Browse content similar to Rumspringa. Check below for episodes and series from the same categories and more!
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MUSIC PLAYS IN BACKGROUND | 0:00:26 | 0:00:28 | |
It's fine. | 0:00:28 | 0:00:30 | |
Look, Chris, we'll just find another time to get together, that's all. | 0:00:30 | 0:00:33 | |
Please stop saying you're sorry. | 0:00:35 | 0:00:37 | |
I love you. | 0:00:39 | 0:00:42 | |
All right. | 0:00:42 | 0:00:44 | |
Take care of yourself. | 0:00:44 | 0:00:46 | |
Bye. | 0:00:46 | 0:00:47 | |
Did you want something? | 0:00:50 | 0:00:52 | |
Can I get you anything else? | 0:00:53 | 0:00:55 | |
No, I'm fine. I mean, no, thank you. | 0:00:55 | 0:00:58 | |
All the cameras have in-built microphones, | 0:01:03 | 0:01:06 | |
so I can hear and record everything he says. | 0:01:06 | 0:01:09 | |
Oh, that is clever. | 0:01:09 | 0:01:11 | |
You are very clever. | 0:01:11 | 0:01:13 | |
All you need to do is not sign anything. | 0:01:13 | 0:01:16 | |
I'm sure he's going to pull a fast one. | 0:01:17 | 0:01:19 | |
His next trick is going to be to try and convince you that you need | 0:01:19 | 0:01:23 | |
new doors. You don't. | 0:01:23 | 0:01:26 | |
-I could do with a new back door... -Mother! | 0:01:26 | 0:01:28 | |
You had a new one fitted just before Dad died. | 0:01:28 | 0:01:31 | |
But I liked the old one, though. | 0:01:31 | 0:01:33 | |
-It was a stable door. Do you remember? -You don't need any doors! | 0:01:33 | 0:01:37 | |
-Have you got that? -I've got it. | 0:01:37 | 0:01:39 | |
George might SEEM like a nice man, but he is a shyster. | 0:01:40 | 0:01:43 | |
Ah! Your father used to refer to tradesmen as "shysters"! | 0:01:43 | 0:01:49 | |
The apple doesn't fall far from the tree. | 0:01:49 | 0:01:51 | |
I'm going to wear my pink cardigan. | 0:01:54 | 0:01:57 | |
Why? | 0:01:58 | 0:02:00 | |
I need to look smart for the cameras, don't I? | 0:02:00 | 0:02:03 | |
-For my close-ups. -SHE GIGGLES | 0:02:04 | 0:02:07 | |
I need to tell you I'm sorry. | 0:02:14 | 0:02:17 | |
Pardon? | 0:02:17 | 0:02:18 | |
Last year, when I was a mess... | 0:02:19 | 0:02:22 | |
I ended up being taken downtown. | 0:02:22 | 0:02:25 | |
-You mean, you were arrested? -Yes, ma'am. | 0:02:25 | 0:02:28 | |
I kind of don't exactly remember what happened that night, | 0:02:28 | 0:02:32 | |
but I was in a cell and... | 0:02:32 | 0:02:34 | |
I remember you. Yeah, you racially abused a colleague of mine. | 0:02:36 | 0:02:41 | |
-Yes, I did. -You had your head shaved like some Neo-Nazi. | 0:02:41 | 0:02:45 | |
I am real sorry. | 0:02:45 | 0:02:46 | |
I really wasn't that person. | 0:02:46 | 0:02:49 | |
-I'm not any more. -You know, she was just trying to do her job, | 0:02:49 | 0:02:53 | |
take care of you and you... | 0:02:53 | 0:02:55 | |
What do you mean, you're not that person any more? | 0:02:55 | 0:02:58 | |
-I have changed. -Why? | 0:02:58 | 0:03:00 | |
Because you've grown some hair? | 0:03:00 | 0:03:02 | |
That doesn't mean you've changed. | 0:03:02 | 0:03:04 | |
-Or have you had some kind of epiphany? -Exactly that. | 0:03:04 | 0:03:07 | |
-Rumspringa. -What? | 0:03:08 | 0:03:10 | |
I'm Amish. Rumspringa is when we leave our community | 0:03:10 | 0:03:15 | |
-and we experience the world. -Oh. | 0:03:15 | 0:03:18 | |
So I came to Europe. | 0:03:18 | 0:03:20 | |
I tried stuff. | 0:03:20 | 0:03:21 | |
I met the wrong people. | 0:03:21 | 0:03:24 | |
It got messy, but someone helped me, | 0:03:24 | 0:03:27 | |
let me see who I was again. | 0:03:27 | 0:03:29 | |
I want to apologise to you. | 0:03:30 | 0:03:32 | |
Aren't you supposed to go home and be baptised or something | 0:03:32 | 0:03:35 | |
after Rumspringa? | 0:03:35 | 0:03:37 | |
I want to, I really do, but it's not simple. | 0:03:37 | 0:03:42 | |
I can't just call my folks for airfare. | 0:03:43 | 0:03:45 | |
Well, good luck. | 0:03:46 | 0:03:47 | |
