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SOMBRE PIANO RECITAL | 0:00:28 | 0:00:30 | |
N-o-o-o-o-o-o-o-o-o-o-o! | 0:00:43 | 0:00:46 | |
Hey! | 0:00:46 | 0:00:48 | |
BIRDSONG | 0:00:54 | 0:00:56 | |
-All good? -Oh, bum to Parkinson's! | 0:00:59 | 0:01:01 | |
I haven't felt this well in ages! | 0:01:01 | 0:01:03 | |
Well, the dopamine agonists are doing exactly what we want. | 0:01:03 | 0:01:06 | |
-Are you still happy with the patches? -Mm-hm. | 0:01:06 | 0:01:09 | |
How are you coping? | 0:01:11 | 0:01:12 | |
Since Ira died? | 0:01:12 | 0:01:14 | |
Oh, I really am. No more dressing in black, Dr Carter. | 0:01:14 | 0:01:17 | |
-So I see. -It doesn't suit me. | 0:01:17 | 0:01:19 | |
And can I just put something else out there? | 0:01:19 | 0:01:22 | |
Cardiothoracics bored me stiff! | 0:01:22 | 0:01:24 | |
Point taken, though I'm sure many of his patients | 0:01:24 | 0:01:27 | |
were grateful that they didn't bore him. | 0:01:27 | 0:01:29 | |
Well, yes. Literally a life-saver. | 0:01:29 | 0:01:33 | |
There's no denying he was an exceptional man. | 0:01:33 | 0:01:37 | |
My father was an exceptional and respected man. | 0:01:37 | 0:01:39 | |
He's not been dead a year, | 0:01:39 | 0:01:41 | |
yet there she is, mutton dressed as lamb, | 0:01:41 | 0:01:43 | |
wafting around in inappropriate designer gear. | 0:01:43 | 0:01:46 | |
Your mother? | 0:01:46 | 0:01:48 | |
She's got a review with Heston. | 0:01:48 | 0:01:50 | |
When you see him, ask him what she was wearing. | 0:01:50 | 0:01:53 | |
Heston is not going to notice what your mum is wearing. | 0:01:54 | 0:01:57 | |
Very jolly colour. | 0:01:58 | 0:02:00 | |
-My wife has a pair of slacks just like that. Very fetching. -Ah. | 0:02:00 | 0:02:04 | |
Well, you're looking good. | 0:02:04 | 0:02:06 | |
Oh, thank you. It's new. | 0:02:06 | 0:02:08 | |
Oh, and I've discovered a wonderful new restaurant. | 0:02:08 | 0:02:10 | |
You have not had a proper chana saag balti | 0:02:10 | 0:02:13 | |
-unless you've ordered it off a menu under glass. -Really? | 0:02:13 | 0:02:16 | |
Don't be such a snob, Dr Carter. | 0:02:16 | 0:02:18 | |
And on Mondays, it's all you can eat for £6.99. | 0:02:18 | 0:02:21 | |
How very high-end(!) | 0:02:21 | 0:02:23 | |
There was a song about it, wasn't there? | 0:02:23 | 0:02:26 | |
Watching My Reflection? Have I got that right? | 0:02:26 | 0:02:28 | |
2-Tone ska. | 0:02:28 | 0:02:30 | |
I used to love that. That's what brought me to Birmingham. | 0:02:30 | 0:02:33 | |
I can't say I've ever, um... | 0:02:33 | 0:02:34 | |
I came here, met Ira, moved to Letherbridge, the rest's history. | 0:02:34 | 0:02:39 | |
Sort of not-done-enough-much-too-young. | 0:02:39 | 0:02:42 | |
-Right. -But now I have re-embraced curry houses. | 0:02:42 | 0:02:45 | |
I think the ghee is good for my complexion. | 0:02:45 | 0:02:48 | |
Mm-hm. But maybe not so good for one's BMI. | 0:02:48 | 0:02:51 | |
Dr Carter, are you saying my bum looks big in this? | 0:02:51 | 0:02:54 | |
Um... | 0:02:54 | 0:02:56 | |
-And she's piling on the weight. -Is she? | 0:02:56 | 0:02:59 | |
She made me take her to Chana Monkey. | 0:02:59 | 0:03:01 | |
She was like a pig at a trough. | 0:03:01 | 0:03:03 | |
Oh, I'm like that when I go there. I should take Heston. | 0:03:03 | 0:03:06 | |
Sparkhill, Balsall Heath. My father used to spoil her | 0:03:06 | 0:03:09 | |
with high-end, Michelin-starred restaurants | 0:03:09 | 0:03:11 | |
in Edgbaston and Moseley. | 0:03:11 | 0:03:13 | |
She used to be discerning, now she's stuffing her face | 0:03:13 | 0:03:16 | |
with chapattis and greasy baltis. | 0:03:16 | 0:03:19 | |
-Oh, she's so greedy. -Huh-huh! | 0:03:19 | 0:03:21 | |
