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MOBILE RINGS | 0:00:40 | 0:00:43 | |
BABY CRIES ON MONITOR | 0:01:27 | 0:01:30 | |
Will you hurry up? They'll be hearing her in Timbuktu! | 0:01:32 | 0:01:36 | |
ROB ON MONITOR: 'What have we got here? | 0:01:38 | 0:01:40 | |
'Mm! | 0:01:40 | 0:01:42 | |
'Oh, that's better, isn't it?' CRYING STOPS | 0:01:42 | 0:01:46 | |
Ah! | 0:01:50 | 0:01:52 | |
Ah! | 0:01:57 | 0:01:58 | |
She's taken one mouthful and flaked out. Should I wake her up or what? | 0:01:58 | 0:02:02 | |
-Are you kidding?! -No, you're right. | 0:02:02 | 0:02:04 | |
-Coffee? -Oh, yes, please. If you're making it. | 0:02:06 | 0:02:09 | |
I can't make it. I'm asleep. | 0:02:09 | 0:02:11 | |
-I'll do it. -Is there a catch? | 0:02:12 | 0:02:15 | |
-No catch. -I bet there is. | 0:02:15 | 0:02:17 | |
Well, yesterday, | 0:02:19 | 0:02:21 | |
you left me high and dry. | 0:02:21 | 0:02:24 | |
Usain Bolt couldn't have made a faster exit. | 0:02:24 | 0:02:26 | |
I cracked. Just for a minute. | 0:02:31 | 0:02:32 | |
It was a moment of madness. | 0:02:34 | 0:02:36 | |
-Sleep depravation. Am I the only one finding this hard? -No. | 0:02:37 | 0:02:41 | |
But you're the one who legged it out of here. | 0:02:42 | 0:02:45 | |
BABY CRIES ON MONITOR | 0:02:46 | 0:02:49 | |
-Fancy seeing you here. -Um, I'm going to be late for work. | 0:03:00 | 0:03:05 | |
No problem. I'll walk with you. | 0:03:05 | 0:03:08 | |
-Run that past me again. -Well, you see, it's all about the flow. | 0:03:14 | 0:03:18 | |
If you put chairs close together and facing each other, | 0:03:18 | 0:03:21 | |
then people will talk. | 0:03:21 | 0:03:22 | |
They say that it encourages social discourse. | 0:03:22 | 0:03:25 | |
-Even in a doctor's waiting room? -Yes. | 0:03:25 | 0:03:28 | |
You see, some of the patients who come here, | 0:03:28 | 0:03:30 | |
they don't see anybody else all day. Just like poor old Mr Avary. | 0:03:30 | 0:03:34 | |
Mr Avary's 43. | 0:03:34 | 0:03:36 | |
Yes, but he is single and he works from home. | 0:03:36 | 0:03:39 | |
Sometimes he doesn't talk to another person all day. | 0:03:39 | 0:03:42 | |
And you know what they say. A problem shared...is better for | 0:03:42 | 0:03:47 | |
the... So you think it's rubbish then? | 0:03:47 | 0:03:49 | |
-I bet Megan would know. I'll it by her later. -Yeah. | 0:03:51 | 0:03:54 | |
Why don't you do that? | 0:03:54 | 0:03:56 | |
-Do you think I should warn her? -No, I think Megan can handle Valerie. | 0:03:56 | 0:04:00 | |
-Speaking of Megan, are you seeing her again? -Yeah. Today, actually. | 0:04:00 | 0:04:03 | |
-But um... -What? | 0:04:03 | 0:04:06 | |
-Well, I just feel like I'm wasting her time. -Morning. -Morning. | 0:04:06 | 0:04:09 | |
-Morning. -Morning. Excuse me. | 0:04:09 | 0:04:11 | |
I mean, I'm fine. | 0:04:11 | 0:04:14 | |
Well, why don't you see her today and then see how you feel? | 0:04:14 | 0:04:17 | |
OK. | 0:04:17 | 0:04:19 | |
-Ooh, for me? -Yeah. Good deed of the day. Thought I'd get it over with. | 0:04:19 | 0:04:23 | |
Oh, thank you. | 0:04:23 | 0:04:25 | |
-Mrs Tembe. And how are you today? -I am very well, thank you. Excuse me. | 0:04:25 | 0:04:30 | |
-Good morning. -Good morning. -Oh, Mrs Tembe. | 0:04:30 | 0:04:32 | |
I have come up with an idea to make the reception a little bit more... | 0:04:32 | 0:04:36 | |
DOOR SLAMS | 0:04:36 | 0:04:39 | |
-Is that just me or was that a bit weird? -Mm. | 0:04:39 | 0:04:42 | |
What's the matter? Didn't you like the rose? | 0:04:42 | 0:04:45 | |
White's your favourite, right? | 0:04:45 | 0:04:47 | |
-Why can't you just leave me alone? -That hurts, Abbie. | 0:04:47 | 0:04:50 | |
