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It is July. High summer and time for the Royal Horticultural Society | :00:15. | :00:19. | |
Hampton Court Palace Flower Show. Now in its 22nd year. As well as | :00:19. | :00:23. | |
all the incredible flowers that you could possibly grow, this year | :00:23. | :00:28. | |
there is a real emphasis on edible plants and a celebration of the | :00:28. | :00:34. | |
wildlife that we can bring in our gardens. It is not only the Hampton | :00:34. | :00:40. | |
Show Gardens that are a feast for the eyes. There are some dazzling | :00:40. | :00:44. | |
summer displays for the visitors to enjoy. | :00:44. | :00:49. | |
Hampton Court is the largest Show. Tonight, Rachel, Joe and myself | :00:49. | :00:52. | |
will be giving you a pre-view of the highlights. Coming up, Joe and | :00:52. | :00:57. | |
I look at the medal contenders in the large show gardens. We shall be | :00:57. | :01:03. | |
looking at the inspiration behind the gardens which is a category | :01:03. | :01:08. | |
unique to Hampton Court. Rachel catches a glimpse of the new | :01:08. | :01:18. | |
:01:18. | :01:27. | ||
Hello. Welcome to the 2011 Royal Horticultural Society Hampton Court | :01:27. | :01:30. | |
Palace Flower Show. It is set in the grounds of this fabulous palace | :01:30. | :01:35. | |
surrounded by 750 acres of beautiful park. The show opens | :01:35. | :01:39. | |
tomorrow and remains open until Sunday. The three of us had a | :01:39. | :01:42. | |
chance to have a quick peek around and what struck me initially was | :01:42. | :01:47. | |
the show gardens themselves are of high quality, the finish is good. | :01:47. | :01:54. | |
They look really good. The con accept actual gardens which I am | :01:54. | :01:59. | |
interested in. This is where art and gardening crosses over and | :01:59. | :02:03. | |
there is nine this year and they look good. | :02:03. | :02:07. | |
It is not just deseen, it is plants and I have been in the floral | :02:07. | :02:12. | |
marquee. It is a sea of of blooms. It is a sight worth seeing. | :02:13. | :02:18. | |
I'm sure there will be lots of gold medals inside the floral marquee. | :02:18. | :02:22. | |
Outside last year only one of the maujor show gardens -- major show | :02:22. | :02:28. | |
gardens was awarded gold. Joe and I have been around to see how the | :02:28. | :02:38. | |
:02:38. | :02:44. | ||
This garden is called the The Stockman's Retreat. It is by Chris | :02:44. | :02:48. | |
beard shaw. As you walk past and look through, you gaze through a | :02:48. | :02:52. | |
look through, you gaze through a perfect mixed border. All the | :02:52. | :02:56. | |
levels vary, the colours harmonising and looking through it, | :02:56. | :03:00. | |
you see this charming little little cottage. You need to come round to | :03:00. | :03:04. | |
the side and have a look because there is a winding track. The thing | :03:04. | :03:08. | |
you just glimpse as you are on a walk and what strikes me about it | :03:08. | :03:12. | |
is the degree of skill and sophistication that goes into | :03:12. | :03:15. | |
making show gardens now and particularly to make it look as | :03:15. | :03:18. | |
though it is completely natural. There are weeds growing between the | :03:18. | :03:23. | |
stones. The dry stone wall is tumbling down. There is an | :03:23. | :03:26. | |
incredible skill in making it look as though nothing has happened. | :03:26. | :03:31. | |
There is so much going on here if you just walk by, you will only get | :03:31. | :03:41. | |
:03:41. | :03:47. | ||
highlighting peace one day which is a charity that does international | :03:47. | :03:52. | |
work about bringing harmony to the hole world. -- whole world. I love | :03:52. | :03:57. | |
the way they have got the theme and run with it. In the planting it has | :03:57. | :04:01. | |
been separated out by the steel circles and initially they are | :04:01. | :04:06. | |
