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CLOCK TICKS | 0:00:28 | 0:00:30 | |
THREE LOUD KNOCKS | 0:00:41 | 0:00:44 | |
THREE LOUD KNOCKS | 0:00:46 | 0:00:48 | |
THREE MUFFLED KNOCKS | 0:01:17 | 0:01:19 | |
Stop it. | 0:01:21 | 0:01:23 | |
Stop it! Stop it! | 0:01:23 | 0:01:26 | |
-Well, I better get going. Busy night ahead. -Uh-huh. | 0:01:28 | 0:01:31 | |
Yeah. I'm going to go and pay my respects to Katherine Bellwood. | 0:01:31 | 0:01:35 | |
I did a VPAS visit with her and her sister a while back. | 0:01:35 | 0:01:38 | |
Just want to check she's OK. | 0:01:38 | 0:01:39 | |
You know her sister died? | 0:01:41 | 0:01:42 | |
-Olivia? -Mm. -Oh, no! | 0:01:42 | 0:01:44 | |
I did a couple of house calls with her | 0:01:45 | 0:01:47 | |
but she would always brush off any help. | 0:01:47 | 0:01:50 | |
Thought her sister was overreacting. | 0:01:50 | 0:01:52 | |
Oh, she always laughed at my visits too - she used to fix me | 0:01:52 | 0:01:55 | |
-with a beady stare and say, "Do I look vulnerable?" -Yeah! | 0:01:55 | 0:01:59 | |
She once offered to arm-wrestle me | 0:01:59 | 0:02:00 | |
-to prove she didn't need any help from some doctor. -No! | 0:02:00 | 0:02:04 | |
Well, she certainly raged against the dying of the light. | 0:02:04 | 0:02:07 | |
-Who's this? -Olivia Bellwood died. | 0:02:07 | 0:02:09 | |
Oh. I saw her a couple of times. | 0:02:09 | 0:02:12 | |
The only medication she swore by was a hot tumbler of whisky | 0:02:12 | 0:02:15 | |
every evening. | 0:02:15 | 0:02:16 | |
-Game old bird. What was she, 90? -92. | 0:02:16 | 0:02:18 | |
Ask her when the funeral is. | 0:02:19 | 0:02:21 | |
-You know, there might be some people who want to go. -Will do. | 0:02:21 | 0:02:24 | |
-Night all. -Good night. Oh, who's got the evening shift? | 0:02:24 | 0:02:26 | |
That will be me. Unless you want to swap? | 0:02:26 | 0:02:29 | |
-Argh, sorry, no can do. -Yeah, sure you can't. | 0:02:29 | 0:02:31 | |
No, no, I wish I could, | 0:02:31 | 0:02:33 | |
but there are plans afoot this evening that I have no control over. | 0:02:33 | 0:02:37 | |
See you next week, guys. | 0:02:42 | 0:02:44 | |
Yeah, bye, fellas. | 0:02:44 | 0:02:45 | |
-I think I need a drink. -Oh, gin and tonic, please. | 0:02:47 | 0:02:50 | |
Pint of special and a gin and tonic, please. | 0:02:51 | 0:02:54 | |
So, Gavin thinks we need stronger bonding in the group? | 0:02:54 | 0:02:57 | |
Yeah, yeah, yeah. | 0:02:57 | 0:02:59 | |
I mean, in theory, I'm OK with that, | 0:02:59 | 0:03:00 | |
but then he started talking about "hugging it out". | 0:03:00 | 0:03:04 | |
Yeah. "Tribal drums and campfires." | 0:03:04 | 0:03:07 | |
Mmm. What was all that about bearskins? I don't know. | 0:03:07 | 0:03:11 | |
No, I think he meant bare skin. | 0:03:11 | 0:03:14 | |
Did he? Thank you. | 0:03:14 | 0:03:16 | |
Well, if he's going to go down that road, then I'm out. | 0:03:16 | 0:03:18 | |
-Me too. Cheers. -Yeah, cheers. | 0:03:18 | 0:03:20 | |
I'm so sorry I couldn't get here sooner to offer my condolences. | 0:03:22 | 0:03:25 | |
Oh, it's very kind of you to come at all. | 0:03:25 | 0:03:28 | |
Well, I've come on behalf of the whole surgery. | 0:03:28 | 0:03:30 | |
I'm sure this is a very difficult time. | 0:03:32 | 0:03:34 | |
It must be very quiet without her. | 0:03:36 | 0:03:38 | |
Just you in this big house. | 0:03:38 | 0:03:40 | |
Honestly? | 0:03:40 | 0:03:42 | |
Olivia hasn't left yet. | 0:03:42 | 0:03:44 | |
Oh? | 0:03:44 | 0:03:45 | |
Oh. I see. You mean you've got her lying in state? | 0:03:45 | 0:03:48 | |
-No. -I didn't think people did that any more. | 0:03:48 | 0:03:51 | |
So, might I go and pay my respects? | 0:03:51 | 0:03:54 | |
