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-Frankie Hickman. -You know him? | 0:00:30 | 0:00:32 | |
Frankie Hickman was a suspect in an unsolved murder. | 0:00:32 | 0:00:36 | |
That looks nasty. | 0:00:36 | 0:00:37 | |
Open up, there's a good boy. | 0:00:37 | 0:00:40 | |
He told me he was going for a drink with his friend. | 0:00:40 | 0:00:42 | |
He didn't even come home, Karen! | 0:00:42 | 0:00:44 | |
-Please... -Get off me! | 0:00:44 | 0:00:46 | |
Oi! | 0:00:46 | 0:00:47 | |
You had too much to drink? Drugs? You high? | 0:00:47 | 0:00:52 | |
I've seen someone on CCTV, that might be Heston... | 0:00:52 | 0:00:54 | |
I have to try and find him. | 0:00:54 | 0:00:57 | |
I found them in Frankie Hickman's flat. | 0:00:57 | 0:00:59 | |
The murdered girl of four years ago | 0:00:59 | 0:01:01 | |
was found with traces of Rohypnol in her system. | 0:01:01 | 0:01:03 | |
Excuse me. This is my husband, and he's missing. | 0:01:03 | 0:01:05 | |
Her parents just told us Jenny's not diabetic. | 0:01:05 | 0:01:08 | |
We can't waste our time | 0:01:08 | 0:01:09 | |
and resources on a theory which has no evidence. | 0:01:09 | 0:01:12 | |
PHONE RINGS | 0:01:31 | 0:01:33 | |
There was always an outside chance he'd still be there. | 0:01:47 | 0:01:50 | |
Don't worry, he'll show up. | 0:01:50 | 0:01:52 | |
You don't need to be here. | 0:01:52 | 0:01:53 | |
What else am I going to do? | 0:01:53 | 0:01:55 | |
Go home and climb the walls? | 0:01:55 | 0:01:57 | |
I'd just drive Shak mad. | 0:01:57 | 0:01:59 | |
-Listen, I have to go. Will you be OK? -Yeah. | 0:01:59 | 0:02:02 | |
If you need anything, or you've just had enough, let me know, OK? | 0:02:02 | 0:02:05 | |
-I'll deal with it. -Thanks, Jimmi. Thank you. | 0:02:05 | 0:02:09 | |
Oh, unlucky, mate, man. But you know what? | 0:02:14 | 0:02:17 | |
She could have let you off a bit more gently, eh? | 0:02:17 | 0:02:20 | |
PHONE RINGS | 0:02:20 | 0:02:22 | |
Oh, shush, guys, it's my mum. | 0:02:22 | 0:02:24 | |
THEY LAUGH | 0:02:24 | 0:02:25 | |
-Hey, Mum. -Hey, it's me. | 0:02:25 | 0:02:27 | |
I'm assuming you haven't heard from Heston... | 0:02:27 | 0:02:29 | |
No, I haven't seen him. I'm sure he's fine. | 0:02:29 | 0:02:32 | |
Where are you? I can hear people talking. | 0:02:32 | 0:02:34 | |
THEY LAUGH | 0:02:34 | 0:02:36 | |
Mum, I can't just stay in the whole day! | 0:02:36 | 0:02:38 | |
Shak, I asked you to just stay in the house. | 0:02:38 | 0:02:41 | |
Shak... | 0:02:41 | 0:02:42 | |
Thanks. | 0:02:47 | 0:02:50 | |
Right. | 0:02:50 | 0:02:52 | |
Look, I told you I'm not answering questions | 0:02:52 | 0:02:55 | |
till my solicitor gets here. | 0:02:55 | 0:02:56 | |
Right. Well, this is a medical question. | 0:02:56 | 0:02:58 | |
Well, I don't care. | 0:02:58 | 0:03:00 | |
Have you been to see your doctor about anything, recently? | 0:03:02 | 0:03:06 | |
Look, I suffer from brutal insomnia. | 0:03:07 | 0:03:11 | |
Right. | 0:03:11 | 0:03:13 | |
And have they prescribed anything for it? | 0:03:13 | 0:03:16 | |
Why are you asking that? | 0:03:16 | 0:03:17 | |
They've been through my flat. | 0:03:21 | 0:03:24 | |
What they found, eh? My pills? | 0:03:24 | 0:03:27 | |
You might as well tell me, I'm going to talk to your GP anyway. | 0:03:28 | 0:03:31 | |
Well, you can do what you want. | 0:03:31 | 0:03:33 | |
My GP gave me temazepam, yeah, to help me sleep... | 0:03:33 | 0:03:37 | |
..but I didn't like it, so I ordered some Ryloxadol online. | 0:03:37 | 0:03:41 | |
Do you know what Ryloxadol is? | 0:03:41 | 0:03:44 | |
So? Huh? | 0:03:44 | 0:03:47 | |
It's for my own use. | 0:03:47 | 0:03:49 | |
You know what, Frankie? I'm just a doctor. | 0:03:49 | 0:03:52 | |
All I'm doing is trying to help you out. | 0:03:52 | 0:03:55 | |
Heston! HESTON! It's me. | 0:04:03 | 0:04:07 | |
It's Ruhma, it's Ruhma, it's Ruhma. | 0:04:07 | 0:04:09 | |
HE LAUGHS | 0:04:09 | 0:04:10 | |
Where have you been? | 0:04:10 | 0:04:12 | |
HE LAUGHS | 0:04:12 | 0:04:14 | |
I've been so worried. I've been so worried. | 0:04:14 | 0:04:17 | |