I'm giving myself permission to indulge. | 0:03:21 | 0:03:24 | |
-Good for you. -So what if I'm getting older? | 0:03:24 | 0:03:27 | |
What if I've got Parkinson's? | 0:03:27 | 0:03:29 | |
I'm dressing how I like, eating what I want | 0:03:29 | 0:03:31 | |
and streaming the music I used to love. | 0:03:31 | 0:03:33 | |
I'm refusing to be defined. | 0:03:33 | 0:03:35 | |
Excellent. | 0:03:35 | 0:03:37 | |
The truth is, I never really cared much for modern folk. | 0:03:37 | 0:03:41 | |
There now, that's out there, too. | 0:03:41 | 0:03:43 | |
-You don't? -No! | 0:03:43 | 0:03:45 | |
And certainly not enough to sit in some draughty church | 0:03:45 | 0:03:48 | |
on a bum-numbing pew for two hours. | 0:03:48 | 0:03:51 | |
You can keep your Stafford Ensemble, I'll take The Specials. | 0:03:51 | 0:03:54 | |
I tried to get tickets for the Stafford Ensemble. | 0:03:54 | 0:03:57 | |
Rarer than hen's teeth. | 0:03:57 | 0:03:58 | |
Have Ira's! He had it all set up online. | 0:03:58 | 0:04:02 | |
Automatic pre-order. | 0:04:02 | 0:04:04 | |
I didn't know until they arrived. Would you like them? | 0:04:04 | 0:04:07 | |
Sorry, gifts from patients are sadly verboten. | 0:04:07 | 0:04:10 | |
Oh, choose to live a little, Dr Carter. You're having them. | 0:04:10 | 0:04:13 | |
You can give their face value to charity. Something cardiac-y. | 0:04:13 | 0:04:18 | |
I don't think folk music is really my wife's choice. | 0:04:18 | 0:04:21 | |
So, if there's nothing else... | 0:04:21 | 0:04:23 | |
Apparently, I need to read up on seniors, sex and STIs. | 0:04:24 | 0:04:29 | |
You do? | 0:04:29 | 0:04:31 | |
A leaflet appeared in my kitchen. | 0:04:31 | 0:04:33 | |
But, yes, as it happens, everything is really very OK. | 0:04:33 | 0:04:38 | |
-Goodbye, Dr Carter. -Cheerio. | 0:04:39 | 0:04:42 | |
And don't get me started on my mother's sex life. | 0:04:45 | 0:04:47 | |
-What? -Seriously, don't. | 0:04:47 | 0:04:49 | |
I know we're all entitled to make choices, | 0:04:49 | 0:04:51 | |
and I get that, but...I'm worried. | 0:04:51 | 0:04:54 | |
Why? | 0:04:54 | 0:04:56 | |
I think the dopamine replacement | 0:04:56 | 0:04:58 | |
is triggering some sort of impulse-control disorder. | 0:04:58 | 0:05:02 | |
-Really? -Yes. Which is why I wanted you to speak to Heston, | 0:05:02 | 0:05:07 | |
explain how much she's changed. | 0:05:07 | 0:05:09 | |
Ah. No. | 0:05:09 | 0:05:10 | |
Look, Ashley, I'm not going to do that. | 0:05:10 | 0:05:12 | |
So remember, in through the nose and out through the mouth. | 0:05:16 | 0:05:19 | |
PHONE RINGS | 0:05:19 | 0:05:21 | |
Zara Carmichael. | 0:05:24 | 0:05:25 | |
Zara? It's Tom. | 0:05:25 | 0:05:28 | |
Listen, Joe's been taken. | 0:05:28 | 0:05:29 | |
What? How do you mean, "taken"? | 0:05:29 | 0:05:32 | |
On his way to football. His coach just called. | 0:05:32 | 0:05:35 | |
A white car pulled up and they took him. | 0:05:35 | 0:05:37 | |
What I'm going to need you to do for me now is to stay as calm as possible, OK? | 0:05:38 | 0:05:42 | |
I'm calm. | 0:05:43 | 0:05:45 | |
Do you have a photograph on your phone you could send me? | 0:05:45 | 0:05:47 | |
-Yes, of course. -And what was he wearing? | 0:05:47 | 0:05:49 | |
He was wearing black shorts and a gold jersey and yellow socks. | 0:05:49 | 0:05:54 | |
Right, OK. Listen, it's going to be fine, all right? | 0:05:54 | 0:05:58 | |
I want you to stay put so we know where you are when we find him. OK? | 0:05:58 | 0:06:01 | |
-OK. -And send the photo. | 0:06:01 | 0:06:03 | |
-Um...there was a note. -Yeah, I know about the note. | 0:06:03 | 0:06:06 | |
There was another note, in his schoolbag. | 0:06:06 | 0:06:08 | |
It was an emoji. A shush emoji, and a feather. | 0:06:08 | 0:06:11 | |
