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-Hm. You're on page six. -Really? -Yeah. | 0:00:32 | 0:00:35 | |
"Prime Minister chairs COBRA meetings on the environment." | 0:00:35 | 0:00:38 | |
-So not me, exactly. -But you're implied. | 0:00:38 | 0:00:41 | |
Along with 20 or so other people. | 0:00:41 | 0:00:43 | |
-I do miss the lunches. -I can tell. | 0:00:48 | 0:00:50 | |
I've gone down a belt size. | 0:00:50 | 0:00:52 | |
I think if I hadn't hit that tree, a buffet would have got me instead. | 0:00:52 | 0:00:56 | |
So, what's in the diary today? | 0:00:57 | 0:01:00 | |
Spot of gardening, if the weather holds. | 0:01:02 | 0:01:04 | |
The library book needs taking back. | 0:01:04 | 0:01:06 | |
-Pace yourself(!) -I will. | 0:01:06 | 0:01:09 | |
You know who I saw in the office? Brian Mayflower. | 0:01:11 | 0:01:14 | |
-Who? -We were at his retirement do. | 0:01:16 | 0:01:19 | |
He's a consultant now. | 0:01:19 | 0:01:20 | |
-Good for him. -Gets paid twice as much. | 0:01:22 | 0:01:24 | |
You know, I bet if you wanted to come back, | 0:01:26 | 0:01:29 | |
they'd bite your hand off. | 0:01:29 | 0:01:30 | |
-Who? -The Harlem Globetrotters. Who do you think(?) | 0:01:30 | 0:01:33 | |
-I'm fine. -Are you? | 0:01:36 | 0:01:39 | |
Let's talk later, eh? Mm. | 0:01:43 | 0:01:45 | |
-Do you fancy the Icon at lunchtime? -Mm. Why not? | 0:01:48 | 0:01:51 | |
-Is that a new suit, Jimmi? -Well, actually... | 0:01:53 | 0:01:56 | |
I bet it looked really good on the hanger. | 0:01:56 | 0:01:58 | |
-What? -I can see why you bought it. | 0:01:58 | 0:02:01 | |
-Is it second-hand? -You think it looks second-hand? | 0:02:01 | 0:02:04 | |
-I think she means vintage. -That's it. Hm! | 0:02:04 | 0:02:06 | |
Yeah, I think you're very brave. | 0:02:06 | 0:02:08 | |
Not everyone could carry off that look. | 0:02:08 | 0:02:10 | |
Right. | 0:02:10 | 0:02:12 | |
-I think it really suits you, Jimmi. -Thanks. | 0:02:12 | 0:02:15 | |
-What was that about? -Well, I've been single for a while. | 0:02:18 | 0:02:21 | |
And you're taking it out on Jimmi because...? | 0:02:21 | 0:02:23 | |
-I was negging him. -OK, now you're just making up words. | 0:02:23 | 0:02:26 | |
It's when you give someone a backhanded compliment so they'll be attracted to you. | 0:02:26 | 0:02:30 | |
I think I'm getting quite good at it. | 0:02:30 | 0:02:33 | |
I thought I might try it out at lunchtime. | 0:02:33 | 0:02:35 | |
Do you know what? I have got a lot of paperwork to do. | 0:02:35 | 0:02:39 | |
-I don't know if I can make the Icon. -Oh, come on, I need a wing woman. | 0:02:39 | 0:02:42 | |
It's all right for you, you've got a boyfriend. | 0:02:42 | 0:02:44 | |
What about us sad, lonely singletons? | 0:02:44 | 0:02:46 | |
-Sorry I'm late. -Actually, you timed it right. I just put my trousers on. | 0:02:57 | 0:03:00 | |
We must be thankful for small mercies. | 0:03:00 | 0:03:02 | |
I nearly bumped into Henrietta. | 0:03:02 | 0:03:04 | |
-Did she see you? -I don't think so. | 0:03:04 | 0:03:06 | |
16 blocks of cheese. | 0:03:10 | 0:03:11 | |
Just cheese? | 0:03:13 | 0:03:14 | |
That's what he took. Cleared them out. | 0:03:14 | 0:03:16 | |
No pickle? | 0:03:18 | 0:03:19 | |
-No. -He must be "crackers". | 0:03:20 | 0:03:22 | |
Manager said he's a big fella. Might have to approach him "Caerphilly". | 0:03:23 | 0:03:27 | |
Oh, yeah, very good. | 0:03:27 | 0:03:28 | |
Did you get a description, or was he wearing a mascarpone? | 0:03:28 | 0:03:31 | |
Huh! They caught him on CCTV. | 0:03:31 | 0:03:35 | |
-Yeah, Ryan Gordon. -You know him? | 0:03:38 | 0:03:40 | |
Yeah. We nicked him a couple of months back trying to sell a bagful of bacon. | 0:03:40 | 0:03:43 | |
But it's not always food. The time before that, I think it was jeans. | 0:03:43 | 0:03:47 | |
He will try and flog anything he can get his grubby little hands on. | 0:03:47 | 0:03:50 | |
