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Worcestershire - a county of contrasts. | 0:00:32 | 0:00:35 | |
Mature woodland, mighty rivers and acres of fruit orchards | 0:00:37 | 0:00:40 | |
and farmland make up this decidedly rural county. | 0:00:40 | 0:00:43 | |
I am at one of England's most stunning country houses - | 0:00:47 | 0:00:50 | |
or it would have been, if it hadn't burnt down nearly 80 years ago. | 0:00:50 | 0:00:53 | |
Now what remains today are these spectacular ruins which still | 0:00:53 | 0:00:57 | |
give us clues to a bygone age. | 0:00:57 | 0:01:00 | |
In the north of the county is the Wyre Forest, | 0:01:01 | 0:01:04 | |
one of the largest remaining ancient woodlands in Britain. | 0:01:04 | 0:01:07 | |
You might think there isn't much going on in the woods at this | 0:01:07 | 0:01:10 | |
time of year, but actually this place is teeming with life and | 0:01:10 | 0:01:13 | |
some of it you will only find in this forest. | 0:01:13 | 0:01:16 | |
But I am going to need this to help track it down. | 0:01:16 | 0:01:20 | |
It's feeding time for the hogs... | 0:01:20 | 0:01:23 | |
Pigs will eat anything | 0:01:23 | 0:01:26 | |
and with millions of tonnes of food being thrown away every year, | 0:01:26 | 0:01:30 | |
it seems logical to turn that into pig feed for these ladies. | 0:01:30 | 0:01:35 | |
But not everyone is so keen on that idea. And I'll be finding out why. | 0:01:35 | 0:01:39 | |
And with floods in the news, | 0:01:41 | 0:01:43 | |
Adam's been seeing how farmers are really coping. | 0:01:43 | 0:01:46 | |
This is one of the worst affected areas - the Somerset Levels. | 0:01:47 | 0:01:51 | |
And the rural communities around here have seen | 0:01:51 | 0:01:53 | |
flooding on a biblical scale. These should be fields, not a lake. | 0:01:53 | 0:01:58 | |
I'm meeting up with a farmer who's battling on despite 95% of his farm | 0:01:58 | 0:02:01 | |
being underwater. | 0:02:01 | 0:02:03 | |
Worcestershire in the late winter sun. | 0:02:11 | 0:02:14 | |
Rolling fields carpet a patchwork landscape. | 0:02:14 | 0:02:17 | |
Traditional orchards dot the countryside. | 0:02:17 | 0:02:20 | |
Nestling in the shadows of the Malvern Hills, the rivers Severn | 0:02:20 | 0:02:24 | |
and Avon carve their way through the county. | 0:02:24 | 0:02:27 | |
And Worcestershire's got a lot more to offer than just its sauce. | 0:02:27 | 0:02:31 | |
I am in Great Witley, ten miles to the north of Worcester, | 0:02:33 | 0:02:36 | |
visiting a place once considered one of England's | 0:02:36 | 0:02:39 | |
greatest country houses. | 0:02:39 | 0:02:41 | |
Now, one of our most spectacular ruins - | 0:02:42 | 0:02:45 | |
Witley Court. | 0:02:47 | 0:02:48 | |
It is absolutely immense. | 0:02:55 | 0:02:58 | |
And from this perspective, I mean, you wouldn't necessarily know that | 0:02:58 | 0:03:01 | |
it was a ruin, but it does have a haunting presence, you know. | 0:03:01 | 0:03:06 | |
It's beautiful. But it's eerie. | 0:03:06 | 0:03:09 | |
Domesday Book records as far back as 1086 show the modest | 0:03:13 | 0:03:17 | |
manor of Witley as being owned by a cousin of William the Conqueror. | 0:03:17 | 0:03:22 | |
But it wasn't until the 19th century | 0:03:22 | 0:03:24 | |
when owned by the Earls of Dudley that this place really came | 0:03:24 | 0:03:27 | |
to life and became one of England's most impressive stately homes. | 0:03:27 | 0:03:31 | |
Historian Nick Molyneaux is telling me why. | 0:03:31 | 0:03:35 | |
Nick, this is certainly the day to see what was quite a creation, | 0:03:35 | 0:03:39 | |
but when did this place become grand? | 0:03:39 | 0:03:42 | |
It was the Foley family who built it in the first place | 0:03:42 | 0:03:44 | |
as a really grand house in the earlier 18th century and | 0:03:44 | 0:03:47 | |
they were the ones who made their money first in the Black Country | 0:03:47 | 0:03:50 | |
and then invested it out here in the Worcestershire countryside. | 0:03:50 | 0:03:53 | |
Then it was taken over by the Earls of Dudley who | 0:03:53 | 0:03:56 | |
invested their money from the Black Country. | 0:03:56 | 0:03:58 | |
They take it on in 1837 and spent huge amounts of money | 0:03:58 | 0:04:02 | |
in the 1850's and '60s to create this grand house that we see today. | 0:04:02 | 0:04:05 | |
OK, we're talking about earning money in the Black Country. | 0:04:05 | 0:04:08 | |
What did they do there? | 0:04:08 | 0:04:09 | |
They owned mines, I think as many as 200 mines, some of them | 0:04:09 | 0:04:12 | |
quite small and some of them large. | 0:04:12 | 0:04:14 | |
And then they owned not just the raw materials, | 0:04:14 | 0:04:17 | |
but the place of production so they owned a number of iron foundries. | 0:04:17 | 0:04:21 | |
As we look out here, look at this view, it is | 0:04:21 | 0:04:24 | |
absolutely delightful, how much of what we see would they have owned? | 0:04:24 | 0:04:28 | |
I think that's a silly question, actually! The lot! | 0:04:28 | 0:04:31 | |
THEY LAUGH | 0:04:31 | 0:04:32 | |
Really? | 0:04:32 | 0:04:33 | |
Not only did the Earls of Dudley own 14,000 acres of Worcestershire, | 0:04:34 | 0:04:39 | |
they owned 25,000 acres throughout England. | 0:04:39 | 0:04:42 | |
We are talking serious wealth! | 0:04:42 | 0:04:45 | |
The family's home here at Witley Court reflected that. Dripping with | 0:04:45 | 0:04:48 | |
lavish adornments, parties raged for days at a time within the opulence. | 0:04:48 | 0:04:53 | |
Eating exquisite food and dancing to the finest music, | 0:04:53 | 0:04:57 | |
all in the grandest of company. | 0:04:57 | 0:04:59 | |
In fact, a local lad was known to tinkle the ivories here on occasion. | 0:04:59 | 0:05:04 | |
A young Edward Elgar, whose dad used to tune the Dudleys' piano. | 0:05:04 | 0:05:08 | |
The court was particularly famous for its elaborate shooting parties | 0:05:08 | 0:05:12 | |
attended by the Prince of Wales, later to become Edward VII. | 0:05:12 | 0:05:16 | |
Do you know, standing at the top of these steps, | 0:05:18 | 0:05:20 | |
it's very easy to just transport yourself back in time. | 0:05:20 | 0:05:24 | |
You could just imagine all the carriages sweeping up this | 0:05:24 | 0:05:27 | |
grand drive and all the excitable maids tried to sneak a peek | 0:05:27 | 0:05:31 | |
at the esteemed guests who were turning up. | 0:05:31 | 0:05:34 | |
'A hint of the decadence we're talking about | 0:05:37 | 0:05:39 | |
'is reflected in the church, | 0:05:39 | 0:05:41 | |
'an opulence not usually given to a Church of England building.' | 0:05:41 | 0:05:45 | |
Goodness me! Nick, I didn't expect this. | 0:05:45 | 0:05:47 | |
Not content with having just the finest mansion, this house also had | 0:05:48 | 0:05:53 | |
one of the finest baroque churches in the country. | 0:05:53 | 0:05:56 | |
It has been kept in pristine condition by the local parishioners | 0:05:56 | 0:05:59 | |
since the Dudleys were here. | 0:05:59 | 0:06:02 | |
So where does all this design kind of originate from? | 0:06:02 | 0:06:04 | |
Because you don't walk in here and think "Worcestershire". | 0:06:04 | 0:06:07 | |
No, you don't. We've got paintings on the ceiling from Italy. | 0:06:07 | 0:06:10 | |
An organ up here. | 0:06:10 | 0:06:12 | |
-It's an organ that Handel, the great musician, played at himself. -Really? | 0:06:12 | 0:06:16 | |
And finally, we have this fantastic gold-encrusted... | 0:06:16 | 0:06:21 | |
Well, you might think it was plasterwork, | 0:06:21 | 0:06:23 | |
-but actually it is the very latest thing. -Go on. -Papier-mache. | 0:06:23 | 0:06:26 | |
-Is it?! -Yes. -Wow! And this is...? -Made in moulds. | 0:06:26 | 0:06:29 | |
Is this all still original, then? | 0:06:29 | 0:06:30 | |
Yes, this is the real thing from the 18th century, | 0:06:30 | 0:06:34 | |
and you could buy it and stick it on your wall. | 0:06:34 | 0:06:37 | |
Quite clearly, with this amount of money, | 0:06:37 | 0:06:39 | |
you could do whatever you wanted. | 0:06:39 | 0:06:41 | |
Every aspect of life here at Witley was lived on a grand scale, | 0:06:42 | 0:06:46 | |
but it wasn't to last. | 0:06:46 | 0:06:49 | |
The Dudley fortunes built on the mining industry were on the wane | 0:06:49 | 0:06:52 | |
due to foreign competition. | 0:06:52 | 0:06:55 | |
In fact, it is said that there was | 0:06:55 | 0:06:57 | |
an urn at the bottom of the stairs that the Earl would toss | 0:06:57 | 0:07:00 | |
unpaid bills into on his way down to breakfast. | 0:07:00 | 0:07:04 | |
Now, they eventually sold this place in the 1920s to a local carpet | 0:07:04 | 0:07:08 | |
manufacturer, but that family could only afford to run one wing. | 0:07:08 | 0:07:12 | |
So the staff was dramatically cut | 0:07:12 | 0:07:15 | |