I appreciate the apology, | 0:03:48 | 0:03:50 | |
however you should know that your behaviour was disgusting. | 0:03:50 | 0:03:54 | |
Although, I'm glad you've finally seen the light. | 0:03:55 | 0:03:58 | |
Ruhma and Heston would not look out of place in a glossy magazine. | 0:04:02 | 0:04:06 | |
Yeah, they're lovely photos. | 0:04:06 | 0:04:08 | |
Ooh, who wouldn't want a soul mate? | 0:04:08 | 0:04:10 | |
She's banging on about the photos from Friday - | 0:04:10 | 0:04:12 | |
they've made her all gooey. | 0:04:12 | 0:04:14 | |
-Oh, new shoes? -Yeah, but they're giving me gyp. | 0:04:14 | 0:04:18 | |
They're worth it. Well, I'm all for a bit of romance, | 0:04:18 | 0:04:21 | |
but happy families? | 0:04:21 | 0:04:23 | |
-What's up? -Chris phoned. | 0:04:23 | 0:04:25 | |
He can't come over in August. | 0:04:25 | 0:04:28 | |
He's in line for promotion. | 0:04:28 | 0:04:29 | |
That's good, though. No, not good. | 0:04:29 | 0:04:31 | |
I'm screening. | 0:04:35 | 0:04:36 | |
Don't ask me how many text messages I've had from Ashley today. | 0:04:38 | 0:04:41 | |
Seriously, don't ask. | 0:04:42 | 0:04:44 | |
Just don't ask me. | 0:04:45 | 0:04:47 | |
-Ask you what? -No. | 0:04:47 | 0:04:49 | |
I'm going to keep occupied. I am going to stay strong. | 0:04:49 | 0:04:52 | |
-Who knew, though? -Who knew what? | 0:04:52 | 0:04:55 | |
That there is a vulnerable sexiness in a man who's needy. | 0:04:55 | 0:04:57 | |
Anyhow, Carolina Thomas, she's got that disc thing again. | 0:05:00 | 0:05:03 | |
-Ah, no. -She's on your list. | 0:05:03 | 0:05:06 | |
I know. Bummer. | 0:05:06 | 0:05:08 | |
What?! I asked her to come into the surgery. | 0:05:08 | 0:05:10 | |
She asked me where I'd got my medical degree. | 0:05:10 | 0:05:12 | |
Well, she is caustic, even when she's well. | 0:05:12 | 0:05:15 | |
But when she's in pain... | 0:05:15 | 0:05:17 | |
Don't forgot to wear your gloves, that flat's filthy. | 0:05:17 | 0:05:19 | |
Karen Hollins, where is your sense of empathy? | 0:05:19 | 0:05:21 | |
DOORBELL RINGS | 0:05:24 | 0:05:26 | |
Hello again, Mrs Haskey, how are you? | 0:05:29 | 0:05:32 | |
What a smashing cardigan - my favourite aunt has one like that. | 0:05:32 | 0:05:36 | |
I thought I ought to wear something nice. | 0:05:36 | 0:05:39 | |
I'm going to be honest with you, Mrs Haskey - I work on commission only, | 0:05:39 | 0:05:42 | |
a zero-hours contract would be luxury to me, so I'm truly grateful | 0:05:42 | 0:05:46 | |
you're considering upgrading your doors. | 0:05:46 | 0:05:48 | |
We have to go and sit in the lounge to talk about this. | 0:05:48 | 0:05:51 | |
Oh, OK. Well, let's go and get you the best value, then, eh? | 0:05:51 | 0:05:54 | |
-We used to have a stable door at the back. -Mother! | 0:05:54 | 0:05:57 | |
Ours is called "The Texan" - beautiful door. | 0:05:57 | 0:06:00 | |
Nice to be able to open the top and keep the bottom locked. | 0:06:00 | 0:06:03 | |
-I know. -Let me just say, though, | 0:06:03 | 0:06:06 | |
I'm not writing up any orders until | 0:06:06 | 0:06:09 | |
I'm sure YOU'RE sure you want to go ahead. | 0:06:09 | 0:06:12 | |
Wow. This place looks like it's had a complete makeover. | 0:06:15 | 0:06:19 | |
Because it was such a pit before? | 0:06:19 | 0:06:21 | |
-No. I didn't mean that. -Yeah, we both know you did. | 0:06:21 | 0:06:25 | |
Well, whatever you've done, it looks great. | 0:06:25 | 0:06:28 | |
-He's new. -He's my Black Jesus. | 0:06:29 | 0:06:32 | |
You don't see many. Tut! Like Jesus was white. | 0:06:32 | 0:06:35 | |
Right, let's have a look at your neck, shall we? | 0:06:36 | 0:06:38 | |
OK, can you try and turn your head for me, please? | 0:06:43 | 0:06:45 | |
You wouldn't be here if I could. | 0:06:45 | 0:06:46 | |
And the other side. | 0:06:48 | 0:06:49 | |
What part of agony are you failing to understand?! | 0:06:51 | 0:06:54 | |
I'm just trying to gauge how much movement you've got, that's all. | 0:06:54 | 0:06:58 | |