No, I mean she never left. | 0:03:54 | 0:03:57 | |
Right. | 0:03:58 | 0:04:00 | |
Well, I'm sure, when someone's been part of your whole life... | 0:04:00 | 0:04:03 | |
They collected the body, but she's still very much in residence. | 0:04:03 | 0:04:06 | |
I know how it must sound, Miss Pitman, | 0:04:09 | 0:04:12 | |
but I've really not gone doolally. | 0:04:12 | 0:04:15 | |
I would never think that. | 0:04:15 | 0:04:16 | |
I have no doubt my sister is still here, and I know why. | 0:04:16 | 0:04:20 | |
-Could you do something for me? -Yes, of course. | 0:04:23 | 0:04:27 | |
Along the corridor, there's a black box, | 0:04:27 | 0:04:29 | |
in the top drawer of the bureau. | 0:04:29 | 0:04:31 | |
-Would you get it? -Yeah. | 0:04:33 | 0:04:35 | |
Top drawer of the bureau. Got it. Two ticks. | 0:04:35 | 0:04:37 | |
EERIE WHOOSH | 0:04:52 | 0:04:54 | |
Don't be silly. | 0:04:58 | 0:04:59 | |
Is this it? | 0:05:03 | 0:05:04 | |
Thank you. | 0:05:04 | 0:05:06 | |
Oh! | 0:05:10 | 0:05:11 | |
That is wonderful. It's really stunning. | 0:05:13 | 0:05:17 | |
It was made especially for my great-grandmother, | 0:05:17 | 0:05:19 | |
-over 100 years ago. -So unusual. | 0:05:19 | 0:05:22 | |
Olivia wanted to be buried with it. | 0:05:23 | 0:05:26 | |
I took it with me to the funeral home, | 0:05:26 | 0:05:28 | |
with the clothes in which she was to be laid out. | 0:05:28 | 0:05:31 | |
And you couldn't go through with it? I don't blame you. | 0:05:31 | 0:05:33 | |
I talked to the undertaker about the arrangements, | 0:05:33 | 0:05:37 | |
and I suddenly realised how much it was all going to cost me - | 0:05:37 | 0:05:40 | |
the coffin, the flowers, oh, everything. | 0:05:40 | 0:05:42 | |
So...I kept it to sell. | 0:05:44 | 0:05:48 | |
I'm so sorry. | 0:05:48 | 0:05:49 | |
Only I can't. | 0:05:50 | 0:05:53 | |
I have to take it back. | 0:05:53 | 0:05:55 | |
I don't want to... | 0:05:55 | 0:05:56 | |
..but I must. | 0:05:58 | 0:05:59 | |
Oh, thanks so much for coming. | 0:06:02 | 0:06:05 | |
You're really good to do this for me. | 0:06:05 | 0:06:07 | |
AMERICAN ACCENT: Hello. | 0:06:09 | 0:06:11 | |
I'm Tara... | 0:06:11 | 0:06:13 | |
..O'Mara. | 0:06:13 | 0:06:15 | |
And this is my husband, Nathaniel. | 0:06:15 | 0:06:18 | |
-What are you doing? -I'm role-playing. | 0:06:20 | 0:06:23 | |
I'm testing your abilities and boundaries, as a hostess. | 0:06:23 | 0:06:26 | |
ACCENTED: This place is so charming. | 0:06:26 | 0:06:28 | |
And it was so easy to get to, wasn't it, Nathaniel? | 0:06:28 | 0:06:31 | |
Comparatively speaking, yes. | 0:06:31 | 0:06:34 | |
Right. | 0:06:34 | 0:06:35 | |
Well, you've seen the place on the website, | 0:06:36 | 0:06:39 | |
so would you like a guided tour... | 0:06:39 | 0:06:42 | |
..Tara? | 0:06:42 | 0:06:43 | |
Perfect. Lead on. | 0:06:43 | 0:06:45 | |
This way. | 0:06:47 | 0:06:48 | |
Watch what you do with those bags, Nathaniel. | 0:06:48 | 0:06:50 | |
This place is so quaint! | 0:06:50 | 0:06:52 | |
Sorry, are you telling me that your sister won't rest...? | 0:06:54 | 0:06:57 | |
Unless she has the necklace. | 0:06:57 | 0:07:00 | |
Yes, I know how it sounds, but it's true. | 0:07:00 | 0:07:04 | |
Olivia was the oldest sister, you know that. | 0:07:04 | 0:07:07 | |
-The necklace should have gone to her. -And it didn't? | 0:07:07 | 0:07:10 | |
She couldn't wear it. | 0:07:10 | 0:07:12 | |
-She was a Coral Killer. -A what? | 0:07:13 | 0:07:16 | |
Something to do with her metabolism, apparently. | 0:07:16 | 0:07:20 | |
There was a matching bracelet. | 0:07:20 | 0:07:21 | |
Olivia wore it, the coral rotted. | 0:07:21 | 0:07:24 | |
So, it had a reaction to her, not the other way round. | 0:07:26 | 0:07:28 | |