separate, but they start mingling together. The largest rounded | :04:06. | :04:10. | |
border at the front incorporates the plants in the garden and shows | :04:10. | :04:20. | |
:04:20. | :04:21. | ||
the whole is greater than some of its past. These birch are wonderful. | :04:21. | :04:29. | |
It is the perfect choice of plants creating a canopy. It is a | :04:29. | :04:38. | |
fantastic effort from some first try to impress you with their | :04:39. | :04:45. | |
beauty. And And others that have a powerful message. This garden does | :04:45. | :04:50. | |
both. Its message is powerful and strong which is that we should grow | :04:50. | :04:55. | |
more apples. But also it is beautiful. It really shows how the | :04:55. | :05:00. | |
fruit and apple trees in particular can combine to make a lovely garden. | :05:00. | :05:05. | |
I like the way that it flows from the edge where you have this mixed | :05:05. | :05:11. | |
hedge and the long grass and the apple trees and then you move into | :05:11. | :05:15. | |
the central area which is sophisticated. There is a lot going | :05:15. | :05:21. | |
on. You never feel overwhelmed by the design or the message. It just | :05:21. | :05:31. | |
:05:31. | :05:41. | ||
has a strong Japanese theme. Low maintenance plants are used. | :05:41. | :05:44. | |
Japanese gardens take their inspiration from the natural world | :05:44. | :05:48. | |
beyond and they are recreated on a microscale. Here we have rocks and | :05:48. | :05:52. | |
a path, but the gravel that has been used to fill the voids in | :05:52. | :05:57. | |
between, but this is a resin bonded gravel. It let's the water through, | :05:57. | :06:01. | |
but it stays in one shape so you can walk on it. At the back of the | :06:01. | :06:06. | |
garden, we have Bruce's bauble with a cherry blossom motif. It is a | :06:06. | :06:10. | |
garden pod really, but the idea is that we have got a world within a | :06:10. | :06:15. | |
world. So here is a computer connected up to the internet and it | :06:15. | :06:19. | |
will take you into cyberspace. Remember tonight's programme is | :06:19. | :06:24. | |
just a sneak pre-view of what we are offering at this year's show. | :06:24. | :06:26. | |
Because there will be two programmes on Thursday and Friday | :06:26. | :06:30. | |
this week. In those, we will be taking a closer look at the gardens | :06:30. | :06:38. | |
here, large, small, the conceptual and those dedicated to our greatest | :06:38. | :06:44. | |
poets. In 2009 one designer got visitors here talking about her | :06:44. | :06:52. | |
small sustainable garden entitled Oak Tree Lying In State. She is | :06:52. | :07:00. | |
back with a strong environmental message. Fiona is working with the | :07:00. | :07:04. | |
WWF. Together they aim to highlight the importance of water | :07:04. | :07:12. | |
conservation and specifically our natural chalk streams which meant a | :07:12. | :07:17. | |
trip for Fiona to the river in trip for Fiona to the river in | :07:17. | :07:20. | |
Hampshire. Chalk streams are a habitat found | :07:20. | :07:23. | |
in the south of England and cher characterised which very clear | :07:23. | :07:28. | |
water. Water that's been filtered through aqua fers over a long | :07:28. | :07:38. | |
:07:38. | :07:44. | ||
period. When the water re-emerges, it is very clear, clean, pure and | :07:44. | :07:48. | |
pure, but a lot of water is taken out to supply domestic housing and | :07:48. | :07:58. | |
out to supply domestic housing and industry. There is not enough water | :07:58. | :08:08. | |
:08:08. | :08:09. | ||
in in aquifers for both. The habitat that we are creating at | :08:09. | :08:14. | |
Hampton Court will evoke the spirit of English countryside. We are | :08:14. | :08:21. | |
including an area of meadow and meadows are a thing that were part | :08:21. | :08:27. | |
afchalk stream -- of a chalk stream habitat. This is a typical chalk | :08:27. | :08:32. | |
stream meadow and what I'm really looking for that I can re-create in | :08:32. | :08:40. | |