HE LAUGHS | 0:04:17 | 0:04:19 | |
Are you OK? You shouldn't have done it, you should have done it. | 0:04:19 | 0:04:23 | |
I told you not to get involved. | 0:04:23 | 0:04:25 | |
I'm going to call an ambulance, all right? It's OK, it's OK. | 0:04:25 | 0:04:30 | |
It's OK, it's OK. | 0:04:30 | 0:04:32 | |
-Has Hickman's solicitor got here yet? -No. | 0:04:34 | 0:04:38 | |
Right, so Frankie Hickman claims that he has a condition | 0:04:38 | 0:04:42 | |
which would explain why he has Ryloxadol. | 0:04:42 | 0:04:44 | |
And have you checked? | 0:04:44 | 0:04:46 | |
No, not yet. But he knows I will, so I think he's telling the truth. | 0:04:46 | 0:04:50 | |
-Was it prescribed? -No, it's rare on the NHS, | 0:04:50 | 0:04:53 | |
but it's not hard to get it if you want online. | 0:04:53 | 0:04:55 | |
Why are you discussing evidence with a suspect? | 0:04:55 | 0:04:58 | |
Because it's a medical matter. | 0:04:58 | 0:05:00 | |
Jenny Moss is one of ours, | 0:05:02 | 0:05:03 | |
so I've asked the other doctors to check and see | 0:05:03 | 0:05:05 | |
if there's been any sign of onset diabetes. | 0:05:05 | 0:05:07 | |
Doctor, I think you're wasting your time. | 0:05:07 | 0:05:09 | |
I can't be diverted from suspicious circumstances because of some BS | 0:05:09 | 0:05:12 | |
fed to you by a manipulative suspect. | 0:05:12 | 0:05:15 | |
Why would he lie about something that he knows I can check? | 0:05:15 | 0:05:17 | |
A suspect who one minute won't talk to you without | 0:05:17 | 0:05:19 | |
the presence of a lawyer and the next minute is singing to you? | 0:05:19 | 0:05:22 | |
I've got a missing girl and the man who was chasing after her | 0:05:22 | 0:05:25 | |
in possession of a date rape-drug. | 0:05:25 | 0:05:27 | |
Until I have evidence proving otherwise, | 0:05:27 | 0:05:29 | |
I'm going to continue with my line of investigation. | 0:05:29 | 0:05:32 | |
Hey. Hey. | 0:05:41 | 0:05:45 | |
WOOZY: I don't need to... | 0:05:45 | 0:05:47 | |
You don't need to be here? | 0:05:47 | 0:05:49 | |
Of course you do. | 0:05:49 | 0:05:51 | |
You're safe. | 0:05:52 | 0:05:55 | |
The doctors, they're doing some tests, and... | 0:05:55 | 0:05:57 | |
Heston, can you tell me what happened, please? | 0:06:00 | 0:06:05 | |
I...don't...remember...some of it. | 0:06:05 | 0:06:08 | |
OK, just take it... Take it easy. | 0:06:08 | 0:06:10 | |
There's no rush. | 0:06:10 | 0:06:12 | |
KNOCK ON DOOR Come in. | 0:06:15 | 0:06:17 | |
Well, you didn't have much to say. | 0:06:20 | 0:06:22 | |
I can see both sides. | 0:06:22 | 0:06:24 | |
Can you? Well, thank you for your support. | 0:06:24 | 0:06:26 | |
Oh, shut up. I hope that you're right, | 0:06:26 | 0:06:28 | |
and I'm hoping that the girl is alive, and she hasn't been murdered. | 0:06:28 | 0:06:31 | |
But Keane's got a point. | 0:06:31 | 0:06:32 | |
We need more than Hickman's description of her breath. | 0:06:32 | 0:06:35 | |
-He could've got that from the internet anyway. -Maybe. | 0:06:35 | 0:06:38 | |
But I still think he's telling the truth. | 0:06:38 | 0:06:41 | |
There's something I want you to see. | 0:06:41 | 0:06:43 | |
WOOZY: I... I went to... | 0:06:53 | 0:06:56 | |
Take it easy. Take it easy. | 0:06:56 | 0:06:59 | |
Just nice... Nice slow breath. Heston? | 0:06:59 | 0:07:05 | |
Done... Done to me. Done to me. | 0:07:05 | 0:07:07 | |
Who? By who? | 0:07:10 | 0:07:14 | |
HE LAUGHS | 0:07:14 | 0:07:16 | |
Liam. | 0:07:18 | 0:07:19 | |
Who's Liam? | 0:07:21 | 0:07:23 | |
What's up, doc? | 0:07:23 | 0:07:24 | |
You're a very welcome addition to the team. | 0:07:24 | 0:07:28 | |
HE LAUGHS | 0:07:28 | 0:07:30 | |
-Who is Liam, Heston? -Liam. -Who? | 0:07:30 | 0:07:33 | |
HE LAUGHS | 0:07:33 | 0:07:34 | |
Liam. Medicine is a matter of judgment. | 0:07:34 | 0:07:37 | |
Judgment. Yours can't be trusted. | 0:07:37 | 0:07:40 | |
So you're just going to drop me in it without a second thought? | 0:07:40 | 0:07:42 | |
-Who is Liam? -Rob. Rob. | 0:07:42 | 0:07:45 | |
