Browse content similar to Time of Death. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Get off me! -Calm down, Bren! | 0:00:24 | 0:00:26 | |
Don't tell me what to do! | 0:00:26 | 0:00:27 | |
Get that cell door closed. | 0:00:27 | 0:00:28 | |
I'm going to sue you! | 0:00:28 | 0:00:29 | |
Just leave everything to me. | 0:00:29 | 0:00:31 | |
Everything is going to go according to plan. | 0:00:31 | 0:00:34 | |
What's the name of this master fence? | 0:00:34 | 0:00:36 | |
Ruhma Hanif? | 0:00:36 | 0:00:38 | |
-I think we may have to ask Dr Carter's friend... -No! | 0:00:38 | 0:00:41 | |
-I only want... -Shak! | 0:00:41 | 0:00:42 | |
Bren! | 0:00:44 | 0:00:45 | |
ALARM BELL RINGS | 0:00:45 | 0:00:46 | |
I'm arresting you on suspicion of receiving or handling stolen goods. | 0:00:46 | 0:00:49 | |
Are you insane? | 0:00:49 | 0:00:51 | |
We can't just give up on her. | 0:00:51 | 0:00:52 | |
-Rob. -No. -Rob! -No! | 0:00:52 | 0:00:54 | |
I'm calling it. | 0:00:54 | 0:00:55 | |
EMMA SIGHS | 0:01:02 | 0:01:04 | |
Was there any sign that she was ill? | 0:01:08 | 0:01:10 | |
No. | 0:01:16 | 0:01:17 | |
She was asleep the last time I looked. | 0:01:20 | 0:01:22 | |
Are you all right? | 0:01:25 | 0:01:27 | |
I'm just trying to take it all in, really. | 0:01:27 | 0:01:30 | |
What happens now? | 0:01:33 | 0:01:35 | |
Lockdown. They'll seal off the custody area. | 0:01:36 | 0:01:41 | |
Move everyone to a different part of the station... | 0:01:41 | 0:01:43 | |
..and then they will investigate. | 0:01:45 | 0:01:46 | |
Right. | 0:01:48 | 0:01:50 | |
Cup of tea. | 0:01:53 | 0:01:54 | |
-I don't drink tea. -OK. -I'm just looking on the news | 0:01:54 | 0:01:57 | |
to see if there's anything about the protest. | 0:01:57 | 0:01:59 | |
They wouldn't bother with us. | 0:01:59 | 0:02:01 | |
We could set fire to their offices and it wouldn't even make page six. | 0:02:01 | 0:02:04 | |
Hope Mum's OK. | 0:02:06 | 0:02:07 | |
You don't think she should have gone, do you? | 0:02:09 | 0:02:11 | |
Well, I worry about her. | 0:02:11 | 0:02:13 | |
It must have been a shock, getting arrested. | 0:02:13 | 0:02:16 | |
It's fine, trust me. | 0:02:16 | 0:02:18 | |
She's spent a lot of time in police cells. | 0:02:18 | 0:02:20 | |
MUSIC: Dissolved Girl by Massive Attack | 0:02:20 | 0:02:23 | |
-What are you doing? -Putting some music on. | 0:02:23 | 0:02:25 | |
Your mum and I used to listen to this. | 0:02:25 | 0:02:28 | |
Yeah, she used to play this to me. | 0:02:28 | 0:02:30 | |
I always thought it was a bit miserable, to be honest. | 0:02:30 | 0:02:33 | |
DOORBELL CHIMES | 0:02:33 | 0:02:35 | |
I'll get that. | 0:02:35 | 0:02:37 | |
I'm looking for Ayesha Lee. | 0:02:41 | 0:02:43 | |
Ayesha Lee? | 0:02:47 | 0:02:49 | |
Ugh! What do YOU want? | 0:02:49 | 0:02:51 | |
# Shame, such a shame | 0:02:53 | 0:02:57 | |
# I think I kind of lost myself again | 0:03:00 | 0:03:05 | |
# Day, yesterday | 0:03:07 | 0:03:11 | |
# Really should be leaving but I stay | 0:03:15 | 0:03:19 | |
# Say, say my name | 0:03:36 | 0:03:42 | |
# I need a little love to ease the pain | 0:03:44 | 0:03:48 | |
# I need a little love to ease the pain... # | 0:03:51 | 0:03:56 | |
MUSIC: Pachelbel's Canon in D major | 0:04:21 | 0:04:25 | |
Um...thank you all for waiting. | 0:04:25 | 0:04:28 | |
There is no news from Dr Carter, | 0:04:28 | 0:04:31 | |
but as the food has been paid for, | 0:04:31 | 0:04:33 | |
I think it would be appropriate to start the buffet. | 0:04:33 | 0:04:36 | |
So, if you would like to all form an orderly queue. | 0:04:36 | 0:04:39 | |