the show garden is the way that the plants sway and group together. So | :08:40. | :08:44. | |
clearly here we have got a nice group of irises and then it moves | :08:44. | :08:51. | |
into meadow sweet and much finer leaves of sedge and back into | :08:51. | :08:59. | |
irises and it is feeling that texture and light and shade that I | :08:59. | :09:05. | |
want to create in the garden. One of the characteristics of this part | :09:05. | :09:11. | |
are the grasses. They are almost like big hair, quite fun. We were | :09:11. | :09:14. | |
here a few weeks ago digging up some. It was a real mission to dig | :09:14. | :09:19. | |
them. It took about seven people to dig up one. We have promised to | :09:19. | :09:22. | |
replace them and they are growing on nicely so they will be in the | :09:22. | :09:32. | |
:09:32. | :09:32. | ||
show garden. In order to create a believable | :09:32. | :09:38. | |
chalk stream feeling, the two elements that we need to be | :09:38. | :09:46. | |
achieving are clarity of the water, and flow and within that these | :09:46. | :09:54. | |
bright emerald green sculptural plants within the water. | :09:54. | :10:04. | |
These water plants are just amazing. The water stalwart, the cushiony | :10:04. | :10:10. | |
plates formed by them. The water parsnip is more on the bottom and | :10:10. | :10:16. | |
the water crowfoot is long and willowy and me andering and waving | :10:16. | :10:20. | |
through the water. It is just beautiful. | :10:20. | :10:26. | |
I will be very happy if the garden, when it is finished, looks | :10:26. | :10:33. | |
believable. Even if it has a few percent of the beauty and serenity | :10:33. | :10:39. | |
and inspiration that one feels from going to a real chalk stream. I | :10:39. | :10:49. | |
:10:49. | :10:50. | ||
will feel as if I've really I must say Fiona, you have achieved | :10:50. | :10:55. | |
a wonderful naturalistic garden. Are you pleased with it? I'm very | :10:55. | :10:59. | |
pleased. Tell me about the metal spheres? | :10:59. | :11:02. | |
are taking the spheres away from the stream and they are | :11:02. | :11:06. | |
representing water droplets. So the way they come out of the | :11:06. | :11:16. | |
stream, they are getting bigger and bigger and making the scale of the | :11:16. | :11:23. | |
problem more evident. What about the scale? I have used | :11:23. | :11:28. | |
the biggest grass I can find. You are attracting so much wildlife | :11:28. | :11:30. | |
You are attracting so much wildlife into this garden. | :11:30. | :11:36. | |
It is full, isn't it? It is lovely to see the bees and the crane flies | :11:36. | :11:40. | |
and dragonflies. Let's go to the stream. You wanted | :11:40. | :11:45. | |
it to be quite rapid, didn't you? We are now travelling at 15 litres | :11:46. | :11:52. | |
a second. It makes you realise how much water there is in a real | :11:52. | :11:54. | |
stream. I know you have won a gold medal | :11:54. | :11:58. | |
before. Do you feel under pressure to achieve that with this garden? | :11:58. | :12:07. | |
Yes. I know we are taking a risk because we are leaving much more | :12:07. | :12:12. | |
decayed foliage in. I would rather do that and make it feel more | :12:13. | :12:15. | |
naturalistic. Well, I think you have got the | :12:15. | :12:20. | |
balance just about right. Rose you are from the WWF, how bad | :12:20. | :12:24. | |
is the problem that we are trying to highlight? The chalk streams are | :12:25. | :12:30. | |
a unique. There are only 200 in the a unique. There are only 200 in the | :12:30. | :12:33. | |
whole world and most are in England. They are a key source of our water | :12:33. | :12:38. | |
supply and what we are hoping this garden will do is inspire people to | :12:38. | :12:41. | |
think about where water comes from and make that connection between | :12:41. | :12:46. | |
the water that they use at home, in their gardens and the water in the | :12:46. | :12:49. | |