-You want to speak to Rob? -Rob. | 0:07:45 | 0:07:47 | |
OK, what do you want to tell Rob? | 0:07:47 | 0:07:52 | |
Karen said that they're looking for a missing girl. | 0:07:52 | 0:07:55 | |
Heston, tell me, who is Liam? | 0:07:56 | 0:07:59 | |
Disappointment. Disappointment. | 0:07:59 | 0:08:01 | |
It's a disappointment? Liam is a...? | 0:08:01 | 0:08:04 | |
Did Liam do this to you? | 0:08:05 | 0:08:08 | |
Viper. | 0:08:08 | 0:08:09 | |
Is it Liam? Heston, is it Liam that gave you the Viper? | 0:08:09 | 0:08:14 | |
-Viper, yeah. Viper. -Yeah? | 0:08:14 | 0:08:16 | |
I'm going to go and tell the doctor, | 0:08:18 | 0:08:19 | |
and then I'm going to call Rob, OK? | 0:08:19 | 0:08:21 | |
All right? All right, OK. | 0:08:23 | 0:08:26 | |
Shh. It's OK. It's OK. | 0:08:26 | 0:08:28 | |
That's Hickman. | 0:08:40 | 0:08:42 | |
You still sure he's innocent? | 0:08:42 | 0:08:44 | |
All right... | 0:08:45 | 0:08:47 | |
I can see why DS Keane was so suspicious of him. | 0:08:47 | 0:08:49 | |
-Maybe I'm wrong. -Maybe you're not. | 0:08:49 | 0:08:52 | |
That is the route back to Frankie's house from the club. | 0:08:52 | 0:08:54 | |
He's got every reason to go that way. | 0:08:54 | 0:08:56 | |
PHONE RINGS | 0:08:56 | 0:08:58 | |
Ruhma? | 0:08:58 | 0:08:59 | |
Hey. I've rung Rob, | 0:09:05 | 0:09:08 | |
and he'll come as soon as he can. | 0:09:08 | 0:09:10 | |
WOOZY: Did... Did you tell him "Liam"? | 0:09:10 | 0:09:13 | |
No, not yet. | 0:09:13 | 0:09:15 | |
Hey, hey, where are you going? | 0:09:15 | 0:09:17 | |
Call him, say Liam. Say Liam. | 0:09:17 | 0:09:18 | |
OK. Look, Heston, you need to rest. | 0:09:18 | 0:09:21 | |
OK, this Viper, it messes with your head. | 0:09:21 | 0:09:24 | |
And we have to wait until it's clear because you can't be certain | 0:09:24 | 0:09:27 | |
-it's this Liam. -I know it was him. It was Liam. | 0:09:27 | 0:09:30 | |
All right, Heston. | 0:09:30 | 0:09:31 | |
OK, let's concentrate on getting you better, first, OK? | 0:09:31 | 0:09:36 | |
And then we'll sort it out, OK? There's no rush. | 0:09:36 | 0:09:39 | |
All right? And that's what we're going to do. | 0:09:39 | 0:09:43 | |
OK? OK, no debate. | 0:09:43 | 0:09:46 | |
That looks like a water bottle. | 0:09:51 | 0:09:53 | |
I hope it's water. | 0:09:53 | 0:09:55 | |
Yeah, well, judging by the way she's behaving - | 0:09:55 | 0:09:58 | |
disoriented, staggering, | 0:09:58 | 0:10:01 | |
possible dehydration - | 0:10:01 | 0:10:04 | |
well, they're all consistent with symptoms of DKA. | 0:10:04 | 0:10:08 | |
Oh - and now nausea. | 0:10:08 | 0:10:12 | |
Well, she'll definitely be dehydrated now. | 0:10:12 | 0:10:14 | |
Is it also consistent with someone whose drink's been spiked? | 0:10:14 | 0:10:17 | |
-Possibly. -Hickman's not on this camera. | 0:10:17 | 0:10:20 | |
No. Well, even if Frankie Hickman is completely innocent, | 0:10:20 | 0:10:23 | |
that girl is in danger. | 0:10:23 | 0:10:26 | |
TRAIN PASSES IN DISTANCE | 0:10:34 | 0:10:38 | |
That's them fetching Hickman. | 0:10:51 | 0:10:53 | |
-Can you bring these to the interview room? -Yeah. | 0:10:53 | 0:10:55 | |
-Can I have a look at those again? -Mm-hmm. | 0:10:59 | 0:11:02 | |
How many have been used? | 0:11:02 | 0:11:04 | |
Just one. | 0:11:04 | 0:11:06 | |
OK. Maybe ask him where he got them. | 0:11:06 | 0:11:09 | |
See if there's an invoice or a delivery note | 0:11:09 | 0:11:12 | |
showing how many he's had before. | 0:11:12 | 0:11:15 | |
And then maybe he'll tell you when he took the missing pill. | 0:11:15 | 0:11:17 | |
-Will do. -Thanks. | 0:11:17 | 0:11:19 | |
On the advice of my solicitor, | 0:11:23 | 0:11:26 | |
I'm not going to answer that question. | 0:11:26 | 0:11:28 | |
OK. What about the scratches on your neck? | 0:11:28 | 0:11:31 | |
Can you explain to us how you got those? | 0:11:31 | 0:11:34 | |
On the advice of my solicitor, no comment. | 0:11:34 | 0:11:38 | |
If you've got an innocent explanation, Frankie, | 0:11:38 | 0:11:41 | |
now is the time to get it on tape. | 0:11:41 | 0:11:42 | |
