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Yorkshire. | 0:00:26 | 0:00:28 | |
The Dales - endless rolling hills, | 0:00:28 | 0:00:31 | |
interrupted by stone upon stone | 0:00:31 | 0:00:33 | |
of handcrafted walls. | 0:00:33 | 0:00:35 | |
The moors - bleak, yet beautiful. | 0:00:35 | 0:00:38 | |
The coastline - simply stunning. | 0:00:38 | 0:00:41 | |
But how do you choose your favourite bits of such a vast county? | 0:00:43 | 0:00:47 | |
Well, the locals here have voted for their top 75 icons of Yorkshire | 0:00:47 | 0:00:52 | |
and I'm here to have a look at some of them... | 0:00:52 | 0:00:55 | |
..as is Ellie. | 0:00:56 | 0:00:57 | |
There's a vast array of things on the shortlist, | 0:00:59 | 0:01:02 | |
from people to places, from food to drink, | 0:01:02 | 0:01:06 | |
and from caps to cricket. | 0:01:06 | 0:01:08 | |
It would be impossible to cover it all in one programme, | 0:01:08 | 0:01:11 | |
but between us, we're going to do our best. | 0:01:11 | 0:01:13 | |
Adam's meeting the three finalists for this year's prestigious | 0:01:14 | 0:01:18 | |
Outstanding Farmer Of The Year Award... | 0:01:18 | 0:01:20 | |
This is Steven Jack. | 0:01:22 | 0:01:24 | |
He's a potato and carrot grower. | 0:01:24 | 0:01:25 | |
This is Luke Hasell. | 0:01:26 | 0:01:28 | |
He farms traditional British beef organically. | 0:01:28 | 0:01:30 | |
And this is Neil Darwent. He's a dairy farmer. | 0:01:32 | 0:01:34 | |
..and Tom's tried to answer a tricky question. | 0:01:37 | 0:01:40 | |
When May here was rescued, she had nearly starved to death. | 0:01:41 | 0:01:45 | |
You can still see | 0:01:45 | 0:01:46 | |
her bones poking through. | 0:01:46 | 0:01:48 | |
A few weeks ago on Countryfile, | 0:01:48 | 0:01:50 | |
Princess Anne suggested that | 0:01:50 | 0:01:52 | |
considering eating more horses | 0:01:52 | 0:01:54 | |
could help abandoned animals like May. | 0:01:54 | 0:01:58 | |
Could that really work? I'll be investigating. | 0:01:58 | 0:02:00 | |
Yorkshire, God's own country. | 0:02:11 | 0:02:16 | |
The largest county on our islands | 0:02:16 | 0:02:18 | |
boasts beauty in abundance. | 0:02:18 | 0:02:20 | |
Engulfing the North of England, | 0:02:24 | 0:02:26 | |
Yorkshire is home to the Dales, | 0:02:26 | 0:02:28 | |
the Moors, and a few familiar towns and cities along the way. | 0:02:28 | 0:02:32 | |
I find that the Yorkshire Dales have a very calming effect on me. | 0:02:32 | 0:02:36 | |
I find them very cosy. And when you look out here, | 0:02:36 | 0:02:39 | |
you do get the sense that these hills could tell 1,000 stories. | 0:02:39 | 0:02:42 | |
And speaking of stories, there's one publication | 0:02:44 | 0:02:47 | |
local to these parts that's very special indeed. | 0:02:47 | 0:02:51 | |
It tells the tales of the men and women who were born and bred | 0:02:51 | 0:02:54 | |
in this wonderful landscape. | 0:02:54 | 0:02:56 | |
This little pocket-sized magazine | 0:02:59 | 0:03:01 | |
is The Dalesman. | 0:03:01 | 0:03:02 | |
At 30,000 copies a month, | 0:03:02 | 0:03:04 | |
it's at the top of the pile | 0:03:04 | 0:03:06 | |
when it comes to regional magazines. | 0:03:06 | 0:03:08 | |
Now, this month is its 75th anniversary | 0:03:08 | 0:03:12 | |
and, to mark it, they're celebrating with 75 icons of Yorkshire. | 0:03:12 | 0:03:17 | |
Number 17... | 0:03:17 | 0:03:19 | |
the brass band. | 0:03:19 | 0:03:21 | |
MUSIC: "Symphony No.9" by Dvorak | 0:03:21 | 0:03:24 | |
Thank you! | 0:03:26 | 0:03:27 | |
I'll see you down the pub! | 0:03:27 | 0:03:29 | |
I'm going to see as many as possible, | 0:03:43 | 0:03:45 | |
and first on the list is number 33, | 0:03:45 | 0:03:48 | |
a man who's dedicated his life to documenting | 0:03:48 | 0:03:51 | |
the stories of the people who made Yorkshire what it is today. | 0:03:51 | 0:03:54 | |
Bill Mitchell was the second editor of The Dalesman | 0:03:54 | 0:03:57 | |
and was so for 20 years. | 0:03:57 | 0:03:59 | |
At 86, he's written more than 200 books | 0:03:59 | 0:04:03 | |
and still writes for The Dalesman to this day. | 0:04:03 | 0:04:07 | |
And this first edition came out of that front door. | 0:04:07 | 0:04:10 | |
It did, actually. Yes. There's a little desk where I sat. | 0:04:10 | 0:04:15 | |
-Just looking at the first edition here, JB Priestley! -Oh, gosh. Yes. | 0:04:15 | 0:04:20 | |
JB Priestley had a funny little car and so did I, actually. | 0:04:20 | 0:04:23 | |
That funny little car, I used to use for going out for Dalesman stories. | 0:04:23 | 0:04:27 | |
On one occasion, I was going down a dale and I looked down, | 0:04:27 | 0:04:30 | |
I could actually see the road passing underneath | 0:04:30 | 0:04:33 | |
and so I thought, "My gosh!" | 0:04:33 | 0:04:36 | |
-The floor was beginning to break up. -What, in your car? -In the car. | 0:04:36 | 0:04:40 | |
So I took it into a little garage and he said, "Come back in an hour." | 0:04:40 | 0:04:44 | |
I went back in an hour and he'd put wooden flooring in | 0:04:44 | 0:04:47 | |
and creosoted it... | 0:04:47 | 0:04:50 | |
and then screwed the seats back again. | 0:04:50 | 0:04:53 | |
This was the car I used when JB Priestley | 0:04:53 | 0:04:56 | |
came to see me at Settle. | 0:04:56 | 0:04:58 | |
I said, "Would you like to have a chat with | 0:04:58 | 0:05:00 | |
"the editor of The Dalesman?" He said, "Yes." | 0:05:00 | 0:05:03 | |
So I popped him in the car. Going up Bucker Brow, I thought, "Oh, my God!" | 0:05:03 | 0:05:07 | |
I kept thinking about this floor and the creosote, and all the rest of it. | 0:05:07 | 0:05:12 | |
I thought, "I might go down in history as the man | 0:05:12 | 0:05:14 | |
-"who killed JB Priestley." -Wow. | 0:05:14 | 0:05:16 | |
Did you ever think it would last this long? | 0:05:16 | 0:05:19 | |
Did you ever think it would be as popular as it's become? | 0:05:19 | 0:05:22 | |
Well, it became exceedingly popular | 0:05:22 | 0:05:24 | |
and I don't think that it ever gave me an impression | 0:05:24 | 0:05:28 | |
that it was going to fail. | 0:05:28 | 0:05:30 | |
It's been one of the happiest experiences of my life. | 0:05:30 | 0:05:33 | |
We sent two other stalwarts of The Dalesman | 0:05:34 | 0:05:37 | |
up to another icon - | 0:05:37 | 0:05:38 | |
the Cow and Calf on Ilkley Moor - | 0:05:38 | 0:05:40 | |
to tell us what the magazine | 0:05:40 | 0:05:42 | |
and the county mean to them. | 0:05:42 | 0:05:43 | |
