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Well, you got here quick. I owe you. | 0:00:28 | 0:00:30 | |
No problem. | 0:00:30 | 0:00:31 | |
What do you reckon? | 0:00:31 | 0:00:33 | |
If he was sleeping rough, it could be exposure. | 0:00:33 | 0:00:35 | |
Well, I thought that, | 0:00:35 | 0:00:36 | |
but if he's sleeping rough, where's all his other stuff? | 0:00:36 | 0:00:39 | |
Just a man in a bag in the open? | 0:00:39 | 0:00:40 | |
He does look a bit plonked down, doesn't he? He does. | 0:00:40 | 0:00:43 | |
Hold on. Got some bruising here. Is there? Yep. | 0:00:43 | 0:00:48 | |
OK. Better break the news. | 0:00:48 | 0:00:49 | |
Have you met the new DI? | 0:00:51 | 0:00:52 | |
New to the station or newly promoted? | 0:00:52 | 0:00:54 | |
Both. A rising star, apparently. | 0:00:54 | 0:00:57 | |
Someone to hitch your wagon to? | 0:00:57 | 0:00:59 | |
You know I'm not like that. | 0:00:59 | 0:01:00 | |
I'm only here covering somebody on sick. | 0:01:00 | 0:01:02 | |
Always the bridesmaid? | 0:01:02 | 0:01:04 | |
Sure I can't tempt you to a tiny sausage? | 0:01:04 | 0:01:07 | |
Positive. | 0:01:07 | 0:01:09 | |
Hardly the best start to a working day. | 0:01:09 | 0:01:11 | |
Given the health directives that put sausages and bacon on a par | 0:01:11 | 0:01:14 | |
with asbestos... Load of rubbish. | 0:01:14 | 0:01:16 | |
Sooner or later someone warns you everything gives you cancer. | 0:01:16 | 0:01:21 | |
No harm in the odd treat. Or two. | 0:01:21 | 0:01:23 | |
Here's my two big boys! | 0:01:26 | 0:01:28 | |
Morning. Hi, guys, all ready for playgroup? | 0:01:28 | 0:01:31 | |
Must he? Couldn't he have a day with Grandma? | 0:01:31 | 0:01:34 | |
Well... | 0:01:34 | 0:01:35 | |
You won't take the day off to be with me. | 0:01:35 | 0:01:37 | |
Not won't, Mum, can't. | 0:01:37 | 0:01:39 | |
I'll be kicking my heels round here. | 0:01:39 | 0:01:42 | |
Joe could show me his favourite animals in the zoo, or... | 0:01:42 | 0:01:45 | |
No, he's got a routine to maintain. He starts school next week. | 0:01:45 | 0:01:50 | |
Besides he's going to see all his little friends at summer activities. | 0:01:50 | 0:01:53 | |
All the better for one day of free-range fun, then, | 0:01:53 | 0:01:56 | |
before he moves from one straitjacket to the other. | 0:01:56 | 0:02:02 | |
We do have everything planned out for Joe, Mum. Sorry. | 0:02:02 | 0:02:05 | |
Childhood was never this regimented when you were growing up. | 0:02:05 | 0:02:09 | |
This looks great. | 0:02:09 | 0:02:10 | |
Dig in. There's plenty more. | 0:02:10 | 0:02:12 | |
No-one worried about lead paint back then, and we'd never heard of | 0:02:14 | 0:02:17 | |
E numbers, let alone deathtrap sausages. | 0:02:17 | 0:02:21 | |
Boss, this is Jimmi Clay, one of our FME's. | 0:02:24 | 0:02:27 | |
What's up, Doc? | 0:02:27 | 0:02:28 | |
So, is our guy one of the walking dead? | 0:02:28 | 0:02:30 | |
I can confirm life extinct. | 0:02:30 | 0:02:32 | |
No, any indication this is nothing more than another dead | 0:02:32 | 0:02:34 | |
homeless person? | 0:02:34 | 0:02:35 | |
Don't, it's suspicious death, you don't want to risk contamination. | 0:02:35 | 0:02:39 | |
I can do without the explaining, Doc. | 0:02:39 | 0:02:40 | |
Not my first time on the dodgems. | 0:02:40 | 0:02:42 | |
As you can see, there's bruising to the face. | 0:02:42 | 0:02:45 | |
Better get a tent up, then. He doesn't look right, somehow. | 0:02:45 | 0:02:49 | |
Like he's fallen off the back of a lorry. | 0:02:49 | 0:02:51 | |
We've got tyre tracks over there. | 0:02:51 | 0:02:53 | |
Yeah, I saw. | 0:02:53 | 0:02:54 | |
I want them recorded, and a sweep of the area. | 0:02:54 | 0:02:56 | |
Uniform said you get a lot of dog walkers around here, | 0:02:56 | 0:02:58 | |
so I want them kept away, too. | 0:02:58 | 0:03:00 | |
Right, I'll get some more people out. | 0:03:00 | 0:03:01 | |
And tell everyone to watch their step because of another kind of contamination. | 0:03:01 | 0:03:05 | |
Some of the dog walkers aren't picking up after themselves. | 0:03:05 | 0:03:08 | |
No, we finish at two so shall we say, 2.15? | 0:03:10 | 0:03:13 | |
OK, great, we'll see you there. Bye. | 0:03:13 | 0:03:16 | |
We? Lunch at the Icon. Morning. | 0:03:16 | 0:03:19 | |
You are so whipped. | 0:03:19 | 0:03:21 | |