and parts of the house were left abandoned. | 0:07:15 | 0:07:18 | |
In the space of one September's night in 1937, | 0:07:20 | 0:07:24 | |
its existence as a rich man's home changed for ever. | 0:07:24 | 0:07:28 | |
A devastating fire ripped through the east wing. | 0:07:30 | 0:07:34 | |
The rooms that once dripped with exquisite decorations | 0:07:34 | 0:07:37 | |
went up in smoke. | 0:07:37 | 0:07:39 | |
Witley Court was never lived in again. | 0:07:41 | 0:07:44 | |
Lack of maintenance meant that the Victorian sprinkler system | 0:07:46 | 0:07:49 | |
hadn't been looked after properly. | 0:07:49 | 0:07:51 | |
Mind you, it didn't help that the local fire brigade weren't used | 0:07:51 | 0:07:54 | |
to such massive outbreaks and they parked over the fire hydrant. | 0:07:54 | 0:07:59 | |
Oh, dear. | 0:07:59 | 0:08:00 | |
Later, I'll be peeling back the centuries to get a sense | 0:08:04 | 0:08:08 | |
of what this place was like in its heyday. | 0:08:08 | 0:08:10 | |
And to get a rare glimpse of where the fire that signalled | 0:08:10 | 0:08:13 | |
the end for this most stately of homes started. | 0:08:13 | 0:08:16 | |
Now, as we have heard before on Countryfile, every year, | 0:08:18 | 0:08:21 | |
we throw away millions of tonnes of food in the UK. | 0:08:21 | 0:08:24 | |
But could some hungry animals stop it all from going to waste? | 0:08:24 | 0:08:28 | |
Nothing is as content as a pig in muck | 0:08:34 | 0:08:37 | |
but, in recent years, the people who farm them have had something | 0:08:37 | 0:08:41 | |
to celebrate too - pork prices are better and the British | 0:08:41 | 0:08:45 | |
industry as a whole has a worldwide reputation for its high standards. | 0:08:45 | 0:08:49 | |
Everyone seems happier, including these hungry hogs. | 0:08:49 | 0:08:53 | |
That insatiable appetite | 0:08:53 | 0:08:55 | |
obviously means they get through a lot of food. | 0:08:55 | 0:08:58 | |
In fact, feeding pigs is the biggest single | 0:08:58 | 0:09:01 | |
item in the cost of rearing them. | 0:09:01 | 0:09:03 | |
And on this small pig farm in Cheshire, | 0:09:03 | 0:09:06 | |
the difference between expensive feed or cheaper feed is | 0:09:06 | 0:09:10 | |
the difference between profit and loss. | 0:09:10 | 0:09:12 | |
Many pigs are currently fed on a diet of processed food, | 0:09:15 | 0:09:18 | |
a large part of which is soya. | 0:09:18 | 0:09:21 | |
It's not cheap, and because it is linked to the loss of South American | 0:09:21 | 0:09:25 | |
rainforest, soya comes with its own environmental controversies. | 0:09:25 | 0:09:30 | |
But closer to home, | 0:09:30 | 0:09:32 | |
there might just be an untapped source of pig food created by us. | 0:09:32 | 0:09:36 | |
We throw away 15 million tonnes of food every year, and a new campaign | 0:09:38 | 0:09:43 | |
called the Pig Idea thinks we could be using this stuff a lot better. | 0:09:43 | 0:09:48 | |
Hello, everyone, and welcome to the Pig Idea. | 0:09:50 | 0:09:53 | |
The Pig Idea is made up of a group of chefs, celebrities, | 0:09:53 | 0:09:57 | |
environmentalists and food waste campaigners who have managed | 0:09:57 | 0:10:00 | |
to generate quite a bit of publicity over the past few months. | 0:10:00 | 0:10:04 | |
Hands up - who's had some pork? | 0:10:04 | 0:10:06 | |
CHEERING | 0:10:06 | 0:10:07 | |
'I'm meeting author and co-founder of the campaign Tristram Stuart | 0:10:07 | 0:10:12 | |
'to find out why he thinks we should put pigswill back on the menu.' | 0:10:12 | 0:10:16 | |
They are walking food waste machines, aren't they? | 0:10:16 | 0:10:19 | |
What exactly is pigswill? | 0:10:19 | 0:10:21 | |
Pigswill is all the leftover kinds of food that we people haven't | 0:10:21 | 0:10:25 | |
eaten and which pigs love to eat. | 0:10:25 | 0:10:27 | |
They have very similar digestive systems to us | 0:10:27 | 0:10:30 | |
and they can eat everything that we leave. | 0:10:30 | 0:10:32 | |
So, why should we be feeding that to pigs again? | 0:10:32 | 0:10:35 | |
What is the big idea behind your Pig Idea? | 0:10:35 | 0:10:38 | |
We have an enormous problem globally and that is increasing food demand. | 0:10:38 | 0:10:42 | |
Particularly feed demand for an increasing production of livestock. | 0:10:42 | 0:10:46 | |
It is putting huge pressure on ecosystems like the Amazon | 0:10:46 | 0:10:50 | |
rainforest, which is being chopped down to grow more soy. | 0:10:50 | 0:10:52 | |
We need to replace the use of those feeds with the kind of waste | 0:10:52 | 0:10:57 | |
that at the moment is being chucked away as a valueless waste product | 0:10:57 | 0:11:01 | |
but, in fact, is hugely valuable. | 0:11:01 | 0:11:03 | |
Are you being naive suggesting feeding swill to pigs? | 0:11:03 | 0:11:07 | |
Well, what we are proposing is to go forwards to a new | 0:11:07 | 0:11:09 | |
era of centralised food waste recycling plants that are really | 0:11:09 | 0:11:13 | |
safe, cook the food so it's totally sterile | 0:11:13 | 0:11:16 | |
and safe for pigs to eat, and is properly regulated by the government. | 0:11:16 | 0:11:20 | |
'Tristram's argument makes some sense, | 0:11:21 | 0:11:24 | |
'but if it's that simple, why aren't we doing it already?' | 0:11:24 | 0:11:27 | |
Everything from sprouting potatoes to bits of bacon rind | 0:11:27 | 0:11:30 | |
goes into the tanks. | 0:11:30 | 0:11:32 | |
Well, in fact, we used to. | 0:11:32 | 0:11:34 | |
Historically, pigswill was a staple part of a pig's diet. | 0:11:34 | 0:11:37 | |
The smell of the cooking swill is no perfume, but the pigs love it. | 0:11:37 | 0:11:41 | |
And during World War II, | 0:11:41 | 0:11:43 | |
it was essential for keeping pork in the ration book. | 0:11:43 | 0:11:46 | |
The recipe for traditional pigswill is pretty simple - any waste food, | 0:11:46 | 0:11:51 | |
could have come from your plate, the kitchen or a food manufacturer. | 0:11:51 | 0:11:55 | |
Because the thing about pigs is, unlike farm animals, say, | 0:11:55 | 0:11:59 | |
sheep or cows, which are vegetarians, pigs are omnivores. | 0:11:59 | 0:12:03 | |
So they will eat meat, fruit and vegetables, biscuits. | 0:12:03 | 0:12:08 | |
You name it, they'll scoff it. | 0:12:08 | 0:12:10 | |
So why did pigswill disappear from the menu? | 0:12:11 | 0:12:15 | |
Well, in 2001, the foot-and-mouth crisis | 0:12:15 | 0:12:18 | |
led to over six million animals being slaughtered. | 0:12:18 | 0:12:21 | |
The whole outbreak is thought to have started | 0:12:21 | 0:12:24 | |
because pigs were fed illegal swill. | 0:12:24 | 0:12:27 | |
As a result, feeding stuff like this, kitchen waste, | 0:12:27 | 0:12:30 | |
including meat, to pigs, was banned in Britain 2001 | 0:12:30 | 0:12:35 | |
and across the rest of the EU two years later. | 0:12:35 | 0:12:38 | |
Some food waste can already be legally fed to pigs, | 0:12:40 | 0:12:44 | |
but what isn't allowed at the moment is feeding them | 0:12:44 | 0:12:47 | |
anything that has come from domestic or catering kitchens, | 0:12:47 | 0:12:50 | |
even ones where there is no meat. | 0:12:50 | 0:12:53 | |
Yet there are some people in the industry who like the idea | 0:12:53 | 0:12:56 | |
of swill as a cheaper form of feed. | 0:12:56 | 0:12:58 | |
Gladys! | 0:12:58 | 0:12:59 | |
Julian Price and his son Richard run a small free-range pig farm | 0:12:59 | 0:13:03 | |
in Cheshire producing artisan sausages, | 0:13:03 | 0:13:06 | |
and they are keen to keep their cost down. | 0:13:06 | 0:13:09 | |
-Do you already feed your pigs some leftover food? -Yes, we do. | 0:13:09 | 0:13:13 | |
We try and feed them as much legal waste as we can. | 0:13:13 | 0:13:16 | |
And that varies depending on what time of the year it is. | 0:13:16 | 0:13:19 | |
During the summer, we can manage to get hold of a lot more. | 0:13:19 | 0:13:21 | |
So we get fruit and veg, we get brewers' grain, spent grain, | 0:13:21 | 0:13:26 | |
we get bread waste from bakeries. | 0:13:26 | 0:13:28 | |
And we get a lot of apples and stuff. | 0:13:28 | 0:13:30 | |
So, during the summer, the waste can make up to maybe 70-80% of the diet. | 0:13:30 | 0:13:35 | |
During the winter, we have to rely a little bit more on commercial feed. | 0:13:35 | 0:13:39 | |
So what you think of the proposal behind the Pig Idea to enable | 0:13:39 | 0:13:43 | |
you to feed swill as well? | 0:13:43 | 0:13:45 | |
I think the idea behind the Pig Idea, which is to stop the terrible | 0:13:45 | 0:13:49 | |
waste of waste that we currently have, is a great idea. | 0:13:49 | 0:13:53 | |
As long as - you know, this is what they see as well very clearly - | 0:13:53 | 0:13:57 | |
that waste is safe, that it has been processed correctly, | 0:13:57 | 0:14:01 | |
then I am all for it. | 0:14:01 | 0:14:03 | |