So he's definitely got a "Brie-vious", then. | 0:03:50 | 0:03:53 | |
-Brie. You get it? -Oh, dear. | 0:03:53 | 0:03:55 | |
Thank you for helping with Barney. | 0:03:57 | 0:03:59 | |
You thanked me already. | 0:03:59 | 0:04:00 | |
I know. I wanted to thank you again. | 0:04:00 | 0:04:03 | |
And when we've done with Lex Luthor, how about I buy you lunch? | 0:04:03 | 0:04:06 | |
-You don't have to do that. -And yet I am going to do it. | 0:04:06 | 0:04:10 | |
You never know, you might even bump into that nurse you fancy. | 0:04:10 | 0:04:12 | |
-I don't know what you're talking about. -Yeah, right! | 0:04:12 | 0:04:15 | |
Come on, I'm starving. | 0:04:15 | 0:04:16 | |
CLASSICAL MUSIC | 0:04:18 | 0:04:19 | |
So, there we are. | 0:04:22 | 0:04:24 | |
HARRY EXHALES That's good. | 0:04:26 | 0:04:28 | |
It's very good. | 0:04:28 | 0:04:30 | |
The Europeans are so much better at this sort of thing. | 0:04:31 | 0:04:34 | |
Oh, I don't know about that. | 0:04:34 | 0:04:36 | |
Well, there are exceptions. | 0:04:36 | 0:04:38 | |
The Americans can throw money at their orchestras, | 0:04:38 | 0:04:40 | |
but they don't connect with the material the same way we do. | 0:04:40 | 0:04:44 | |
Hm. | 0:04:44 | 0:04:45 | |
-I used to think you didn't like me at all. -I didn't. | 0:04:49 | 0:04:53 | |
-Right. -No, I really didn't. | 0:04:54 | 0:04:56 | |
I thought you were pretentious and loud. | 0:04:56 | 0:04:59 | |
And I used to think you were arrogant and smug. | 0:04:59 | 0:05:02 | |
Amazing what a couple of major health scares can do. | 0:05:03 | 0:05:06 | |
Oh, there's a great new Bernstein symphony I have to play you. | 0:05:06 | 0:05:09 | |
Sounds great. I'll just top up the tea. | 0:05:09 | 0:05:12 | |
There's a big brown fox asleep in the garden. | 0:05:32 | 0:05:34 | |
Oh, are you the gardener? | 0:05:36 | 0:05:37 | |
Paris is beautiful at this time of year. | 0:05:38 | 0:05:42 | |
Yes, it is. | 0:05:42 | 0:05:44 | |
What are you doing in the kitchen? | 0:05:47 | 0:05:50 | |
I am looking for a piano tuner. | 0:05:50 | 0:05:52 | |
I'll...just ask my friend if he knows one. | 0:05:55 | 0:05:59 | |
My library book is overdue. | 0:05:59 | 0:06:02 | |
The pie is a family recipe. | 0:06:04 | 0:06:07 | |
Can you show me the way to the nearest taxidermist? | 0:06:09 | 0:06:13 | |
You seem confused. | 0:06:14 | 0:06:16 | |
This is the right address. Are you Haitch? | 0:06:16 | 0:06:20 | |
-You mean Aitch. -What? | 0:06:20 | 0:06:23 | |
You mean Aitch, not Haitch. | 0:06:23 | 0:06:25 | |
Whatever. Are you him? | 0:06:25 | 0:06:27 | |
Well, I'm Heston, but I don't live here. | 0:06:28 | 0:06:30 | |
Who does? | 0:06:30 | 0:06:32 | |
What's going on? | 0:06:33 | 0:06:35 | |
Barney, Dr Clay's here. | 0:06:47 | 0:06:49 | |
Hi, Barney. Hope it's OK. Karen thought this would be a good time. | 0:06:50 | 0:06:54 | |
Tea drinker? | 0:06:54 | 0:06:56 | |
My mum taught me. Do you want some? | 0:06:56 | 0:06:57 | |
Er...yeah, thanks. | 0:06:57 | 0:06:59 | |
I promise you, it won't be quick. | 0:06:59 | 0:07:01 | |
I've been chatting with your social worker team, we've been trying | 0:07:01 | 0:07:04 | |
to come up with a plan to fast-track your substance-abuse treatment. OK? | 0:07:04 | 0:07:07 | |
-OK. -Doesn't seem that fast to me. | 0:07:07 | 0:07:09 | |
Why didn't they know about it before? | 0:07:09 | 0:07:12 | |
It's not their fault. I'm pretty sneaky when I want to be. | 0:07:12 | 0:07:15 | |
Is that right? | 0:07:15 | 0:07:17 | |
I'm going to have to keep my eye on you. | 0:07:17 | 0:07:20 | |
-THEY CHUCKLE -You can try. | 0:07:20 | 0:07:22 | |
My name is Ivan. | 0:07:22 | 0:07:24 | |
Well, that's not my real name, but it's the name you know me by. | 0:07:24 | 0:07:28 | |
Like I know you only as Haitch. | 0:07:28 | 0:07:32 | |
So, we haven't met? | 0:07:32 | 0:07:33 | |
Never. We leave messages in the usual places. | 0:07:33 | 0:07:37 | |