We said no to everything else. You'll come, won't you? | 0:03:21 | 0:03:24 | |
If only to stop her force-feeding you the other half of the pig | 0:03:24 | 0:03:27 | |
you had for breakfast. | 0:03:27 | 0:03:28 | |
Trouble in paradise? | 0:03:28 | 0:03:29 | |
Daniel's mother. She turns our whole routine upside down. | 0:03:29 | 0:03:33 | |
Yes, she can be a bit of a challenge, | 0:03:33 | 0:03:35 | |
but we don't see her that often, so... | 0:03:35 | 0:03:36 | |
Thank heavens for that small mercy. | 0:03:36 | 0:03:38 | |
Zara. | 0:03:38 | 0:03:40 | |
Although, why now? It's not like her to turn up uninvited. | 0:03:40 | 0:03:43 | |
I don't know. | 0:03:43 | 0:03:45 | |
It's easier to ask permission before than apologise after. | 0:03:45 | 0:03:48 | |
What? | 0:03:48 | 0:03:50 | |
Daniel's mother? | 0:03:50 | 0:03:51 | |
She turns up uninvited because she knows if she asks your | 0:03:51 | 0:03:54 | |
permission, you'd say no? | 0:03:54 | 0:03:56 | |
Sounds about right. | 0:03:57 | 0:03:59 | |
Morning. You're chipper. | 0:03:59 | 0:04:02 | |
I feel fantastic. | 0:04:02 | 0:04:04 | |
We made tonnes of money at the fayre, everyone had | 0:04:04 | 0:04:07 | |
a brilliant time, but best of all, we were Team Mill. | 0:04:07 | 0:04:10 | |
Yay for us. Weren't we, though, a team? | 0:04:10 | 0:04:13 | |
We achieved something that we couldn't have done as individuals. | 0:04:13 | 0:04:16 | |
And I for one feel very blessed to work here. | 0:04:16 | 0:04:18 | |
Morning. You got a sec? | 0:04:21 | 0:04:23 | |
Yeah. What's up? | 0:04:23 | 0:04:24 | |
Emma. She's had a rough couple of days. Unsurprisingly. | 0:04:24 | 0:04:27 | |
Yeah, but she's on a real downer this morning. | 0:04:27 | 0:04:29 | |
I think it's hit her harder than she's letting on. | 0:04:29 | 0:04:31 | |
Right. Thanks for the heads up. I'll sort something. Thanks, Jimmi. | 0:04:31 | 0:04:35 | |
Right, dazzle me. Slapped a bow on this dead puppy yet? | 0:04:35 | 0:04:40 | |
No, not yet. I'm just going through missing persons. | 0:04:40 | 0:04:43 | |
How did get on with the pathologist? | 0:04:45 | 0:04:47 | |
She estimates he's been dead 48 hours. | 0:04:47 | 0:04:50 | |
And he was totally naked inside that sleeping bag. | 0:04:50 | 0:04:53 | |
So where's his clothes? | 0:04:53 | 0:04:55 | |
Stolen, maybe? But if he was homeless, why take them off? | 0:04:55 | 0:04:58 | |
Well you wouldn't, would you? So that makes that less likely. | 0:04:58 | 0:05:02 | |
Deceased is approximately 50, | 0:05:02 | 0:05:04 | |
weird little circular marks either side of his forehead. | 0:05:04 | 0:05:07 | |
Traces of what could be adhesive on them. Adhesive? | 0:05:07 | 0:05:10 | |
Something sticky, anyway. | 0:05:10 | 0:05:11 | |
Cause of death? | 0:05:11 | 0:05:14 | |
Pending more tests, initial findings are that the | 0:05:14 | 0:05:16 | |
deceased has cervical fracture with cord trauma and a spinal subdural. | 0:05:16 | 0:05:22 | |
In other words, a broken neck. | 0:05:22 | 0:05:24 | |
Could be a fall? Called that. Ta-dah. | 0:05:24 | 0:05:26 | |
I'm on fire today. | 0:05:26 | 0:05:27 | |
Got him. Gregory Wallace, 4 Lovell Road. | 0:05:29 | 0:05:33 | |
Mrs Tembe. | 0:05:33 | 0:05:35 | |
Miss Pitman? | 0:05:35 | 0:05:36 | |
Would you mind coming into my office during the lunch break? | 0:05:36 | 0:05:40 | |
There is something I would like to discuss with you. | 0:05:40 | 0:05:42 | |
Of course. I'm all yours. Thank you. | 0:05:42 | 0:05:45 | |
Earmarked. It was only a matter of time. | 0:05:48 | 0:05:51 | |
Until what? | 0:05:51 | 0:05:52 | |
Until my organisational skills were spotted. | 0:05:52 | 0:05:54 | |
Recent events have given them a chance to shine. Right. | 0:05:54 | 0:05:59 | |
Mrs Tembe will want to get exclusive rights to my talents. | 0:05:59 | 0:06:02 | |
I'll be a permanent fixture before long. | 0:06:02 | 0:06:05 | |
No more time sheets. I will soon be your full-time team mate. | 0:06:05 | 0:06:09 | |
It can't be good for you, | 0:06:12 | 0:06:14 | |
being at the beck and call of work the whole time. | 0:06:14 | 0:06:17 | |
We have demanding jobs. | 0:06:17 | 0:06:19 | |
It can get a bit overwhelming at times. | 0:06:19 | 0:06:21 | |
So, what will you have? | 0:06:23 | 0:06:24 | |
The chicken is always good, and the Thai noodles. | 0:06:24 | 0:06:28 | |
