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WHISPERED: Kamari. | 0:00:29 | 0:00:32 | |
Kamari. | 0:00:35 | 0:00:36 | |
Kamari. | 0:00:38 | 0:00:39 | |
SHE STIRS | 0:00:39 | 0:00:40 | |
Kamari. | 0:00:40 | 0:00:41 | |
Kamari. Kamari! | 0:00:43 | 0:00:45 | |
SHE BREATHES HEAVILY | 0:00:48 | 0:00:50 | |
SQUEAKING | 0:00:51 | 0:00:52 | |
No! | 0:01:08 | 0:01:09 | |
Oh! | 0:01:11 | 0:01:12 | |
Right, good. | 0:01:17 | 0:01:18 | |
Er, also, the, er, journalist
is going to be here in ten minutes. | 0:01:18 | 0:01:22 | |
How exciting. | 0:01:22 | 0:01:23 | |
I have a meeting with Dr Clay
from 10 to 11 - | 0:01:23 | 0:01:27 | |
and you will need to
postpone his meeting with Mr Evans | 0:01:27 | 0:01:29 | |
until 11 o'clock. | 0:01:29 | 0:01:30 | |
Will do. Right. | 0:01:30 | 0:01:32 | |
Oh, erm, I must have forgotten
to write it down, | 0:01:34 | 0:01:37 | |
cos I can't see anything scheduled. | 0:01:37 | 0:01:39 | |
Oh, it is, er,
it is just about the, er, finances. | 0:01:39 | 0:01:42 | |
We organised it last minute. | 0:01:42 | 0:01:44 | |
Er, please remind Dr Clay
when he comes in. | 0:01:44 | 0:01:46 | |
Morning. | 0:01:46 | 0:01:48 | |
Ooh. So, is poster boy
ready for his big interview? | 0:01:48 | 0:01:51 | |
Not really...and could you not
call me that, please? | 0:01:51 | 0:01:54 | |
Do you know, I always fancied
being a model. | 0:01:54 | 0:01:57 | |
I'm not a model. | 0:01:57 | 0:01:58 | |
Mmm. Being whisked off to Milan
or Paris on some photoshoot. | 0:01:58 | 0:02:04 | |
Sadly I didn't have the cheekbones, | 0:02:04 | 0:02:06 | |
or the legs,
or any discernible jaw line. | 0:02:06 | 0:02:08 | |
Morning, Jimmi. | 0:02:08 | 0:02:10 | |
Oh. don't forget you've got
a meeting this morning. Right. | 0:02:10 | 0:02:12 | |
Must be important,
being taken off schedule. | 0:02:12 | 0:02:15 | |
No, it's just, er,
changes to the timetable. | 0:02:15 | 0:02:17 | |
Oh. Mrs Tembe said it
was about finances. | 0:02:20 | 0:02:23 | |
Well, maybe we should
call the police. | 0:02:29 | 0:02:31 | |
Over a smashed window?
Doubt they'd come out for that. | 0:02:31 | 0:02:35 | |
But someone might have tried
to break in. | 0:02:35 | 0:02:37 | |
Nothing's been taken. | 0:02:37 | 0:02:39 | |
Maybe I left it open last night | 0:02:40 | 0:02:42 | |
and the wind caught it. | 0:02:42 | 0:02:45 | |
Oh, so it's your fault. | 0:02:45 | 0:02:47 | |
Well, you need to get it fixed. | 0:02:47 | 0:02:49 | |
I will. | 0:02:49 | 0:02:50 | |
Swanning round Africa all those
years, barely a thought for me. | 0:02:52 | 0:02:57 | |
Not true. | 0:02:57 | 0:02:58 | |
Do you think I want to be reminded? | 0:03:00 | 0:03:02 | |
What the...? he's not here yet?! | 0:03:13 | 0:03:15 | |
No. Who? Some journalist. | 0:03:15 | 0:03:18 | |
I'm being interviewed for that
Careers Without Limits campaign. | 0:03:18 | 0:03:20 | |
Ooh, rather you than me. Hmm. | 0:03:20 | 0:03:23 | |
And after the podcast | 0:03:23 | 0:03:24 | |
I can't exactly say
I'm looking forward to it. | 0:03:24 | 0:03:26 | |
Yeah, but that was different. | 0:03:26 | 0:03:28 | |
This time,
you are a bit more in control. | 0:03:28 | 0:03:30 | |
You can get your point across. | 0:03:30 | 0:03:32 | |
Nonsense. Whatever you say, they are
going to write what they want. | 0:03:32 | 0:03:36 | |
Well, hopefully they'll be
interested | 0:03:36 | 0:03:37 | |
in my views on immigration. | 0:03:37 | 0:03:38 | |
AL LAUGHS | 0:03:38 | 0:03:41 | |
Er, look at me! Ignore him. | 0:03:43 | 0:03:46 | |
Morning, doctor. Morning. | 0:03:51 | 0:03:52 | |
She's in the front room, just go in. | 0:03:52 | 0:03:54 | |
Right, thanks. | 0:03:54 | 0:03:55 | |
Kamari? | 0:04:08 | 0:04:09 | |
Oh! | 0:04:11 | 0:04:12 | |
Oh! | 0:04:15 | 0:04:16 | |
SHE GASPS | 0:04:18 | 0:04:19 | |
Good. Right, how's the angina
been? Any more episodes? | 0:04:21 | 0:04:25 | |
No. And the arthritis? | 0:04:25 | 0:04:27 | |
Well, I won't be winning any
marathons any time soon... | 0:04:28 | 0:04:32 | |
..but at least it's no worse
than it was. Good. | 0:04:32 | 0:04:36 | |
Oh, I like those.
