Browse content similar to Shut Up. Check below for episodes and series from the same categories and more!
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MUSIC: Hush, Hush, Hush, Here Comes The Bogey Man by Henry Hall | 0:00:26 | 0:00:31 | |
# Children, have you ever met the bogey man before? | 0:00:31 | 0:00:36 | |
# No, of course you haven't, for you're much too good, I'm sure | 0:00:36 | 0:00:39 | |
# Don't you be afraid of him if he should visit you | 0:00:39 | 0:00:44 | |
# He's a great big coward so I'll tell you what to do | 0:00:44 | 0:00:47 | |
# Hush, hush, hush Here comes the bogey man | 0:00:47 | 0:00:51 | |
# Don't let him come too close to you, he'll catch you if he can... # | 0:00:51 | 0:00:56 | |
I don't understand why this has to be done on a Saturday. | 0:00:56 | 0:00:59 | |
Are you sure we'll be done by lunchtime? | 0:00:59 | 0:01:01 | |
Well, if we're not done by lunchtime, I'm going home anyway. | 0:01:01 | 0:01:05 | |
Cos I want to catch up with Al's vlog before Monday. | 0:01:05 | 0:01:07 | |
I would have kept up with it while I was away, | 0:01:07 | 0:01:09 | |
but there was no Wi-Fi where I was staying. | 0:01:09 | 0:01:11 | |
I did look for it online. | 0:01:11 | 0:01:12 | |
I'll send you the link later. Then we'll just crack on. | 0:01:12 | 0:01:17 | |
That's great. | 0:01:17 | 0:01:18 | |
I couldn't bear for Al to ask me what I thought of it next week | 0:01:18 | 0:01:21 | |
-and for me to be lost for words. -Imagine. | 0:01:21 | 0:01:23 | |
Has Mrs Tembe left a specific list? | 0:01:23 | 0:01:26 | |
Yeah. It's all in the staffroom. | 0:01:26 | 0:01:30 | |
Waiting for us. | 0:01:30 | 0:01:32 | |
HE GRUNTS | 0:01:45 | 0:01:48 | |
HE GRUNTS | 0:01:56 | 0:01:57 | |
HE GRUNTS | 0:02:00 | 0:02:01 | |
Oh! | 0:02:02 | 0:02:03 | |
I think we're going to work our way through all this in a morning. | 0:02:13 | 0:02:16 | |
She was just banging on about getting the first phase done. | 0:02:16 | 0:02:19 | |
First phase? Remind me. | 0:02:19 | 0:02:22 | |
You... | 0:02:22 | 0:02:24 | |
It's going through each of the patient files, | 0:02:25 | 0:02:28 | |
identifying the paperwork that's non-clinical and shredding it. | 0:02:28 | 0:02:31 | |
You... | 0:02:31 | 0:02:32 | |
We'll get that done in no time. | 0:02:32 | 0:02:34 | |
No, that's the first part of the first phase. | 0:02:34 | 0:02:37 | |
Then we've got to summarise all the patient notes. | 0:02:37 | 0:02:40 | |
-OK. -Oh, yes. Identify the main diagnoses for each file. | 0:02:40 | 0:02:45 | |
Short handing, right. | 0:02:45 | 0:02:46 | |
And then get it ready for data input, | 0:02:46 | 0:02:49 | |
by assigning each diagnosis a correct code. | 0:02:49 | 0:02:53 | |
So what's the code for RSI and blindness? | 0:02:54 | 0:02:56 | |
Cos we're going to need that after we've done all this lot. | 0:02:56 | 0:02:59 | |
She did say she was going to come down and help us | 0:02:59 | 0:03:01 | |
but she's got to upgrade the software at the Campus first. | 0:03:01 | 0:03:04 | |
-If she can. -Shame we can't put them all in bin bags | 0:03:04 | 0:03:06 | |
and just haul it off to the dump. | 0:03:06 | 0:03:09 | |
Right, better get started. | 0:03:09 | 0:03:11 | |
Do you think she'd stump up for a couple of temps - you know, | 0:03:11 | 0:03:14 | |
to do the actual data entry bit? | 0:03:14 | 0:03:16 | |
What about patient confidentiality? | 0:03:16 | 0:03:18 | |
There'll be a specialist agency for that. | 0:03:18 | 0:03:20 | |
We'd have to do the coding, but... | 0:03:20 | 0:03:22 | |
-It can't hurt to ask. -Mmm. | 0:03:22 | 0:03:24 | |
I bet you anything Mrs Tembe will say she's got to ask | 0:03:26 | 0:03:29 | |
the partners for the extra cash. | 0:03:29 | 0:03:31 | |
Hiya - how's it going? | 0:03:37 | 0:03:39 | |
Oh! | 0:03:41 | 0:03:43 | |