Well, I couldn't eat a thing. | 0:04:41 | 0:04:43 | |
I'm not surprised! | 0:04:43 | 0:04:45 | |
I can't believe you had a fight with a copper. | 0:04:45 | 0:04:47 | |
It wasn't really a fight, it was more of a scuffle. | 0:04:47 | 0:04:49 | |
He was very forceful. | 0:04:51 | 0:04:52 | |
So, do you still think that marriage is a good idea? | 0:04:53 | 0:04:56 | |
Oh, come on! That's hardly typical. | 0:04:56 | 0:04:59 | |
Not every wedding ends in disaster. | 0:04:59 | 0:05:01 | |
Jimmi! Why don't you come and join us? | 0:05:02 | 0:05:04 | |
Here you go. | 0:05:10 | 0:05:11 | |
It's only the machine stuff, I'm afraid. | 0:05:11 | 0:05:14 | |
I can't even offer you a biscuit, cos they're in my office. | 0:05:14 | 0:05:17 | |
Rob? Is there something you're not saying? | 0:05:20 | 0:05:23 | |
About what? | 0:05:24 | 0:05:26 | |
Bren. Did something happen? | 0:05:27 | 0:05:29 | |
No, I just put her in her cell. | 0:05:31 | 0:05:33 | |
But you checked on her regularly? | 0:05:37 | 0:05:39 | |
Yeah. | 0:05:39 | 0:05:40 | |
Yeah, I checked on her... I don't know how many times. | 0:05:42 | 0:05:46 | |
My memory's a bit hazy. | 0:05:46 | 0:05:48 | |
-Hazy? -It's been a long day. | 0:05:48 | 0:05:50 | |
-Sergeant Hollins? -Yeah. | 0:05:52 | 0:05:53 | |
I'm Clive Randall, the Post Incident Manager. | 0:05:53 | 0:05:56 | |
Could we have a chat, please? | 0:05:56 | 0:05:58 | |
I'll leave you to it. | 0:05:58 | 0:06:00 | |
So, can you identify this item? | 0:06:03 | 0:06:07 | |
It's a 19th-century carriage clock. | 0:06:07 | 0:06:11 | |
Have you seen this item before? | 0:06:11 | 0:06:12 | |
Yes, because I had one like this. | 0:06:12 | 0:06:15 | |
Um... | 0:06:15 | 0:06:16 | |
Actually, I think it's the same one! | 0:06:18 | 0:06:21 | |
-I took this picture. -Did you indeed? | 0:06:23 | 0:06:27 | |
Yeah, and then I put the clock on an auction site. It's a hobby of mine. | 0:06:27 | 0:06:31 | |
You sold this clock? | 0:06:31 | 0:06:33 | |
Yes, yes, I did. Yes. | 0:06:33 | 0:06:36 | |
Though in order to sell something, you first need to own it. | 0:06:36 | 0:06:40 | |
Where did you get it? | 0:06:40 | 0:06:42 | |
So, the IPCC officer is here. | 0:06:44 | 0:06:46 | |
She's looking at the CCTV footage and the photos. | 0:06:46 | 0:06:49 | |
Is there anything you need to tell me before all that starts? | 0:06:50 | 0:06:54 | |
Like what? | 0:06:54 | 0:06:55 | |
I mean any pressures you may have been under, | 0:06:55 | 0:06:58 | |
any problems with your team or your resources? | 0:06:58 | 0:07:02 | |
We were two officers down. | 0:07:03 | 0:07:05 | |
The complaints officer, | 0:07:06 | 0:07:07 | |
Samira Kohli, would be keen to talk you in the next 24 hours. | 0:07:07 | 0:07:12 | |
Shall I make an appointment for tomorrow morning? | 0:07:12 | 0:07:15 | |
No. Let's do it now. | 0:07:15 | 0:07:17 | |
Are you quite sure? You wouldn't rather go home and recuperate? | 0:07:18 | 0:07:23 | |
Let's do it, while things are still fresh. | 0:07:23 | 0:07:25 | |
We've been here now for one hour and 15 minutes. | 0:07:27 | 0:07:29 | |
-Thank you to the speaking clock. -I'm just saying! | 0:07:29 | 0:07:32 | |
Well, it's very annoying. | 0:07:32 | 0:07:34 | |
Can you two stop bickering?! | 0:07:34 | 0:07:35 | |
So we have to wait - so what? | 0:07:35 | 0:07:38 | |
Mum's the one who's been dragged into a cell. | 0:07:38 | 0:07:40 | |
-I do know that. -Well, don't argue. | 0:07:40 | 0:07:43 | |
Sor-ree. | 0:07:43 | 0:07:45 | |
Sorry, Heston. | 0:07:46 | 0:07:48 | |
Ah! Finally! | 0:07:49 | 0:07:51 | |
