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-Alia! -Yeah? | 0:00:31 | 0:00:33 | |
I just... | 0:00:33 | 0:00:35 | |
Look at this. | 0:00:35 | 0:00:36 | |
I'm just... I'm shaking! | 0:00:36 | 0:00:38 | |
It's not even the wedding, it's just some photos, isn't it? | 0:00:38 | 0:00:40 | |
-You want to look nice, though. -Yeah, I want us all to look nice. | 0:00:40 | 0:00:44 | |
Can you just please do it for me? | 0:00:44 | 0:00:45 | |
Yeah, 'course I will. | 0:00:45 | 0:00:47 | |
Don't worry, it's going to be brilliant! | 0:00:48 | 0:00:50 | |
Yeah, don't worry. It's just... It's only a few photos, isn't it? | 0:00:50 | 0:00:53 | |
Hello? | 0:00:57 | 0:00:59 | |
-Hi. -Hi. -You must be, Lauren? Well, at least I hope you are. | 0:01:01 | 0:01:04 | |
Hello, I'm Emma. | 0:01:04 | 0:01:06 | |
-Hi. -Hi. You found the key, all right? | 0:01:06 | 0:01:09 | |
Yeah, no problems. | 0:01:09 | 0:01:10 | |
You said to make yourself at home, so I've made myself a cup of tea. | 0:01:10 | 0:01:14 | |
-Oh, yeah. -There's one for you as well, still hot. | 0:01:14 | 0:01:16 | |
Oh, I like you. Thank you. | 0:01:16 | 0:01:18 | |
-Did you check out the room? -Yeah, it's lovely. | 0:01:18 | 0:01:21 | |
-Erm, you said you'd... -Towels! | 0:01:21 | 0:01:23 | |
-Yes, they're in the car. I'll get them in a sec. -Lovely. | 0:01:23 | 0:01:26 | |
So, I've got a party to go to later... | 0:01:26 | 0:01:28 | |
Oh, lucky you. | 0:01:28 | 0:01:30 | |
I'm not so sure. It's complicated. | 0:01:30 | 0:01:33 | |
But we'll have this, I'll get your towels, | 0:01:33 | 0:01:35 | |
and then I'll leave you to it. | 0:01:35 | 0:01:36 | |
-Unless there's anything else you need? -Oh, no. All good. | 0:01:36 | 0:01:39 | |
Don't worry about me. | 0:01:39 | 0:01:40 | |
I've got plans. | 0:01:40 | 0:01:42 | |
Well, welcome. | 0:01:44 | 0:01:45 | |
Hello, Valerie's phone. | 0:01:52 | 0:01:54 | |
It's not me, it's a machine. Leave a message! | 0:01:54 | 0:01:56 | |
I know you're screening me. | 0:01:56 | 0:01:59 | |
Well, I'm going to stay here for as long as it takes. | 0:01:59 | 0:02:01 | |
Oh, and our favourite quiche is on the specials board today. | 0:02:03 | 0:02:06 | |
What time do you want to leave? | 0:02:13 | 0:02:14 | |
Valerie? I thought we could get changed here, | 0:02:19 | 0:02:21 | |
maybe half-four, four-ish? | 0:02:21 | 0:02:23 | |
-He's left another message. -Ignore it. | 0:02:24 | 0:02:28 | |
I can't. | 0:02:28 | 0:02:29 | |
About this evening? | 0:02:29 | 0:02:30 | |
-Oh, no, hang on, you are still coming? -Yeah. | 0:02:30 | 0:02:33 | |
I thought we could get changed about four, | 0:02:33 | 0:02:35 | |
-and then go straight from here. -Good. I love a wedding. | 0:02:35 | 0:02:38 | |
It's only photos. | 0:02:38 | 0:02:39 | |
Still. | 0:02:39 | 0:02:41 | |
Oh, he's at The Icon. | 0:02:42 | 0:02:43 | |
He thinks we're having lunch. | 0:02:43 | 0:02:45 | |
No, we're having lunch. | 0:02:45 | 0:02:47 | |
-I'll just see what he says. -Valerie, he's married. | 0:02:47 | 0:02:50 | |
-'I know you're screening...' -Oh, he thinks I'm screening. | 0:02:51 | 0:02:54 | |
You are. You should have completely blocked him. | 0:02:54 | 0:02:56 | |
And there's quiche! | 0:02:56 | 0:02:57 | |
At The Icon, they've got quiche. | 0:02:57 | 0:02:59 | |
So? You don't need quiche, you've got this. | 0:02:59 | 0:03:02 | |
And you definitely don't need him. | 0:03:02 | 0:03:04 | |
-VOICEMAIL: -To delete the message, press three. | 0:03:04 | 0:03:06 | |
For more options, press five. | 0:03:06 | 0:03:08 | |
You look wonderful. | 0:03:12 | 0:03:13 | |
-Buttonhole. -What? | 0:03:14 | 0:03:16 | |