Years of training... | 0:06:58 | 0:06:59 | |
Why are you surprised that my place is nice? | 0:07:02 | 0:07:05 | |
I'm not. | 0:07:05 | 0:07:06 | |
-I didn't mean to be rude. -Ah, yeah, of course. | 0:07:07 | 0:07:10 | |
OK. I can give you some medication for the pain, | 0:07:10 | 0:07:14 | |
but then I'm going to have to refer you back to the physio at St Phil's. | 0:07:14 | 0:07:17 | |
I'm not going. | 0:07:17 | 0:07:18 | |
Please, Carolina. | 0:07:19 | 0:07:21 | |
Come on, it's just like last time. | 0:07:21 | 0:07:23 | |
You need a few days' rest, but then it's important to keep | 0:07:23 | 0:07:26 | |
the movement going, get some exercise. | 0:07:26 | 0:07:27 | |
Did you not hear what I said? | 0:07:27 | 0:07:30 | |
This is such a lovely home. So like my aunt's. | 0:07:31 | 0:07:34 | |
She's like you, my aunt, lots of lovely, irreplaceable things. | 0:07:35 | 0:07:38 | |
So much sentimental value. | 0:07:38 | 0:07:39 | |
Oh, you oily little creep. | 0:07:39 | 0:07:42 | |
If your son's anything like me, | 0:07:42 | 0:07:43 | |
he'll have been on at you to upgrade your doors. | 0:07:43 | 0:07:45 | |
I made sure my aunt had new ones after her neighbour was burgled. | 0:07:45 | 0:07:48 | |
The ones we do have triple-A-plus security ratings. | 0:07:49 | 0:07:54 | |
Alasdair is very concerned about the doors. | 0:07:54 | 0:07:58 | |
He'll be worried. Imagining you waking up in the night | 0:07:58 | 0:08:00 | |
with someone in the house. Some thug in a balaclava, broken in | 0:08:00 | 0:08:04 | |
and standing at the bottom of your bed. | 0:08:04 | 0:08:05 | |
Thug in a balaclava?! | 0:08:05 | 0:08:07 | |
Leaning over you shouting about jewellery and cash. | 0:08:07 | 0:08:10 | |
Tell you what. | 0:08:10 | 0:08:11 | |
I'll add in The Texan, if you still want the stable door option - | 0:08:11 | 0:08:15 | |
no extra cost. | 0:08:15 | 0:08:17 | |
I've ALWAYS liked a stable door. | 0:08:18 | 0:08:20 | |
How much will it cost? | 0:08:23 | 0:08:25 | |
All in... Under £6,000. | 0:08:25 | 0:08:28 | |
It's an investment in the house, isn't it? | 0:08:30 | 0:08:33 | |
You can't better bricks and mortar. | 0:08:33 | 0:08:36 | |
So it's worth it, and I can afford it. | 0:08:37 | 0:08:40 | |
That's what my auntie said. "What price peace of mind?" | 0:08:40 | 0:08:43 | |
And your son will be relieved. | 0:08:43 | 0:08:44 | |
He'll want his mum to have triple-A-plus security. | 0:08:44 | 0:08:47 | |
-That's enough of you. -Sons worry. | 0:08:47 | 0:08:50 | |
Alasdair does, he never stops. | 0:08:50 | 0:08:53 | |
Oh... Hello, George. | 0:08:56 | 0:08:59 | |
I'M the son. | 0:08:59 | 0:09:02 | |
Oh, hello! | 0:09:02 | 0:09:04 | |
I've heard a lot about you. Well, all good, mate, no need to worry! | 0:09:04 | 0:09:08 | |
You SHOULD worry, you unscrupulous git. | 0:09:09 | 0:09:13 | |
-I beg your pardon?! -Some thug in a balaclava? | 0:09:13 | 0:09:16 | |
Nice try at putting the frighteners on my mother. | 0:09:16 | 0:09:19 | |
Oh, you're a class act, aren't you? | 0:09:19 | 0:09:21 | |
It's a good job we've got it all recorded. | 0:09:21 | 0:09:23 | |
See that? | 0:09:23 | 0:09:25 | |
Go on, give it a smile. | 0:09:25 | 0:09:27 | |
And that one. | 0:09:27 | 0:09:28 | |
Go on, say cheese. | 0:09:29 | 0:09:30 | |
-You can't do that. -And yet we did. | 0:09:32 | 0:09:35 | |
He's very clever. | 0:09:35 | 0:09:37 | |
80/50. That's a little low. | 0:09:39 | 0:09:42 | |
You know what would get my blood pressure up? | 0:09:42 | 0:09:44 | |
Waiting around for an hour before every appointment at St Phil's - | 0:09:44 | 0:09:47 | |
that's what. And the one time I'm five minutes late - because I had | 0:09:47 | 0:09:51 | |
to walk it there, I had no bus money - the woman at reception | 0:09:51 | 0:09:54 | |
throws a blue fit, calls me out in front of everyone. | 0:09:54 | 0:09:57 | |
Nah, not going to happen. | 0:09:57 | 0:09:58 | |
Right. | 0:09:58 | 0:10:00 | |