Now I'm here, I'm not sure how hungry I am. | 0:06:28 | 0:06:30 | |
That'll be the large breakfast. | 0:06:30 | 0:06:32 | |
I'll have the tuna salad, please, no dressing and a mineral water. | 0:06:32 | 0:06:36 | |
Is that all? Hardly enough to fuel a working day. | 0:06:36 | 0:06:39 | |
I manage on it just fine. | 0:06:39 | 0:06:41 | |
I'll have the noodles. | 0:06:41 | 0:06:43 | |
And for me. | 0:06:43 | 0:06:44 | |
So what did you get up to this morning? | 0:06:47 | 0:06:49 | |
I had a bit of a tidy round. | 0:06:49 | 0:06:51 | |
I was looking at your living room. | 0:06:51 | 0:06:53 | |
Do you not think it's a bit stark? | 0:06:53 | 0:06:56 | |
In what way? | 0:06:56 | 0:06:58 | |
Maybe you could rethink the colour scheme? | 0:06:58 | 0:07:00 | |
Some brighter shades might make the rooms look cosier? | 0:07:00 | 0:07:04 | |
I suppose, if you're both used to it. | 0:07:04 | 0:07:07 | |
Things can become habit so easily. | 0:07:07 | 0:07:09 | |
It's not that. | 0:07:09 | 0:07:10 | |
It's like, the way we dress. | 0:07:10 | 0:07:12 | |
It's OK to find a style that suits and stick with it, | 0:07:12 | 0:07:15 | |
but sooner or later, it becomes a bit samey. | 0:07:15 | 0:07:19 | |
You've always favoured plain designs, Zara. | 0:07:19 | 0:07:23 | |
Ever thought about more patterns or pastels? | 0:07:23 | 0:07:27 | |
PHONE BEEPS | 0:07:27 | 0:07:28 | |
Thank goodness. I'm going to have to go. | 0:07:28 | 0:07:31 | |
This is an e-mail from a consultant at St Phil's. | 0:07:31 | 0:07:33 | |
What about lunch? Can you just get it to go, please? | 0:07:33 | 0:07:35 | |
I've been trying to set up this conference call with him, | 0:07:35 | 0:07:38 | |
for over a week. | 0:07:38 | 0:07:39 | |
Oh, well. You'll have to make do with boring old Mum. | 0:07:40 | 0:07:43 | |
There's no doubt it's him? | 0:07:45 | 0:07:47 | |
We will need you to make a formal identification, Mrs Wallace. | 0:07:47 | 0:07:50 | |
But he matches the description. | 0:07:50 | 0:07:53 | |
I keep thinking he's going to walk through that door with some silly story. | 0:07:53 | 0:07:57 | |
You don't have to do it right away. | 0:07:57 | 0:07:59 | |
No, I want to. I need to see for myself. | 0:07:59 | 0:08:03 | |
How did he die? | 0:08:03 | 0:08:05 | |
We don't know that yet. | 0:08:08 | 0:08:10 | |
Of course. I... When I hadn't heard anything, | 0:08:10 | 0:08:14 | |
that's what you're afraid of hearing. | 0:08:14 | 0:08:17 | |
KNOCK AT THE DOOR | 0:08:19 | 0:08:20 | |
Come in. Only me. | 0:08:20 | 0:08:23 | |
Miss Pitman, please take a seat. | 0:08:23 | 0:08:26 | |
Can I just say, everyone is talking about the Summer Fayre, | 0:08:26 | 0:08:29 | |
asking if it's going to be an annual event. | 0:08:29 | 0:08:31 | |
It does seem to have caught on. | 0:08:33 | 0:08:35 | |
And through all your personal tribulations, | 0:08:35 | 0:08:39 | |
you have contributed a great deal to it. | 0:08:39 | 0:08:41 | |
So it is with great sadness that I have to say... | 0:08:43 | 0:08:46 | |
Because you are employed through the agency, | 0:08:50 | 0:08:54 | |
your hourly rate is too high for us to sustain. | 0:08:54 | 0:08:58 | |
I'm afraid we have to end your employment. | 0:09:00 | 0:09:03 | |
This is not a reflection of your work. | 0:09:03 | 0:09:06 | |
I know that Mr Harker did retain you through your illness... | 0:09:06 | 0:09:10 | |
Yes, I know it was unusual. | 0:09:10 | 0:09:12 | |
The money came from a discretionary fund which has long since run out. | 0:09:12 | 0:09:17 | |
What if I had a word with the agency? | 0:09:17 | 0:09:20 | |
No, I have already spoken to them at length. | 0:09:20 | 0:09:24 | |
They are very fixed on their terms. | 0:09:24 | 0:09:26 | |
I am so, so sorry. | 0:09:28 | 0:09:29 | |
I know it's not personal. | 0:09:31 | 0:09:32 | |
I am a luxury item in times of austerity. | 0:09:34 | 0:09:36 | |
Sorry, I didn't know you were with someone. We're finished. | 0:09:41 | 0:09:44 | |
Miss Pitman. | 0:09:44 | 0:09:45 | |
Bad time? | 0:09:47 | 0:09:48 | |
There was never really going to be a good time. | 0:09:48 | 0:09:51 | |
This went up an hour ago. | 0:09:52 | 0:09:54 | |
Has Dr Carter seen this? | 0:09:57 | 0:09:59 | |
I don't know. | 0:09:59 | 0:10:00 | |
We're treating your husband's death as suspicious. | 0:10:01 | 0:10:05 | |
Is that why I couldn't touch him? | 0:10:05 | 0:10:07 | |