Where did they come from? | 0:04:36 | 0:04:41 | |
Oh, Cath put those up. | 0:04:41 | 0:04:42 | |
Souvenirs of her time in Kenya. | 0:04:42 | 0:04:45 | |
Oh, was she there long?
Over 20 years. | 0:04:45 | 0:04:48 | |
Barely a letter in all that time. | 0:04:48 | 0:04:50 | |
Oh, she'd still be there now | 0:04:50 | 0:04:52 | |
if her husband
hadn't run off with the maid. | 0:04:52 | 0:04:54 | |
Mum. | 0:04:54 | 0:04:55 | |
Well, it's true, isn't it?
You've only yourself to blame. | 0:04:55 | 0:04:59 | |
Letting yourself go
while being waited on by others. | 0:04:59 | 0:05:02 | |
Would you like a drink, Doctor? | 0:05:02 | 0:05:04 | |
Er, no. Thank you. | 0:05:04 | 0:05:06 | |
Two servants, she had.
Could you believe that? | 0:05:06 | 0:05:09 | |
Right, well, er, I just need
to take your blood pressure. | 0:05:09 | 0:05:11 | |
Everything all right? | 0:05:19 | 0:05:20 | |
What? | 0:05:20 | 0:05:21 | |
Yes. it's nothing. | 0:05:23 | 0:05:24 | |
Just call me Don. OK. | 0:05:30 | 0:05:33 | |
So, I hope you don't mind
if I record you. No, no, not at all. | 0:05:33 | 0:05:36 | |
Great. Well, let's get to it. | 0:05:36 | 0:05:38 | |
So, this Careers Without Limits
campaign, worthwhile project? | 0:05:38 | 0:05:43 | |
Oh, yeah.
Anything that inspires young people, | 0:05:43 | 0:05:46 | |
especially those from minority
backgrounds, | 0:05:46 | 0:05:48 | |
has got to be a good thing. | 0:05:48 | 0:05:49 | |
So, do you think
they've been denied access | 0:05:49 | 0:05:52 | |
to things like higher education? | 0:05:52 | 0:05:55 | |
In some cases - | 0:05:55 | 0:05:56 | |
but I certainly believe they feel
it's not an option for them. | 0:05:56 | 0:05:59 | |
It's all about aspirations. | 0:05:59 | 0:06:00 | |
HE COUGHS | 0:06:00 | 0:06:02 | |
Sorry. | 0:06:00 | 0:06:02 | |
Absolutely, no. No, no, it's fine. | 0:06:02 | 0:06:04 | |
Listen, this is just
the type of stuff we're after. | 0:06:04 | 0:06:06 | |
Ah, good. | 0:06:06 | 0:06:07 | |
DOOR CLOSES | 0:06:10 | 0:06:11 | |
So, what's up with you? | 0:06:13 | 0:06:16 | |
You've had a face like sin
ever since you came in. | 0:06:16 | 0:06:19 | |
I was down by the big tree... | 0:06:19 | 0:06:21 | |
..and I think I saw... | 0:06:22 | 0:06:23 | |
..someone. | 0:06:24 | 0:06:26 | |
Who? | 0:06:26 | 0:06:28 | |
EDNA TUTS | 0:06:28 | 0:06:29 | |
For goodness' sake, who was it? | 0:06:29 | 0:06:32 | |
Kamari. | 0:06:32 | 0:06:33 | |
What are you talking about? | 0:06:35 | 0:06:37 | |
I saw her. I swear. | 0:06:37 | 0:06:38 | |
I don't understand. Do you mean... | 0:06:40 | 0:06:43 | |
..her ghost? I don't know. | 0:06:44 | 0:06:45 | |
I called her name, and when
I looked again, she'd vanished. | 0:06:47 | 0:06:50 | |
Oh, well, you must have imagined it. | 0:06:50 | 0:06:52 | |
I definitely saw her. She was
wearing her yellow headscarf... | 0:06:52 | 0:06:56 | |
..and I don't know
if this is connected, | 0:07:00 | 0:07:02 | |
but it was posted through
the letterbox. | 0:07:02 | 0:07:04 | |
There's another crescent
hanging from the tree. | 0:07:07 | 0:07:09 | |
What is it? | 0:07:11 | 0:07:13 | |
Kamari's name. She told me. | 0:07:13 | 0:07:17 | |
In Kenya, it means... | 0:07:17 | 0:07:18 | |
..moonlight. | 0:07:19 | 0:07:20 | |
But... | 0:07:21 | 0:07:23 | |
But how has she returned? | 0:07:23 | 0:07:25 | |
Do you think it's to do with me?