-Well, will you need a fit note for work? -I'm not working. | 0:10:00 | 0:10:04 | |
And since when was a sick note a fit note? Ridiculous. | 0:10:04 | 0:10:08 | |
You haven't been sleeping on this, have you? | 0:10:10 | 0:10:13 | |
Do you think I'm stupid? | 0:10:13 | 0:10:14 | |
You make assumptions and you're rude. | 0:10:15 | 0:10:18 | |
Lord, give me strength! | 0:10:20 | 0:10:21 | |
Please, Carolina, stop this. | 0:10:22 | 0:10:24 | |
Look at all the changes you've made. | 0:10:26 | 0:10:28 | |
Whatever you're doing, you should bottle it, | 0:10:28 | 0:10:30 | |
because it's doing you good. | 0:10:30 | 0:10:32 | |
I suppose I'm more connected to my faith. | 0:10:33 | 0:10:36 | |
-Well, that's good. -I have someone in my life. | 0:10:36 | 0:10:39 | |
-Great. -He's good for me. | 0:10:39 | 0:10:41 | |
He makes me feel cared for. | 0:10:42 | 0:10:45 | |
I'll tell you what, why don't I put the kettle on, | 0:10:45 | 0:10:47 | |
-we'll have a cup of tea? -Oh, wicked! | 0:10:47 | 0:10:49 | |
Sorry? | 0:10:50 | 0:10:52 | |
You know I can't nod. | 0:10:52 | 0:10:53 | |
I'll put the kettle on. | 0:10:55 | 0:10:56 | |
-You can't film people without their consent. Give me that! -No. | 0:10:59 | 0:11:02 | |
You can't deliberately frighten old people with special needs. | 0:11:02 | 0:11:06 | |
I haven't got special needs, dear. | 0:11:06 | 0:11:08 | |
Your mother was quite happy for us to quote. | 0:11:08 | 0:11:10 | |
I didn't say no. | 0:11:10 | 0:11:12 | |
You thought all your Christmases had come at once, didn't you? | 0:11:12 | 0:11:15 | |
Well, they haven't. You tried to take advantage | 0:11:15 | 0:11:17 | |
of my mother's fragility. And you are practised at this. | 0:11:17 | 0:11:20 | |
You do it all the time, don't you, Shyster! | 0:11:20 | 0:11:21 | |
Let me get this right - special needs, fragility? | 0:11:21 | 0:11:24 | |
You're saying your mother is mentally incapable? | 0:11:24 | 0:11:26 | |
Alasdair! | 0:11:26 | 0:11:27 | |
Which kind of tea would you like? | 0:11:29 | 0:11:31 | |
Don't care. | 0:11:31 | 0:11:32 | |
Gosh, somebody's looking after you. | 0:11:35 | 0:11:37 | |
No junk food. | 0:11:37 | 0:11:39 | |
No builders' brew. | 0:11:39 | 0:11:41 | |
Carolina is caffeine-free now. | 0:11:42 | 0:11:44 | |
What are you doing here? | 0:11:46 | 0:11:47 | |
Is Carolina in trouble? | 0:11:47 | 0:11:49 | |
No. I'll ask you again, what are you doing in this flat? | 0:11:49 | 0:11:53 | |
-You're a cop. -I'm a GP, | 0:11:53 | 0:11:55 | |
who happens to work with the police - as a doctor. | 0:11:55 | 0:11:59 | |
Like I was the night you abused my colleague. | 0:11:59 | 0:12:01 | |
So, I'll ask you again. | 0:12:03 | 0:12:04 | |
What are you doing in the kitchen of my patient, | 0:12:05 | 0:12:08 | |
who happens to be a young black woman? | 0:12:08 | 0:12:10 | |
Surely you can see why I'm concerned. | 0:12:11 | 0:12:14 | |
You don't need to. | 0:12:14 | 0:12:16 | |
I owe Carolina my life. | 0:12:16 | 0:12:17 | |
When you saw me, I was polluted. | 0:12:18 | 0:12:20 | |
Then I got sick and I ended up sleeping on the sidewalk. | 0:12:22 | 0:12:24 | |
I believe the Lord helped me and Carolina find each other. | 0:12:26 | 0:12:29 | |
She just picked you up off the street and asked you to live here? | 0:12:29 | 0:12:32 | |
She showed me love. | 0:12:32 | 0:12:34 | |
-I would never hurt her. -Yes, well, you would say that, wouldn't you? | 0:12:35 | 0:12:37 | |
She gave me a bed and got me well. | 0:12:37 | 0:12:39 | |
The first time I was strong enough, | 0:12:39 | 0:12:41 | |
I found the Black Jesus. He was surely a sign. | 0:12:41 | 0:12:43 | |
I am ashamed of my behaviour... | 0:12:46 | 0:12:47 | |
..and the words I used and the way I used them. | 0:12:48 | 0:12:51 | |
But I own that shame | 0:12:52 | 0:12:54 | |
and I have repented. | 0:12:54 | 0:12:55 | |
That's all right, then, isn't it? | 0:12:55 | 0:12:58 | |