Good evening, sir. | 0:07:51 | 0:07:52 | |
Can you tell me when I'm going to see my wife, | 0:07:52 | 0:07:54 | |
who you dragged away from her wedding | 0:07:54 | 0:07:56 | |
in front of her friends and family? | 0:07:56 | 0:07:58 | |
We are currently interviewing Ms Hanif | 0:07:58 | 0:08:00 | |
in connection with a serious criminal matter. | 0:08:00 | 0:08:02 | |
How serious? Overdue library book? Genocide? | 0:08:02 | 0:08:04 | |
I am not at liberty to reveal the details, | 0:08:04 | 0:08:06 | |
but Ms Hanif will be released in due course. | 0:08:06 | 0:08:08 | |
-Can you talk like a human being? -Can you calm down please, sir?! | 0:08:08 | 0:08:11 | |
I will calm down when you tell me who your senior officer is, | 0:08:11 | 0:08:14 | |
so I can complain | 0:08:14 | 0:08:15 | |
about your overzealous and insensitive behaviour. | 0:08:15 | 0:08:18 | |
Constable? | 0:08:18 | 0:08:19 | |
-Ma'am? -Word, please? | 0:08:19 | 0:08:21 | |
-Ma'am? -Will you please tell me what's going on? | 0:08:25 | 0:08:28 | |
I'm currently interviewing a suspect | 0:08:28 | 0:08:30 | |
on a charge of handling stolen goods. | 0:08:30 | 0:08:32 | |
I thought you were in lockdown. | 0:08:32 | 0:08:33 | |
I have not yet terminated my current interview. | 0:08:33 | 0:08:35 | |
Is there a reason for that? Is someone's life at risk? | 0:08:35 | 0:08:39 | |
Not to my knowledge. | 0:08:39 | 0:08:41 | |
Well, then, PC Watson, I recommend you terminate the interview | 0:08:41 | 0:08:44 | |
and come and speak to me ASAP. | 0:08:44 | 0:08:45 | |
I'm investigating a death in custody. Someone you arrested. | 0:08:45 | 0:08:48 | |
I tend to think it trumps any other priorities you may have. | 0:08:48 | 0:08:51 | |
Do you want me to go in with you? | 0:08:55 | 0:08:57 | |
No. | 0:08:59 | 0:09:01 | |
If you're sure. | 0:09:01 | 0:09:02 | |
I feel so lucky to have known your mum. | 0:09:06 | 0:09:08 | |
She's one of those people with real fire in their belly. | 0:09:10 | 0:09:13 | |
Whatever mess life throws at you, you just keep on going... | 0:09:13 | 0:09:18 | |
..keep on fighting, keep strong. | 0:09:19 | 0:09:22 | |
So why is she lying dead on a slab? | 0:09:23 | 0:09:25 | |
Ayesha Lee? | 0:09:29 | 0:09:31 | |
Yeah? | 0:09:32 | 0:09:34 | |
I'm Gavin Dunn. | 0:09:34 | 0:09:35 | |
You're welcome to come and spend some time with your mother. | 0:09:35 | 0:09:38 | |
Though I am obliged to stay with you. | 0:09:38 | 0:09:40 | |
Please don't touch the body. | 0:09:40 | 0:09:42 | |
Yeah, yeah, I get it. | 0:09:42 | 0:09:45 | |
Hi, Mum. | 0:10:01 | 0:10:02 | |
I was going to come and meet you at the station. | 0:10:05 | 0:10:07 | |
We were going to go out, to celebrate your freedom. | 0:10:10 | 0:10:12 | |
I know we had our bad times, but I never gave up on you... | 0:10:17 | 0:10:22 | |
..and we would have sorted things out. | 0:10:25 | 0:10:27 | |
I know we would. | 0:10:31 | 0:10:32 | |
-Ruhma! -Mum! | 0:10:45 | 0:10:47 | |
-What was all that about? -What did they ask you? | 0:10:50 | 0:10:52 | |
Let's save all that till we get home, shall we? | 0:10:52 | 0:10:55 | |
-And good luck with your new career. -What? | 0:10:55 | 0:10:57 | |
As a traffic warden. | 0:10:57 | 0:10:59 | |
So when was Ms Lee brought into the station? | 0:11:02 | 0:11:05 | |
3pm. | 0:11:05 | 0:11:07 | |
What state was she in? | 0:11:07 | 0:11:09 | |
I would say she was extremely angry. | 0:11:09 | 0:11:11 | |
Angry? | 0:11:11 | 0:11:13 | |
Mm-hm. She was shouting abuse. She called PC Watson a liar. | 0:11:13 | 0:11:16 | |