What I did to her? | 0:07:25 | 0:07:28 | |
Oh, now, Mum, don't start that. | 0:07:28 | 0:07:30 | |
No, well, she'd still be alive
if it wasn't for me. | 0:07:30 | 0:07:32 | |
If she's somehow come back,
then it's my fault. | 0:07:34 | 0:07:37 | |
You don't know that. | 0:07:37 | 0:07:38 | |
They say suicides never find peace,
don't they? | 0:07:39 | 0:07:42 | |
Oh, the poor girl.
I could have helped her! | 0:07:43 | 0:07:48 | |
Oh, Mum, don't get all upset. | 0:07:48 | 0:07:51 | |
I'm sure there's an explanation. | 0:07:51 | 0:07:53 | |
You need to calm down. | 0:07:53 | 0:07:55 | |
EDNA WHIMPERS | 0:07:55 | 0:07:56 | |
Take your tablets
and I'll make us a nice cuppa. | 0:07:58 | 0:08:01 | |
SHE SOBS | 0:08:03 | 0:08:05 | |
SHE GASPS AND CRIES OUT | 0:08:13 | 0:08:15 | |
I'm running late, so, erm,
I should be back by 12. All right. | 0:08:17 | 0:08:21 | |
OK, thanks, Valerie. | 0:08:21 | 0:08:22 | |
Dr Reid, it's Mum! | 0:08:24 | 0:08:26 | |
OK. I'm coming. I'm coming. | 0:08:26 | 0:08:27 | |
She took a dizzy turn. | 0:08:32 | 0:08:34 | |
Mrs French? | 0:08:36 | 0:08:37 | |
I'm all right. | 0:08:37 | 0:08:38 | |
Do you have any chest pain? | 0:08:38 | 0:08:40 | |
No. | 0:08:40 | 0:08:41 | |
She went all dizzy. | 0:08:41 | 0:08:42 | |
I saw Kamari, at the window. | 0:08:44 | 0:08:47 | |
So, these kids from these, er,
minority backgrounds, | 0:08:49 | 0:08:52 | |
are you honest with them? | 0:08:52 | 0:08:54 | |
Honest? | 0:08:54 | 0:08:55 | |
About how tough it is
to become successful. | 0:08:56 | 0:08:58 | |
I mean, you yourself, you must have
encountered a few obstacles. | 0:08:58 | 0:09:02 | |
Er, well, er, the biggest problem
I probably faced was, erm, finances. | 0:09:02 | 0:09:05 | |
With it taking seven years to train. | 0:09:05 | 0:09:07 | |
No, I'm talking
about discrimination. | 0:09:07 | 0:09:09 | |
Oh, well, I faced the odd racist
comment growing up - | 0:09:10 | 0:09:13 | |
but, I mean,
nothing with regards to my career. | 0:09:13 | 0:09:15 | |
Oh, come on. What about all those
posh medical students? | 0:09:16 | 0:09:19 | |
They must have given you some grief. | 0:09:19 | 0:09:21 | |
No, I made some really good
friends, actually. | 0:09:21 | 0:09:23 | |
The lecturers, then? | 0:09:23 | 0:09:25 | |
No. | 0:09:25 | 0:09:27 | |
Any run-ins
with your colleagues here? | 0:09:27 | 0:09:29 | |
Yeah, on occasion - | 0:09:29 | 0:09:30 | |
but, I mean, that's had
nothing to do with my race. | 0:09:30 | 0:09:33 | |
Are you sure about that? | 0:09:33 | 0:09:35 | |
Yeah. We're kind of like a bit
of a family here. | 0:09:35 | 0:09:37 | |
Oh. Great. | 0:09:37 | 0:09:38 | |
So, you're saying that nobody, | 0:09:39 | 0:09:41 | |
not your patients or the, er,
CCG ever treat you any differently? | 0:09:41 | 0:09:46 | |
That's right, yeah. | 0:09:46 | 0:09:47 | |
Do you think being
part of a minority | 0:09:48 | 0:09:50 | |
will affect your chances
of becoming a partner? | 0:09:50 | 0:09:53 | |
See, what I'm really trying to get
at is how this impacts on your job. | 0:09:54 | 0:09:58 | |
I think my experiences
will be very similar | 0:10:00 | 0:10:02 | |
to those of my white colleagues. | 0:10:02 | 0:10:04 | |
Now, if you don't mind, | 0:10:04 | 0:10:06 | |
erm, could we move the subject
back to immigration? | 0:10:06 | 0:10:08 | |
Yeah, sorry. Just trying to give
the interview a bit of context. | 0:10:08 | 0:10:11 | |
Yeah, I appreciate that.