Finding Him, was proof Carolina was right to help me. | 0:12:58 | 0:13:02 | |
Only, now you want to go home, | 0:13:03 | 0:13:06 | |
but it's difficult because she's become so reliant on you. | 0:13:06 | 0:13:09 | |
Hey! Samuel! | 0:13:09 | 0:13:10 | |
You not going to come in and say hello? | 0:13:12 | 0:13:14 | |
Please don't say anything. | 0:13:16 | 0:13:17 | |
I need a little more time. | 0:13:18 | 0:13:20 | |
Please. | 0:13:22 | 0:13:23 | |
This must be terribly embarrassing for you. | 0:13:27 | 0:13:30 | |
I'm so sorry. | 0:13:30 | 0:13:32 | |
Is your mother certifiably senile, Mr Haskey? | 0:13:32 | 0:13:35 | |
-It's Doctor. Dr Haskey. -Right, so, it's your medical opinion, then? | 0:13:35 | 0:13:40 | |
We supply replacement windows and doors. | 0:13:42 | 0:13:45 | |
Our customers aren't required to pass mental agility tests. | 0:13:45 | 0:13:47 | |
It's not our job to make sure they're right in the head. | 0:13:47 | 0:13:50 | |
So, if Mrs Haskey isn't, | 0:13:50 | 0:13:51 | |
then I suggest you get some legal advice on cancelling her contract. | 0:13:51 | 0:13:54 | |
Cup of tea? | 0:13:56 | 0:13:57 | |
How do you sleep at night? | 0:14:02 | 0:14:04 | |
She's not my mother. | 0:14:05 | 0:14:07 | |
MOBILE PHONE ALERT | 0:14:07 | 0:14:09 | |
Oh, that's interesting. | 0:14:11 | 0:14:13 | |
You see, I posted a little clip of our home movie online. | 0:14:13 | 0:14:16 | |
It's only been ten minutes and yet, there's already been a comment. | 0:14:16 | 0:14:19 | |
"I recognise that con man. | 0:14:22 | 0:14:25 | |
"He ripped my grandad off for £10,000." | 0:14:25 | 0:14:28 | |
You are going to pay back my mother every single penny | 0:14:29 | 0:14:33 | |
you took from her, or the whole video goes online. | 0:14:33 | 0:14:36 | |
Do you catch my drift, you repugnant little worm? | 0:14:37 | 0:14:40 | |
RINGTONE: Theme from The Sweeney | 0:14:43 | 0:14:45 | |
Hello? | 0:14:45 | 0:14:47 | |
Rob, hi. Listen, I need a favour. | 0:14:47 | 0:14:49 | |
-Yup. -SIREN BLARES | 0:14:49 | 0:14:51 | |
Do you remember that tall American guy that we had in | 0:14:51 | 0:14:54 | |
-around Bonfire Night - the skinhead. -Samuel Troyer. | 0:14:54 | 0:14:57 | |
-You remember him? -I remember him because he came down the station | 0:14:57 | 0:15:00 | |
a few weeks ago to apologise to Janet. | 0:15:00 | 0:15:02 | |
She was quite touched by it, said it meant a lot. | 0:15:02 | 0:15:05 | |
Anyway, what about him? Because he will have gone home by now, | 0:15:05 | 0:15:08 | |
his visa was up in February. | 0:15:08 | 0:15:09 | |
All right, thanks. | 0:15:09 | 0:15:10 | |
It's the berry tea. | 0:15:16 | 0:15:18 | |
This is what I should bottle, Dr Reid - Samuel. | 0:15:18 | 0:15:21 | |
Yes, well, we've met. | 0:15:24 | 0:15:26 | |
Just now. | 0:15:26 | 0:15:28 | |
My beautiful Jesus - Samuel found him for me. | 0:15:28 | 0:15:32 | |
Samuel's the decorator - he's the one that buys the kale! | 0:15:32 | 0:15:36 | |
He changed my life. | 0:15:36 | 0:15:37 | |
And you've changed his, apparently. | 0:15:37 | 0:15:40 | |
How do you know that? | 0:15:40 | 0:15:42 | |
Samuel's going to be completely honest with you. | 0:15:43 | 0:15:45 | |
Aren't you, Samuel? | 0:15:46 | 0:15:48 | |
What are you talking about? What's going on? | 0:15:48 | 0:15:50 | |
-Oh, my God, oh, my God! -All right, all right, don't panic. | 0:15:50 | 0:15:53 | |
It's just the cord that's broken, all right? It's not a sign. | 0:15:53 | 0:15:56 | |
-It's not an omen. -What is wrong with you? | 0:15:56 | 0:15:59 | |
I know it's not - it freaked me out. | 0:15:59 | 0:16:01 | |
Do you have any idea how offensive you're being? | 0:16:01 | 0:16:04 | |
-Me?! -You see a black woman and a naive piece of art | 0:16:04 | 0:16:07 | |
and you think I must be all oogie-boogie-voodoo | 0:16:07 | 0:16:10 | |
and it must be a sign if it falls off the wall?! | 0:16:10 | 0:16:13 | |
That's so racist. | 0:16:13 | 0:16:14 | |