Unfortunately, the weather can come down pretty quickly in these parts. | 0:05:43 | 0:05:48 | |
Poet Ian McMillan, professional Yorkshireman, | 0:05:48 | 0:05:51 | |
and his partner in rhyme, cartoonist Tony Husband, from Lancashire. | 0:05:51 | 0:05:56 | |
Here we are, then, Tony - Yorkshire. Look at this. What a view! | 0:05:56 | 0:06:01 | |
-Can't see anything, Ian. -Well, you've got to use your imagination | 0:06:01 | 0:06:03 | |
because here we are in one of the great iconic places of Yorkshire. | 0:06:03 | 0:06:07 | |
Now, The Dalesman, as you know, | 0:06:07 | 0:06:09 | |
is one of the great Yorkshire institutions. | 0:06:09 | 0:06:11 | |
For us Yorkshire people, it's a combination of sacred book, | 0:06:11 | 0:06:15 | |
a defining myth of Ordnance Survey map. | 0:06:15 | 0:06:18 | |
Are people from other places allowed to look at it? | 0:06:18 | 0:06:20 | |
They do look at it occasionally, as a kind of view of a better world. | 0:06:20 | 0:06:24 | |
So Yorkshire's been going for 75 years? | 0:06:24 | 0:06:26 | |
It's been going for longer than that. As you can see | 0:06:26 | 0:06:28 | |
by the Cow and Calf rocks, | 0:06:28 | 0:06:29 | |
Yorkshire's been going for thousands of years | 0:06:29 | 0:06:31 | |
and because of that, it's accumulated 75 icons. | 0:06:31 | 0:06:35 | |
-Could you imagine Lancashire having 75 icons? -We have 76. | 0:06:35 | 0:06:40 | |
-It's a strange county. -That's one way of looking at it, Tony. | 0:06:40 | 0:06:43 | |
We in Lancashire look on Yorkshire as being a strange county, | 0:06:43 | 0:06:46 | |
with all these dialects and all these people hoarding money | 0:06:46 | 0:06:49 | |
and building a wall around Yorkshire. | 0:06:49 | 0:06:51 | |
See, that's a myth about Yorkshire people. | 0:06:51 | 0:06:53 | |
There's a myth about Yorkshire people that we are tight and stingy. | 0:06:53 | 0:06:56 | |
Yet look where I've brought you. Come and sit on this bench, Tony. | 0:06:56 | 0:06:59 | |
Look at the view from here. | 0:06:59 | 0:07:01 | |
What you get here is a view that takes in history, | 0:07:01 | 0:07:04 | |
culture and poetry. | 0:07:04 | 0:07:07 | |
The mist's lifting a little bit. Why don't you draw me, | 0:07:07 | 0:07:10 | |
with the Cow and Calf in the background, | 0:07:10 | 0:07:13 | |
-looking wistful in the mist? -Right. | 0:07:13 | 0:07:16 | |
While you're doing that, I'll recite the greatest ever | 0:07:16 | 0:07:19 | |
Yorkshire poem - Ilkla Moor Baht 'at. | 0:07:19 | 0:07:21 | |
Right. Here we go. | 0:07:21 | 0:07:23 | |
-Wheear 'ast tha bin sin' ah saw thee? -Pardon? | 0:07:23 | 0:07:26 | |
-I'm just doing the poem. -Oh, sorry. I thought I'd just be | 0:07:26 | 0:07:28 | |
walking down with you. Sorry. | 0:07:28 | 0:07:30 | |
Wheear 'ast tha bin sin' ah saw thee? | 0:07:30 | 0:07:34 | |
On Ilkla Mooar baht 'at | 0:07:34 | 0:07:36 | |
Tha's bahn' to catch thy deeath o' cowd | 0:07:36 | 0:07:39 | |
On Ilkla Mooar baht 'at | 0:07:39 | 0:07:41 | |
Then we shall ha' to bury thee | 0:07:41 | 0:07:43 | |
On Ilkla Mooar baht 'at | 0:07:43 | 0:07:45 | |
Then t'worms'll come an' eyt thee up | 0:07:45 | 0:07:48 | |
On Ilkla Mooar baht 'at | 0:07:48 | 0:07:50 | |
Then t'ducks'll come an' eyt up t'worms | 0:07:50 | 0:07:53 | |
On Ilkla Mooar baht 'at | 0:07:53 | 0:07:55 | |
Then we shall come an' eyt up t'ducks | 0:07:55 | 0:07:58 | |
On Ilkla Mooar baht 'at | 0:07:58 | 0:07:59 | |
Then we shall all ha' etten thee | 0:07:59 | 0:08:01 | |
On Ilkla Mooar baht 'at... | 0:08:01 | 0:08:04 | |
-What a great poem of death and regeneration. -It's a cheery poem. | 0:08:04 | 0:08:07 | |
It is quite a cheery poem. I think it's a great poem about the way | 0:08:07 | 0:08:10 | |
that Yorkshire will always reinvent itself. I think it will. | 0:08:10 | 0:08:13 | |
Let's have a look, Tony. | 0:08:13 | 0:08:14 | |
That's really good. I look like an Easter Island statue. | 0:08:14 | 0:08:18 | |
Tell you what, Tony, I'll treat you to a proper Yorkshire cup of tea. | 0:08:18 | 0:08:21 | |
-Come on. -You're going to treat me? | 0:08:21 | 0:08:23 | |
-Definitely having that! -Come on, then. | 0:08:23 | 0:08:25 | |
Can you lend us a quid? | 0:08:25 | 0:08:27 | |
Come on. Come on. Just come on. | 0:08:27 | 0:08:29 | |
Proper Yorkshire cup of tea. | 0:08:29 | 0:08:30 | |
We've seen a good chunk of the icons from The Dalesman's list, | 0:08:30 | 0:08:33 | |
but it's not just me exploring this enormous county. | 0:08:33 | 0:08:36 | |
Ellie's just down the road in The Dales, | 0:08:36 | 0:08:38 | |
visiting more of Yorkshire's treasures. | 0:08:38 | 0:08:41 | |
Many historic monuments were on the list, several of them abbeys. | 0:08:41 | 0:08:46 | |
Rievaulx, near Helmsley, | 0:08:46 | 0:08:49 | |
Whitby Abbey, | 0:08:49 | 0:08:50 | |
and Fountains Abbey, | 0:08:50 | 0:08:53 | |
which was right up there at number six. | 0:08:53 | 0:08:55 | |
But this is Yorkshire's 13th most popular icon, | 0:08:56 | 0:09:00 | |
Bolton Abbey. | 0:09:00 | 0:09:02 | |
The abbey gets around half a million visitors each year, | 0:09:05 | 0:09:09 | |
but it's more than just the Swaledale sheep they flock for. | 0:09:09 | 0:09:12 | |
Moira Smith loves this place | 0:09:12 | 0:09:15 | |
and has been the estate's visitor-manager for 20 years. | 0:09:15 | 0:09:18 | |
Why do you think it's as fabulous as it is? | 0:09:18 | 0:09:22 | |
Well, as you can see, it's beautiful. | 0:09:22 | 0:09:25 | |
The place speaks for itself. | 0:09:25 | 0:09:27 | |
And I'm sure for many, it holds really fond memories, | 0:09:27 | 0:09:30 | |
whether they've been and enjoyed a picnic by the riverside, | 0:09:30 | 0:09:33 | |
sand castles, paddling, | 0:09:33 | 0:09:36 | |
enjoying a walk along the riverside and the woodlands, | 0:09:36 | 0:09:38 | |
exploring these amazing ruins. | 0:09:38 | 0:09:41 | |
There really is so much for everybody to enjoy. It's brilliant. | 0:09:41 | 0:09:45 | |
-So it deserves its place, number 13? -Absolutely. | 0:09:45 | 0:09:47 | |
-I think it could have ranked higher. -Do you? | 0:09:47 | 0:09:50 | |
Not that I'm biased or anything like that, but... | 0:09:50 | 0:09:52 | |
You know, the guys that look after this place... | 0:09:52 | 0:09:55 | |
It is the countryside, but it really is a managed environment, | 0:09:55 | 0:09:59 | |
and the love and the care that goes into it is huge. | 0:09:59 | 0:10:01 | |
Bolton Abbey is set in 30,000 acres, half of which are woodland. | 0:10:03 | 0:10:07 | |