And how do you think it would help you in your business? | 0:14:03 | 0:14:05 | |
It would help my business enormously | 0:14:05 | 0:14:07 | |
because it would bring down the cost of feed. | 0:14:07 | 0:14:09 | |
In the two years that I've been doing this, | 0:14:09 | 0:14:11 | |
the cost of feed has gone up 30%. | 0:14:11 | 0:14:13 | |
It would literally, with us, make the difference between losing money | 0:14:13 | 0:14:17 | |
and breaking even or actually making a profit. | 0:14:17 | 0:14:20 | |
But even before disease led to the ban, there was | 0:14:20 | 0:14:23 | |
another issue with pigswill - the flavour. | 0:14:23 | 0:14:26 | |
Some farmers say it made their pig taste of fish. | 0:14:26 | 0:14:30 | |
Others thought it led to spicier pork. | 0:14:30 | 0:14:32 | |
So could the same thing happen today? | 0:14:32 | 0:14:35 | |
What kind of things have actually gone into it? | 0:14:36 | 0:14:38 | |
They had things like lettuce, carrots, | 0:14:38 | 0:14:41 | |
they had lots of whey, tofu, which was a by-product from a tofu farm. | 0:14:41 | 0:14:44 | |
And even some beer slops, which they thought were great, too. | 0:14:44 | 0:14:47 | |
'I'm doing a taste test with restaurateur and Pig Idea | 0:14:47 | 0:14:50 | |
'campaigner Thomasina Miers and her legal waste-fed pork.' | 0:14:50 | 0:14:55 | |
Is it not possible, though, that if you feed pigs waste, | 0:14:55 | 0:14:58 | |
some of the taste of that waste will get into the meat | 0:14:58 | 0:15:00 | |
and it might not taste that great? | 0:15:00 | 0:15:02 | |
Oh, no, no, no, the very contrary. | 0:15:02 | 0:15:03 | |
As a chef, the idea that a pig will be eating delicious slops of whey | 0:15:03 | 0:15:08 | |
and beer and vegetables, I mean, that's a great thing. | 0:15:08 | 0:15:11 | |
That means their diet is going to have many more tastes in it than | 0:15:11 | 0:15:14 | |
the kind of mass-produced grain. | 0:15:14 | 0:15:17 | |
So, here we are. Here's some we made earlier. | 0:15:17 | 0:15:19 | |
That's a very simple dinner, isn't it? Two large bits of meat. | 0:15:19 | 0:15:22 | |
-I'm loving it! -Yeah. | 0:15:22 | 0:15:24 | |
I will cut some off here. | 0:15:24 | 0:15:27 | |
I'll give it a go straightaway. | 0:15:27 | 0:15:30 | |
Very good. Proper pork flavour, nothing I would say that is unusual. | 0:15:30 | 0:15:35 | |
You know, no taint of anything that came from the waste. | 0:15:35 | 0:15:39 | |
'It does of course depend exactly on what the pigs are eating, | 0:15:39 | 0:15:42 | |
'but waste-fed pork has passed the taste test in other countries.' | 0:15:42 | 0:15:46 | |
Japan, South Korea and some states in the USA | 0:15:46 | 0:15:49 | |
all endorse feeding swill to their pigs | 0:15:49 | 0:15:52 | |
as long as the waste is boiled and sterilised before being consumed. | 0:15:52 | 0:15:56 | |
So, feeding swill to pigs might cut food waste, reduce the cost | 0:15:56 | 0:16:02 | |
of rearing pigs in the first place and help struggling pig farmers. | 0:16:02 | 0:16:06 | |
And, on top of all that, | 0:16:06 | 0:16:07 | |
I can tell you that the waste-fed pork tastes pretty good. | 0:16:07 | 0:16:11 | |
But as I will be finding out later, | 0:16:11 | 0:16:14 | |
not everyone thinks the Pig Idea is a great idea. | 0:16:14 | 0:16:18 | |
At first glance, | 0:16:24 | 0:16:26 | |
a winter woodland might not appear to be a hive of activity. | 0:16:26 | 0:16:29 | |
But delve a little deeper | 0:16:29 | 0:16:31 | |
and you will be amazed at what secrets lie waiting to be discovered. | 0:16:31 | 0:16:36 | |
This is the Wyre Forest, 6,000 acres or 2,500 hectares | 0:16:36 | 0:16:40 | |
of stunning ancient woodland. | 0:16:40 | 0:16:43 | |
I've been invited to join the forest study group, | 0:16:43 | 0:16:46 | |
a dedicated team of super-sleuth wildlife detectives | 0:16:46 | 0:16:50 | |
investigating the mysteries of the natural world. | 0:16:50 | 0:16:53 | |
And I've come prepared. | 0:16:53 | 0:16:55 | |
Harry Green has spent the last 20 years | 0:16:59 | 0:17:01 | |
crawling around on his hands and knees in the fallen | 0:17:01 | 0:17:04 | |
leaves of West Worcestershire to search for teeny, tiny creatures. | 0:17:04 | 0:17:08 | |
Right, Harry, what exactly are we looking for? | 0:17:10 | 0:17:13 | |
Well, we're looking amongst the leaf litter here for tiny little | 0:17:13 | 0:17:17 | |
things called land caddis. | 0:17:17 | 0:17:19 | |
They're curious little insects | 0:17:19 | 0:17:21 | |
and the larvae live in small cases only a few millimetres long. | 0:17:21 | 0:17:25 | |
You've got these little slightly curved cases made up | 0:17:25 | 0:17:28 | |
of grains of soil and bits of leaf litter. | 0:17:28 | 0:17:31 | |
Caddis flies are normally found on the water. | 0:17:31 | 0:17:33 | |
Why are these here on the land? | 0:17:33 | 0:17:36 | |
Well, it's a difficult question to answer. | 0:17:36 | 0:17:38 | |
We've got about 200-odd species of caddis in this country | 0:17:38 | 0:17:42 | |
and there's only one species here which lives on land. | 0:17:42 | 0:17:45 | |
And they live amongst litter. It has to be fairly moist. | 0:17:45 | 0:17:49 | |
-Do you find land caddis all over the country? -No, you don't. | 0:17:49 | 0:17:53 | |
When we first started looking for these, they were found in Wyre | 0:17:53 | 0:17:56 | |
and round about, going down to the city of Worcester in that area. | 0:17:56 | 0:17:59 | |
They have not been found anywhere else in the country. | 0:17:59 | 0:18:02 | |
I came prepared because they are very small. | 0:18:02 | 0:18:04 | |
-You don't seem impressed by this piece of kit! -Well, I thought | 0:18:04 | 0:18:07 | |
I ought to have brought my deerstalker hat to go with that! | 0:18:07 | 0:18:09 | |
Right. I need... Actually, I don't even need that. Is this one? | 0:18:09 | 0:18:13 | |
Aren't you a clever girl? | 0:18:16 | 0:18:17 | |
Yes, first leaf you've turned over and there's an old land caddis case. | 0:18:17 | 0:18:20 | |
Right, I'm going to keep going. | 0:18:20 | 0:18:23 | |
Another wee beastie bedding down under the trees is the slightly | 0:18:25 | 0:18:29 | |
easier to spot lemon slug. | 0:18:29 | 0:18:31 | |
Its vivid yellow colour makes it a fascinating creature to discover. | 0:18:31 | 0:18:35 | |
It's not just the creepy crawlies that are getting special attention. | 0:18:36 | 0:18:40 | |
The secrets of the trees themselves are being | 0:18:40 | 0:18:42 | |
investigated and getting the full forensic treatment. | 0:18:42 | 0:18:45 | |
Clocking up 20 years in the study group, Mike Averill. | 0:18:49 | 0:18:52 | |
He likes to spend his summers surveying dragonflies, | 0:18:52 | 0:18:55 | |
but on this wintry day, he is here to measure the impressive Catshill | 0:18:55 | 0:18:59 | |
sweet chestnut tree. | 0:18:59 | 0:19:01 | |
-Mike, what a stunning tree. -Hello, yes. It's a fabulous tree. | 0:19:02 | 0:19:07 | |
It's probably about 450 years old, we think. | 0:19:07 | 0:19:10 | |
And what do you learn by measuring it? | 0:19:10 | 0:19:13 | |
Well, it tells us how much the tree has progressed over the years, | 0:19:13 | 0:19:16 | |
whether it is decaying, where the branches are dropping off. | 0:19:16 | 0:19:20 | |
It's like a health check. An MOT, if you like. | 0:19:20 | 0:19:22 | |
We measure it at regular intervals every ten years or so | 0:19:22 | 0:19:25 | |
-and we measure it at this set height. -Right, well, let me help. | 0:19:25 | 0:19:30 | |
If ever a tree were going to be in Harry Potter, this is it. | 0:19:30 | 0:19:33 | |
We know the last time we measured it officially it was 9.6. | 0:19:35 | 0:19:39 | |
I think we're going to be something like 9.7. | 0:19:39 | 0:19:42 | |
It's a slow-grower. | 0:19:43 | 0:19:45 | |
This tree has expanded ten centimetres in ten years. | 0:19:45 | 0:19:49 | |
Sometimes trees can actually reduce in their diameter, | 0:19:49 | 0:19:53 | |
because they decay and bits drop off. | 0:19:53 | 0:19:55 | |
So that's probably about right for a tree of this age. | 0:19:55 | 0:19:59 | |
-Can anybody measure and register a tree? -Absolutely. | 0:19:59 | 0:20:03 | |
If anybody thinks they have found an ancient tree or a sizeable tree, | 0:20:03 | 0:20:07 | |
all they need to do is take a photograph, get a measurement | 0:20:07 | 0:20:11 | |
of the girth, and send it into their local biological record centre. | 0:20:11 | 0:20:16 | |
Some of our major detectives | 0:20:18 | 0:20:20 | |
are always on the trail of another mystery. | 0:20:20 | 0:20:22 | |
Former teacher Rosemary Winnall is dedicated to recording | 0:20:22 | 0:20:26 | |
the Wyre Forest's wildlife wonders. | 0:20:26 | 0:20:29 | |
But keeping a close watch on her own garden | 0:20:29 | 0:20:31 | |
led to a remarkable fungi find. | 0:20:31 | 0:20:34 | |