-I'll call the police! -And tell them what? | 0:04:50 | 0:04:52 | |
An admirer gave you a rose? | 0:04:52 | 0:04:54 | |
KNOCK AT DOOR | 0:04:57 | 0:04:59 | |
Miss Pitman, I really do not have... | 0:04:59 | 0:05:01 | |
Before you say anything, I will not be handing in my notice. | 0:05:01 | 0:05:05 | |
Oh. Oh...OK. | 0:05:06 | 0:05:09 | |
My plans have changed. | 0:05:09 | 0:05:11 | |
-JJ has gone and I will be staying. -Winifred... -It was amicable. | 0:05:11 | 0:05:16 | |
I really do not want to go into the details. | 0:05:16 | 0:05:18 | |
-I'm sorry. -There is no need for sympathy. | 0:05:20 | 0:05:22 | |
It was my choice. I... I have no regrets. | 0:05:24 | 0:05:27 | |
What happened? | 0:05:29 | 0:05:31 | |
-Look, if you want to talk... -I do not. | 0:05:33 | 0:05:36 | |
OK. But I'm free all lunchtime, if you change your mind. | 0:05:36 | 0:05:39 | |
That is very kind, but I am fine. | 0:05:39 | 0:05:42 | |
Remind me again, why didn't you drive? | 0:05:55 | 0:05:57 | |
Oh, yes. Someone vandalised your car. | 0:05:57 | 0:06:00 | |
Just go away, please! | 0:06:00 | 0:06:01 | |
Magic word. Sadly, not always effective. | 0:06:01 | 0:06:05 | |
Where is it you're working today? | 0:06:05 | 0:06:07 | |
Doesn't matter. Wherever you go, I'll find you. | 0:06:09 | 0:06:12 | |
I've done everything you've asked. | 0:06:12 | 0:06:15 | |
Just leave me alone! | 0:06:15 | 0:06:16 | |
Not quite everything. | 0:06:16 | 0:06:18 | |
You made the deal, Abbie. | 0:06:21 | 0:06:23 | |
It's time to pay up. | 0:06:23 | 0:06:26 | |
-Do you think I should give her a ring? -Give it another few minutes. | 0:06:26 | 0:06:29 | |
-She's probably just running late. -Who are you talking about? | 0:06:29 | 0:06:31 | |
-Dr Whitwell. -Abbie Whitwell? -Do you know her? | 0:06:31 | 0:06:34 | |
-She's a partner at the Oak Avenue practice. -She's a locum. | 0:06:34 | 0:06:38 | |
-I don't think so. -Friend of yours? -Hardly. | 0:06:38 | 0:06:41 | |
She's latched on to me at a couple of conferences we've attended. | 0:06:41 | 0:06:44 | |
Last time, I got pretty much her entire life story. | 0:06:44 | 0:06:47 | |
Oh! Hate it when people do that, don't you? | 0:06:47 | 0:06:50 | |
Go on and on about themselves. Un-self-awareness. | 0:06:50 | 0:06:53 | |
But I do feel sorry for locums, don't you? | 0:06:53 | 0:06:56 | |
Drifting around from place to place, carrying their little bag. | 0:06:56 | 0:06:59 | |
They can't make many friends, can they? | 0:06:59 | 0:07:01 | |
Well, at least she'll have a friendly face here. | 0:07:01 | 0:07:04 | |
Oh, don't tell me she's going to want me to go out for some catch up lunch or something! | 0:07:04 | 0:07:07 | |
-Surely she can't be that bad. -Oh, no! -What? | 0:07:07 | 0:07:10 | |
Look, just say that I'm out all day. Cover for me. | 0:07:10 | 0:07:12 | |
Say I've got home visits. | 0:07:12 | 0:07:14 | |
-Hi. Dr Whitwell. Sorry I'm a little late. -Oh, no. | 0:07:15 | 0:07:17 | |
That's absolutely fine. I'm Dr Reid. | 0:07:17 | 0:07:19 | |
Ah, Herbie. Thank you. | 0:07:22 | 0:07:24 | |
-Everything all right? -What? | 0:07:24 | 0:07:26 | |
Yeah, yeah. It's fine. | 0:07:26 | 0:07:28 | |
Well, this is Valerie. She will show you to your room. | 0:07:28 | 0:07:30 | |
And any problems, just give us a shout. | 0:07:30 | 0:07:33 | |
-Thank you. -Oh, yes. Right, OK. | 0:07:33 | 0:07:36 | |
Oh, and Dr Carmichael is out all day. Home visits. | 0:07:36 | 0:07:41 | |
-Oh, OK. -Just in case you were wondering. | 0:07:41 | 0:07:44 | |
No, no. | 0:07:47 | 0:07:49 | |
We'll try anything. | 0:07:49 | 0:07:51 | |
