Browse content similar to There Is No Place. Check below for episodes and series from the same categories and more!
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SOBBING | 0:00:27 | 0:00:29 | |
# Goodbye, the fire has stopped burning | 0:00:29 | 0:00:32 | |
# The bellows lie dead in the road | 0:00:32 | 0:00:36 | |
# Goodbye, the mill has stopped turning | 0:00:38 | 0:00:43 | |
# The miller has changed to a toad | 0:00:44 | 0:00:49 | |
# Goodbye, the journey was topping | 0:00:51 | 0:00:56 | |
# We saw all we wanted to see | 0:00:57 | 0:01:02 | |
# I really don't think I'll be stopping | 0:01:04 | 0:01:09 | |
# I think I'll go home and have tea. # | 0:01:10 | 0:01:15 | |
You don't mind clambering up there do you, Sergeant? | 0:01:16 | 0:01:19 | |
New suit. | 0:01:19 | 0:01:20 | |
You know what this is, don't you? | 0:01:20 | 0:01:22 | |
What? Breaking Bad. | 0:01:22 | 0:01:25 | |
They see some guy in a fumigation suit or some other bloke | 0:01:25 | 0:01:28 | |
with a face mask and it's all the 3-9s. | 0:01:28 | 0:01:31 | |
"It's a meth lab!" Is that right? | 0:01:31 | 0:01:33 | |
Is this of ANY interest to CID at all? | 0:01:33 | 0:01:35 | |
Does it look remotely like a drug factory? | 0:01:35 | 0:01:38 | |
Just give me a minute. I'm CID, my time's not cheap. | 0:01:38 | 0:01:41 | |
I shouldn't be dealing with this. | 0:01:41 | 0:01:44 | |
So what do you see? | 0:01:44 | 0:01:45 | |
Nothing? | 0:01:45 | 0:01:47 | |
Waste of time? | 0:01:47 | 0:01:48 | |
'Course it is. | 0:01:48 | 0:01:50 | |
Anything? No narcotics? No, nothing at all. | 0:01:50 | 0:01:53 | |
Like I said. Yeah, you were right, Sir. | 0:01:53 | 0:01:56 | |
Come on then. You can get back to clearing up your human detritus. | 0:01:56 | 0:02:00 | |
'How's it going with that swarm of | 0:02:00 | 0:02:02 | |
'homeless losers? Sponges, that's what they are. | 0:02:02 | 0:02:05 | |
'sucking up resources. | 0:02:05 | 0:02:07 | |
'You can't help them. My tax and they chuck benefits at them | 0:02:07 | 0:02:10 | |
'and what are they? Even bigger burdens on the state. | 0:02:10 | 0:02:14 | |
'How does anyone let themselves get that bad, eh? | 0:02:14 | 0:02:17 | |
'I ask you.' | 0:02:17 | 0:02:18 | |
ON LAPTOP: 'Bless you all!' MRS TEMBE LAUGHS | 0:02:23 | 0:02:25 | |
Divine intervention! Oh, what now? | 0:02:25 | 0:02:28 | |
Doctor Al Haskey has spent the night at the home of a vicar. | 0:02:28 | 0:02:33 | |
Oh, he'll have hated that. Oh, I don't think so. | 0:02:33 | 0:02:35 | |
According to this, SHE is rather "excellent!" She?! | 0:02:35 | 0:02:40 | |
Mysterious ways. Emma. Jimmi. I just wanted to say thank you | 0:02:41 | 0:02:46 | |
for looking after Cam yesterday. | 0:02:46 | 0:02:48 | |
You're welcome. I listened to your message and I held his hand. | 0:02:48 | 0:02:51 | |
It seemed to help a bit. | 0:02:51 | 0:02:53 | |
He was pretty upset about losing all his clothes though. | 0:02:53 | 0:02:55 | |
Forensics had to bag them all up. | 0:02:55 | 0:02:57 | |
But, um, I managed to find him a coat, so... I think by the end he was OK. | 0:02:57 | 0:03:01 | |
But you don't know where he went? Sorry. | 0:03:01 | 0:03:03 | |
Hey, listen, you two, I've got something to say and it's deadly serious. | 0:03:05 | 0:03:09 | |
About my rescue mission, last Wednesday. | 0:03:09 | 0:03:12 | |
I don't want Al to know you know. So keep it zipped, OK? | 0:03:12 | 0:03:15 | |
She's talking about you. | 0:03:16 | 0:03:18 | |
You. | 0:03:18 | 0:03:20 | |
You'll let me know the arrangements? | 0:03:25 | 0:03:27 | |