Head forester Roy Lingard is responsible for keeping | 0:10:07 | 0:10:10 | |
its many nature trails on track | 0:10:10 | 0:10:12 | |
and he's showing me one of his favourite on the estate. | 0:10:12 | 0:10:15 | |
This is the Valley of Desolation, so named after a storm. | 0:10:15 | 0:10:19 | |
-It sounds a bit bleak, as a name, doesn't it? -Well, it is. | 0:10:19 | 0:10:22 | |
It was a storm in 1836 and it devastated the whole area, | 0:10:22 | 0:10:26 | |
knocked quite a lot of oak trees down. | 0:10:26 | 0:10:28 | |
Since then, it's been known as the Valley of Desolation. | 0:10:28 | 0:10:31 | |
Roy has planted this area to illustrate | 0:10:31 | 0:10:34 | |
the landscape as it would have been 25,000 years ago, | 0:10:34 | 0:10:36 | |
way, way before the monks and the Abbey were here. | 0:10:36 | 0:10:40 | |
If we go down into the valley there, where the waterfall is, | 0:10:40 | 0:10:44 | |
you can effectively imagine that you're in a wildwood, | 0:10:44 | 0:10:47 | |
which I'd love to have seen, you know, 5,000 BC. | 0:10:47 | 0:10:50 | |
-There's no pylons, no sign of the year we're in. -Nothing. | 0:10:50 | 0:10:53 | |
The only thing missing are things like lynx, brown bear and wolves, | 0:10:53 | 0:10:56 | |
which would make a walk in the countryside quite interesting. | 0:10:56 | 0:10:59 | |
-It would be more exciting, wouldn't it? -It would! | 0:10:59 | 0:11:01 | |
'But for the woodland walk to flourish in the future, | 0:11:01 | 0:11:04 | |
'there's a lot of maintenance that needs to be done today.' | 0:11:04 | 0:11:08 | |
So this one looks a bit dodgy. | 0:11:08 | 0:11:10 | |
It looks a bit dodgy. | 0:11:10 | 0:11:11 | |
So I just need to assess | 0:11:11 | 0:11:13 | |
the depth of this decay. | 0:11:13 | 0:11:14 | |
That looks like it's quite deep. | 0:11:14 | 0:11:16 | |
It's only gone in an inch, actually. | 0:11:16 | 0:11:18 | |
-Has it? Oh, right. -It's not too bad. | 0:11:18 | 0:11:21 | |
So then you will leave this bit here, | 0:11:21 | 0:11:22 | |
which will be great for invertebrates, | 0:11:22 | 0:11:24 | |
and your ecological box ticked, | 0:11:24 | 0:11:26 | |
-but this will be safe for people walking by on the path? -Exactly. | 0:11:26 | 0:11:29 | |
How do you feel about the fact that all of the work you have put in here, | 0:11:29 | 0:11:32 | |
you won't really live to see? | 0:11:32 | 0:11:34 | |
It's all right, because all the work I start, | 0:11:34 | 0:11:37 | |
I know someone else will continue it on. | 0:11:37 | 0:11:39 | |
At the same time, I'm taking on the work of our predecessors. | 0:11:39 | 0:11:41 | |
Being one of Yorkshire's best-loved landmarks means the grounds | 0:11:41 | 0:11:45 | |
and surrounds of Bolton Abbey | 0:11:45 | 0:11:47 | |
have a fair few claims to fame. | 0:11:47 | 0:11:50 | |
Cricketing great Fred Trueman is buried here. | 0:11:50 | 0:11:52 | |
And it has made | 0:11:52 | 0:11:53 | |
plenty of appearances on film and TV. | 0:11:53 | 0:11:56 | |
But I hear it is exposure of a very different kind | 0:11:56 | 0:11:59 | |
that is going on today. | 0:11:59 | 0:12:01 | |
The Abbey is being used as a backdrop for a daring photo shoot | 0:12:03 | 0:12:07 | |
-that would certainly knock Fred Trueman for six. -That is fabulous! | 0:12:07 | 0:12:11 | |
This group of ladies is the Cappuccino Cycling Club, | 0:12:11 | 0:12:14 | |
who are having a series of photos taken for a charity calendar. | 0:12:14 | 0:12:18 | |
And it is not just the cycles that are racey! | 0:12:18 | 0:12:20 | |
So, ladies, tell me, what is the Cappuccino Cycling Club all about? | 0:12:22 | 0:12:26 | |
It is just about getting to know each other, being friends, | 0:12:26 | 0:12:30 | |
meeting for cycling and cake, really. | 0:12:30 | 0:12:33 | |
So every single ride ends with tea and cake, or something like that? | 0:12:33 | 0:12:36 | |
-Or part way through! -Depends how desperate we are for the cake! | 0:12:36 | 0:12:40 | |
Today is an interesting day, what was the idea behind the photo shoot? | 0:12:40 | 0:12:44 | |
The kind of call I got was, this may sound strange, | 0:12:44 | 0:12:47 | |
but how do you fancy doing this? | 0:12:47 | 0:12:50 | |
So, I kind of contacted the ladies, | 0:12:50 | 0:12:55 | |
who were initially really, really eager. | 0:12:55 | 0:12:57 | |
I think now that we are here, the nerves are kicking in a bit! | 0:12:57 | 0:13:01 | |
The dawn of realisation is here. | 0:13:01 | 0:13:04 | |
It is an odd thing to do, | 0:13:04 | 0:13:06 | |
but we have looked at it as a once in a lifetime, it will probably | 0:13:06 | 0:13:10 | |
never happen again, it is for National Air Ambulance, so why not? | 0:13:10 | 0:13:16 | |
The ladies will be stripping off in front of notable landmarks | 0:13:17 | 0:13:21 | |
such as the abbey here and the Settle-Carlisle railway, | 0:13:21 | 0:13:25 | |
all on the upcoming Tour de France route around Yorkshire. | 0:13:25 | 0:13:27 | |
OK, that is going to be fine. Put your bikes on the other shoulder. | 0:13:29 | 0:13:32 | |
The gents who dreamt up the calendar | 0:13:32 | 0:13:35 | |
are two of The Dales' photographic gurus. | 0:13:35 | 0:13:37 | |
Michael Dunne has photographed many supermodels | 0:13:37 | 0:13:40 | |
for high-end fashion magazines. | 0:13:40 | 0:13:42 | |
Paul Berriff's portfolio includes photos of a very young Mick Jagger | 0:13:42 | 0:13:45 | |
and some young band called the Beatles. | 0:13:45 | 0:13:49 | |
Same way. | 0:13:50 | 0:13:51 | |
With Paul's popstar pedigree, | 0:13:55 | 0:13:56 | |
I suppose you could call this Bolton Abbey Road. | 0:13:56 | 0:14:00 | |
That's fabulous. | 0:14:00 | 0:14:01 | |
THEY ALL CHEER | 0:14:04 | 0:14:07 | |
Rosie, well done! That was amazing! | 0:14:07 | 0:14:10 | |
Group hug! You are all brilliant, absolutely brilliant. | 0:14:12 | 0:14:16 | |
-How did it go, Paul? -Very well. I was very pleased with it. | 0:14:16 | 0:14:20 | |
-They were brave, weren't they? -Hats off to the girls, fantastic. | 0:14:20 | 0:14:24 | |
Time for a look at the finished photos, and another Yorkshire icon. | 0:14:24 | 0:14:27 | |
-Wow! -Brilliant! | 0:14:27 | 0:14:30 | |
-That is lovely! -That is fantastic. | 0:14:30 | 0:14:34 | |
-That is so nice. -So this will be on the cover. | 0:14:34 | 0:14:38 | |
And then we will have "Cappuccino Girls" at the bottom there, I think. | 0:14:38 | 0:14:42 | |
Awesome. You are going to be a distraction on the Tour de France! | 0:14:42 | 0:14:45 | |