What actually happened? | 0:10:10 | 0:10:12 | |
We don't know, that's what we're trying to find out. | 0:10:12 | 0:10:15 | |
Did he say where he was going? | 0:10:15 | 0:10:16 | |
Did he owe any money? | 0:10:18 | 0:10:19 | |
No, well at least, not that I know about. | 0:10:19 | 0:10:23 | |
We're not reckless or extravagant with cash. | 0:10:24 | 0:10:27 | |
What did he do, Mrs Wallace? | 0:10:27 | 0:10:28 | |
He's a... | 0:10:28 | 0:10:30 | |
He was an accountant. His own business. | 0:10:30 | 0:10:34 | |
Can you remember what he was wearing? | 0:10:35 | 0:10:37 | |
What he was found wearing, I suppose? | 0:10:40 | 0:10:43 | |
We didn't find any clothes at the scene. | 0:10:43 | 0:10:46 | |
I don't understand. He was naked? | 0:10:46 | 0:10:49 | |
Was he robbed? | 0:10:52 | 0:10:53 | |
We don't know if that's the case but we'd like to rule it out. | 0:10:53 | 0:10:57 | |
Why don't we take you back home, | 0:10:57 | 0:10:58 | |
Mrs Wallace, and try and determine what he was wearing. | 0:10:58 | 0:11:01 | |
Is there anyone who can be with you? | 0:11:01 | 0:11:03 | |
My sister. There isn't really anyone else, any more. | 0:11:03 | 0:11:07 | |
'This medical practice in a quiet Letherbridge suburb | 0:11:09 | 0:11:13 | |
'is where Dr Emma Reid, The Black Widow, | 0:11:13 | 0:11:15 | |
'has been employed in recent years. | 0:11:15 | 0:11:17 | |
'Her career dogged by controversy.' | 0:11:17 | 0:11:20 | |
I can't believe that I trusted Michael Dunaway. | 0:11:20 | 0:11:22 | |
To call Dr Reid The Black Widow. | 0:11:22 | 0:11:25 | |
This is beyond decency. | 0:11:25 | 0:11:27 | |
And to accompany his words with pictures from the Fayre. | 0:11:27 | 0:11:30 | |
Especially since she wasn't there. | 0:11:30 | 0:11:31 | |
It makes us look like we are unconcerned about what happened. | 0:11:31 | 0:11:34 | |
It's the worst kind of muck-raking hyperbole. | 0:11:34 | 0:11:38 | |
Poor Dr Reid. | 0:11:38 | 0:11:40 | |
I don't know why he left his watch and ring at home. | 0:11:40 | 0:11:42 | |
At least they weren't stolen. | 0:11:42 | 0:11:44 | |
I think there's a blue shirt missing. His favourite. | 0:11:44 | 0:11:47 | |
Well, could it be in this laundry basket, Mrs Wallace? | 0:11:47 | 0:11:50 | |
No, I did my washing yesterday. | 0:11:50 | 0:11:52 | |
I was trying to keep myself busy. In this bag? | 0:11:52 | 0:11:55 | |
Here. | 0:11:59 | 0:12:01 | |
I went to a hen night and you know, young girls. | 0:12:01 | 0:12:05 | |
I won some inappropriate things. Don't worry about it. | 0:12:05 | 0:12:08 | |
My wife used to think it was funny to bring pink furry handcuffs | 0:12:08 | 0:12:11 | |
back from hen do's. | 0:12:11 | 0:12:12 | |
I can't believe it. The PC downstairs said you're | 0:12:18 | 0:12:20 | |
looking for evidence. | 0:12:20 | 0:12:22 | |
Really? Right now? Can't you imagine how upsetting this is? | 0:12:22 | 0:12:25 | |
It's all right, Claire. It must be done. | 0:12:25 | 0:12:28 | |
Where did they come from, Pen? | 0:12:28 | 0:12:30 | |
Hen night. I was just telling the sergeant. | 0:12:30 | 0:12:34 | |
What car did your husband drive, Mrs Wallace? Erm... | 0:12:34 | 0:12:37 | |
I've got it. | 0:12:37 | 0:12:39 | |
Mine's in for repairs, so he loaned me his. | 0:12:39 | 0:12:41 | |
That's why I came here Sunday. | 0:12:41 | 0:12:43 | |
It was the last time I saw him. | 0:12:43 | 0:12:44 | |
This may sound like an odd question but, did you ever go camping? | 0:12:44 | 0:12:48 | |
Never. Not the outdoor type, then? Is this relevant? | 0:12:48 | 0:12:51 | |
It might be, probably not. | 0:12:51 | 0:12:53 | |
Because he was found outdoors? | 0:12:53 | 0:12:55 | |
Claire. I can't stand to think of it. | 0:12:55 | 0:12:58 | |
No, sorry. | 0:12:58 | 0:13:00 | |
I don't know what he was wearing. My mind is a blank. | 0:13:00 | 0:13:03 | |
It was evening, so, something casual. | 0:13:03 | 0:13:05 | |
It's not as if she gave me any warning. Coffee? | 0:13:07 | 0:13:11 | |
Me? You are the only other person here? | 0:13:12 | 0:13:16 | |
Yeah, but you, making me coffee? | 0:13:16 | 0:13:19 | |
What's wrong with that? | 0:13:19 | 0:13:20 | |
No, I mean, yeah, thanks. | 0:13:20 | 0:13:23 | |
So, how does Daniel feel about it? | 0:13:24 | 0:13:27 | |
I wouldn't know. He's disappeared under her thumb. | 0:13:27 | 0:13:30 | |