No comment. | 0:11:42 | 0:11:44 | |
When we came to your house to question you, | 0:11:45 | 0:11:48 | |
you tried to run away, and assaulted me. | 0:11:48 | 0:11:50 | |
Now, the logical explanation for that would be | 0:11:50 | 0:11:52 | |
that you have something to hide, | 0:11:52 | 0:11:55 | |
but if you have any other reason why you tried to run away, | 0:11:55 | 0:11:58 | |
we'd like to hear it. | 0:11:58 | 0:12:00 | |
Frankie, if you really can't explain this away, | 0:12:02 | 0:12:04 | |
then don't you think you've got a duty to tell us? | 0:12:04 | 0:12:07 | |
Otherwise we're wasting time on you | 0:12:07 | 0:12:08 | |
when we could be out there trying to find Jenny Moss. | 0:12:08 | 0:12:11 | |
Every second counts, yeah? | 0:12:11 | 0:12:13 | |
Charlotte Walters. | 0:12:15 | 0:12:18 | |
For the tape, Mr Hickman showed a sudden physical reaction | 0:12:18 | 0:12:22 | |
to the mention of the name Charlotte Walters. | 0:12:22 | 0:12:25 | |
Mr Hickman, can you tell us who Charlotte Walters was? | 0:12:25 | 0:12:29 | |
Well, you know. | 0:12:29 | 0:12:32 | |
Charlotte Walters was brutally murdered after a night out | 0:12:32 | 0:12:35 | |
at Rockers nightclub. | 0:12:35 | 0:12:36 | |
The same nightclub, which is now called Trendz, | 0:12:36 | 0:12:39 | |
and where you met Jenny Moss last night. | 0:12:39 | 0:12:43 | |
Do you remember? | 0:12:43 | 0:12:45 | |
Yeah. | 0:12:45 | 0:12:46 | |
It was on the news. And I was questioned, | 0:12:46 | 0:12:49 | |
just like every one else who was at that club that night. | 0:12:49 | 0:12:52 | |
Bit of a coincidence, isn't it? | 0:12:52 | 0:12:53 | |
That you were at the same club four years ago and last night. | 0:12:53 | 0:12:56 | |
No comment! Yeah? | 0:12:56 | 0:12:58 | |
That is the answer to every question. | 0:12:58 | 0:13:01 | |
I am now showing Mr Hickman, item MK1, | 0:13:01 | 0:13:04 | |
which is a packet of Ryloxadol tablets, | 0:13:04 | 0:13:08 | |
which we found at your house. | 0:13:08 | 0:13:10 | |
Can you explain why you have them? | 0:13:11 | 0:13:15 | |
Do you have a legitimate medical explanation? | 0:13:15 | 0:13:17 | |
You see, these tablets have been known to be used | 0:13:19 | 0:13:22 | |
as a date-rape drug. | 0:13:22 | 0:13:24 | |
There's one missing. Just one, but it is missing. | 0:13:26 | 0:13:29 | |
And Miss Moss's behaviour after she left the club is consistent | 0:13:29 | 0:13:33 | |
with that of someone who's taken or been given Ryloxadol. | 0:13:33 | 0:13:38 | |
It would be very helpful if you could account for the missing pill. | 0:13:40 | 0:13:43 | |
Right, I've spoken to his GP. | 0:13:52 | 0:13:54 | |
Frankie did not concoct a story to explain the pills. | 0:13:54 | 0:13:57 | |
He'd been to see his GP complaining of insomnia a few times. | 0:13:57 | 0:14:01 | |
The GP had prescribed temazepam. | 0:14:01 | 0:14:03 | |
Frankie said it wasn't working and wanted to try Ryloxadol. | 0:14:03 | 0:14:06 | |
GP said it wasn't justified. | 0:14:06 | 0:14:07 | |
Oh, well, he refused to answer any questions about the pills, | 0:14:07 | 0:14:10 | |
where he got them from, or what happened to the missing one. | 0:14:10 | 0:14:12 | |
Look, Dr Reid, I get that you're doing your job | 0:14:12 | 0:14:15 | |
and that you have a duty to speak up if there's a medical angle here, | 0:14:15 | 0:14:18 | |
but, look, worst case scenario, he is a killer that's done this before. | 0:14:18 | 0:14:21 | |
It's consistent with that sort of behaviour that he'll try to | 0:14:21 | 0:14:24 | |
manipulate the system, use his GP to try and manufacture | 0:14:24 | 0:14:27 | |
an excuse for possession of a drug that could incriminate him. | 0:14:27 | 0:14:30 | |
Look, DS Keane, I get that you're just doing your job, | 0:14:30 | 0:14:34 | |
but I also get that it wouldn't harm your career | 0:14:34 | 0:14:37 | |
if you nailed a killer. A serial killer, even. | 0:14:37 | 0:14:39 | |
-What? -Come on, Emma. | 0:14:39 | 0:14:41 | |
I'm sorry. | 0:14:45 | 0:14:47 | |