Well, I first saw it in the year 2000 | 0:20:34 | 0:20:37 | |
and I didn't recognise it as a species I knew. | 0:20:37 | 0:20:40 | |
So I sent some specimens off to the mycological research lab in | 0:20:40 | 0:20:45 | |
Kew Gardens, and the experts wrote back and told me it was a waxcap. | 0:20:45 | 0:20:50 | |
They said they thought it was a relation of the parrot waxcap, | 0:20:50 | 0:20:54 | |
but it was only last year when Martyn Ainsworth did his DNA | 0:20:54 | 0:20:59 | |
project into waxcaps and earth tongues | 0:20:59 | 0:21:02 | |
that he recognised that it was completely new to science. | 0:21:02 | 0:21:05 | |
-Isn't that good? -Completely new? -Yes, new species. | 0:21:05 | 0:21:08 | |
-How long ago was this? -Well, it's been up now for two weeks. | 0:21:08 | 0:21:13 | |
I took that photograph a week ago | 0:21:13 | 0:21:15 | |
and we have had some frosty nights, and look, look what's happened. | 0:21:15 | 0:21:19 | |
-I think it's over its best, don't you? -In two weeks? -Yes. | 0:21:19 | 0:21:22 | |
So what is this called? | 0:21:22 | 0:21:24 | |
This has been named Gliophorus reginii. | 0:21:24 | 0:21:27 | |
-Gliophorus reginii? -Yes. -And can you eat them? | 0:21:27 | 0:21:32 | |
No, I don't think so. | 0:21:32 | 0:21:33 | |
I know you will never forgive me | 0:21:33 | 0:21:35 | |
if I don't say this is what it looks like at its best. | 0:21:35 | 0:21:39 | |
This place is a real treasure chest, isn't it? | 0:21:46 | 0:21:48 | |
What else have you found around here? | 0:21:48 | 0:21:51 | |
Well, you won't believe this, but one day last summer, | 0:21:51 | 0:21:54 | |
I spotted a water shrew just in that little pond just there. | 0:21:54 | 0:21:58 | |
So you've been here 15 years. | 0:21:58 | 0:21:59 | |
How many times have you seen a water shrew? | 0:21:59 | 0:22:01 | |
Once. Last year, just there. | 0:22:01 | 0:22:03 | |
It's amazing you managed to get a photograph. | 0:22:03 | 0:22:06 | |
I got the photograph to prove it. | 0:22:06 | 0:22:08 | |
You can tell a water shrew by looking at the colouration. | 0:22:08 | 0:22:11 | |
The division between the black upper fur | 0:22:11 | 0:22:14 | |
and the white belly fur is very distinctive. | 0:22:14 | 0:22:17 | |
I've got a remote camera there | 0:22:17 | 0:22:18 | |
which, wonderfully, has a close-up lens attachment. | 0:22:18 | 0:22:21 | |
So it means now that I can film small mammals. | 0:22:21 | 0:22:25 | |
Obviously, I am hoping for a water shrew. | 0:22:25 | 0:22:27 | |
Whether one will come back here again, I don't know. | 0:22:27 | 0:22:30 | |
But in the meantime, | 0:22:30 | 0:22:31 | |
I'm getting some lovely pictures of common shrew and pygmy shrew. | 0:22:31 | 0:22:34 | |
-That's good. -Your own reality TV series going on right down here. -Yes! | 0:22:34 | 0:22:38 | |
Cameras catching anything going on. | 0:22:38 | 0:22:40 | |
It's a little mini world down there with all sorts of surprises. | 0:22:40 | 0:22:44 | |
And this is the latest from Rosemary's hidden camera, | 0:22:45 | 0:22:49 | |
a wood mouse. | 0:22:49 | 0:22:50 | |
Fellow shrews and a wren have all taken the bait here. | 0:22:50 | 0:22:54 | |
Far from being a quiet season, it's worth looking carefully | 0:22:54 | 0:22:58 | |
when you're out and about this winter. | 0:22:58 | 0:23:00 | |
Who knows what other mysteries are out there? | 0:23:00 | 0:23:03 | |
I'm at Witley Court, | 0:23:12 | 0:23:14 | |
an architectural gem built on the riches of the Industrial Revolution. | 0:23:14 | 0:23:18 | |
Country home to the Earls of Dudley, who were famous for their parties. | 0:23:18 | 0:23:22 | |
Before a devastating fire stripped it of its riches, | 0:23:22 | 0:23:25 | |
this place oozed wealth and luxury. | 0:23:25 | 0:23:27 | |
Not only was it famed for its lavish parties | 0:23:27 | 0:23:31 | |
but also for its extravagant gardens, | 0:23:31 | 0:23:33 | |
created by leading landscape designer William Nesfield. | 0:23:33 | 0:23:37 | |
The star being its huge Perseus and Andromeda fountain. | 0:23:38 | 0:23:41 | |
The great and good would gather on the steps overlooking | 0:23:45 | 0:23:48 | |
the garden to see the spectacle. | 0:23:48 | 0:23:50 | |
The main jet is said to have reached a height of 36 metres, | 0:23:52 | 0:23:57 | |
making the noise of an express train when in full flow. | 0:23:57 | 0:24:00 | |
Whilst the fountain remains majestic, sadly, | 0:24:02 | 0:24:05 | |
the same can't be said for the house. | 0:24:05 | 0:24:07 | |
So the disastrous fire of 1937 may well have robbed England | 0:24:09 | 0:24:14 | |
of one of its finest stately homes, but there is a lot more | 0:24:14 | 0:24:18 | |
to this gigantic skeleton than these bare bones that you see before you. | 0:24:18 | 0:24:22 | |
I'm going beneath its bones with tour guide Ann Baynton | 0:24:29 | 0:24:32 | |
to see a side of Witley Court the public doesn't often see. | 0:24:32 | 0:24:36 | |
You get a very different sense, don't you, | 0:24:38 | 0:24:40 | |
-when you're this side of that brick wall. -Yeah. | 0:24:40 | 0:24:42 | |
And this is where there really would be a hive of activity all the time. | 0:24:42 | 0:24:48 | |
Just along to the right here, we have the butler's room. | 0:24:53 | 0:24:56 | |
And of course the butler's room was here | 0:24:56 | 0:24:59 | |
because immediately opposite, we have the wine cellar. | 0:24:59 | 0:25:02 | |
We've got the lovely wine bays here. | 0:25:02 | 0:25:04 | |
With a capacity of around 6,500 bottles, | 0:25:05 | 0:25:09 | |
this lot really knew how to throw a bash. | 0:25:09 | 0:25:11 | |
When they had their grand parties here, it would have been a busy area. | 0:25:12 | 0:25:17 | |
It would have been the motorway, really, along here. | 0:25:17 | 0:25:19 | |
You can just imagine folk passing with things, and trays and stuff. | 0:25:19 | 0:25:22 | |
That's right. | 0:25:22 | 0:25:23 | |
From the kitchen, food would have been taken down to the food | 0:25:25 | 0:25:29 | |
holding room, and from there, taken to the dining room and the ballroom. | 0:25:29 | 0:25:34 | |
'The Earl of Dudley's wife, Lady Rachel, | 0:25:38 | 0:25:40 | |
'had her own sunken bathroom here in the east wing. | 0:25:40 | 0:25:44 | |
'And believe me, this is one heck of an en suite.' | 0:25:44 | 0:25:47 | |
-Oh, gosh, yeah! -You get a good idea, actually, of how... | 0:25:47 | 0:25:50 | |
Oh, I'd be in now. Oh, I'd probably just... | 0:25:50 | 0:25:53 | |
Yeah, I'd probably just turn round and push off and do a backstroke. | 0:25:53 | 0:25:56 | |
Yeah, that's lovely, isn't it? | 0:25:56 | 0:25:59 | |
Oh, can you imagine the opulence of just kind of coming | 0:25:59 | 0:26:02 | |
down these marble stairs into this glorious hot bath with the fire on? | 0:26:02 | 0:26:07 | |
Yeah, absolutely. Money was no expense. | 0:26:07 | 0:26:10 | |
Ohh! "Bring us a bottle of wine, would you, from that store room." | 0:26:10 | 0:26:14 | |
Oh, yes! | 0:26:14 | 0:26:15 | |
'But it was down this corridor that fateful night in 1937 | 0:26:17 | 0:26:22 | |
'that Witley's days of grandeur went up in flames.' | 0:26:22 | 0:26:25 | |
The bakery is where the fire started. It really caught hold | 0:26:27 | 0:26:31 | |
because there weren't many people on site at the time in the building. | 0:26:31 | 0:26:36 | |
-So nobody knew it was going on, then? -No. | 0:26:36 | 0:26:38 | |
The fire ripped the heart from the house. | 0:26:41 | 0:26:43 | |
The dining room, once adorned with the latest Louis XV styling, | 0:26:45 | 0:26:49 | |
home to so many elaborate meals, was reduced to tatters. | 0:26:49 | 0:26:52 | |
The magnificent ballroom, where many tripped the light fantastic, | 0:26:53 | 0:26:57 | |
is now a shell. | 0:26:57 | 0:26:58 | |
And the endless entrance hall that once welcomed, | 0:27:00 | 0:27:03 | |
a hollow reminder of the days of privilege. | 0:27:03 | 0:27:06 | |
During the 1950s and '60s, | 0:27:08 | 0:27:10 | |
the whole estate was threatened with demolition several times | 0:27:10 | 0:27:14 | |
amid plans of turning this place into a housing estate, | 0:27:14 | 0:27:17 | |
a caravan park and, believe it or not, a Grand Prix circuit. | 0:27:17 | 0:27:23 | |
But it survived all of that, | 0:27:23 | 0:27:25 | |
and the grounds have now been designated as an ancient monument. | 0:27:25 | 0:27:30 | |
Hopefully, this historic show-stopping ruin | 0:27:30 | 0:27:32 | |
and its bare walls evocative of a life of privilege | 0:27:32 | 0:27:36 | |
will stand for many years to come. | 0:27:36 | 0:27:38 | |
Earlier, we heard about a new campaign to bring pigswill back | 0:27:46 | 0:27:50 | |
into the farmyard, but it is not without controversy. Here's Tom. | 0:27:50 | 0:27:54 | |