She called us all fascists. | 0:11:16 | 0:11:17 | |
How did that make you feel? | 0:11:17 | 0:11:19 | |
All part of the job. | 0:11:19 | 0:11:20 | |
We treat people like human beings and they treat us like dirt. | 0:11:20 | 0:11:23 | |
So PC Sullivan and PC Thomas took Ms Lee to her cell. | 0:11:25 | 0:11:28 | |
How often did you check on her? | 0:11:28 | 0:11:30 | |
With agitated detainees, | 0:11:30 | 0:11:32 | |
I aim to check on them every 40 minutes or so. | 0:11:32 | 0:11:34 | |
That's not what I asked. How often DID you check? | 0:11:34 | 0:11:37 | |
Sergeant Hollins? | 0:11:39 | 0:11:40 | |
I don't know. Because I don't remember. | 0:11:42 | 0:11:44 | |
We're talking about events that happened a few hours ago. | 0:11:46 | 0:11:49 | |
Yes, but I don't remember how many times I checked on Ms Lee. | 0:11:49 | 0:11:54 | |
Would you like us to suspend the interview | 0:11:55 | 0:11:58 | |
-while you get your thoughts together? -No. | 0:11:58 | 0:12:00 | |
I might not remember every detail, but there will be CCTV footage, | 0:12:00 | 0:12:04 | |
I did record things in the log, | 0:12:04 | 0:12:05 | |
and I did have other colleagues on the shift, | 0:12:05 | 0:12:07 | |
so you will be able to put together a full version of events. | 0:12:07 | 0:12:10 | |
I'm giving it five more minutes, then I'm faking a migraine. | 0:12:16 | 0:12:19 | |
What if they come back? Heston's one of our oldest friends. | 0:12:19 | 0:12:22 | |
Yes, and we are paying the baby-sitter by the hour. | 0:12:22 | 0:12:26 | |
PHONE BUZZES | 0:12:26 | 0:12:27 | |
-Emma? -Oh, Zara. | 0:12:28 | 0:12:31 | |
I've been trying to get through to you for ages. It's chaos here. | 0:12:31 | 0:12:34 | |
-What's the matter? -Ayesha's mum, Bren. | 0:12:34 | 0:12:37 | |
She's dead. | 0:12:37 | 0:12:38 | |
What?! | 0:12:38 | 0:12:40 | |
She was arrested this afternoon, and she died in custody. | 0:12:40 | 0:12:42 | |
How did she die? | 0:12:42 | 0:12:44 | |
Nobody knows yet. I shouldn't really be talking about it. | 0:12:44 | 0:12:47 | |
You do know that Ruhma has just been arrested at her own wedding? | 0:12:47 | 0:12:51 | |
Yes, I know. She's been sent home now. | 0:12:51 | 0:12:53 | |
It was just some jobsworth being an idiot. | 0:12:53 | 0:12:55 | |
Thank goodness. | 0:12:55 | 0:12:57 | |
Does Ayesha know about her mum? | 0:12:57 | 0:13:00 | |
Yes, the police have told her, apparently. | 0:13:00 | 0:13:02 | |
She's gone to the morgue. | 0:13:02 | 0:13:04 | |
I must try and see her. | 0:13:04 | 0:13:06 | |
Look, I have to go. | 0:13:06 | 0:13:07 | |
-Bye. -Dr Reid? | 0:13:08 | 0:13:10 | |
Hi. | 0:13:10 | 0:13:11 | |
You do know you're not allowed to talk about this case? | 0:13:11 | 0:13:13 | |
Yes, I was just telling a friend that I'm going to be late. | 0:13:13 | 0:13:17 | |
How long have you known Sergeant Hollins? | 0:13:17 | 0:13:20 | |
Coming up five years. | 0:13:20 | 0:13:22 | |
And what's your opinion of him? | 0:13:22 | 0:13:24 | |
I think he is one of the most dedicated, professional, | 0:13:24 | 0:13:28 | |
and caring officers I've ever worked with. | 0:13:28 | 0:13:31 | |
Of course he is. And did you know Ms Lee? | 0:13:31 | 0:13:35 | |
Yes. She's the mother... | 0:13:35 | 0:13:36 | |
she was the mother of a colleague of mine. | 0:13:36 | 0:13:39 | |
And what was your opinion of her? | 0:13:39 | 0:13:42 | |
Well, she could be difficult. | 0:13:42 | 0:13:44 | |
I know she had some issues | 0:13:44 | 0:13:47 | |
and that she'd had a few run-ins with the police. | 0:13:47 | 0:13:50 | |