Have you tried turning it off and switching it back on again? | 0:03:43 | 0:03:47 | |
No, I'm not. No, because sometimes, if you switch it off | 0:03:48 | 0:03:52 | |
and then leave it for about five minutes, you can force a reboot. | 0:03:52 | 0:03:56 | |
It's just a suggestion - listen, you know this coding and data entry? | 0:03:56 | 0:04:01 | |
Yeah. Part two of phase one. Yeah. | 0:04:03 | 0:04:07 | |
Anyway, listen, we were thinking, | 0:04:07 | 0:04:09 | |
why don't you get some data entry temps in? | 0:04:09 | 0:04:12 | |
Cos you're paying us double time. | 0:04:12 | 0:04:14 | |
OK, time and a half - but it should be double time, | 0:04:16 | 0:04:18 | |
especially if we go into Sunday. | 0:04:18 | 0:04:20 | |
-Sunday? -It's...um... | 0:04:20 | 0:04:22 | |
OK. | 0:04:24 | 0:04:25 | |
Right. OK. Yeah, yeah. | 0:04:27 | 0:04:28 | |
We'll give it a try. | 0:04:28 | 0:04:30 | |
I'm not switched on here. | 0:04:30 | 0:04:31 | |
Valerie! | 0:04:34 | 0:04:35 | |
I definitely can't do tomorrow, | 0:04:38 | 0:04:40 | |
I've got a mountain of holiday laundry. | 0:04:40 | 0:04:43 | |
What did she say? | 0:04:43 | 0:04:44 | |
Um, that temps don't grow on trees. | 0:04:44 | 0:04:47 | |
She wants us to test-drive the new software that she's installed, | 0:04:47 | 0:04:51 | |
-so that we can talk via the computer. -Like FaceTime? | 0:04:51 | 0:04:54 | |
No. A bit. | 0:04:54 | 0:04:56 | |
It's...it's a videophone from the Campus to here. | 0:04:56 | 0:05:00 | |
So it's supposed to improve efficiency. | 0:05:00 | 0:05:03 | |
Here we go. | 0:05:03 | 0:05:05 | |
Ooh! That icon there? | 0:05:05 | 0:05:08 | |
Is that a telescope he's supposed to be holding, cos...? KNOCK ON DOOR | 0:05:08 | 0:05:11 | |
Ooh, Karen. What's he doing here? | 0:05:11 | 0:05:14 | |
That's a turn-up. | 0:05:14 | 0:05:16 | |
-Morning. -'Hello.' -Quick, it's going. | 0:05:21 | 0:05:23 | |
-What's the panic? -It's Mrs Tembe's new spy software. | 0:05:23 | 0:05:27 | |
Where's that coming from? | 0:05:27 | 0:05:29 | |
Campus. This is the future we're making, it seems. | 0:05:29 | 0:05:31 | |
'Hello? Hello? | 0:05:31 | 0:05:34 | |
'Are you receiving me at the Mill? Eh? | 0:05:34 | 0:05:37 | |
'Hello, testing, are you receiving me?' | 0:05:37 | 0:05:40 | |
We can HEAR you fine. | 0:05:40 | 0:05:42 | |
-'Hello.' -Hello. | 0:05:42 | 0:05:44 | |
'Are you receiving me?' | 0:05:44 | 0:05:46 | |
It's definitely frozen. | 0:05:48 | 0:05:50 | |
Mrs Tembe, if you can hear us, tap the microphone. | 0:05:50 | 0:05:53 | |
Once for yes, twice for no. | 0:05:53 | 0:05:55 | |
It could be the camera. Try control-alt-delete. | 0:05:57 | 0:06:00 | |
There you go. "Software running." It's not us. | 0:06:03 | 0:06:06 | |
-PHONE RINGS -Hello? | 0:06:06 | 0:06:08 | |
No, no, no. We tried that. I think the problem's your end. | 0:06:11 | 0:06:14 | |
Could you hear us? | 0:06:14 | 0:06:15 | |
Ah, no. She's saying... Yeah, you were frozen as well. | 0:06:16 | 0:06:20 | |
Right. OK. Bye. | 0:06:22 | 0:06:25 | |
Today just got even better. | 0:06:27 | 0:06:29 | |
Why, what's going on? | 0:06:29 | 0:06:30 | |
She wants me to go over there and sort the reinstallation with her. | 0:06:30 | 0:06:34 | |
What you doing here, anyway? | 0:06:34 | 0:06:36 | |
-I thought I'd pop in, see how the troops are getting on. -Ooh! Nice. | 0:06:36 | 0:06:39 | |
Right. Well, sooner I go, sooner I'm back. | 0:06:40 | 0:06:43 | |
You, um, you know what you're doing here? | 0:06:44 | 0:06:46 | |
Yeah, yeah. Relevant paperwork. I'll get started. | 0:06:46 | 0:06:50 | |
How are your staple-removing skills? | 0:06:50 | 0:06:53 | |
Oh, er, not really as good as my coffee-making ones. | 0:06:53 | 0:06:56 | |
-Follow me. -"Big Brother's watching you." | 0:06:56 | 0:06:59 | |