I'm seeking further manpower to search some local parks, rivers, | 0:14:47 | 0:14:50 | |
starting with Watley Park, where Charlotte Walters was found. | 0:14:50 | 0:14:54 | |
There's enough reason to think that this girl has health problems. | 0:14:54 | 0:14:57 | |
Surely that merits a search of the surrounding areas | 0:14:57 | 0:14:59 | |
of her last known location. I mean, she wasn't in good shape, was she? | 0:14:59 | 0:15:03 | |
Did Hickman's GP say he'd tried to get hold of these drugs | 0:15:03 | 0:15:06 | |
-four years ago? -No. | 0:15:06 | 0:15:07 | |
He went to him with insomnia problems five months ago. | 0:15:07 | 0:15:11 | |
Listen, both possibilities have to be taken seriously. | 0:15:11 | 0:15:15 | |
I'll tell you what, Mike, while you're trying to sort out manpower | 0:15:15 | 0:15:18 | |
to search the Watley Park area, | 0:15:18 | 0:15:19 | |
I'll grab a couple of PCs and try and retrace her steps. | 0:15:19 | 0:15:22 | |
Yeah, mate, you do what you need to do, | 0:15:22 | 0:15:24 | |
but the focus on my investigation is still Frankie Hickman. | 0:15:24 | 0:15:27 | |
He was there, we know he was following her, | 0:15:27 | 0:15:30 | |
he had the means and opportunity of drugging her. | 0:15:30 | 0:15:32 | |
He's got a date-rape drug and one of them is missing. | 0:15:32 | 0:15:36 | |
What the hell's her problem? | 0:15:36 | 0:15:38 | |
Chill, she's all right. She is, OK? | 0:15:38 | 0:15:40 | |
Maybe she just thought that you were talking down to her. | 0:15:40 | 0:15:44 | |
You've both got a legitimate point... | 0:15:44 | 0:15:48 | |
..but you both can't be right, and I'd rather not gamble. | 0:15:48 | 0:15:51 | |
Yeah, well, she's full of it. | 0:15:51 | 0:15:53 | |
This has got nothing to do with my career. | 0:15:53 | 0:15:55 | |
I know. Tom? Yeah, have we got a couple of PCs on duty, | 0:15:55 | 0:15:59 | |
that live in the Trowberry Road area? | 0:15:59 | 0:16:02 | |
Right, Trendz nightclub. | 0:16:06 | 0:16:09 | |
This is the last place our missing girl, | 0:16:09 | 0:16:11 | |
Jenny Moss, was seen by witnesses. | 0:16:11 | 0:16:13 | |
We've checked all the obvious ways that she could have got home, | 0:16:13 | 0:16:16 | |
but to no avail, so I think it's time to go off-piste. | 0:16:16 | 0:16:19 | |
Donna, you live round here. Can you think of any | 0:16:19 | 0:16:21 | |
off-the-beaten-tracks, shortcuts that she may have taken home, | 0:16:21 | 0:16:24 | |
considering that she could have been drunk and on autopilot? | 0:16:24 | 0:16:27 | |
Come on Donna, don't be shy. We've all done it. | 0:16:29 | 0:16:32 | |
As a matter of fact, I do. | 0:16:32 | 0:16:34 | |
Thanks for finding the time. | 0:16:35 | 0:16:37 | |
No problem. | 0:16:37 | 0:16:39 | |
So...what was it you wanted to talk about? | 0:16:39 | 0:16:42 | |
Erm, we could start, if you like, | 0:16:45 | 0:16:47 | |
by discussing how you're settling in here at The Mill? | 0:16:47 | 0:16:51 | |
Great... I mean, I'm settling in great. | 0:16:51 | 0:16:55 | |
Zara can be a bit challenging. | 0:16:55 | 0:16:58 | |
Yeah, well, her bark's worse than her bite. | 0:16:58 | 0:17:01 | |
That's not true, is it? | 0:17:01 | 0:17:02 | |
No. She'd rip my head off just for saying that. | 0:17:02 | 0:17:06 | |
Yeah, but everyone's been lovely. | 0:17:06 | 0:17:08 | |
-Well, good, I'm glad to hear it. -Yep. | 0:17:08 | 0:17:10 | |
OK, look, if your life is going so well and everything is so great, | 0:17:12 | 0:17:16 | |
then this is going to be a really short session. | 0:17:16 | 0:17:19 | |
-Are you sure about this, Donna? -Yeah. -Right. | 0:17:25 | 0:17:29 | |
Jenny! | 0:17:30 | 0:17:32 | |
-Jenny! -Jenny! | 0:17:33 | 0:17:36 | |
I think I saw her drinking from one of these. | 0:17:38 | 0:17:41 | |
It can't have been here too long, it's too clean. | 0:17:41 | 0:17:44 | |
-Jenny! -Jenny! | 0:17:44 | 0:17:46 | |
-Jenny! -Quiet, Sarge. | 0:17:46 | 0:17:50 | |
MUFFLED MOANING Jenny! | 0:17:50 | 0:17:53 | |
-Jenny? -Jenny! | 0:17:56 | 0:17:58 | |
Jenny? | 0:18:00 | 0:18:02 | |