Oh, I'M the one who's racist, am I?! | 0:16:14 | 0:16:18 | |
No, it's me. | 0:16:19 | 0:16:21 | |
I was. | 0:16:21 | 0:16:23 | |
I got locked up. | 0:16:24 | 0:16:25 | |
I was high and I was horrible to a policewoman. | 0:16:26 | 0:16:29 | |
I cussed her. | 0:16:29 | 0:16:31 | |
The N word. | 0:16:31 | 0:16:32 | |
Samuel, you looked like a fascist when I found you... | 0:16:39 | 0:16:42 | |
..but you also looked like you were dying, | 0:16:45 | 0:16:47 | |
and you needed my help. | 0:16:47 | 0:16:49 | |
That's who you were THEN. | 0:16:51 | 0:16:53 | |
He's not that person now. | 0:16:53 | 0:16:55 | |
-Are you? -No. | 0:16:55 | 0:16:57 | |
That's why I need to go. | 0:16:59 | 0:17:00 | |
-I need my home. -You're going to leave me? | 0:17:02 | 0:17:05 | |
No, no, I'm saving money so we can go together. | 0:17:06 | 0:17:10 | |
You want us to be together? | 0:17:10 | 0:17:12 | |
Not like that. | 0:17:14 | 0:17:16 | |
Oh, hey, hey. | 0:17:20 | 0:17:22 | |
-Ashley's left you a voicemail. -Oh, no, I'm still screening. -Whatever. | 0:17:23 | 0:17:27 | |
You're going to have to do The Icon run. | 0:17:27 | 0:17:28 | |
Why? I did it last time. | 0:17:28 | 0:17:31 | |
-Do I have to? -Valerie! I've got a whopping blister. | 0:17:31 | 0:17:34 | |
Tash is going to sort it out, but not till later, | 0:17:34 | 0:17:36 | |
Rob is coming in with my trainers, I'm not walking anywhere until then, | 0:17:36 | 0:17:39 | |
so, you - Icon, lunch run. | 0:17:39 | 0:17:42 | |
Ow! | 0:17:42 | 0:17:43 | |
Mother gets all her money back | 0:17:44 | 0:17:47 | |
or every second of that goes online. | 0:17:47 | 0:17:50 | |
You'll take down what's up there now? | 0:17:50 | 0:17:52 | |
Yes, I will. | 0:17:52 | 0:17:54 | |
We'll repay your mother's payment back into her account. | 0:17:56 | 0:17:59 | |
And you're going to call your boss? | 0:18:00 | 0:18:01 | |
I don't have to. | 0:18:03 | 0:18:04 | |
Take it off the internet and I'll authorise the transaction. | 0:18:05 | 0:18:08 | |
Nothing comes offline until the money is in her account. | 0:18:08 | 0:18:12 | |
I want your word that nothing else goes up, obviously. | 0:18:15 | 0:18:18 | |
I presume your word's worth having? | 0:18:19 | 0:18:21 | |
Hurry up, Dr Reid. Show's over. | 0:18:27 | 0:18:29 | |
I want to know that you're going to be all right. | 0:18:32 | 0:18:34 | |
Have you not seen enough? | 0:18:34 | 0:18:36 | |
I'm worried about you. | 0:18:36 | 0:18:38 | |
Your neck, all of this... | 0:18:38 | 0:18:40 | |
All right, well, look. Samuel, will you pick up her prescription? | 0:18:43 | 0:18:46 | |
You will do it? | 0:18:48 | 0:18:49 | |
If there's anything else you need, then you'll call me at the surgery? | 0:18:52 | 0:18:57 | |
You've done more than enough. | 0:18:57 | 0:18:59 | |
All this honesty must be good. | 0:18:59 | 0:19:01 | |
Thanks, Doctor. | 0:19:01 | 0:19:03 | |
Let's get all this embarrassment over with. | 0:19:08 | 0:19:11 | |
If I could take a pill and be in love with you, I would. | 0:19:13 | 0:19:16 | |
DOOR CLOSES | 0:19:17 | 0:19:18 | |
-The money I'm saving is to take you home with me. -Why? | 0:19:18 | 0:19:21 | |
Why would you do that? | 0:19:21 | 0:19:23 | |
Why would you plan something like that without talking to me first?! | 0:19:24 | 0:19:28 | |
It's weird, Samuel. | 0:19:28 | 0:19:30 | |
It's crazy. | 0:19:30 | 0:19:32 | |
# ..with or without you | 0:19:34 | 0:19:36 | |
# The five years we have had have been such good times... # | 0:19:36 | 0:19:41 | |
Uh, the Mill phoned through a lunch order. | 0:19:41 | 0:19:44 | |
-15 minutes. -15. | 0:19:45 | 0:19:47 | |
# I guess it's just what I must do | 0:19:49 | 0:19:52 | |
# Don't, don't you want me? # | 0:19:53 | 0:19:56 | |
So, are we in agreement? | 0:19:58 | 0:20:00 | |
What's online comes down, money back, no more films. | 0:20:00 | 0:20:03 | |
-Simple. -The longer the video's out there, the more you stand to lose. | 0:20:03 | 0:20:07 | |