I think you have the wrong person. | 0:07:37 | 0:07:39 | |
You're a sleeper agent. | 0:07:42 | 0:07:44 | |
I've come to activate you. | 0:07:44 | 0:07:45 | |
You definitely have the wrong person. | 0:07:45 | 0:07:48 | |
Harry and Henrietta Ridgard. | 0:07:48 | 0:07:50 | |
You've lived in this house for nine years. | 0:07:50 | 0:07:52 | |
-Anyone can find that out. -Before that, London. | 0:07:52 | 0:07:54 | |
Before that, Brussels. Before that, New York. | 0:07:54 | 0:07:56 | |
You both work at the Home Office. | 0:07:56 | 0:07:59 | |
Actually, I'm retired. | 0:07:59 | 0:08:01 | |
When did this happen? | 0:08:01 | 0:08:03 | |
You're the spy, you tell me. | 0:08:03 | 0:08:04 | |
It wasn't in your file. | 0:08:04 | 0:08:06 | |
You're supposed to ask permission before you do anything like that. | 0:08:06 | 0:08:10 | |
It must have slipped my mind, what the coma and everything. | 0:08:10 | 0:08:13 | |
Coma? | 0:08:13 | 0:08:14 | |
Ran my car into a tree. | 0:08:14 | 0:08:16 | |
It was touch-and-go for a while. | 0:08:16 | 0:08:18 | |
I should have been told. | 0:08:18 | 0:08:20 | |
-Are you from an insurance company? -No. | 0:08:20 | 0:08:23 | |
Look, whatever you're up to, I'd like you to leave now, please. | 0:08:23 | 0:08:27 | |
I'm not finished. | 0:08:27 | 0:08:28 | |
You heard what he said, and I've called the police. | 0:08:28 | 0:08:30 | |
2:00 in the park, if you want to know the truth. | 0:08:36 | 0:08:40 | |
Are you all right? | 0:08:45 | 0:08:46 | |
I'm fine. How much of that did you hear? | 0:08:46 | 0:08:49 | |
Most of it. What a load of nonsense! | 0:08:49 | 0:08:51 | |
How do you think he knew so much about me? | 0:08:51 | 0:08:53 | |
He's clearly he's up to something, so you should definitely tell the police. | 0:08:53 | 0:08:56 | |
I suppose so. | 0:08:57 | 0:08:59 | |
You're not thinking of meeting him? | 0:08:59 | 0:09:01 | |
Maybe I can find out what his plan is before I call the police. | 0:09:01 | 0:09:04 | |
-I don't think that's a good idea. -I won't give him any money. | 0:09:04 | 0:09:06 | |
This is absurd! If I were you... | 0:09:06 | 0:09:08 | |
Heston, please! | 0:09:08 | 0:09:10 | |
I need to find out what he wants. | 0:09:11 | 0:09:13 | |
BIRDSONG | 0:09:15 | 0:09:17 | |
Thanks for this, Heston. It's good to have someone watching your back. | 0:09:20 | 0:09:23 | |
Not a problem. | 0:09:23 | 0:09:25 | |
I have some experience of staking out. | 0:09:25 | 0:09:29 | |
Really? | 0:09:29 | 0:09:30 | |
The important thing is to blend in and be part of the scenery. | 0:09:30 | 0:09:34 | |
Do you think we need some sort of a secret sign? | 0:09:38 | 0:09:41 | |
It'll be fine. Come on, I think I see him. | 0:09:41 | 0:09:43 | |
I've been thinking about this morning. | 0:09:58 | 0:10:00 | |
-You were testing me, weren't you? -No. | 0:10:01 | 0:10:03 | |
I didn't give you the right password | 0:10:03 | 0:10:06 | |
and that's why you pretended not to know. | 0:10:06 | 0:10:08 | |
I wasn't pretending. | 0:10:08 | 0:10:10 | |
To be honest, it had been so long, I was sure they'd forgotten about me. | 0:10:10 | 0:10:15 | |
How about you say the answer and I give you the question? | 0:10:16 | 0:10:21 | |
Would that satisfy you? | 0:10:21 | 0:10:23 | |
Listen to me, I have no idea what you're talking about. | 0:10:23 | 0:10:27 | |
-Oh, you're good. -Stop it! | 0:10:27 | 0:10:29 | |
Just tell me how you know so much about me. | 0:10:30 | 0:10:32 | |
I told you, I'm your handler. | 0:10:32 | 0:10:35 | |
I don't have a handler. | 0:10:35 | 0:10:37 | |
Not your first one, obviously, but I've read your file. | 0:10:37 | 0:10:40 | |
One of the best sleeper agents the Soviet Union ever had. | 0:10:41 | 0:10:45 | |
What?! OK, now I know you're making this up. | 0:10:45 | 0:10:48 | |
I would never betray my country. | 0:10:48 | 0:10:50 | |
You didn't. | 0:10:51 | 0:10:53 | |
Your real name is Arkady Maksimov. | 0:10:53 | 0:10:57 | |