Mum pre-paid. A pre-paid plan. Nothing fancy. | 0:03:27 | 0:03:31 | |
She'll not want flowers. | 0:03:31 | 0:03:32 | |
She couldn't abide the waste of flowers at funerals. | 0:03:34 | 0:03:36 | |
I'd like to be there. | 0:03:37 | 0:03:40 | |
That'd be nice. Not having to see her off on my own. | 0:03:40 | 0:03:43 | |
I was exceptionally fond of your mother. | 0:03:43 | 0:03:45 | |
Come on, Andrew, jump in and I'll give you a lift to the bungalow. | 0:03:47 | 0:03:50 | |
You don't have to. | 0:03:50 | 0:03:52 | |
I know that you had to sell your car. | 0:03:52 | 0:03:55 | |
Gloria told me. | 0:03:55 | 0:03:56 | |
That's very decent of you, Dr Carmichael. | 0:03:57 | 0:04:01 | |
It's not a day for buses. | 0:04:01 | 0:04:02 | |
Hey, hey, wait! Wait! I'm discharged now. | 0:04:20 | 0:04:22 | |
Just hang on a minute. | 0:04:22 | 0:04:24 | |
You can't stop me going. What do you want? Um, You've been given some dressings. | 0:04:24 | 0:04:28 | |
It's really important you let the wound heal over. Let it dry. Yeah, I'm not stupid. | 0:04:28 | 0:04:32 | |
Come on. | 0:04:33 | 0:04:34 | |
Thanks. Yeah, um... | 0:04:40 | 0:04:42 | |
It's my contact details. | 0:04:43 | 0:04:45 | |
I'm not hard to find, you know, if you need me. | 0:04:45 | 0:04:47 | |
I am not saying that you will need me, but if you did. | 0:04:47 | 0:04:51 | |
I wouldn't do anything to jeopardise her safety, I really wouldn't, Dave. | 0:04:51 | 0:04:56 | |
Fair enough. | 0:04:56 | 0:04:57 | |
Have you really found somewhere to stay? | 0:04:59 | 0:05:02 | |
Dave! Come on! | 0:05:02 | 0:05:04 | |
There. I am sorry, Andrew, | 0:05:14 | 0:05:16 | |
I don't mean to impose. No, no, no, it's fine. | 0:05:16 | 0:05:19 | |
Turn right and it's on the right. | 0:05:19 | 0:05:22 | |
Bulb's gone. Sorry. | 0:05:22 | 0:05:23 | |
More tea, Vicar? Please don't. | 0:05:30 | 0:05:33 | |
Look, we went over this last night, didn't we? | 0:05:33 | 0:05:36 | |
Let's just pretend the whole thing never happened. | 0:05:36 | 0:05:38 | |
That's what I'm doing. Fine. Right. | 0:05:38 | 0:05:40 | |
Yes. That's going to be easy isn't it? | 0:05:40 | 0:05:42 | |
What kind of Christian hospitality is it when a vicar offers herself to her guest? | 0:05:42 | 0:05:46 | |
"Let's just forget it!" What, forget that I flashed you my gear? | 0:05:46 | 0:05:49 | |
You were upset. It was a misunderstanding. | 0:05:49 | 0:05:52 | |
In retrospect, I probably shouldn't have hugged you. | 0:05:52 | 0:05:56 | |
I needed that hug. | 0:05:56 | 0:05:58 | |
You are such a gentleman and now I've ruined our friendship before it's even begun. | 0:05:58 | 0:06:02 | |
Whoa. Who said we were friends? | 0:06:02 | 0:06:04 | |
That's a little bit presumptuous, Kirsty, you're crossing the line there. | 0:06:04 | 0:06:07 | |
What's wrong with me? Nothing! | 0:06:07 | 0:06:09 | |
Nothing is wrong with you! Man up, woman! | 0:06:09 | 0:06:12 | |
Find the things that you want. Stop surrounding yourself | 0:06:13 | 0:06:16 | |
with past misery. What is it you want? You wanted to do your singing thing. | 0:06:16 | 0:06:19 | |
Please, drop it. It's not that easy. It IS that easy! You just find a song in your heart | 0:06:19 | 0:06:24 | |
and you let it out your mouth. Please... | 0:06:24 | 0:06:26 | |
# Singing songs! # | 0:06:26 | 0:06:28 | |
I haven't got the time! Then make the time. Why does it even matter to you? | 0:06:28 | 0:06:31 | |
It matters to me because... | 0:06:33 | 0:06:35 | |
someone I like is messing themselves up. | 0:06:35 | 0:06:38 | |
And that someone is you. | 0:06:38 | 0:06:40 | |
OK. | 0:06:42 | 0:06:43 | |