Pigs aren't picky when it comes to food, and now a determined | 0:27:57 | 0:28:01 | |
group of chefs, celebrities and campaigners want to feed them | 0:28:01 | 0:28:05 | |
with the millions of tonnes of food waste that we create every year. | 0:28:05 | 0:28:08 | |
They call it the Pig Idea. | 0:28:08 | 0:28:10 | |
CHEERING | 0:28:10 | 0:28:12 | |
They say it's simple - bring back pigswill, | 0:28:12 | 0:28:16 | |
food waste which includes catering waste like this bread here. | 0:28:16 | 0:28:20 | |
It's hoped that would do two things - bring down the cost | 0:28:20 | 0:28:24 | |
of feeding pigs and also help deal with our food waste problem. | 0:28:24 | 0:28:29 | |
It sounds like a good fit, but although some big producers | 0:28:29 | 0:28:33 | |
support it, most of the big boys in the farming industry don't. | 0:28:33 | 0:28:38 | |
OK, so what's happening with these guys now? | 0:28:38 | 0:28:40 | |
We're going to give them some of their jabs, same as children | 0:28:40 | 0:28:43 | |
have before they go to school to protect them from the outside world. | 0:28:43 | 0:28:46 | |
'John Rigby is a large scale pork producer. | 0:28:46 | 0:28:49 | |
'His Red Tractor-approved business was built up by his grandfather, | 0:28:49 | 0:28:53 | |
'and in the past, they collected and fed pigswill to their herd. | 0:28:53 | 0:28:57 | |
'Today, it's a different story.' | 0:28:57 | 0:29:00 | |
So, John, what do you think of the idea of returning to feeding swill? | 0:29:00 | 0:29:04 | |
I am rather anti returning to swill for quite a lot of reasons. | 0:29:04 | 0:29:09 | |
I think the issues over the feeding of meat... | 0:29:09 | 0:29:13 | |
PIG SQUEALS ..and the recycling of meat | 0:29:13 | 0:29:17 | |
within the animal feed industry | 0:29:17 | 0:29:21 | |
came to a head with foot-and-mouth. | 0:29:21 | 0:29:24 | |
It could happen again, and I am slightly worried that even | 0:29:24 | 0:29:28 | |
visiting the subject again encourages part-time pig keepers, | 0:29:28 | 0:29:34 | |
the cottage industry, to see it as a way of saving cost | 0:29:34 | 0:29:39 | |
and recycling within their own domestic... | 0:29:39 | 0:29:42 | |
Really? So you see real danger in this whole Pig Idea business? | 0:29:42 | 0:29:44 | |
I see danger in the Pig Idea even discussing it. | 0:29:44 | 0:29:47 | |
Where is the traceability here? | 0:29:47 | 0:29:49 | |
We don't know the origins of this product and, as such, | 0:29:49 | 0:29:52 | |
I would be really, really unhappy feeding it to the pigs | 0:29:52 | 0:29:55 | |
because I don't know the origins of the food now. | 0:29:55 | 0:29:58 | |
I'd be really unhappy because the public wouldn't... | 0:29:58 | 0:30:00 | |
I couldn't sell the pigs | 0:30:00 | 0:30:02 | |
when I had finished producing the pigs feeding swill. | 0:30:02 | 0:30:04 | |
I would be really unhappy because the UK pig industry would be ostracised | 0:30:04 | 0:30:08 | |
and the price of British pigs would drop. | 0:30:08 | 0:30:10 | |
It's not just disease that worries John. | 0:30:10 | 0:30:13 | |
He's concerned about the impact on flavour, too, and seriously | 0:30:13 | 0:30:17 | |
doubts that swill would be cheaper than other processed feed. | 0:30:17 | 0:30:21 | |
His view is shared by many of those who run large pig farms | 0:30:21 | 0:30:25 | |
and is also supported by the National Pig Association, | 0:30:25 | 0:30:28 | |
who even go as far as to describe the practice of feeding swill | 0:30:28 | 0:30:33 | |
to pigs as "cannibalistic". | 0:30:33 | 0:30:36 | |
'Richard Longthorp is the chairman of the National Pig Association, | 0:30:36 | 0:30:40 | |
'which represents more than 700 pig producers around the UK.' | 0:30:40 | 0:30:45 | |
That's quite a generous bowl of breakfast cereal there, isn't it? | 0:30:45 | 0:30:48 | |
Yeah, I'm not too sure I'd want to eat it! | 0:30:48 | 0:30:50 | |
'I'm meeting him at a feed process plant just outside | 0:30:50 | 0:30:53 | |
'Liverpool to find out what he thinks about the Pig Idea.' | 0:30:53 | 0:30:57 | |
Feeding animals to other animals, cannibalism, if you want to call it | 0:30:57 | 0:31:00 | |
that, clearly there are consumer perceptions | 0:31:00 | 0:31:04 | |
and understandable consumer perceptions around doing that. | 0:31:04 | 0:31:07 | |
Currently, it doesn't take place, and I don't see consumers being | 0:31:07 | 0:31:11 | |
ready to jump on a bandwagon of seeing a return to that. | 0:31:11 | 0:31:14 | |
The major risk, of course, is the potential for exotic disease. | 0:31:14 | 0:31:18 | |
Things like foot-and-mouth, | 0:31:18 | 0:31:19 | |
classical swine fever, African swine fever, | 0:31:19 | 0:31:21 | |
coming across in infected meat from the continent, from other | 0:31:21 | 0:31:25 | |
places in the world, and being fed back to pigs or other animals. | 0:31:25 | 0:31:29 | |
But would it not make feed potentially cheaper | 0:31:29 | 0:31:32 | |
for pig producers, who you should be representing? | 0:31:32 | 0:31:34 | |
Well, of course, any centrally and highly regulated swill | 0:31:34 | 0:31:38 | |
feeding programme and process would bring with it additional cost. | 0:31:38 | 0:31:43 | |
Even if it was cheaper, the risk associated with feeding | 0:31:43 | 0:31:47 | |
pigswill, in my opinion and that of others, the HVLA, government, | 0:31:47 | 0:31:52 | |
the view is that risk is too great to take. | 0:31:52 | 0:31:55 | |
The Pig Idea says the risks from risks from swill are unproven | 0:31:57 | 0:32:00 | |
and overinflated. | 0:32:00 | 0:32:01 | |
But with most of the industry so firmly against its return, | 0:32:01 | 0:32:05 | |
is the campaign simply a "pig" waste of time? | 0:32:05 | 0:32:08 | |
Well, not necessarily, | 0:32:10 | 0:32:12 | |
as there is one important area where the industry | 0:32:12 | 0:32:15 | |
and campaigners do see eye-to-eye - the use of more legal food waste. | 0:32:15 | 0:32:21 | |
It is already happening at this factory. | 0:32:21 | 0:32:23 | |
In fact, all the material in here, 500 tonnes of it, was originally | 0:32:23 | 0:32:28 | |
destined for human consumption and is now going to make animal feed. | 0:32:28 | 0:32:32 | |
And what is being thrown away is a real eye-opener. | 0:32:34 | 0:32:37 | |
You've got mountains of breakfast cereal. | 0:32:37 | 0:32:40 | |
Cascades of crackers. | 0:32:43 | 0:32:45 | |
And even chocolate bars. | 0:32:46 | 0:32:48 | |
They all get mixed together in a recipe to make a desirable | 0:32:48 | 0:32:52 | |
dish for pigs. | 0:32:52 | 0:32:53 | |
There are about are million tonnes of legal waste like this | 0:32:55 | 0:32:59 | |
we could use to feed livestock in the UK every year. | 0:32:59 | 0:33:02 | |
Not just dry stuff, but dairy products, fruit and vegetables, too. | 0:33:02 | 0:33:07 | |
But we're still not using its full potential, | 0:33:07 | 0:33:10 | |
so is this what we should be focusing on? | 0:33:10 | 0:33:13 | |
A return to feeding swill seems like a step too far | 0:33:14 | 0:33:17 | |
for the bulk of the industry. | 0:33:17 | 0:33:19 | |
They are so worried about the safety and consistency of their product. | 0:33:19 | 0:33:24 | |
But even if this part of the Pig Idea fails, | 0:33:24 | 0:33:27 | |
the campaign has at least helped highlight the huge amount | 0:33:27 | 0:33:31 | |
of legal food waste that these hungry hogs could be eating now. | 0:33:31 | 0:33:36 | |
HELEN: We've seen this week | 0:33:42 | 0:33:43 | |
how flooding is really bad news for farming. | 0:33:43 | 0:33:45 | |
In the Cotswolds, Adam is finding out how geology | 0:33:45 | 0:33:48 | |
is at the bottom of it all. | 0:33:48 | 0:33:50 | |
Around 200 million years ago, | 0:33:58 | 0:34:00 | |
the scene here would have been very different. | 0:34:00 | 0:34:03 | |
It was the Jurassic period, like Jurassic Park, | 0:34:03 | 0:34:05 | |
with all the dinosaurs. | 0:34:05 | 0:34:07 | |
And it's thought the area would have had a shallow, | 0:34:07 | 0:34:09 | |
warm sea across it, a bit like the Bahamas. | 0:34:09 | 0:34:12 | |
And it's hard to imagine on a sort of classic Cotswold day | 0:34:12 | 0:34:15 | |
like today, but if you look down, the clue is in the stone. | 0:34:15 | 0:34:19 | |
And I quite often pick up fossilised echinoids. | 0:34:19 | 0:34:23 | |
There's a little one and a big one there. | 0:34:23 | 0:34:26 | |
They are basically fossilised starfish, | 0:34:26 | 0:34:28 | |
and you can see the legs of the starfish there. | 0:34:28 | 0:34:33 | |
And then, also, little bivalves as well, | 0:34:33 | 0:34:36 | |
that shows that it was shellfish which are fossilised. | 0:34:36 | 0:34:40 | |
You can quite clearly see the shell on that one. | 0:34:40 | 0:34:44 | |
And, really, when it comes to farming, | 0:34:44 | 0:34:46 | |