Now, I do have some statistics. | 0:10:11 | 0:10:14 | |
Statistics? Hmm. | 0:10:14 | 0:10:15 | |
Like, for example, did you know
12% of NHS workers are not British? | 0:10:15 | 0:10:19 | |
12%! | 0:10:19 | 0:10:21 | |
I mean, people have no idea
of the contribution | 0:10:21 | 0:10:23 | |
these people make to our society. | 0:10:23 | 0:10:24 | |
Er, sorry to interrupt. | 0:10:24 | 0:10:26 | |
I've not had my caffeine
fix this morning. | 0:10:26 | 0:10:28 | |
Would you do the honours
if I pop to the toilet? | 0:10:28 | 0:10:30 | |
Milky, two sugars. | 0:10:30 | 0:10:32 | |
SID SCOFFS | 0:10:32 | 0:10:33 | |
It was only a mild angina attack. | 0:10:38 | 0:10:40 | |
So, she doesn't need
to go to hospital? | 0:10:42 | 0:10:44 | |
No, no, no. Just lots of rest - | 0:10:44 | 0:10:46 | |
but if it gets any worse,
then call an ambulance. | 0:10:46 | 0:10:49 | |
Who's, er... | 0:10:52 | 0:10:54 | |
Who's Kamari? | 0:10:54 | 0:10:55 | |
A young Kenyan woman who came
with me when I moved back here. | 0:10:56 | 0:11:00 | |
Lived in the barn conversion
and worked at our farm shop. | 0:11:01 | 0:11:04 | |
Right. Did, erm, something happen? | 0:11:05 | 0:11:07 | |
When I was away one night... | 0:11:11 | 0:11:13 | |
..she took her own life. | 0:11:15 | 0:11:16 | |
Drowned. | 0:11:18 | 0:11:19 | |
Oh. | 0:11:21 | 0:11:22 | |
Your mum seems to think
it was her fault. | 0:11:24 | 0:11:27 | |
Kamari came to the cottage
needing to talk... | 0:11:27 | 0:11:31 | |
..and she knocked
and knocked, and... | 0:11:31 | 0:11:33 | |
..Mum was in pain with her arthritis
and sent her away. | 0:11:35 | 0:11:40 | |
And that's when it happened? | 0:11:40 | 0:11:41 | |
Mum's blamed herself ever since. | 0:11:42 | 0:11:44 | |
So, she imagined Kamari
at the window. | 0:11:47 | 0:11:49 | |
I'm not so sure. | 0:11:49 | 0:11:50 | |
I could have sworn
I saw Kamari this morning, too. | 0:11:52 | 0:11:55 | |
What do you mean? | 0:11:56 | 0:11:57 | |
Well, I know it sounds crazy, but... | 0:11:59 | 0:12:00 | |
..I think she's haunting us. | 0:12:03 | 0:12:05 | |
Imagine Al's reaction
when we tell him that. | 0:12:12 | 0:12:14 | |
Yes, well, none of the staff
are going to be happy. | 0:12:14 | 0:12:16 | |
To be honest,
I have been dreading it. | 0:12:21 | 0:12:23 | |
DOOR SLAMS INTO CUP | 0:12:23 | 0:12:24 | |
Oh. | 0:12:26 | 0:12:27 | |
You must think I'm very silly,
rabbiting on about ghosts. | 0:12:29 | 0:12:34 | |
To be honest,
I don't know what to think. | 0:12:34 | 0:12:35 | |
Me neither.
I've been jittery all morning. | 0:12:35 | 0:12:38 | |
Really? | 0:12:38 | 0:12:40 | |
Woke up to find a window smashed. | 0:12:40 | 0:12:42 | |
Hmm. Do you think it's connected? | 0:12:42 | 0:12:45 | |
I really don't know. Probably not. | 0:12:45 | 0:12:47 | |
Well, I hope you get to the
bottom of it. | 0:12:49 | 0:12:51 | |
And, er, if you have any questions,
then give me a call, | 0:12:51 | 0:12:54 | |
about your mum I mean. | 0:12:54 | 0:12:55 | |
Bye, Doctor. Bye-bye. | 0:12:56 | 0:12:58 | |
Hey, mate.
Is that journalist still here? | 0:13:12 | 0:13:14 | |
Oh, yeah. Um, he's got me
making him coffee now. | 0:13:14 | 0:13:17 | |
Dude, never trust the press. | 0:13:17 | 0:13:20 | |
They've got the morals
of a blocked toilet, | 0:13:20 | 0:13:23 | |
with their noses in the gutter,
trying to rake up dirt - | 0:13:23 | 0:13:25 | |
and if they can't find any,
they will make it up. | 0:13:25 | 0:13:27 | |
Look, I don't think
he's that bad, but... | 0:13:27 | 0:13:30 | |
..he does keep implying I'm
some sort of victim of racism. | 0:13:30 | 0:13:32 | |
Oh, does he now? Hmm. | 0:13:32 | 0:13:34 | |
Right. | 0:13:34 | 0:13:35 | |
AL SIGHS | 0:13:34 | 0:13:35 | |
We've got one with an agenda. | 0:13:35 | 0:13:37 | |
OK, this is what you're going to do. | 0:13:37 | 0:13:39 | |
You're going to lull him
into a false sense of security. | 0:13:39 | 0:13:42 | |
Feed him something obvious,
something cliched. | 0:13:42 | 0:13:44 | |
How do you mean? | 0:13:44 | 0:13:46 | |
You know the stuff. | 0:13:46 | 0:13:47 | |
Spin him a yarn about how you
triumphed against adversity. | 0:13:47 | 0:13:50 | |
You know, you're an
underprivileged black guy | 0:13:50 | 0:13:53 | |
who was crushed by the white elite, | 0:13:53 | 0:13:54 | |
but you crawled
to the top in the end. | 0:13:54 | 0:13:56 | |
Look, I, I can't do that.