But only if you come with me. | 0:06:44 | 0:06:46 | |
You're going into Lichfield anyway. | 0:06:46 | 0:06:49 | |
I will not set foot in that cathedral. | 0:06:49 | 0:06:52 | |
What if I said I can't do it on my own? | 0:06:52 | 0:06:55 | |
I will not set foot in that cathedral. | 0:06:55 | 0:06:58 | |
KNOCK ON FRONT DOOR OF HOUSE | 0:07:13 | 0:07:18 | |
Open up! | 0:07:19 | 0:07:21 | |
Andrew, what's going on? | 0:07:21 | 0:07:22 | |
How long has the electricity been off? | 0:07:26 | 0:07:28 | |
How could I look after Mum and go to work? | 0:07:28 | 0:07:31 | |
I couldn't. Of course. There's been no money. | 0:07:31 | 0:07:34 | |
What about unemployment benefit? Not if you leave a job. | 0:07:34 | 0:07:37 | |
So you didn't apply for a carer's allowance then, did you? | 0:07:37 | 0:07:40 | |
What is going on? | 0:07:42 | 0:07:43 | |
You've got nothing to lose, Kirsty. | 0:07:49 | 0:07:50 | |
Stop distracting me. | 0:07:50 | 0:07:52 | |
I had a friend who had a vegetable garden. | 0:07:54 | 0:07:59 | |
My mate used to grow prize-winning marrows, potatoes and other things you'd find in a vegetable garden. | 0:07:59 | 0:08:06 | |
Flapjacks for the soup kitchen. Please, leave me be. | 0:08:06 | 0:08:09 | |
Well, what my mate really wanted to grow was flowers. | 0:08:09 | 0:08:12 | |
Now, he knew the importance of his five-a-day veg | 0:08:12 | 0:08:14 | |
but petunias, roses, agapanthus, | 0:08:14 | 0:08:18 | |
that's what made his heart a-flutter. | 0:08:18 | 0:08:20 | |
I know you're making this up. I'm not making it up, | 0:08:20 | 0:08:23 | |
it's a true story! My mate's name was... | 0:08:23 | 0:08:26 | |
It was Percy. | 0:08:26 | 0:08:27 | |
So what happened? Cross-pollination. | 0:08:27 | 0:08:30 | |
His veg was never finer nor more fecund, and Percy himself, | 0:08:31 | 0:08:35 | |
well, he was happy because he had his flowers. | 0:08:35 | 0:08:39 | |
I cannot believe you're trying to parable me. | 0:08:39 | 0:08:43 | |
Well, some people put a lot of store by parables. | 0:08:43 | 0:08:45 | |
I know Percy did. | 0:08:47 | 0:08:48 | |
"Notice to quit" may not need to be taken literally. | 0:08:52 | 0:08:55 | |
But in any case, you've got nothing to lose, Andrew. You're right. | 0:08:55 | 0:08:58 | |
I'll go to the housing office. Excellent. | 0:08:58 | 0:09:01 | |
They'll understand, won't they? When I explain about Mum being ill and passing away. | 0:09:01 | 0:09:07 | |
It's not like I've ever been a scrounger. I'm sure they'll listen. | 0:09:07 | 0:09:11 | |
At the job centre when I told them I'd left work, well... | 0:09:11 | 0:09:16 | |
But this is different. They have to help people who really need help. | 0:09:16 | 0:09:19 | |
Let me know how you get on. Yes, yes. How can they help me if I don't ask them to? They can't. | 0:09:19 | 0:09:24 | |
I'll let you know what happens, soon as I've got it sorted. | 0:09:26 | 0:09:29 | |
Be sure that you do. | 0:09:29 | 0:09:31 | |
So there's been no sign of Cam Lewis? 'Wherever he is, he's not attracting our attention.' | 0:09:34 | 0:09:38 | |
He could be anywhere. | 0:09:38 | 0:09:40 | |
Where are they supposed to go, Rob? People like Cam? Where? You didn't hear this from me, right, | 0:09:40 | 0:09:44 | |
but up on the Bairstow Business Park, there's | 0:09:44 | 0:09:47 | |
an empty office. It used to be a paper mill. | 0:09:47 | 0:09:49 | |
Somebody might be setting up a squat there. | 0:09:49 | 0:09:51 | |
Might be. Might be? Give it a few hours | 0:09:51 | 0:09:54 | |
and word'll get around. But you did not hear it from me, OK? | 0:09:54 | 0:09:58 | |
