your pocket. | 0:03:14 | 0:03:16 | |
Not to mention yours truly fighting your corner. | 0:03:16 | 0:03:18 | |
And we'll work out where to live later, yeah? | 0:03:18 | 0:03:20 | |
The design was fantastic, and the staging. | 0:03:23 | 0:03:26 | |
Yeah, and the acting. | 0:03:26 | 0:03:27 | |
I must admit, I've never seen Cymbeline before. | 0:03:27 | 0:03:30 | |
But it was very interesting, having a woman in the title role. | 0:03:30 | 0:03:33 | |
Yeah. Oh, and did you know that A Midsummer Night's Dream | 0:03:33 | 0:03:36 | |
is on tour, and it's supposed to be just as good? | 0:03:36 | 0:03:38 | |
Yeah. Unfortunately, they're not coming to Letherbridge. | 0:03:38 | 0:03:41 | |
Their Bottom is supposed to be fantastic. | 0:03:41 | 0:03:43 | |
I've seen quite a few interesting Bottoms in my time... | 0:03:43 | 0:03:45 | |
Well, in our line of work, Dr Carter... | 0:03:45 | 0:03:47 | |
In fact, I played him once. | 0:03:47 | 0:03:49 | |
Oh, I'd like to have seen your Bottom! | 0:03:49 | 0:03:52 | |
HE CHUCKLES | 0:03:52 | 0:03:53 | |
I don't want us to be at odds. | 0:03:53 | 0:03:56 | |
We better get going - we don't want to be late. | 0:03:56 | 0:03:58 | |
VACUUM WHIRRING | 0:04:04 | 0:04:07 | |
It wasn't much to ask. | 0:04:15 | 0:04:18 | |
Yes, well, a little here, a little there, | 0:04:18 | 0:04:20 | |
and everything starts to build up, doesn't it? | 0:04:20 | 0:04:23 | |
Till they're sucking you dry, | 0:04:23 | 0:04:25 | |
and you know you got the sticky end of the stick. | 0:04:25 | 0:04:28 | |
Where all my bills keep going up and up, | 0:04:28 | 0:04:31 | |
and your flamin' house just keeps on appreciating. | 0:04:31 | 0:04:34 | |
Well, rest assured, no amount of money could compensate for living with you. | 0:04:34 | 0:04:38 | |
Likewise, I'm sure. But without me you'd starve, wouldn't you? | 0:04:38 | 0:04:41 | |
-Worth it. -So is being on the streets. | 0:04:41 | 0:04:44 | |
The only thing keeping me here is the hope of seeing you off. | 0:04:50 | 0:04:54 | |
-VACUUM WHIRS Whee! -Likewise, I'm sure. | 0:04:54 | 0:04:56 | |
Good luck with that, Darth Vader. | 0:04:56 | 0:04:58 | |
DOORBELL Do you want to get that, or shall I? | 0:04:58 | 0:05:01 | |
So did you get my bloody cake or not? | 0:05:01 | 0:05:03 | |
Why don't you just hop over there and look for yourself? | 0:05:03 | 0:05:06 | |
I've got to get warmed up. | 0:05:06 | 0:05:08 | |
Ah! Oh! | 0:05:12 | 0:05:13 | |
HE GASPS IN PAIN | 0:05:13 | 0:05:17 | |
DOORBELL | 0:05:20 | 0:05:22 | |
Ooh. | 0:05:25 | 0:05:26 | |
Hiya! I'm Ayesha, from the Mill Health Centre. | 0:05:30 | 0:05:32 | |
Tash is off sick today, so I'm covering her home visits. | 0:05:32 | 0:05:35 | |
Right you are. Invalid's in there. | 0:05:35 | 0:05:37 | |
HE GASPS IN PAIN | 0:05:41 | 0:05:43 | |
GROANING | 0:05:45 | 0:05:47 | |
Nearly done... | 0:05:47 | 0:05:49 | |
Can't you do that somewhere else? | 0:05:49 | 0:05:51 | |
-Not enough room. -No privacy in my own home. | 0:05:51 | 0:05:53 | |
Oh, pardon me for breathing. | 0:05:53 | 0:05:55 | |
Well, if you promise not to do it for much longer. | 0:05:55 | 0:05:58 | |
It's very good for the old cardio. | 0:05:58 | 0:06:00 | |
I've been telling him for years to get himself in shape, | 0:06:00 | 0:06:02 | |
