Browse content similar to Art for Art's Sake. Check below for episodes and series from the same categories and more!
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I can't believe that I actually won. | 0:00:26 | 0:00:28 | |
They had loads of entries, but my slogan was the best. | 0:00:28 | 0:00:31 | |
Go on. | 0:00:31 | 0:00:32 | |
"Art is a big p-art of my he-art". | 0:00:32 | 0:00:36 | |
Do I look arty enough? | 0:00:38 | 0:00:40 | |
There's going to be a reporter there from the Letherbridge News. | 0:00:40 | 0:00:43 | |
You look fine, Valerie. | 0:00:43 | 0:00:44 | |
We might even make the front page. | 0:00:44 | 0:00:46 | |
I suppose it depends if there's been a murder or something. | 0:00:46 | 0:00:49 | |
That just came to me in a dream. | 0:00:53 | 0:00:55 | |
Total explosion of colour. | 0:00:55 | 0:00:57 | |
I love this one. | 0:00:57 | 0:00:58 | |
Very tricky to pull off. | 0:00:58 | 0:00:59 | |
Welcome, welcome. You must be Valerie. | 0:00:59 | 0:01:02 | |
Melanie Haslam, arts officer. | 0:01:02 | 0:01:04 | |
I'm Sid. Lovely to meet you, Sid. | 0:01:04 | 0:01:07 | |
This is Freddie, our artist - | 0:01:07 | 0:01:08 | |
he'll be guiding your endeavours for today. | 0:01:08 | 0:01:10 | |
Hi. And this is Clark. | 0:01:10 | 0:01:13 | |
Can I just say how excited I am to be the winner of the community arts scheme. | 0:01:13 | 0:01:18 | |
As a cancer survivor, I feel I can be a great | 0:01:18 | 0:01:20 | |
inspiration to other people dealing with life-threatening illness. | 0:01:20 | 0:01:23 | |
I'm not... If you want to take any notes... | 0:01:23 | 0:01:26 | |
Have you got one of those recordy things? | 0:01:26 | 0:01:29 | |
Sorry, erm... | 0:01:29 | 0:01:30 | |
You're not from the newspaper? | 0:01:30 | 0:01:32 | |
Clark's our publicity officer, | 0:01:32 | 0:01:34 | |
he's here to take some photos for the website. | 0:01:34 | 0:01:37 | |
Oh. I thought we were going to be in the Letherbridge News. | 0:01:37 | 0:01:41 | |
They'll be send someone over later, after you've finished, | 0:01:41 | 0:01:44 | |
so you can tell them what a good time you've had. | 0:01:44 | 0:01:46 | |
And you will have a good time, I promise. | 0:01:46 | 0:01:49 | |
Freddie's worked on several arts projects for us, with great success. | 0:01:49 | 0:01:53 | |
Shall we take some photos? | 0:01:53 | 0:01:55 | |
How about... | 0:01:55 | 0:01:56 | |
Big smiles, everyone. | 0:01:58 | 0:02:01 | |
And again. | 0:02:01 | 0:02:02 | |
Thank you, Clark. Let's have a look. | 0:02:04 | 0:02:07 | |
Yeah, e-mail those to me when you get back to the office. Sure thing. | 0:02:07 | 0:02:11 | |
Well, I'll leave you in Freddie's capable hands. Enjoy your day. | 0:02:11 | 0:02:14 | |
Questionnaire time. | 0:02:16 | 0:02:17 | |
It's not a test local government loves its forms. | 0:02:17 | 0:02:21 | |
Oh, and if the fire alarm goes off, get the heck out. | 0:02:21 | 0:02:25 | |
Be right back. | 0:02:25 | 0:02:26 | |
"What are your expectations for the day?" | 0:02:29 | 0:02:32 | |
I'm not really expecting anything. | 0:02:32 | 0:02:34 | |
What are you putting? | 0:02:34 | 0:02:35 | |
I expect to be part of making an amazing piece of art. | 0:02:35 | 0:02:39 | |
A muse, like Rossetti's girlfriends. | 0:02:39 | 0:02:42 | |
I think the pre-Raphaelites are marvellous. | 0:02:42 | 0:02:45 | |
If you're going to be posing, what am I doing? | 0:02:46 | 0:02:49 | |
Cleaning paintbrushes? | 0:02:49 | 0:02:50 | |
Wouldn't be surprised if it's conceptual actually, | 0:02:50 | 0:02:52 | |
maybe even performance-based. | 0:02:52 | 0:02:54 | |
I've never really understood conceptual art. | 0:02:54 | 0:02:56 | |
MUSIC BLARES | 0:02:56 | 0:02:57 | |
What's that? | 0:02:57 | 0:02:59 | |
I think he wants us to put them on. | 0:03:13 | 0:03:15 | |
OK. I'm not too sure about this, Valerie. | 0:03:15 | 0:03:19 | |