All right, thanks, Rob. Bye. | 0:09:58 | 0:10:00 | |
Are they...? | 0:10:13 | 0:10:16 | |
They're new, aren't they? Out of plastic, not out of a skip. | 0:10:16 | 0:10:20 | |
There's no pee, poo or blood stains and there's no bed bugs. | 0:10:20 | 0:10:23 | |
I got a deal. | 0:10:23 | 0:10:25 | |
I got a spark to hook us in. It's all safe and totally illegal. | 0:10:28 | 0:10:33 | |
Re-routes-R-Us. | 0:10:33 | 0:10:35 | |
All this space! Will there be others? | 0:10:35 | 0:10:39 | |
There's another four rooms, they'll soon be full - word got out. | 0:10:39 | 0:10:42 | |
There's loos, there's even hot water. | 0:10:42 | 0:10:46 | |
I reckon this'll do us right until the baby comes and then | 0:10:46 | 0:10:48 | |
we'll take it from there, whatever you want to do. | 0:10:48 | 0:10:51 | |
How did you get this, eh? How? | 0:10:51 | 0:10:54 | |
It's safe, that's all that matters. | 0:10:54 | 0:10:56 | |
I can't stop thinking about Tommy... Don't. | 0:11:00 | 0:11:02 | |
..floating in the water. | 0:11:02 | 0:11:04 | |
Shaz, he met the wrong people in the wrong place. | 0:11:04 | 0:11:09 | |
I know. | 0:11:09 | 0:11:11 | |
New mattresses! Hot water. | 0:11:13 | 0:11:15 | |
Spill it, Dave Preston, where'd you get this kind of money from? | 0:11:16 | 0:11:21 | |
You withdrew ?2,000 from the joint account? | 0:11:21 | 0:11:24 | |
Yes, I did. I needed cash. What for?! | 0:11:24 | 0:11:29 | |
To maintain the domain on The Granger Clinic website | 0:11:29 | 0:11:32 | |
and to pay for some top drawer SEO. | 0:11:32 | 0:11:35 | |
Search engine... Optimisation, yes, I know what that is. | 0:11:35 | 0:11:39 | |
And you paid for this in cash? Yeah, because it greases the wheels. | 0:11:39 | 0:11:42 | |
As does a bank transfer. Oh, Daniel, this isn't dodgy, is it? | 0:11:42 | 0:11:47 | |
Of course it's not. OK, cash is trendy. | 0:11:47 | 0:11:51 | |
Hipsters need cash to shop in pop-up shops. | 0:11:51 | 0:11:53 | |
Your tech guys are hipsters? | 0:11:53 | 0:11:55 | |
Yeah, they play darts in their office in an ironic, postmodern way. | 0:11:55 | 0:11:58 | |
Honestly, Daniel! This had better be above board. | 0:11:58 | 0:12:01 | |
You did get an invoice, did you? | 0:12:01 | 0:12:03 | |
Yeah. | 0:12:03 | 0:12:05 | |
Fine, in the spirit of financial openness I feel like I should | 0:12:05 | 0:12:09 | |
mention my new coat. Your new coat? | 0:12:09 | 0:12:13 | |
I may have given you the impression it was rather | 0:12:13 | 0:12:15 | |
more of a bargain than it actually was. | 0:12:15 | 0:12:17 | |
It wasn't ?180, it was ?680. | 0:12:17 | 0:12:22 | |
Which is neither ironic, nor postmodern. | 0:12:22 | 0:12:25 | |
See, what we need here is a time machine. | 0:12:32 | 0:12:36 | |
Had you applied for Carer's Allowance | 0:12:38 | 0:12:41 | |
when you first moved back, this could have been a whole other story. | 0:12:41 | 0:12:45 | |
She was me mother. I didn't want to be paid for looking after her. | 0:12:45 | 0:12:49 | |
There are always problems with retrospectives. | 0:12:49 | 0:12:53 | |
If you'd entered into communication with your landlord earlier... | 0:12:53 | 0:12:56 | |
He wasn't my landlord. There's nothing I can do about the eviction. | 0:12:56 | 0:13:00 | |
Oh. | 0:13:00 | 0:13:02 | |
Now, I've been looking at a hostel. | 0:13:02 | 0:13:04 | |
Well, I mean, if I have to, but not for long. | 0:13:04 | 0:13:07 | |
When I get the funeral out the way I'll get a job | 0:13:07 | 0:13:11 | |
and find a flat, or a room - I don't need much. | 0:13:11 | 0:13:14 | |