get out there, get some of his air from the sky instead of a bottle. | 0:06:02 | 0:06:06 | |
Well, a bit of exercise can help - whatever you can manage, really. | 0:06:06 | 0:06:10 | |
I've got some info on rehabilitation courses back at the surgery. | 0:06:10 | 0:06:13 | |
Yes, spring has sprung, birds are singing, the sap is rising. | 0:06:13 | 0:06:18 | |
Mine isn't. Not any more. | 0:06:18 | 0:06:21 | |
So, are you two a...couple? | 0:06:21 | 0:06:24 | |
Once upon a time, when we were a touch younger, and much gayer... | 0:06:24 | 0:06:28 | |
After I came out to my family, in '92... | 0:06:28 | 0:06:31 | |
-'93. -No, it was... | 0:06:31 | 0:06:34 | |
I would hardly forget the beginning of the end. | 0:06:34 | 0:06:37 | |
-Of your teeth, you mean. -Ha! | 0:06:37 | 0:06:39 | |
Anyway, we moved in together and, in a fit of insanity, struck a deal. | 0:06:39 | 0:06:44 | |
I'd pay the whole mortgage on this place... | 0:06:44 | 0:06:47 | |
And I would pay all the rest of the bills. | 0:06:47 | 0:06:50 | |
-So, now... -It was like a marriage of convenience. | 0:06:50 | 0:06:54 | |
Worst deal ever. | 0:06:54 | 0:06:56 | |
And least convenient. | 0:06:56 | 0:06:58 | |
So, my dear, in answer to your question, | 0:06:58 | 0:07:00 | |
we're trapped together in domestic bliss. | 0:07:00 | 0:07:03 | |
OK. Um, I'll just take your blood pressure. | 0:07:04 | 0:07:07 | |
So, welcome to the Royal Shakespeare Theatre, | 0:07:08 | 0:07:12 | |
here on the bank of the River Avon. | 0:07:12 | 0:07:14 | |
Now, as we already know, "All the world's a stage," | 0:07:14 | 0:07:18 | |
but today, here in Shakespeare's hometown | 0:07:18 | 0:07:21 | |
of Stratford-upon-Avon, we're going to go beyond that, | 0:07:21 | 0:07:25 | |
to peep behind "the fringed curtains" on the backstage tour. | 0:07:25 | 0:07:28 | |
He's very good. | 0:07:28 | 0:07:30 | |
At memorising his lines. Considering he's about 12. | 0:07:30 | 0:07:33 | |
..as this is a working-based theatre | 0:07:33 | 0:07:35 | |
and it depends entirely on what's going on today. | 0:07:35 | 0:07:38 | |
But that's all part of the excitement of the tour. | 0:07:38 | 0:07:40 | |
So, my name's Toby... | 0:07:40 | 0:07:42 | |
Oh, Toby? Do you take after your namesake? | 0:07:42 | 0:07:46 | |
-And...without further ado... -Sir Toby Belch? | 0:07:47 | 0:07:50 | |
"Possess us, possess us; tell us something of him." | 0:07:50 | 0:07:53 | |
..let's take a look behind the scenes. | 0:07:55 | 0:07:57 | |
By all means. "Wherefore are these things hid? | 0:07:57 | 0:08:00 | |
Wherefore have these gifts a curtain before 'em?" | 0:08:00 | 0:08:03 | |
Right... | 0:08:03 | 0:08:05 | |
It's all right, love. No need to sugar-coat it. | 0:08:05 | 0:08:08 | |
Yes, go on. Got to be cruel to be kind! | 0:08:08 | 0:08:11 | |
I know it's going to kill me. Just not today, thank you. | 0:08:11 | 0:08:13 | |
Well, just give us a date and I'll make sure not to miss it. | 0:08:13 | 0:08:16 | |
Meanwhile, I'm off for my power-walk. | 0:08:16 | 0:08:19 | |
Trying to push past five miles a day. | 0:08:19 | 0:08:21 | |
Five miles to nowhere! | 0:08:21 | 0:08:23 | |
Recorded, verified and posted online by my tracker app, | 0:08:23 | 0:08:28 | |
-thank you very much. -Oh, all mod cons, aren't we? | 0:08:28 | 0:08:31 | |