Very funny! | 0:06:59 | 0:07:01 | |
Flipping heck! | 0:07:10 | 0:07:11 | |
So, taking one patient file at random, | 0:07:13 | 0:07:16 | |
see how much irrelevant paperwork you think there is - | 0:07:16 | 0:07:19 | |
and how much borderline relevant paperwork there is. | 0:07:19 | 0:07:23 | |
Who decides? | 0:07:24 | 0:07:26 | |
Mm-hm. | 0:07:26 | 0:07:28 | |
Valerie, have you seen my keys? | 0:07:28 | 0:07:30 | |
You didn't bring them in here. | 0:07:31 | 0:07:33 | |
Didn't you use them to... lock the front door? | 0:07:33 | 0:07:36 | |
Oh, look, I've walked past them twice. One of those days. | 0:07:36 | 0:07:41 | |
Tell you what - why don't you pick up some cakes on your way back? | 0:07:41 | 0:07:44 | |
My treat. Might as well have a little luxury while we're at it. | 0:07:44 | 0:07:48 | |
Ooh, very good idea. See you later. | 0:07:48 | 0:07:50 | |
I forgot to ask you how your trip was to the Lake District. | 0:08:01 | 0:08:04 | |
It was quiet. | 0:08:04 | 0:08:06 | |
-In a good way? -Very. | 0:08:06 | 0:08:08 | |
Only I just went to get Geoffrey - he's my cat - | 0:08:08 | 0:08:11 | |
back from the Pussywillow Boutique Cat Hotel, | 0:08:11 | 0:08:14 | |
only to discover he hadn't eaten the whole time I'd been away. | 0:08:14 | 0:08:18 | |
That's a hunger strike. | 0:08:18 | 0:08:19 | |
I did try to tempt him with a tin of salmon when we got home, | 0:08:19 | 0:08:22 | |
but he just sat and glared at me from inside the tumble dryer. | 0:08:22 | 0:08:25 | |
-Misplaced hostility. -Yeah. | 0:08:25 | 0:08:27 | |
He'll turn around soon. Don't worry about it. | 0:08:27 | 0:08:30 | |
Mmm. You wouldn't say that, | 0:08:30 | 0:08:31 | |
if he'd done in your shoes what he did in one of mine. | 0:08:31 | 0:08:34 | |
Dirty protest. | 0:08:34 | 0:08:36 | |
RATTLING | 0:08:36 | 0:08:38 | |
Was that a door? | 0:08:38 | 0:08:40 | |
Maybe someone left a window open. | 0:08:52 | 0:08:53 | |
I'll take my room, the treatment room and four. | 0:08:53 | 0:08:56 | |
I'll take this end. | 0:08:56 | 0:08:57 | |
-Ooh! Did you just hear a noise, like rustling? -Er, no. | 0:08:57 | 0:09:02 | |
RUSTLING | 0:09:09 | 0:09:11 | |
-HE GASPS -Mrs Tembe! I... | 0:09:26 | 0:09:29 | |
-Anything? -Well, one of the treatment room doors was open. | 0:09:31 | 0:09:34 | |
So I suppose it could have been that. | 0:09:34 | 0:09:35 | |
RUSTLING There's that noise again - rustling. | 0:09:35 | 0:09:40 | |
Like someone opening a packet of crisps. | 0:09:40 | 0:09:42 | |
No, it's gone again. | 0:09:44 | 0:09:45 | |
That's a funny thing about empty buildings - | 0:09:46 | 0:09:49 | |
that special kind of silence | 0:09:49 | 0:09:51 | |
when you know you're the only one there. | 0:09:51 | 0:09:53 | |
Mmm, and every sound is magnified. | 0:09:53 | 0:09:55 | |
-Yeah, and you can't pinpoint it. -Yeah. | 0:09:55 | 0:09:57 | |
You know, either I've got a hearing problem, | 0:09:57 | 0:10:01 | |
or it's so good I can hear things outside. | 0:10:01 | 0:10:03 | |
I'm like a bat. | 0:10:03 | 0:10:04 | |
What the hell did you do that for? | 0:10:09 | 0:10:11 | |
How could you do it? | 0:10:11 | 0:10:13 | |
You're not stupid. You must've known the risks. | 0:10:13 | 0:10:16 | |
To me, not you. | 0:10:17 | 0:10:19 | |
Taping up my mouth and gluing a mask to my face | 0:10:19 | 0:10:21 | |
while I was out of it - what if I'd thrown up? | 0:10:21 | 0:10:24 | |
I could've choked on my own vomit. | 0:10:24 | 0:10:25 | |
MUFFLED VOICES | 0:10:25 | 0:10:28 | |
Yeah. And where are my clothes? My phone? | 0:10:29 | 0:10:31 | |
My keys, my wallet? | 0:10:31 | 0:10:32 | |
You think it's funny to just dump me like that? | 0:10:35 | 0:10:37 | |
There. Data input specialists, central Birmingham. | 0:10:43 | 0:10:46 | |
Oh, we'd have to send them the data. | 0:10:47 | 0:10:49 | |