You had a buttonhole? A white rose. | 0:03:16 | 0:03:19 | |
I did, didn't I? | 0:03:19 | 0:03:21 | |
-And? -Flowers are downstairs. I will go and adorn my buttonhole. | 0:03:21 | 0:03:24 | |
-Mum? -Yeah? What? | 0:03:25 | 0:03:26 | |
-Is it OK if I bring Nilam? -Who? | 0:03:26 | 0:03:29 | |
You know Nilam. You've met her. | 0:03:29 | 0:03:30 | |
No, no, not met her. | 0:03:30 | 0:03:33 | |
We've met Recka and Jess and... | 0:03:33 | 0:03:36 | |
-Samina. -..Samina. -Oh, I liked her. | 0:03:36 | 0:03:38 | |
Nilam's special. | 0:03:38 | 0:03:40 | |
So special that you're just introducing her now? | 0:03:40 | 0:03:43 | |
And you want this five-minute wonder to be in our wedding photos?! | 0:03:43 | 0:03:45 | |
-I told her we'd pick her up. -No! | 0:03:45 | 0:03:47 | |
What do you not understand, any of you?! | 0:03:47 | 0:03:51 | |
I just want a wedding photo to put on the wall, for posterity. | 0:03:51 | 0:03:54 | |
Our family, our wedding, the way it should have been! | 0:03:54 | 0:03:58 | |
-Oh, that's nice. -It was my mum's. | 0:04:08 | 0:04:10 | |
That's really pretty. | 0:04:14 | 0:04:15 | |
How do I look? | 0:04:17 | 0:04:19 | |
Great. | 0:04:19 | 0:04:20 | |
I'm not sure about this. | 0:04:22 | 0:04:24 | |
You look drop-dead gorgeous. | 0:04:24 | 0:04:27 | |
No, not that. | 0:04:27 | 0:04:28 | |
What, then? Yesterday you were desperate to go out. | 0:04:28 | 0:04:32 | |
That was different. | 0:04:32 | 0:04:33 | |
Look, come on, it's just a party. | 0:04:33 | 0:04:36 | |
A wedding reception without the wedding. | 0:04:36 | 0:04:37 | |
It doesn't seem right. | 0:04:37 | 0:04:39 | |
-You said you were fine with it. -I know. | 0:04:42 | 0:04:43 | |
Look, it doesn't do any harm. | 0:04:46 | 0:04:48 | |
They just want a second chance to get it right. | 0:04:48 | 0:04:52 | |
Mum doesn't get a second chance, does she? | 0:04:52 | 0:04:55 | |
They can have their day and pretend like that never happened, | 0:04:55 | 0:04:59 | |
but it doesn't change anything for my mum. | 0:04:59 | 0:05:02 | |
I'm sorry. | 0:05:02 | 0:05:03 | |
-Look, I don't like to leave you... -Go. | 0:05:05 | 0:05:07 | |
I'll be fine. I just need to get my head together. | 0:05:07 | 0:05:10 | |
-Tell Ruhma I'll be there as soon as I can. -Do you promise? | 0:05:10 | 0:05:13 | |
-You're going to be late. -OK. | 0:05:13 | 0:05:16 | |
-I will see you later. -Bye. | 0:05:16 | 0:05:17 | |
Right, towels... | 0:05:34 | 0:05:35 | |
You don't mind, do you? | 0:05:36 | 0:05:38 | |
What's happened? You've moved all the furniture. | 0:05:38 | 0:05:40 | |
It took me ages, all by myself. | 0:05:40 | 0:05:42 | |
-That chest of drawers is really heavy. -Yes, but... | 0:05:42 | 0:05:45 | |
The energy's much better now. | 0:05:45 | 0:05:46 | |
You can feel it, can't you? Balance and harmony. | 0:05:46 | 0:05:49 | |
Yeah, but I liked it the way it was. | 0:05:49 | 0:05:51 | |
You'll feel the benefits long after I'm gone. | 0:05:51 | 0:05:53 | |
-I could do your room too, if you'd like? -No, no. No, thank you! | 0:05:53 | 0:05:56 | |
I think you'll find it'll grow on you. | 0:05:56 | 0:05:59 | |
Enjoy your party. | 0:05:59 | 0:06:00 | |
No need to be coy if you bring someone home. | 0:06:00 | 0:06:02 | |
Right. | 0:06:05 | 0:06:06 | |
I do solemnly declare that I know not of any lawful impediment | 0:06:22 | 0:06:27 | |
why I, Heston Bradford Carter... | 0:06:27 | 0:06:30 | |
There is a Constable Watson on his way over to you now | 0:06:30 | 0:06:34 | |
-to arrest Ruhma. -Very funny. | 0:06:34 | 0:06:37 | |
Why I, Ruhma Anna Hanif, may not be joined in marriage | 0:06:37 | 0:06:41 | |