Send the photo. I've got this, Zara. | 0:06:12 | 0:06:14 | |
ZARA BREATHES HARD | 0:06:19 | 0:06:20 | |
Thanks for coming in. | 0:06:32 | 0:06:35 | |
So, Tembe said I couldn't put these up at the Mill, | 0:06:35 | 0:06:38 | |
but she didn't mention this place. | 0:06:38 | 0:06:40 | |
Oh, you are awful. | 0:06:40 | 0:06:42 | |
Car-ears without limits. | 0:06:42 | 0:06:44 | |
Get it? Car-ears, yeah? | 0:06:44 | 0:06:46 | |
Where is Letherbridge's next top model, anyway? | 0:06:46 | 0:06:49 | |
I thought he was supposed to be here. | 0:06:49 | 0:06:51 | |
He's been held up at the airport. | 0:06:51 | 0:06:52 | |
Oh, really? Couldn't get his good looks through Customs(?) | 0:06:52 | 0:06:55 | |
I just got it! Ears without limits! | 0:06:57 | 0:06:59 | |
Because Sid over-listens. | 0:06:59 | 0:07:02 | |
He listens and he listens and he listens... | 0:07:02 | 0:07:04 | |
-What time's he getting here? -I don't know. Don't know. | 0:07:04 | 0:07:07 | |
But there will be many disappointed students | 0:07:07 | 0:07:09 | |
when they find out they've got to see you. | 0:07:09 | 0:07:11 | |
OK, first of all, you have to understand that everything is under control. | 0:07:24 | 0:07:27 | |
-What? -Now, I've just spoken to Tom. | 0:07:27 | 0:07:29 | |
-Tom? -Stanton. Joe's missing. A car pulled up. They took him. | 0:07:29 | 0:07:33 | |
-What?! -The police are all over this. They already have Joe's photograph. | 0:07:33 | 0:07:36 | |
-No! -OK, listen, breathe! Just breathe! | 0:07:36 | 0:07:39 | |
This is not like Izzie and the carousel, this is not happening again! | 0:07:39 | 0:07:42 | |
-OK. Come on, let's go. -Let's go. -Let's go. | 0:07:43 | 0:07:45 | |
-Ooo, Daniel, I... -Not now! | 0:07:51 | 0:07:52 | |
What's up with him? | 0:07:53 | 0:07:55 | |
You're kidding me! | 0:07:55 | 0:07:57 | |
Hey! Move your van! | 0:07:57 | 0:07:59 | |
HORN BLASTS | 0:08:03 | 0:08:05 | |
Stop! | 0:08:05 | 0:08:07 | |
Please! Please! It's an emergency! | 0:08:08 | 0:08:11 | |
HORN BLASTS Stop! | 0:08:11 | 0:08:12 | |
What's going on? | 0:08:12 | 0:08:14 | |
HORN BLASTS | 0:08:14 | 0:08:15 | |
-Someone snatched Joe. -Snatched?! | 0:08:15 | 0:08:18 | |
-HORN BLASTS -Oh, God in heaven! | 0:08:18 | 0:08:20 | |
Where do we stand on Sidney's whiskers? | 0:08:25 | 0:08:27 | |
Never really thought about them. | 0:08:29 | 0:08:30 | |
Well, shall we up the whiskerage? | 0:08:30 | 0:08:32 | |
Oh! | 0:08:34 | 0:08:36 | |
-Hm! -Yeah. Less carers without lim... | 0:08:36 | 0:08:38 | |
-Ooo! -All right? | 0:08:38 | 0:08:40 | |
-What? -BOTH: Nothing. | 0:08:42 | 0:08:45 | |
SID'S STOMACH RUMBLES | 0:08:45 | 0:08:48 | |
Who eats falafels on a plane, really? | 0:08:48 | 0:08:50 | |
Ah-ha-ha! | 0:08:53 | 0:08:55 | |
-Where's Stanton?! -You were supposed to wait at the Mill. | 0:08:58 | 0:09:01 | |
-We couldn't! -Is it that gang? -We don't do conjecture. | 0:09:01 | 0:09:04 | |
Joe's picture's been circulated and we've got officers covering the area. | 0:09:04 | 0:09:07 | |
-Have you got the last note? -We didn't think anything of it. | 0:09:07 | 0:09:10 | |
What, was it was some kind of a message? | 0:09:10 | 0:09:12 | |
I told Reece my name. | 0:09:12 | 0:09:13 | |
I told him, "I'm Zara". I just wanted to comfort him. | 0:09:13 | 0:09:15 | |
I wanted to stop him being frightened! | 0:09:15 | 0:09:17 | |
-You did comfort him. -I told him I was a doctor! | 0:09:17 | 0:09:20 | |
Those hoodies at the cemetery, I wasn't being paranoid, they WERE following me. | 0:09:20 | 0:09:23 | |
They've been watching us and Joe! | 0:09:23 | 0:09:24 | |
They knew where he went to school and they knew where to snatch him from! | 0:09:24 | 0:09:27 | |