Right. | 0:10:49 | 0:10:50 | |
Ah. Short term, on site. | 0:10:50 | 0:10:52 | |
What about handling confidential documents? | 0:10:52 | 0:10:55 | |
Well, I'd have thought discretion is a given when it comes to data, | 0:10:55 | 0:10:58 | |
-but I could phone and find out. -Hmm. | 0:10:58 | 0:11:00 | |
Look, if it's budget you're thinking about, it's an either/or situation. | 0:11:00 | 0:11:04 | |
Either Karen and I do it, | 0:11:04 | 0:11:05 | |
and we hire somebody to man the reception desk, or...? | 0:11:05 | 0:11:08 | |
Let me speak to Mrs Tembe, see what kind of provision we can make. | 0:11:08 | 0:11:12 | |
What? | 0:11:15 | 0:11:16 | |
Someone's using the telephone. | 0:11:17 | 0:11:19 | |
And if you're here, and I'm here... | 0:11:21 | 0:11:24 | |
It's a glitch, probably. | 0:11:24 | 0:11:25 | |
We should be talking about upgrading our phone system | 0:11:25 | 0:11:28 | |
rather than spending money elsewhere, shouldn't we? | 0:11:28 | 0:11:30 | |
Ooh! I went all cold just then. | 0:11:30 | 0:11:33 | |
Oh, it's like that film, Don't Rock The Baby, | 0:11:33 | 0:11:36 | |
when all the baby-sitters keep dying, and when the policeman traces | 0:11:36 | 0:11:39 | |
the menacing phone call, he says, "It's coming from inside the house." | 0:11:39 | 0:11:43 | |
From the telephone in the nursery. | 0:11:43 | 0:11:45 | |
Really? I haven't seen it. Who'd put a phone in a baby's room? | 0:11:45 | 0:11:49 | |
You think it's a serial killer | 0:11:49 | 0:11:51 | |
but it turns out it's all the different babies doing | 0:11:51 | 0:11:53 | |
the killing, because they've been possessed by something demonic. | 0:11:53 | 0:11:57 | |
There's a really horrible scene with a used nappy. | 0:11:57 | 0:12:00 | |
Well, I won't be watching that. I'm off to play golf. | 0:12:00 | 0:12:04 | |
I'll see you. Remind me Monday about the temps and I'll speak to the Tembe. | 0:12:04 | 0:12:07 | |
-Have fun. -OK. | 0:12:07 | 0:12:09 | |
Right, Al's vlog - where are you? | 0:12:11 | 0:12:15 | |
Oh, no. No, don't crash. | 0:12:18 | 0:12:20 | |
Stay there. | 0:12:27 | 0:12:28 | |
Oh, what! | 0:12:31 | 0:12:33 | |
HE SIGHS | 0:12:38 | 0:12:40 | |
Al, gotcha! | 0:12:48 | 0:12:50 | |
-AL: -'Good evening, friends!' | 0:12:50 | 0:12:52 | |
RUSTLING | 0:12:52 | 0:12:54 | |
SHE SCREAMS, HE GASPS | 0:13:15 | 0:13:17 | |
Valerie? | 0:13:18 | 0:13:20 | |
Ah, there you are. What's the screaming about? | 0:13:23 | 0:13:26 | |
I thought you'd gone. | 0:13:26 | 0:13:27 | |
I thought I was all alone, then I heard you shout my name, | 0:13:27 | 0:13:30 | |
-and got startled. -Ah, OK. | 0:13:30 | 0:13:32 | |
-Have you forgotten something? -Er...no, no, no. I've got a flat. | 0:13:32 | 0:13:36 | |
You know what's strange was that the second time you screamed, | 0:13:36 | 0:13:40 | |
it didn't sound like a woman at all. | 0:13:40 | 0:13:42 | |
Probably the acoustics, I expect. | 0:13:42 | 0:13:44 | |
What have you done? | 0:13:44 | 0:13:46 | |
Oh, managed to cut myself loosening a wheel nut. | 0:13:46 | 0:13:50 | |
What are you doing? | 0:13:50 | 0:13:51 | |
I heard another noise. You know how it is. | 0:13:52 | 0:13:55 | |
I was all alone, couldn't stop thinking about the phone light. | 0:13:55 | 0:13:59 | |
Then got demonic babies on the brain, just scaring myself. | 0:13:59 | 0:14:02 | |
-OK. -You need a plaster on that. | 0:14:02 | 0:14:05 | |
Is he...? | 0:14:13 | 0:14:14 | |
Sorry I scared you like that. I was trying to find some clothes and sneak out the back door, | 0:14:18 | 0:14:22 | |
-and I went looking for a key in reception. -Have you been here all night? | 0:14:22 | 0:14:25 | |
Why haven't you got any clothes? Is this a joke? | 0:14:25 | 0:14:29 | |
What, did you think I'm some sort of demonic baby, or something? | 0:14:29 | 0:14:32 | |