Well, you need something to organise your social engagements, | 0:08:31 | 0:08:35 | |
and busy modern lifestyle, don't you? | 0:08:35 | 0:08:38 | |
Unless, of course, you're living in the past and have no friends. | 0:08:38 | 0:08:42 | |
Right, well, your oxygen's a bit low, so I'll get that sorted. | 0:08:42 | 0:08:46 | |
And are you sure you've got enough support living at home? | 0:08:46 | 0:08:49 | |
Is there anyone else looking out for you? | 0:08:49 | 0:08:51 | |
No, I'll be all right. | 0:08:51 | 0:08:53 | |
You can always rely on him for the kiss of life. | 0:08:53 | 0:08:56 | |
-Anyway, got my daughter, Sam, coming for tea this afternoon. -Oh. | 0:08:56 | 0:09:00 | |
It's weird the difference one person can make, isn't it? | 0:09:04 | 0:09:08 | |
The house feels, well, so much quieter without Niamh. Almost empty. | 0:09:08 | 0:09:13 | |
That's hardly surprising. | 0:09:13 | 0:09:16 | |
And now it looks like Ayesha is going to be packing her bags. | 0:09:16 | 0:09:19 | |
Well, count yourself lucky! | 0:09:19 | 0:09:20 | |
What I wouldn't give for... just for some space without Joe | 0:09:20 | 0:09:25 | |
and Daniel in my ear every five minutes. | 0:09:25 | 0:09:27 | |
At least you can put Chris up without him tripping over everyone. | 0:09:27 | 0:09:30 | |
Yes, I'll remember that the next time he "pops over" | 0:09:30 | 0:09:33 | |
from Australia for a long weekend! | 0:09:33 | 0:09:36 | |
Anyway, listen, I wanted to ask your opinion about a social worker. | 0:09:36 | 0:09:40 | |
Jane Fairweather? | 0:09:40 | 0:09:41 | |
I have come across her once or twice. | 0:09:41 | 0:09:43 | |
It's just, she's told me some things about a pregnant patient | 0:09:43 | 0:09:46 | |
that have rather made me doubt my own judgment. | 0:09:46 | 0:09:50 | |
Well, I'd say that she's professional, | 0:09:50 | 0:09:52 | |
and she would have the best interest of the child at heart. | 0:09:52 | 0:09:55 | |
Mm. I knew this patient | 0:09:55 | 0:09:57 | |
had a history, but she just seems so together now. | 0:09:57 | 0:10:00 | |
What Jane told me made my hair stand on end. | 0:10:02 | 0:10:06 | |
Well, we meet all kinds of people, don't we, Haskey? | 0:10:06 | 0:10:09 | |
Capable of all kinds of things, I suppose. | 0:10:09 | 0:10:12 | |
HE MUMBLES | 0:10:12 | 0:10:14 | |
It's just...you know... | 0:10:14 | 0:10:17 | |
I can't quite believe that a mother would do that to a child. | 0:10:17 | 0:10:19 | |
I mean, her own flesh and blood... | 0:10:19 | 0:10:21 | |
Tell me about it - human nature never ceases to amaze me. | 0:10:21 | 0:10:25 | |
I'm sorry, excuse me. | 0:10:25 | 0:10:27 | |
-Carmichael puts her foot in it once again. -What? | 0:10:31 | 0:10:34 | |
She was clearly upset, she's bound to be sensitive about babies and... | 0:10:34 | 0:10:39 | |
y'know, after we lost Howard? | 0:10:39 | 0:10:41 | |
Ohh. | 0:10:41 | 0:10:43 | |
-Clearly, I'm the idiot. -You said it. -THANK YOU. | 0:10:43 | 0:10:47 | |
I'm not eating your half-chewed biscuits. | 0:10:47 | 0:10:49 | |
HE SIGHS | 0:10:56 | 0:10:58 | |
DOOR CLOSES | 0:11:00 | 0:11:01 | |
You didn't say Sam was coming. | 0:11:09 | 0:11:11 | |
Did you think I'd eat a whole cake by myself? | 0:11:11 | 0:11:15 | |
-Well, I should stay... -No, no. | 0:11:15 | 0:11:17 | |