OK, Ruhma, thank you. | 0:07:51 | 0:07:54 | |
I'll see you later. | 0:07:54 | 0:07:55 | |
Bye. | 0:07:55 | 0:07:58 | |
-So, did she have any pearls of wisdom? -Fresh air and exercise. | 0:07:58 | 0:08:01 | |
-But she's barely a month old. -Not for her, you twit! Us. | 0:08:04 | 0:08:08 | |
Fresh air and exercise? | 0:08:08 | 0:08:11 | |
Apparently, it keeps you awake during the day and helps you | 0:08:11 | 0:08:14 | |
sleep at night. | 0:08:14 | 0:08:16 | |
Falling asleep at night isn't the problem. | 0:08:16 | 0:08:19 | |
It's being woken up every five minutes, that's the problem. | 0:08:19 | 0:08:22 | |
Exercise(!) | 0:08:22 | 0:08:24 | |
Coffee. | 0:08:24 | 0:08:27 | |
Oh! Sorry. The receptionist said you were on home visits. | 0:08:29 | 0:08:34 | |
I was going to leave you a note. | 0:08:34 | 0:08:36 | |
Ah, yes. Well, that's Valerie for you. She gets confused. | 0:08:36 | 0:08:40 | |
Look, um... | 0:08:40 | 0:08:43 | |
I was wondering, are you free for lunch later? | 0:08:45 | 0:08:48 | |
Sorry, I am just jam-packed today. I'm backed up as it is. | 0:08:48 | 0:08:52 | |
You know, just some days are really crazy. | 0:08:52 | 0:08:55 | |
Yes, of course. Never mind. | 0:08:55 | 0:08:57 | |
I just wanted to apologise. | 0:08:57 | 0:09:00 | |
Apologise? | 0:09:00 | 0:09:01 | |
Well, the last time I saw you, | 0:09:01 | 0:09:04 | |
I wasn't in a very good place. | 0:09:04 | 0:09:07 | |
-There's no need to explain. -No, it was totally inappropriate. | 0:09:07 | 0:09:11 | |
We hardly know each other and I just dumped all my angst on you. | 0:09:11 | 0:09:15 | |
Bet you thought I was a right weirdo. | 0:09:15 | 0:09:18 | |
-Not at all. -Just the day before... -There's no need. -..he hit me. | 0:09:18 | 0:09:22 | |
My ex, Sean, he... He hit me. | 0:09:25 | 0:09:28 | |
What? | 0:09:28 | 0:09:30 | |
We hadn't just argued. He... | 0:09:32 | 0:09:34 | |
He used a poker and I had two cracked ribs. | 0:09:36 | 0:09:39 | |
I had no idea. | 0:09:41 | 0:09:43 | |
No, I... I just wanted you to understand. | 0:09:43 | 0:09:46 | |
Anyway, you're busy, so... | 0:09:46 | 0:09:49 | |
I'd better let you get on. | 0:09:49 | 0:09:51 | |
-TV: -'OK, woo! You're doing great! Just keep those buttocks tight! | 0:09:54 | 0:09:59 | |
'Now, punch, to the left, to the right. | 0:09:59 | 0:10:01 | |
'To the left, to the right. | 0:10:01 | 0:10:04 | |
'To the left, to the right. | 0:10:04 | 0:10:07 | |
'Yeah! | 0:10:07 | 0:10:09 | |
'Feel that, girls!' | 0:10:09 | 0:10:11 | |
I don't think Ruhma had this in mind when she said exercise. | 0:10:11 | 0:10:14 | |
And what about the fresh air? | 0:10:16 | 0:10:19 | |
Well, you want to risk waking Marnie for a stroll in the park, | 0:10:19 | 0:10:22 | |
on your head be it! | 0:10:22 | 0:10:24 | |
'Left, right, left, right. Left, left, right, right. | 0:10:24 | 0:10:28 | |
'Left, right, left, right. Just kidding!' | 0:10:28 | 0:10:32 | |
Biscuit? | 0:10:40 | 0:10:43 | |
Oh, no, thank you. | 0:10:43 | 0:10:45 | |
So, how are things at the Oak Avenue? | 0:10:47 | 0:10:51 | |
The last I heard, you'd been made partner. | 0:10:51 | 0:10:54 | |
Yeah, well, being a locum suits me. | 0:10:54 | 0:10:57 | |
Patients without politics. | 0:10:57 | 0:10:59 | |
And how are things...? You know, on the home front? | 0:11:00 | 0:11:05 | |
Sorry. None of my business. | 0:11:08 | 0:11:11 | |
No, it's... It's fine, I just... | 0:11:11 | 0:11:13 | |
I just can't. It's fine. | 0:11:13 | 0:11:15 | |
Look, as it turns out, I am free for lunch after all. | 0:11:18 | 0:11:22 | |
-Oh, you don't have to do that. -My treat. Really. What do you say? | 0:11:22 | 0:11:27 | |