to you, Heston Bradford Carter. | 0:06:41 | 0:06:44 | |
-POLICE OFFICER: -I'm arresting you on suspicion of | 0:06:45 | 0:06:47 | |
receiving or handling stolen goods, and it may harm your defence | 0:06:47 | 0:06:50 | |
if you do not mention when questioned something | 0:06:50 | 0:06:52 | |
which you later rely on in court. | 0:06:52 | 0:06:54 | |
-HESTON: -You can't do this. Sorry, I want your name, rank and number. | 0:06:54 | 0:06:56 | |
Anything you do say may be given in evidence. | 0:06:56 | 0:06:58 | |
Let go of my wife! | 0:06:58 | 0:07:00 | |
Obstructing a police officer is an offence! | 0:07:00 | 0:07:02 | |
Trust me, I'll arrest you too if necessary! | 0:07:02 | 0:07:04 | |
-I think we should re-arrange. -What?! -I'm in the wrong outfit. | 0:07:12 | 0:07:15 | |
We can't just rearrange because you tore your dress! | 0:07:15 | 0:07:17 | |
-Paulo would understand. -It's not that... | 0:07:17 | 0:07:19 | |
-It was a tiny tear. I could mend it. -Could you? | 0:07:19 | 0:07:22 | |
We don't have time to go home and mend your dress. | 0:07:22 | 0:07:25 | |
Well, we could if we re-arranged. | 0:07:25 | 0:07:27 | |
HE SIGHS What? What is the problem? | 0:07:27 | 0:07:29 | |
I think... Mum, I think you look better in that than the other one. | 0:07:29 | 0:07:32 | |
-It's more you. -Really? -I agree. -It's lovely. | 0:07:32 | 0:07:34 | |
I suppose it's all right. | 0:07:34 | 0:07:36 | |
-Excellent. -Mum, you look great. | 0:07:36 | 0:07:38 | |
Oh, hello. I'm Heston Carter. | 0:07:39 | 0:07:40 | |
We have a function room booked for a photographic session. | 0:07:40 | 0:07:44 | |
Excuse me. | 0:07:44 | 0:07:45 | |
Someone's having a nice party. | 0:07:45 | 0:07:47 | |
Evening. | 0:08:04 | 0:08:05 | |
Can I help you? | 0:08:07 | 0:08:08 | |
I'm all right. I'm just going to sit here for a bit. | 0:08:09 | 0:08:12 | |
What do you want? | 0:08:12 | 0:08:14 | |
Nothing. | 0:08:14 | 0:08:15 | |
We don't do "nothing" round here. | 0:08:15 | 0:08:17 | |
My mum's dead. | 0:08:20 | 0:08:21 | |
-Do you want to come over here and tell me about it? -No. | 0:08:22 | 0:08:25 | |
She died here, eight months ago in one of your cells. | 0:08:26 | 0:08:29 | |
Bren? | 0:08:32 | 0:08:33 | |
-Bren! -ALARM BLARES | 0:08:36 | 0:08:38 | |
-You're Bren Lee's girl? -That's right. | 0:08:39 | 0:08:42 | |
And if it's all right with you, I'm just going to sit here for a bit. | 0:08:42 | 0:08:45 | |
I suppose so. | 0:08:45 | 0:08:47 | |
No trouble, mind. | 0:08:47 | 0:08:48 | |
I just want to be here. | 0:08:54 | 0:08:56 | |
No problem. | 0:08:56 | 0:08:57 | |
We can't just give up on her. | 0:09:00 | 0:09:01 | |
-Rob. -No! -Rob. | 0:09:01 | 0:09:03 | |
-No! -Rob! -No! | 0:09:03 | 0:09:05 | |
Here he is. | 0:09:12 | 0:09:14 | |
Paulo! | 0:09:14 | 0:09:16 | |
Bella Ruhma, my darling! | 0:09:16 | 0:09:19 | |
-Come stai? -Thank you, fine. | 0:09:19 | 0:09:22 | |
And the doctor! | 0:09:22 | 0:09:23 | |
And this is? | 0:09:25 | 0:09:27 | |
This is Shak and Alia. | 0:09:27 | 0:09:29 | |
I am Paulo. | 0:09:30 | 0:09:31 | |
Together we make some beautiful pictures! | 0:09:33 | 0:09:36 | |
-Sure. -Brilliant. | 0:09:36 | 0:09:38 | |
-Okey dokey. -Sorry for all the disturbance. | 0:09:38 | 0:09:41 | |
No, no, no problem. | 0:09:41 | 0:09:43 | |
It's not right though, is it? | 0:09:43 | 0:09:45 | |
Cos we have paid for the use of this room, | 0:09:45 | 0:09:47 | |
so they should just wait until we've finished. | 0:09:47 | 0:09:49 | |
-I'm going to have a quick word. -No, no, no. -Mum, we'll be fine. | 0:09:49 | 0:09:52 | |
Ruhma, Ruhma, Ruhma! | 0:09:52 | 0:09:53 | |