You've got your important walk to nowhere, and your phone'll be miffed if you don't turn up. | 0:11:17 | 0:11:22 | |
Anyway...Sam said she wants a chat. | 0:11:23 | 0:11:26 | |
So here we have the quick-change area, with a rail of costumes. | 0:11:33 | 0:11:37 | |
-These are from a production of A Midsummer Night's Dream. -Oh! | 0:11:37 | 0:11:41 | |
"Get your apparel together, good strings to your beards, | 0:11:41 | 0:11:44 | |
"new ribbons to your pumps!" | 0:11:44 | 0:11:47 | |
Have a look ... | 0:11:47 | 0:11:49 | |
Great, look at that. | 0:11:49 | 0:11:50 | |
..but please don't touch! | 0:11:50 | 0:11:52 | |
Oh, Puck! | 0:11:52 | 0:11:53 | |
The most important rule of quick-change dressing, I'm told, | 0:11:53 | 0:11:58 | |
is not to panic. | 0:11:58 | 0:12:00 | |
If you're racing to hit your cue, | 0:12:00 | 0:12:01 | |
you do not want to find yourself wrestling with a straitjacket... | 0:12:01 | 0:12:05 | |
Maybe you'll get to see my Bottom after all... | 0:12:05 | 0:12:07 | |
..unless, of course, a straitjacket is called for. | 0:12:07 | 0:12:11 | |
"What do you see? An asshead of your own, do you?" | 0:12:11 | 0:12:16 | |
"As, by my faith, I see no more in you." | 0:12:16 | 0:12:19 | |
"There's no more faith in thee than a stewed prune!" | 0:12:19 | 0:12:22 | |
-Take it off... -Ahh! | 0:12:22 | 0:12:23 | |
"Which makes him prune himself, and bristle up, | 0:12:23 | 0:12:27 | |
"the crest of youth against your dignity." | 0:12:27 | 0:12:30 | |
Very good. | 0:12:30 | 0:12:31 | |
Can you please give me a hand..? | 0:12:31 | 0:12:33 | |
-I'm sorry. -Er... | 0:12:33 | 0:12:35 | |
-Ooh! -Sorry. -It's all right. | 0:12:35 | 0:12:37 | |
There we go. | 0:12:37 | 0:12:39 | |
It's nice. | 0:12:40 | 0:12:41 | |
LABOURED BREATHING | 0:12:43 | 0:12:45 | |
HE GASPS | 0:12:55 | 0:12:57 | |
How's my girl? | 0:13:10 | 0:13:12 | |
Mwah! | 0:13:13 | 0:13:15 | |
You not staying? | 0:13:17 | 0:13:19 | |
No - on a tight schedule, you know me! | 0:13:19 | 0:13:22 | |
Ah, I was hoping to catch you both. | 0:13:22 | 0:13:23 | |
-Everything OK? -Oh, yeah. With me, everything's fine. | 0:13:23 | 0:13:26 | |
It's just... Dad's emphysema getting worse... | 0:13:26 | 0:13:30 | |
I was thinking about getting him to come and live with us. | 0:13:31 | 0:13:35 | |
Makes sense. | 0:13:36 | 0:13:38 | |
I wanted to check you'd be OK with it... | 0:13:38 | 0:13:40 | |
OK? I'd be made up! | 0:13:40 | 0:13:42 | |
I've been waiting for an excuse to ditch the old git for years, | 0:13:42 | 0:13:46 | |
and it's not like I haven't had any offers, believe me! | 0:13:46 | 0:13:49 | |
Better fly, I'm on the old clock. | 0:13:49 | 0:13:53 | |
Wish him happy trails, eh? | 0:13:53 | 0:13:56 | |
You're really young, to know so much. | 0:14:12 | 0:14:14 | |
-I study post-grad at the Shakespeare Institute. -Ah. | 0:14:14 | 0:14:17 | |
SHE GASPS | 0:14:17 | 0:14:18 | |
Oh, wow. | 0:14:18 | 0:14:21 | |
So, here we are, onstage, in the actors' shoes, as it were. | 0:14:21 | 0:14:27 | |
Can you imagine? The audience just hanging on to every word. | 0:14:27 | 0:14:33 | |
-All that energy... -Yeah. Imagine. | 0:14:33 | 0:14:37 | |
Well, life is full of missed opportunities. | 0:14:37 | 0:14:40 | |
Ahh. | 0:14:40 | 0:14:41 | |
Romeo | 0:14:41 | 0:14:43 | |
and...Juliet. | 0:14:43 | 0:14:46 | |