No, it's a film. No, it's nothing - so what's going on? | 0:14:32 | 0:14:36 | |
I went on a stag night do, with a bunch of my old medical student mates, and... | 0:14:39 | 0:14:43 | |
well, I woke up here with no clothes and a mask stuck to my face. | 0:14:43 | 0:14:47 | |
I thought they only did that sort of thing to the bridegroom. | 0:14:47 | 0:14:50 | |
-Sid? Are you getting married and you haven't told anyone? -No. | 0:14:50 | 0:14:54 | |
Or is it just me who doesn't know? Unless it's an arranged marriage? | 0:14:54 | 0:14:57 | |
-Valerie! -Is it against your will? Because I could help you. | 0:14:57 | 0:15:01 | |
-I could get you to a safe house or something. -It's not me! | 0:15:01 | 0:15:04 | |
So why haven't you got any clothes? | 0:15:04 | 0:15:06 | |
You don't... | 0:15:06 | 0:15:08 | |
Don't what? | 0:15:08 | 0:15:09 | |
I know student debts can be overwhelming, but... | 0:15:11 | 0:15:14 | |
..you don't strip on the side? It wasn't really a hen do, was it? | 0:15:15 | 0:15:19 | |
I know you can make a lot of money, but those women - | 0:15:19 | 0:15:22 | |
pack mentality. | 0:15:22 | 0:15:24 | |
I mean, the fairy wings go on, the tequila comes out, | 0:15:24 | 0:15:28 | |
and then it's goodbye to any inhibitions and common sense. | 0:15:28 | 0:15:31 | |
Definitely stag. | 0:15:31 | 0:15:33 | |
But there was a lot of drinking. | 0:15:36 | 0:15:39 | |
I do remember getting into an argument. | 0:15:39 | 0:15:41 | |
Then one of my so-called friends said I never shut up, | 0:15:42 | 0:15:45 | |
and I know I talk a lot, but... | 0:15:45 | 0:15:47 | |
..they taped my mouth shut. | 0:15:50 | 0:15:51 | |
Then...stuck a clown mask to my face. | 0:15:51 | 0:15:54 | |
A clown? | 0:15:54 | 0:15:55 | |
I'm glad I didn't see that. I would have had heart failure. | 0:15:56 | 0:15:59 | |
It must have turned into like a feeding frenzy, | 0:15:59 | 0:16:02 | |
all of them piling on top of me like that, humiliating me. | 0:16:02 | 0:16:06 | |
Naked. | 0:16:06 | 0:16:08 | |
Next thing I know, I wake up outside here and no clothes, money, phone. | 0:16:12 | 0:16:16 | |
They just dumped you? | 0:16:16 | 0:16:18 | |
-I found my way here somehow. -Oh! | 0:16:20 | 0:16:22 | |
Like a little plucked homing pigeon. | 0:16:22 | 0:16:25 | |
Isn't amazing what the mind can do sometimes? | 0:16:26 | 0:16:29 | |
They even taped boxing gloves to my hands. | 0:16:29 | 0:16:31 | |
Sorry. Did you say tape and a mask? | 0:16:31 | 0:16:34 | |
Because that's really stupid. You could have died. | 0:16:34 | 0:16:37 | |
Someone must've planned all that for Bigsy - the groom. | 0:16:37 | 0:16:41 | |
But that wasn't a stag night prank. That was just an attack on me. | 0:16:43 | 0:16:47 | |
I thought we were friends - but they all just went for me. | 0:16:47 | 0:16:51 | |
Just for being me. | 0:16:52 | 0:16:54 | |
Like they'd never liked me, you know, for always talking too much. | 0:16:55 | 0:16:58 | |
But I mean, you can just tell someone to shut up, can't you? | 0:16:58 | 0:17:01 | |
Come on! | 0:17:15 | 0:17:17 | |
HE GROANS | 0:17:18 | 0:17:20 | |
For crying out loud! | 0:17:23 | 0:17:25 | |
HE GASPS | 0:17:26 | 0:17:28 | |
I'm an outsider now. | 0:17:32 | 0:17:33 | |
I'm not one of the gang. | 0:17:35 | 0:17:37 | |
Maybe I never was, if it was so easy for them to abuse me like that. | 0:17:37 | 0:17:40 | |
Sid... | 0:17:40 | 0:17:41 | |
Look, I want you to be honest with me, cos you know you can trust me. | 0:17:43 | 0:17:46 | |
-But... -What? | 0:17:46 | 0:17:48 | |
When you say abused, they didn't...? | 0:17:49 | 0:17:52 | |
Didn't what? | 0:17:52 | 0:17:54 | |
-No - no way! -Only you're not totally sure what happened, | 0:17:56 | 0:17:59 | |
and that's what people who've been drugged say. | 0:17:59 | 0:18:02 | |