Blackmail's never pretty, is it? | 0:20:08 | 0:20:11 | |
If I were you, I'd consider damage limitation about now. | 0:20:11 | 0:20:16 | |
You'll never get the better of my son. | 0:20:16 | 0:20:18 | |
MOBILE PHONE ALERT Ooh, what's that? | 0:20:18 | 0:20:21 | |
Another comment! "This scumbag frightened my sister into buying | 0:20:23 | 0:20:29 | |
"doors and double glazing she didn't need." | 0:20:29 | 0:20:32 | |
That's 2-0, isn't it? You sure you want to keep playing? | 0:20:32 | 0:20:35 | |
OK, OK. We'll do it this way. I'll refund your mother, | 0:20:35 | 0:20:38 | |
you take the film down | 0:20:38 | 0:20:39 | |
and tell all your FANS to contact the company directly. | 0:20:39 | 0:20:42 | |
-For full refunds? -We've supplied and installed quality products | 0:20:42 | 0:20:46 | |
-in good faith! -No, no, no! | 0:20:46 | 0:20:48 | |
The video stays up unless everybody gets their money back. | 0:20:48 | 0:20:51 | |
You won't know what hit you, you shyster. | 0:20:51 | 0:20:54 | |
You tell him, Mother. | 0:20:54 | 0:20:55 | |
So? | 0:20:55 | 0:20:57 | |
-Yes, all right, then. -I'm sorry, we didn't hear that. | 0:20:57 | 0:20:59 | |
I said yes, all right, then. You think you've got me over a barrel. | 0:20:59 | 0:21:02 | |
That's because he has. | 0:21:02 | 0:21:04 | |
You, sir, are going to take a long, hard look at your business ethics - | 0:21:04 | 0:21:08 | |
we're going to be keeping an eye on you, | 0:21:08 | 0:21:10 | |
and if we don't like what we see... | 0:21:10 | 0:21:13 | |
Next time, Mother won't be so nice. | 0:21:14 | 0:21:16 | |
Now, get out. | 0:21:17 | 0:21:18 | |
# Street's like a jungle | 0:21:18 | 0:21:20 | |
# So call the police... # | 0:21:22 | 0:21:24 | |
I don't know why I'm here. | 0:21:26 | 0:21:28 | |
You may not have listened to my messages, | 0:21:28 | 0:21:31 | |
but fate has plans for you. | 0:21:31 | 0:21:34 | |
Actually, it was rather a humdrum collection of occurrences. | 0:21:34 | 0:21:37 | |
Don't take away the magic. | 0:21:37 | 0:21:40 | |
Let's call it destiny. | 0:21:40 | 0:21:42 | |
Destiny brought about by Karen's new shoes. | 0:21:42 | 0:21:45 | |
-How so? -Well, what started as a small rub | 0:21:45 | 0:21:47 | |
turned into a whopping great blister. | 0:21:47 | 0:21:49 | |
-Oh, that's quite an image. -They're not very magical, are they - | 0:21:49 | 0:21:53 | |
Karen Hollins's feet?! | 0:21:53 | 0:21:55 | |
Expecting me to emigrate to America | 0:21:58 | 0:22:01 | |
and be your pity project on some farm | 0:22:01 | 0:22:04 | |
in the middle of nowhere. Do you realise how ridiculous that sounds? | 0:22:04 | 0:22:07 | |
I couldn't be more sorry. | 0:22:08 | 0:22:10 | |
For when you were a racist or for when you stopped being one? | 0:22:10 | 0:22:12 | |
You made me into a good person. | 0:22:12 | 0:22:15 | |
You have to believe that. | 0:22:16 | 0:22:17 | |
If I didn't, you wouldn't be here. | 0:22:18 | 0:22:20 | |
I'll re-string it. | 0:22:24 | 0:22:25 | |
-Will you be all right? -Do you care? | 0:22:27 | 0:22:29 | |
Oh, come on. You know I care about you. | 0:22:29 | 0:22:32 | |
Enough to get me to emigrate, but not to... | 0:22:32 | 0:22:36 | |
I'm sorry if I've hurt you again. | 0:22:36 | 0:22:38 | |
Oh, change the record, Samuel! | 0:22:38 | 0:22:40 | |
I won't miss your bad temper, though. | 0:22:44 | 0:22:45 | |
Petty. | 0:22:47 | 0:22:48 | |
Judgmental. | 0:22:49 | 0:22:50 | |
Bit harsh. | 0:22:51 | 0:22:52 | |
I will miss you. | 0:22:54 | 0:22:55 | |
Always. | 0:22:57 | 0:22:58 | |
Yeah, well. | 0:22:59 | 0:23:01 | |
And, hey presto, | 0:23:03 | 0:23:04 | |
money is back in your account. | 0:23:04 | 0:23:06 | |
Remind me to take that surveillance footage down, | 0:23:07 | 0:23:10 | |
say, sometime this evening. | 0:23:10 | 0:23:12 | |
Mum, might now be a good time to talk about power of attorney? | 0:23:13 | 0:23:18 | |
You want to get your hands on my money? | 0:23:19 | 0:23:21 | |