Mm-hm. | 0:11:01 | 0:11:03 | |
See, I'm not really looking for a relationship. | 0:11:03 | 0:11:06 | |
I'm quite happy being on my own, you know. | 0:11:06 | 0:11:08 | |
Oh. That's a shame. | 0:11:08 | 0:11:10 | |
Why? | 0:11:11 | 0:11:12 | |
Because she's here. | 0:11:12 | 0:11:14 | |
-Oh! -How are you doing? | 0:11:14 | 0:11:16 | |
Can I get you a drink? | 0:11:18 | 0:11:19 | |
Maybe this accident of yours damaged you more than you thought. | 0:11:20 | 0:11:24 | |
No. | 0:11:24 | 0:11:25 | |
Are you sure? | 0:11:25 | 0:11:27 | |
You didn't suffer any memory loss? | 0:11:27 | 0:11:30 | |
A little, but I got it back. | 0:11:30 | 0:11:32 | |
I would remember if I was a spy. | 0:11:32 | 0:11:34 | |
I agree. | 0:11:34 | 0:11:35 | |
You do? | 0:11:35 | 0:11:37 | |
Perhaps this accident was a convenient excuse. | 0:11:37 | 0:11:42 | |
Perhaps you hoped your country had forgotten about you too. | 0:11:42 | 0:11:46 | |
The KGB doesn't even exist any more. more. | 0:11:46 | 0:11:48 | |
The Russian government believes in recycling. | 0:11:48 | 0:11:51 | |
We're all FSB now. | 0:11:51 | 0:11:53 | |
Listen, even if this is true, I'm retired. | 0:11:53 | 0:11:56 | |
I don't work for any government any more. | 0:11:56 | 0:11:58 | |
Who am I going to spy on, my bridge partners? | 0:11:58 | 0:12:00 | |
No. | 0:12:00 | 0:12:02 | |
Your wife. | 0:12:02 | 0:12:03 | |
No. | 0:12:04 | 0:12:06 | |
There's no way I'd spy on Hen. | 0:12:06 | 0:12:08 | |
We know where you live. | 0:12:08 | 0:12:09 | |
We know your friends and family. | 0:12:09 | 0:12:11 | |
We can destroy your wife's career... | 0:12:11 | 0:12:14 | |
or worse. | 0:12:14 | 0:12:15 | |
I'll call the police. | 0:12:15 | 0:12:17 | |
You think they'll believe you? | 0:12:17 | 0:12:19 | |
And if they did, | 0:12:19 | 0:12:21 | |
what is the prison sentence for treason? | 0:12:21 | 0:12:24 | |
I will come for you again. | 0:12:26 | 0:12:28 | |
And this time I expect you to behave. | 0:12:28 | 0:12:31 | |
Oh, and if you still have any doubts, | 0:12:31 | 0:12:36 | |
every spy has an escape kit, | 0:12:36 | 0:12:39 | |
containing everything they need to start a new life. | 0:12:39 | 0:12:43 | |
Somewhere in your perfect house... | 0:12:43 | 0:12:46 | |
the proof is hidden. | 0:12:46 | 0:12:49 | |
Are you all right? | 0:12:59 | 0:13:01 | |
(What did he say?) | 0:13:01 | 0:13:03 | |
I need to go home. | 0:13:03 | 0:13:04 | |
-There you go. -Thanks. | 0:13:10 | 0:13:12 | |
I asked for fresh orange juice, not orange squash. | 0:13:16 | 0:13:19 | |
Sorry. | 0:13:19 | 0:13:21 | |
I think he's used to greasy spoons. | 0:13:21 | 0:13:23 | |
I can tell. | 0:13:23 | 0:13:24 | |
-My lemonade's lovely. Thank you, Tyler. -No worries. | 0:13:24 | 0:13:28 | |
So, how long have you both been working at the Mill? | 0:13:28 | 0:13:31 | |
Too long. | 0:13:31 | 0:13:32 | |
I was actually a temp for ages, but now they've realised | 0:13:32 | 0:13:34 | |
they can't do without me. I'm a receptionist. | 0:13:34 | 0:13:37 | |
Right. So you're trying to steal Karen's job? | 0:13:37 | 0:13:40 | |
Not any more. | 0:13:40 | 0:13:41 | |
Who told you that? | 0:13:41 | 0:13:43 | |
I think he's joking. | 0:13:43 | 0:13:45 | |
Oh, sorry! | 0:13:45 | 0:13:46 | |
So am I. | 0:13:46 | 0:13:48 | |
So you both like working at the Mill? | 0:13:49 | 0:13:51 | |
No comment! | 0:13:51 | 0:13:53 | |
Sorry, yes, I do. | 0:13:53 | 0:13:54 | |
What about you, Ayesha? | 0:13:55 | 0:13:57 | |
Listen, it's lunchtime. | 0:13:57 | 0:13:58 | |
Could we talk about something other than the Mill? | 0:13:58 | 0:14:01 | |
Yeah. | 0:14:01 | 0:14:02 | |
So you both work at Campus as well? | 0:14:05 | 0:14:07 | |
We met a very interesting character today that we picked up. | 0:14:09 | 0:14:14 | |
Right. | 0:14:14 | 0:14:16 | |
He stole 16 blocks of cheese. | 0:14:16 | 0:14:18 | |
He must have been "crackers". | 0:14:18 | 0:14:20 | |