Well, are you sure? | 0:11:28 | 0:11:30 | |
OK, that'd be nice. | 0:11:31 | 0:11:34 | |
Thank you. | 0:11:34 | 0:11:35 | |
-What? -You should be careful. | 0:11:39 | 0:11:42 | |
-What do you mean? -People will start to think you care. | 0:11:42 | 0:11:45 | |
Shut up. | 0:11:48 | 0:11:49 | |
Oh, come on. It would just take you out of yourself. | 0:11:51 | 0:11:54 | |
-I do not need taking out of myself. -OK, a change of scenery. | 0:11:54 | 0:11:58 | |
-I know that you have the best of intentions... -OK! All right! | 0:11:58 | 0:12:02 | |
I admit, I've got an ulterior motive. | 0:12:02 | 0:12:05 | |
Heston won't come with me and it just won't be any fun on my own. | 0:12:06 | 0:12:10 | |
-And you cannot find anybody to go with you? -Not today, I can't. | 0:12:10 | 0:12:14 | |
Please, Mrs Tembe. I bet you have got a very good eye for a bargain. | 0:12:14 | 0:12:19 | |
Yes, well... Fine. | 0:12:22 | 0:12:25 | |
Yes! | 0:12:25 | 0:12:27 | |
If I'm honest, I feel like I'm a bit of a fraud. | 0:12:27 | 0:12:30 | |
-How so? -Well, just like I'm wasting your time. | 0:12:30 | 0:12:34 | |
You'd be surprised how many people say that. | 0:12:34 | 0:12:36 | |
Why do you think you're wasting my time? | 0:12:36 | 0:12:38 | |
-Because I'm OK. -Really? -Yeah. | 0:12:38 | 0:12:41 | |
Well, I think I'm dealing with things a bit better. | 0:12:43 | 0:12:46 | |
I'm more confident. | 0:12:46 | 0:12:48 | |
Maybe, um... | 0:12:48 | 0:12:49 | |
The rapid response actually helped with that. | 0:12:49 | 0:12:52 | |
Yeah, we touched on confidence last time. | 0:12:52 | 0:12:54 | |
How long's that been a problem? | 0:12:54 | 0:12:56 | |
A lifetime! | 0:12:56 | 0:12:57 | |
-Um, even as a kid, I was.. -Even as a kid? | 0:12:57 | 0:13:02 | |
I'm an only child, so... | 0:13:02 | 0:13:04 | |
I'm not blaming my parents. | 0:13:04 | 0:13:06 | |
I put far more pressure on myself than they ever did. | 0:13:06 | 0:13:09 | |
Pressure? | 0:13:09 | 0:13:11 | |
Yeah, well, the usual thing. You know, trying to do my best. | 0:13:11 | 0:13:16 | |
Be as good as I could be. | 0:13:16 | 0:13:18 | |
As good as you could be or perfect? | 0:13:18 | 0:13:20 | |
Well, I like things to be done right. | 0:13:20 | 0:13:23 | |
There's nothing wrong with that. | 0:13:23 | 0:13:25 | |
OK, I guess I do give myself a bit of a hard time, | 0:13:27 | 0:13:30 | |
if things aren't exactly as they should be. | 0:13:30 | 0:13:33 | |
-I always have. -Who do you know that's perfect? | 0:13:33 | 0:13:36 | |
So, trying to be perfect, | 0:13:38 | 0:13:39 | |
don't you think that you're setting the bar impossibly high? | 0:13:39 | 0:13:43 | |
Setting myself up to fail, you mean? | 0:13:43 | 0:13:45 | |
Yeah, I never really thought of it like that. | 0:13:47 | 0:13:50 | |
I just hate making stupid mistakes. That's all. | 0:13:51 | 0:13:55 | |
And what happens if you make a mistake? | 0:13:55 | 0:13:57 | |
People die. | 0:13:57 | 0:14:00 | |
I can't pretend that it's a bed of roses at the Mill, | 0:14:00 | 0:14:02 | |
but at least the irritations are familiar. | 0:14:02 | 0:14:05 | |
-Better the devil you know. -Something like that. | 0:14:05 | 0:14:08 | |
So, why did you really quit Oak Avenue? | 0:14:08 | 0:14:12 | |
-Because if it's something to do with your crazy ex... -No, no. | 0:14:12 | 0:14:16 | |
-He's long gone. -Well, good. So what happened? | 0:14:16 | 0:14:19 | |
Did your counsellor finally make you see sense? | 0:14:19 | 0:14:22 | |
I didn't need Larry Davies to tell me Sean was bad news. | 0:14:22 | 0:14:24 | |
Larry Davies! He's great! Are you still seeing him? | 0:14:24 | 0:14:28 | |