Well, you know mothers. | 0:13:31 | 0:13:32 | |
Nothing's right for their family unless they're the ones doing it. | 0:13:32 | 0:13:35 | |
I mean you control everything that happens to Joe. Control? | 0:13:35 | 0:13:38 | |
Bad choice of wording. I mean you wouldn't let anyone else make | 0:13:38 | 0:13:41 | |
any important decisions for him. | 0:13:41 | 0:13:43 | |
Joe is a child, this is about a grown man being treated like | 0:13:43 | 0:13:46 | |
one by his... You know what? Thank you. | 0:13:46 | 0:13:52 | |
What for? | 0:13:52 | 0:13:54 | |
Allowing me to get it out of my system. | 0:13:54 | 0:13:56 | |
It's good to have a colleague I can vent with. | 0:13:56 | 0:13:59 | |
Yep, got it. Any surprises? | 0:14:02 | 0:14:04 | |
Great. Thanks for doing that so fast, really appreciate it. Bye. | 0:14:06 | 0:14:10 | |
Interim report has arrived. | 0:14:11 | 0:14:13 | |
How'd you get on with the wailing widow? | 0:14:13 | 0:14:15 | |
She's not 100% sure what he was wearing. | 0:14:15 | 0:14:18 | |
She reckons it was something casual, maybe jeans and a blue shirt. | 0:14:18 | 0:14:20 | |
Well, it's looking like cause of death was a neck fracture | 0:14:20 | 0:14:24 | |
pending further tests, with bruising consistent with a fall... | 0:14:24 | 0:14:27 | |
Multiple abrasions, naked... Thankfully, I already knew that. | 0:14:27 | 0:14:31 | |
Wait a minute, already in the bag at time of injury. | 0:14:31 | 0:14:36 | |
So, in the bag when he died and not put in after. | 0:14:37 | 0:14:40 | |
Maybe they forced him to take off his clothes off, | 0:14:41 | 0:14:44 | |
made him get back into the bag and then did him over then. | 0:14:44 | 0:14:47 | |
Right, next cause of action, | 0:14:47 | 0:14:48 | |
we go to all the known homeless person sites and if we're | 0:14:48 | 0:14:52 | |
lucky, we'll find a hobo wearing the dead man's clothes. Yeah. | 0:14:52 | 0:14:55 | |
Boss? | 0:14:55 | 0:14:56 | |
That's not the first time I've seen that today. | 0:15:00 | 0:15:02 | |
Oh. Nice lunch? | 0:15:04 | 0:15:05 | |
Fine, thank you. | 0:15:07 | 0:15:08 | |
You should've stayed, we went shopping. | 0:15:08 | 0:15:11 | |
So I see. My salad? | 0:15:11 | 0:15:13 | |
In the fridge. | 0:15:14 | 0:15:15 | |
Thank you. | 0:15:15 | 0:15:16 | |
Don't rush off. I've got some things here for Joe. Have a look. | 0:15:16 | 0:15:19 | |
And hold on... | 0:15:19 | 0:15:22 | |
Lovely. Oh, good. | 0:15:25 | 0:15:27 | |
Daniel said it was your favourite boutique. | 0:15:27 | 0:15:29 | |
I was worried you wouldn't like it. | 0:15:29 | 0:15:31 | |
For me? Soon as I saw it, I thought of you. | 0:15:31 | 0:15:34 | |
First thing Mum said when she saw it. | 0:15:34 | 0:15:36 | |
"I can see Zara in this." That's very generous of you. | 0:15:36 | 0:15:39 | |
You need to be a little less winter in your wardrobe. | 0:15:39 | 0:15:42 | |
It can be ageing. Really? | 0:15:42 | 0:15:45 | |
I'll pop it on a padded hanger when I get home. | 0:15:45 | 0:15:49 | |
Right, mustn't get in the way. I'll show you everything else tonight. | 0:15:49 | 0:15:54 | |
Bye. See you. | 0:15:56 | 0:15:59 | |
Winter? | 0:16:02 | 0:16:03 | |
Come on, she's trying. Meet her halfway, at least. | 0:16:04 | 0:16:07 | |
How long is she here for? Has she said? | 0:16:07 | 0:16:09 | |
She spoke about spending quality time with Joe, | 0:16:09 | 0:16:12 | |
and Isabelle's coming over at the weekend. | 0:16:12 | 0:16:14 | |
Sergeant. Surprise. I was just saying to Pen how nice you | 0:16:20 | 0:16:23 | |
were to deal with. Really sensitive to her grief. | 0:16:23 | 0:16:26 | |
Is your sister here? Sure. | 0:16:26 | 0:16:29 | |
Can we go inside. No. Bag too. | 0:16:29 | 0:16:33 | |
Chop, chop. | 0:16:33 | 0:16:35 | |
It's just some of Gregory's things. | 0:16:35 | 0:16:37 | |
We just need to be totally sure about a few things. | 0:16:37 | 0:16:39 | |
Hand it over or I'll arrest you for obstruction. | 0:16:39 | 0:16:42 | |
Let them have it, Claire. Just come in. No-one needs to see this. | 0:16:42 | 0:16:46 | |
It looks like Gregory was naked when he left this house. | 0:16:56 | 0:16:59 | |
Nipples to the wind, ladies. | 0:16:59 | 0:17:00 | |
No watch, no ring, no clothes. | 0:17:00 | 0:17:03 | |
And I bet if we looked hard enough, we'd find his wallet, as well. | 0:17:03 | 0:17:06 | |