Don't worry about it, Sid, it's art! | 0:03:19 | 0:03:21 | |
Hello? | 0:03:26 | 0:03:27 | |
Freddie? | 0:03:27 | 0:03:30 | |
MUSIC STOPS | 0:03:30 | 0:03:31 | |
Mel! | 0:03:31 | 0:03:33 | |
What's going on? | 0:03:35 | 0:03:36 | |
Someone locked me in there. | 0:03:36 | 0:03:38 | |
You should have said in your text. | 0:03:38 | 0:03:40 | |
I didn't text you. | 0:03:40 | 0:03:42 | |
But... | 0:03:42 | 0:03:43 | |
You're hurt? | 0:03:43 | 0:03:46 | |
I fell over when they shoved me in there. | 0:03:46 | 0:03:48 | |
My poor love. Why would anyone do such a thing? | 0:03:48 | 0:03:52 | |
Where are the civilians? | 0:03:52 | 0:03:53 | |
What is happening? | 0:03:56 | 0:03:58 | |
It's a car. | 0:03:58 | 0:04:00 | |
Do you want us to get in? | 0:04:00 | 0:04:01 | |
We're going on a road trip. | 0:04:03 | 0:04:04 | |
Why are they moving us? | 0:04:04 | 0:04:05 | |
I expect he wants it to be a surprise. | 0:04:05 | 0:04:08 | |
Valerie... | 0:04:08 | 0:04:11 | |
Carpe diem. | 0:04:11 | 0:04:12 | |
DISEMBODIED VOICE: Welcome, honoured guests. | 0:04:18 | 0:04:20 | |
You are about to embark on a life-changing artistic journey. | 0:04:20 | 0:04:24 | |
Please fasten your seatbelts. | 0:04:25 | 0:04:27 | |
They can't have gone far. | 0:04:27 | 0:04:28 | |
That wasn't here before. | 0:04:30 | 0:04:31 | |
VALERIE: Cooee. Anybody there? | 0:04:31 | 0:04:34 | |
SID: Can we take these off now? | 0:04:37 | 0:04:39 | |
There must be a light switch around here somewhere. | 0:04:39 | 0:04:42 | |
Try by the door. What door? | 0:04:42 | 0:04:44 | |
DISEMBODIED VOICE: Turn it off. | 0:04:44 | 0:04:47 | |
We can't see anything. | 0:04:47 | 0:04:49 | |
Turn it off. I will reward you. | 0:04:49 | 0:04:51 | |
?100. | 0:04:52 | 0:04:54 | |
Turn it off. | 0:04:54 | 0:04:56 | |
Go on, let's see what happens. | 0:04:56 | 0:04:58 | |
It's all right. It's just a model. | 0:05:03 | 0:05:06 | |
You may take your ?100 reward. | 0:05:08 | 0:05:10 | |
It looks real. | 0:05:14 | 0:05:16 | |
It is real, and there's plenty more where that came from. | 0:05:16 | 0:05:20 | |
How much more? | 0:05:20 | 0:05:21 | |
?5,000. | 0:05:21 | 0:05:23 | |
Would you like to play for ?5,000 to share between you? | 0:05:25 | 0:05:28 | |
Yes! I haven't finished. | 0:05:28 | 0:05:30 | |
You can win the ?5,000 by following my instructions, | 0:05:32 | 0:05:36 | |
or you can donate the money to charity, | 0:05:36 | 0:05:38 | |
right now and return to your starting point. | 0:05:38 | 0:05:42 | |
Play or donate. | 0:05:42 | 0:05:43 | |
You have ten seconds to give me your answer. | 0:05:45 | 0:05:48 | |
Play. | 0:05:48 | 0:05:49 | |
I don't believe this. | 0:05:53 | 0:05:54 | |
Calm down. Calm down! They've hijacked my participants. | 0:05:54 | 0:05:57 | |
Well, shouting at me isn't going to bring them back. | 0:05:57 | 0:06:00 | |
I'm not shouting at you. | 0:06:00 | 0:06:02 | |
This is a direct challenge, a provocation. | 0:06:02 | 0:06:05 | |
We need to find them. | 0:06:05 | 0:06:07 | |
Of course we do. Come on, let's get security involved. | 0:06:07 | 0:06:11 | |
Freddie - I'd rather not get anyone else involved, not in an official capacity. | 0:06:11 | 0:06:16 | |
Do you have any idea how difficult it was to get this project approved? | 0:06:16 | 0:06:20 | |
There are people on the arts committee | 0:06:20 | 0:06:21 | |
just waiting to stab me in the back. | 0:06:21 | 0:06:23 | |
So what do you suggest? | 0:06:23 | 0:06:24 | |
They can't have gone far. | 0:06:24 | 0:06:26 | |
We keep a low profile, track them down ourselves. | 0:06:26 | 0:06:29 | |
Valerie, what have you done with the QOF paperwork? | 0:06:33 | 0:06:37 | |
Hello. Sorry, I can't take your call today. | 0:06:37 | 0:06:40 | |
I'm otherwise engaged creating a work of art - | 0:06:40 | 0:06:42 | |
it's my prize for winning a prestigious competition. | 0:06:42 | 0:06:45 | |