I don't really understand it, but putting coral next to skin - | 0:07:29 | 0:07:33 | |
her body oils somehow...killed it. | 0:07:33 | 0:07:37 | |
It went black and shrivelled. | 0:07:39 | 0:07:41 | |
Miss Bellwood. | 0:07:42 | 0:07:44 | |
I think that losing your sister has been a shock, | 0:07:45 | 0:07:48 | |
and grief sometimes does strange things. | 0:07:48 | 0:07:51 | |
Perhaps some bereavement counselling might help? | 0:07:52 | 0:07:55 | |
Would you take the necklace for me? | 0:07:55 | 0:07:57 | |
I made an arrangement to see her at the funeral home this evening | 0:07:58 | 0:08:02 | |
one last time, but I can't face her. | 0:08:02 | 0:08:05 | |
-Tonight? -Please. | 0:08:05 | 0:08:08 | |
You're sure you want to give it up? | 0:08:08 | 0:08:10 | |
Don't you see? | 0:08:11 | 0:08:12 | |
I have no choice. | 0:08:12 | 0:08:14 | |
You know, one of the things I have learned from this group | 0:08:24 | 0:08:27 | |
is about boundaries. | 0:08:27 | 0:08:29 | |
Because, in my work life, it's absolute. But in my private life... | 0:08:29 | 0:08:33 | |
Yeah, it's when they cross over, that it... You get into trouble, don't you? | 0:08:33 | 0:08:36 | |
It's a fine dividing line, trying to keep professional | 0:08:36 | 0:08:39 | |
when you're working with somebody you know. | 0:08:39 | 0:08:41 | |
-You see... -Heston, you know what... | 0:08:43 | 0:08:46 | |
..happened between us down at the station | 0:08:46 | 0:08:48 | |
-with our pregnant, illegal, immigrant lady? -Mm-hmm. | 0:08:48 | 0:08:50 | |
Can we pretend that didn't happen? I wouldn't want it to spoil this. | 0:08:52 | 0:08:55 | |
Absolutely. | 0:08:55 | 0:08:56 | |
I wish it was that straightforward with Ruhma. | 0:08:58 | 0:09:00 | |
-Ah, still tricky, eh? -Uh-huh. | 0:09:00 | 0:09:02 | |
Well, it must have affected her deeply. | 0:09:02 | 0:09:05 | |
She'll need more time. | 0:09:05 | 0:09:06 | |
-How are you coping these days? -Better. | 0:09:08 | 0:09:10 | |
Flashbacks are getting further and further apart. | 0:09:10 | 0:09:13 | |
The disturbed nights, less and less. | 0:09:13 | 0:09:14 | |
-So, the antidepressants must be kicking in. -That's good. | 0:09:14 | 0:09:17 | |
And that's thanks to you, in no small part. | 0:09:17 | 0:09:19 | |
-Just nipping to the gents. -Are we having another? | 0:09:20 | 0:09:23 | |
I'll get some on the, er, way back. | 0:09:23 | 0:09:25 | |
Do help yourself to anything you find in the fridge. | 0:09:27 | 0:09:29 | |
I always think it's nice to have a little nibble. | 0:09:29 | 0:09:32 | |
Hmm, lovely. So, have you lived here long? | 0:09:32 | 0:09:34 | |
-EXAGGERATED ACCENT: -Oh, strike me pink! I've lived in this house | 0:09:34 | 0:09:37 | |
long enough to put my stamp on every room. | 0:09:37 | 0:09:39 | |
I think you'll find that my antimacassars are the talk of the street. | 0:09:39 | 0:09:43 | |
Really, how fascinating. | 0:09:43 | 0:09:45 | |
Now, there were one or two things that | 0:09:45 | 0:09:46 | |
I forgot to mention via e-mail - a hairdryer... | 0:09:46 | 0:09:49 | |
-Oh, in yer room, dearie. -And, also, Nathaniel | 0:09:49 | 0:09:51 | |
has a slight skin condition. Haven't you, Nathaniel? | 0:09:51 | 0:09:54 | |
So, have the sheets been washed with hypoallergenic detergent? | 0:09:54 | 0:09:57 | |
I don't know to what you are referring. | 0:09:57 | 0:09:59 | |
You'll find all my laundry is a la mode and no mistaking. | 0:09:59 | 0:10:02 | |
Excellent. | 0:10:02 | 0:10:03 | |
We won't have to apply your ointment after all, darling. | 0:10:03 | 0:10:06 | |
You all right? | 0:10:12 | 0:10:13 | |
Was that pantomime downstairs really necessary? | 0:10:20 | 0:10:23 | |
We are the dress rehearsal. | 0:10:23 | 0:10:25 | |
You could've warned me. | 0:10:25 | 0:10:27 | |