-Why didn't you tell me you were being followed? -I wasn't sure! | 0:09:27 | 0:09:30 | |
Like DI Stanton said, there's no point speculating. | 0:09:30 | 0:09:33 | |
But this isn't speculation, this is sound assumption! Right? | 0:09:33 | 0:09:37 | |
We can't rule anything out. | 0:09:37 | 0:09:39 | |
WHISPERS: How could I have been so stupid? | 0:09:39 | 0:09:41 | |
Stupid? Stupid doesn't even begin to describe what you've done. | 0:09:41 | 0:09:45 | |
Look, Ashley, I am not going to quiz Heston about your mum. | 0:09:52 | 0:09:55 | |
But why? | 0:09:55 | 0:09:57 | |
Er...privacy, confidentiality. | 0:09:57 | 0:09:59 | |
But she's not hiding stuff from me, she's hiding stuff from him. | 0:09:59 | 0:10:03 | |
Why's she hiding stuff from him? | 0:10:03 | 0:10:05 | |
Right, we don't know that, do we? | 0:10:05 | 0:10:08 | |
We will if you ask. | 0:10:08 | 0:10:09 | |
Right, I'm not putting Heston in an awkward position. | 0:10:09 | 0:10:12 | |
Just mention some of the weirdness. | 0:10:12 | 0:10:14 | |
But...is it weird, though? | 0:10:14 | 0:10:17 | |
I mean, maybe it's just a new phase of her life. | 0:10:17 | 0:10:19 | |
She got a tattoo done. A massive tattoo. | 0:10:19 | 0:10:22 | |
Um...where? And how massive? | 0:10:22 | 0:10:26 | |
OK, yeah, I'm embarrassed, but who wouldn't be? | 0:10:26 | 0:10:29 | |
It's right across her chest. | 0:10:29 | 0:10:31 | |
What are people going to think, Ruhma, you know, come the summer? | 0:10:33 | 0:10:35 | |
Their old mates? | 0:10:35 | 0:10:38 | |
My mother is in her sixties, for heaven's sake. | 0:10:38 | 0:10:41 | |
It's not normal to have a bloke's name tattooed across your chest | 0:10:41 | 0:10:44 | |
when you're an OAP and the bloke is young enough to be your son! | 0:10:44 | 0:10:48 | |
Ruhma, how can there not be something wrong? | 0:10:48 | 0:10:52 | |
All right, but I am not promising anything. | 0:10:52 | 0:10:55 | |
Thanks. | 0:10:55 | 0:10:57 | |
SHE SIGHS | 0:11:02 | 0:11:04 | |
I think you're going to enjoy this. | 0:11:07 | 0:11:09 | |
Drink that. | 0:11:10 | 0:11:12 | |
But take your time, though. | 0:11:12 | 0:11:14 | |
-Losing a pet is never easy. -Aw. | 0:11:14 | 0:11:16 | |
SID'S STOMACH RUMBLES | 0:11:18 | 0:11:20 | |
I'm so sorry about this, I just need to... Hm! | 0:11:20 | 0:11:23 | |
See, this is why it's never a good idea to come straight into work off a holiday. Sorry. | 0:11:24 | 0:11:28 | |
Hm. | 0:11:28 | 0:11:30 | |
Delhi belly. | 0:11:30 | 0:11:32 | |
Only not Delhi, on account of he went to Marrakech. | 0:11:32 | 0:11:35 | |
Yep, it is him. | 0:11:39 | 0:11:41 | |
Huh! He's blind to the fame. | 0:11:41 | 0:11:43 | |
Hm! | 0:11:43 | 0:11:45 | |
EMMA SIGHS | 0:11:45 | 0:11:47 | |
We should be doing something. | 0:11:50 | 0:11:52 | |
Sandwiches? No? Tea? | 0:11:53 | 0:11:56 | |
-No. -No, thanks. -No, thank you. -Me neither. | 0:11:56 | 0:11:59 | |
No, we can only wait and...hope and pray. | 0:12:02 | 0:12:08 | |
We should be doing something. | 0:12:13 | 0:12:15 | |
We should have faith in the police. | 0:12:15 | 0:12:17 | |
I am sure little Joe will be...will be fine. | 0:12:24 | 0:12:27 | |
It's a myth about sweet tea, anyway, isn't it? It's... | 0:12:30 | 0:12:32 | |
We should be doing something. | 0:12:36 | 0:12:38 | |
What's the matter? | 0:12:47 | 0:12:50 | |
I want to talk to you about something, but I...I can't. | 0:12:50 | 0:12:54 | |
Why not? | 0:12:54 | 0:12:55 | |
People make silly, bad decisions, don't they? | 0:12:58 | 0:13:01 | |
They do things that are ill-advised. | 0:13:01 | 0:13:03 | |
Yes, but they usually do them for the best motives. | 0:13:03 | 0:13:05 | |
What? | 0:13:05 | 0:13:07 | |
Well, it's never as simple as it seems, is what I'm saying. | 0:13:07 | 0:13:10 | |