Further details can be found at letherbridge.gov.uk/... | 0:06:45 | 0:06:48 | |
Great. | 0:06:48 | 0:06:49 | |
Hello, yes, may I speak to Melanie Haslam, please. It's urgent. | 0:07:07 | 0:07:11 | |
Well, can I leave a message? | 0:07:14 | 0:07:16 | |
VALERIE: I love a rococo frame. | 0:07:16 | 0:07:19 | |
Valerie. Sid. | 0:07:19 | 0:07:22 | |
Are you ready to begin? | 0:07:22 | 0:07:24 | |
Yes. We're ready, ready for anything. | 0:07:24 | 0:07:28 | |
Suppose so. | 0:07:28 | 0:07:29 | |
You must create a thing of beauty from the objects in this room. | 0:07:29 | 0:07:32 | |
If you are successful then you will proceed on your journey | 0:07:32 | 0:07:35 | |
towards the prize. | 0:07:35 | 0:07:38 | |
It's a load of old tat. | 0:07:38 | 0:07:39 | |
A true artist can work with any materials. | 0:07:39 | 0:07:43 | |
How long have we got? | 0:07:43 | 0:07:45 | |
As long as you need. | 0:07:45 | 0:07:46 | |
But there are conditions - | 0:07:46 | 0:07:49 | |
only one of you can make the art, | 0:07:49 | 0:07:51 | |
and once that person starts, | 0:07:51 | 0:07:52 | |
you cannot change your mind or help each other. | 0:07:52 | 0:07:55 | |
Choose carefully. | 0:07:55 | 0:07:57 | |
I'll do it. | 0:07:57 | 0:07:59 | |
Shouldn't we discuss this? | 0:07:59 | 0:08:00 | |
Why? | 0:08:00 | 0:08:02 | |
There's a lot of money at stake. Surely the best person | 0:08:02 | 0:08:04 | |
for the job should do the task? | 0:08:04 | 0:08:06 | |
Well, that's me, obviously. | 0:08:06 | 0:08:07 | |
I have already won an art competition with my slogan. | 0:08:07 | 0:08:10 | |
Yes, but that was more theory, this is practice. | 0:08:10 | 0:08:12 | |
And what exactly do you bring to the party? | 0:08:12 | 0:08:17 | |
I did an evening class once. | 0:08:17 | 0:08:19 | |
The tutor said I had a good eye. | 0:08:19 | 0:08:22 | |
Excuse me. | 0:08:22 | 0:08:23 | |
Who gets to decide whether the artwork is a thing of beauty? | 0:08:23 | 0:08:27 | |
I do. | 0:08:27 | 0:08:28 | |
Not your tutor. | 0:08:29 | 0:08:30 | |
Do you even recognise the room? | 0:08:33 | 0:08:35 | |
Tell Dr Carmichael whatever you like! | 0:08:35 | 0:08:38 | |
One of Valerie's colleagues is having some sort of crisis. | 0:08:38 | 0:08:40 | |
She wants her to ring the Campus Surgery, urgently. | 0:08:40 | 0:08:44 | |
So you really don't know what my leaving present is? | 0:08:50 | 0:08:52 | |
No. | 0:08:52 | 0:08:54 | |
You just don't want to spoil the surprise. | 0:08:54 | 0:08:57 | |
Thanks Karen, I've got it now. | 0:08:57 | 0:09:00 | |
At least someone knows what they're doing. Bye. | 0:09:00 | 0:09:04 | |
And we're done here. | 0:09:04 | 0:09:07 | |
You have completed your thing of beauty. Is that correct? | 0:09:07 | 0:09:10 | |
Correct. | 0:09:10 | 0:09:11 | |
Valerie, please explain your concept. | 0:09:12 | 0:09:15 | |
Explain my concept? Yes. | 0:09:17 | 0:09:20 | |
Please. What makes your creation a thing of beauty? | 0:09:20 | 0:09:24 | |
What aspect of beauty does it represent? | 0:09:24 | 0:09:27 | |
Well, it... | 0:09:29 | 0:09:34 | |
it's a waterfall. | 0:09:34 | 0:09:37 | |
It's a beautiful waterfall gushing over a precipice | 0:09:38 | 0:09:41 | |
into a beautiful rock pool. | 0:09:41 | 0:09:43 | |
A waterfall? | 0:09:43 | 0:09:45 | |
A beautiful, gushing waterfall. | 0:09:45 | 0:09:47 | |
Congratulations, Valerie, you have created a thing of beauty. | 0:09:48 | 0:09:51 | |
Valerie and Sid, you may now pass through the door, | 0:09:53 | 0:09:57 | |
where your next task awaits you. | 0:09:57 | 0:10:00 | |
This is just like Big Brother. | 0:10:00 | 0:10:02 | |
Valerie and Sid, to proceed to the ?5,000, | 0:10:16 | 0:10:22 | |
you must sort the buttons by colour into the jars. | 0:10:22 | 0:10:27 | |
You can do this one. | 0:10:27 | 0:10:28 | |
That's very generous of you. | 0:10:28 | 0:10:30 | |