Yeah, but there's a problem. There was a hostel | 0:13:14 | 0:13:17 | |
I thought might have a space, Burr House. | 0:13:17 | 0:13:19 | |
I know where it is - it's not far. Yeah, but it turns out | 0:13:19 | 0:13:22 | |
I'm using old data. | 0:13:22 | 0:13:24 | |
It's shut down as of Monday. | 0:13:24 | 0:13:27 | |
Oh. Redevelopment. | 0:13:27 | 0:13:30 | |
Oh. So my best advice is to try the hostels and B in Birmingham. | 0:13:30 | 0:13:36 | |
Birmingham? I mean, they're stretched but there's a chance | 0:13:36 | 0:13:40 | |
if you knock on the doors there might be a last minute place | 0:13:40 | 0:13:43 | |
or someone hasn't turned up. | 0:13:43 | 0:13:45 | |
But what's essential is that you get and keep a roof over your head | 0:13:45 | 0:13:50 | |
because then it'll be so much easier to get a job. | 0:13:50 | 0:13:54 | |
I don't need much. I'm sorry I can't be more helpful. | 0:13:56 | 0:14:00 | |
Really, I am. | 0:14:00 | 0:14:03 | |
I'll let you know how I get on. | 0:14:06 | 0:14:08 | |
Support services have been outsourced. | 0:14:08 | 0:14:11 | |
Nobody will be here next week. Outsourced? | 0:14:11 | 0:14:15 | |
So you're... Redundant, yeah. | 0:14:15 | 0:14:17 | |
HE INHALES Thank you. | 0:14:20 | 0:14:23 | |
Oh, wow, that is what I call a stick! | 0:14:26 | 0:14:29 | |
It's for you. Yeah, but how's Gandalf going to cope without it? | 0:14:29 | 0:14:33 | |
Ric was a Tolkien nerd. If he knew I was giving this away, | 0:14:33 | 0:14:36 | |
he'd be incandescent. Then I accept it with pleasure. | 0:14:36 | 0:14:39 | |
Thank you. Turn the big lock and stuff these | 0:14:39 | 0:14:41 | |
through the letterbox when you leave. Why? | 0:14:41 | 0:14:44 | |
Where are you going? I've got some errands to run | 0:14:44 | 0:14:46 | |
and I'll need to get a wiggle on | 0:14:46 | 0:14:47 | |
if I'm going to make it to the cathedral. | 0:14:47 | 0:14:49 | |
Oh, she's going to do it. Yes! You manned up! I'm so pleased. | 0:14:49 | 0:14:53 | |
So what's it going to be? It's going to be Bette Midler, right? | 0:14:53 | 0:14:56 | |
I'm manning up, I'm not going nuts. | 0:14:56 | 0:14:57 | |
Come on, Wind Beneath My Wings. Thank you. | 0:14:57 | 0:15:01 | |
It was the parable that did it, wasn't it? | 0:15:04 | 0:15:07 | |
I know this is going to drive you nuts, but... | 0:15:11 | 0:15:14 | |
I don't care. | 0:15:14 | 0:15:17 | |
I thank the Lord for bringing you into my life. | 0:15:20 | 0:15:23 | |
And I pray that He'll keep His eye on you. | 0:15:23 | 0:15:26 | |
OK. All done? | 0:15:26 | 0:15:28 | |
It's fine. Just, you know, as long as you don't bless me. | 0:15:28 | 0:15:31 | |
Thank you. No, thank you. | 0:15:31 | 0:15:33 | |
(Bless you.) | 0:15:33 | 0:15:35 | |
HE EXHALES | 0:15:35 | 0:15:37 | |
SHE LAUGHS, HE SIGHS | 0:15:37 | 0:15:39 | |
Good luck. | 0:15:39 | 0:15:40 | |
KNOCKING ON DOOR Come in. | 0:15:43 | 0:15:44 | |
I don't want to be a bother. | 0:15:47 | 0:15:48 | |
No, you're not. Come in. | 0:15:48 | 0:15:50 | |
How did you get on? | 0:15:54 | 0:15:55 | |
Not so good. | 0:15:55 | 0:15:57 | |
Really? I'm going back home to the bungalow | 0:15:57 | 0:15:59 | |
to pack a few bits up, then I've got to try | 0:15:59 | 0:16:02 | |
and find a hostel or a B and B, probably in Birmingham. | 0:16:02 | 0:16:06 | |
Really? | 0:16:06 | 0:16:08 | |
Oh, it's no good saying, "Oh, poor me." | 0:16:08 | 0:16:11 | |
Not now. I'm the one who buried his head in the sand. | 0:16:11 | 0:16:15 | |
I'm the one who let this happen. | 0:16:15 | 0:16:17 | |
Andrew, a-are you all right for cash? | 0:16:18 | 0:16:21 | |