Right. OK. What are we talking about? | 0:13:10 | 0:13:15 | |
And what are you talking about? | 0:13:16 | 0:13:18 | |
Right, this is it, um... | 0:13:20 | 0:13:22 | |
I don't want you to break patient confidentiality, | 0:13:22 | 0:13:25 | |
but I need you to know how concerned Ashley is about her mum. | 0:13:25 | 0:13:28 | |
-Ashley? -Ashley. Ashley Dubowitz. | 0:13:29 | 0:13:33 | |
You know, Ira and Deborah's daughter. She came to see you today? | 0:13:33 | 0:13:37 | |
-Yes. -Well, Ashley's really worried. | 0:13:37 | 0:13:40 | |
And I know this makes it really awkward for you... | 0:13:40 | 0:13:43 | |
No, I can happily say she's got nothing to be concerned about. | 0:13:43 | 0:13:46 | |
You...you don't know anything about her new appetite, do you? | 0:13:47 | 0:13:53 | |
No. OK. | 0:13:55 | 0:13:58 | |
According to Ashley, she's been into kinky stuff | 0:13:58 | 0:14:01 | |
since you introduced her to the replacement therapy. | 0:14:01 | 0:14:04 | |
She's just embracing her life. | 0:14:06 | 0:14:07 | |
Yeah? Mm-hm. Mm. | 0:14:07 | 0:14:10 | |
-Did you see the tattoo? -What tattoo? | 0:14:10 | 0:14:12 | |
She has a tattoo. | 0:14:12 | 0:14:15 | |
Well, Nigel Farthing has a smiley face on... | 0:14:15 | 0:14:17 | |
-This is really massive. -This is bigger than a 50p piece. | 0:14:17 | 0:14:20 | |
Right, I'm going to ignore how familiar you are with Nigel and his tattoo. | 0:14:20 | 0:14:23 | |
He got that in a silly bet he lost. This is serious! | 0:14:23 | 0:14:26 | |
It goes right across her chest. | 0:14:28 | 0:14:30 | |
It's totally out of character! | 0:14:30 | 0:14:33 | |
So, do you see what I'm saying? | 0:14:33 | 0:14:35 | |
I'm saying, what if it's a lack of impulse control | 0:14:36 | 0:14:39 | |
and she wouldn't have done it if she wasn't on the medication? | 0:14:39 | 0:14:43 | |
Oh. | 0:14:49 | 0:14:50 | |
Ooo, you found some. Thank you. | 0:14:50 | 0:14:52 | |
I took it off the sexual health and wellbeing posters in the ladies'. | 0:14:52 | 0:14:56 | |
What's it for? | 0:14:56 | 0:14:57 | |
-Listen, I think you should be kind to Sid. -Eh? | 0:15:01 | 0:15:04 | |
Terrible flatulence. | 0:15:04 | 0:15:06 | |
In Reception, in front of two students. | 0:15:07 | 0:15:09 | |
HE LAUGHS | 0:15:09 | 0:15:11 | |
-It's not his fault. -Whose fault is it, then? | 0:15:12 | 0:15:15 | |
Airline falafel! | 0:15:15 | 0:15:17 | |
Be kind. | 0:15:17 | 0:15:18 | |
So, Sid has uncontrollable flatulence? | 0:15:20 | 0:15:24 | |
HE CHUCKLES | 0:15:26 | 0:15:28 | |
Tattoos are increasingly a popular mode of expression. | 0:15:31 | 0:15:36 | |
She's taken a lover. | 0:15:36 | 0:15:38 | |
Accordingly to Ashley, he was the odd-job man. | 0:15:38 | 0:15:41 | |
Ruhma Carter! Lady Chatterley is one of your favourite books. | 0:15:41 | 0:15:45 | |
He's half her age, and he knows she's ill. | 0:15:45 | 0:15:49 | |
-I do have a duty of care. -Oh, thank you! | 0:15:51 | 0:15:55 | |
Right, we can't just rock up because she'll know that something's up. | 0:15:55 | 0:15:58 | |
WE'RE not going to do anything. | 0:15:58 | 0:16:00 | |
I can say that you do like the thought of modern folk music | 0:16:00 | 0:16:07 | |
in an ecclesiastical setting after all. | 0:16:07 | 0:16:10 | |
OK, just get back in the room. What are you talking about? | 0:16:10 | 0:16:12 | |
She offered me tickets for the Stafford Ensemble. | 0:16:12 | 0:16:15 | |
I can say you would like to go and then casually... | 0:16:15 | 0:16:20 | |
Casually...what? | 0:16:21 | 0:16:23 | |
-I'll find a way. -OK. | 0:16:23 | 0:16:25 | |
If my patient is at risk, I need to address it. | 0:16:26 | 0:16:30 | |
Alone. | 0:16:30 | 0:16:31 | |