Forget about them. Hmm? | 0:09:57 | 0:10:00 | |
You think of the beautiful thoughts and we take the beautiful pictures. | 0:10:00 | 0:10:07 | |
It's not right, though, is it? Maybe I should... | 0:10:07 | 0:10:10 | |
I was thinking, to begin, everybody on the floor, kneeling, | 0:10:10 | 0:10:15 | |
arms like this... | 0:10:15 | 0:10:17 | |
Strike a pose. | 0:10:17 | 0:10:18 | |
And I take the picture from the top. | 0:10:18 | 0:10:21 | |
Before that, before any of that, or the green screen... | 0:10:21 | 0:10:24 | |
Yes? | 0:10:24 | 0:10:26 | |
Before that, I just want the photo. | 0:10:26 | 0:10:28 | |
The photo? | 0:10:29 | 0:10:31 | |
You know, like in the olden days, when the photographer, | 0:10:31 | 0:10:34 | |
he lines everybody up and he's got a camera and a tripod, | 0:10:34 | 0:10:37 | |
and a blanket on his head... | 0:10:37 | 0:10:39 | |
The plate camera. | 0:10:39 | 0:10:41 | |
Like 100 years ago. | 0:10:41 | 0:10:42 | |
Maybe not the blanket on his head. | 0:10:42 | 0:10:44 | |
But you know, that is the photo that I want. | 0:10:44 | 0:10:48 | |
-It's a bit old-fashioned. -What? | 0:10:48 | 0:10:50 | |
-Classic. -Edwardian. | 0:10:50 | 0:10:52 | |
Yes, yes, exactly, exactly. | 0:10:52 | 0:10:55 | |
Absolutely! You want the classy photo. | 0:10:55 | 0:10:59 | |
The family... | 0:11:00 | 0:11:02 | |
just so. | 0:11:02 | 0:11:04 | |
Just so. | 0:11:04 | 0:11:05 | |
KNOCK ON DOOR | 0:11:15 | 0:11:17 | |
Everything all right in here? | 0:11:21 | 0:11:23 | |
He's not coming. | 0:11:24 | 0:11:25 | |
Nadine Sansom. You've got my boy, Ronnie. | 0:11:43 | 0:11:46 | |
-You've arrested Ronnie. -OK, calm down. | 0:11:46 | 0:11:48 | |
-I'm sure we can sort this. -He rang, it's all been a mistake. | 0:11:48 | 0:11:51 | |
It usually is. | 0:11:51 | 0:11:53 | |
Where is he? | 0:11:54 | 0:11:55 | |
Let's back up, shall we? Your son is? | 0:11:55 | 0:11:58 | |
Ronnie. | 0:11:58 | 0:11:59 | |
Ronald Peter Sansom. | 0:11:59 | 0:12:01 | |
How old is your son? | 0:12:01 | 0:12:02 | |
-He's 18. -An adult. | 0:12:02 | 0:12:04 | |
I need to see him. | 0:12:04 | 0:12:05 | |
-Take a seat, please, Mrs Sansom. -Where is he?! | 0:12:05 | 0:12:09 | |
Take a seat, and I'll let the custody sergeant | 0:12:09 | 0:12:11 | |
-know that you're here. -I need to see my son! | 0:12:11 | 0:12:13 | |
Your son is a grown man. | 0:12:13 | 0:12:15 | |
If he's been arrested, | 0:12:15 | 0:12:16 | |
the only person he'll be seeing is his lawyer. | 0:12:16 | 0:12:18 | |
He's never done anything wrong. | 0:12:26 | 0:12:28 | |
Why would they arrest him? | 0:12:28 | 0:12:29 | |
Is it my fault? | 0:12:33 | 0:12:34 | |
I don't know. | 0:12:35 | 0:12:37 | |
-What's happening? Please? -I can't tell you anything. | 0:12:37 | 0:12:41 | |
He called me, he needs me with him. | 0:12:41 | 0:12:43 | |
He's an adult, and it's not for me to discuss his details | 0:12:43 | 0:12:46 | |
with anyone else. | 0:12:46 | 0:12:48 | |
So, you have got him? He is here? | 0:12:48 | 0:12:51 | |
I can't say if he's here or not, or been arrested or not, | 0:12:51 | 0:12:54 | |
or any details. | 0:12:54 | 0:12:56 | |
You'll just have to wait. | 0:12:56 | 0:12:58 | |
Thank you. | 0:13:01 | 0:13:02 | |
Are you waiting for someone, too? | 0:13:05 | 0:13:07 | |
No. I just... | 0:13:07 | 0:13:09 | |
No. | 0:13:11 | 0:13:12 | |
He's married. | 0:13:16 | 0:13:18 | |
Of course he is. | 0:13:18 | 0:13:19 | |
He does this all the time. He arranges to see me, | 0:13:21 | 0:13:25 | |
then he just calls to say he can't get away. | 0:13:25 | 0:13:29 | |