Oh, don't do that, Dr Carmichael. | 0:16:21 | 0:16:23 | |
No, of course not. Sorry. | 0:16:23 | 0:16:26 | |
I just popped by to let you know what's what. | 0:16:26 | 0:16:28 | |
I've got a few quid put by for emergencies at home. | 0:16:28 | 0:16:31 | |
I'll be all right. I just p-p... | 0:16:31 | 0:16:34 | |
You said to let you know. | 0:16:38 | 0:16:40 | |
And thanks again for this morning. | 0:16:40 | 0:16:43 | |
What a day, eh? | 0:16:45 | 0:16:47 | |
What a day. | 0:16:47 | 0:16:48 | |
DOOR CLICKS SHUT | 0:16:53 | 0:16:54 | |
PHONE RINGS | 0:17:02 | 0:17:04 | |
SHE SIGHS | 0:17:05 | 0:17:07 | |
Cam! | 0:17:12 | 0:17:14 | |
Yes, it's me. | 0:17:14 | 0:17:16 | |
Oh, Shaz, what happened in the hospital? | 0:17:16 | 0:17:18 | |
Is the baby all right? What about you? | 0:17:18 | 0:17:20 | |
I'm fine. Really? | 0:17:20 | 0:17:22 | |
Had a little operation, but me and the baby are OK. | 0:17:22 | 0:17:26 | |
They cut you open? Just a tiny bit. | 0:17:26 | 0:17:29 | |
Mate, glad you found us. | 0:17:29 | 0:17:31 | |
Yeah. What about you? | 0:17:32 | 0:17:34 | |
I heard. | 0:17:34 | 0:17:36 | |
How could they think it were you? | 0:17:36 | 0:17:38 | |
(Come here.) | 0:17:38 | 0:17:39 | |
Do you want an orange? Mm. | 0:17:44 | 0:17:45 | |
Vitamin C. You have to look after yourself, Shaz. | 0:17:45 | 0:17:49 | |
I'd have told anybody - anybody that asked me... | 0:17:49 | 0:17:52 | |
you wouldn't have hurt Tommy. I tried to help Tommy. | 0:17:52 | 0:17:55 | |
I'm sorry I wasn't around. I'm sorry you had to be in the hospital. | 0:17:55 | 0:17:58 | |
I've got it covered. Good, good. Really good. | 0:17:58 | 0:18:01 | |
Everything is. No. Not Tommy. | 0:18:01 | 0:18:04 | |
Tommy tried to talk to me and he couldn't. | 0:18:05 | 0:18:08 | |
What do you mean he couldn't? Because his mouth was full of blood. | 0:18:08 | 0:18:11 | |
'My name is Tommy and I want to talk to you about being homeless. | 0:18:17 | 0:18:22 | |
'It's horrible. | 0:18:22 | 0:18:23 | |
'When I decided to do this vlog, I was mostly worried | 0:18:25 | 0:18:28 | |
'about two things - | 0:18:28 | 0:18:30 | |
'being cold and frightened. | 0:18:30 | 0:18:32 | |
'I thought most rough sleepers had mental health issues. | 0:18:32 | 0:18:35 | |
'Some of them do... | 0:18:35 | 0:18:38 | |
'but mostly homeless people are angry. | 0:18:38 | 0:18:40 | |
'And they are cold. Physically cold. | 0:18:42 | 0:18:44 | |
'Sometimes they are literally freezing. | 0:18:46 | 0:18:48 | |
'I mean, get that cold and anybody would take drugs. | 0:18:50 | 0:18:54 | |
'And anybody would want a drink. | 0:18:54 | 0:18:57 | |
'Trust me, the cold can make you mad. | 0:18:57 | 0:18:59 | |
'OK, think of a tramp. | 0:19:04 | 0:19:06 | |
'What do you think of? | 0:19:08 | 0:19:10 | |
'A picturesque old-timer with silver stubble and | 0:19:10 | 0:19:14 | |
'a knotted hankie at the end of a stick? | 0:19:14 | 0:19:18 | |
'Knight of the road? | 0:19:18 | 0:19:20 | |
'That's rot. Imagine your grandmother | 0:19:20 | 0:19:23 | |
'living on the streets with nothing to eat. | 0:19:23 | 0:19:26 | |
'People become homeless when they're not strong, | 0:19:29 | 0:19:31 | |
'when they are dealing with bereavement, | 0:19:31 | 0:19:33 | |
'or illness, or there's a crisis in their lives. | 0:19:33 | 0:19:37 | |
'And the constant question remains, "Why do they let it happen?" | 0:19:37 | 0:19:40 | |
'That's easy. But how can we stop it? | 0:19:41 | 0:19:44 | |
'I don't know. | 0:19:44 | 0:19:46 | |
'But what I do know, is that homeless people are ordinary people, | 0:19:46 | 0:19:50 | |