-That is lovely. -And then... | 0:14:45 | 0:14:47 | |
THEY ALL CHEER | 0:14:47 | 0:14:50 | |
-You like that? -That is brilliant! -Look at you two! -Amazing. | 0:14:52 | 0:14:55 | |
-You look so mean and moody, Judy! -We had to be really serious. | 0:14:55 | 0:15:00 | |
-It is great with the steam. -I look like I'm ready to kill somebody! | 0:15:00 | 0:15:04 | |
With shots like these, the Cappuccino Calendar Girls | 0:15:06 | 0:15:09 | |
may well become Yorkshire icons themselves. | 0:15:09 | 0:15:12 | |
Now, as we heard a few weeks ago, Princess Anne suggested | 0:15:17 | 0:15:20 | |
that eating their meat could be a solution to the horse welfare crisis. | 0:15:20 | 0:15:24 | |
Tom has been finding out whether that could really work. | 0:15:24 | 0:15:28 | |
There are something like a million horses in the UK. | 0:15:38 | 0:15:41 | |
And most of them, like these, are well loved and cared for. | 0:15:41 | 0:15:45 | |
But increasingly, across the country, | 0:15:47 | 0:15:50 | |
we are seeing thousands of horses and ponies abandoned and neglected, | 0:15:50 | 0:15:54 | |
with no value and no real future. | 0:15:54 | 0:15:57 | |
Animal welfare organisations and facilities | 0:16:00 | 0:16:03 | |
are already at breaking point. | 0:16:03 | 0:16:05 | |
Over the last two decades, a trend for keeping horses | 0:16:05 | 0:16:07 | |
has led to a glut of indiscriminate breeding. | 0:16:07 | 0:16:11 | |
And since the economic downturn, many owners have felt unable to keep them. | 0:16:11 | 0:16:16 | |
Horse welfare charities are predicting | 0:16:18 | 0:16:21 | |
this year will be particularly bad, | 0:16:21 | 0:16:23 | |
with up to 8,000 animals abandoned or neglected. | 0:16:23 | 0:16:27 | |
It is clear we are in the grip of a welfare crisis. | 0:16:27 | 0:16:31 | |
So, what can we do about it? | 0:16:32 | 0:16:34 | |
A few weeks ago, on the programme, | 0:16:34 | 0:16:37 | |
we heard a radical suggestion from Princess Anne | 0:16:37 | 0:16:39 | |
that the welfare problem might be solved by eating horse meat. | 0:16:39 | 0:16:44 | |
In the light of your recent pronouncements, I have to ask, | 0:16:44 | 0:16:46 | |
how do you think eating horses would help Annie here? | 0:16:46 | 0:16:50 | |
Well, it is a good question. I do think... | 0:16:50 | 0:16:52 | |
I threw the question out because an awful lot of the abandonments | 0:16:52 | 0:16:57 | |
are because they don't perceive any value in the animals. | 0:16:57 | 0:17:02 | |
So, OK, chuck them out. You know? They survive or they die. | 0:17:02 | 0:17:06 | |
But the meat trade has a way of adding value to the animals. | 0:17:06 | 0:17:11 | |
So there is some point in keeping it healthy, | 0:17:11 | 0:17:14 | |
if it has got an end-point that it can go to. | 0:17:14 | 0:17:16 | |
It is a bold proposition and one that is highly controversial. | 0:17:18 | 0:17:22 | |
But could it work? | 0:17:22 | 0:17:25 | |
Princess Anne is patron of the charity World Horse Welfare. | 0:17:25 | 0:17:29 | |
I have come to put that question to its Chief Executive, Roly Owers. | 0:17:29 | 0:17:33 | |
So, who is this and what is the story? | 0:17:35 | 0:17:37 | |
This is May, she is a seven year old, | 0:17:37 | 0:17:39 | |
we found her near Gatwick Airport, a classic case of the equine crisis. | 0:17:39 | 0:17:43 | |
Abandoned, being illegally grazed, | 0:17:43 | 0:17:45 | |
and as you can see, in a pretty woeful state. | 0:17:45 | 0:17:47 | |
Tell me, how could Princess Anne's idea about eating more horse meat | 0:17:47 | 0:17:52 | |
help animals like May? | 0:17:52 | 0:17:55 | |
It is all about responsible ownership. | 0:17:55 | 0:17:58 | |
When you look after horses, you have great responsibility | 0:17:58 | 0:18:00 | |
during their lifetime, but great responsibility | 0:18:00 | 0:18:03 | |
when it comes to end-of-life decisions. | 0:18:03 | 0:18:05 | |
You need a series of options | 0:18:05 | 0:18:06 | |
for people to be able to make their minds up. | 0:18:06 | 0:18:09 | |
What are the options? | 0:18:09 | 0:18:10 | |
The options are, obviously, you can have it put to sleep, | 0:18:10 | 0:18:13 | |
put to sleep by a vet, or by a knackerman. | 0:18:13 | 0:18:16 | |
But both of those options will cost you, between £150 and £500. | 0:18:16 | 0:18:21 | |
So it is a significant cost. | 0:18:21 | 0:18:22 | |
What we are finding is that people are avoiding doing that | 0:18:22 | 0:18:25 | |
by selling the problem on. | 0:18:25 | 0:18:26 | |
Selling it to a market, selling it to someone else. | 0:18:26 | 0:18:30 | |
As soon as they do that, they abject all responsibility for that horse, | 0:18:30 | 0:18:33 | |
which may well end up in a downward spiral and suffering horribly. | 0:18:33 | 0:18:38 | |
So that is the issue about responsible ownership. | 0:18:38 | 0:18:41 | |
Don't avoid it, make the difficult choice when you need to. | 0:18:41 | 0:18:44 | |
You got to May just in time, but in effect, | 0:18:44 | 0:18:47 | |
you are saying that if there was a market for her flesh, | 0:18:47 | 0:18:51 | |
she would have been less likely to suffer. | 0:18:51 | 0:18:54 | |
Absolutely - less likely. | 0:18:54 | 0:18:56 | |
Whether people eat horses or not is a personal choice. | 0:18:56 | 0:18:59 | |
What we believe is having the option to put horses into abattoirs. | 0:18:59 | 0:19:03 | |
To be humanely slaughtered and go into the human food chain. | 0:19:03 | 0:19:07 | |
That is the option that we passionately believe | 0:19:07 | 0:19:09 | |
is right for equine welfare, | 0:19:09 | 0:19:11 | |
so long as the slaughtering is done humanely. | 0:19:11 | 0:19:14 | |
So, in theory, the idea might be sound, but what about in practice? | 0:19:18 | 0:19:24 | |
There is a long bond between humans and horses. | 0:19:24 | 0:19:28 | |
They were ridden into battle in the past, on the racecourse today, | 0:19:28 | 0:19:31 | |
and of course, used for a good hack through the countryside. | 0:19:31 | 0:19:35 | |
So given all that emotional investment, are many of us | 0:19:35 | 0:19:39 | |
really prepared to eat the noble steed? | 0:19:39 | 0:19:42 | |
With the help of chef Alice Forrest, | 0:19:45 | 0:19:48 | |
we thought we would try it out on the good city folk of Wells, in Somerset. | 0:19:48 | 0:19:53 | |
In terms of nutrition, horse is pretty good for you. | 0:19:57 | 0:20:00 | |