It's good, that one! | 0:14:25 | 0:14:26 | |
Surely you're not still taking him seriously? | 0:14:28 | 0:14:30 | |
I did have amnesia. | 0:14:30 | 0:14:32 | |
I thought I got it all back, but what if I didn't? | 0:14:32 | 0:14:35 | |
I imagine to be a spy you have to bury a part of yourself. | 0:14:36 | 0:14:40 | |
Could I lose that part and not know about it? | 0:14:40 | 0:14:42 | |
Trauma is rarely that tidy. | 0:14:42 | 0:14:45 | |
-But it's not impossible? -It's unlikely. | 0:14:45 | 0:14:46 | |
Will you help me search the house? | 0:14:49 | 0:14:51 | |
I know how it sounds. | 0:14:51 | 0:14:52 | |
And if we don't find anything, you'll let it go? | 0:14:54 | 0:14:57 | |
Hen keeps the place pretty organised. | 0:14:57 | 0:14:59 | |
It shouldn't be too difficult. | 0:14:59 | 0:15:00 | |
Right. | 0:15:00 | 0:15:02 | |
Where do we start? | 0:15:02 | 0:15:03 | |
Mmm. | 0:15:04 | 0:15:06 | |
That was lovely, thank you. I'm going to crack on. | 0:15:06 | 0:15:10 | |
You and Karen seem to get on pretty well. | 0:15:15 | 0:15:17 | |
Yeah, she's all right. | 0:15:17 | 0:15:18 | |
Apart from all that music she listens to from the olden days. | 0:15:18 | 0:15:21 | |
Oh, the 1980s? | 0:15:21 | 0:15:23 | |
That's the stuff. | 0:15:23 | 0:15:24 | |
It's been a long time since I've lived somewhere | 0:15:26 | 0:15:28 | |
as nice as this, though. | 0:15:28 | 0:15:30 | |
Like, never. | 0:15:30 | 0:15:32 | |
Yeah, Karen's a real one-off. | 0:15:32 | 0:15:34 | |
I wish I'd had someone like her looking out for me | 0:15:34 | 0:15:37 | |
when I was your age. | 0:15:37 | 0:15:38 | |
What about your mum and dad? | 0:15:40 | 0:15:42 | |
My mum died and my... | 0:15:42 | 0:15:46 | |
dad didn't deal with it very well. | 0:15:46 | 0:15:48 | |
Right. | 0:15:48 | 0:15:50 | |
He was... | 0:15:50 | 0:15:52 | |
He was an angry man. | 0:15:52 | 0:15:53 | |
His idea of good parenting was to lock me in a cupboard | 0:15:53 | 0:15:55 | |
and leave me there. | 0:15:55 | 0:15:56 | |
Similar to you. | 0:15:57 | 0:15:58 | |
It can take a long time to get past something like that, so... | 0:16:01 | 0:16:05 | |
Yeah. | 0:16:05 | 0:16:06 | |
I used to think he must have really hated me. | 0:16:07 | 0:16:10 | |
But he didn't really think that he was doing anything wrong | 0:16:10 | 0:16:13 | |
and the worst thing was, afterwards, | 0:16:13 | 0:16:16 | |
he didn't really think about it at all. | 0:16:16 | 0:16:19 | |
-You talked to him? -Yeah, yeah. | 0:16:19 | 0:16:21 | |
But I don't think he really understood what he did to me. | 0:16:22 | 0:16:26 | |
The best way you can get past this is to live | 0:16:28 | 0:16:30 | |
a good and meaningful life. | 0:16:30 | 0:16:32 | |
Don't think about the bullies | 0:16:33 | 0:16:35 | |
because they don't think about you the way that you think about them. | 0:16:35 | 0:16:38 | |
The way to take control back is to just live your life anyway. | 0:16:38 | 0:16:42 | |
And you did. | 0:16:43 | 0:16:45 | |
No, you did. | 0:16:46 | 0:16:47 | |
Bad things happened, but you're a doctor now. | 0:16:47 | 0:16:50 | |
I guess. | 0:16:51 | 0:16:53 | |
You look after people, you help people. | 0:16:53 | 0:16:55 | |
You're helping me. | 0:16:55 | 0:16:57 | |
That's a happy ending, isn't it? | 0:16:57 | 0:16:59 | |
It's complicated. | 0:16:59 | 0:17:00 | |
Well, yeah. | 0:17:00 | 0:17:01 | |
But if you can do it, maybe it's not hopeless for me. | 0:17:01 | 0:17:07 | |
It's not hopeless, Barney. | 0:17:07 | 0:17:09 | |
HE SIGHS | 0:17:16 | 0:17:18 | |
So that's that, then. | 0:17:18 | 0:17:19 | |
Nothing. | 0:17:21 | 0:17:23 | |
I think it's best you just move on. | 0:17:23 | 0:17:25 | |
You're right, I suppose. | 0:17:26 | 0:17:28 | |
It's been quite a day. | 0:17:30 | 0:17:32 | |
I've actually rather enjoyed myself. | 0:17:33 | 0:17:35 | |
It's not been dull. | 0:17:35 | 0:17:36 | |
Even if we accept for a minute that he's not delusional, | 0:17:39 | 0:17:43 | |