Actually, we had a load of Year 10s through earlier | 0:14:46 | 0:14:49 | |
and I had the troublemakers up doing the balcony scene, | 0:14:49 | 0:14:53 | |
which separated the men from the boys. | 0:14:53 | 0:14:56 | |
Romeo and Juliet? | 0:14:57 | 0:14:59 | |
Yeah, I mean...perhaps you'd like to show us how it's done? | 0:14:59 | 0:15:03 | |
-Oh, I don't think... -Oh, come on, you're dying to! | 0:15:03 | 0:15:05 | |
"If it were done when 'tis done, | 0:15:05 | 0:15:07 | |
"then 'twere well it were done quickly!" | 0:15:07 | 0:15:09 | |
Break a leg. | 0:15:09 | 0:15:10 | |
SHE CLEARS HER THROAT | 0:15:10 | 0:15:14 | |
SHE CHUCKLES NERVOUSLY | 0:15:14 | 0:15:16 | |
-How camst - camest? -Camest. -Thank you. | 0:15:16 | 0:15:18 | |
How camest thou hither, tell me, and wherefore? | 0:15:19 | 0:15:23 | |
Flirtier! | 0:15:23 | 0:15:24 | |
LAUGHTER | 0:15:26 | 0:15:28 | |
The orchard walls are high and hard to climb, | 0:15:28 | 0:15:31 | |
And the place death, considering who thou art, | 0:15:31 | 0:15:34 | |
If any of my kinsmen find thee here. | 0:15:34 | 0:15:37 | |
With love's light wings did I o'er-perch these walls. | 0:15:37 | 0:15:42 | |
LAUGHTER | 0:15:42 | 0:15:44 | |
Ha-ha! Seven miles, game over, thank you and goodnight. | 0:15:58 | 0:16:03 | |
The numbers don't lie! | 0:16:03 | 0:16:05 | |
Averaging 25mph? | 0:16:05 | 0:16:07 | |
That's a statistical anomaly. | 0:16:07 | 0:16:09 | |
Sam gone already? | 0:16:11 | 0:16:12 | |
Yeah, she heard you skidding up on shanks' pony. | 0:16:12 | 0:16:16 | |
HE COUGHS Didn't she want a serious word? | 0:16:16 | 0:16:19 | |
Thought maybe she'd sussed she couldn't possibly be | 0:16:19 | 0:16:22 | |
biologically related. | 0:16:22 | 0:16:23 | |
Was nothing important. | 0:16:23 | 0:16:25 | |
Ah! HE GROANS IN PAIN | 0:16:25 | 0:16:27 | |
Ah, will you give it up? | 0:16:27 | 0:16:29 | |
I know you're after moving in over there... | 0:16:29 | 0:16:31 | |
What? You know nothing of the sort. | 0:16:31 | 0:16:34 | |
-She told me, you gold-plated ignoramus! -No, she... | 0:16:34 | 0:16:38 | |
She actually has a smidgeon of integrity, | 0:16:38 | 0:16:40 | |
-presumably from her mother's half of the gene pool! -I... | 0:16:40 | 0:16:43 | |
So hasta la vista, baby. Enjoy your assisted living! | 0:16:43 | 0:16:47 | |
-I said no. -You said no? Why? | 0:16:47 | 0:16:50 | |
You! You don't know you're born, do you? | 0:16:51 | 0:16:54 | |
Or what you have in that girl! | 0:16:54 | 0:16:55 | |
She's my daughter! | 0:16:55 | 0:16:57 | |
Well, you don't deserve her! | 0:16:57 | 0:16:59 | |
HE GASPS, WHEEZES | 0:16:59 | 0:17:00 | |
I mean, look at the state of you! | 0:17:00 | 0:17:02 | |
I don't know why she'd bother, | 0:17:02 | 0:17:04 | |
and then you go and throw it back in her face?! | 0:17:04 | 0:17:06 | |
You must... HE GASPS AND COUGHS | 0:17:06 | 0:17:10 | |
O, wilt thou leave me so unsatisfied? | 0:17:19 | 0:17:22 | |
What satisfaction canst thou have to-night? | 0:17:22 | 0:17:25 | |
The exchange of thy love's faithful vow for mine. | 0:17:25 | 0:17:28 | |
I gave thee mine before thoust did request it: | 0:17:28 | 0:17:31 | |
And yet I would it were to give it again. | 0:17:31 | 0:17:34 | |
LAUGHTER | 0:17:34 | 0:17:35 | |
OK, that's enough of that. | 0:17:35 | 0:17:37 | |
Oh, come on. Just carry on. | 0:17:37 | 0:17:38 | |