No, not really. It's a bit dull, like filing. | 0:10:30 | 0:10:34 | |
He didn't say that we couldn't both do this one. | 0:10:37 | 0:10:41 | |
Um, excuse me, can we both do this task? | 0:10:41 | 0:10:44 | |
I bet this is a wind-up. | 0:10:51 | 0:10:53 | |
The sooner you get started, the sooner you'll finish. | 0:10:53 | 0:10:55 | |
Do you really think the council's going to give us ?5,000 for sorting a few buttons? | 0:10:55 | 0:10:58 | |
Well, they gave us ?100 for switching the light out. | 0:10:58 | 0:11:02 | |
Of course there's no ?5,000, of course it's a wind-up. | 0:11:03 | 0:11:08 | |
?5,000. That's the same as your grant. | 0:11:08 | 0:11:11 | |
That's not a coincidence. | 0:11:11 | 0:11:13 | |
And your point is? | 0:11:13 | 0:11:14 | |
I've funded several of your projects. | 0:11:14 | 0:11:16 | |
So what? People talk. | 0:11:16 | 0:11:19 | |
Perhaps I should have gone for someone else on this one. | 0:11:19 | 0:11:21 | |
I'm the best, and you know it. | 0:11:21 | 0:11:23 | |
Whoever's done this is sending us a message. | 0:11:23 | 0:11:25 | |
Why didn't they just e-mail us? | 0:11:25 | 0:11:27 | |
It really reminds me of something. | 0:11:27 | 0:11:28 | |
I haven't got time to ponder imponderables. | 0:11:28 | 0:11:31 | |
We have to find them or seek replacements. | 0:11:31 | 0:11:33 | |
It's too late for that - the publicity's all about Valerie. | 0:11:33 | 0:11:35 | |
PHONE RINGS | 0:11:35 | 0:11:39 | |
Sue. You have? | 0:11:39 | 0:11:42 | |
OK. | 0:11:42 | 0:11:43 | |
She's checked the CCTV. | 0:11:43 | 0:11:45 | |
They've left the building. | 0:11:45 | 0:11:47 | |
Valerie, is turquoise green or blue? | 0:11:56 | 0:12:00 | |
Valerie, green or blue? | 0:12:02 | 0:12:04 | |
VALERIE SNORES | 0:12:04 | 0:12:05 | |
He's probably dismembering their bodies with a chainsaw as we speak. | 0:12:14 | 0:12:17 | |
It's Valerie, snoring. | 0:12:17 | 0:12:19 | |
That woman is bone idle. | 0:12:19 | 0:12:20 | |
Not to mention full of herself. | 0:12:20 | 0:12:22 | |
She actually believed that pile of junk was art. | 0:12:22 | 0:12:24 | |
It's pride, and sloth. The first room with the banker and the cash, | 0:12:24 | 0:12:28 | |
that was greed. | 0:12:28 | 0:12:29 | |
It's the seven deadly sins. | 0:12:29 | 0:12:30 | |
How original. The seven deadly sins. | 0:12:30 | 0:12:34 | |
I knew the concept seemed familiar - | 0:12:34 | 0:12:36 | |
we had a funding application, it was really creative. | 0:12:36 | 0:12:38 | |
If it was so great why didn't you give the money to them? | 0:12:38 | 0:12:41 | |
Because the artist wasn't you. | 0:12:41 | 0:12:43 | |
Thanks for the endorsement(!) | 0:12:43 | 0:12:46 | |
If the artist applied for a grant you'll still have the details. | 0:12:46 | 0:12:50 | |
Congratulations. | 0:12:53 | 0:12:54 | |
You have successfully completed the task. | 0:12:56 | 0:12:59 | |
I'm starving. | 0:13:06 | 0:13:08 | |
Step away from the buffet. | 0:13:09 | 0:13:11 | |
No-one eats until I have outlined the conditions. | 0:13:13 | 0:13:16 | |
Conditions? | 0:13:16 | 0:13:17 | |
Only one of you may partake in the refreshments. | 0:13:17 | 0:13:20 | |
What? | 0:13:20 | 0:13:21 | |
If you wish to play for the ?5,000, only one of you can eat. | 0:13:21 | 0:13:25 | |
Who? | 0:13:25 | 0:13:26 | |
It is up to you to decide. | 0:13:26 | 0:13:28 | |
The chosen person can indulge in as much as they want, | 0:13:28 | 0:13:31 | |
but if a morsel touches the other's lips, your quest ends here. | 0:13:31 | 0:13:35 | |
Look, I think I should eat. | 0:13:38 | 0:13:40 | |
I am recovering from cancer. | 0:13:40 | 0:13:41 | |
It's quite important my nutritional needs are met. | 0:13:41 | 0:13:44 | |
Also, you're always skipping lunch at work. | 0:13:44 | 0:13:46 | |
Only when I'm busy. | 0:13:46 | 0:13:48 | |
I didn't have any breakfast. | 0:13:48 | 0:13:50 | |
You should always have breakfast. | 0:13:50 | 0:13:52 | |