And you were...access all areas. | 0:18:02 | 0:18:04 | |
No, I'd know. You could tell, couldn't you? | 0:18:04 | 0:18:08 | |
Don't you think the thing about sexual assault is... | 0:18:11 | 0:18:14 | |
They wouldn't, I know it. | 0:18:14 | 0:18:16 | |
Have you ever had that moment where you've kind of... | 0:18:16 | 0:18:19 | |
ignored the way someone behaved, just cos you wanted to fit in? | 0:18:19 | 0:18:23 | |
Do you think there was anyone there last night who could be | 0:18:23 | 0:18:25 | |
capable of doing something like that? | 0:18:25 | 0:18:27 | |
-You said yourself - mob mentality. -No. | 0:18:27 | 0:18:30 | |
No, I expect you're right. | 0:18:32 | 0:18:34 | |
Just stupid, drunk people playing a very bad joke. | 0:18:34 | 0:18:37 | |
I'm sure they'll apologise. | 0:18:37 | 0:18:40 | |
Wouldn't bet on it. | 0:18:40 | 0:18:41 | |
It's one of those things in life that makes you feel...exposed. | 0:18:41 | 0:18:45 | |
Sorry. SHE LAUGHS | 0:18:47 | 0:18:49 | |
At least there was someone here today to help. | 0:18:49 | 0:18:52 | |
Today of all days. | 0:18:52 | 0:18:53 | |
I know. | 0:18:55 | 0:18:57 | |
Thanks. | 0:18:57 | 0:18:58 | |
I don't feel like I've done anything much, | 0:18:58 | 0:19:00 | |
apart from think I'd got a stalker, or this place was haunted. | 0:19:00 | 0:19:04 | |
SHE LAUGHS | 0:19:04 | 0:19:06 | |
You know, when you're ready, it might be a good idea to talk to someone. | 0:19:06 | 0:19:10 | |
-Another man, perhaps. That might be easier. -I doubt it. | 0:19:10 | 0:19:13 | |
Look, if I had to choose somebody to confide in, | 0:19:13 | 0:19:16 | |
I think I could do a lot worse than Daniel. | 0:19:16 | 0:19:18 | |
Definitely not. When I saw him here, it just got worse. | 0:19:18 | 0:19:21 | |
He's not that bad. I mean, he might joke about it at first, but... | 0:19:21 | 0:19:25 | |
It's not that. | 0:19:25 | 0:19:26 | |
Whoa, whoa, whoa, whoa! | 0:19:46 | 0:19:47 | |
And to top it all - I flashed Mrs Tembe, as well. | 0:19:55 | 0:19:57 | |
What? You didn't! When did you manage that? | 0:19:57 | 0:20:01 | |
Well, just turned round and she was glaring at me from the computer. | 0:20:01 | 0:20:04 | |
I bet she'll be in first thing Monday, saying, | 0:20:04 | 0:20:06 | |
"Dr Vere exposed his buttocks to me in a most unchristian manner at the weekend." | 0:20:06 | 0:20:09 | |
Is there a Christian manner to do it in? No, look. | 0:20:09 | 0:20:13 | |
She's been like that for the last hour. | 0:20:13 | 0:20:15 | |
Karen's gone over to the Campus, to try and help her | 0:20:15 | 0:20:18 | |
sort out the software, but obviously no joy so far. | 0:20:18 | 0:20:20 | |
-Phew! -So, that's one problem solved. | 0:20:20 | 0:20:24 | |
Right, now we need to get you something to wear - and then | 0:20:24 | 0:20:27 | |
I am going to distract Daniel with my feminine wiles, | 0:20:27 | 0:20:31 | |
and you can make a break for it. | 0:20:31 | 0:20:33 | |
Yes, I know, it's not ideal. | 0:20:33 | 0:20:35 | |
I have to be very careful with my feminine wiles. | 0:20:35 | 0:20:37 | |
All got VERY complicated when Heston fell for me. | 0:20:38 | 0:20:42 | |
-Heston? -Yeah, yeah. He's a man of hidden fires. | 0:20:42 | 0:20:46 | |
-Do you know he fought a duel for me? -Heston? | 0:20:46 | 0:20:49 | |
Yeah. It's a long story, but we are grown-ups | 0:20:49 | 0:20:53 | |
and we don't let it affect our working relationship. | 0:20:53 | 0:20:56 | |
As for your friends... | 0:20:56 | 0:20:58 | |
What friends? | 0:20:59 | 0:21:01 | |
D'you know, I tend to side with the Mama Cass school of thinking these days - | 0:21:01 | 0:21:06 | |
"Make your own kind of music, sing your own special song." | 0:21:06 | 0:21:10 | |
Mama Cass? Mamas and the Papas? | 0:21:12 | 0:21:14 | |