-I think, maybe, we could all do with a break... -Oh, come on, more! | 0:17:38 | 0:17:41 | |
-It was just getting interesting. -It's ridiculous! | 0:17:41 | 0:17:44 | |
-Heston. -It's hardly appropriate casting! | 0:17:44 | 0:17:47 | |
It's just a bit of fun... | 0:17:47 | 0:17:49 | |
If you were really some soppy teenager | 0:17:49 | 0:17:51 | |
and I was in the throes of some hormone-fuelled crush, | 0:17:51 | 0:17:55 | |
but we're not, are we? | 0:17:55 | 0:17:57 | |
"Henceforth I never will be Romeo." | 0:17:58 | 0:18:00 | |
(Sorry.) | 0:18:03 | 0:18:04 | |
LABOURED BREATHING | 0:18:06 | 0:18:08 | |
HE SIGHS | 0:18:13 | 0:18:14 | |
That ship has sailed. | 0:18:18 | 0:18:21 | |
If you're after cash, I'm a bit short. | 0:18:21 | 0:18:23 | |
Come on... | 0:18:24 | 0:18:26 | |
Battery's dead. | 0:18:31 | 0:18:33 | |
You can't even stand to lose THIS race, can you? | 0:18:35 | 0:18:37 | |
THEY CHUCKLE | 0:18:37 | 0:18:40 | |
I don't...don't understand. Why did you tell her no? | 0:18:40 | 0:18:44 | |
You wouldn't. | 0:18:44 | 0:18:46 | |
She's got her own life... | 0:18:46 | 0:18:48 | |
family. Doesn't need me cluttering up the place. | 0:18:48 | 0:18:52 | |
I like them visiting. Being... fun grandad. Remembered like that. | 0:18:54 | 0:18:58 | |
Not...some old zombie, coughing over his cornflakes every morning. | 0:18:58 | 0:19:03 | |
HE COUGHS | 0:19:06 | 0:19:07 | |
And I can't stand her fella. | 0:19:07 | 0:19:09 | |
Me neither. | 0:19:09 | 0:19:11 | |
HE GASPS, LAUGHING | 0:19:11 | 0:19:14 | |
Patronising... | 0:19:14 | 0:19:15 | |
HE GASPS FOR BREATH | 0:19:15 | 0:19:17 | |
Eh...eh! | 0:19:17 | 0:19:19 | |
HE BREATHES DEEPLY | 0:19:19 | 0:19:21 | |
If you pop your clogs, I'll have to live with him. | 0:19:23 | 0:19:27 | |
Old Top Gear 24/7. | 0:19:27 | 0:19:30 | |
Thought you wanted rid of me. | 0:19:30 | 0:19:32 | |
Oh, good point. Just plug the phone in and call her back, eh? | 0:19:32 | 0:19:36 | |
Anyway... | 0:19:40 | 0:19:41 | |
..who would I have to talk to about the past and all that - eh? - | 0:19:43 | 0:19:47 | |
who was actually there? | 0:19:47 | 0:19:49 | |
Hardly matters now anyway. | 0:19:49 | 0:19:51 | |
Be in the past soon enough. | 0:19:53 | 0:19:55 | |
-No... -Both at death's door. | 0:19:55 | 0:19:58 | |
Grim Reaper knocking... | 0:20:00 | 0:20:02 | |
KNOCK AT DOOR | 0:20:02 | 0:20:05 | |
You did hear that, didn't you? | 0:20:05 | 0:20:07 | |
Hello? Anyone home? I brought that info. | 0:20:07 | 0:20:11 | |
Oh, my... | 0:20:13 | 0:20:15 | |
Right, don't move, stay there. | 0:20:15 | 0:20:17 | |
Not a problem. | 0:20:17 | 0:20:19 | |
I'm coming, just give me a sec. | 0:20:19 | 0:20:22 | |
-Watch my Wade Whimsies. -Stuff your Wade Whimsies! | 0:20:22 | 0:20:25 | |
What on earth happened? | 0:20:25 | 0:20:27 | |
Limbo competition - got out of hand. | 0:20:27 | 0:20:32 | |
Well, we've all been there. | 0:20:32 | 0:20:34 | |
Look at him first. He's the invalid. | 0:20:34 | 0:20:36 | |
Yes, ambulance. | 0:20:37 | 0:20:39 | |
You can talk. | 0:20:39 | 0:20:41 | |
And you can't, which is a relief to all... | 0:20:41 | 0:20:43 | |
Oh, be quiet, both of you. | 0:20:43 | 0:20:45 | |
37 Birch Close, Letherbridge. | 0:20:45 | 0:20:48 | |
Your chest's hurting, is it? | 0:20:48 | 0:20:50 | |