-Abbie? -Look, Sean's gone, | 0:14:30 | 0:14:33 | |
so I don't need to carry on forking out for counselling sessions. | 0:14:33 | 0:14:36 | |
I'm... I'm sorry. | 0:14:39 | 0:14:41 | |
What is going on? | 0:14:43 | 0:14:45 | |
You have been jumpy since the moment we sat down in here. | 0:14:45 | 0:14:48 | |
I don't want to bore you with my problems. | 0:14:48 | 0:14:52 | |
Been there before, right? | 0:14:52 | 0:14:53 | |
Yes. | 0:14:53 | 0:14:55 | |
But this time I'm asking. | 0:14:55 | 0:14:58 | |
Well, I do have moments where I think I can be a good doctor. | 0:15:00 | 0:15:03 | |
But most of the time, that's not what I'm feeling. I just... | 0:15:05 | 0:15:09 | |
I don't feel like I spend enough time with people. | 0:15:09 | 0:15:13 | |
I'm even glad when it's something actually easy. | 0:15:13 | 0:15:18 | |
That sounds awful, doesn't it? | 0:15:18 | 0:15:20 | |
Patients probably think I'm rubbish. | 0:15:22 | 0:15:24 | |
When people say so-and-so thinks that of me, | 0:15:24 | 0:15:27 | |
it's usually a reflection of what they're thinking about themselves. | 0:15:27 | 0:15:30 | |
Does that sound about right? | 0:15:30 | 0:15:33 | |
Yeah, actually. | 0:15:33 | 0:15:34 | |
So, all pretty negative? | 0:15:34 | 0:15:36 | |
-Mm. -So, you're telling yourself that you're a rubbish doctor. | 0:15:36 | 0:15:40 | |
What about outside of work? What do you see when you look in the mirror? | 0:15:40 | 0:15:43 | |
-What do you mean? -Well, we all have an inner dialogue. | 0:15:43 | 0:15:47 | |
We don't even realise it half the time. | 0:15:47 | 0:15:49 | |
So what words would you use to describe yourself to you? | 0:15:49 | 0:15:53 | |
When I'm looking in the mirror? | 0:15:53 | 0:15:55 | |
-Um... I'm not sure. -OK, to put it a different way, | 0:15:56 | 0:16:01 | |
how do you think others would describe you? | 0:16:01 | 0:16:04 | |
Well, um, I do always think that no-one's ever going to like me. | 0:16:04 | 0:16:09 | |
Why's that? | 0:16:09 | 0:16:11 | |
Cos I say stupid things. | 0:16:11 | 0:16:14 | |
It's just nerves. | 0:16:14 | 0:16:16 | |
And I do think everyone thinks I'm a bit of an idiot. | 0:16:16 | 0:16:21 | |
Who does? | 0:16:21 | 0:16:23 | |
Who thinks that? | 0:16:23 | 0:16:25 | |
Like I said before, do you think that about yourself? | 0:16:25 | 0:16:28 | |
Yeah, I suppose so. | 0:16:28 | 0:16:31 | |
Probably explains why I'm still single. | 0:16:31 | 0:16:35 | |
You've got to understand, I was desperate! | 0:16:35 | 0:16:37 | |
-Hang on, you're saying that you made a deal with the... -Don't! | 0:16:37 | 0:16:42 | |
I'm serious! You know, he got rid of Sean and now he's come to collect. | 0:16:42 | 0:16:47 | |
-I have to do what he says or... -Or what? What's he done? | 0:16:47 | 0:16:51 | |
He doesn't. He makes things happen. | 0:16:51 | 0:16:54 | |
My car got smashed up. My shed got burned down. | 0:16:54 | 0:16:57 | |
How do you know it was him? And why on Earth don't you call the police? | 0:16:57 | 0:17:00 | |
And tell them what? That's the...you know? | 0:17:00 | 0:17:04 | |
OK, look. At least make another appointment with Larry. | 0:17:04 | 0:17:06 | |
There's no point. | 0:17:06 | 0:17:08 | |
This is ridiculous. You need help. Should you even be working? | 0:17:08 | 0:17:11 | |
-Excuse me? -You just told me that you made a deal with the devil. | 0:17:11 | 0:17:15 | |
What would you say if this was the other way round? | 0:17:15 | 0:17:17 | |
You always did think I was a little bit loopy. | 0:17:17 | 0:17:20 | |
That's not true. | 0:17:20 | 0:17:23 | |
Look, I left Oak Avenue because | 0:17:23 | 0:17:24 | |