She choked on a sandwich. Tragic. | 0:21:14 | 0:21:17 | |
Anyway, what I'm saying is, | 0:21:18 | 0:21:20 | |
being yourself doesn't necessarily mean you're not going to get hurt, | 0:21:20 | 0:21:23 | |
but why should you change yourself just to fit in? | 0:21:23 | 0:21:26 | |
Cos it's not a great way to live. | 0:21:26 | 0:21:29 | |
No, honestly, I've tried it in the past, | 0:21:29 | 0:21:31 | |
just cos I was desperate to feel like I belonged, | 0:21:31 | 0:21:34 | |
to be one of the cool kids, and then I realised - | 0:21:34 | 0:21:37 | |
why follow in someone else's footsteps your whole life? | 0:21:37 | 0:21:41 | |
Isn't it better to make your own way, | 0:21:41 | 0:21:43 | |
find a path that no-one else has taken? | 0:21:43 | 0:21:46 | |
I just can't get my head round why they did it. | 0:21:48 | 0:21:51 | |
Yeah, well, they are idiots... | 0:21:51 | 0:21:53 | |
but that shouldn't change you. | 0:21:53 | 0:21:55 | |
You are perfectly fine the way you are. | 0:21:55 | 0:21:58 | |
The patients all love you. | 0:21:58 | 0:22:00 | |
I like you, your colleagues like you. | 0:22:00 | 0:22:03 | |
That should count for something, shouldn't it? | 0:22:03 | 0:22:06 | |
Yeah. It counts for a lot. Thanks. | 0:22:06 | 0:22:09 | |
Terrible dress sense, though. | 0:22:10 | 0:22:12 | |
Come on, we need to get you out of those aprons. | 0:22:12 | 0:22:15 | |
Not cos I want to see you naked. | 0:22:15 | 0:22:17 | |
Not that I wouldn't, you know... | 0:22:17 | 0:22:19 | |
Valerie! | 0:22:19 | 0:22:20 | |
Oh, no! Nakedness is nothing to be ashamed of. | 0:22:20 | 0:22:23 | |
It's just that you look like you're wearing a kinky pinafore. | 0:22:23 | 0:22:27 | |
I couldn't wear it - not because of the kinky bit, | 0:22:27 | 0:22:29 | |
but because polythene brings me out in a rash. | 0:22:29 | 0:22:32 | |
-Really? -Yeah, oh, yeah. | 0:22:32 | 0:22:34 | |
Could be worse - I've got a cousin in Aberystwyth | 0:22:34 | 0:22:37 | |
who can't sit on anything leather. | 0:22:37 | 0:22:39 | |
Right, we need to find you something to wear. | 0:22:40 | 0:22:43 | |
Ooh, I know, Jimmi always keeps a spare set of running clothes here. | 0:22:43 | 0:22:48 | |
Sid. | 0:22:56 | 0:22:57 | |
When did you get here? | 0:22:57 | 0:22:58 | |
Morning. I was out for a run and I, erm, I got caught short. | 0:22:58 | 0:23:02 | |
And I remembered that Karen said she was in this morning, so... | 0:23:02 | 0:23:05 | |
You must have run right by me. | 0:23:05 | 0:23:07 | |
Yeah, well, I was really desperate - too much coffee this morning. | 0:23:07 | 0:23:11 | |
Diuretics before a run? You should know better than that. | 0:23:11 | 0:23:13 | |
-Coffee doesn't hydrate. -No. | 0:23:13 | 0:23:15 | |
Yeah, I saw you by your car - is everything OK? | 0:23:15 | 0:23:18 | |
Oh, just changing a tyre and keep getting dirt in this damn cut. | 0:23:18 | 0:23:23 | |
I can sort it for you if you like. The tyre, I mean. | 0:23:23 | 0:23:27 | |
-Save you making your hand worse. -Oh... | 0:23:27 | 0:23:29 | |
Let's have a look. | 0:23:30 | 0:23:32 | |
Hm... You're not going to need any stitches. | 0:23:33 | 0:23:36 | |
No, it's just not getting a chance to dry, that's all. | 0:23:36 | 0:23:39 | |
So, let me finish it, then. | 0:23:39 | 0:23:41 | |
Really? Thanks. | 0:23:41 | 0:23:43 | |
-There was something I wanted to talk to you about as well. -Yeah? | 0:23:43 | 0:23:46 | |
Yeah, now that we're not distracted by work, we can have a good chat. | 0:23:46 | 0:23:49 | |
-Come on. -Right. | 0:23:49 | 0:23:51 | |
Thanks for this. | 0:23:55 | 0:23:56 | |
It's no problem. | 0:23:56 | 0:23:58 | |
So, you wanted to say something? | 0:23:58 | 0:24:01 | |
Oh, yeah, yeah. Well, look, it's nothing major, | 0:24:01 | 0:24:03 | |
it's just that now you're settled back with us, | 0:24:03 | 0:24:06 | |