And we've paid out a small fortune for an overnight baby-sitter. | 0:10:27 | 0:10:29 | |
For what? To sit in Emma's spare bedroom? | 0:10:29 | 0:10:32 | |
Well, look at the trouble she's gone to. | 0:10:32 | 0:10:33 | |
Look at these touches - fresh flowers, some fizz. | 0:10:33 | 0:10:36 | |
Yeah, expensive. Angling for her first five stars on her website. | 0:10:36 | 0:10:40 | |
Doesn't make up for the golf that's on at home. | 0:10:40 | 0:10:42 | |
The golf is always on at home. | 0:10:42 | 0:10:44 | |
And don't think for a moment that I didn't see that you set | 0:10:44 | 0:10:47 | |
the timer to record it. | 0:10:47 | 0:10:48 | |
What if it overruns, goes to a play-off? | 0:10:48 | 0:10:51 | |
Anyway, where you been? I was about to send out a small search party. | 0:10:51 | 0:10:54 | |
The bathroom. | 0:10:54 | 0:10:56 | |
-You've been ages. -It won't flush. -What? | 0:10:56 | 0:10:58 | |
-It. Won't. Flush. And it really, really needs to. -Oh! | 0:10:58 | 0:11:02 | |
Oh, well, that's really helpful, thank you so much. | 0:11:04 | 0:11:06 | |
I'll deal with it myself. | 0:11:06 | 0:11:08 | |
Heston, what you doing? You've been ages. | 0:11:11 | 0:11:13 | |
This young man's not very well. He's got quite a temperature. | 0:11:13 | 0:11:16 | |
Are you here with anyone, son? | 0:11:16 | 0:11:18 | |
-Do you know where you are? -Hello, eggs. | 0:11:19 | 0:11:22 | |
Eggs? What's eggs? | 0:11:22 | 0:11:24 | |
-A tenner says he's on viper. -Viper? What's viper? | 0:11:24 | 0:11:27 | |
You've never heard of viper? Lucky you. | 0:11:27 | 0:11:30 | |
You're an egg. | 0:11:30 | 0:11:32 | |
Here we go. | 0:11:34 | 0:11:35 | |
CREAKING | 0:11:40 | 0:11:41 | |
CREAKING | 0:11:44 | 0:11:46 | |
You got what you wanted! | 0:11:46 | 0:11:47 | |
Don't you always? | 0:11:49 | 0:11:50 | |
EERIE WHOOSH | 0:11:52 | 0:11:54 | |
Come to fetch me? | 0:11:55 | 0:11:58 | |
I suppose you think I'm a coward, sending that poor girl. | 0:11:58 | 0:12:01 | |
I thought you might treat her with some kindness. | 0:12:01 | 0:12:04 | |
KNOCKING | 0:12:06 | 0:12:08 | |
It wasn't my fault! | 0:12:09 | 0:12:11 | |
CLOCK CHIMES | 0:12:14 | 0:12:16 | |
Stop it, Olivia! Just go! | 0:12:16 | 0:12:19 | |
BROKEN TOILET HALF-FLUSHES | 0:12:22 | 0:12:24 | |
Oh, stupid thing! | 0:12:26 | 0:12:28 | |
-Is everything all right in there? -Come on! | 0:12:28 | 0:12:30 | |
Is there, erm, anything I can do? | 0:12:30 | 0:12:34 | |
No. No, thank you. | 0:12:34 | 0:12:37 | |
YOUTH GROANS | 0:12:40 | 0:12:42 | |
-Oh, thanks. -How is he? | 0:12:42 | 0:12:44 | |
-Well, you'll be pleased to hear I am no longer an egg. -Right. | 0:12:44 | 0:12:47 | |
I am now Humpty Dumpty. | 0:12:47 | 0:12:50 | |
Dilated pupils, bloodshot eyes. I'm not too happy about his pulse. | 0:12:50 | 0:12:54 | |
-Ah-ah-ah-ah! -I think we need an ambulance. | 0:12:54 | 0:12:58 | |
The paramedics will not thank you for that. | 0:12:58 | 0:13:00 | |
-He's only getting worse. -Hmm. | 0:13:00 | 0:13:03 | |
You could throw a stone into any A&E on a Saturday night | 0:13:03 | 0:13:06 | |
and hit someone like him. Yes, ambulance, please. | 0:13:06 | 0:13:09 | |
Argh! | 0:13:09 | 0:13:10 | |
It is unusual for someone outside the family to be allowed a visit. | 0:13:13 | 0:13:16 | |
Oh, yeah, no, I understand. | 0:13:16 | 0:13:18 | |
And, believe me, I would not be doing it | 0:13:18 | 0:13:20 | |
if it wasn't important, especially after hours. | 0:13:20 | 0:13:23 | |
But I am a sort of an emissary, so... Oh. | 0:13:23 | 0:13:27 | |
Miss Bellwood? | 0:13:27 | 0:13:29 | |
I was brought to realise I had to do this myself. | 0:13:29 | 0:13:32 | |
Brought to? | 0:13:32 | 0:13:34 | |