It must have been stolen. Let your sister speak, please. | 0:17:06 | 0:17:09 | |
He did leave here. | 0:17:09 | 0:17:10 | |
But was that his choice. Did your husband die here, Penelope? | 0:17:10 | 0:17:15 | |
No. Because the pathologist found glitter on his body, on his | 0:17:15 | 0:17:18 | |
shoulders, his face, his lips. Did you hug him one last time? | 0:17:18 | 0:17:24 | |
We'll be checking these for a match, Mrs Wallace. | 0:17:24 | 0:17:27 | |
Why don't you tell us what happened? | 0:17:27 | 0:17:29 | |
Was it premeditated? | 0:17:29 | 0:17:30 | |
Did he make you do things you didn't want to? | 0:17:32 | 0:17:35 | |
Was he abusive? | 0:17:35 | 0:17:36 | |
He wasn't abusive. Ever. He loved me. | 0:17:36 | 0:17:41 | |
It was all for love. Penelope... | 0:17:41 | 0:17:44 | |
I can't bear this. They can think what they like. | 0:17:44 | 0:17:47 | |
It won't bring him back. | 0:17:47 | 0:17:50 | |
There you are. We're opening up in a minute. | 0:17:53 | 0:17:56 | |
You shot off after your meeting with Mrs Tembe. | 0:17:56 | 0:17:59 | |
Have you been here all this time? | 0:17:59 | 0:18:02 | |
What's wrong? | 0:18:02 | 0:18:03 | |
We were very happy in our lives, settled. | 0:18:04 | 0:18:08 | |
Gregory was successful, respected. | 0:18:08 | 0:18:11 | |
Big in our local community. | 0:18:11 | 0:18:13 | |
Fundraising, that sort of thing. | 0:18:13 | 0:18:15 | |
So where did it start to go wrong? | 0:18:15 | 0:18:17 | |
It didn't. | 0:18:17 | 0:18:18 | |
We were... | 0:18:21 | 0:18:22 | |
..never very fulfilled... In the bedroom. | 0:18:24 | 0:18:28 | |
It all got, predictable. | 0:18:30 | 0:18:32 | |
Is that what this is about? You were trying to change that? | 0:18:35 | 0:18:39 | |
Whenever he was in the mood, he used to say... | 0:18:39 | 0:18:41 | |
"Will you walk into my parlour said the spider to the fly." | 0:18:43 | 0:18:47 | |
That's what started it. | 0:18:51 | 0:18:52 | |
It was exciting, all the dressing up, being someone else. | 0:18:54 | 0:19:00 | |
Only, I didn't like the idea of becoming a fly... | 0:19:00 | 0:19:03 | |
..and I really hate spiders. | 0:19:05 | 0:19:08 | |
We chose to be a butterfly and a caterpillar instead. | 0:19:08 | 0:19:11 | |
He said how lovely I looked. | 0:19:13 | 0:19:14 | |
Always called me his Midlands Beauty. | 0:19:16 | 0:19:18 | |
He'd make his way up to my parlour, crawling up the stairs. | 0:19:20 | 0:19:25 | |
It wasn't easy but that was part of the game. | 0:19:25 | 0:19:29 | |
The anticipation, waiting for the moment when he'd inch | 0:19:29 | 0:19:33 | |
into the room and seduce me. | 0:19:33 | 0:19:35 | |
Then... | 0:19:41 | 0:19:42 | |
SCREAMS | 0:19:42 | 0:19:43 | |
..he slipped and fell. | 0:19:43 | 0:19:46 | |
And he couldn't break his fall because his arms were inside the bag! | 0:19:50 | 0:19:54 | |
So that's it? A sex game gone wrong. It was an accident? | 0:19:59 | 0:20:02 | |
Why didn't you call for an ambulance? | 0:20:04 | 0:20:06 | |
I knew that he was dead, and... | 0:20:06 | 0:20:10 | |
I was so ashamed at the thought of having to explain everything. | 0:20:10 | 0:20:15 | |
So you and your sister just dumped his body like an old mattress. | 0:20:15 | 0:20:18 | |
Don't! Please! I panicked. | 0:20:18 | 0:20:22 | |
It was private, like sex is supposed to be in a marriage. | 0:20:24 | 0:20:29 | |
I loved him. | 0:20:29 | 0:20:30 | |
I was just so embarrassed for both of us. | 0:20:33 | 0:20:37 | |
Mrs Wallace, didn't you realise that once the body was found, | 0:20:37 | 0:20:39 | |
that we would ask you questions? | 0:20:39 | 0:20:41 | |
I didn't think it through. | 0:20:41 | 0:20:42 | |
I feel terrible. | 0:20:44 | 0:20:47 | |
I held him and kept thinking it's all my fault. | 0:20:47 | 0:20:53 | |
If I didn't hate spiders, he wouldn't have been a caterpillar. | 0:20:56 | 0:21:01 | |
He'd have been a spider and still alive. | 0:21:01 | 0:21:03 | |
Want me to do that for you? Return the favour? Thanks. | 0:21:09 | 0:21:15 | |
So, Daniel introduced me to his mother earlier. | 0:21:15 | 0:21:18 | |
She said I looked too young to be a GP and that she was going to cook | 0:21:18 | 0:21:21 | |
me a proper home-cooked meal while she was here. How sweet. | 0:21:21 | 0:21:27 | |
Then she went on and on about all the things she was planning to do | 0:21:27 | 0:21:30 | |