'and that homelessness HAPPENED to them. | 0:19:50 | 0:19:54 | |
'After all, we're all three pay cheques away | 0:19:54 | 0:19:56 | |
'from it happening to us. | 0:19:56 | 0:19:59 | |
'Homeless people do get angry. | 0:19:59 | 0:20:01 | |
'And with no power and no control, it will make you that way. | 0:20:01 | 0:20:05 | |
'It'll also make you scared. | 0:20:06 | 0:20:08 | |
'I'm scared. | 0:20:09 | 0:20:11 | |
'This is Tommy, and I'm signing out.' | 0:20:12 | 0:20:14 | |
Erasmus Darwin was a physician | 0:20:19 | 0:20:21 | |
and a poet, whose diverse interests included | 0:20:21 | 0:20:25 | |
biology, botany and technology. | 0:20:25 | 0:20:29 | |
He lived right here, in the heart of Lichfield, | 0:20:29 | 0:20:33 | |
from 1756 until 1781. | 0:20:33 | 0:20:37 | |
Lichfield being some 37 miles... | 0:20:37 | 0:20:41 | |
I'm going to repeat that for them. Erasmus. | 0:20:41 | 0:20:43 | |
37 long, hard, hilly, sore-on-my-feet miles | 0:20:43 | 0:20:49 | |
from Letherbridge. | 0:20:49 | 0:20:51 | |
Erasmus was, of course, | 0:20:51 | 0:20:53 | |
grandfather to Mr Origin of Species, Charles Darwin. | 0:20:53 | 0:20:56 | |
Charlie's grandpa sure did set the bar high. | 0:20:57 | 0:21:00 | |
OK, now come this way, and try and get the silhouette in. | 0:21:02 | 0:21:05 | |
Erasmus numbered amongst | 0:21:07 | 0:21:10 | |
his friends some of the worlds great thinkers | 0:21:10 | 0:21:12 | |
and most awe-inspiring minds. | 0:21:12 | 0:21:15 | |
Benjamin Franklin, James Watt, | 0:21:15 | 0:21:18 | |
Josiah Wedgwood, William Small, | 0:21:18 | 0:21:22 | |
Matthew Boulton. It's quite a club. | 0:21:22 | 0:21:25 | |
The legendary Lunar Society. | 0:21:25 | 0:21:28 | |
They used to meet in the 1760s at Soho House in Birmingham, | 0:21:28 | 0:21:31 | |
but also probably right in this very room. | 0:21:31 | 0:21:35 | |
HE SNIFFS | 0:21:35 | 0:21:37 | |
It's a shame that my phone hasn't got Smell-O-Vision, | 0:21:37 | 0:21:40 | |
cos there's a distinct whiff of... HE SNIFFS | 0:21:40 | 0:21:42 | |
..genius in the air. | 0:21:42 | 0:21:44 | |
They called themselves the Lunar Society, or "lunarticks", | 0:21:44 | 0:21:47 | |
because they used to meet on nights with a full moon. | 0:21:47 | 0:21:51 | |
There's no street lamps, no cat's eyes, | 0:21:51 | 0:21:53 | |
no infra red - the moonlight brought them together, | 0:21:53 | 0:21:58 | |
and it lit their way home again. | 0:21:58 | 0:22:00 | |
Thank you. I'll take it from here. Cheers, I really appreciate it. | 0:22:02 | 0:22:05 | |
A herbalist and a healer - | 0:22:05 | 0:22:07 | |
the original inventor of the stabilising axel - | 0:22:07 | 0:22:10 | |
four jointed rods in the form of an isosceles trapezium - | 0:22:10 | 0:22:13 | |
which remains central in motor engineering, even today. | 0:22:13 | 0:22:17 | |
He believed in equality. | 0:22:17 | 0:22:19 | |
He predicted mechanical flight. | 0:22:19 | 0:22:22 | |
This was an extraordinary man! | 0:22:22 | 0:22:25 | |
He is my hero. | 0:22:25 | 0:22:28 | |
The, erm... The three spires of Lichfield Cathedral, | 0:22:28 | 0:22:32 | |
where Erasmus attended. | 0:22:32 | 0:22:34 | |
And where his notions of equality and freedom | 0:22:34 | 0:22:38 | |
were preached against with derision and scorn. | 0:22:38 | 0:22:41 | |
This is really cool. | 0:22:41 | 0:22:43 | |
Now, this used to be the front door. | 0:22:43 | 0:22:47 | |
But when Erasmus fell out with the Church and God, | 0:22:47 | 0:22:49 | |
he redesigned his house, and made this the back door. | 0:22:49 | 0:22:52 | |
That showed 'em. | 0:22:52 | 0:22:53 | |