It's the way it has to be done, if I'm to be left in peace. | 0:13:35 | 0:13:38 | |
As I was saying, she won't leave me alone. | 0:13:38 | 0:13:41 | |
Really. And why is that? | 0:13:41 | 0:13:43 | |
Not me... | 0:13:43 | 0:13:44 | |
..her sister. | 0:13:44 | 0:13:46 | |
The one you've got... | 0:13:46 | 0:13:48 | |
..in residence. | 0:13:48 | 0:13:49 | |
Actually, you haven't heard any noises, have you? | 0:13:49 | 0:13:52 | |
-Noises? -From "beyond". -Quiet as the proverbial. | 0:13:52 | 0:13:56 | |
If they make a noise, we release them from custody, | 0:13:56 | 0:13:59 | |
usually for lack of evidence. | 0:13:59 | 0:14:01 | |
Of being deceased, that is. | 0:14:01 | 0:14:04 | |
She can't be in two places at once - | 0:14:04 | 0:14:06 | |
if she was taunting me, she couldn't be here. | 0:14:06 | 0:14:08 | |
If you would like to give me the necklace. | 0:14:08 | 0:14:10 | |
No. I must do this myself. | 0:14:10 | 0:14:13 | |
Do you want me to come with you? | 0:14:13 | 0:14:15 | |
Thank you. | 0:14:15 | 0:14:16 | |
Your sister is in the chapel room, Miss Bellwood. | 0:14:16 | 0:14:19 | |
However, her casket has been sealed. | 0:14:19 | 0:14:22 | |
-I'd be reluctant to open it in your presence. -Why's that? | 0:14:22 | 0:14:26 | |
Not because she's restless, I can assure you. | 0:14:26 | 0:14:29 | |
You asked me to do what I could about keeping down the costs, so... | 0:14:29 | 0:14:33 | |
..your sister has had no preparation... | 0:14:33 | 0:14:36 | |
..for her final journey. | 0:14:36 | 0:14:38 | |
What, nothing? | 0:14:38 | 0:14:39 | |
-It might be distressing for you. -I still have to do it. | 0:14:40 | 0:14:44 | |
Of course. | 0:14:44 | 0:14:45 | |
Maybe the flush is too weak. | 0:14:53 | 0:14:55 | |
I know. | 0:14:56 | 0:14:59 | |
-Hold that. -What are you doing? | 0:14:59 | 0:15:01 | |
I'm adjusting the ballcock. More water means heavier flush. | 0:15:01 | 0:15:05 | |
-Are you sure you know what you're talking about? -Of course. | 0:15:05 | 0:15:08 | |
SPLASHING | 0:15:08 | 0:15:09 | |
That shouldn't have happened. | 0:15:12 | 0:15:15 | |
Right. | 0:15:15 | 0:15:16 | |
WATER GURGLES | 0:15:16 | 0:15:17 | |
-Ah! -Oh. -Can't you stop it? Stop it, Daniel! | 0:15:17 | 0:15:21 | |
-I don't know how! -Oh, this is useless. | 0:15:21 | 0:15:24 | |
-Where are you going? -I'm going to get Emma, what do you think? | 0:15:24 | 0:15:27 | |
Wh... Du... Argh! | 0:15:27 | 0:15:29 | |
There's no hurry. | 0:15:31 | 0:15:33 | |
Stay as long as you need. | 0:15:33 | 0:15:34 | |
Thank you, Mr Canham. | 0:15:34 | 0:15:36 | |
Are you sure you wouldn't rather be alone? | 0:15:43 | 0:15:46 | |
I haven't been alone for over 70 years. | 0:15:46 | 0:15:49 | |
Have I, Olivia? | 0:15:49 | 0:15:50 | |
Well, here I am, just as you wanted, as ever. | 0:15:52 | 0:15:56 | |
I'm sorry I didn't carry out your wishes to the last letter. | 0:15:57 | 0:16:01 | |
But we both know there's always been more to it than that, don't we? | 0:16:02 | 0:16:08 | |
HISSING AND GROANING | 0:16:12 | 0:16:14 | |
Got it. | 0:16:17 | 0:16:18 | |
Oh, at last! Oh, my hand is freezing. | 0:16:18 | 0:16:22 | |
It was really tight - it must have been stuck for ages. | 0:16:22 | 0:16:26 | |
Right, the emergency plumber can't get here - there's been an epidemic | 0:16:26 | 0:16:29 | |
of burst pipes in Sutton Coldfield, apparently. | 0:16:29 | 0:16:32 | |
-Well, at least we've got the water off here at last. -Thanks. | 0:16:32 | 0:16:36 | |
So, er, well, my, erm, | 0:16:36 | 0:16:38 | |
en suite is at your disposal for the rest of the night. | 0:16:38 | 0:16:42 | |
Thanks, Emma, and I am really sorry. | 0:16:42 | 0:16:44 | |
I'll make sure that Daniel keeps his use to an acceptable minimum. | 0:16:44 | 0:16:47 | |