SHE MOANS | 0:18:02 | 0:18:05 | |
-7724 to control. -Go ahead, over. | 0:18:08 | 0:18:12 | |
We've found Jenny Moss. She's alive. | 0:18:12 | 0:18:14 | |
-Jenny, it's the police... -We're going to need an ambulance. | 0:18:14 | 0:18:17 | |
Are you OK? I need you to respond. | 0:18:17 | 0:18:19 | |
Do you feel whole? | 0:18:19 | 0:18:22 | |
What do you mean? | 0:18:24 | 0:18:26 | |
Consistent. | 0:18:26 | 0:18:28 | |
Do you feel that you can be the same person to everyone you deal with? | 0:18:28 | 0:18:33 | |
-Does anyone? -We're not talking about anyone. | 0:18:33 | 0:18:37 | |
Look, being gay, that's what you're getting at. | 0:18:37 | 0:18:40 | |
Well, if that's something you want to talk about? | 0:18:40 | 0:18:42 | |
-I don't have a problem talking about it. -OK. | 0:18:42 | 0:18:46 | |
So, my understanding is that very few people know that you're gay. | 0:18:46 | 0:18:49 | |
I don't feel the need to advertise it. | 0:18:49 | 0:18:52 | |
I'm guessing you've spoken to Will about what happened with my mum? | 0:18:52 | 0:18:56 | |
Do you want to talk about that? | 0:18:56 | 0:18:58 | |
No, not really. | 0:18:58 | 0:18:59 | |
Look, erm... | 0:19:02 | 0:19:04 | |
..there is a whole world of difference between | 0:19:04 | 0:19:07 | |
not wanting to tell everyone unless it naturally comes up | 0:19:07 | 0:19:09 | |
and is relevant, or consciously choosing to keep that part | 0:19:09 | 0:19:12 | |
-of who you are hidden. -I suppose. | 0:19:12 | 0:19:15 | |
I mean, I'm not happy that I can't be who I am with everyone | 0:19:17 | 0:19:20 | |
but I don't know if I'm ready for that... | 0:19:20 | 0:19:23 | |
..that process of telling them. | 0:19:23 | 0:19:25 | |
I did a skydive thing for charity once. | 0:19:27 | 0:19:31 | |
I loved the part when we were on the floor. | 0:19:31 | 0:19:34 | |
Jumping out was the scary part. | 0:19:34 | 0:19:36 | |
-And have you done it again? -No. | 0:19:36 | 0:19:38 | |
Coming out, it'd be like skydiving over and over again. | 0:19:39 | 0:19:43 | |
But it would be less scary every time. | 0:19:45 | 0:19:47 | |
Let me put it another way. | 0:19:49 | 0:19:51 | |
Do you feel that you could be happy keeping your true self hidden? | 0:19:51 | 0:19:54 | |
No, of course not. | 0:19:54 | 0:19:55 | |
Then surely that means that you're controlling your happiness? | 0:19:57 | 0:20:01 | |
Especially now you've told your parents. | 0:20:01 | 0:20:02 | |
It's not that simple, OK? | 0:20:02 | 0:20:05 | |
My community - they're very traditional. | 0:20:05 | 0:20:08 | |
They're pretty tolerant, but things are expected of me. | 0:20:09 | 0:20:12 | |
Marry the right woman, have babies. | 0:20:12 | 0:20:15 | |
In our church, amongst our friends, | 0:20:15 | 0:20:18 | |
it's very macho. You know, a clear idea of what a real man is. | 0:20:18 | 0:20:22 | |
I don't know any gay black men. | 0:20:22 | 0:20:25 | |
-Are you sure about that? -Yes. | 0:20:25 | 0:20:27 | |
So, if I asked your family friends if they knew any gay black men... | 0:20:27 | 0:20:32 | |
And they'd say no. And they'd be wrong, I know, | 0:20:32 | 0:20:35 | |
but the point is, if I'd come out when I was younger, | 0:20:35 | 0:20:39 | |
I'd have felt totally isolated. | 0:20:39 | 0:20:41 | |
That sounds like how you feel now... | 0:20:41 | 0:20:43 | |
..so what do you have to gain by hiding it? | 0:20:45 | 0:20:47 | |
APPLAUSE | 0:20:52 | 0:20:54 | |
It's nothing to do with me. It's these guys, especially Donna. | 0:20:54 | 0:20:57 | |
Well, the paramedics gave Jenny a blood glucose test, | 0:20:59 | 0:21:02 | |
-and it's DKA. -Good. | 0:21:02 | 0:21:05 | |
Any longer and she'd have been in a diabetic coma. | 0:21:05 | 0:21:08 | |
Yeah, and she'd have probably died if we hadn't found her. | 0:21:08 | 0:21:10 | |
Yeah, well, at least she'll be OK. | 0:21:10 | 0:21:13 | |
Although, I doubt I'll get an apology from DS Keane. | 0:21:13 | 0:21:15 | |
-He had a good case. -He was wrong. | 0:21:15 | 0:21:17 | |
Yes, he was, but so were you about him. | 0:21:17 | 0:21:22 | |