-WHISPERS: -OK. | 0:16:33 | 0:16:34 | |
FAINT POLICE DISPATCHER | 0:16:36 | 0:16:38 | |
Sorry. | 0:16:46 | 0:16:48 | |
-What's happening? -OK, this is where we're at. | 0:16:52 | 0:16:54 | |
No news yet, but I am confident that... | 0:16:54 | 0:16:57 | |
-Confident? About what? -Daniel, please! | 0:16:57 | 0:16:59 | |
We've got officers door-to-door and trawling through CCTV. | 0:16:59 | 0:17:02 | |
Every available officer is out there. | 0:17:02 | 0:17:04 | |
We're working Braydon's neighbourhood | 0:17:04 | 0:17:06 | |
and as soon as we find anyone who knows anything, we'll know it. too. | 0:17:06 | 0:17:09 | |
Nobody likes people who mess with kids. | 0:17:09 | 0:17:11 | |
Mess? What, just to keep me out of court? | 0:17:11 | 0:17:13 | |
We're going to find Joe. | 0:17:13 | 0:17:14 | |
Standing here doing nothing, we're not. | 0:17:14 | 0:17:16 | |
-So I'm going to go back to... -No, no, no. Stay here. | 0:17:16 | 0:17:18 | |
We're going to need to know where you are when we find him. OK? | 0:17:18 | 0:17:21 | |
Ruhma told you, then? About the madness. | 0:17:30 | 0:17:32 | |
-Oh, Ashley. -I knew she'd get you to come. | 0:17:32 | 0:17:35 | |
I'm actually here to get some concert tickets. | 0:17:35 | 0:17:37 | |
Yeah, right, if you say so(!) | 0:17:37 | 0:17:39 | |
She's probably at it now, in there, in the middle of the day. | 0:17:39 | 0:17:42 | |
Imagine what my father would think. | 0:17:42 | 0:17:44 | |
She doesn't answer my calls. | 0:17:44 | 0:17:46 | |
She took my key off me, you know. | 0:17:49 | 0:17:51 | |
I wonder why(?) | 0:17:51 | 0:17:53 | |
These are not reasoned choices. | 0:17:54 | 0:17:55 | |
These are chemical reactions you've triggered | 0:17:55 | 0:17:58 | |
that are worse than the Parkinson's symptoms. | 0:17:58 | 0:18:00 | |
Ashley. | 0:18:00 | 0:18:01 | |
Dr Carter. | 0:18:01 | 0:18:03 | |
Together? | 0:18:03 | 0:18:05 | |
MUSIC: House of Fun By Madness | 0:18:05 | 0:18:06 | |
The Stafford Ensemble, my wife would love to go. | 0:18:06 | 0:18:09 | |
Really? | 0:18:09 | 0:18:10 | |
All right? | 0:18:10 | 0:18:12 | |
But, um...seeing as I'm here, if it's convenient... | 0:18:12 | 0:18:15 | |
He knows how mental you're being. | 0:18:15 | 0:18:16 | |
I've had no conversations with your daughter. | 0:18:16 | 0:18:19 | |
But I'd love to have a chat...in private. | 0:18:19 | 0:18:22 | |
-OK. Thanks very much for coming. -Thank you. | 0:18:31 | 0:18:34 | |
What's this?! | 0:18:36 | 0:18:38 | |
Well, you know, I though Careers Without Limits | 0:18:38 | 0:18:41 | |
was a bit... Well, it was a bit vanilla. | 0:18:41 | 0:18:44 | |
Mrs Tembe really is very proud. | 0:18:44 | 0:18:46 | |
This picture's from that recruitment thing? | 0:18:46 | 0:18:48 | |
They certainly found their face, didn't they...Dr Diversity? | 0:18:48 | 0:18:52 | |
Mr Ethnicity. Poster boy for inclusivity. | 0:18:52 | 0:18:55 | |
Yeah, but you decided to make me into a rodent. | 0:18:55 | 0:18:57 | |
I thought in the interest of objectivity, | 0:18:57 | 0:18:59 | |
we should flag up your tendency to be a bit mousey. | 0:18:59 | 0:19:02 | |
Yeah, but I'll tell you what, | 0:19:02 | 0:19:03 | |
even with the ears, there'll be students lining up to see you. | 0:19:03 | 0:19:06 | |
They love you. | 0:19:06 | 0:19:08 | |
This is all around campus? | 0:19:08 | 0:19:10 | |
Well, it's all around Letherbridge. | 0:19:10 | 0:19:12 | |
Do the pose. Go on. | 0:19:13 | 0:19:16 | |
Now...what can I do for you? | 0:19:19 | 0:19:22 | |
-Deborah, I'm going to be straight with you. -Good. | 0:19:23 | 0:19:26 | |
There's a possibility that your recent behaviour | 0:19:27 | 0:19:30 | |
is due to the medication you're on. | 0:19:30 | 0:19:32 | |