I didn't want to be tied down. And when Sean went, | 0:17:24 | 0:17:27 | |
I didn't think there was any reason to carry on seeing a counsellor. | 0:17:27 | 0:17:31 | |
And this deal? This man who's been terrorising you? | 0:17:31 | 0:17:34 | |
Well, I know he's not... I don't know. | 0:17:35 | 0:17:40 | |
To be honest, I've not been sleeping. | 0:17:40 | 0:17:42 | |
And maybe you're right, Zara. | 0:17:45 | 0:17:47 | |
Maybe I do need to go and see Larry. | 0:17:47 | 0:17:49 | |
-Really? -Yeah. | 0:17:51 | 0:17:53 | |
I'm going to give him a call. | 0:17:53 | 0:17:55 | |
I will. | 0:17:55 | 0:17:57 | |
And thanks for listening. | 0:17:59 | 0:18:01 | |
Maybe we should get going, eh? | 0:18:01 | 0:18:03 | |
-Are you up for some homework? -Homework? | 0:18:08 | 0:18:10 | |
Yeah, it's the work that you do in between the sessions that's | 0:18:10 | 0:18:13 | |
going to make a difference. So? | 0:18:13 | 0:18:15 | |
OK, yeah. I'll give it a good go. | 0:18:15 | 0:18:18 | |
What do I need to do? | 0:18:18 | 0:18:20 | |
Get yourself a notebook and use your feelings as prompts. | 0:18:20 | 0:18:23 | |
So whenever you're feeling down, or lacking in confidence, | 0:18:23 | 0:18:26 | |
just write down what you're thinking. | 0:18:26 | 0:18:28 | |
And on the opposite page, challenge those thoughts. | 0:18:28 | 0:18:32 | |
You know, write down how you could look at things differently. | 0:18:32 | 0:18:35 | |
I'll need a pretty big book! | 0:18:35 | 0:18:37 | |
There we go. | 0:18:41 | 0:18:42 | |
Abbie? | 0:18:50 | 0:18:51 | |
If you'd like to follow me. | 0:18:51 | 0:18:53 | |
He's here! | 0:18:58 | 0:19:00 | |
-He was standing right outside this window! -Come on. Come back inside. | 0:19:00 | 0:19:03 | |
-What am I going to do? -We are going to sit down. | 0:19:03 | 0:19:06 | |
And you are going to tell me exactly what's going on. | 0:19:06 | 0:19:09 | |
BABY CRIES ON MONITOR | 0:19:13 | 0:19:15 | |
-KAREN ON MONITOR: -'Rob? | 0:19:15 | 0:19:17 | |
'Is that flippin' bottle ready yet, Rob? | 0:19:17 | 0:19:20 | |
-'Rob?!' -BABY CONTINUES CRYING | 0:19:22 | 0:19:25 | |
Come in here. Abbie, really, just calm down. | 0:19:25 | 0:19:28 | |
Calm yourself down, take a deep breath, | 0:19:28 | 0:19:30 | |
and start from the beginning. | 0:19:30 | 0:19:32 | |
-You made a deal. -Yeah, to get Sean out of my life. | 0:19:32 | 0:19:35 | |
And it worked. | 0:19:35 | 0:19:36 | |
A couple of days later, he packed up his things and he went. | 0:19:36 | 0:19:39 | |
So, he left of his own accord. | 0:19:39 | 0:19:41 | |
What about this...Devil man? Does he have a name? | 0:19:41 | 0:19:44 | |
He said he's just the Devil. | 0:19:44 | 0:19:46 | |
-Oh, Abbie! -He reminded me about the deal. He knew everything about me. | 0:19:46 | 0:19:51 | |
He said he'd come to collect. | 0:19:51 | 0:19:52 | |
-He wanted me to stop seeing my counsellor. -And? | 0:19:52 | 0:19:57 | |
Well, I told him to get lost | 0:19:57 | 0:19:59 | |
and then my car was vandalised the next day. | 0:19:59 | 0:20:02 | |
That's why I cancelled my sessions with Larry and I thought | 0:20:02 | 0:20:05 | |
-that'd be the end of it. -But he came back? | 0:20:05 | 0:20:08 | |
He was in my house. Standing over the bed. | 0:20:10 | 0:20:14 | |
-He didn't... -No, he never actually touched me. | 0:20:14 | 0:20:18 | |
But he told me I had to quit my job at Oak Avenue, | 0:20:18 | 0:20:20 | |
stop seeing my friends. | 0:20:20 | 0:20:22 | |
If not, he knew my sisters' names, my nieces'. | 0:20:22 | 0:20:27 | |
-He knew where they live. And now... -Now what? | 0:20:27 | 0:20:31 | |
Now he wants sex. | 0:20:31 | 0:20:34 | |