It wasn't about his career. | 0:21:22 | 0:21:23 | |
Those guys who worked on that murder case four years ago | 0:21:23 | 0:21:27 | |
were hit very hard when they couldn't find a killer. | 0:21:27 | 0:21:32 | |
You were right. Fair play. | 0:21:32 | 0:21:35 | |
Apology accepted. | 0:21:35 | 0:21:37 | |
-The important thing is the girl's alive. -Yes. | 0:21:37 | 0:21:40 | |
Oi! | 0:21:40 | 0:21:43 | |
I want to make a complaint about wrongful arrest against you lot. | 0:21:43 | 0:21:47 | |
-Fill your boots. -Really? | 0:21:47 | 0:21:49 | |
Because you wasn't arrested for Jenny. | 0:21:49 | 0:21:51 | |
You were arrested for assaulting me. | 0:21:51 | 0:21:54 | |
Now, it's not too late for me to change my mind | 0:21:54 | 0:21:56 | |
about charging you, so if I were you, I'd go home. | 0:21:56 | 0:21:58 | |
TEXT ALERT | 0:21:58 | 0:22:00 | |
Bye-bye. | 0:22:02 | 0:22:03 | |
HE SIGHS | 0:22:04 | 0:22:06 | |
-Heston. -Lucky old you. | 0:22:06 | 0:22:08 | |
Have you ever spoken to anybody who's come out | 0:22:11 | 0:22:13 | |
-about their experiences? -Yes. | 0:22:13 | 0:22:16 | |
Some had it pretty easy, some went through hell on earth, | 0:22:16 | 0:22:20 | |
but most, in between. | 0:22:20 | 0:22:23 | |
And did anyone ever regret it? | 0:22:23 | 0:22:26 | |
Some... | 0:22:26 | 0:22:28 | |
Some people regretted some of the things they said and did, | 0:22:28 | 0:22:31 | |
but, no, no-one regretted doing it. | 0:22:31 | 0:22:34 | |
So what do you take from that? | 0:22:36 | 0:22:38 | |
Is the obstacle that you can't predict how it'll go? | 0:22:41 | 0:22:45 | |
Possibly. | 0:22:45 | 0:22:47 | |
So would it be fair to say that the issue is one of control? | 0:22:48 | 0:22:53 | |
But you have control. | 0:22:56 | 0:22:58 | |
You don't have to come out at work, unless you want to. | 0:22:59 | 0:23:02 | |
It's your choice. | 0:23:02 | 0:23:04 | |
I mean, the longer you leave it, the less chance | 0:23:04 | 0:23:07 | |
you have of controlling it if you are outed by someone else, but... | 0:23:07 | 0:23:10 | |
So I should out myself in case someone else does? | 0:23:10 | 0:23:13 | |
That's fear, not control. | 0:23:13 | 0:23:15 | |
Shouldn't you be sat here and one of us in there? | 0:23:16 | 0:23:20 | |
I told you. I told you drugs were being manufactured in that house. | 0:23:20 | 0:23:24 | |
Liam Slade force-fed me Viper. | 0:23:24 | 0:23:28 | |
-Who? -He was someone I mentored a few years ago. | 0:23:28 | 0:23:32 | |
You remember that Quack business? | 0:23:32 | 0:23:33 | |
He got involved and he threw his career away because of it. | 0:23:33 | 0:23:37 | |
Yeah. You had Viper in your system. | 0:23:37 | 0:23:39 | |
You said that you were hallucinating, | 0:23:39 | 0:23:41 | |
so how reliable can this information be? | 0:23:41 | 0:23:44 | |
He knew I was a doctor. He knew it was me. | 0:23:44 | 0:23:47 | |
Yeah, did you have ID on you? | 0:23:47 | 0:23:49 | |
I didn't have ID. | 0:23:49 | 0:23:51 | |
Is it possible that it could have been someone who | 0:23:51 | 0:23:53 | |
-looked like this Liam. -Rob, it was him! | 0:23:53 | 0:23:56 | |
OK. Right, I'll tell you what, I'll have a look around, | 0:23:56 | 0:24:00 | |
see what I can find. | 0:24:00 | 0:24:02 | |
Is it that bad? There are boundaries at work. | 0:24:27 | 0:24:31 | |
People don't need to know everything about me. | 0:24:31 | 0:24:33 | |
I don't want to know everything about them. | 0:24:33 | 0:24:35 | |
Sometimes they're just people that you work with, not your friends. | 0:24:35 | 0:24:39 | |
I have to be in charge here. | 0:24:39 | 0:24:41 | |
It's good to keep some distance, right? | 0:24:41 | 0:24:43 | |
-You tell me. -It is. | 0:24:43 | 0:24:45 | |
I've always struggled with people taking me seriously. | 0:24:45 | 0:24:48 | |
I've always been the youngest person at whatever level | 0:24:48 | 0:24:51 | |
I'm at professionally. | 0:24:51 | 0:24:52 | |
I mean, I stepped out of retail, I'm the retail guy. | 0:24:52 | 0:24:55 | |