natural environment at chalk stream. Gardeners will be torn because they | :12:49. | :12:52. | |
want to help with conservation, but they need to water their gardens. | :12:53. | :12:57. | |
So what can we do to help? Well, it is really important that gardeners | :12:57. | :13:01. | |
use water wisely and make sure every drop counts. Simple things | :13:01. | :13:05. | |
like making the most of rainwater and making sure they use the right | :13:05. | :13:10. | |
amount of water on the right plants at the right times. Gardens are | :13:10. | :13:14. | |
really special environments too. It is a really great way that people | :13:14. | :13:19. | |
can enjoy nature in their back yard. I am so glad you said that. Best of | :13:19. | :13:22. | |
luck with the garden. I think it is wonderful. | :13:22. | :13:28. | |
One of the most interesting compeubts at the show -- exhibits | :13:28. | :13:33. | |
is the Edible Garden. It is more than just one garden. You can argue | :13:33. | :13:37. | |
it is more than edible plants. The it is more than edible plants. The | :13:37. | :13:41. | |
scale is enormous. There are lots of different sections from a hop | :13:41. | :13:46. | |
yard, an orchard and pond and I like the way connections are made | :13:46. | :13:50. | |
beyond the growing plants. We have a cider press to take the fruits of | :13:51. | :13:57. | |
the orchard. We see baskets made from willow that's grown. There is | :13:57. | :14:01. | |
conventional gardening in it too. We have got flowers mingled in with | :14:01. | :14:04. | |
vegetables, but at the same time it challenges our ideas of what is | :14:04. | :14:09. | |
possible to grow in the garden. So a lavender field with olives. | :14:09. | :14:12. | |
Perhaps this is what we could be doing in our gardens with climate | :14:12. | :14:18. | |
change. The same with the vineyard. I particularly liked the way that | :14:18. | :14:22. | |
it breaks the boundaries of what we might be doing in our back gardens | :14:22. | :14:27. | |
and includes all kinds of aspects of British life. Really good and | :14:27. | :14:30. | |
stimulating. Now, coming up on tonight's programme: | :14:30. | :14:35. | |
Rachel is in the floral marquee checking out exciting new additions. | :14:35. | :14:45. | |
:14:45. | :14:47. | ||
My eye has been caught by this. We will meet one person who is | :14:47. | :14:56. | |
making their first show garden despite wait waiting to give give | :14:56. | :14:59. | |
birth to twins. If you have any comments, you can | :14:59. | :15:09. | |
:15:09. | :15:17. | ||
Hampton Court has the largest of the floral marquees, there are 9272 | :15:17. | :15:21. | |
exhibitors. Each showing their own form of seasonal colour, but for | :15:21. | :15:25. | |
one, who is here at Hampton Court just for the second time, well, | :15:25. | :15:34. | |
that colour has to come in the shape of hemara callis. | :15:34. | :15:39. | |
I've always been keen on plants, since I was a child. I had an | :15:39. | :15:44. | |
allotment with my grandfather. We would grow vegetables and exhibit | :15:44. | :15:50. | |
at the local flower shows. We dug out pictures from the loft recently, | :15:50. | :15:54. | |
they go back to those days. In my previous life I worked for a | :15:54. | :15:58. | |
supermarket. I would travel the world looking after quality issues, | :15:58. | :16:03. | |
flowers, looking at perhaps roses and carnations in Kenya. I envied | :16:03. | :16:07. | |
the grocers that I would visit. I thought it was a wonderful way of | :16:07. | :16:12. | |
life, having a nursery attached to where I live -- to where they lived | :16:12. | :16:16. | |
and no commute. I really wanted to do that. This is the lifestyle I | :16:17. | :16:21. | |
used to dream about. My family are involved. They work at the bottom | :16:21. | :16:25. | |
of the garden. It's the dream lifestyle. | :16:25. | :16:35. | |
:16:35. | :16:35. | ||