That's the most important meal of the day. | 0:13:52 | 0:13:53 | |
So you did eat this morning? | 0:13:53 | 0:13:56 | |
Like I say, it's quite important that I eat regularly. | 0:13:56 | 0:14:00 | |
It doesn't matter what I say does it? | 0:14:00 | 0:14:02 | |
Thanks for understanding. | 0:14:02 | 0:14:04 | |
You do know that you've made every single decision so far. | 0:14:04 | 0:14:06 | |
I don't see what the problem is. | 0:14:06 | 0:14:08 | |
This is my prize - you are my plus one. | 0:14:08 | 0:14:11 | |
Why did you even ask me? | 0:14:11 | 0:14:13 | |
The rules said I had to bring someone of the opposite sex, | 0:14:13 | 0:14:15 | |
which disqualified my closest friends. | 0:14:15 | 0:14:18 | |
You were my top man. | 0:14:18 | 0:14:20 | |
Look, cheesy twists. | 0:14:21 | 0:14:23 | |
Tell you what - you can make the next decision. | 0:14:25 | 0:14:29 | |
Thanks. | 0:14:29 | 0:14:30 | |
Don't tell me it's not there! | 0:14:34 | 0:14:36 | |
Half the day's gone and I haven't even started. | 0:14:36 | 0:14:38 | |
Maybe the application was for last year's scheme. | 0:14:38 | 0:14:40 | |
Do you have to be so melodramatic? | 0:14:40 | 0:14:42 | |
My reputation's on the line here. | 0:14:42 | 0:14:44 | |
You've got a journalist coming in a couple of hours. What kind of story | 0:14:44 | 0:14:47 | |
are they going to write based on today's shambles, eh? | 0:14:47 | 0:14:49 | |
I'll be back in five minutes. Where are you going? | 0:14:49 | 0:14:52 | |
To the archives. Try and hold it together. | 0:14:52 | 0:14:55 | |
Find out who's doing this to me. | 0:14:55 | 0:14:57 | |
MUSIC: Just Can't Get Enough by Depeche Mode | 0:14:59 | 0:15:01 | |
Aren't you done yet? | 0:15:01 | 0:15:02 | |
I think I can manage another one of these. | 0:15:02 | 0:15:04 | |
Really? You've already had five tartlets and four of the vine leaves, | 0:15:04 | 0:15:08 | |
half a dozen cheesy twists and shedloads of olives. | 0:15:08 | 0:15:12 | |
Can you not tell him you're finished so we can carry on with the stupid game? | 0:15:12 | 0:15:15 | |
You're probably right. | 0:15:15 | 0:15:16 | |
Six savoury tartlets probably is excessive. | 0:15:16 | 0:15:19 | |
I need to save room for dessert. | 0:15:19 | 0:15:21 | |
Ooh, profiteroles. | 0:15:21 | 0:15:24 | |
I'm a big fan of profiteroles. | 0:15:24 | 0:15:26 | |
You don't have to try everything. | 0:15:27 | 0:15:29 | |
Oh, but I do. | 0:15:29 | 0:15:31 | |
You do know gluttony's a sin? | 0:15:31 | 0:15:32 | |
I'm not religious. | 0:15:32 | 0:15:33 | |
Very attractive. | 0:15:44 | 0:15:45 | |
I think I've had enough. | 0:15:57 | 0:15:59 | |
You can say that again. | 0:16:01 | 0:16:02 | |
I thought you'd finished. | 0:16:06 | 0:16:08 | |
This is for later. | 0:16:08 | 0:16:09 | |
Thank you very much for lunch. | 0:16:12 | 0:16:14 | |
We are ready to continue. | 0:16:14 | 0:16:16 | |
Valerie. | 0:16:16 | 0:16:18 | |
Sid. | 0:16:18 | 0:16:20 | |
Your next task is... | 0:16:20 | 0:16:21 | |
..a shopping trip to spend the ?100 you won earlier. | 0:16:23 | 0:16:27 | |
Yes! | 0:16:27 | 0:16:28 | |
You must now decide which one of you goes shopping. | 0:16:28 | 0:16:32 | |
Which one? | 0:16:32 | 0:16:33 | |
The one who is going shopping must take the key from the wall | 0:16:33 | 0:16:36 | |
and exit through the door marked X. | 0:16:36 | 0:16:39 | |
They must proceed to the craft shop and cafe adjacent to this | 0:16:39 | 0:16:42 | |
building and spend ?100 on the item or items | 0:16:42 | 0:16:46 | |
of their choice before returning here. | 0:16:46 | 0:16:48 | |
And the other one? | 0:16:48 | 0:16:50 | |
The person who is not going shopping must go through the door marked Y... | 0:16:50 | 0:16:54 | |
and wait. | 0:16:54 | 0:16:55 | |
Wait for what? Wait for further instructions. | 0:16:55 | 0:16:58 | |
Come on then, we agreed. | 0:16:59 | 0:17:02 | |