geology is very important, because it is a clue to the soil | 0:34:46 | 0:34:50 | |
and how you can farm and what you can farm on it. | 0:34:50 | 0:34:52 | |
Such stony ground sometimes presents problems, but after the wet weather | 0:34:59 | 0:35:04 | |
of the past few months, that Cotswold stone has been a blessing. | 0:35:04 | 0:35:07 | |
Where this bank has been cut away, you can | 0:35:09 | 0:35:12 | |
get a clear profile of what the land is like here. | 0:35:12 | 0:35:15 | |
We're about 300m above sea level. | 0:35:15 | 0:35:17 | |
With very little topsoil, it's quite thin on the surface | 0:35:17 | 0:35:20 | |
and then it quickly goes down into this shaley stone and rock, | 0:35:20 | 0:35:23 | |
right down to bedrock. | 0:35:23 | 0:35:25 | |
So, in the summer months, we are bit prone to drought and this land | 0:35:25 | 0:35:28 | |
dries out quickly, but in the winter, particularly like it is now, | 0:35:28 | 0:35:32 | |
when we're getting lots of rain, it's very free draining, | 0:35:32 | 0:35:35 | |
so if I get this bucket of water and pour it on, what happens is, | 0:35:35 | 0:35:39 | |
the water just percolates all the way through these stones. | 0:35:39 | 0:35:43 | |
And it'll run right down to the bedrock. | 0:35:43 | 0:35:46 | |
And if I pour it on there, it's just like pouring it down the drain. | 0:35:46 | 0:35:49 | |
It just disappears. And so we have got some wet patches on the farm. | 0:35:49 | 0:35:54 | |
A few puddles lying around. | 0:35:54 | 0:35:55 | |
But nothing in comparison to some farmers. | 0:35:55 | 0:35:58 | |
This winter has been a wash-out of epic portions. | 0:36:07 | 0:36:10 | |
-NEWS REPORT: -Heavy rain and floods have been swamping part of the UK | 0:36:13 | 0:36:16 | |
-since before Christmas. -Whole communities are shut off. | 0:36:16 | 0:36:18 | |
More than 100 flood warnings remain in place as forecasters | 0:36:18 | 0:36:21 | |
predict more heavy rain today. | 0:36:21 | 0:36:22 | |
Floods, they're destructive, expensive | 0:36:22 | 0:36:25 | |
and it seems increasingly frequent. | 0:36:25 | 0:36:29 | |
Just about every part of the UK has been affected. | 0:36:29 | 0:36:32 | |
But I'm heading to the Somerset Levels and moors, | 0:36:36 | 0:36:38 | |
where they've had the biggest flood on record. | 0:36:38 | 0:36:42 | |
It's estimated that the area has been swamped by 65 million cubic | 0:36:42 | 0:36:46 | |
metres of water. That's 26,000 Olympic swimming pools. | 0:36:46 | 0:36:52 | |
In a county with agriculture at its heart, this is devastating. | 0:36:52 | 0:36:56 | |
As one farmer knows all too well. | 0:36:56 | 0:36:58 | |
-James, hi. -Hi, Adam. -Amazing view from here. Where's your farm? | 0:37:02 | 0:37:06 | |
Yeah, just over there, you can see the buildings | 0:37:06 | 0:37:08 | |
and the high trees, basically, everything you see underwater. | 0:37:08 | 0:37:12 | |
James Winslade's family have farmed here for 150 years. | 0:37:12 | 0:37:16 | |
He has 600 cattle and arable crops on rotation. | 0:37:16 | 0:37:19 | |
-We farm 840 acres and we've got 790 underwater. -No! | 0:37:21 | 0:37:27 | |
-So, 95% of the farm. -Goodness me. Standing here, it's amazing. | 0:37:27 | 0:37:31 | |
I've never seen anything like it. And the flooding goes on for miles. | 0:37:31 | 0:37:35 | |
Yes, there's 31,000 acres under water at the moment, which is | 0:37:35 | 0:37:39 | |
2.8% of Somerset is underwater. | 0:37:39 | 0:37:42 | |
Which doesn't sound a lot, but it actually is a fair amount. | 0:37:42 | 0:37:46 | |
-It sounds a lot to me. -Yeah. | 0:37:46 | 0:37:47 | |
My goodness me. Where has all the water come from? | 0:37:47 | 0:37:50 | |
-How does it happen? -The River Tone comes in which meets | 0:37:50 | 0:37:52 | |
the River Parrett. And it's like a funnel. | 0:37:52 | 0:37:54 | |
You get the water coming from both rivers, | 0:37:54 | 0:37:57 | |
but it just can't get away, so it backs up and it spills out over. | 0:37:57 | 0:38:00 | |
And that's the main problem. The river is higher than the land. | 0:38:00 | 0:38:04 | |
So, every drop of water on nearly all of the moors has to be pumped, | 0:38:04 | 0:38:08 | |
manually pumped, which costs an absolute fortune. | 0:38:08 | 0:38:12 | |
So shall we go down and see if we can get to your farm? | 0:38:12 | 0:38:14 | |
Yeah, yeah, we can give it a go. | 0:38:14 | 0:38:16 | |
Much of the Somerset Levels is a natural flood plain, | 0:38:19 | 0:38:21 | |
designed to fill with water and then quickly drain or be pumped away. | 0:38:21 | 0:38:26 | |
But this is extreme, and it's not the first time this rural | 0:38:26 | 0:38:30 | |
community has experienced flooding like this. | 0:38:30 | 0:38:32 | |
In the last two years, James's farm along with many others has been | 0:38:32 | 0:38:36 | |
underwater for months at a time. | 0:38:36 | 0:38:39 | |
Winter wheat turned to paddy fields, hundreds of cattle had to be moved. | 0:38:41 | 0:38:46 | |
It was described as a once in a century event. | 0:38:46 | 0:38:49 | |
Now, many farmers are reliving the nightmare. | 0:38:49 | 0:38:52 | |
Even accessing James's farm has become an epic journey. | 0:38:54 | 0:38:58 | |
On these flooded roads, you have to be quite careful, don't you? | 0:39:01 | 0:39:04 | |
Yeah, it's not too bad when you can see the edges of the road | 0:39:04 | 0:39:07 | |
and the verges there, but as we get deeper, | 0:39:07 | 0:39:10 | |
the verges tend to disappear. | 0:39:10 | 0:39:12 | |
And if you don't know the roads, you can soon end up in a ditch, | 0:39:12 | 0:39:16 | |
which, there's ditches either side, which are about six foot deep. | 0:39:16 | 0:39:20 | |
The Environment Agency has overall responsibility for drainage | 0:39:24 | 0:39:28 | |
and river maintenance. | 0:39:28 | 0:39:29 | |
Last year, they spent £45 million on clearing rivers around the UK. | 0:39:29 | 0:39:34 | |
Many believe too little has been done in Somerset to prevent | 0:39:34 | 0:39:37 | |
the rivers from silting up. | 0:39:37 | 0:39:40 | |
The estimated cost of dredging rivers here is around £4 million. | 0:39:40 | 0:39:44 | |
And so far, the Environment Agency | 0:39:44 | 0:39:46 | |
and its partners have pledged just £1 million. | 0:39:46 | 0:39:49 | |
The Environment Minister Owen Paterson has promised | 0:39:49 | 0:39:52 | |
an action plan to provide a long-term solution. | 0:39:52 | 0:39:55 | |
But it can't come soon enough for James. | 0:39:55 | 0:39:58 | |
-So this is your land out here? -Yeah. -It's just like a lake. -Yeah. | 0:40:00 | 0:40:03 | |
-It must be so depressing. -Oh, it is. | 0:40:10 | 0:40:13 | |
You work hard all year round to keep your farm pristine. | 0:40:13 | 0:40:18 | |
I don't do much gardening, my farm is my garden, | 0:40:18 | 0:40:21 | |
I love being out on it. You're farming for the next generation. | 0:40:21 | 0:40:25 | |
At the end of the day, we're only custodians of the land, | 0:40:25 | 0:40:29 | |
and, you try and make it better. | 0:40:29 | 0:40:32 | |
But it's taken out of our hands all the time. | 0:40:32 | 0:40:35 | |
For farmers affected by the floods, the impact is both emotional | 0:40:35 | 0:40:39 | |
and financial. | 0:40:39 | 0:40:41 | |
James lost £160,000 last year, and he fears bigger losses this time round. | 0:40:41 | 0:40:46 | |
Against all the odds, James has to keep on farming. | 0:40:49 | 0:40:52 | |
There are 600 hungry mouths to feed. And the herd is growing by the day. | 0:40:52 | 0:40:57 | |
James, I've never seen anything like it. This is unbelievable. | 0:41:01 | 0:41:05 | |
Yeah, it's really quite depressing, really, isn't it? | 0:41:05 | 0:41:07 | |
-And there's a foot of water in this cattle shed. -Yeah, yeah. | 0:41:07 | 0:41:10 | |
We had to get them out last week, because it was coming up so fast. | 0:41:10 | 0:41:14 | |
I was hoping that we would move them into the sheds over there, | 0:41:14 | 0:41:18 | |
but we managed to get the straw out. | 0:41:18 | 0:41:20 | |
There was 500 bales of straw in there we managed to get out before | 0:41:20 | 0:41:24 | |
they got wet. But you can see, we're getting deeper. | 0:41:24 | 0:41:28 | |
-Nearly over my wellies now. -Yeah. I know. | 0:41:28 | 0:41:30 | |
All this silage sitting in the water can't be good for it. | 0:41:30 | 0:41:33 | |
No, no, the trouble is, as you know, if we puncture it, | 0:41:33 | 0:41:36 | |
and we're not using it quick enough, it will rot anyway. | 0:41:36 | 0:41:39 | |
How long can the crops and the grass survive underneath the water? | 0:41:39 | 0:41:43 | |
About 21 days, which actually, it's 21 days today. | 0:41:43 | 0:41:47 | |
So, from now on, everything will start degrading | 0:41:47 | 0:41:50 | |