I'm afraid it goes with the territory, doesn't it? | 0:13:29 | 0:13:32 | |
I suppose. | 0:13:32 | 0:13:33 | |
I moved the furniture especially for him. | 0:13:35 | 0:13:38 | |
I thought the harmonics might bring us closer. | 0:13:38 | 0:13:40 | |
Harmonics?! | 0:13:44 | 0:13:46 | |
It might have worked, if he'd actually turned up. | 0:13:47 | 0:13:50 | |
Fat chance of that. | 0:13:51 | 0:13:53 | |
-He's not worth it. -Oh, he is. | 0:13:53 | 0:13:55 | |
No, he's not. Look at the state of you. | 0:13:56 | 0:13:59 | |
-That's just me. -No, it's him. | 0:13:59 | 0:14:01 | |
Look, you can't sit in here moping all night. | 0:14:03 | 0:14:05 | |
Oh, I'll be fine. | 0:14:05 | 0:14:07 | |
-I've brought a book. -No, no. | 0:14:07 | 0:14:09 | |
You are going to come out with me. | 0:14:09 | 0:14:10 | |
Well, didn't you say it was some kind of wedding reception? | 0:14:13 | 0:14:15 | |
Yes, it is. You can come as my plus one. | 0:14:15 | 0:14:18 | |
To be honest, it's a re-enactment of an evening | 0:14:18 | 0:14:21 | |
that I wasn't even at in the first place. | 0:14:21 | 0:14:23 | |
It's complicated, but come on. | 0:14:24 | 0:14:26 | |
You'll shake things up a bit. | 0:14:26 | 0:14:28 | |
You'll be doing me a favour. | 0:14:28 | 0:14:29 | |
Three, two, one... | 0:14:35 | 0:14:38 | |
-ALL: -Cheese! | 0:14:38 | 0:14:40 | |
MUSIC: Relax by Frankie Goes To Hollywood | 0:14:40 | 0:14:42 | |
I'm clearly not even ready. | 0:14:46 | 0:14:47 | |
Oh, for goodness' sake! | 0:14:47 | 0:14:49 | |
You are not helping. | 0:14:49 | 0:14:50 | |
You must have taken hundreds... | 0:14:50 | 0:14:51 | |
-HE DROPS ITALIAN ACCENT -43. I mean, you're killing me. | 0:14:51 | 0:14:54 | |
-HE REVERTS TO ITALIAN ACCENT -I like number 32. | 0:14:56 | 0:14:58 | |
-No. -Well, one of them must be all right! | 0:14:58 | 0:15:00 | |
I don't want just all right! | 0:15:00 | 0:15:02 | |
Maybe we try something different. | 0:15:02 | 0:15:05 | |
-No. -I can't smile any longer! | 0:15:05 | 0:15:07 | |
-You are ruining this. -And you are being insufferable! | 0:15:07 | 0:15:09 | |
-Mum! Heston! -Guys... | 0:15:09 | 0:15:11 | |
What are they doing here? | 0:15:17 | 0:15:19 | |
It's a surprise. | 0:15:19 | 0:15:20 | |
Hello? | 0:15:30 | 0:15:31 | |
You have to tell her what's going on. | 0:15:34 | 0:15:36 | |
-What harm can it do? -It's really not your business. | 0:15:36 | 0:15:39 | |
-It's her son. -I said no trouble. | 0:15:39 | 0:15:41 | |
-Am I causing trouble? -You're not helping. | 0:15:41 | 0:15:43 | |
I know what it's like, | 0:15:43 | 0:15:45 | |
sitting out here with nobody telling you anything! | 0:15:45 | 0:15:47 | |
He's not dead, if that's what's worrying you. | 0:15:47 | 0:15:50 | |
Say that again? | 0:15:50 | 0:15:51 | |
I'm really sorry. That was... | 0:15:51 | 0:15:53 | |
Insensitive?! My mum died in there! | 0:15:53 | 0:15:56 | |
-What? -He's fine. -How does she know that?! | 0:15:56 | 0:15:59 | |
When was the last time anybody checked on him? | 0:15:59 | 0:16:01 | |
-He could be sick, he could have harmed himself. -No! | 0:16:01 | 0:16:03 | |
He could be lying in a pool of his own vomit, for all you know! | 0:16:03 | 0:16:05 | |
-Ronnie! -That's enough. -She has a right to see her son. | 0:16:05 | 0:16:08 | |
-I thought you liked surprises? -I thought you had more sense. | 0:16:10 | 0:16:13 | |
-Oh for goodness' sake! -You are not helping. | 0:16:13 | 0:16:16 | |
-I love a surprise party. -Really? | 0:16:16 | 0:16:18 | |
She's taking it well. I did tell him. | 0:16:18 | 0:16:21 | |
She'll get over it. | 0:16:21 | 0:16:22 | |
Oh, I think Heston deserves a little more humiliation. | 0:16:22 | 0:16:24 | |