you have a different life now. | 0:17:43 | 0:17:45 | |
You've got friends and family, a lovely house, a lovely garden. | 0:17:45 | 0:17:50 | |
You don't have to do anything that you don't want to do. | 0:17:50 | 0:17:52 | |
The garden. | 0:17:52 | 0:17:54 | |
We didn't look outside. | 0:17:54 | 0:17:55 | |
Oh. | 0:17:57 | 0:17:58 | |
CLATTERING AND BANGING | 0:18:00 | 0:18:03 | |
Heston! | 0:18:19 | 0:18:20 | |
Heston! | 0:18:21 | 0:18:23 | |
Do you know the combination? | 0:18:24 | 0:18:26 | |
I've never seen it before. | 0:18:26 | 0:18:28 | |
Maybe it's Henrietta's? | 0:18:28 | 0:18:29 | |
She wouldn't come in here. | 0:18:29 | 0:18:31 | |
Damn! | 0:18:31 | 0:18:33 | |
Do you want me to get my stethoscope from the car? | 0:18:33 | 0:18:35 | |
-Then we can listen to the tumblers... -I've got another idea. | 0:18:35 | 0:18:37 | |
..like they do in the movies. | 0:18:37 | 0:18:39 | |
Harry? | 0:18:39 | 0:18:40 | |
Harry? | 0:18:44 | 0:18:45 | |
Harry? | 0:18:49 | 0:18:50 | |
Up here. | 0:18:59 | 0:19:00 | |
No, I wouldn't do that! | 0:19:01 | 0:19:03 | |
Did it work? | 0:19:07 | 0:19:08 | |
Yes. | 0:19:13 | 0:19:14 | |
It's just cheese. | 0:19:14 | 0:19:16 | |
He was a thief and he threatened a cafe owner. | 0:19:16 | 0:19:19 | |
Really? | 0:19:19 | 0:19:21 | |
He threw cheese at her. | 0:19:21 | 0:19:23 | |
Oh, well, then. | 0:19:23 | 0:19:25 | |
It could be worse, I guess. | 0:19:25 | 0:19:27 | |
It could have been hard cheese. | 0:19:27 | 0:19:29 | |
Or cottage cheese, in a tub. | 0:19:29 | 0:19:31 | |
So, Tyler, I think you're very brave. | 0:19:35 | 0:19:38 | |
It's not everyone can pull off a look like that. | 0:19:38 | 0:19:41 | |
It's my uniform. | 0:19:41 | 0:19:43 | |
Valerie, can I have a quick word, please? | 0:19:43 | 0:19:45 | |
-Yes, Rob. -Maybe we should give Tyler and Ayesha a little... | 0:19:45 | 0:19:49 | |
Do you know what I think? | 0:19:49 | 0:19:51 | |
I think if this cheese thief was some middle-class bloke | 0:19:51 | 0:19:55 | |
you wouldn't bother. | 0:19:55 | 0:19:57 | |
-That's not true. -Yeah, it is. | 0:19:57 | 0:19:59 | |
If you can talk proper and dress nice, well, | 0:19:59 | 0:20:01 | |
you get a slap on the wrist. | 0:20:01 | 0:20:02 | |
But some poor lad off the council estate... | 0:20:02 | 0:20:05 | |
That's not how it is. | 0:20:05 | 0:20:06 | |
Don't tell me what it's like. | 0:20:06 | 0:20:08 | |
How would you know? You didn't grow up where I grew up, | 0:20:08 | 0:20:10 | |
having the police coming round all the time, | 0:20:10 | 0:20:12 | |
looking at you like they'd already made up their mind. | 0:20:12 | 0:20:15 | |
-I did. -Sure you did(!) | 0:20:15 | 0:20:16 | |
I did. | 0:20:16 | 0:20:18 | |
I grew up on an estate just like Churchill, so I get it. | 0:20:18 | 0:20:21 | |
You know, there can be prejudice on the force. | 0:20:21 | 0:20:24 | |
I get that, but I don't work like that and neither does Rob, | 0:20:24 | 0:20:26 | |
you know that. | 0:20:26 | 0:20:28 | |
You talking about me? | 0:20:28 | 0:20:29 | |
Wherever you grew up, you're police now | 0:20:29 | 0:20:31 | |
and police stick together. | 0:20:31 | 0:20:33 | |
What on earth? | 0:20:39 | 0:20:41 | |
I'm sure there's a perfectly logical explanation. | 0:20:41 | 0:20:44 | |
Do you miss being a surgeon? | 0:20:50 | 0:20:53 | |
Sometimes. | 0:20:53 | 0:20:54 | |
I think I made the right decision. | 0:20:54 | 0:20:56 | |
I couldn't carry on working like that. | 0:20:56 | 0:20:58 | |
Henrietta's worried that retirement is going to be too boring for me. | 0:20:58 | 0:21:01 | |
You seem happy. | 0:21:01 | 0:21:03 | |
I am. | 0:21:03 | 0:21:04 | |
I don't regret any of my choices, | 0:21:04 | 0:21:06 | |
-except perhaps taking that corner a little too fast. -Yes. | 0:21:06 | 0:21:10 | |
I like my life. | 0:21:10 | 0:21:11 | |
I shall miss it. | 0:21:14 | 0:21:15 | |
What? | 0:21:16 | 0:21:18 | |