and you'll get a worse smell, really. Everything rotting down. | 0:41:50 | 0:41:54 | |
It's pretty smelly, isn't it? | 0:41:54 | 0:41:56 | |
Yeah, it absolutely stinks, to be honest. | 0:41:56 | 0:41:58 | |
We've had a sewage farm flood onto the moor, | 0:41:58 | 0:42:00 | |
all of the septic tanks have flooded in the village. | 0:42:00 | 0:42:03 | |
Our septic tank has flooded. | 0:42:03 | 0:42:04 | |
We've got dung heaps now in water that never flood normally, | 0:42:04 | 0:42:08 | |
and that's going out into it, so, yeah, not good. | 0:42:08 | 0:42:11 | |
Even as I was speaking to James, the water was rising, | 0:42:11 | 0:42:15 | |
dangerously close to the cattle sheds. | 0:42:15 | 0:42:18 | |
But work on the farm can't be put on hold, | 0:42:18 | 0:42:21 | |
no matter what the elements throw at you. | 0:42:21 | 0:42:23 | |
James still has to feet and bed the cattle. | 0:42:23 | 0:42:25 | |
Shall I cut the plastic, and you pull it off? | 0:42:28 | 0:42:31 | |
Luckily, he has his son to lend a hand. | 0:42:31 | 0:42:34 | |
George is only nine years old | 0:42:34 | 0:42:35 | |
and is keen to become the fourth generation to farm here. | 0:42:35 | 0:42:39 | |
He's certainly learning how tough farming can be from an early age. | 0:42:39 | 0:42:43 | |
So, James is bringing the straw in now to bed these cattle down. | 0:42:46 | 0:42:50 | |
It's a really clever machine that throws out the straw to | 0:42:50 | 0:42:53 | |
give them a nice, dry bed to lie on. | 0:42:53 | 0:42:55 | |
Well, this bed won't remain dry for long | 0:42:55 | 0:42:58 | |
if the water levels rise any higher. | 0:42:58 | 0:43:00 | |
That's that job done. | 0:43:02 | 0:43:04 | |
What's it like, sort of everyday farming with all of the floods | 0:43:07 | 0:43:10 | |
-the way they are? -Well, you know, it's always busy. | 0:43:10 | 0:43:13 | |
Winter time, you're feeding cattle, bedding up, scraping out, | 0:43:13 | 0:43:16 | |
doing general maintenance to machines, ready for the spring. | 0:43:16 | 0:43:20 | |
And when the sun comes out, hopefully it dries up. | 0:43:20 | 0:43:23 | |
-Let's hope all this water disappears. -Yes. Yes. Before too long. | 0:43:23 | 0:43:28 | |
Well, it's been great to met you. | 0:43:28 | 0:43:29 | |
-And you, thank you very much. -Don't get disillusioned. | 0:43:29 | 0:43:32 | |
-Best job in the world, farming. -Cheers. -All right, take care. | 0:43:32 | 0:43:35 | |
-Bye-bye. -Cheers. | 0:43:35 | 0:43:36 | |
Making a living from the land is a tricky business, | 0:43:45 | 0:43:47 | |
with so many variables. | 0:43:47 | 0:43:49 | |
And then there's the elements to contend with. | 0:43:49 | 0:43:52 | |
And as the debate goes on to what should have been done or | 0:43:52 | 0:43:55 | |
what could be done in the future to stop such devastating floods, | 0:43:55 | 0:43:59 | |
one thing is for sure - it takes a lot of determination, | 0:43:59 | 0:44:02 | |
a huge strength of character and a whole load of hope to keep | 0:44:02 | 0:44:06 | |
farming in such difficult conditions. And thankfully, | 0:44:06 | 0:44:09 | |
there are farmers like James doing exactly that. | 0:44:09 | 0:44:12 | |
Since I visited James's farm, | 0:44:14 | 0:44:16 | |
the floodwater has risen by a further ten inches. | 0:44:16 | 0:44:19 | |
And as a desperate measure, | 0:44:19 | 0:44:21 | |
he's now considering selling some of his cattle. | 0:44:21 | 0:44:24 | |
With more rain on the way, it will be some | 0:44:24 | 0:44:26 | |
time before things return to normal. | 0:44:26 | 0:44:29 | |
Dawn. | 0:44:37 | 0:44:38 | |
Despite being in the depths of winter, the gentle | 0:44:38 | 0:44:41 | |
transformation before the sun rises is a magical time to observe nature. | 0:44:41 | 0:44:46 | |
And that's why I'm out at first light, | 0:44:48 | 0:44:50 | |
because this is the avian rush hour. | 0:44:50 | 0:44:52 | |
This morning, I'm going to be helping ecologists who track | 0:44:52 | 0:44:55 | |
the birds that have decided to spend their winter break | 0:44:55 | 0:44:57 | |
here in the beautiful orchards of Worcestershire. | 0:44:57 | 0:45:00 | |
Turning up before dawn to monitor the visiting winter | 0:45:02 | 0:45:05 | |
birds are a group of volunteer bird ringers. | 0:45:05 | 0:45:09 | |
Today, they're looking for fieldfares and redwings. | 0:45:09 | 0:45:12 | |
Filling me in on the process is ornithologist Tim Dixon. | 0:45:12 | 0:45:16 | |
Under the nets, we've set up mini MP3 players with little | 0:45:16 | 0:45:21 | |
speakers and those are blasting out the social calls | 0:45:21 | 0:45:26 | |
and the advertising calls of the birds that we're trying to catch. | 0:45:26 | 0:45:29 | |
Mainly redwings this morning. | 0:45:29 | 0:45:31 | |
Theoretically, we intercept them in these nets where | 0:45:31 | 0:45:34 | |
they get caught in the soft nets and then we go along and take them out. | 0:45:34 | 0:45:38 | |
Well, I can't handle the bird, but I can help you weigh it and | 0:45:38 | 0:45:41 | |
-things like that, can I? -Yes. -Lead the way, Tim. -OK. | 0:45:41 | 0:45:44 | |
With a million birds ringed every year, the data collected | 0:45:46 | 0:45:49 | |
goes to the database for the British Trust for Ornithologists, | 0:45:49 | 0:45:53 | |
so winter migrants like these fieldfares can be tracked. | 0:45:53 | 0:45:57 | |
So how old you think that bird is? | 0:45:57 | 0:45:59 | |
This is an adult, | 0:45:59 | 0:46:00 | |
because there's no molt limit. All these feathers are uniform. | 0:46:00 | 0:46:04 | |
-All these feathers are the same age. -We're looking at these feathers here. | 0:46:04 | 0:46:07 | |
-They're the greater coverts. -You work out whether it's a male | 0:46:07 | 0:46:11 | |
or a female by the shape and size of the little black | 0:46:11 | 0:46:15 | |
streaks in the crown. | 0:46:15 | 0:46:16 | |
This has a wing of 148 millimetres. How's your mental maths? | 0:46:16 | 0:46:23 | |
-SHE LAUGHS -We weigh the bird and the bag. | 0:46:23 | 0:46:26 | |
Let me make sure that that's firmly on the bag. | 0:46:26 | 0:46:30 | |
So if this is an adult... | 0:46:30 | 0:46:32 | |
Stand up, hold it by the ring. That's it. | 0:46:32 | 0:46:34 | |
-Tell me how much it weighs. -133. | 0:46:34 | 0:46:37 | |
-Remember that, because now we've got to weigh the bag. -So it's 103. | 0:46:37 | 0:46:41 | |
103 grams, OK. | 0:46:41 | 0:46:43 | |
-Is that good? -Yeah, that's a good weight. -So now we let it go? -Yeah. | 0:46:43 | 0:46:46 | |
Let it go on its merry way. | 0:46:46 | 0:46:48 | |
Coming from the thrush family, fieldfares | 0:46:53 | 0:46:55 | |
are social birds in winter | 0:46:55 | 0:46:56 | |
and can be seen in the UK's countryside until spring. | 0:46:56 | 0:47:01 | |
Redwings are fellow thrushes | 0:47:01 | 0:47:03 | |
and you're most likely to spot them here in winter. | 0:47:03 | 0:47:05 | |
Their orangey-red colouration makes them distinctive. | 0:47:05 | 0:47:09 | |
It's a privilege to see these beautiful migrant birds up close. | 0:47:09 | 0:47:13 | |
You can understand why this orchard habitat is so appealing. | 0:47:15 | 0:47:18 | |
When the ground is frozen, taking worms off the menu, | 0:47:18 | 0:47:21 | |
these sugary fallen apples provide a bird banquet, | 0:47:21 | 0:47:25 | |
but the mistletoe berries are an acquired taste. | 0:47:25 | 0:47:28 | |
There are three birds that do eat mistletoe, | 0:47:30 | 0:47:32 | |
-the most common one is the mistle thrush. -Right. | 0:47:32 | 0:47:34 | |
Which is where its name comes from. | 0:47:34 | 0:47:36 | |
And there are thrush just like the fieldfares | 0:47:36 | 0:47:38 | |
and redwings we've seen, but they're not migrants, | 0:47:38 | 0:47:41 | |
so the mistle thrushes as we have are with us all year round, | 0:47:41 | 0:47:44 | |
so unlike the redwings, which may be flying 6,000km to | 0:47:44 | 0:47:49 | |
get here in the winter and 6,000km back again, | 0:47:49 | 0:47:53 | |
your average mistle thrush probably goes no more than | 0:47:53 | 0:47:56 | |
a kilometre from where it's born during the whole of its life. | 0:47:56 | 0:48:00 | |
So imagine if you are lucky enough to have an apple | 0:48:00 | 0:48:03 | |
tree in your garden, you probably encourage everyone to leave | 0:48:03 | 0:48:06 | |
the apples that are on the ground, don't clear them away. | 0:48:06 | 0:48:09 | |
Well, leave some of them for the wildlife, | 0:48:09 | 0:48:11 | |
take some for your tarte tatin and your apple pies, | 0:48:11 | 0:48:13 | |
but leave some of them for the wildlife, because | 0:48:13 | 0:48:15 | |
the wildlife needs it and you'll get enjoyment from watching them. | 0:48:15 | 0:48:19 | |
Making orchards more appealing to our winter birds | 0:48:22 | 0:48:25 | |
and animals is a crucial part of countryside conservation. | 0:48:25 | 0:48:28 | |