MUFFLED OBJECTION | 0:16:47 | 0:16:49 | |
Here we are then, Olivia. | 0:16:52 | 0:16:54 | |
Our last, proper parting. | 0:16:57 | 0:16:59 | |
Unless you decide otherwise. | 0:17:00 | 0:17:02 | |
Because it was always about getting your way, wasn't it? | 0:17:04 | 0:17:08 | |
It was never enough you had everything as the oldest sister. | 0:17:08 | 0:17:14 | |
Never enough you were the prettiest one. | 0:17:14 | 0:17:16 | |
Our parents' favourite. | 0:17:16 | 0:17:18 | |
The one all the cats preferred. | 0:17:18 | 0:17:20 | |
Oh, cats are just like that, though. | 0:17:21 | 0:17:23 | |
You can't take that personally. | 0:17:23 | 0:17:26 | |
All the boys courted you, too. | 0:17:26 | 0:17:29 | |
Even though you took more pleasure | 0:17:29 | 0:17:31 | |
in refusing their advances than accepting them. | 0:17:31 | 0:17:34 | |
And still you were never happy. | 0:17:35 | 0:17:38 | |
And you always resented what little I had in comparison, | 0:17:45 | 0:17:49 | |
and wanted that for yourself, too. | 0:17:49 | 0:17:51 | |
And just took it from me. | 0:17:51 | 0:17:53 | |
Except the necklace. | 0:17:54 | 0:17:55 | |
Hers by right... | 0:17:56 | 0:17:57 | |
..and her needs and wishes always had to come first. | 0:17:59 | 0:18:04 | |
-I'm so sorry. -Well... | 0:18:04 | 0:18:07 | |
She was the one who died first, so she had her way right to the end. | 0:18:07 | 0:18:12 | |
And you can finally have this, | 0:18:14 | 0:18:20 | |
for all the good it will do you. | 0:18:20 | 0:18:22 | |
Goodbye... | 0:18:24 | 0:18:25 | |
..Coral Killer. | 0:18:26 | 0:18:27 | |
SOFT TAPPING | 0:18:32 | 0:18:33 | |
Did you hear that? | 0:18:35 | 0:18:36 | |
So, we gave the bathroom a, erm, thorough work out. | 0:18:52 | 0:18:56 | |
-How about in here? -No. | 0:18:56 | 0:18:59 | |
-Oh, oh. -I said no. Emma might hear. | 0:18:59 | 0:19:03 | |
-Since when has that bothered you? -We just can't, all right? | 0:19:03 | 0:19:06 | |
I'm going to ring Joe to wish him a good night. | 0:19:06 | 0:19:08 | |
-Hmm. What's good about it? -Oh, grow up! | 0:19:08 | 0:19:12 | |
LOUD CRASH | 0:19:12 | 0:19:13 | |
What the...? | 0:19:13 | 0:19:15 | |
Oh. | 0:19:18 | 0:19:20 | |
-Do you reckon she'll notice? -Yes! -Yes, OK... | 0:19:23 | 0:19:27 | |
Is everything...? | 0:19:27 | 0:19:28 | |
Ah. | 0:19:30 | 0:19:31 | |
Well, I see that the fixtures and fittings are clearly not | 0:19:32 | 0:19:36 | |
up to the exertion standards of Granger and Carmichael then. | 0:19:36 | 0:19:40 | |
I mean, that's not what... We weren't... | 0:19:40 | 0:19:42 | |
-It wasn't us, it was Nathaniel...and Tara. -Really? | 0:19:42 | 0:19:46 | |
Not helping. | 0:19:46 | 0:19:47 | |
Well, in the space of an hour "they" have broken the loo and now the bed. | 0:19:47 | 0:19:53 | |
Not bad going. | 0:19:53 | 0:19:55 | |
I'm sure it won't be anything like this when you have the real people. | 0:19:55 | 0:19:58 | |
Think of it as...as them idiot-proofing the scheme. | 0:19:58 | 0:20:00 | |
There you go, just what we need. | 0:20:03 | 0:20:04 | |
You know, when I came here to do the assessment, | 0:20:07 | 0:20:09 | |
I didn't notice anything, well, odd between you and Olivia. | 0:20:09 | 0:20:14 | |
No tension. | 0:20:14 | 0:20:15 | |
You wouldn't, no. | 0:20:15 | 0:20:17 | |
All the doctors spoke very highly of her. | 0:20:17 | 0:20:20 | |
For Olivia, appearances were everything. | 0:20:20 | 0:20:24 | |
She couldn't stand the thought of people judging her | 0:20:24 | 0:20:27 | |
the way she judged them. | 0:20:27 | 0:20:29 | |
-So, she put up a front in public? -Absolutely. | 0:20:29 | 0:20:32 | |
You know, for all she coveted the necklace, | 0:20:34 | 0:20:38 | |