with Joe and Izzy. Really? OK, outsider's opinion. | 0:21:30 | 0:21:36 | |
Marion's never been one for indulging the grandchildren before. | 0:21:36 | 0:21:40 | |
So, why the sudden about-face? | 0:21:40 | 0:21:43 | |
Er... In your own time. I don't know. Guilt? | 0:21:45 | 0:21:49 | |
There's something she's not saying. I'm sure of it. | 0:21:49 | 0:21:52 | |
Money problems? Not after today's shopping spree. | 0:21:52 | 0:21:56 | |
She either wants something, or... Could she be ill? | 0:21:56 | 0:22:01 | |
Seriously? It's not just a family visit, I'm sure of it. | 0:22:01 | 0:22:04 | |
She wants to indulge them, get them to see her in a certain light. | 0:22:04 | 0:22:08 | |
While there's still time? | 0:22:08 | 0:22:11 | |
You really think she's dying? | 0:22:11 | 0:22:13 | |
Something like that. | 0:22:13 | 0:22:15 | |
Sure that's not just wishful thinking? | 0:22:16 | 0:22:19 | |
I nearly didn't answer the door. | 0:22:19 | 0:22:21 | |
I thought you might be another journalist. | 0:22:21 | 0:22:23 | |
The phone hasn't stopped ringing. | 0:22:23 | 0:22:25 | |
I was hoping I'd get here to warn you about that. | 0:22:25 | 0:22:28 | |
Yes, well, they just want a response to the latest. | 0:22:28 | 0:22:30 | |
It's total trash, not worth considering. | 0:22:30 | 0:22:33 | |
Isn't it? They have every right to say those things? | 0:22:33 | 0:22:37 | |
It's no more than I've been thinking. | 0:22:37 | 0:22:39 | |
You have? Why? | 0:22:39 | 0:22:42 | |
I blame myself. Why shouldn't others? | 0:22:42 | 0:22:45 | |
Didn't you think there'd be consequences? | 0:22:46 | 0:22:49 | |
I'm not denying it was wrong, but she was half mad with grief | 0:22:49 | 0:22:54 | |
and with guilt. | 0:22:54 | 0:22:56 | |
Whose idea was it to move the body? | 0:22:56 | 0:22:58 | |
I think we just sort of arrived at it. No plan. | 0:22:58 | 0:23:04 | |
I did try making her see sense, but... | 0:23:04 | 0:23:07 | |
If only she hadn't been so worried about what the neighbours think. | 0:23:07 | 0:23:11 | |
It's a load of rubbish. | 0:23:11 | 0:23:12 | |
How serious is it? | 0:23:14 | 0:23:16 | |
You won't be too hard on her. It's just a tragic accident? | 0:23:16 | 0:23:20 | |
She needs sympathy, not locking up. | 0:23:20 | 0:23:22 | |
Conspiracy to pervert the course of justice won't get a lot of sympathy. | 0:23:22 | 0:23:26 | |
For either of you. | 0:23:26 | 0:23:28 | |
The CPS will decide the course of action because a crime | 0:23:28 | 0:23:30 | |
has been committed. | 0:23:30 | 0:23:31 | |
The press are going to have a field day either way. | 0:23:31 | 0:23:34 | |
"Insecticide committed During Kinky Sex Romp". | 0:23:34 | 0:23:38 | |
The system is there for a reason. Ultimately, it's the judge's decision. | 0:23:38 | 0:23:42 | |
Partly based on my medical opinion of the situation. | 0:23:42 | 0:23:46 | |
And I supported the family being kept together and look what happened. | 0:23:46 | 0:23:49 | |
You couldn't have known. Well, I'm supposed to. | 0:23:49 | 0:23:51 | |
No-one could. You can't blame yourself. | 0:23:51 | 0:23:53 | |
As for what he said about Sam and Howard. | 0:23:53 | 0:23:55 | |
Yeah, well he was way out of line saying that. | 0:23:55 | 0:23:57 | |
Maybe, but it's made me realise how wrong my judgment was. | 0:23:57 | 0:24:00 | |
And maybe it's always been. | 0:24:00 | 0:24:03 | |
Look, you're only being this hard on yourself because it was such | 0:24:03 | 0:24:06 | |
a negative portrayal. There are no positive ones. | 0:24:06 | 0:24:08 | |
Anyone would feel that way if someone spoke like that about us. | 0:24:08 | 0:24:12 | |
Thank you. Your psych evaluation has been noted(!) | 0:24:12 | 0:24:15 | |
Give it time, OK? You'll see things differently. | 0:24:15 | 0:24:17 | |
There is nothing that can be redeemed from this. Come on. | 0:24:17 | 0:24:20 | |
I think you should go, Jimmi. The Black Widow has spoken. | 0:24:22 | 0:24:26 | |
Please? | 0:24:27 | 0:24:28 | |
Rob. | 0:24:34 | 0:24:37 | |
Boss, can this wait? There's somewhere I need to be. | 0:24:37 | 0:24:39 | |
I just wanted to say, "Good call, today." | 0:24:39 | 0:24:42 | |
That was a really, really weird case, | 0:24:42 | 0:24:44 | |
but you put the pieces together. | 0:24:44 | 0:24:46 | |
You'd have got there. | 0:24:47 | 0:24:49 | |
Something up? | 0:24:49 | 0:24:50 | |