I'm going to need a full account of everything you saw this afternoon. | 0:13:50 | 0:13:53 | |
Yes, I was just about to start writing it up. | 0:13:53 | 0:13:55 | |
Good. Sergeant Hollins seems quite shaken by what happened, | 0:13:55 | 0:13:58 | |
but he's determined to carry on with the interview. | 0:13:58 | 0:14:01 | |
Really? | 0:14:01 | 0:14:02 | |
Yes. Could be quite a long night. | 0:14:02 | 0:14:05 | |
Yes, thank you, Mrs Tembe. | 0:14:09 | 0:14:11 | |
Thank you, yes. | 0:14:11 | 0:14:12 | |
No, no, I've got that. That's very kind of you. | 0:14:12 | 0:14:16 | |
See you tomorrow. Bye. | 0:14:16 | 0:14:19 | |
Was she OK? | 0:14:19 | 0:14:20 | |
Oh, she's fine. They're all enjoying the buffet. | 0:14:20 | 0:14:23 | |
Well, that's good. | 0:14:23 | 0:14:25 | |
Do you know, I can't see why they let me go. | 0:14:25 | 0:14:28 | |
One minute they are giving me the third degree, and the next minute... | 0:14:28 | 0:14:31 | |
Why did they arrest you, anyway? | 0:14:31 | 0:14:33 | |
Because some of the stuff that I bought from the house clearance, | 0:14:33 | 0:14:35 | |
some of it was dodgy. | 0:14:35 | 0:14:37 | |
But you still paid for it. They can't blame you. | 0:14:37 | 0:14:39 | |
Yeah, I know. So that's why I'm going to go there tomorrow, | 0:14:39 | 0:14:41 | |
and hopefully everything gets sorted. | 0:14:41 | 0:14:43 | |
Yeah, and make sure we get some compensation! | 0:14:43 | 0:14:45 | |
Right, well, before we start suing the police, | 0:14:45 | 0:14:47 | |
why don't you go and get us something to eat? | 0:14:47 | 0:14:50 | |
What's this for? | 0:14:50 | 0:14:51 | |
I want you and your sister to go to Karthik's Spices | 0:14:51 | 0:14:53 | |
-and get us an Emperor's Feast. -A what? | 0:14:53 | 0:14:55 | |
Like we did on New Year's Eve. | 0:14:55 | 0:14:57 | |
With pickles, parathas and anything else that takes your fancy. | 0:14:57 | 0:15:00 | |
This is, like, shedloads. | 0:15:00 | 0:15:01 | |
Well, why don't you go before I change my mind? | 0:15:01 | 0:15:04 | |
Nice one! Come on, I'm starving. | 0:15:04 | 0:15:06 | |
That was a bit generous. | 0:15:09 | 0:15:10 | |
I thought we could do with 20 minutes alone. | 0:15:12 | 0:15:14 | |
What for? | 0:15:14 | 0:15:15 | |
So you could take off your brave face. | 0:15:17 | 0:15:19 | |
SHE TAPS HER GLASS | 0:15:22 | 0:15:24 | |
Er...so... | 0:15:24 | 0:15:25 | |
it has been confirmed that Dr Carter | 0:15:27 | 0:15:30 | |
and his wife will not be returning. | 0:15:30 | 0:15:33 | |
So, can I ask you, please, | 0:15:34 | 0:15:36 | |
not to gossip or speculate on the reasons for their continued absence. | 0:15:36 | 0:15:42 | |
Good luck with that! | 0:15:42 | 0:15:44 | |
Now, this venue has been booked for the rest of the evening, | 0:15:44 | 0:15:47 | |
so you are all very welcome to stay, | 0:15:47 | 0:15:50 | |
but you are also very welcome to go. | 0:15:50 | 0:15:52 | |
Thank you. | 0:15:53 | 0:15:55 | |
I...er... need to tell you something about Nurse Lee. | 0:15:58 | 0:16:01 | |
Nurse Lee's mother | 0:16:02 | 0:16:05 | |
died in police custody today. | 0:16:05 | 0:16:07 | |
What? | 0:16:07 | 0:16:08 | |
I do not know all of the details | 0:16:08 | 0:16:11 | |
so I would appreciate it | 0:16:11 | 0:16:14 | |
if you could all please be discreet. | 0:16:14 | 0:16:16 | |
I will be providing a card of condolence | 0:16:16 | 0:16:19 | |
that we can all sign at the Mill tomorrow - | 0:16:19 | 0:16:22 | |
and Nurse Lee will be on compassionate leave | 0:16:22 | 0:16:25 | |
-for the time being. -Hang on a minute. Police custody? | 0:16:25 | 0:16:28 | |