Yes, you can! | 0:13:56 | 0:13:58 | |
Come on - it's us against them. | 0:13:58 | 0:14:00 | |
SHE GASPS | 0:14:32 | 0:14:34 | |
Kamari? | 0:14:37 | 0:14:38 | |
No. | 0:14:41 | 0:14:42 | |
Who are you? | 0:14:46 | 0:14:47 | |
Ghosts? No. Emma... | 0:14:49 | 0:14:51 | |
..there is always a scientific
explanation - psychological issues, | 0:14:51 | 0:14:55 | |
erm, carbon monoxide poisoning
or exposure to infrasound. | 0:14:55 | 0:14:59 | |
Look, I'm not saying that I believe, | 0:14:59 | 0:15:01 | |
but it's a bit odd, isn't it?
Both of them seeing it? | 0:15:01 | 0:15:05 | |
What did they say it looked like?
Let me guess. | 0:15:05 | 0:15:07 | |
It was either transparent or it had
a white sheet on its head? | 0:15:07 | 0:15:11 | |
SHE SIGHS | 0:15:11 | 0:15:12 | |
No, actually. | 0:15:11 | 0:15:12 | |
A young Kenyan woman
with a yellow headscarf. | 0:15:12 | 0:15:15 | |
Oh, really? That's interesting,
because we had a young Kenyan | 0:15:15 | 0:15:18 | |
woman into the drop-in
centre this morning, | 0:15:18 | 0:15:20 | |
and she had a scarf,
and that scarf was yellow. | 0:15:20 | 0:15:22 | |
Oh. What was wrong with her? | 0:15:22 | 0:15:24 | |
Well, she had, like, ectoplasm,
just oozing from her... | 0:15:24 | 0:15:28 | |
She'd cut her hand. | 0:15:29 | 0:15:30 | |
Broken window. | 0:15:31 | 0:15:32 | |
Broken window? | 0:15:33 | 0:15:34 | |
What was her name? | 0:15:37 | 0:15:38 | |
I don't remember their names. | 0:15:38 | 0:15:40 | |
Lydia? Linda? Anthony? | 0:15:40 | 0:15:43 | |
I think you've found your ghost,
Emma. | 0:15:44 | 0:15:47 | |
Scooby-Doo would be very
pleased with you. | 0:15:47 | 0:15:49 | |
Ha, ha. | 0:15:49 | 0:15:50 | |
The likeness is incredible. | 0:15:51 | 0:15:53 | |
Are you twins? | 0:15:54 | 0:15:56 | |
What do you want? | 0:15:58 | 0:15:59 | |
Look, you can't just
come into someone's house. | 0:16:00 | 0:16:03 | |
It's not the first time. | 0:16:04 | 0:16:06 | |
Kamari. | 0:16:07 | 0:16:09 | |
Kamari. | 0:16:11 | 0:16:12 | |
It was you. In my bedroom. | 0:16:13 | 0:16:16 | |
I wanted you to feel
a fraction of the fear Kamari felt. | 0:16:16 | 0:16:20 | |
What? | 0:16:20 | 0:16:21 | |
Waking up every morning,
drenched in sweat, terrified. | 0:16:21 | 0:16:25 | |
It's true. She was so disturbed. | 0:16:25 | 0:16:28 | |
She'd become paranoid.