It's got less cholesterol and salt than beef, and also, it's much, | 0:20:00 | 0:20:04 | |
much cheaper. So let's see who's prepared to try it. | 0:20:04 | 0:20:09 | |
Roll-up, folks! | 0:20:09 | 0:20:12 | |
Who's hungry enough to eat a horse? That's what I'm wondering. | 0:20:12 | 0:20:16 | |
Lovely piece of meat. Similar to beef. Slightly more sweeter. | 0:20:22 | 0:20:25 | |
Very tender. | 0:20:25 | 0:20:27 | |
I don't like the idea cos I love horses, | 0:20:29 | 0:20:32 | |
which is absurd because I don't dislike cows and calves. | 0:20:32 | 0:20:34 | |
Good man. You managed to get two on that skewer. | 0:20:36 | 0:20:39 | |
Don't think I didn't see that! THEY LAUGH | 0:20:39 | 0:20:42 | |
I think it's a lot better than horses just being abandoned. | 0:20:44 | 0:20:47 | |
There's just something about a horse that I just feel | 0:20:50 | 0:20:52 | |
we shouldn't be eating it. I'm sorry, it's just... | 0:20:52 | 0:20:55 | |
No, no, don't apologise. | 0:20:55 | 0:20:58 | |
-Have a couple more. -Thank you so much! Nice one. | 0:20:58 | 0:21:01 | |
Oh, great. That's lovely, that is. Can I finish it all off? | 0:21:01 | 0:21:05 | |
Many people here today seem keen, | 0:21:06 | 0:21:08 | |
so why isn't it on the supermarket shelves? | 0:21:08 | 0:21:12 | |
The big stores told us they don't feel the demand is there. | 0:21:12 | 0:21:15 | |
Whether they liked it or not, | 0:21:17 | 0:21:18 | |
for most people, this was the first time they had ever eaten horse, | 0:21:18 | 0:21:21 | |
whereas in some other countries, it's been on the menu for centuries. | 0:21:21 | 0:21:25 | |
Stephen Potter is the farmer who provided | 0:21:30 | 0:21:33 | |
-the horse meat for our taste test. -Come on, girls. | 0:21:33 | 0:21:35 | |
He has an abattoir in Somerset that's been exporting meat to the continent | 0:21:37 | 0:21:41 | |
for the last 60 years, and he doesn't see any reason | 0:21:41 | 0:21:44 | |
why we couldn't send more. | 0:21:44 | 0:21:46 | |
So, most of the horse meat that you are dealing with, where does it go? | 0:21:47 | 0:21:51 | |
Mostly to France. | 0:21:51 | 0:21:53 | |
95%, 96%. | 0:21:53 | 0:21:55 | |
We do supply a small amount to zoos here in the UK, | 0:21:55 | 0:21:58 | |
but the majority to France for human consumption. | 0:21:58 | 0:22:01 | |
Talk me through the various stages between a horse coming in here | 0:22:01 | 0:22:03 | |
and ending up on a Frenchman's plate. | 0:22:03 | 0:22:05 | |
A lot of horses come in directly with their owner. | 0:22:05 | 0:22:08 | |
So the owner may well go in with the horse to see it put down. | 0:22:08 | 0:22:12 | |
The horse is put down with a live bullet, so it's very, very quick. | 0:22:12 | 0:22:16 | |
It's almost instantaneous death. | 0:22:16 | 0:22:18 | |
We prepare the carcass here in the UK | 0:22:18 | 0:22:21 | |
and it's exported in carcass form to France, | 0:22:21 | 0:22:23 | |
where we're involved very closely with a company that sells meat | 0:22:23 | 0:22:27 | |
by retail through around 25 stores every day, | 0:22:27 | 0:22:30 | |
serving around 3,000 customers. | 0:22:30 | 0:22:32 | |
One thing that perplexes me is that when we think of most meat, | 0:22:32 | 0:22:35 | |
we think of young meat as being good. | 0:22:35 | 0:22:37 | |
Would we want to eat an old nag? | 0:22:37 | 0:22:41 | |
Older horses have redder meat, a darker colour, more flavour. | 0:22:41 | 0:22:45 | |
And certainly, the quality that we are looking for is very much | 0:22:45 | 0:22:48 | |
from an older horse, not from a young horse. | 0:22:48 | 0:22:50 | |
Stephen's abattoir is one of just two in the country | 0:22:51 | 0:22:54 | |
currently exporting horse meat, but together, they supply the continent | 0:22:54 | 0:22:58 | |
with thousands of carcasses every year. | 0:22:58 | 0:23:01 | |
So if exporting horse meat is a solution to the welfare crisis, | 0:23:01 | 0:23:05 | |
the mechanism to do that is already here. | 0:23:05 | 0:23:08 | |
But you can't just put any old horse into the food chain. | 0:23:08 | 0:23:12 | |
-No coughs, sneezes, nothing like that? -No, fine. | 0:23:12 | 0:23:16 | |
There are strict regulations on the export of any meat to Europe | 0:23:16 | 0:23:20 | |
and vets like Joe Mackinder know how restrictive they can be | 0:23:20 | 0:23:24 | |
when it comes to a horse. | 0:23:24 | 0:23:27 | |
It must have a passport. | 0:23:27 | 0:23:28 | |
This is a medicinal treatment area of a passport | 0:23:28 | 0:23:31 | |
and here, a horse is either signed, | 0:23:31 | 0:23:33 | |
so it's never intended to go into the food chain for its entire life | 0:23:33 | 0:23:36 | |
or it is intended, depending on the type of drugs they can give them. | 0:23:36 | 0:23:39 | |
-Tell me about the drugs. -Two main categories. | 0:23:39 | 0:23:42 | |
One means that if a horse has that drug, it can never be eaten. | 0:23:42 | 0:23:46 | |
The one that's been in the news a lot is bute, the painkiller. | 0:23:46 | 0:23:49 | |
And then other drugs that there are safe limits that we can | 0:23:49 | 0:23:52 | |
give them after a certain period of time, | 0:23:52 | 0:23:54 | |
they can be slaughtered for human consumption. | 0:23:54 | 0:23:56 | |
The problem here is that most abandoned horses | 0:23:56 | 0:24:00 | |
lack passports showing the details of their medical history. | 0:24:00 | 0:24:04 | |
So the idea that we could use human consumption as a way of sorting out | 0:24:04 | 0:24:09 | |
old horses quite quickly doesn't really work because... | 0:24:09 | 0:24:11 | |
It doesn't at the moment. | 0:24:11 | 0:24:13 | |
All horses are assumed to have had a painkiller | 0:24:13 | 0:24:16 | |
or drugs in their system, | 0:24:16 | 0:24:17 | |
and because some of those are completely banned | 0:24:17 | 0:24:20 | |
for human consumption, they can never go into the food chain, | 0:24:20 | 0:24:22 | |
because you don't know what that horse has had. | 0:24:22 | 0:24:24 | |
So, plenty of hurdles in the way of exporting horse meat | 0:24:26 | 0:24:29 | |
and expanding the market here. | 0:24:29 | 0:24:32 | |
On top of that, some organisations feel it shouldn't happen at all. | 0:24:32 | 0:24:36 | |
Mark Jones, of the Humane Society International, | 0:24:40 | 0:24:44 | |
believes Europe has its own welfare issues. | 0:24:44 | 0:24:47 | |
What are your core concerns about opening up a horse meat market? | 0:24:48 | 0:24:53 | |
Horses are what we call flight animals, | 0:24:53 | 0:24:55 | |