I won't risk bringing Hen down as well. | 0:21:18 | 0:21:20 | |
What do you mean? | 0:21:20 | 0:21:21 | |
They can't threaten me if they can't find me. | 0:21:21 | 0:21:23 | |
-Harry, wait. -Sorry, Heston, there isn't time. | 0:21:23 | 0:21:26 | |
We should do this again sometime. | 0:21:31 | 0:21:33 | |
Are you a masochist? | 0:21:33 | 0:21:35 | |
Maybe. | 0:21:35 | 0:21:36 | |
What do you reckon? | 0:21:36 | 0:21:37 | |
About what? | 0:21:37 | 0:21:38 | |
I don't know. I'll take you for a drink, maybe dinner? | 0:21:38 | 0:21:41 | |
I don't think so. | 0:21:41 | 0:21:43 | |
You don't have to decide now, you can think about it. | 0:21:43 | 0:21:45 | |
I'm seeing someone. It's serious. | 0:21:45 | 0:21:48 | |
Oh. | 0:21:48 | 0:21:49 | |
I didn't realise. | 0:21:49 | 0:21:50 | |
What, so we just met and I was supposed to give you | 0:21:50 | 0:21:52 | |
my relationship status? | 0:21:52 | 0:21:53 | |
No. | 0:21:53 | 0:21:55 | |
But I'd quite like to get to know you a bit better. | 0:21:55 | 0:21:58 | |
Finally. | 0:21:58 | 0:21:59 | |
-Bye, then. -Bye, Valerie. | 0:22:00 | 0:22:02 | |
So? | 0:22:06 | 0:22:07 | |
What did the cheese say when it looked in the mirror? | 0:22:07 | 0:22:10 | |
Don't know. | 0:22:10 | 0:22:11 | |
"Hallo-mi". | 0:22:11 | 0:22:12 | |
That's a good one. | 0:22:15 | 0:22:16 | |
The Bernstein symphony I mentioned. | 0:22:16 | 0:22:18 | |
Harry, you are over-reacting. | 0:22:18 | 0:22:19 | |
I have to go before Ivan comes back. | 0:22:19 | 0:22:21 | |
No, wait! | 0:22:21 | 0:22:22 | |
Harry. | 0:22:22 | 0:22:24 | |
You called her. | 0:22:24 | 0:22:25 | |
I had to, things were getting out of hand. | 0:22:25 | 0:22:27 | |
This was all my fault. | 0:22:27 | 0:22:29 | |
You can come in now. | 0:22:29 | 0:22:30 | |
I don't understand. | 0:22:34 | 0:22:36 | |
This is Gareth. | 0:22:36 | 0:22:37 | |
He's an actor. | 0:22:37 | 0:22:39 | |
Hi. | 0:22:39 | 0:22:40 | |
A what? | 0:22:42 | 0:22:44 | |
None of this was real. | 0:22:44 | 0:22:46 | |
It was a game, like a treasure hunt. | 0:22:46 | 0:22:48 | |
An immersive theatrical experience, that's what we like to call it. | 0:22:48 | 0:22:52 | |
I'm sorry, Harry. | 0:22:52 | 0:22:54 | |
It was supposed to be a bit of fun. | 0:22:54 | 0:22:56 | |
Fun? | 0:22:56 | 0:22:57 | |
So what's all this about? | 0:23:03 | 0:23:05 | |
I don't know. | 0:23:05 | 0:23:07 | |
It's the last piece of the puzzle | 0:23:07 | 0:23:09 | |
after you worked out the combination. | 0:23:09 | 0:23:11 | |
I just wanted to stop you getting bored. | 0:23:11 | 0:23:13 | |
But Gareth obviously went off book. | 0:23:13 | 0:23:16 | |
Sorry. The scripts for these things are usually rubbish. | 0:23:16 | 0:23:19 | |
I thought my KGB story gave the game an extra moral dimension. | 0:23:19 | 0:23:24 | |
Usually the audiences love all that. | 0:23:24 | 0:23:27 | |
You threatened his family, | 0:23:27 | 0:23:29 | |
and you do know that he's recovering from a serious accident? | 0:23:29 | 0:23:33 | |
I thought he knew. | 0:23:33 | 0:23:34 | |
I thought he was just a good actor. | 0:23:34 | 0:23:36 | |
And I trained in Paris, so I should know. | 0:23:36 | 0:23:39 | |
Just get out, will you? | 0:23:39 | 0:23:40 | |
-I haven't been paid. -Wait outside! | 0:23:40 | 0:23:43 | |
All this because you thought I was bored? | 0:23:47 | 0:23:50 | |
Aren't you? All this gardening and listening to music, | 0:23:50 | 0:23:53 | |
you're turning into Heston. No offence. | 0:23:53 | 0:23:55 | |
None taken. | 0:23:55 | 0:23:56 | |
That's why I don't tell you when Heston comes over. | 0:23:56 | 0:23:59 | |
This isn't you, Harry. You don't have to pretend. | 0:23:59 | 0:24:01 | |
I love my job. The pressure, the deadlines. | 0:24:01 | 0:24:04 | |
But then I had all that time in hospital to think about what's | 0:24:04 | 0:24:07 | |
important, and when I came out, I just didn't want it any more. | 0:24:07 | 0:24:11 | |