Scared of everything. | 0:16:28 | 0:16:32 | |
I've been watching you for days. | 0:16:33 | 0:16:35 | |
Waiting for the chance
to get you alone. | 0:16:35 | 0:16:38 | |
PHONE RINGS | 0:16:38 | 0:16:39 | |
Leave it. | 0:16:39 | 0:16:41 | |
I said leave it! | 0:16:41 | 0:16:43 | |
Outside. Now. | 0:16:43 | 0:16:45 | |
RINGING CONTINUES | 0:16:47 | 0:16:48 | |
PHONE RINGS | 0:16:53 | 0:16:55 | |
Hello? | 0:17:03 | 0:17:05 | |
Oh! | 0:17:06 | 0:17:08 | |
Dr Reid. | 0:17:08 | 0:17:10 | |
Yes, yes, I'm fine, I'm... | 0:17:10 | 0:17:12 | |
I'm much better, thank you. | 0:17:14 | 0:17:15 | |
What? | 0:17:19 | 0:17:20 | |
Is she called Kamari? | 0:17:24 | 0:17:26 | |
Er, no, no, no. | 0:17:26 | 0:17:28 | |
If you could, erm, well,
just pass it on to your daughter? | 0:17:28 | 0:17:31 | |
Yes, I will. | 0:17:31 | 0:17:32 | |
Oh, and, Edna,
maybe you should call the police. | 0:17:32 | 0:17:36 | |
You know, about the smashed window. | 0:17:36 | 0:17:38 | |
Well, I need to discuss
that with Cath first... | 0:17:38 | 0:17:41 | |
..but, er, thank you
for letting us know. | 0:17:41 | 0:17:44 | |
All right. Bye-bye. | 0:17:44 | 0:17:46 | |
Bye. | 0:17:46 | 0:17:47 | |
SHE GASPS | 0:17:56 | 0:17:57 | |
So, er, before we move on,
I just need to be clear. | 0:18:06 | 0:18:10 | |
You mentioned something
about discrimination as a child. | 0:18:10 | 0:18:13 | |
Yeah. Actually, erm... | 0:18:13 | 0:18:17 | |
Yeah? | 0:18:17 | 0:18:18 | |
Yeah, there was actually a bit more
than I let on before. | 0:18:19 | 0:18:23 | |
Erm, there was a bit of, erm,
racism on the estate. | 0:18:23 | 0:18:27 | |
Estate? | 0:18:27 | 0:18:28 | |
Oh, God. | 0:18:31 | 0:18:33 | |
Oh. | 0:18:33 | 0:18:34 | |
CATH IS OUT OF BREATH | 0:18:34 | 0:18:35 | |
Here. This is where it happened. | 0:18:37 | 0:18:39 | |
Why are you doing this? | 0:18:39 | 0:18:41 | |
Kamari means serene and placid,
like the moon... | 0:18:42 | 0:18:46 | |
..but my name, Lyndia,
means defender - | 0:18:47 | 0:18:49 | |
and that is exactly what
I intend to do, defend her memory. | 0:18:49 | 0:18:53 | |
Here! There's a rope. Tie your feet. | 0:18:53 | 0:18:56 | |
No! Look, her death
had nothing to do with me. | 0:18:58 | 0:19:01 | |
She was depressed.
You've got it all wrong. | 0:19:01 | 0:19:04 | |
I don't think so. | 0:19:04 | 0:19:05 | |
I was away when Kamari drowned. | 0:19:05 | 0:19:06 | |
Tie your feet. | 0:19:06 | 0:19:08 | |
You have to believe me. | 0:19:08 | 0:19:09 | |
It was my mum who refused to help.
not me! | 0:19:09 | 0:19:12 | |
Please! | 0:19:12 | 0:19:13 | |
Do it! Now! | 0:19:13 | 0:19:14 | |
Please! You have to believe me! | 0:19:14 | 0:19:17 | |
Stop! | 0:19:17 | 0:19:18 | |
Me and my mum, er... | 0:19:23 | 0:19:24 | |
She was a drug user. | 0:19:25 | 0:19:28 | |
Yeah. I spent years trying
to help her. | 0:19:28 | 0:19:29 | |
And, er, where is she now? | 0:19:31 | 0:19:33 | |
Oh, she died, | 0:19:33 | 0:19:35 | |
in, er, police custody. | 0:19:35 | 0:19:36 | |
Oh, that's, er, terrible.
What about your father? | 0:19:36 | 0:19:40 | |
Oh, he was, er, never around. | 0:19:40 | 0:19:43 | |
All my brothers and sisters
have different dads, so... | 0:19:43 | 0:19:45 | |
Must have been tough. | 0:19:45 | 0:19:47 | |
Yeah well, you know,
growing up on the Churchill, | 0:19:47 | 0:19:50 | |
everyone had already given up
on me at school. | 0:19:50 | 0:19:52 | |
But you proved them all wrong. | 0:19:52 | 0:19:53 | |
All those middle-class,
white teachers! | 0:19:53 | 0:19:58 | |
Yeah. | 0:19:58 | 0:19:59 | |
What an incredible journey. | 0:19:59 | 0:20:01 | |
You mean - what an incredible
load of rubbish! | 0:20:03 | 0:20:05 | |
What? | 0:20:05 | 0:20:06 | |
Everything I just told you
is a complete lie. | 0:20:06 | 0:20:08 | |
Which you would've known | 0:20:08 | 0:20:09 | |
if you'd done any background
research on me at all. | 0:20:09 | 0:20:12 | |
I actually come from a very loving
and stable family | 0:20:12 | 0:20:15 | |
who have done nothing
but encourage and support me. | 0:20:15 | 0:20:18 | |
So, you've just been
wasting my time? No. | 0:20:18 | 0:20:20 | |
No, no. You have been wasting mine. | 0:20:20 | 0:20:23 | |
You have no intention of publishing
my views on immigration, do you? | 0:20:23 | 0:20:26 | |
Well, that's not true. | 0:20:26 | 0:20:27 | |
You clearly have your own agenda -
racism in the NHS. | 0:20:27 | 0:20:31 | |
What, and you - you don't
believe that's important? | 0:20:32 | 0:20:35 | |
Of course I do. I'm obviously
all for equality and diversity, | 0:20:35 | 0:20:37 | |
but this, this is not the way
to go about it. | 0:20:37 | 0:20:40 | |
OK, now, hang on a minute...
No. I'm sorry, I'm sorry. | 0:20:40 | 0:20:44 | |
This interview is over. | 0:20:44 | 0:20:46 | |
I've called the police. | 0:20:51 | 0:20:52 | |
I don't care. Your daughter
won't testify against me. | 0:20:52 | 0:20:55 | |
Not after what she's done.