Hiya! Where's the happy couple? | 0:16:24 | 0:16:26 | |
-RUHMA: -You've got no wedding! That's ridiculous! | 0:16:26 | 0:16:28 | |
-Valerie! -And wedding photographs, without a wedding, | 0:16:28 | 0:16:31 | |
-that's fine, is it?! -OK, you know very well... | 0:16:31 | 0:16:33 | |
Hiya! | 0:16:33 | 0:16:34 | |
Aw, this is lovely, isn't it? | 0:16:34 | 0:16:36 | |
Not now, Valerie. Another thing... | 0:16:36 | 0:16:39 | |
That's three things. You said two things, that's three things. | 0:16:39 | 0:16:41 | |
Reasons three, four and five - Ayesha, Emma and Rob. | 0:16:41 | 0:16:45 | |
Do you think they really want to be reminded of our wedding day?! | 0:16:45 | 0:16:48 | |
Actually, Rob really wanted to come tonight, but he's got man-flu | 0:16:48 | 0:16:52 | |
and you know what that's like. | 0:16:52 | 0:16:53 | |
Reason number... Reason number... | 0:16:56 | 0:16:59 | |
-Number six. -Six! -I didn't hear one and two, | 0:16:59 | 0:17:01 | |
but numbers three, four and five, that was Ayesha, Emma and Rob. | 0:17:01 | 0:17:04 | |
Reason number six - where's my Matron of Honour?! | 0:17:04 | 0:17:07 | |
I mean, you want a reception and photos. | 0:17:07 | 0:17:09 | |
My Matron of Honour is in Botswana! | 0:17:09 | 0:17:11 | |
And Al is visiting his mother. Should I have checked | 0:17:11 | 0:17:13 | |
-his diary and rearranged? -What has... | 0:17:13 | 0:17:15 | |
The doctor is just thinking of you. | 0:17:15 | 0:17:17 | |
He is a man, he make a mistake, but his heart... | 0:17:19 | 0:17:22 | |
Let's take five. | 0:17:23 | 0:17:25 | |
You say hi to your friends, you have a drink. | 0:17:25 | 0:17:28 | |
Have a dance! | 0:17:28 | 0:17:29 | |
And then we finish the pictures later, hmm? | 0:17:29 | 0:17:32 | |
That sounds good to me. | 0:17:32 | 0:17:33 | |
Bring him out. | 0:17:37 | 0:17:39 | |
Bring him out now, or let her see him. | 0:17:39 | 0:17:41 | |
Sit back over there and shut up, before I have you thrown out. | 0:17:41 | 0:17:45 | |
No way, I'm not budging. | 0:17:45 | 0:17:47 | |
-Stop it! -PHONE RINGS | 0:17:47 | 0:17:49 | |
Please. | 0:17:49 | 0:17:50 | |
Is he safe? | 0:17:52 | 0:17:53 | |
They're bringing him through now. | 0:17:54 | 0:17:56 | |
They're just sorting out the paperwork with the custody sergeant. | 0:17:56 | 0:17:59 | |
He's not hurt? | 0:17:59 | 0:18:01 | |
-Mum. -Ronnie! | 0:18:01 | 0:18:02 | |
-That's the bride and groom. -The life and soul. | 0:18:13 | 0:18:15 | |
I don't quite know what's going on there. | 0:18:15 | 0:18:18 | |
Who's he? | 0:18:18 | 0:18:19 | |
Ah, yes, maybe not. | 0:18:20 | 0:18:22 | |
You've got to introduce me now. | 0:18:23 | 0:18:25 | |
Who do you think she is? | 0:18:27 | 0:18:28 | |
Some friend of Emma's, I suppose. | 0:18:28 | 0:18:31 | |
-We're about to find out. -Hello, everyone. | 0:18:31 | 0:18:34 | |
This is a friend of mine, Lauren. | 0:18:34 | 0:18:36 | |
Lauren, this is Jimmi, Valerie, | 0:18:36 | 0:18:39 | |
and this is Daniel and Zara. | 0:18:39 | 0:18:41 | |
Zara, that is a gorgeous colour. | 0:18:41 | 0:18:44 | |
-Where did you get it? -Who's your friend? | 0:18:44 | 0:18:46 | |
I'm not quite sure, but she's a smooth operator. | 0:18:46 | 0:18:49 | |
I'm sorry. | 0:18:51 | 0:18:52 | |
What did you do? | 0:18:52 | 0:18:55 | |
Don't look at me, young man. | 0:18:55 | 0:18:56 | |
-EMMA: -'Clear.' | 0:18:58 | 0:18:59 | |
I nicked a jacket off the market. | 0:18:59 | 0:19:02 | |
Leather. | 0:19:02 | 0:19:03 | |
-Brown leather jacket. -Why? | 0:19:03 | 0:19:06 | |
Still nothing. | 0:19:07 | 0:19:09 | |
'I'm calling it.' | 0:19:12 | 0:19:13 | |