which means they're really easily stressed, | 0:24:55 | 0:24:57 | |
particularly if you try to handle them, | 0:24:57 | 0:24:59 | |
or introduce them to unusual situations. | 0:24:59 | 0:25:02 | |
We know that the transport and slaughter of horses for meat, | 0:25:02 | 0:25:07 | |
which goes on in Europe and certain other parts of the world, | 0:25:07 | 0:25:10 | |
causes huge distress in horses. | 0:25:10 | 0:25:12 | |
Mark is also worried that it will encourage over-breeding | 0:25:12 | 0:25:17 | |
and discourage medical treatment. | 0:25:17 | 0:25:19 | |
It's a real concern that if we are giving these animals | 0:25:19 | 0:25:23 | |
a carcass value for the meat trade, | 0:25:23 | 0:25:26 | |
that they won't be treated when they need to be treated | 0:25:26 | 0:25:29 | |
with those veterinary drugs | 0:25:29 | 0:25:31 | |
because people are concerned that they wouldn't then | 0:25:31 | 0:25:34 | |
be able to realise that value. | 0:25:34 | 0:25:36 | |
It seems there is no easy solution, | 0:25:36 | 0:25:39 | |
but most agree | 0:25:39 | 0:25:40 | |
that for the sake of these animals, | 0:25:40 | 0:25:43 | |
it is time to open debates like this. | 0:25:43 | 0:25:47 | |
Our food safety regulations and horsey culture make it unlikely | 0:25:47 | 0:25:51 | |
we'll see a big expansion in the horse meat market any time soon, | 0:25:51 | 0:25:55 | |
but Princess Anne and the welfare organisations | 0:25:55 | 0:25:59 | |
are agreed on one thing - being a responsible horse owner | 0:25:59 | 0:26:02 | |
doesn't just mean giving your animal a good life, | 0:26:02 | 0:26:06 | |
it means ensuring it has a good death. | 0:26:06 | 0:26:09 | |
We all know what an important role farmers play in our lives, | 0:26:14 | 0:26:17 | |
whether they're growing food or looking after the countryside. | 0:26:17 | 0:26:20 | |
Adam knows better than most, | 0:26:23 | 0:26:25 | |
which is why he has been asked to judge this year's | 0:26:25 | 0:26:27 | |
Outstanding Famer Of The Year, for the BBC's Food And Farming Awards. | 0:26:27 | 0:26:31 | |
On today's programme, he's meeting three farmers | 0:26:33 | 0:26:35 | |
who've been shortlisted for the award. | 0:26:35 | 0:26:38 | |
It's a real privilege to have been asked to help judge | 0:26:41 | 0:26:44 | |
Outstanding Farmer Of The Year. | 0:26:44 | 0:26:46 | |
We received around 175 applications this year that we have whittled down | 0:26:46 | 0:26:50 | |
to the final three, and now I can't wait to have a look around the farms. | 0:26:50 | 0:26:55 | |
This year's award will go to a farmer | 0:26:57 | 0:26:59 | |
who's made an outstanding contribution to farming, | 0:26:59 | 0:27:02 | |
to an individual that's making a real difference. | 0:27:02 | 0:27:05 | |
Someone's who's shaping Britain's food future and inspiring others. | 0:27:05 | 0:27:09 | |
The first finalist farms at the foot of the Chew Valley Lake, | 0:27:13 | 0:27:16 | |
in Somerset. Luke Hasell has been in the business for ten years. | 0:27:16 | 0:27:22 | |
He farms a pedigree herd of cattle organically. | 0:27:22 | 0:27:25 | |
Luke, tell me how you got into farming. | 0:27:25 | 0:27:28 | |
Well, sadly, in 2003, I was kind of forced into taking over | 0:27:28 | 0:27:32 | |
to support my mother when my father passed away. | 0:27:32 | 0:27:36 | |
-And what was your background before? -As a civil engineer. | 0:27:36 | 0:27:40 | |
-So quite a change in your life. -Yeah. Massive change. | 0:27:40 | 0:27:43 | |
And a decade on, I'm really proud about where we've taken the farm. | 0:27:43 | 0:27:47 | |
And what sort of things have you done? | 0:27:47 | 0:27:49 | |
We've gone from continental breeds to native. | 0:27:49 | 0:27:52 | |
So we've gone for the pedigree South Devons and pedigree North Devons. | 0:27:52 | 0:27:56 | |
They are a big animal, but they are so docile | 0:27:56 | 0:27:59 | |
-and so easy to handle. -And you've gone over to organic. | 0:27:59 | 0:28:03 | |
We've gone back to a pasture-based farm. | 0:28:03 | 0:28:05 | |
It's crazy to be feeding a beef animal | 0:28:05 | 0:28:08 | |
that will finish off grass cereals | 0:28:08 | 0:28:10 | |
when we could be feeding that to the rest of the world. | 0:28:10 | 0:28:13 | |
And you've changed who you supply to. | 0:28:13 | 0:28:16 | |
We've gone from supplying the supermarkets | 0:28:16 | 0:28:18 | |
to actually trying to supply direct. | 0:28:18 | 0:28:22 | |
We want to bridge that gap between the consumer and the farmer | 0:28:22 | 0:28:25 | |
and tell a real story about the provenance of the food. | 0:28:25 | 0:28:28 | |
It's not just organic beef that lights Luke's fire. | 0:28:34 | 0:28:37 | |
He is also passionate about veg. | 0:28:37 | 0:28:39 | |
He rents out 30 acres of his land to a community project | 0:28:39 | 0:28:42 | |
he co-founded in 2009. | 0:28:42 | 0:28:45 | |
The innovative scheme offers people the opportunity | 0:28:48 | 0:28:51 | |
to buy shares in the farm. | 0:28:51 | 0:28:53 | |
The aim being to raise awareness of where our food comes from. | 0:28:55 | 0:28:59 | |
'Andy Dibben is the community farm manager.' | 0:29:01 | 0:29:04 | |
-What are you growing here? -Potatoes, a main crop of new potatoes, | 0:29:04 | 0:29:08 | |
all the brassicas, all the roots - beetroot, carrots, parsnips. | 0:29:08 | 0:29:12 | |
We've then got protected cropping, so that's for... | 0:29:12 | 0:29:15 | |
the more risky crops in the summer like tomatoes, | 0:29:15 | 0:29:17 | |
cucumbers, and then gives us salad through the winter as well. | 0:29:17 | 0:29:20 | |
-And who is running it all? You need lots of people for that. -We do. | 0:29:20 | 0:29:24 | |
We've got a fantastic paid workforce, but even more fantastic | 0:29:24 | 0:29:27 | |
is our volunteer workforce, who come out for just literally the company, | 0:29:27 | 0:29:31 | |
a bit of education, the big great outdoors | 0:29:31 | 0:29:34 | |
and they are the mainstay of our workforce, really. | 0:29:34 | 0:29:38 | |
It's a lovely idea of a model, isn't it? | 0:29:38 | 0:29:41 | |
That it's a profitable business, which means it will last | 0:29:41 | 0:29:44 | |
-and roll on, but also, the food is local. -Absolutely. | 0:29:44 | 0:29:48 | |
I mean, bridging that gap, for us, is the main objective. | 0:29:48 | 0:29:52 | |
And reconnecting people with food and where it's from | 0:29:52 | 0:29:55 | |
and how it's grown is key for people to understand. | 0:29:55 | 0:30:00 | |