She caused my sister's death. | 0:20:55 | 0:20:59 | |
How many more times,
it's got nothing to do with me. | 0:20:59 | 0:21:02 | |
Tell her, Mum. | 0:21:02 | 0:21:03 | |
It's the truth. | 0:21:03 | 0:21:04 | |
It was me who wouldn't let her in,
the night she died. | 0:21:06 | 0:21:08 | |
I told you. | 0:21:08 | 0:21:09 | |
Something I've got to live
with forever. | 0:21:09 | 0:21:11 | |
I still have nightmares about it. | 0:21:11 | 0:21:13 | |
Kamari was in a bad place.
It's not your fault, Mum. | 0:21:13 | 0:21:17 | |
Kamari always spoke of you
with fondness. | 0:21:17 | 0:21:19 | |
I know you're looking for a reason,
someone to blame... | 0:21:19 | 0:21:23 | |
..but the truth is,
Kamari took her own life. | 0:21:23 | 0:21:26 | |
It was her choice. | 0:21:26 | 0:21:28 | |
You snake. You obviously don't
know the full story. | 0:21:28 | 0:21:31 | |
Why do you insist on accusing me? | 0:21:31 | 0:21:33 | |
We gave her a job, a home. | 0:21:33 | 0:21:36 | |
Letters she sent me.
It's all there. | 0:21:36 | 0:21:38 | |
The cruelty, the misery,
that you inflicted on her. | 0:21:38 | 0:21:42 | |
Well, if she said that,
then...then she was confused. | 0:21:42 | 0:21:46 | |
Kamari had problems. | 0:21:47 | 0:21:49 | |
But surely, I would have known,
I mean, or seen. | 0:21:49 | 0:21:53 | |
While you were trapped in your house
with arthritis, | 0:21:53 | 0:21:56 | |
she would lock Kamari
in the storeroom of the farm shop... | 0:21:56 | 0:21:58 | |
I never did that. | 0:21:58 | 0:21:59 | |
..and in the evenings, she would
sneak into the barn and beat Kamari. | 0:21:59 | 0:22:03 | |
You don't believe any of this,
do you? It's all nonsense. | 0:22:03 | 0:22:06 | |
Well, if it's true,
why didn't Kamari come to me? | 0:22:07 | 0:22:12 | |
She was terrified, of her. | 0:22:12 | 0:22:14 | |
Yes, she did start to change. | 0:22:16 | 0:22:18 | |
She got more nervous, and... | 0:22:18 | 0:22:21 | |
Well, that had nothing
to do with me. | 0:22:21 | 0:22:23 | |
And those bruises on her shoulder. | 0:22:23 | 0:22:25 | |
You said she got them from a fall. | 0:22:25 | 0:22:27 | |
Mum. Listen. Enough! | 0:22:27 | 0:22:29 | |
It's all here. | 0:22:29 | 0:22:30 | |
You treated Kamari like
she was your possession. | 0:22:31 | 0:22:34 | |
Drove her to her death. You! | 0:22:34 | 0:22:36 | |
How could you! | 0:22:36 | 0:22:38 | |
APPROACHING SIREN | 0:22:38 | 0:22:40 | |
EDNA SOBS | 0:22:41 | 0:22:43 | |
Why didn't you go to the police? | 0:22:43 | 0:22:46 | |
Prison is the easy option.
I want real justice. | 0:22:46 | 0:22:49 | |
I'll be back to finish this. | 0:22:51 | 0:22:54 | |
Tomorrow. Next year. | 0:22:54 | 0:22:56 | |
Who knows? | 0:22:56 | 0:22:57 | |
And I won't stop until it's you
drowning in this place. | 0:22:57 | 0:23:01 | |
Stop! Police! Come back! | 0:23:04 | 0:23:06 | |
I meant what I said, you know,
about calling your editor. | 0:23:17 | 0:23:20 | |
And say what? It's all on here. | 0:23:20 | 0:23:22 | |
You can't exactly deny it. | 0:23:22 | 0:23:23 | |
It's all made up.
You can't print that. | 0:23:23 | 0:23:25 | |
Oh, please, don't tell me
how to do my job. | 0:23:25 | 0:23:27 | |
I'm not, but... Look, I can only
work with what I've got. | 0:23:27 | 0:23:31 | |
Now, if you don't like that, | 0:23:31 | 0:23:32 | |
you shouldn't have fed me
a pack of lies. | 0:23:32 | 0:23:34 | |
I'll send you
a copy of the finished article. | 0:23:34 | 0:23:36 | |
Why are they going? | 0:23:44 | 0:23:45 | |
Without Lyndia or the letters,
there isn't enough evidence. | 0:23:47 | 0:23:50 | |
Just what you said. | 0:23:51 | 0:23:53 | |
Oh! | 0:23:53 | 0:23:54 | |
But they're going to
investigate further. | 0:23:56 | 0:23:58 | |
I can't believe you told them. | 0:23:58 | 0:24:00 | |
What do you expect? | 0:24:00 | 0:24:03 | |
Mum, I know you're ashamed of me, | 0:24:03 | 0:24:05 | |
but do you really want to see me
in prison? | 0:24:05 | 0:24:07 | |
I just couldn't ignore what you've
done. All those years in Africa. | 0:24:08 | 0:24:12 | |
You changed. | 0:24:12 | 0:24:14 | |
I didn't mean for this to happen. | 0:24:14 | 0:24:16 | |
I didn't know she'd take
her own life. | 0:24:18 | 0:24:20 | |
A young girl has lost her life, | 0:24:20 | 0:24:22 | |
and you, you don't seem to care. | 0:24:22 | 0:24:24 | |
Of course I do... | 0:24:24 | 0:24:25 | |
..but it's not that simple. | 0:24:25 | 0:24:28 | |
You haven't lived in Africa.