So? | 0:19:34 | 0:19:36 | |
Coupled with the, um...grief that you're experiencing | 0:19:36 | 0:19:39 | |
-after losing Ira... -I'm not. | 0:19:39 | 0:19:41 | |
-You're not? -Experiencing grief. | 0:19:42 | 0:19:45 | |
Well, Ira was a major part of your and Ashley's life. | 0:19:46 | 0:19:51 | |
It may be the time to think about... | 0:19:51 | 0:19:53 | |
Do you want to know the first thing I did when my husband died, Dr Carter? | 0:19:53 | 0:19:56 | |
I turned the central heating up. | 0:19:56 | 0:19:59 | |
I'd not felt warm in years. | 0:19:59 | 0:20:00 | |
Well, I knew he could be a little bit parsimonious. | 0:20:02 | 0:20:04 | |
A little bit? | 0:20:04 | 0:20:05 | |
My late husband was as tight as a monkey's bum. | 0:20:05 | 0:20:07 | |
And if I choose to be extravagant now, | 0:20:07 | 0:20:10 | |
whether it's my actual choice or a vaguely chemical one, I'm happy. | 0:20:10 | 0:20:15 | |
My impulses. | 0:20:15 | 0:20:17 | |
My control. | 0:20:17 | 0:20:19 | |
My choices at last. | 0:20:19 | 0:20:21 | |
And I choose happy. | 0:20:23 | 0:20:24 | |
Joe? | 0:20:33 | 0:20:34 | |
Joe? | 0:20:40 | 0:20:42 | |
Joe? | 0:20:53 | 0:20:55 | |
Hello. | 0:21:00 | 0:21:02 | |
We've been looking for you. | 0:21:04 | 0:21:06 | |
Do you remember me? I'm a friend of your mummy and daddy. | 0:21:07 | 0:21:10 | |
I am. Come on. | 0:21:11 | 0:21:13 | |
Oh. Ha-ha-ha! Good lad. Are you OK? | 0:21:14 | 0:21:18 | |
Eh? | 0:21:18 | 0:21:19 | |
You've got his name tattooed across your chest. | 0:21:26 | 0:21:28 | |
It's not something I can really ignore. | 0:21:28 | 0:21:30 | |
Why do I have to explain myself? | 0:21:30 | 0:21:32 | |
Because people care about you. | 0:21:32 | 0:21:34 | |
I no longer have to live in a controlling environment. | 0:21:34 | 0:21:36 | |
I don't give a hoot about other people. | 0:21:36 | 0:21:38 | |
Tell me he's winding me up. | 0:21:41 | 0:21:42 | |
If Dad wasn't dead already, he'd die of shame. You're mad! | 0:21:43 | 0:21:47 | |
It's those damn drugs you've given her. | 0:21:47 | 0:21:49 | |
She's asked him to marry her! | 0:21:49 | 0:21:50 | |
How is that not some sort of side-effect? | 0:21:50 | 0:21:52 | |
Don't talk about Deborah as if she isn't here. | 0:21:52 | 0:21:55 | |
You wanted to tell her. Sorry. | 0:21:55 | 0:21:58 | |
-Are you remarrying? -I'm following my heart. | 0:21:58 | 0:22:01 | |
While he follows the money. | 0:22:01 | 0:22:02 | |
When was I ever interested in money? | 0:22:02 | 0:22:04 | |
Not when we were together, that's for sure! | 0:22:04 | 0:22:07 | |
-What, you were...? -Yeah, for two years. -Oh. | 0:22:07 | 0:22:10 | |
During which time, he hardly bothered to work. | 0:22:10 | 0:22:13 | |
-Dominic's done lots of work for me! -Oh, I'm sure he has. | 0:22:13 | 0:22:16 | |
You're turning yourself into a laughing stock! | 0:22:16 | 0:22:18 | |
Ashley, darling, I really am sorry if this is painful for you, | 0:22:18 | 0:22:22 | |
but I'm going to do what makes me happy. | 0:22:22 | 0:22:24 | |
My health will deteriorate. | 0:22:25 | 0:22:27 | |
I'm in my sixties. | 0:22:27 | 0:22:29 | |
I've wasted enough time already. | 0:22:29 | 0:22:31 | |
I'm in love with your mum and I am committed to her. | 0:22:33 | 0:22:37 | |
It's the drugs! | 0:22:37 | 0:22:38 | |
Come off the meds, see if you love me still. | 0:22:40 | 0:22:43 | |
Why would I? | 0:22:43 | 0:22:45 | |
Now I know what it's like to be loved, I'm doing nothing to risk it. | 0:22:45 | 0:22:48 | |
# It must be love, love, love...# | 0:22:48 | 0:22:51 | |
HE SIGHS | 0:22:57 | 0:22:59 | |
HE SIGHS | 0:23:11 | 0:23:13 | |
STOMACH RUMBLES | 0:23:13 | 0:23:14 | |
Heston? Take them. Somebody ought to do well out of today. | 0:23:19 | 0:23:23 | |