Once the veg is harvested, it is stored and packed ready for delivery. | 0:30:09 | 0:30:13 | |
So you've got the meat and the community farm has got the veg. | 0:30:13 | 0:30:17 | |
-Yeah. -And now you're going not only to people's doors, | 0:30:17 | 0:30:19 | |
-but into the wholesale trade too. -Yeah. | 0:30:19 | 0:30:21 | |
One of my main businesses is to try and work with | 0:30:21 | 0:30:24 | |
some of the best chefs in Bristol and Bath. | 0:30:24 | 0:30:26 | |
-Grab that one, Adam. -OK. | 0:30:26 | 0:30:28 | |
I'm helping with a very local delivery. | 0:30:31 | 0:30:33 | |
This restaurant is less than half a mile from the community farm. | 0:30:35 | 0:30:38 | |
This is Josh Eggleton, who runs the Pony And Trap | 0:30:41 | 0:30:44 | |
-and turns our produce into Michelin-star food. -Wonderful. | 0:30:44 | 0:30:48 | |
-So what have we got here? -How you doing? | 0:30:48 | 0:30:50 | |
So we have chargrilled fillet of beef, salt-baked turnips, | 0:30:50 | 0:30:53 | |
pickled turnips, turnip top puree, bashed swedes and carrots, | 0:30:53 | 0:30:56 | |
all vegetables from the community farm. | 0:30:56 | 0:30:58 | |
-And the beef from your farm too. -The grass-fed beef. | 0:30:58 | 0:31:00 | |
What does this make you feel like, seeing it on a plate like this? | 0:31:00 | 0:31:03 | |
This is great, this is exactly what I set out to achieve | 0:31:03 | 0:31:05 | |
as an experience, and no better place to be than here. | 0:31:05 | 0:31:08 | |
Wow! That is stunning. | 0:31:11 | 0:31:13 | |
I mean, really, looking out of the window, across the farm, | 0:31:15 | 0:31:19 | |
the food has come from just out of there, | 0:31:19 | 0:31:21 | |
into this amazing restaurant, onto the plate, | 0:31:21 | 0:31:24 | |
and this is what Luke is all about. | 0:31:24 | 0:31:26 | |
Local produce, telling a story, | 0:31:26 | 0:31:27 | |
re-educating people about where their food comes from. | 0:31:27 | 0:31:30 | |
With a successful business running alongside. Works for me. | 0:31:30 | 0:31:33 | |
I'm on a journey exploring the rolling hills | 0:31:45 | 0:31:47 | |
of the Yorkshire Dales, crossing off the icons voted for | 0:31:47 | 0:31:51 | |
by readers of The Dalesman magazine to celebrate its 75th anniversary. | 0:31:51 | 0:31:55 | |
MUSIC PLAYS IN CAR | 0:31:55 | 0:31:57 | |
Oh, yes, in at 43, The Arctic Monkeys. | 0:31:57 | 0:32:00 | |
Sheffield's finest. | 0:32:02 | 0:32:03 | |
And I'm told the place I'm on my way to may have another on the list. | 0:32:03 | 0:32:07 | |
Andy Swinscoe runs this cheese shop. | 0:32:07 | 0:32:09 | |
His family have been involved in cheese-making for generations. | 0:32:09 | 0:32:13 | |
You look like the man who can help me. | 0:32:13 | 0:32:16 | |
-I'm after some Wensleydale cheese. -Well, I think we can. | 0:32:16 | 0:32:18 | |
-We've got Richard III Wensleydale over here. -Do you know what? | 0:32:18 | 0:32:21 | |
That is more than perfect because Richard III, | 0:32:21 | 0:32:24 | |
Richard of York, I'm ticking off 75 icons of Yorkshire | 0:32:24 | 0:32:27 | |
and I've killed two birds with one stone if I can take some of this. | 0:32:27 | 0:32:30 | |
Wensleydale is one of those traditional cheeses | 0:32:30 | 0:32:32 | |
which has changed quite a lot over the years. | 0:32:32 | 0:32:35 | |
If you go back 100 years ago, we saw the Wensleydale as a blue cheese. | 0:32:35 | 0:32:39 | |
-Oh, right! -Wensleydale was a blue cheese. | 0:32:39 | 0:32:41 | |
If you go back 1,000 years, it was probably a sheep's milk blue cheese. | 0:32:41 | 0:32:44 | |
It's only recently it has become the sharp fresh one we expect nowadays. | 0:32:44 | 0:32:47 | |
Yeah. As a cheese expert, how do you like to eat your Wensleydale? | 0:32:47 | 0:32:51 | |
Personally, I like it by itself. | 0:32:51 | 0:32:53 | |
Just a clean, neutral Wensleydale, | 0:32:53 | 0:32:54 | |
with a nice piece of cake or a sweet apple pie. | 0:32:54 | 0:32:56 | |
-Oh, right, so with cake, then? -Yeah. -Because you would think, | 0:32:56 | 0:33:00 | |
-glass of red, cracker, but... -That's the Yorkshire way to do it. | 0:33:00 | 0:33:03 | |
-'They make mistakes...' -Yeah, here's another one. | 0:33:09 | 0:33:12 | |
Former Yorkshire and England cricketer, | 0:33:12 | 0:33:14 | |
often outspoken and controversial, | 0:33:14 | 0:33:17 | |
Geoffrey Boycott. | 0:33:17 | 0:33:18 | |
'Short, wide, you could have hit it with anything you wanted.' | 0:33:18 | 0:33:21 | |
-'Stick of rhubarb.' -Rhubarb! | 0:33:21 | 0:33:23 | |
Thanks, Geoffrey, | 0:33:23 | 0:33:25 | |
I'll have that one. | 0:33:25 | 0:33:26 | |
'Some of the shots were pretty poor really.' | 0:33:26 | 0:33:29 | |
With all this talk of Yorkshire folk, | 0:33:29 | 0:33:32 | |
let's find out a bit more about the local lingo, shall we? | 0:33:32 | 0:33:35 | |
-Now then, Eric. -Now then, Matt, how is te? -I'm good. Now, look at you. | 0:33:35 | 0:33:38 | |
My goodness me, you look the part. Look at this. | 0:33:38 | 0:33:41 | |
I think you'll enjoy this, Matt. | 0:33:41 | 0:33:44 | |
Aye, that looks gradley. A bit of | 0:33:44 | 0:33:46 | |
gradley piece of cake that, lass. | 0:33:46 | 0:33:48 | |
-Thank you. -Hang on, let's rewind on that one. | 0:33:48 | 0:33:50 | |
-A bit of what, sorry? -Gradley. | 0:33:50 | 0:33:51 | |
I've got some cheese to go with it. How do you react to that? | 0:33:51 | 0:33:54 | |
Wensleydale cheese. You can't beat a bit of Wensleydale. | 0:33:54 | 0:33:58 | |
So let's hear some good phrases, then. | 0:33:58 | 0:34:00 | |
A typical one that everybody | 0:34:00 | 0:34:02 | |
comes out with is "ee bah gum". | 0:34:02 | 0:34:04 | |
And, I mean, that's basically, if you think of the old name for York, | 0:34:04 | 0:34:09 | |
-Eboracum. -Ah! | 0:34:09 | 0:34:13 | |
Say it today, "ee bah gum" said today is, "Oh, my God." | 0:34:15 | 0:34:19 | |
Eebah was one of the gods. | 0:34:19 | 0:34:20 | |
Proper real tea. You can't beat it. | 0:34:20 | 0:34:26 | |
Am I allowed to say Yorkshire tea? | 0:34:26 | 0:34:28 | |
-And if I'm going to leave you, how do we say goodbye? -Sithe, lad. | 0:34:31 | 0:34:35 | |
-Been grand to meet thee. -Same here. See you later. -Bye now. | 0:34:35 | 0:34:40 | |
I think I'll go uphill. | 0:34:40 | 0:34:42 | |
Earlier, we heard from Adam | 0:34:46 | 0:34:48 | |
about this year's Outstanding Farmer Of The Year Awards. | 0:34:48 | 0:34:51 | |
Next up, it's finalist number two. | 0:34:51 | 0:34:53 | |