Abbie, listen to yourself! Come on! | 0:20:34 | 0:20:36 | |
Put your professional head on just for a moment. | 0:20:36 | 0:20:39 | |
You said that you were traumatised by Sean. Could you be...? | 0:20:39 | 0:20:42 | |
Is it possible that this is the trauma talking, | 0:20:42 | 0:20:44 | |
your mind calling out for help? | 0:20:44 | 0:20:46 | |
-No, I can't think about this. What if he hurts them? -Abbie! | 0:20:46 | 0:20:49 | |
No, I can't risk it. I'm going to have to give him what he wants. | 0:20:49 | 0:20:53 | |
No worries. Yeah. That'll be fine. | 0:20:56 | 0:20:58 | |
Are you deaf or what? | 0:20:58 | 0:21:00 | |
OK, speak to you later. Bye. | 0:21:00 | 0:21:01 | |
-How long does it take to heat a bottle? -Keep your hair on. | 0:21:01 | 0:21:04 | |
I've done it. It's ready. Just feed her. | 0:21:04 | 0:21:07 | |
-Argh! Take her off me. -What's wrong? -Take... | 0:21:11 | 0:21:14 | |
It's scolding hot. I could have hurt her. | 0:21:14 | 0:21:17 | |
It can't be that hot. | 0:21:17 | 0:21:19 | |
Feel it! | 0:21:19 | 0:21:21 | |
-It looks like they are selling everything. -Yeah. | 0:21:29 | 0:21:32 | |
Apparently, they're moving to Arran and she doesn't want to take | 0:21:32 | 0:21:35 | |
all this stuff with her in boxes they're never going to open. | 0:21:35 | 0:21:39 | |
-So they have lived here for how long? -I think she said 40 years. | 0:21:39 | 0:21:42 | |
-It's a lifetime. All those memories. -Look at this. Um... | 0:21:42 | 0:21:47 | |
-Excuse me, how much is this? -Only a fiver. -Oh! | 0:21:47 | 0:21:51 | |
-OK. Hang on a minute. -A cigarette case?! You do not even smoke! | 0:21:51 | 0:21:55 | |
-There you go. -Thank you. | 0:21:55 | 0:21:57 | |
Thank you. | 0:21:57 | 0:21:58 | |
Well, it's not for me. | 0:21:58 | 0:22:00 | |
It's silver. I'm going to sell it. It's about profit, Mrs Tembe. | 0:22:02 | 0:22:07 | |
Remember, profit. So look out for small stuff. | 0:22:07 | 0:22:10 | |
Nobody notices the small stuff. | 0:22:10 | 0:22:12 | |
What about this? | 0:22:15 | 0:22:17 | |
No, I don't think that's as old as it looks. | 0:22:18 | 0:22:21 | |
Her daughter probably just made it. | 0:22:21 | 0:22:23 | |
Surely, they would want to keep something like this. | 0:22:23 | 0:22:26 | |
Yeah, but you can't keep everything. | 0:22:26 | 0:22:29 | |
SHE SIGHS | 0:22:29 | 0:22:31 | |
Oh. Now. Now, I think this would look very good on you. | 0:22:31 | 0:22:35 | |
-It is beautiful. -There's no money in it. | 0:22:35 | 0:22:38 | |
I'm just looking for things I can sell on. | 0:22:38 | 0:22:40 | |
Well, I could not get rid of my memories like this. | 0:22:41 | 0:22:44 | |
But you take your memories with you. This is just things. | 0:22:44 | 0:22:50 | |
People, places, they all have memories. | 0:22:50 | 0:22:53 | |
Ooh! | 0:22:56 | 0:22:57 | |
Hello, Abbie. | 0:23:16 | 0:23:17 | |
All right? | 0:23:23 | 0:23:24 | |
Like a couple of fried sausages. | 0:23:24 | 0:23:27 | |
Sorry. | 0:23:27 | 0:23:29 | |
I've just been so tired. | 0:23:30 | 0:23:32 | |
I was only joking. | 0:23:32 | 0:23:33 | |
Do you know? I could just do with some sausages right now. | 0:23:36 | 0:23:39 | |
Have we had anything to eat? | 0:23:42 | 0:23:44 | |
Um, we had our breakfast for our lunch and you had some cold beans | 0:23:44 | 0:23:49 | |
-out of the fridge. -Oh, yeah. | 0:23:49 | 0:23:52 | |
I'm still starving. | 0:23:53 | 0:23:56 | |
Me too. | 0:23:56 | 0:23:59 | |
Go on then. | 0:23:59 | 0:24:00 | |
What? | 0:24:00 | 0:24:02 | |
I cooked last night. | 0:24:02 | 0:24:04 | |
-Takeaway? -Ooh! | 0:24:09 | 0:24:12 | |
Yes, please! | 0:24:12 | 0:24:14 | |
Thank you. | 0:24:14 | 0:24:15 | |