You're not going to do it again, are you? | 0:19:13 | 0:19:15 | |
'Time of death, 18:55.' | 0:19:17 | 0:19:19 | |
I thought you might be... | 0:19:21 | 0:19:23 | |
I thought you might be hurt. | 0:19:28 | 0:19:29 | |
SHUTTER CLICKS | 0:19:37 | 0:19:38 | |
SHUTTER CLICKS | 0:19:41 | 0:19:43 | |
OK. | 0:19:46 | 0:19:48 | |
OK, as in...? | 0:19:48 | 0:19:50 | |
OK, maybe this wasn't an entirely silly idea. | 0:19:50 | 0:19:54 | |
Sounds promising. | 0:19:54 | 0:19:56 | |
What about the photographs? | 0:19:56 | 0:19:58 | |
The night's still young. | 0:19:58 | 0:19:59 | |
No? | 0:20:01 | 0:20:02 | |
Oh, my goodness! | 0:20:02 | 0:20:04 | |
I am steeped in sin. | 0:20:04 | 0:20:06 | |
Well, it is very sinful. | 0:20:06 | 0:20:08 | |
What's it like? | 0:20:09 | 0:20:10 | |
Difficult, draining, depressing... | 0:20:12 | 0:20:15 | |
All the Ds. | 0:20:15 | 0:20:16 | |
..and absolutely glorious. | 0:20:16 | 0:20:18 | |
I have to confess that I have been faced with | 0:20:21 | 0:20:23 | |
the opportunity myself recently. | 0:20:23 | 0:20:26 | |
-Yes! Go for it. -Oh, no. No, I can't. | 0:20:26 | 0:20:28 | |
I'm not like you. | 0:20:29 | 0:20:31 | |
-A sinner? -No, I'm not brave. | 0:20:31 | 0:20:33 | |
No pain, no gain - it's just as true for love. | 0:20:33 | 0:20:37 | |
I'm sorry. | 0:20:43 | 0:20:45 | |
I didn't mean to. | 0:20:51 | 0:20:52 | |
Why are you here? | 0:20:55 | 0:20:56 | |
I don't know. | 0:20:58 | 0:20:59 | |
Maybe you should find somewhere else to be. | 0:21:00 | 0:21:03 | |
I just thought that... | 0:21:03 | 0:21:04 | |
There's nothing here for you, love. | 0:21:04 | 0:21:06 | |
No. | 0:21:11 | 0:21:12 | |
There's nothing left. | 0:21:14 | 0:21:15 | |
You are absolutely shameless! | 0:21:34 | 0:21:36 | |
-A woman has her needs. -HER PHONE BEEPS | 0:21:36 | 0:21:39 | |
Oh, hang on. | 0:21:39 | 0:21:40 | |
Oh, it's him. | 0:21:44 | 0:21:46 | |
-Tell him to stick it! -He's got an hour free. | 0:21:47 | 0:21:50 | |
-He can be at your place by ten. -So? What do you care? | 0:21:50 | 0:21:53 | |
Long queue at the bar, but lovely barman! | 0:21:53 | 0:21:55 | |
What's wrong? | 0:21:57 | 0:21:58 | |
Lauren's paramour... | 0:21:58 | 0:22:00 | |
Oh. | 0:22:00 | 0:22:02 | |
-You won't be wanting the wine, then. -Of course she wants the wine! | 0:22:02 | 0:22:05 | |
Val's right. I have to go. | 0:22:05 | 0:22:07 | |
No, you don't have to go. | 0:22:07 | 0:22:09 | |
This is why I'm in Letherbridge. | 0:22:09 | 0:22:11 | |
If I don't meet him, then what was the point? | 0:22:11 | 0:22:13 | |
Just because you're the other woman, it doesn't mean that you're... | 0:22:13 | 0:22:17 | |
I don't know. What does it mean? | 0:22:17 | 0:22:19 | |
Well, where's the respect? | 0:22:19 | 0:22:21 | |
You know, why should you just make yourself available | 0:22:21 | 0:22:24 | |
when it's convenient for him? | 0:22:24 | 0:22:25 | |
But that's the only time when he's mine. I take what I can. | 0:22:25 | 0:22:29 | |
Apologies in advance if we keep you up! | 0:22:29 | 0:22:32 | |
Earplugs might be a good idea! | 0:22:32 | 0:22:34 | |
Bye! | 0:22:34 | 0:22:35 | |
Oh, great. | 0:22:36 | 0:22:37 | |
OK! | 0:22:40 | 0:22:43 | |
And a smile... | 0:22:47 | 0:22:49 | |
-HE DROPS ITALIAN ACCENT -I mean, it's boring. | 0:22:50 | 0:22:52 | |
You call that a smile?! | 0:22:52 | 0:22:54 | |
He's doing his best, leave him alone, you! | 0:22:54 | 0:22:56 | |
Is that a police siren I can hear? | 0:22:56 | 0:22:58 | |
Oh, very funny! | 0:22:58 | 0:22:59 | |
OK, so this is the one, we need some very big cheese from everybody! | 0:22:59 | 0:23:06 | |