That is all I have been told. | 0:16:28 | 0:16:30 | |
That's awful, Mrs Tembe. | 0:16:30 | 0:16:31 | |
I know, Nurse Lee is going to need all the support she can get, | 0:16:33 | 0:16:36 | |
over the next few days. | 0:16:36 | 0:16:37 | |
Poor Ayesha. | 0:16:37 | 0:16:39 | |
Indeed. Excuse me. | 0:16:39 | 0:16:40 | |
Are you OK? | 0:16:40 | 0:16:42 | |
Police custody? | 0:16:43 | 0:16:44 | |
You know who the custody sergeant is? | 0:16:44 | 0:16:47 | |
Has he called you yet? | 0:16:47 | 0:16:48 | |
No, course not. That's not the way he does things. | 0:16:48 | 0:16:51 | |
I need to get over there. | 0:16:51 | 0:16:52 | |
Sorry, excuse me. | 0:17:04 | 0:17:06 | |
I'm looking for Ayesha Lee. | 0:17:06 | 0:17:08 | |
Oh, she's just gone in. | 0:17:08 | 0:17:11 | |
And you are? | 0:17:11 | 0:17:13 | |
I'm Emma Reid. | 0:17:13 | 0:17:14 | |
Oh, yeah. | 0:17:14 | 0:17:16 | |
Bren mentioned you a few times. | 0:17:16 | 0:17:19 | |
Ayesha stayed in your boarding house. | 0:17:20 | 0:17:23 | |
My home. Yes. | 0:17:23 | 0:17:25 | |
Sorry, you are? | 0:17:25 | 0:17:27 | |
I'm Amber. Bren lives with me. | 0:17:27 | 0:17:29 | |
Well, she... | 0:17:31 | 0:17:32 | |
I can't quite believe it's happened either. | 0:17:32 | 0:17:35 | |
Ayesha. | 0:17:38 | 0:17:40 | |
-I'm so sorry. -What are you doing here? | 0:17:42 | 0:17:44 | |
I was at the police station when it happened, | 0:17:44 | 0:17:49 | |
and I thought maybe you'd want to ask me questions, or... | 0:17:49 | 0:17:53 | |
Yeah. | 0:17:53 | 0:17:54 | |
How do you live with yourself? | 0:17:55 | 0:17:57 | |
I honestly couldn't stop shaking. | 0:18:00 | 0:18:03 | |
Ruhma, what exactly did they say? | 0:18:04 | 0:18:06 | |
He kept going on and on about the antiques. | 0:18:06 | 0:18:11 | |
Where did I get them from, did I have a receipt? | 0:18:11 | 0:18:14 | |
And of course I don't have a receipt. | 0:18:14 | 0:18:17 | |
I got most of them from car-boot sales, | 0:18:17 | 0:18:19 | |
and some from the house clearances. | 0:18:19 | 0:18:20 | |
Right, I see. | 0:18:20 | 0:18:22 | |
And then he asked me where I was on a series of dates. | 0:18:22 | 0:18:26 | |
My head was just spinning. | 0:18:28 | 0:18:30 | |
I couldn't even remember what day it was today. | 0:18:30 | 0:18:32 | |
So, are they saying that you've been handling stolen goods, | 0:18:32 | 0:18:34 | |
or breaking into people's houses with a crowbar and a balaclava? | 0:18:34 | 0:18:39 | |
I don't know. They just kept blasting me with questions. | 0:18:39 | 0:18:42 | |
OK, in my experience the best way to deal with the police | 0:18:42 | 0:18:45 | |
is to stay calm, tell the truth, | 0:18:45 | 0:18:48 | |
and eventually the mess will sort itself out. | 0:18:48 | 0:18:51 | |
What if it doesn't? | 0:18:53 | 0:18:55 | |
What if I go to prison? | 0:18:55 | 0:18:57 | |
I'll join you. | 0:18:57 | 0:18:59 | |
I'll break in, disguised as a washerwoman. | 0:18:59 | 0:19:01 | |
Why has this happened today? | 0:19:04 | 0:19:06 | |
What do you mean? | 0:19:06 | 0:19:08 | |
Our wedding. The biggest day of our lives... | 0:19:08 | 0:19:11 | |
and someone has given them a tip-off. | 0:19:11 | 0:19:13 | |
What? Who'd do that? | 0:19:13 | 0:19:16 | |
My ex-husband springs to mind. | 0:19:16 | 0:19:18 | |
What, your ex-husband in Pakistan, | 0:19:19 | 0:19:21 | |
who you haven't seen in over a decade? | 0:19:21 | 0:19:23 | |
No, you're right, it's ridiculous. I'm being paranoid. | 0:19:24 | 0:19:28 | |
-Maybe I'm cursed. -Yes, you're right. You are cursed. | 0:19:30 | 0:19:33 | |