I always liked hemma callis. I started out with orange, then | :16:35. | :16:39. | |
yellow, then red. My mission really is to communicate | :16:39. | :16:43. | |
to gardeners what wonderful flowers they are. There is a huge range of | :16:43. | :16:48. | |
colours, size of flowers and extended flowering period. The main | :16:49. | :16:55. | |
flowering start in -- starts in June and goes on into August. A lot | :16:55. | :17:00. | |
of the new plants have a rebloom habit. It sends up another spike | :17:00. | :17:05. | |
with further flowers and possibly beyond that. It could flower into | :17:05. | :17:10. | |
the frost. The netting is an idea that I picked up from grocers I | :17:10. | :17:14. | |
visited in Kenya. It provides a bit of protection from the wind, from | :17:14. | :17:19. | |
the sun it keeps the plants cleaner. These flowers are really difficult | :17:19. | :17:23. | |
to get just right for the show. It depends on the weather. If you move | :17:23. | :17:26. | |
them, the floors are inclined to close, they don't look as good as | :17:26. | :17:31. | |
they do at home it is a matter of growing numbers and selecting the | :17:31. | :17:35. | |
correct plants on the day. This is a variety I'm hoping to have at | :17:35. | :17:41. | |
Hampton Court, it is called Shadows of the Pyramids. It has a beautiful | :17:42. | :17:45. | |
colour, a beautiful form. I think it is improved on the old-fashioned | :17:46. | :17:55. | |
:17:56. | :17:57. | ||
varieties. Hemmracallis are not affected by | :17:57. | :18:00. | |
diseases. They are a member of the lily | :18:00. | :18:06. | |
families, but without the problems. One of the recent pests that | :18:06. | :18:11. | |
arrived in this country is Gordon Brownish. If you see bugs that are | :18:11. | :18:16. | |
swollen, slap them off and put them in a bag and put them in the | :18:16. | :18:21. | |
rubbish. Not on the come post heap. They will hatch out and come back | :18:21. | :18:26. | |
against next year. Last year I displayed the flowers at Hampton | :18:26. | :18:31. | |
Court for a silver guilt. The challenge this year is to go a bit | :18:31. | :18:35. | |
better. I have a bigger site, I have more plants, I'll be trying | :18:35. | :18:42. | |
that bit harder. Paul, lots of good colour, but | :18:42. | :18:47. | |
these are such a tricky plant to show? They are great garden plants. | :18:47. | :18:51. | |
If you start to move them, it could be difficult. You put them in a van | :18:51. | :18:58. | |
to move them, they tend to sulk! Now, some see them as a traditional | :18:58. | :19:02. | |
plant and don't know how to ease them in a contemporary setting or | :19:02. | :19:07. | |
update them, what do you say to that? A lot of people know the old | :19:07. | :19:10. | |
fashioned orange and yellow varieties, but there are many | :19:10. | :19:13. | |
improvements that have become available. A lot of the new | :19:13. | :19:23. | |
:19:23. | :19:23. | ||
varieties such as the All American Chief or SaboyenneBur have a | :19:23. | :19:27. | |
tremendous range of colours, beautiful eyes and edges. It really | :19:27. | :19:31. | |
helps to get the gardener to understand the modern vierts. | :19:31. | :19:35. | |
are some beauties. All American Chief. I like that. | :19:35. | :19:40. | |
So this is more about showing your passion for the flower and getting | :19:40. | :19:45. | |
people involved? It is, to bring to the gardener's attention the | :19:45. | :19:50. | |
wonders of the flower today. Of course, these wonderful flowers | :19:50. | :19:55. | |
are not the only midsummer bloom that flower at this time of year. | :19:55. | :20:00. | |
Here, you are bowled over by the flowers at peak. Before the show | :20:00. | :20:10. | |
:20:10. | :20:13. | ||
opened Rachel had a good look impossible to miss. Look at these | :20:13. | :20:17. | |
Dallas. Such a variety of shape and of course colour. They must be one | :20:17. | :20:21. | |
of the star performers in the midand the late season garden. I | :20:21. | :20:27. | |