First my leg. Now this! | 0:20:50 | 0:20:53 | |
-He was coughing blood. -Your leg where? | 0:20:53 | 0:20:56 | |
Pulled a muscle...days ago. | 0:20:56 | 0:20:59 | |
Yes. Suspected pulmonary embolism. | 0:20:59 | 0:21:03 | |
Yeah, ASAP. | 0:21:03 | 0:21:05 | |
Is that bad? | 0:21:05 | 0:21:07 | |
You remember earlier, when you said you didn't want me to sugar-coat it? | 0:21:07 | 0:21:10 | |
Right, let's try and get you up. | 0:21:12 | 0:21:15 | |
No curtain call, then? | 0:21:20 | 0:21:22 | |
You know... | 0:21:24 | 0:21:25 | |
I'm assuming this isn't about Romeo and Juliet. | 0:21:25 | 0:21:29 | |
-Ruhma? -Mm? | 0:21:29 | 0:21:32 | |
I've come to realise that I'm going to die | 0:21:32 | 0:21:35 | |
-sooner rather than later. -No, because, you've had treatment... | 0:21:35 | 0:21:38 | |
I'm not talking about the angina. | 0:21:38 | 0:21:41 | |
This heart has a history - one careless owner. | 0:21:41 | 0:21:43 | |
I probably couldn't give it away. Not that I haven't tried. | 0:21:43 | 0:21:47 | |
Sorry, I didn't mean that. | 0:21:49 | 0:21:50 | |
It just seems very important to me | 0:21:50 | 0:21:54 | |
that I'm older, | 0:21:54 | 0:21:56 | |
and I'm less healthy. | 0:21:56 | 0:21:57 | |
Not to me. | 0:21:57 | 0:21:59 | |
I know you want to take things slowly, but... | 0:21:59 | 0:22:02 | |
..I'm not sure I have that luxury. | 0:22:03 | 0:22:05 | |
I should never have asked you to move in in the first place. | 0:22:07 | 0:22:10 | |
I mean, what do I have to offer, really, | 0:22:10 | 0:22:12 | |
in terms of life, and a future? | 0:22:12 | 0:22:16 | |
We should probably catch up before it's too late. | 0:22:20 | 0:22:22 | |
'PHONE RINGING' | 0:22:25 | 0:22:27 | |
SHE GROANS | 0:22:27 | 0:22:28 | |
Mm. | 0:22:31 | 0:22:33 | |
Hey! | 0:22:33 | 0:22:34 | |
'Listen, I'm with a really poorly patient, | 0:22:34 | 0:22:36 | |
'I'm not going to make it back for lunch.' | 0:22:36 | 0:22:38 | |
OK, I'll grab a sandwich. Will I see you later? | 0:22:38 | 0:22:41 | |
Yeah, the thing is, there's something I wanted to run by you. | 0:22:41 | 0:22:44 | |
-Right. -'I know it's bad timing and Niamh's just gone and everything...' | 0:22:44 | 0:22:48 | |
-It's just, Sid's desperate... -Look, it's fine! I understand. | 0:22:48 | 0:22:53 | |
I mean, I'm not going to lie - I will miss your Prosecco cocktails. | 0:22:53 | 0:22:56 | |
-But we all need to move on, don't we? -You want me out? -What....! | 0:22:56 | 0:23:00 | |
No, I thought you wanted to move out. | 0:23:00 | 0:23:03 | |
No! I was just going to ask if Sid could move in. | 0:23:03 | 0:23:06 | |
Oh! Er... | 0:23:06 | 0:23:08 | |
'Hello? Hello? Am I breaking up?' | 0:23:11 | 0:23:13 | |
-Look, we'll talk about it later, yeah? -Yeah. Yes, OK. | 0:23:13 | 0:23:19 | |
Oh! Your dad's OK. | 0:23:19 | 0:23:21 | |
Uncle Tom? | 0:23:21 | 0:23:22 | |
Well, he very nearly wasn't, if your dad hadn't come to the rescue. | 0:23:22 | 0:23:25 | |
But he's on blood thinners as well as the oxygen, | 0:23:25 | 0:23:28 | |
so he should be OK, too. | 0:23:28 | 0:23:29 | |
Looks as if you won't be winning that race after all. | 0:23:30 | 0:23:33 | |
Now look what you've done. | 0:23:37 | 0:23:39 | |
Sorry. | 0:23:39 | 0:23:40 | |
SHE SNIFFS | 0:23:40 | 0:23:42 | |
And I'm sorry I got annoyed. | 0:23:43 | 0:23:46 | |