I thought maybe you should think about choosing a special interest. | 0:24:06 | 0:24:09 | |
-Oh, right. -I..I have a suggestion. | 0:24:09 | 0:24:12 | |
OK, then - what do you reckon? | 0:24:12 | 0:24:14 | |
Well, watching how you interact with everyone, | 0:24:14 | 0:24:16 | |
I thought maybe you should think about going into mental health. | 0:24:16 | 0:24:19 | |
-Really? -Yeah. | 0:24:19 | 0:24:20 | |
-I mean, you talk a lot. -You mean I never shut up. -No, | 0:24:20 | 0:24:23 | |
I mean I think it's part and parcel of your ability to listen, | 0:24:23 | 0:24:26 | |
you know, which is a really important part of being a doctor. | 0:24:26 | 0:24:29 | |
Communication is not easily learned, in my opinion. | 0:24:29 | 0:24:32 | |
Have I said something wrong? | 0:24:34 | 0:24:35 | |
No, sorry, it's just something someone said to me recently, | 0:24:35 | 0:24:38 | |
-that's all. -Look, Sid, you listen to your patients and you understand, | 0:24:38 | 0:24:43 | |
and you relate their problems to your personal experiences. | 0:24:43 | 0:24:46 | |
That's empathy. | 0:24:46 | 0:24:48 | |
You take on board what people say to you - that's a major plus. | 0:24:48 | 0:24:52 | |
You don't dismiss problems lightly. | 0:24:52 | 0:24:54 | |
Right, well, erm, thanks. | 0:24:55 | 0:24:57 | |
Listen, have a think about it, OK, | 0:24:59 | 0:25:00 | |
and we'll talk more over lunch next week. | 0:25:00 | 0:25:03 | |
OK, yeah. Great. | 0:25:03 | 0:25:05 | |
You've got a bright future. Glad you came back to us. | 0:25:05 | 0:25:07 | |
-Would you mind? -Yeah. Thanks. | 0:25:07 | 0:25:10 | |
And, hey look, I'd offer you a lift, but I'm so late. | 0:25:10 | 0:25:13 | |
Oh, no, no, no, it's fine. Thought I'd find a new path, | 0:25:13 | 0:25:16 | |
you know, not follow all the other runners. | 0:25:16 | 0:25:19 | |
-Yeah, good idea. Listen, thanks again. -You too, Daniel. -All right. | 0:25:19 | 0:25:22 | |
No, I just don't need a taxi any more, thank you. | 0:25:28 | 0:25:31 | |
Sorry for the inconvenience. | 0:25:31 | 0:25:33 | |
Yeah, thanks, bye. | 0:25:33 | 0:25:35 | |
-So, that was a big fat waste of time. -No joy? | 0:25:35 | 0:25:39 | |
-No, as soon as I got there, she was ready to go. -Why? | 0:25:39 | 0:25:43 | |
She wouldn't say. | 0:25:43 | 0:25:44 | |
She just said, "I've got to go, we'll sort it out on Monday." | 0:25:44 | 0:25:48 | |
It's weird, but it looked like she'd had a real shock. | 0:25:48 | 0:25:52 | |
-So she's not coming to help us, then? -No. | 0:25:52 | 0:25:55 | |
I knew there was something wrong as soon as I got there, | 0:25:55 | 0:25:58 | |
cos her wig was all skewwhiff. | 0:25:58 | 0:26:00 | |
Anyway, | 0:26:00 | 0:26:02 | |
-apricot Danish? -Perfect. | 0:26:02 | 0:26:04 | |
And one of our five a day into the bargain. | 0:26:04 | 0:26:07 | |
Let's break out the good coffee. | 0:26:07 | 0:26:09 | |
Hey, you'll never guess who I saw out for a run on my way back? | 0:26:09 | 0:26:13 | |
-Sid? -How did you guess? | 0:26:13 | 0:26:15 | |
Well, he popped in to use the facilities. | 0:26:15 | 0:26:17 | |
-Did you see him in his running gear? -Yeah. | 0:26:17 | 0:26:19 | |
-Looked pretty fit, didn't he? -Definitely. | 0:26:19 | 0:26:22 | |
ECHOING EVIL LAUGHTER | 0:26:24 | 0:26:27 | |
I think he's seeing someone else. | 0:26:30 | 0:26:33 | |
I saw him with her this morning. | 0:26:33 | 0:26:35 | |
What are we going to do? | 0:26:35 | 0:26:37 | |
-Sabotage it. -How? | 0:26:37 | 0:26:38 | |
Sledgehammer. | 0:26:38 | 0:26:39 | |
Hello! Hello! Welcome to your new home. | 0:26:39 | 0:26:42 | |
Erm, I've just put the kettle on. | 0:26:42 | 0:26:44 | |
Why don't we have a nice cup of tea before we start unloading? | 0:26:44 | 0:26:46 | |
-How's school? -Fine. | 0:26:46 | 0:26:48 |