grow them in a mixed border, but I have a small bed packed in my | :20:28. | :20:32. | |
kitchen garden so many to cut for the house. | :20:32. | :20:37. | |
I have found something a little different here on the Lockyear | :20:38. | :20:45. | |
Stand. These are all spiky members of the | :20:45. | :20:53. | |
salanium family. You can see the spiky stems coming around. The | :20:53. | :20:59. | |
common name is purple Devil. That speaks volumes. This is from Africa, | :20:59. | :21:05. | |
it is Snake Apple. Although they are from the same family as the | :21:05. | :21:09. | |
potatoes and the tomatoes, I would not recommend eating these fruits, | :21:09. | :21:14. | |
they are toxic. If you fancy having a go at these they grow well from | :21:14. | :21:20. | |
seed. Put them on a pot and keep them in a patio. They then must be | :21:20. | :21:25. | |
moved, they are not hardy. When you do move them, watch out for the | :21:25. | :21:35. | |
:21:35. | :21:35. | ||
spikes! Here there is a wonderful display of midand late season | :21:35. | :21:42. | |
flowers like the value via. The akila, but my eye is caught by this | :21:42. | :21:50. | |
inQana. It is a combination of apricot flowers and the fowlians -- | :21:50. | :21:55. | |
fowliage that is unusual. It does best in a warm shelter position. It | :21:55. | :22:02. | |
likes a nice open, gritty soil. Harvest Garden Plants are showing | :22:02. | :22:10. | |
this double echinacea. It is called Hot Papaya. Here there are two | :22:10. | :22:16. | |
species of echinaceas. There is Para docks, it comes from | :22:16. | :22:22. | |
Texas, it is long with a long tap root to search out the moisture, | :22:22. | :22:30. | |
and this one is the purpurea. The root system there is more fibrous. | :22:30. | :22:35. | |
This is what this one has inherited. This is the first with the orange | :22:35. | :22:42. | |
colouring to have that character International Cricket Council. | :22:42. | :22:48. | |
-- character cystic. It looks beautiful here against the | :22:48. | :22:54. | |
dahlia. Hampton Court has become known for | :22:54. | :22:58. | |
its conceptual gardens. These are the designs that challenge our | :22:59. | :23:02. | |
traditional notion of a garden. There are nine this year. The most | :23:02. | :23:06. | |
ever shown at Hampton Court. For one of the new designers it has not | :23:06. | :23:09. | |
one of the new designers it has not been with out challenges. | :23:09. | :23:15. | |
Anoushka Feiler found out days after the Hampton Court had | :23:15. | :23:21. | |
accepted the design, that she was expecting twins. In Anoushka's case | :23:21. | :23:27. | |
her dad was the first port of call. I chose to do the Concept Garden | :23:27. | :23:34. | |
category. I think it is a very exciting area of garden design. | :23:34. | :23:37. | |
MUSIC:: Skies skies -- Excuse Me While I Kiss The Sky. | :23:37. | :23:41. | |
Excuse Me While I Kiss The Sky is a fantastic quote from Jimi Hendrix | :23:41. | :23:45. | |
that encapsulate what I want the garden to feel like. | :23:45. | :23:49. | |
What I wanted to create was a space that people come into that allows a | :23:49. | :23:55. | |
sense of being able to see things from a different perspective. | :23:55. | :23:59. | |
The concept design really allows you to make a statement beyond the | :23:59. | :24:03. | |
norm. You can just go bonkers as you like. | :24:03. | :24:09. | |
I think that is a really freeing prince yipl. | :24:09. | :24:18. | |
The concept be -- principal. The -- principle. | :24:18. | :24:24. | |
The concept is to have a mirror around the garden. The affect is to | :24:24. | :24:29. | |
have that of a sky reflecting all the way around the boundary. I went | :24:29. | :24:34. | |
to a set designer e, they came back with a fantastic quote of �25,000. | :24:34. | :24:39. | |
Awhich point I thought I would not be able to do this. I thought I | :24:39. | :24:44. | |