Especially in counties like this one and its neighbours Gloucestershire | 0:48:28 | 0:48:31 | |
and Herefordshire, all of which are famous for their orchards. | 0:48:31 | 0:48:36 | |
Will Edmonson's grandfather planted three orchards on the family farm, | 0:48:39 | 0:48:43 | |
but the trees stopped being commercially viable 30 years ago. | 0:48:43 | 0:48:47 | |
Thanks to some help from a council grant scheme, | 0:48:47 | 0:48:49 | |
Will's traditional orchard is getting a makeover. | 0:48:49 | 0:48:54 | |
What's the plan for this orchard then, Will? | 0:48:54 | 0:48:56 | |
Well, we're planting a range of different apple trees in here, | 0:48:56 | 0:48:59 | |
different varieties. | 0:48:59 | 0:49:01 | |
This one is a Blenheim Orange, which is an old-fashioned variety. | 0:49:01 | 0:49:06 | |
And we're gapping up amongst old trees that are here, | 0:49:06 | 0:49:09 | |
so, we're sort of re-establishing the shape of the orchard | 0:49:09 | 0:49:13 | |
in the old grid that it was years and years ago. | 0:49:13 | 0:49:16 | |
What made you want to replant this orchard then? | 0:49:16 | 0:49:19 | |
It's been something in the back of my mind for a few years, | 0:49:19 | 0:49:23 | |
because, you know, almost from a heritage point of view, | 0:49:23 | 0:49:27 | |
you realise it's going to be gone. | 0:49:27 | 0:49:28 | |
Another few years, each year goes by and you lose another tree, | 0:49:28 | 0:49:32 | |
and there's only a few left. | 0:49:32 | 0:49:34 | |
You get to a tipping point where suddenly, it's no longer an orchard. | 0:49:36 | 0:49:40 | |
-Good luck with those. I hope they fruit for you. -Thank you. | 0:49:50 | 0:49:53 | |
How long do you think it will be before you get apples? | 0:49:53 | 0:49:56 | |
Three or four years before we get a decent crop. | 0:49:56 | 0:49:58 | |
So it's not too long to wait. | 0:49:58 | 0:49:59 | |
It sounds a long time, but it's not too long. | 0:49:59 | 0:50:02 | |
But these apples clearly came from another orchard. | 0:50:02 | 0:50:04 | |
That's right, yeah. | 0:50:04 | 0:50:05 | |
They were picked earlier in the season, September, October time. | 0:50:05 | 0:50:09 | |
Over in Herefordshire, just for the other orchards are. | 0:50:09 | 0:50:13 | |
I love cooking apples, but I don't think | 0:50:13 | 0:50:14 | |
even I could get through all of those. If you are happy, I'm going | 0:50:14 | 0:50:17 | |
to take these and turn them into a local Worcestershire desert. | 0:50:17 | 0:50:20 | |
Thank you. | 0:50:20 | 0:50:22 | |
But first, what's the weather got in store for the coming week? | 0:50:22 | 0:50:26 | |
. | 0:52:49 | 0:52:56 | |
This week, we've been exploring wild and wonderful Worcestershire. | 0:53:07 | 0:53:10 | |
Matt's been behind-the-scenes | 0:53:10 | 0:53:12 | |
and the ruins of the once grand Witley Court, | 0:53:12 | 0:53:15 | |
while I've been getting hands-on in wintry orchards, | 0:53:15 | 0:53:18 | |
a stone's throw from the magnificent Malvern Hills. | 0:53:18 | 0:53:22 | |
I have my locally-grown apples and plenty of them, | 0:53:23 | 0:53:26 | |
but what am I going to do with all of these? | 0:53:26 | 0:53:29 | |
Well, this local school is so proud of its namesake pudding, it's | 0:53:29 | 0:53:32 | |
still on the menu after 40 years. | 0:53:32 | 0:53:35 | |
So, yeah, brace yourselves, I'm going to have a go at making it. | 0:53:35 | 0:53:39 | |
We're at Malvern College, | 0:53:41 | 0:53:42 | |
although you'd be forgiven for thinking it's Hogwarts. | 0:53:42 | 0:53:45 | |
It opened in 1865 and its claim to fame, CS Lewis, | 0:53:45 | 0:53:49 | |
author of the Chronicles of Narnia, was a student here. | 0:53:49 | 0:53:53 | |
Now, at the heart of every good school is the kitchen. | 0:53:53 | 0:53:56 | |
And brave cook Fran Browning is letting me | 0:53:56 | 0:53:58 | |
be her sous chef along with students Rupert and Hebe. | 0:53:58 | 0:54:02 | |
Malvern pudding is basically apple with a creme brulee on top. | 0:54:05 | 0:54:10 | |
The original recipe was with a white, sweet sauce, but now, | 0:54:10 | 0:54:14 | |
because tastes have changed, we do a creme brulee. | 0:54:14 | 0:54:17 | |
And in the houses that it is eaten, I think it's quite popular. | 0:54:17 | 0:54:21 | |
-So, where do we start? Presumably... -We start with washing the apples. | 0:54:21 | 0:54:24 | |
-Rupert. There you go. -Thank you. -And can you use any apples? | 0:54:24 | 0:54:30 | |
I personally always use a good cooking apple like a Bramley. | 0:54:30 | 0:54:34 | |
The Malvern recipe was most likely cooked up | 0:54:34 | 0:54:37 | |
around the mid-19th century, as a generic apple custard pudding. | 0:54:37 | 0:54:41 | |
It would be eaten as a cheap and hearty midweek desert | 0:54:41 | 0:54:45 | |
which could be spiced up to make it posher. | 0:54:45 | 0:54:47 | |
It was enjoyed in homes from Worcestershire to Somerset, | 0:54:47 | 0:54:50 | |
but here in Malvern College, a house master's wife, Betty McNiven, | 0:54:50 | 0:54:54 | |
introduced it to the menu. | 0:54:54 | 0:54:56 | |
SIZZLING | 0:54:56 | 0:54:59 | |
Oh, that's a good sound, isn't it? Let's start on the sauce. | 0:54:59 | 0:55:03 | |
How do we make this then? | 0:55:03 | 0:55:04 | |
Right, this is the amount of eggs that | 0:55:04 | 0:55:07 | |
you need for that size dish. OK? | 0:55:07 | 0:55:10 | |
-That's a lot of eggs, isn't it? -So get cracking. | 0:55:10 | 0:55:13 | |
-I'm going to do like you're doing it! Shall I? -I just... -Yeah, no. | 0:55:16 | 0:55:22 | |
-You don't cook, do you? -No, I'm not particularly talented, no. | 0:55:22 | 0:55:25 | |
Fran, how do you think your apprentices are getting on? | 0:55:25 | 0:55:28 | |
I think you're doing quite well, actually. | 0:55:28 | 0:55:30 | |
I'm not so sure about Rupert! THEY LAUGH | 0:55:30 | 0:55:32 | |
Well, I just had my own technique. But mine was working. | 0:55:32 | 0:55:36 | |
This is quite a traditional school, isn't it? | 0:55:36 | 0:55:38 | |
-And this is quite a traditional pudding. -Yeah. | 0:55:38 | 0:55:41 | |
I think it's quite nice. It makes the school a bit different, | 0:55:41 | 0:55:43 | |
having all these old traditions, otherwise, | 0:55:43 | 0:55:45 | |
they'd be so similar to everyone else. | 0:55:45 | 0:55:48 | |
Well, it looks good, it smells good, let's see what it tastes like. | 0:55:52 | 0:55:56 | |
So, how will my pudding compare? | 0:55:58 | 0:56:00 | |
There you go, Hebe, tuck in and let us know what you think. | 0:56:00 | 0:56:03 | |
Rupert, you could have had a bigger spoonful! | 0:56:03 | 0:56:06 | |
-Well, I didn't want to take everyone else's, so. -What do you make of it? | 0:56:06 | 0:56:10 | |
It was really tasty, yeah, really, really tasty. | 0:56:10 | 0:56:12 | |
-Generous eight out of ten. -Eight out of ten, Hebe? | 0:56:12 | 0:56:15 | |
-It's actually quite good. -You sound surprised. | 0:56:15 | 0:56:18 | |
Well, by our cooking skills, I am actually quite surprised. | 0:56:18 | 0:56:22 | |
Shhh! Sebastian, I know everybody in this school | 0:56:22 | 0:56:24 | |
loves chocolate brownies, | 0:56:24 | 0:56:25 | |
would you prefer this or chocolate brownies? | 0:56:25 | 0:56:27 | |
This was surprisingly good. | 0:56:27 | 0:56:29 | |
-I think I'd go for this over chocolate brownies. -Catherine? | 0:56:29 | 0:56:32 | |
Well, I love brownies, but I think this definitely. | 0:56:32 | 0:56:35 | |
You, down the end! You seem to be really enjoying that pudding! | 0:56:35 | 0:56:39 | |
-Hi. -You all right? -Oh, it's fantastic. | 0:56:39 | 0:56:42 | |
-Don't talk with your mouth full! -Can I have some more? | 0:56:42 | 0:56:44 | |
Yeah, course you can. There's a whole big bowl here. | 0:56:44 | 0:56:46 | |
-That's absolutely delicious, actually. -What do you think of it? | 0:56:46 | 0:56:49 | |
-It's light, airy, it has depth. -It's got texture. | 0:56:49 | 0:56:52 | |
-Well done, team. -You did a good job here. Honestly, you really did. | 0:56:52 | 0:56:55 | |
-A generous eight. I would say an 11. -Thank you for that. | 0:56:55 | 0:56:58 | |
Well, that's all we have time for this week. | 0:56:58 | 0:57:00 | |
Mmm. Quite a nice way to finish! Next week we're going to be | 0:57:00 | 0:57:03 | |
in the Lake District visiting some of those scenic spots that | 0:57:03 | 0:57:06 | |
you see in our opening credits. | 0:57:06 | 0:57:08 | |
The question is, who is that man swimming in the lake? | 0:57:08 | 0:57:10 | |
I'll be recreating the rock climbing scene with | 0:57:10 | 0:57:13 | |
some of the pioneers of the sport in the area, so | 0:57:13 | 0:57:15 | |
-that's all happening on next week's show. We'll see -you then. Mmm! | 0:57:15 | 0:57:18 | |
-Mmm! I'll keep this. -It IS good, isn't it?! | 0:57:18 | 0:57:21 |