The last thing I need is another distraction. | 0:24:55 | 0:24:59 | |
That's fine if that's who you are, but it doesn't sound like it. | 0:24:59 | 0:25:02 | |
It's a part of who I am. | 0:25:02 | 0:25:05 | |
Maybe people here don't need to see the whole me. | 0:25:05 | 0:25:08 | |
I don't know the whole you. Do you know the whole Zara? | 0:25:08 | 0:25:11 | |
Of course not. If you're happy with that, then great. | 0:25:11 | 0:25:14 | |
But if you were happy, would we be here? | 0:25:14 | 0:25:17 | |
If you have to lie or let people think that you're straight, | 0:25:19 | 0:25:23 | |
then you're just putting extra pressure on yourself. | 0:25:23 | 0:25:26 | |
So...what do I do? | 0:25:26 | 0:25:28 | |
I can't answer that. | 0:25:28 | 0:25:30 | |
I can only filter through what you tell me | 0:25:30 | 0:25:32 | |
and try and help you discover how you feel. | 0:25:32 | 0:25:34 | |
You have to own the decision. | 0:25:34 | 0:25:36 | |
Sure. I think we're done here. Thanks. | 0:25:36 | 0:25:38 | |
Thanks. | 0:25:42 | 0:25:44 | |
Mum, Sergeant Hollins is here. | 0:25:44 | 0:25:46 | |
Just tell him to come up. | 0:25:46 | 0:25:47 | |
I hope you weren't too hard on Shak. | 0:25:49 | 0:25:51 | |
I was as hard as he deserved. Let's put it this way, | 0:25:51 | 0:25:54 | |
you're not going to be putting the bins out for six months. | 0:25:54 | 0:25:56 | |
-KNOCK ON DOOR -Just come in, Rob. -Hi. | 0:25:56 | 0:25:58 | |
-Did you find him? -No. | 0:25:58 | 0:26:02 | |
There is nothing there, | 0:26:02 | 0:26:04 | |
there's no evidence of any drug activity, | 0:26:04 | 0:26:07 | |
no paraphernalia. Nothing. | 0:26:07 | 0:26:08 | |
Well, I didn't imagine... Why don't you believe me? | 0:26:08 | 0:26:11 | |
I mean, look, check my phone, there's photographic evidence. | 0:26:11 | 0:26:13 | |
No, because you didn't have your phone on you. | 0:26:13 | 0:26:16 | |
You must have lost it. | 0:26:16 | 0:26:18 | |
The only reason that I've got this filth in me | 0:26:18 | 0:26:20 | |
is because somebody force-fed me. | 0:26:20 | 0:26:22 | |
I demand that you arrest him! | 0:26:22 | 0:26:25 | |
You can find his address from his parents or the university. | 0:26:25 | 0:26:29 | |
See, I can't ignore the fact that these drugs | 0:26:29 | 0:26:31 | |
will have messed with your mind. There is no evidence. | 0:26:31 | 0:26:35 | |
There's no evidence, but... | 0:26:35 | 0:26:37 | |
..that place had been scrubbed, which is suspicious. | 0:26:37 | 0:26:41 | |
Someone had clearly tried to remove any traces of what happened there. | 0:26:41 | 0:26:44 | |
Look, you've done your bit now, Heston, OK? | 0:26:44 | 0:26:47 | |
So now you need to rest and recover. | 0:26:47 | 0:26:49 | |
I went to Denby Drive, Rob. | 0:26:49 | 0:26:51 | |
There was a bloke there, and it could have been Liam. | 0:26:51 | 0:26:53 | |
I don't know, I didn't stick around. | 0:26:53 | 0:26:55 | |
-You went there? -Because I was worried about you. | 0:26:55 | 0:26:57 | |
So now both of you are trying to make my job harder. | 0:26:57 | 0:27:00 | |
-This has got to stop. -I know what that poison does, | 0:27:00 | 0:27:03 | |
how it affects people and how they're treated. | 0:27:03 | 0:27:06 | |
And, no, I won't let this drop! | 0:27:06 | 0:27:08 | |
Heston, you cannot go haring off like that on your own again, OK? | 0:27:08 | 0:27:11 | |
You are not a superhero. | 0:27:11 | 0:27:13 | |
This time you got out of it in one piece, | 0:27:13 | 0:27:15 | |
but next time you might not be so lucky. | 0:27:15 | 0:27:17 | |
-Do you remember him? -Liam? Yeah. | 0:27:22 | 0:27:24 | |
He overreached himself with that Methamphetamine derivative. | 0:27:24 | 0:27:27 | |
I think it's the drugs. I think it is all in his head. | 0:27:27 | 0:27:30 | |
-You can't do this! -I can. It's a gift... | 0:27:32 | 0:27:34 | |
No, this is a medical practice, not a dating agency. | 0:27:34 | 0:27:38 | |
He does have a company. | 0:27:38 | 0:27:40 | |
"Liam Slade, African artwork". | 0:27:40 | 0:27:42 | |
And there's an address. | 0:27:42 | 0:27:44 |