These people, they're not like us. | 0:24:28 | 0:24:32 | |
People? Yes! | 0:24:32 | 0:24:34 | |
It's a cultural thing,
the way they are. | 0:24:34 | 0:24:37 | |
Take the ones who worked for me.
No sense of decency. | 0:24:38 | 0:24:41 | |
Didn't show me any respect. | 0:24:41 | 0:24:43 | |
Well, perhaps if you'd
treated them differently. | 0:24:43 | 0:24:46 | |
It wouldn't have made any
difference. | 0:24:46 | 0:24:47 | |
They don't have the same standards. | 0:24:47 | 0:24:49 | |
They need to be disciplined. | 0:24:49 | 0:24:50 | |
Disciplined? | 0:24:50 | 0:24:51 | |
It's the only way. | 0:24:51 | 0:24:53 | |
The squalid lives they lead. | 0:24:53 | 0:24:55 | |
They're more like a... | 0:24:55 | 0:24:56 | |
What I mean is... Stop it! | 0:24:57 | 0:24:59 | |
Stop it! | 0:24:59 | 0:25:00 | |
That poor girl. | 0:25:03 | 0:25:04 | |
What about me? | 0:25:06 | 0:25:07 | |
You've said you missed me... | 0:25:09 | 0:25:11 | |
..but when I moved back here,
you spent more time with her. | 0:25:11 | 0:25:14 | |
She was just a timid little thing.
She needed looking after. | 0:25:14 | 0:25:18 | |
And I didn't? | 0:25:18 | 0:25:19 | |
Is that why you hurt her?
Because... Because you were jealous? | 0:25:21 | 0:25:23 | |
All I'm saying is... | 0:25:25 | 0:25:27 | |
..I needed to know that you
were there for me. | 0:25:27 | 0:25:29 | |
I was in a bad way after James left. | 0:25:30 | 0:25:33 | |
So you thought you'd take
it out on Kamari? | 0:25:33 | 0:25:37 | |
SOFTLY: No. | 0:25:39 | 0:25:40 | |
Until she couldn't take any more! | 0:25:41 | 0:25:44 | |
EDNA SOBS | 0:25:44 | 0:25:46 | |
I'm going to go away for a bit. | 0:25:48 | 0:25:49 | |
I'm going to stay
with your brother. | 0:25:49 | 0:25:51 | |
How long for? | 0:25:51 | 0:25:52 | |
I don't know. | 0:25:53 | 0:25:54 | |
But what about me? | 0:25:56 | 0:25:57 | |
EDNA SOBS | 0:25:58 | 0:25:59 | |
Mum? | 0:26:01 | 0:26:02 | |
I'm still your daughter. | 0:26:04 | 0:26:06 | |
EDNA CRIES | 0:26:07 | 0:26:08 | |
CATH CRIES | 0:26:13 | 0:26:15 | |
Oh. | 0:26:17 | 0:26:18 | |
CATH SIGHS | 0:26:21 | 0:26:22 | |
RUSTLING | 0:26:24 | 0:26:25 | |
Who's there? | 0:26:28 | 0:26:30 | |
WHISPERED: Kamari. | 0:26:31 | 0:26:33 | |
Kamari. | 0:26:33 | 0:26:35 | |
Kamari. | 0:26:35 | 0:26:37 | |
Who's there? | 0:26:37 | 0:26:38 | |
WHISPERING GETS LOUDER AND FASTER | 0:26:38 | 0:26:40 | |
Kamari, Kamari, Kamari, Kamari. | 0:26:40 | 0:26:43 | |
Lily's 15 years old.
She's eight months pregnant. | 0:26:47 | 0:26:50 | |
She's eight month's pregnant? | 0:26:50 | 0:26:52 | |
No. | 0:26:52 | 0:26:53 | |
What is it, then?! | 0:26:53 | 0:26:55 | |
It's my mum's funeral.
Can you shut up?! | 0:26:55 | 0:26:56 | |
Why would you say
something like that? | 0:26:56 | 0:26:58 | |
Can you just give me some space?
Is it something I've done? | 0:26:58 | 0:27:00 | |
You know, I'm trying to
build bridges. | 0:27:00 | 0:27:03 | |
Every Sunday night we have a long
telephone conversation... | 0:27:03 | 0:27:05 | |
..but the bridge isn't
quite built yet. | 0:27:05 | 0:27:08 |