Yeah, I know we did agree, but maybe it would be better to split | 0:17:02 | 0:17:05 | |
the money just in case the ?5,000 doesn't work out. | 0:17:05 | 0:17:07 | |
50-50. That's only fair. | 0:17:07 | 0:17:09 | |
No, he said spend all of it. | 0:17:09 | 0:17:12 | |
Maybe I could make you a list. | 0:17:12 | 0:17:13 | |
Have you got a pen? | 0:17:13 | 0:17:14 | |
What I buy has to be my choice, he said. | 0:17:14 | 0:17:18 | |
Excuse me? Could you clarify the position? | 0:17:18 | 0:17:21 | |
Better not risk it, not with five grand at stake. Come on. | 0:17:21 | 0:17:26 | |
CLATTERING AND YELLING | 0:17:39 | 0:17:42 | |
Valerie, please don't kick the bucket. | 0:17:42 | 0:17:44 | |
You are toying with me. | 0:17:44 | 0:17:48 | |
This isn't art, it's cruelty. | 0:17:48 | 0:17:51 | |
You seemed happy enough earlier on - | 0:17:52 | 0:17:54 | |
why the change of heart? | 0:17:54 | 0:17:56 | |
It's my prize and Sid's spending it. | 0:17:56 | 0:17:59 | |
You're envious of him. | 0:18:00 | 0:18:01 | |
Can I go now? | 0:18:03 | 0:18:05 | |
You are free to leave at any time. | 0:18:05 | 0:18:07 | |
But if you want to win the ?5,000, you must stay where you are. | 0:18:07 | 0:18:11 | |
How do I know you're not lying? | 0:18:11 | 0:18:14 | |
You don't know, Valerie. | 0:18:14 | 0:18:16 | |
Five minutes you said. More like 45. | 0:18:20 | 0:18:23 | |
It's A Sin - an immersive art installation by Lewis Connor. | 0:18:23 | 0:18:27 | |
Never heard of him. He's obviously a nobody. | 0:18:27 | 0:18:30 | |
I know everyone on the Midlands art circuit. | 0:18:30 | 0:18:33 | |
What an amateur, | 0:18:33 | 0:18:34 | |
he actually believes this derivative excrement is worthy of funding. | 0:18:34 | 0:18:39 | |
Because your pretentious drivel is so much better. | 0:18:39 | 0:18:42 | |
He rents space on Crofton Street. | 0:18:44 | 0:18:47 | |
Come on. | 0:18:47 | 0:18:48 | |
Did you just call my art pretentious drivel? | 0:18:50 | 0:18:52 | |
Valerie. | 0:18:55 | 0:18:56 | |
On the shelf in front of you is a blindfold. | 0:18:58 | 0:19:00 | |
Could you put it on, please. | 0:19:02 | 0:19:04 | |
MUSIC: Let's Get It On by Marvin Gaye | 0:19:19 | 0:19:22 | |
You can take your blindfold off now, Valerie. | 0:19:24 | 0:19:29 | |
So, Valerie... | 0:19:39 | 0:19:41 | |
May I call you Valerie? | 0:19:43 | 0:19:45 | |
You may. | 0:19:45 | 0:19:47 | |
Are you enjoying your day? | 0:19:47 | 0:19:49 | |
Good. | 0:19:49 | 0:19:50 | |
I'd like to get to know you better. | 0:19:52 | 0:19:54 | |
Would you? | 0:19:54 | 0:19:55 | |
Would you like to sit down? | 0:19:55 | 0:19:57 | |
So, tell me about yourself. | 0:20:04 | 0:20:08 | |
What do you want to know? | 0:20:08 | 0:20:10 | |
Everything, Valerie. | 0:20:10 | 0:20:13 | |
Everything. | 0:20:13 | 0:20:14 | |
Well, I'm not in a relationship. | 0:20:16 | 0:20:18 | |
I'm sorry. It's not you, it's the Lycra. | 0:20:20 | 0:20:23 | |
Would you mind? | 0:20:26 | 0:20:27 | |
We're here. | 0:20:53 | 0:20:54 | |
She's... | 0:21:06 | 0:21:08 | |
I don't believe it. | 0:21:08 | 0:21:09 | |
He's... | 0:21:09 | 0:21:11 | |
Hot? Half naked? | 0:21:11 | 0:21:13 | |
He's seducing her. | 0:21:13 | 0:21:15 | |
He's seducing my subject! | 0:21:15 | 0:21:17 | |
He can seduce me any day of the week. | 0:21:17 | 0:21:19 | |
You really are in very good shape. | 0:21:37 | 0:21:39 | |
Thank you, Valerie. | 0:21:39 | 0:21:40 | |
You have beautiful auricles. | 0:21:43 | 0:21:45 | |
Do I? | 0:21:46 | 0:21:47 | |
Did you know the earlobe has tens of thousands of nerve endings? | 0:21:47 | 0:21:52 | |
Which makes them very sensitive. | 0:21:53 | 0:21:56 | |
Get away from her. | 0:21:58 | 0:22:00 | |
Sid, it's fine. | 0:22:00 | 0:22:01 | |
I know what you're up to. He's trying to seduce you. | 0:22:01 | 0:22:03 | |
Well, I am over 21. Just. | 0:22:03 | 0:22:06 | |