You just... | 0:23:46 | 0:23:47 | |
You can be so pig-headed. | 0:23:47 | 0:23:50 | |
Seconded. But never you mind, I'll move in if he won't. | 0:23:50 | 0:23:54 | |
That offer wasn't open to allcomers, so you're stuck with me. | 0:23:54 | 0:23:57 | |
That so? Nurse! | 0:23:57 | 0:23:59 | |
You wouldn't have another bed? On another planet? | 0:24:01 | 0:24:05 | |
Leave the poor girl alone. She's got enough to do without you in her ear. | 0:24:05 | 0:24:08 | |
Maybe I should ask for them to be moved, if they're going to start winding each other up again? | 0:24:08 | 0:24:12 | |
No, just means they're feeling better. It's how they keep each other going. | 0:24:12 | 0:24:18 | |
State of you! | 0:24:18 | 0:24:19 | |
Gerroff! | 0:24:19 | 0:24:21 | |
If you're laid up, maybe I could take charge for a change. | 0:24:21 | 0:24:24 | |
No chance. You can barely raise a smile most days. | 0:24:24 | 0:24:28 | |
I can manage. I'll get myself one of those electric chairs. | 0:24:28 | 0:24:32 | |
Sold! I'll even throw the switch. | 0:24:32 | 0:24:35 | |
THEY CHUCKLE | 0:24:35 | 0:24:38 | |
All right, I'll talk to them... | 0:24:46 | 0:24:49 | |
about moving in. | 0:24:49 | 0:24:51 | |
I have no idea what they're going to say, but... | 0:24:51 | 0:24:54 | |
..they're getting older and... they're going to fly the nest. | 0:24:55 | 0:25:00 | |
And I'm getting older. And, yes, you are getting older. | 0:25:00 | 0:25:04 | |
But life is full of missed opportunities, and... | 0:25:06 | 0:25:09 | |
..I'm really aware of what we have. | 0:25:10 | 0:25:12 | |
It's very beautiful... | 0:25:14 | 0:25:16 | |
..and it's very rare... | 0:25:17 | 0:25:18 | |
..and I want to hang onto it... | 0:25:21 | 0:25:22 | |
..if you want to. | 0:25:24 | 0:25:25 | |
That time of year thou mayst in me behold | 0:25:29 | 0:25:33 | |
When yellow leaves, or none, or few, do hang | 0:25:33 | 0:25:38 | |
Upon those boughs which shake against the cold, | 0:25:38 | 0:25:41 | |
Bare ruined choirs, where late the sweet birds sang. | 0:25:41 | 0:25:44 | |
In me thou see'st the twilight of such day | 0:25:46 | 0:25:50 | |
As after sunset fadeth in the west; | 0:25:50 | 0:25:54 | |
Which by and by black night doth take away, | 0:25:54 | 0:25:58 | |
Death's second self, that seals up all in rest. | 0:25:58 | 0:26:01 | |
In me thou see'st the glowing of such fire, | 0:26:03 | 0:26:08 | |
That on the ashes of his youth doth lie, | 0:26:08 | 0:26:11 | |
As the death-bed, whereon it must expire, | 0:26:11 | 0:26:15 | |
Consum'd with that which it was nourish'd by. | 0:26:15 | 0:26:17 | |
This thou perceiv'st, which makes thy love more strong, | 0:26:20 | 0:26:25 | |
To love that well, which thou must leave ere long. | 0:26:26 | 0:26:31 | |
APPLAUSE | 0:26:35 | 0:26:37 | |
Whoo-whoo-whoo! | 0:26:38 | 0:26:40 | |
Doctor Clay | 0:26:50 | 0:26:51 | |
-Heston! -Have a pastry. | 0:26:51 | 0:26:53 | |
-He's asked me to move in with him. -Great. -Oh, I'm confused. | 0:26:53 | 0:26:58 | |
-Look out! -OH! | 0:26:58 | 0:27:00 | |
-Heston Carter, you are magnificent. -My pleasure. | 0:27:00 | 0:27:03 | |
I'm also the bringer of good news - Mrs Tembe is returning to the fold. | 0:27:03 | 0:27:06 | |
Yey! | 0:27:06 | 0:27:08 | |
# You give me fever... # | 0:27:08 | 0:27:10 |