Ooh. | 0:24:18 | 0:24:20 | |
I saw you having lunch with Dr Carmichael. | 0:24:20 | 0:24:22 | |
So, you were there. | 0:24:24 | 0:24:26 | |
I'm everywhere. | 0:24:26 | 0:24:29 | |
You told her, didn't you? | 0:24:29 | 0:24:31 | |
Course you did. | 0:24:32 | 0:24:34 | |
So, tell me, what was the good doctor's opinion? | 0:24:34 | 0:24:38 | |
She didn't believe you. | 0:24:41 | 0:24:43 | |
I told you. | 0:24:45 | 0:24:46 | |
Now, look, you've gone and made me angry. | 0:24:47 | 0:24:51 | |
Why are you doing this? | 0:24:51 | 0:24:53 | |
-Who are you? -You know who I am. | 0:24:53 | 0:24:55 | |
Time's up, Abbie. | 0:24:55 | 0:24:57 | |
-No! No! Get off me! -Oh, so you want to play, yeah? | 0:25:14 | 0:25:17 | |
No! Help! Help me! | 0:25:17 | 0:25:19 | |
Hey! | 0:25:21 | 0:25:23 | |
You set me up! | 0:25:23 | 0:25:25 | |
You set yourself up, you pervert! Please, just get him out of here! | 0:25:25 | 0:25:28 | |
Are you OK? | 0:25:30 | 0:25:31 | |
Did he hurt you? | 0:25:31 | 0:25:33 | |
He's gone now. | 0:25:33 | 0:25:35 | |
It's over. It's over. | 0:25:35 | 0:25:37 | |
They seem very happy. | 0:25:38 | 0:25:40 | |
They do. | 0:25:41 | 0:25:43 | |
-Even with all this upheaval. -I suppose they get to start afresh. | 0:25:43 | 0:25:47 | |
Yes, I suppose so. | 0:25:47 | 0:25:49 | |
But sometimes, there comes a time when... | 0:25:49 | 0:25:53 | |
Anyway, we cannot all be the same. | 0:25:54 | 0:25:55 | |
You OK? | 0:25:57 | 0:25:59 | |
I will be. | 0:25:59 | 0:26:01 | |
-And? -His name's Daryl Blunt. He's an admin assistant at Larry's office. | 0:26:09 | 0:26:13 | |
-And you told Larry all about the pact. -I told Larry everything. | 0:26:13 | 0:26:18 | |
Well, that explains how this man knew so much about you. | 0:26:18 | 0:26:21 | |
I can't believe how I was sucked in. It was like I was brainwashed. | 0:26:21 | 0:26:25 | |
Give yourself a break. You've been through a hell of a lot. | 0:26:25 | 0:26:28 | |
What you did earlier took guts. I'm impressed. | 0:26:28 | 0:26:32 | |
Well, I couldn't have done it without you. So, thank you. | 0:26:32 | 0:26:36 | |
-So, now it's over. -Oh, yes. | 0:26:36 | 0:26:39 | |
It's over. | 0:26:39 | 0:26:41 | |
So, you just weren't tempted? | 0:26:46 | 0:26:47 | |
-Oh. -You won't make any money on that. | 0:26:49 | 0:26:53 | |
-MOBILE RINGS -Well, I don't intend to. | 0:26:53 | 0:26:57 | |
-Hello. -'It's Marnie.' | 0:26:57 | 0:26:58 | |
-Oh, Karen. I can hear her. -'She's proper poorly. Maybe it's a virus.' | 0:26:58 | 0:27:01 | |
No, it isn't. It's just the withdrawal. | 0:27:01 | 0:27:03 | |
'She's not been like this before.' | 0:27:03 | 0:27:05 | |
-OK, look, have you tried skin to skin? -'Take my top off.' | 0:27:05 | 0:27:09 | |
That's it, yeah. And just snuggle in as close as you can. | 0:27:09 | 0:27:12 | |
-And call me if it doesn't work, all right? -'Thanks.' -Good luck. | 0:27:12 | 0:27:15 | |
'Bye.' | 0:27:15 | 0:27:17 | |
Aw! | 0:27:17 | 0:27:20 | |
They are having such a tough time with that little kid. | 0:27:20 | 0:27:23 | |
I'm just going to say thank you very much and good luck. | 0:27:25 | 0:27:28 | |
-How long have you been here? -Oh, 37 years. | 0:27:31 | 0:27:35 | |
You'd get less for murder! | 0:27:35 | 0:27:37 | |
-What are you doing? -I'm trying to find my car keys. | 0:27:37 | 0:27:40 | |
-Are they not hanging up? -Karen, if they were hanging up, | 0:27:40 | 0:27:43 | |
then I wouldn't be looking for them, would I? | 0:27:43 | 0:27:45 | |
Last time I saw a mouth like that, it had a hook in it. | 0:27:45 | 0:27:48 | |
I would like to take you out to dinner. | 0:27:48 | 0:27:52 |