-No! -You couldn't even organise your pocket money as a boy. | 0:23:21 | 0:23:25 | |
Mother, it's got nothing to do with money, OK? | 0:23:25 | 0:23:28 | |
I can't keep going home and leaving you here alone. | 0:23:28 | 0:23:31 | |
I just can't do it - so how about | 0:23:31 | 0:23:34 | |
we look into finding you somewhere closer to me? | 0:23:34 | 0:23:37 | |
Just stop this, stop it! | 0:23:38 | 0:23:41 | |
I won't go! I want to stay here! | 0:23:41 | 0:23:44 | |
I won't go to wherever it is that YOU live. | 0:23:44 | 0:23:48 | |
I never laugh with my wife. | 0:23:54 | 0:23:57 | |
We don't have fun. | 0:23:57 | 0:23:59 | |
She hates quiche. | 0:23:59 | 0:24:01 | |
Not everyone's a fan. | 0:24:01 | 0:24:03 | |
My wife doesn't understand me. | 0:24:03 | 0:24:05 | |
Not like you do. | 0:24:05 | 0:24:07 | |
You're hardly unfathomable. | 0:24:07 | 0:24:10 | |
I want to be a good person, | 0:24:10 | 0:24:12 | |
but she makes it so difficult. | 0:24:12 | 0:24:15 | |
Oh... | 0:24:17 | 0:24:18 | |
So sorry! | 0:24:19 | 0:24:21 | |
Let me... Sorry! | 0:24:21 | 0:24:24 | |
ICE CUBE CLATTERS | 0:24:24 | 0:24:26 | |
Oh, dear! Um... | 0:24:26 | 0:24:28 | |
Sorry. | 0:24:31 | 0:24:32 | |
You need to have respect for your mother. | 0:24:43 | 0:24:46 | |
Am I supposed to be apologising? | 0:24:46 | 0:24:48 | |
Yes. I may not remember what I had for my breakfast, | 0:24:48 | 0:24:51 | |
or what we watched on the television last night. | 0:24:51 | 0:24:53 | |
-We watched... -It doesn't matter! | 0:24:53 | 0:24:55 | |
-Thousands of people are living with dementia, and -I -will live with it. | 0:24:56 | 0:25:01 | |
I just want to take control and be my own person for as long as I can. | 0:25:02 | 0:25:08 | |
Mother, I know that, but... | 0:25:08 | 0:25:09 | |
I'm very grateful for everything you do, but I'm not prepared | 0:25:09 | 0:25:13 | |
to give up on myself. Not yet. | 0:25:13 | 0:25:16 | |
You made lemon meringue pie? | 0:25:20 | 0:25:22 | |
I'm not leaving. | 0:25:23 | 0:25:24 | |
That's complicated. Where's the recipe book? | 0:25:24 | 0:25:27 | |
In my head. | 0:25:27 | 0:25:29 | |
For now. | 0:25:30 | 0:25:32 | |
Along with a lot of other more-important things. | 0:25:32 | 0:25:35 | |
I hear you, Mum. | 0:25:38 | 0:25:39 | |
Really? What did I say? | 0:25:39 | 0:25:42 | |
Alisdair is to make no plans without consulting his mother first. | 0:25:43 | 0:25:48 | |
Hallelujah! | 0:25:49 | 0:25:51 | |
Excitement and lust become powerful things. | 0:25:51 | 0:25:56 | |
-Lust. -But we must best our cravings. | 0:25:56 | 0:25:59 | |
They're powerful because they're important. | 0:25:59 | 0:26:02 | |
What's the alternative? | 0:26:02 | 0:26:05 | |
Dry, chaste boredom? | 0:26:05 | 0:26:07 | |
I can't be the other woman, Ashley. | 0:26:07 | 0:26:10 | |
-And I don't believe you'd want me to be. -But I do... I just... -Hush. | 0:26:10 | 0:26:14 | |
-..want you! -No. | 0:26:14 | 0:26:16 | |
Oh, Valerie. | 0:26:16 | 0:26:17 | |
Ooh, lemon meringue pie. | 0:26:19 | 0:26:21 | |
Irresistible. | 0:26:23 | 0:26:24 | |
I've got to go. | 0:26:26 | 0:26:27 | |
-What if -I -were a pie, Valerie? | 0:26:27 | 0:26:30 | |
What if I were a shortcrust pastry case filled with lemon curd...? | 0:26:30 | 0:26:35 | |
What if I was spread with meringue? | 0:26:37 | 0:26:42 | |
-Stop it. -Zesty. | 0:26:42 | 0:26:44 | |
-No, we can't... -Taste my sugary goodness! | 0:26:44 | 0:26:47 | |
-We need to get things sorted. -What do you care?! | 0:26:51 | 0:26:55 | |
-Of course I care. -Then, why do you want to take my home away? | 0:26:55 | 0:26:58 | |
Why are you tormenting that poor young woman? | 0:26:58 | 0:27:01 | |
Ashley's booked us a hotel for a dangerous liaison this afternoon. | 0:27:01 | 0:27:04 | |
You can't just pop off with him for a quick bonk at lunchtime. | 0:27:04 | 0:27:07 | |
Amy, Sean's dead. | 0:27:07 | 0:27:09 | |
How could he possibly be sending you texts? | 0:27:09 | 0:27:11 |