You do know Ruhma is your friend? | 0:23:25 | 0:23:27 | |
You're obviously not. | 0:23:27 | 0:23:29 | |
She's worried about you. | 0:23:29 | 0:23:30 | |
She knows it's hard on you. | 0:23:30 | 0:23:32 | |
-I just miss my dad. -Of course you do. | 0:23:34 | 0:23:36 | |
-And my mum is just so... -She's not going to change. | 0:23:36 | 0:23:38 | |
-And you think I should just accept that? -It's a start. | 0:23:38 | 0:23:42 | |
Why don't you go? | 0:23:42 | 0:23:43 | |
Your dad adored them. | 0:23:45 | 0:23:47 | |
Mummy doesn't let me have these sweets. Will she shout? | 0:23:52 | 0:23:56 | |
No. | 0:23:56 | 0:23:57 | |
I don't want them. They gave them to me. | 0:23:57 | 0:24:00 | |
Oh, did they? | 0:24:00 | 0:24:01 | |
Well, why don't you give those sweets to my friend here, look? | 0:24:01 | 0:24:04 | |
And then he can put them in one of his special bags. | 0:24:04 | 0:24:07 | |
I don't think your mummy will shout at you. | 0:24:09 | 0:24:12 | |
She might cry a little bit. | 0:24:12 | 0:24:14 | |
Because sometimes we cry when we're happy. | 0:24:14 | 0:24:16 | |
SIREN WAILS | 0:24:16 | 0:24:18 | |
Like when we find something precious that we thought we'd lost. | 0:24:18 | 0:24:21 | |
Oh, look who's here. | 0:24:25 | 0:24:26 | |
-It's OK, Daddy's got you! -Darling! | 0:24:30 | 0:24:32 | |
ZARA SOBS Are you OK? Did they hurt you? | 0:24:33 | 0:24:36 | |
Not really. | 0:24:36 | 0:24:38 | |
Right, come on, let's go. Let's go, let's go. | 0:24:40 | 0:24:42 | |
ZARA WHISPERS: Thank you. | 0:24:44 | 0:24:46 | |
So, um...what about Ashley, then? | 0:24:56 | 0:24:59 | |
Well, Deborah's my patient, I'll look after her, | 0:24:59 | 0:25:02 | |
and Ashley should take a leaf out of her mother's book and get on with her life. | 0:25:02 | 0:25:06 | |
So, it's not an impulse-control-issue thing? | 0:25:06 | 0:25:08 | |
Isn't that what falling in love is? | 0:25:09 | 0:25:11 | |
Oh! | 0:25:11 | 0:25:13 | |
We've run out of paper towels in the ladies. | 0:25:15 | 0:25:18 | |
PHONE RINGS | 0:25:24 | 0:25:26 | |
Hello? | 0:25:29 | 0:25:30 | |
Thank you. | 0:25:36 | 0:25:38 | |
Rob's found him. He's safe. | 0:25:38 | 0:25:39 | |
-Oh! -Who? Who's safe? What have we missed? | 0:25:39 | 0:25:43 | |
Thank goodness! | 0:25:43 | 0:25:44 | |
MRS TEMBE EXHALES | 0:25:44 | 0:25:46 | |
All right. Jump in the middle, darling. | 0:25:46 | 0:25:48 | |
And we will be two minutes. OK? | 0:25:48 | 0:25:52 | |
I don't think Joe was ever in any real danger. | 0:25:56 | 0:25:59 | |
How could you say that? There's no way you can know that! | 0:25:59 | 0:26:02 | |
-They could have hurt him! They could have killed him! -No, no, no. | 0:26:02 | 0:26:05 | |
Yes! And I am warned! It's worked! | 0:26:05 | 0:26:07 | |
There is no way that I'm going to testify now! | 0:26:07 | 0:26:09 | |
-We have to remember there's a bigger picture. -Forget it! | 0:26:09 | 0:26:12 | |
-I've made my decision. -Listen, I understand... | 0:26:12 | 0:26:15 | |
No! OK? | 0:26:15 | 0:26:16 | |
Our family is no longer part of this! | 0:26:16 | 0:26:19 | |
From now on, I can ONLY think about us. | 0:26:22 | 0:26:24 | |
Other patients who call this surgery | 0:26:35 | 0:26:38 | |
can't speak to a person, no matter how long they wait. | 0:26:38 | 0:26:40 | |
Our policy is to answer every phone call with... | 0:26:40 | 0:26:42 | |
Within five rings? I know. Never happens, though, does it? | 0:26:42 | 0:26:45 | |
-Al? -Hi. -Hello! -How you doing? | 0:26:45 | 0:26:47 | |
-Oop! -Whoop! Eh! Ah! Mwah! Mwah! | 0:26:47 | 0:26:50 | |
I only agreed to this to collect enough evidence | 0:26:50 | 0:26:52 | |
to make a stronger case for your closure. | 0:26:52 | 0:26:54 |