-I... I'm convinced she was afraid of it too. -Why? | 0:20:38 | 0:20:43 | |
Because she thought it revealed something in her | 0:20:44 | 0:20:47 | |
she kept hidden - it might show what she was like inside. | 0:20:47 | 0:20:51 | |
Something...sour in her, seeping through the skin. | 0:20:51 | 0:20:56 | |
It's quite horrible when you think about it, isn't it? | 0:20:56 | 0:20:59 | |
Well, I hope she's finally at peace. | 0:21:00 | 0:21:02 | |
I doubt it. | 0:21:02 | 0:21:04 | |
Heaven won't want her and Hell will be afraid she'll take over. | 0:21:04 | 0:21:09 | |
As long as she doesn't stay here! | 0:21:09 | 0:21:12 | |
But you will be all right without her, won't you? | 0:21:12 | 0:21:14 | |
I'll have to be. | 0:21:14 | 0:21:16 | |
You can start living your life. | 0:21:16 | 0:21:18 | |
KNOCKING | 0:21:18 | 0:21:20 | |
It can't be. | 0:21:20 | 0:21:21 | |
You got what you wanted. Just leave! | 0:21:24 | 0:21:28 | |
KNOCKING | 0:21:28 | 0:21:29 | |
Um, wait here. | 0:21:31 | 0:21:33 | |
Oh, thanks, Rob. | 0:21:41 | 0:21:42 | |
-No, thank you, Heston. It's your round. -Yeah, of course. | 0:21:42 | 0:21:45 | |
Well, the erm, paramedics were as unimpressed as you said they'd be. | 0:21:47 | 0:21:51 | |
Yep. | 0:21:51 | 0:21:53 | |
You know, there's so many people taking viper now. | 0:21:53 | 0:21:56 | |
I seems like I go out and deal with it and then go out | 0:21:56 | 0:21:58 | |
and deal with it again. | 0:21:58 | 0:21:59 | |
It's like being on a hamster wheel, it seems pretty pointless. | 0:21:59 | 0:22:03 | |
I mean, did you even get a name out of him in the end? | 0:22:03 | 0:22:05 | |
Smidge? Or maybe that was the amount? | 0:22:05 | 0:22:08 | |
Yeah, I mean, why would you do that to yourself? | 0:22:08 | 0:22:10 | |
Although, I think some of them | 0:22:10 | 0:22:12 | |
don't know what they're getting themselves into. | 0:22:12 | 0:22:14 | |
Sometimes viper can be 60 times stronger than cannabis. | 0:22:14 | 0:22:18 | |
-Every batch is different. -It's like a lottery. | 0:22:18 | 0:22:20 | |
-Seeking oblivion. -Hmm. | 0:22:20 | 0:22:23 | |
Heartless as it sounds, Heston, we have to accept it. | 0:22:23 | 0:22:26 | |
Because if they're going to take it, they're going to take it. | 0:22:26 | 0:22:30 | |
False alarm. | 0:22:35 | 0:22:36 | |
Oh, Mr Canham! | 0:22:37 | 0:22:40 | |
Is something wrong? Is it my sister? | 0:22:40 | 0:22:41 | |
Still tucked in and cosy, Miss Bellwood. | 0:22:41 | 0:22:44 | |
Your necklace - I don't know what happened, but it was in pieces | 0:22:45 | 0:22:49 | |
when I returned to the chapel room. | 0:22:49 | 0:22:51 | |
Oh, well, it was quite old. | 0:22:51 | 0:22:54 | |
That could have happened at any time. | 0:22:54 | 0:22:56 | |
But why have you brought it back? It was meant to go in the coffin. | 0:22:56 | 0:22:59 | |
Damage aside, it's such a beautiful piece. | 0:22:59 | 0:23:02 | |
Grief can sometimes have people make decisions they come to regret. | 0:23:02 | 0:23:06 | |
It'll only end up being sold to pay you, not to mention | 0:23:06 | 0:23:10 | |
the added cost of having it repaired. | 0:23:10 | 0:23:12 | |
Well, I've had a look at the figures, | 0:23:12 | 0:23:14 | |
and I could make a couple more trims to your fee. | 0:23:14 | 0:23:17 | |
Oh, it really is so lovely. | 0:23:19 | 0:23:21 | |
I couldn't keep it though, could I? | 0:23:24 | 0:23:27 | |
Well, it's your choice. No-one else's. | 0:23:28 | 0:23:30 | |
I've never even worn it. | 0:23:32 | 0:23:34 | |
I couldn't while she was alive. | 0:23:35 | 0:23:37 | |
Could I?! | 0:23:38 | 0:23:40 | |
I managed to stay out of that fight! | 0:23:40 | 0:23:42 | |
I could wear it every day now. | 0:23:45 | 0:23:47 | |
But would I ever be free of her? | 0:23:50 | 0:23:51 | |