He doesn't fancy you, Valerie - it's for the installation. | 0:22:06 | 0:22:10 | |
Sorry, you've lost me. We are the art. | 0:22:10 | 0:22:12 | |
They're trying to make us commit the seven deadly sins. | 0:22:12 | 0:22:15 | |
What are you feeling right now? | 0:22:15 | 0:22:17 | |
Confused. | 0:22:17 | 0:22:18 | |
Before confused, before I came into the room - lust? | 0:22:18 | 0:22:21 | |
I don't think that's any of your business, actually. | 0:22:21 | 0:22:23 | |
The first room - that was greed. | 0:22:23 | 0:22:25 | |
We could have donated that ?5,000 to charity, and we didn't. | 0:22:25 | 0:22:28 | |
The second room - you insisted you'd be better than | 0:22:28 | 0:22:30 | |
at creating that artwork than me - pride. | 0:22:30 | 0:22:33 | |
The third room - sloth. You made me sort the buttons on my own. | 0:22:33 | 0:22:35 | |
Fourth room - gluttony. | 0:22:35 | 0:22:37 | |
No! | 0:22:37 | 0:22:38 | |
If you weren't so self-obsessed, you'd have seen it for yourself. | 0:22:38 | 0:22:41 | |
It's not true. Is it? | 0:22:41 | 0:22:43 | |
How long have you known? | 0:22:45 | 0:22:47 | |
Not long. | 0:22:47 | 0:22:48 | |
Since before you went shopping? | 0:22:48 | 0:22:50 | |
Sid, how could you? | 0:22:51 | 0:22:53 | |
This is what he wants - wrath! | 0:22:54 | 0:22:56 | |
And you, you monster! | 0:22:56 | 0:22:59 | |
I'm not a puppet to be manipulated. | 0:22:59 | 0:23:02 | |
This has nothing to do with Freddie. | 0:23:02 | 0:23:04 | |
He kidnapped you. | 0:23:04 | 0:23:06 | |
He's an impostor. | 0:23:06 | 0:23:08 | |
We are so sorry for what you've been through. | 0:23:08 | 0:23:09 | |
You have no idea. Yes, we do. | 0:23:09 | 0:23:13 | |
PHONE RINGS | 0:23:13 | 0:23:15 | |
I'm busy. | 0:23:19 | 0:23:21 | |
Is this your idea of fun, is it? | 0:23:23 | 0:23:25 | |
Not fun, art. | 0:23:25 | 0:23:28 | |
Taunting me, humiliating me, making me look like a vain, | 0:23:28 | 0:23:34 | |
grasping harpy with low morals. | 0:23:34 | 0:23:36 | |
You are despicable! | 0:23:36 | 0:23:38 | |
Don't be upset, Valerie. | 0:23:38 | 0:23:40 | |
It's time for you to claim your prize. | 0:23:40 | 0:23:43 | |
There really is ?5,000? | 0:23:43 | 0:23:45 | |
He's not going to give you five grand. | 0:23:45 | 0:23:47 | |
I'm not. | 0:23:47 | 0:23:48 | |
You are. | 0:23:48 | 0:23:49 | |
The grant he received for today's community art project. | 0:23:49 | 0:23:51 | |
There is no prize. | 0:23:51 | 0:23:53 | |
Freddie's had a lot of public funding from Melanie | 0:23:53 | 0:23:56 | |
over the last couple of years. | 0:23:56 | 0:23:58 | |
This is strictly against the rules because they | 0:23:58 | 0:24:00 | |
are in a relationship which they haven't declared. | 0:24:00 | 0:24:02 | |
Who told you that? | 0:24:02 | 0:24:04 | |
If this information became common knowledge, | 0:24:04 | 0:24:07 | |
Melanie would probably lose her job. | 0:24:07 | 0:24:09 | |
Sorry, what's this got to do with us? | 0:24:09 | 0:24:12 | |
I have no doubt our fraudulent friends will gladly give you | 0:24:12 | 0:24:15 | |
the cash in return for your... | 0:24:15 | 0:24:18 | |
discretion. | 0:24:18 | 0:24:19 | |
Isn't that blackmail? | 0:24:19 | 0:24:20 | |
Absolutely. | 0:24:20 | 0:24:23 | |
I'm afraid there's been a big misunderstanding - | 0:24:23 | 0:24:25 | |
the ?5,000 was always going to go to Valerie at the end of today. | 0:24:25 | 0:24:29 | |
Freddie volunteered his time and expert guidance free of charge. | 0:24:29 | 0:24:34 | |
She's just saying that cos they're in trouble? | 0:24:34 | 0:24:36 | |
Yeah. Yeah. | 0:24:36 | 0:24:38 | |
Sorry, I couldn't possibly accept the money, | 0:24:38 | 0:24:41 | |
I wouldn't feel comfortable. | 0:24:41 | 0:24:43 | |
I'm about to start working in the charitable sector. | 0:24:43 | 0:24:45 | |
PHONE RINGS | 0:24:45 | 0:24:47 | |
Mr Hanbury. | 0:24:49 | 0:24:50 | |
What? Yes, sir, right away. | 0:24:51 | 0:24:54 | |