Well, now you've asked, yeah. | 0:24:52 | 0:24:54 | |
There's been times today when I think you've been out of line. | 0:24:56 | 0:24:59 | |
You what? Some of the comments that you've made. Wrong approach. | 0:24:59 | 0:25:02 | |
Come on. | 0:25:02 | 0:25:04 | |
And laughing at Mrs Wallace in her interview. | 0:25:04 | 0:25:06 | |
How could you not laugh? | 0:25:08 | 0:25:10 | |
Dressing as a caterpillar to get your leg over? | 0:25:10 | 0:25:13 | |
The say comedy is tragedy that happens to others. Is it? | 0:25:13 | 0:25:17 | |
Yeah, and it can't get more tragic. Maybe. | 0:25:17 | 0:25:21 | |
But I just think you need to be a little bit careful, boss! | 0:25:21 | 0:25:24 | |
Because you could have a long career ahead of you. | 0:25:24 | 0:25:27 | |
Glad to hear it. | 0:25:27 | 0:25:28 | |
Provided you learn some people skills. | 0:25:28 | 0:25:31 | |
Look, very smart. | 0:25:33 | 0:25:35 | |
What have you got there? | 0:25:35 | 0:25:36 | |
New business cards. | 0:25:36 | 0:25:37 | |
"Practice Manager, Mrs W Tembe". No. | 0:25:39 | 0:25:42 | |
What? | 0:25:44 | 0:25:45 | |
She's gone to all the expense of having these printed and meanwhile, | 0:25:45 | 0:25:48 | |
she's banging on about budget cuts and paperless environment? | 0:25:48 | 0:25:52 | |
I suppose everyone's laughing behind my back, aren't they? | 0:25:54 | 0:25:57 | |
Valerie, the punchline. Again. | 0:25:57 | 0:25:59 | |
How much did these cost, then? Miss Pitman... | 0:26:04 | 0:26:07 | |
With all the fancy lettering. I bet they cost more than | 0:26:07 | 0:26:10 | |
30 pieces of silver. I can... | 0:26:10 | 0:26:12 | |
You know everyone acts like Anthony was a snake in the grass now | 0:26:12 | 0:26:15 | |
he's gone, but he bent over backwards to look after me. | 0:26:15 | 0:26:17 | |
That money was... And now look at me, fighting fit but under the yoke | 0:26:17 | 0:26:20 | |
of a new regime that puts style over substance. | 0:26:20 | 0:26:22 | |
If I'm not good enough for you, you just have to say. | 0:26:22 | 0:26:24 | |
That is certainly not the case. | 0:26:24 | 0:26:26 | |
I supported you from the start with the fayre, no demand too trivial. | 0:26:26 | 0:26:29 | |
Everything you asked. But nothing I do is good enough. | 0:26:29 | 0:26:33 | |
Right, that's it. Over to the CPS first thing. | 0:26:33 | 0:26:37 | |
You've got to feel sorry for her. Though, you can see the funny side. | 0:26:37 | 0:26:40 | |
Not you n'all? It's chaos theory isn't it? | 0:26:40 | 0:26:41 | |
Chain of events started by the beat of a butterfly wing. | 0:26:41 | 0:26:45 | |
Come on, we're going to be late for Kim's visit. | 0:26:45 | 0:26:47 | |
I've had a very long, weird day. | 0:26:47 | 0:26:50 | |
Thought you'd gone? I wanted to update Mrs T about Emma. | 0:26:50 | 0:26:53 | |
Not good? | 0:26:53 | 0:26:54 | |
Miss Pitman, please come back into my office. | 0:26:56 | 0:26:59 | |
So you can save face? There aren't any patients here. | 0:26:59 | 0:27:03 | |
Don't worry, you won't look bad. My hands are tied. | 0:27:03 | 0:27:05 | |
When it comes to profit margins, I'm not the only thing to go, am I? | 0:27:05 | 0:27:09 | |
The first thing you got rid of, with obscene haste, is your | 0:27:09 | 0:27:12 | |
Christian charity. | 0:27:12 | 0:27:14 | |
Does this mean you can finally come downstairs? | 0:27:24 | 0:27:26 | |
No, it means that we're going to go out and get drunk. | 0:27:26 | 0:27:29 | |
I just think that we should do everything we can, | 0:27:29 | 0:27:33 | |
to make Marion's time with us as happy as it can possibly be. | 0:27:33 | 0:27:35 | |
Why did you have a reputation as a liar, Kim? | 0:27:35 | 0:27:38 | |
Rob, leave her alone. | 0:27:38 | 0:27:40 | |
Did you lie about what happened? Stop it? | 0:27:40 | 0:27:43 | |
What does a girl have to do to get a drink around here? | 0:27:43 | 0:27:46 | |
I have some sense that there is some kind of malice at work here. | 0:28:16 | 0:28:19 | |
They do not see that the workhouse is for their own safety. | 0:28:19 | 0:28:22 | |
Welcome back, Inspector. | 0:28:22 | 0:28:24 | |
Here are boys - one dead, three missing. | 0:28:24 | 0:28:27 | |
I will find your child. | 0:28:27 | 0:28:28 | |
What possessed you to come back here? | 0:28:28 | 0:28:30 | |
'Ripper Street. The new series continues...' | 0:28:30 | 0:28:33 |