I enjoy having time for a hobby, | 0:24:11 | 0:24:13 | |
or spending the afternoon reading a book. | 0:24:13 | 0:24:15 | |
-I felt the same when I gave up surgery. -Really? | 0:24:15 | 0:24:18 | |
Maybe it won't always be like this. | 0:24:18 | 0:24:19 | |
But for the time being, this is what I want. | 0:24:19 | 0:24:23 | |
I was so worried. | 0:24:23 | 0:24:25 | |
I thought I was losing you. | 0:24:25 | 0:24:27 | |
I'm still me. | 0:24:27 | 0:24:28 | |
This will be good for us. | 0:24:28 | 0:24:29 | |
Now I can be supportive of your career. | 0:24:29 | 0:24:32 | |
You've got nothing to worry about. | 0:24:33 | 0:24:35 | |
I better go and pay this idiot. | 0:24:36 | 0:24:38 | |
I better be going too. | 0:24:39 | 0:24:40 | |
Thanks, Heston. Sorry it all got a bit... involved. | 0:24:40 | 0:24:44 | |
Not a problem. | 0:24:44 | 0:24:46 | |
I do feel a bit foolish believing it all. | 0:24:46 | 0:24:48 | |
If you hadn't called Hen... | 0:24:48 | 0:24:49 | |
There's nothing to feel foolish about. | 0:24:49 | 0:24:51 | |
You were tested and you came through with flying colours. | 0:24:51 | 0:24:54 | |
Thank you, Heston. | 0:24:54 | 0:24:56 | |
I'll call you soon. | 0:24:56 | 0:24:57 | |
What a day. | 0:24:59 | 0:25:00 | |
Thanks for your help, Heston. | 0:25:01 | 0:25:03 | |
We'll see you soon, I hope. | 0:25:03 | 0:25:05 | |
I hope so, too. | 0:25:05 | 0:25:07 | |
Bye-bye, Henrietta. | 0:25:07 | 0:25:09 | |
And let me know when you're in something. | 0:25:09 | 0:25:12 | |
THEY SPEAK RUSSIAN | 0:25:12 | 0:25:14 | |
Don't be cheeky, comrade. | 0:25:15 | 0:25:17 | |
KNOCK ON DOOR | 0:25:25 | 0:25:26 | |
Um... | 0:25:28 | 0:25:29 | |
Sorry. | 0:25:31 | 0:25:32 | |
Did you want to lock up? | 0:25:32 | 0:25:33 | |
Oh, no, no, no, there is no rush. I was just checking on you. | 0:25:33 | 0:25:36 | |
I'm fine. | 0:25:36 | 0:25:37 | |
How did the house calls go earlier? | 0:25:38 | 0:25:41 | |
Good, yeah. | 0:25:42 | 0:25:43 | |
One of the house calls this afternoon was a bit... | 0:25:47 | 0:25:51 | |
Did something happen? | 0:25:54 | 0:25:56 | |
No, the patient's fine. | 0:25:56 | 0:25:58 | |
Our situation had certain similarities. | 0:26:02 | 0:26:06 | |
I see. | 0:26:08 | 0:26:09 | |
I told them to try and live a meaningful life. | 0:26:11 | 0:26:14 | |
-Well, that is good advice. -Is it? | 0:26:14 | 0:26:18 | |
As a GP, you help so many people. | 0:26:18 | 0:26:21 | |
I think that is very meaningful, in my opinion. | 0:26:21 | 0:26:24 | |
Yeah, I suppose. | 0:26:26 | 0:26:27 | |
There is no suppose about it. | 0:26:27 | 0:26:29 | |
You're right. Sorry, I'm just tired. | 0:26:31 | 0:26:33 | |
There is no need to apologise, Dr Clay. | 0:26:33 | 0:26:35 | |
You know that my door is always open to you. | 0:26:35 | 0:26:39 | |
Mrs Tembe... | 0:26:39 | 0:26:40 | |
..a while ago you were talking about a course | 0:26:42 | 0:26:45 | |
for people who are asking the big question | 0:26:45 | 0:26:47 | |
at the church? | 0:26:47 | 0:26:49 | |
The vita course? | 0:26:50 | 0:26:52 | |
Is there one coming up? | 0:26:54 | 0:26:55 | |
I'm not sure. | 0:26:57 | 0:26:58 | |
I could look into it for you? | 0:27:00 | 0:27:02 | |
Yeah. | 0:27:05 | 0:27:06 | |
Yeah, OK. | 0:27:08 | 0:27:09 | |
Thank you. | 0:27:09 | 0:27:10 | |
The object of today is to look at everyday sexism in all its forms. | 0:27:23 | 0:27:27 | |
You need to stop smoking | 0:27:27 | 0:27:29 | |
because there's a good chance it will kill you. | 0:27:29 | 0:27:31 | |
Do you understand? | 0:27:31 | 0:27:33 | |
Yes, I understand, all right? | 0:27:33 | 0:27:35 | |
I understand. | 0:27:35 | 0:27:36 | |
He only glanced at Maria for a second. | 0:27:36 | 0:27:38 | |
That's all it takes for him to strip her naked in his mind's eye | 0:27:38 | 0:27:41 | |
and reduce her to an object. | 0:27:41 | 0:27:42 | |
You overestimate the speed of Daniel's brain. | 0:27:42 | 0:27:45 |