Hanbury. What's that miserable old git want? | 0:24:54 | 0:24:55 | |
He's an outstanding Chief Exec. He's a massive pillock. | 0:24:55 | 0:24:58 | |
Freddie, don't say another word. What's wrong with you? You can't stand him. | 0:24:58 | 0:25:01 | |
We're streaming live to the web! | 0:25:01 | 0:25:03 | |
Sir, I have the utmost respect for you and all of the work | 0:25:08 | 0:25:13 | |
you put into running the Council. | 0:25:13 | 0:25:15 | |
I will cooperate fully with any enquiry | 0:25:15 | 0:25:18 | |
into the misappropriation of public funds. | 0:25:18 | 0:25:21 | |
Mr Templar will return the money. | 0:25:21 | 0:25:23 | |
I won those commissions fair and square. | 0:25:23 | 0:25:26 | |
Shut up, you idiot! | 0:25:26 | 0:25:27 | |
Melanie! | 0:25:28 | 0:25:30 | |
Looks like Melanie and Freddie intend to resolve | 0:25:32 | 0:25:35 | |
their personal and artistic differences in private. | 0:25:35 | 0:25:38 | |
Well, that concludes It's A Sin - my interactive art project | 0:25:38 | 0:25:44 | |
engaging the community through moral and ethical challenges | 0:25:44 | 0:25:47 | |
whilst exposing the corruption at the core of the arts funding. | 0:25:47 | 0:25:51 | |
Sorry, can I say something? | 0:25:51 | 0:25:52 | |
Hello. I'd like to apologise for my sinful behaviour today, | 0:25:54 | 0:25:59 | |
although as far as sins go, I don't see how eating | 0:25:59 | 0:26:01 | |
a plate of hors d'oeuvres is any more deadly than, say, | 0:26:01 | 0:26:04 | |
mugging an old lady for her pension. | 0:26:04 | 0:26:06 | |
Maybe someone from the theological community could look into that. | 0:26:07 | 0:26:12 | |
And finally, I'd like to emphasise that the views expressed | 0:26:12 | 0:26:17 | |
during the making of this art are my own and not those | 0:26:17 | 0:26:21 | |
of my new employer, the Machlachlan Trust. | 0:26:21 | 0:26:25 | |
Thank you for watching. | 0:26:25 | 0:26:26 | |
No, Valerie, thank you. | 0:26:29 | 0:26:31 | |
I'm sorry. I'm sorry. | 0:26:43 | 0:26:45 | |
I said some mean things. | 0:26:45 | 0:26:47 | |
No, I had it coming. I've been very silly, haven't I? | 0:26:47 | 0:26:51 | |
No. I really am self-obsessed. | 0:26:51 | 0:26:54 | |
You didn't commit half as many deadly sins as I did. | 0:26:54 | 0:26:58 | |
And you tried to rescue me when you thought I was in the clutches | 0:26:58 | 0:27:00 | |
of an evil seducer. | 0:27:00 | 0:27:02 | |
I'll always have your back, Valerie. | 0:27:02 | 0:27:05 | |
You're very special, certainly one of a kind. | 0:27:05 | 0:27:09 | |
It's been an honour sharing your prize with you. | 0:27:09 | 0:27:14 | |
I hope you like it - I made it myself with a bit of help | 0:27:14 | 0:27:17 | |
from the artist running the craft shop. | 0:27:17 | 0:27:19 | |
I love it. | 0:27:19 | 0:27:22 | |
I'm really going to miss you, Valerie. | 0:27:22 | 0:27:25 | |
Oh, Sid. | 0:27:25 | 0:27:26 | |
It's not as bad as it looks. There's no structural damage. | 0:27:32 | 0:27:35 | |
It's mainly smoke and water. | 0:27:35 | 0:27:37 | |
I've got twin girls, Summer and August. | 0:27:37 | 0:27:39 | |
No prizes for guessing when they were born. | 0:27:39 | 0:27:41 | |
Get off me! Get your hands off me! | 0:27:41 | 0:27:45 | |
Now that looks sore. | 0:27:45 | 0:27:46 | |
I must say, you've been very discreet about my leaving do. | 0:27:46 | 0:27:49 | |
I didn't know there was a leaving do. | 0:27:49 | 0:27:51 | |
Ha-ha! | 0:27:51 | 0:27:52 | |
Very good. | 0:27:52 | 0:27:54 | |
Get your pills! Side-effects guaranteed. | 0:28:24 | 0:28:27 | |
'I'm a doctor. I believe that many common illnesses | 0:28:27 | 0:28:30 | |
'are best treated without drugs.' | 0:28:30 | 0:28:31 | |
We're just prescribing | 0:28:31 | 0:28:33 | |
more and more pills. | 0:28:33 | 0:28:34 | |
Patients want a quick fix. We need a revolution. | 0:28:34 | 0:28:37 |