would give my old dad a call and see ewhat he thinks about this | :24:44. | :24:48. | |
problem! Anoushka phoned mow one Sunday morning. | :24:48. | :24:52. | |
I knew straight away what she was after, but I had to play hard to | :24:52. | :24:56. | |
get. He is wonderfully talented with his | :24:56. | :25:01. | |
hands. He loves working with wood and loves unique projects. I was | :25:01. | :25:06. | |
hoping that I might persuade him. She seemed to think that I would | :25:06. | :25:12. | |
not really want to be involved in it, but deep down I would have been | :25:12. | :25:16. | |
desperately cross if I wasn't shal It was really about trying towork | :25:16. | :25:23. | |
out what she wanted and to work out the best way that I could do it. | :25:23. | :25:26. | |
I had two different areas for planting. | :25:26. | :25:30. | |
The first area is the ground level planting. | :25:30. | :25:36. | |
That is a sea of agapanthus. They have lovely blue heads. | :25:36. | :25:44. | |
The other plants I'm using are the plants for the jupsierddown garden. | :25:44. | :25:52. | |
The planting there d -- the upside down planting. | :25:53. | :25:58. | |
It did prove a little tricky. I have chosen plants that are | :25:58. | :26:04. | |
tolerant to part shade. I went for hostas and ferns. I love the | :26:04. | :26:08. | |
fantastic colour variation in the greens and I wanted to create a | :26:08. | :26:14. | |
large text tuerl ceiling which have hints of blue so I then picked on a | :26:14. | :26:19. | |
few different varieties such as a Campanula to bring out the blue and | :26:19. | :26:29. | |
tie it into the rest of the garden. I found out the same week that I | :26:29. | :26:35. | |
was doing Hampton Court that I was also pregnant with twins, so I will | :26:35. | :26:41. | |
be about four weeks off full term with the twins. | :26:41. | :26:49. | |
Hopefully, even if I hang myself upside down, I will still be there! | :26:49. | :26:53. | |
Well, you are here! All three of you at the show! Of course, you | :26:53. | :26:57. | |
must have had a lot of help with the build? My friends and family | :26:57. | :27:00. | |
have been hands on deck for the last two weeks. I couldn't have | :27:01. | :27:05. | |
done it without them. What about the title of the garden? | :27:05. | :27:10. | |
Excuse Me While I Kiss The Sky, it is a Jimi Hendrix quote. I used the | :27:10. | :27:14. | |
metaphor the sky is the limit as inspiration for the garden. Every | :27:14. | :27:18. | |
element is about seeing the sky and if you want to have a big idea you | :27:18. | :27:22. | |
really have to reach for the sky and go for it. | :27:22. | :27:25. | |
The idea of having plants hanging down, where did that come from? | :27:25. | :27:30. | |
Well, I was on a trip to Venice. I went into a room and I was handed | :27:30. | :27:37. | |
a mirror. When I looked into the mirror I saw this wonderful ceel of | :27:37. | :27:46. | |
reconnaissance paintings, it was -- I saw this wonderful ceiling of | :27:46. | :27:50. | |
renaissance paintings. I thought it was such a wonderful experience. I | :27:50. | :27:56. | |
wanted to have it in my garden. I love the colour, the way it is | :27:56. | :28:00. | |
reflected? When it is sunshine and cloud you get to see the movement | :28:00. | :28:05. | |
right the way through the garden as you walk around it. That gives a | :28:05. | :28:08. | |
lovely dynamism. So no view is ever the same. | :28:08. | :28:11. | |
Well, Excuse Me While I Kiss The Sky is the idea, what a bufl garden. | :28:11. | :28:19. | |
Congratulations. -- what a beautiful garden. I hope | :28:19. | :28:23. | |
tonight's preview has whetted your appetite to come down here and see | :28:23. | :28:27. | |
the show for yourself. We shall be here on Thursday and Friday. We | :28:27. | :28:32. | |
will be joined by Alys Fowler, hunting out plant stories and | :28:32. | :28:37. | |
talking to obsessive plant collectors. We have an interview | :28:37. | :28:43. |