Tres, due, uno! | 0:23:06 | 0:23:09 | |
Dolcelatte! | 0:23:09 | 0:23:10 | |
Eh? | 0:23:11 | 0:23:13 | |
Scusa, Inglese. | 0:23:14 | 0:23:17 | |
Three, two and one! | 0:23:17 | 0:23:20 | |
-ALL: -Cheese! | 0:23:20 | 0:23:23 | |
This is it. | 0:23:23 | 0:23:25 | |
Yes. Thank you, thank you! | 0:23:26 | 0:23:28 | |
OK, so boring old family fuddy-duddy done... | 0:23:29 | 0:23:35 | |
-let's have some fun. -Hooray! -Yes, come on! | 0:23:35 | 0:23:38 | |
She seems happy. | 0:23:41 | 0:23:43 | |
Grateful for the crumbs. | 0:23:43 | 0:23:45 | |
Well, if he loves her... | 0:23:45 | 0:23:46 | |
If he loved her, he would offer her more than crumbs. | 0:23:46 | 0:23:50 | |
-Yeah, I suppose. -I just wish they weren't doing it in my spare room. | 0:23:50 | 0:23:54 | |
Well, I mean, you've got to find somewhere to do it, | 0:23:54 | 0:23:56 | |
and she is paying you. | 0:23:56 | 0:23:57 | |
Oh! Well, maybe I should charge by the hour! | 0:23:57 | 0:24:00 | |
Emma's Emporium of Pleasure. | 0:24:00 | 0:24:01 | |
Not funny. | 0:24:02 | 0:24:03 | |
MUSIC: There's A Kind Of Hush by Herman's Hermits | 0:24:05 | 0:24:09 | |
What on Earth...? | 0:24:10 | 0:24:12 | |
Bien, mes chers amis! | 0:24:12 | 0:24:14 | |
THEY HUM 'THE WEDDING MARCH' | 0:24:15 | 0:24:18 | |
Fromage! | 0:24:19 | 0:24:21 | |
Fromage! | 0:24:21 | 0:24:22 | |
And suddenly our beautiful couple are transported to bella Pisa! | 0:24:25 | 0:24:32 | |
Lean! | 0:24:37 | 0:24:38 | |
Very lean. | 0:24:39 | 0:24:40 | |
SHUTTER CLICKS | 0:24:44 | 0:24:46 | |
Bellissima! | 0:24:46 | 0:24:48 | |
Oh, my turn, my turn! | 0:24:48 | 0:24:49 | |
Where to next? | 0:24:51 | 0:24:53 | |
Egypt. | 0:24:53 | 0:24:54 | |
Who's going to be the camel? | 0:24:54 | 0:24:57 | |
-Don't look at me! -LAUGHTER | 0:24:57 | 0:24:58 | |
SHUTTER CLICKS | 0:25:02 | 0:25:04 | |
SHUTTER CLICKS | 0:25:06 | 0:25:07 | |
LAUGHTER, MUSIC PLAYS | 0:25:12 | 0:25:14 | |
I don't get it. Where's Mrs Tembe? | 0:25:31 | 0:25:33 | |
Trust me, Paulo is a genius. | 0:25:33 | 0:25:35 | |
We can't have wedding photos without the Matron of Honour! | 0:25:35 | 0:25:38 | |
The magic of digital editing! | 0:25:38 | 0:25:39 | |
SHUTTER CLICKS | 0:25:39 | 0:25:41 | |
Last one, kids and colleagues. | 0:25:43 | 0:25:46 | |
Alia, next to me. | 0:25:46 | 0:25:48 | |
-Make a space for Mrs Tembe! -Here? -Yeah, just behind. | 0:25:48 | 0:25:51 | |
-Where are we this time? -Somewhere exotic. | 0:25:51 | 0:25:53 | |
-Sutton Coldfield? -Closer, or we don't get everybody in. | 0:25:53 | 0:25:56 | |
Ayesha! Get behind here. | 0:26:01 | 0:26:02 | |
-Come on, come on. -OK! | 0:26:02 | 0:26:04 | |
Just behind Alia. | 0:26:04 | 0:26:06 | |
No, no, not there, that's Mrs Tembe. | 0:26:08 | 0:26:10 | |
You wear this. | 0:26:10 | 0:26:11 | |
Thanks for coming. | 0:26:14 | 0:26:16 | |
You, thank you. | 0:26:16 | 0:26:17 | |
My pleasure. | 0:26:19 | 0:26:20 | |
Best non-wedding reception ever! | 0:26:20 | 0:26:22 | |
Everybody say kangaroo! | 0:26:23 | 0:26:27 | |
-ALL: -Kangaroo! | 0:26:27 | 0:26:29 | |
SHUTTER CLICKS | 0:26:29 | 0:26:31 | |
All the cameras have in-built microphones. | 0:26:35 | 0:26:38 | |
All you need to do is not sign anything. | 0:26:38 | 0:26:41 | |
I am ashamed of my behaviour, and I have repented. | 0:26:41 | 0:26:44 | |
-Do you have any idea how offensive you're being? -Me? | 0:26:44 | 0:26:47 | |
I am going to stay strong. | 0:26:47 | 0:26:49 | |
I cant be the other woman, Ashley. | 0:26:49 | 0:26:51 | |
What price peace of mind? And your son'll be relieved. | 0:26:51 | 0:26:54 | |
Hello, George. | 0:26:54 | 0:26:55 | |
I'm the son. | 0:26:55 | 0:26:57 |