You're cursed to be pursued by a strange man in a bow tie | 0:19:33 | 0:19:37 | |
who's madly in love with you. | 0:19:37 | 0:19:38 | |
Come here. | 0:19:39 | 0:19:40 | |
So, the last time we spoke, | 0:19:48 | 0:19:50 | |
you couldn't remember how many times you checked on Ms Lee. | 0:19:50 | 0:19:53 | |
No. | 0:19:53 | 0:19:55 | |
Having examined the CCTV footage, it's now clear. | 0:19:55 | 0:19:58 | |
PC Sullivan and PC Thomas put Ms Lee in her cell at 15:11. | 0:19:59 | 0:20:05 | |
You checked up on her at 15:38, | 0:20:06 | 0:20:10 | |
then again at 16:22. | 0:20:10 | 0:20:14 | |
You next checked at 16:58, but you didn't record this in the log. | 0:20:15 | 0:20:21 | |
-Right. -Do you know why? | 0:20:21 | 0:20:24 | |
No. | 0:20:24 | 0:20:26 | |
You again checked at 17:34... | 0:20:26 | 0:20:30 | |
..but failed to log it. | 0:20:31 | 0:20:32 | |
So you did everything by the book, | 0:20:34 | 0:20:37 | |
but you didn't record things in the book. | 0:20:37 | 0:20:40 | |
No. | 0:20:40 | 0:20:42 | |
And then, at 18:11, you raised the alarm. | 0:20:43 | 0:20:49 | |
Would you like us to adjourn for a bit? | 0:20:51 | 0:20:54 | |
No, I want to carry on. | 0:20:54 | 0:20:56 | |
You've seen the footage. | 0:20:58 | 0:21:00 | |
Do you remember looking into the cell at 16:22? | 0:21:00 | 0:21:03 | |
No. | 0:21:03 | 0:21:05 | |
16:58? | 0:21:05 | 0:21:08 | |
No. | 0:21:08 | 0:21:09 | |
17:34? | 0:21:09 | 0:21:11 | |
No. | 0:21:11 | 0:21:12 | |
Though, presumably, you would have registered something untoward? | 0:21:14 | 0:21:18 | |
If she seemed in distress, or was on the floor? | 0:21:18 | 0:21:22 | |
You would have noticed that? | 0:21:22 | 0:21:25 | |
I don't know. I don't remember. | 0:21:27 | 0:21:29 | |
Please, Ayesha, give her a chance. | 0:21:35 | 0:21:37 | |
Why? She never gave Mum a chance. | 0:21:37 | 0:21:40 | |
In fact, she did everything in her power to keep us apart. | 0:21:40 | 0:21:43 | |
You're right, and I will always regret that, but I want you to know, | 0:21:43 | 0:21:47 | |
I did absolutely everything I could for her at the police station. | 0:21:47 | 0:21:50 | |
Well, then you failed. | 0:21:50 | 0:21:52 | |
You have every right to be angry. | 0:21:52 | 0:21:55 | |
Oh, don't patronise me! | 0:21:55 | 0:21:56 | |
Why are you even here? | 0:21:56 | 0:21:57 | |
Ayesha! | 0:21:57 | 0:21:59 | |
You had a duty of care! | 0:21:59 | 0:22:00 | |
She was fine when she came in. | 0:22:00 | 0:22:02 | |
She must have had some underlying condition. | 0:22:02 | 0:22:04 | |
Must she? You knew all about her, did you? | 0:22:04 | 0:22:06 | |
-No. -You hated Mum while she was alive, | 0:22:06 | 0:22:08 | |
so don't pretend to like her now she's dead. | 0:22:08 | 0:22:10 | |
I didn't hate her. | 0:22:10 | 0:22:12 | |
I was worried that she was going to drag you down again. | 0:22:12 | 0:22:15 | |
Mum messed things up, | 0:22:15 | 0:22:17 | |
but she messed things up for herself more than anything - | 0:22:17 | 0:22:19 | |
and yes, she ran off, but she always came back. | 0:22:19 | 0:22:21 | |
-She never gave up on me. -It's true. She loved you so much. | 0:22:21 | 0:22:25 | |
And she was real. She was honest. | 0:22:25 | 0:22:28 | |
She told me life was hard and it was going to hurt. | 0:22:28 | 0:22:31 | |
Anyway, you got what you wanted... | 0:22:32 | 0:22:34 | |
..and now there's a man in there | 0:22:36 | 0:22:38 | |
who is going to cut her up with a knife, | 0:22:38 | 0:22:40 | |
find out how she died. | 0:22:40 | 0:22:41 | |
Maybe cos she was fed up that nobody gave a stuff. | 0:22:43 | 0:22:46 | |