-Urgh, swap books. -Why? | 0:23:55 | 0:23:58 | |
I've worked out who the murderer is. | 0:23:58 | 0:24:00 | |
Oh. Tara O'Mara, in the bathroom, with... | 0:24:00 | 0:24:04 | |
Don't you dare. You are so inappropriate. | 0:24:04 | 0:24:08 | |
It's nothing to do with us - it's the O'Maras she invited. | 0:24:08 | 0:24:10 | |
We're going to be stuck in this room forever. | 0:24:10 | 0:24:12 | |
There's no way we can go down and face her now. | 0:24:12 | 0:24:14 | |
STARTLED YELL | 0:24:14 | 0:24:16 | |
Well, I suppose I could always have it re-fashioned, | 0:24:24 | 0:24:27 | |
Turn it into more than one piece of jewellery. | 0:24:27 | 0:24:31 | |
Some earrings, a brooch. | 0:24:31 | 0:24:33 | |
Well, if you have any doubts you could always go back | 0:24:33 | 0:24:35 | |
to your original intention. | 0:24:35 | 0:24:37 | |
There's still a week until the funeral. | 0:24:37 | 0:24:40 | |
Or I could just have it repaired and sell it. | 0:24:40 | 0:24:42 | |
I could go on holiday, get away for a bit. | 0:24:42 | 0:24:46 | |
Well, that sounds like a great idea. | 0:24:46 | 0:24:48 | |
And remember, it's your decision - you don't need anybody else's | 0:24:48 | 0:24:51 | |
approval, or permission. | 0:24:51 | 0:24:54 | |
You have been a true support this evening, Valerie. | 0:24:54 | 0:24:57 | |
Oh, you're welcome. | 0:24:57 | 0:24:58 | |
Do you think I could just have one last look before you decide? | 0:25:00 | 0:25:03 | |
It is so lovely. | 0:25:03 | 0:25:04 | |
Oh, no! | 0:25:06 | 0:25:08 | |
What's happened? | 0:25:08 | 0:25:09 | |
Oh. | 0:25:09 | 0:25:11 | |
Oh, you win, Olivia. | 0:25:19 | 0:25:24 | |
You get the last laugh, as always. | 0:25:24 | 0:25:26 | |
If you can't have it, nobody can. | 0:25:26 | 0:25:30 | |
Oh, Katherine. | 0:25:31 | 0:25:33 | |
Why did I ever think she'd let me be happy? | 0:25:33 | 0:25:36 | |
Oh... | 0:25:38 | 0:25:39 | |
Unless... | 0:25:40 | 0:25:41 | |
-Oh, no, that's ridiculous. -What? | 0:25:42 | 0:25:44 | |
Unless... | 0:25:47 | 0:25:48 | |
..another Coral Killer touched it? | 0:25:49 | 0:25:52 | |
Ow! | 0:25:59 | 0:26:01 | |
I was trying to get the stone out. | 0:26:01 | 0:26:03 | |
Classic "avocado hand" injury. | 0:26:03 | 0:26:06 | |
This whole evening has been an utter disaster. | 0:26:06 | 0:26:09 | |
You haven't quite got your ducks in a row yet. | 0:26:09 | 0:26:11 | |
Think we could all use some of this. | 0:26:11 | 0:26:13 | |
-Oh, yes! -Glasses? | 0:26:13 | 0:26:15 | |
Let's have some "Death in the Afternoon". | 0:26:15 | 0:26:18 | |
-What on earth is that? -Champagne and Pernod. | 0:26:18 | 0:26:22 | |
It's lethal - two glasses and you can't feel your legs. | 0:26:22 | 0:26:24 | |
Three and you can't feel anyone else's. | 0:26:24 | 0:26:27 | |
Any Pernod? | 0:26:27 | 0:26:29 | |
Above the toaster, at the end. Or there's vodka? | 0:26:29 | 0:26:31 | |
Wait a minute. You're not trying to bribe us, by any chance? | 0:26:31 | 0:26:34 | |
Of course I am! After everything you've both put me through, | 0:26:34 | 0:26:37 | |
I deserve a five-star review. | 0:26:37 | 0:26:39 | |
Oh, what am I getting myself into? | 0:26:43 | 0:26:46 | |
What about Will and Erin? | 0:26:51 | 0:26:52 | |
-You want me to spy on them? -No. | 0:26:52 | 0:26:54 | |
In my experience, when a new person joins the team, | 0:26:56 | 0:26:59 | |
it's good to take some bonding "we time" together. | 0:26:59 | 0:27:01 | |
This is not happening. | 0:27:01 | 0:27:02 | |
He's been harassing us for months. Me and my girlfriend. | 0:27:02 | 0:27:05 | |
He's twisting things. | 0:27:05 | 0:27:07 | |
My instincts tell me, Jimmi knows how to make a woman very happy. | 0:27:07 | 0:27:11 | |
Do they? | 0:27:11 | 0:27:12 |