HE CLAPS DOOR KNOCKER | 0:22:54 | 0:22:55 | |
Erasmus Darwin, are you in today? | 0:22:57 | 0:22:58 | |
THUNDER RUMBLES, BIRDS CAW | 0:23:01 | 0:23:02 | |
THUNDER RUMBLES | 0:23:13 | 0:23:15 | |
Who are you? I'm...looking for Cam. I'm his doctor. | 0:23:29 | 0:23:32 | |
What's this, then - home visit?(!) | 0:23:32 | 0:23:35 | |
Is he here? How did you find out about "here"? | 0:23:35 | 0:23:38 | |
I heard. Who from? It doesn't really matter, I just... | 0:23:38 | 0:23:41 | |
Can't trust him. | 0:23:41 | 0:23:43 | |
You know him? | 0:23:43 | 0:23:44 | |
Whoa. Dave. | 0:23:46 | 0:23:48 | |
Look, shout us if you need us, yeah? | 0:23:50 | 0:23:52 | |
We're just here. | 0:23:54 | 0:23:55 | |
I just wanted to explain... You let me down. | 0:24:02 | 0:24:04 | |
They would have ID'd you, Cam. They would have come for you, | 0:24:07 | 0:24:09 | |
and they wouldn't have come lightly. | 0:24:09 | 0:24:11 | |
I couldn't get out of court... I couldn't get out cos they locked me up. | 0:24:11 | 0:24:14 | |
I made sure Emma looked after you, though. | 0:24:14 | 0:24:17 | |
Made sure she understood. | 0:24:17 | 0:24:19 | |
She held your hand? Mm. | 0:24:20 | 0:24:22 | |
It's good she held my hand. You thought you saw me stab him. | 0:24:22 | 0:24:26 | |
You shoved your hands in your pockets and you walked away. | 0:24:26 | 0:24:28 | |
No, It wasn't like that - I didn't know what I'd seen. Me and Tommy. | 0:24:28 | 0:24:33 | |
I held on till I had to let him go. | 0:24:33 | 0:24:35 | |
Emma told me she got you a new coat. | 0:24:38 | 0:24:41 | |
Yeah. | 0:24:41 | 0:24:42 | |
I'm here if you need me. | 0:24:43 | 0:24:45 | |
I don't. | 0:24:45 | 0:24:47 | |
# Amazing Grace | 0:24:49 | 0:24:55 | |
# How sweet the sound... # | 0:24:55 | 0:24:58 | |
THEY CHATTER AGGRESSIVELY | 0:24:58 | 0:25:00 | |
# That saved a wretch | 0:25:02 | 0:25:07 | |
# Like me | 0:25:08 | 0:25:10 | |
# I once was lost | 0:25:14 | 0:25:18 | |
# But now I'm found | 0:25:20 | 0:25:25 | |
# Was blind but now | 0:25:27 | 0:25:32 | |
# I see | 0:25:32 | 0:25:35 | |
# Through many dangers | 0:25:37 | 0:25:43 | |
# Toils and snares | 0:25:43 | 0:25:47 | |
# I have already come... # | 0:25:47 | 0:25:53 | |
HE SOBS | 0:25:54 | 0:25:56 | |
# Tis Grace has brought... # | 0:25:57 | 0:26:00 | |
HE MOANS AND SOBS | 0:26:00 | 0:26:01 | |
# Me safe thus far... # | 0:26:03 | 0:26:05 | |
Hey, mate? | 0:26:05 | 0:26:07 | |
Need a hand? | 0:26:09 | 0:26:10 | |
# And grace will lead | 0:26:10 | 0:26:14 | |
# Me home... # | 0:26:14 | 0:26:18 | |
She wants us to test drive this new software | 0:26:24 | 0:26:26 | |
that she's installed, so we can talk via the computer. | 0:26:26 | 0:26:28 | |
Oh, like Facetime? | 0:26:28 | 0:26:29 | |
I did try to tempt him with a tin of salmon when we got home, | 0:26:29 | 0:26:32 | |
but he just sat and glared at me from inside the tumble dryer. | 0:26:32 | 0:26:35 | |
'Hello? Are you receiving me at The Mill?' | 0:26:35 | 0:26:38 | |
Oh! Whoa, whoa, whoa! | 0:26:41 | 0:26:43 | |
'Dear Vic, my news is that unexpectedly | 0:27:13 | 0:27:16 | |
'I'm a live-in nanny for a single mum with two boys in North London.' | 0:27:16 | 0:27:19 | |
Nina? | 0:27:19 | 0:27:21 | |
Do you actually like children? | 0:27:21 | 0:27:22 | |
Boys! | 0:27:22 | 0:27:23 | |
If I didn't it'd be a silly time to say so, wouldn't it? | 0:27:23 | 0:27:26 | |
'I think I might be happy here, | 0:27:26 | 0:27:28 | |
'even though the best looking boy in the street | 0:27:28 | 0:27:31 | |
'already thinks I'm hopeless.' | 0:27:31 | 0:27:33 |