Just get away from me! | 0:22:48 | 0:22:50 | |
Hi, it's Rob Hollins. Please leave a message. | 0:23:02 | 0:23:05 | |
Hello, love. | 0:23:05 | 0:23:06 | |
I've been trying to get hold of you, | 0:23:06 | 0:23:08 | |
but they won't let me come through. | 0:23:08 | 0:23:11 | |
I don't know what's happened, | 0:23:12 | 0:23:14 | |
but I do know that whatever it was, it's not your fault. | 0:23:14 | 0:23:20 | |
I know you're going to be beating yourself up | 0:23:20 | 0:23:23 | |
and putting yourself through hell. | 0:23:23 | 0:23:26 | |
I just wanted to let you know that I love you very, very much. | 0:23:26 | 0:23:29 | |
Would you like a cup of tea? | 0:23:40 | 0:23:43 | |
No, thank you. | 0:23:43 | 0:23:44 | |
Is there someone who could come and sit with you? | 0:23:46 | 0:23:48 | |
Not really. | 0:23:50 | 0:23:52 | |
I've driven them all away. | 0:23:52 | 0:23:54 | |
Well, you're welcome to stay here for a while. | 0:23:54 | 0:23:58 | |
You've got a weird job. | 0:24:04 | 0:24:06 | |
It's a branch of medicine, really. | 0:24:07 | 0:24:09 | |
Though my diagnosis comes when it's too late to do anything. | 0:24:09 | 0:24:14 | |
No different to most doctors, then. | 0:24:15 | 0:24:17 | |
Do you think, when we kick the bucket, that that's it, | 0:24:20 | 0:24:23 | |
or do you think we go somewhere else? | 0:24:23 | 0:24:25 | |
I'm really not qualified to answer. | 0:24:27 | 0:24:30 | |
Well, I'm asking you anyway. | 0:24:30 | 0:24:32 | |
I think... | 0:24:34 | 0:24:35 | |
..we die and that's it. | 0:24:37 | 0:24:39 | |
Physical entropy. | 0:24:39 | 0:24:41 | |
End of consciousness. Gradual biodegradation. | 0:24:41 | 0:24:44 | |
I've never seen any evidence of an afterlife. | 0:24:47 | 0:24:50 | |
Finally. Someone who's honest with me. | 0:24:50 | 0:24:54 | |
I'd say, in a sense, we're already dead. | 0:24:54 | 0:24:57 | |
We just haven't stopped moving yet. | 0:24:57 | 0:25:00 | |
That's cheery. Why do you get up in the morning? | 0:25:01 | 0:25:04 | |
I have a cat. | 0:25:05 | 0:25:07 | |
MUSIC: Etude Op 10 No 3 in E major by Chopin | 0:25:11 | 0:25:13 | |
-Em! -Hi, Karen. | 0:26:24 | 0:26:26 | |
Where's Rob? They won't let me through. | 0:26:26 | 0:26:28 | |
He's with the woman from the IPCC. He's going to be a long time. | 0:26:28 | 0:26:31 | |
-Do they know how Bren died? -No. They're doing a postmortem. | 0:26:31 | 0:26:34 | |
OK. | 0:26:34 | 0:26:36 | |
Listen, there's something not right with Rob. He doesn't seem himself. | 0:26:36 | 0:26:39 | |
It's a death in custody. Something he's dreaded his whole life. | 0:26:39 | 0:26:43 | |
-What do you expect? -I know, but... | 0:26:43 | 0:26:45 | |
Of course there's something not right about him. | 0:26:45 | 0:26:48 | |
Look, I'm sorry, I've got to get back in. | 0:26:50 | 0:26:53 | |
I'll see you soon. | 0:26:53 | 0:26:54 | |
Have you any idea where Nurse Lee might go? | 0:27:05 | 0:27:07 | |
Her sister's, maybe? | 0:27:07 | 0:27:09 | |
Well, I would suggest that you start there. | 0:27:09 | 0:27:11 | |
-I -start? | 0:27:11 | 0:27:12 | |
What am I doing? Can't I have a nice lunch with my husband? | 0:27:12 | 0:27:15 | |
You want me to talk about it? OK. | 0:27:15 | 0:27:16 | |
I want to tell the truth. | 0:27:16 | 0:27:17 | |
You're right. You've got nothing to hide, | 0:27:17 | 0:27:19 | |
and you're more than capable of looking after yourself. | 0:27:19 | 0:27:22 | |
This is not Ruhma's first marriage. | 0:27:22 | 0:27:23 | |
Valerie. Sounds like an awful lot of gossip going on here. | 0:27:23 | 0:27:26 |