When you think of Scotland, you think of lochs | 0:34:53 | 0:34:56 | |
and snowcapped mountains, not deep rich soil. | 0:34:56 | 0:35:00 | |
And that is what our next nominee uses to his advantage. | 0:35:00 | 0:35:03 | |
The second contender farms 200 hectares, | 0:35:04 | 0:35:06 | |
that's nearly 500 acres, near Inverness. | 0:35:06 | 0:35:09 | |
Steven Jack specialises in award-winning carrots, | 0:35:13 | 0:35:16 | |
parsnips and potatoes, and he is not afraid to try something new. | 0:35:16 | 0:35:20 | |
-Steven, hi. -Morning. -Good to see you. | 0:35:21 | 0:35:24 | |
I passed all your fancy machines and here you are using a fork. | 0:35:24 | 0:35:27 | |
I can just about handle this thing, but that is way beyond me. | 0:35:27 | 0:35:31 | |
-What have you got here, then? -This is a trial we've been doing | 0:35:31 | 0:35:33 | |
with some different coloured carrots. | 0:35:33 | 0:35:35 | |
This particular purple carrot, | 0:35:35 | 0:35:37 | |
we have managed to successfully | 0:35:37 | 0:35:39 | |
-grow the crop. -What is wrong with the orange ones? | 0:35:39 | 0:35:42 | |
The purple one has got totally different characteristics. | 0:35:42 | 0:35:46 | |
Very strong antioxidant called Lycopene, which appears in | 0:35:46 | 0:35:49 | |
other red-skinned vegetables - tomatoes, for example. | 0:35:49 | 0:35:53 | |
But it also has a very distinctive taste. Help yourself. | 0:35:53 | 0:35:57 | |
Look at that, it looks like a beetroot inside. | 0:35:57 | 0:36:00 | |
Oh, yeah, very unlike a normal carrot. | 0:36:03 | 0:36:07 | |
-Quite distinctive, isn't it? -Delicious. Really lovely, actually. | 0:36:07 | 0:36:10 | |
-Quite sweet. -Typically used as a natural food colouring. | 0:36:10 | 0:36:14 | |
A cherry-flavoured ice cream might well have the colouring | 0:36:14 | 0:36:18 | |
-from a purple carrot. -And you've got some more down there. | 0:36:18 | 0:36:20 | |
I've got some yellow ones as well. | 0:36:22 | 0:36:25 | |
Yellow carrots. Wow. | 0:36:25 | 0:36:27 | |
And what's the idea behind all these different colours? | 0:36:27 | 0:36:30 | |
We all think that the carrot's always been orange, | 0:36:30 | 0:36:33 | |
but it's only been orange for the last 400 years | 0:36:33 | 0:36:36 | |
and, prior to that, there were many different colours. | 0:36:36 | 0:36:39 | |
The orange carrot was bred by | 0:36:39 | 0:36:41 | |
a Dutch breeder as a gift to the Dutch royal family, | 0:36:41 | 0:36:44 | |
but there are different colours. | 0:36:44 | 0:36:46 | |
Different tastes, textures. | 0:36:46 | 0:36:49 | |
And these are the type of ideas | 0:36:49 | 0:36:51 | |
that we are keen to get out onto the shelves. | 0:36:51 | 0:36:55 | |
And it doesn't stop there. | 0:36:56 | 0:36:58 | |
Steven has also developed | 0:36:58 | 0:37:00 | |
a variety of carrot that can be grown here all year round. | 0:37:00 | 0:37:03 | |
It's a beautiful place to work, | 0:37:03 | 0:37:05 | |
but the location has been a mixed blessing. | 0:37:05 | 0:37:09 | |
Us Brits get through around 700,000 tonnes of carrots every year. | 0:37:09 | 0:37:15 | |
That's the equivalent of 100 carrots per person. | 0:37:15 | 0:37:18 | |
But the Highlands are both beautiful and remote. | 0:37:18 | 0:37:21 | |
Being so far from the market has meant that Steven has had to | 0:37:21 | 0:37:24 | |
get attention for his produce in other ways. | 0:37:24 | 0:37:27 | |
That's meant innovation in both what is produced and how it is farmed. | 0:37:27 | 0:37:32 | |
This is a pretty remote part of Scotland. | 0:37:33 | 0:37:35 | |
How do you get your produce to the marketplace? | 0:37:35 | 0:37:38 | |
We feel we've got to try that little bit harder. | 0:37:38 | 0:37:40 | |
We are not a volume-driven business. | 0:37:40 | 0:37:43 | |
We are very much focused on niche areas and new product ideas. | 0:37:43 | 0:37:49 | |
And one of those ideas is getting exactly the right spot for his crops. | 0:37:51 | 0:37:55 | |
Over the years, Steve has built up | 0:37:55 | 0:37:57 | |
relationships with neighbouring farmers | 0:37:57 | 0:37:59 | |
so he can rent fertile land along the firth. | 0:37:59 | 0:38:02 | |
By slotting in with their crop rotations, | 0:38:03 | 0:38:06 | |
it means everyone's a winner. | 0:38:06 | 0:38:07 | |
It's taken us to where we are today, | 0:38:07 | 0:38:10 | |
with a mix of conventional organic and non-organic farming. | 0:38:10 | 0:38:13 | |
Being something of a carrot missionary, | 0:38:15 | 0:38:17 | |
Steve has also started grow-your-own projects in local schools... | 0:38:17 | 0:38:21 | |
We are a farmer, we plant seeds, | 0:38:21 | 0:38:23 | |
so we are going to plant some carrot seeds. | 0:38:23 | 0:38:25 | |
..where the children can learn more about the rainbow veg. | 0:38:25 | 0:38:28 | |
Pinkies in the air. Ready? See if you can get two or three colours. | 0:38:31 | 0:38:36 | |
OK. Ready? Shove it right down. | 0:38:38 | 0:38:43 | |
What's your favourite vegetable? | 0:38:43 | 0:38:45 | |
-Probably the carrots. -Probably carrots? Nice one. | 0:38:45 | 0:38:48 | |
Good customers here, you've got. | 0:38:48 | 0:38:50 | |
Now, you are a busy farmer, how do you find time to do this? | 0:38:52 | 0:38:56 | |
Oh, it's just...fun. | 0:38:56 | 0:38:57 | |
They want to get their hands dirty, they want to see how it all works. | 0:39:00 | 0:39:03 | |
-Learning where their food comes from. -Yeah, absolutely. | 0:39:03 | 0:39:05 | |
It's not difficult to see why Steven is such a strong contender | 0:39:08 | 0:39:11 | |
for Outstanding Farmer Of The Year. | 0:39:11 | 0:39:13 | |
From a relatively remote rural business, using innovative ideas, | 0:39:13 | 0:39:18 | |
he's really growing things and moving his farm on. | 0:39:18 | 0:39:21 | |
And he's also capturing the imagination of the next generation | 0:39:21 | 0:39:25 | |
that, one day, might even follow in his footsteps. | 0:39:25 | 0:39:28 | |
I've left the Dales behind | 0:39:38 | 0:39:39 | |
and I'm crossing the brooding Moors | 0:39:39 | 0:39:41 | |
to the craggy grandeur of the Yorkshire coastline. | 0:39:41 | 0:39:44 | |
40-odd miles south of me is Flamborough Head, | 0:39:45 | 0:39:48 | |
46 on the list in the East Riding of Yorkshire, which also boasts | 0:39:48 | 0:39:52 | |
the might of the Humber Bridge, number 29. | 0:39:52 | 0:39:55 | |
But it's the riches of Whitby I'm here to discover, | 0:39:58 | 0:40:01 | |
many of which were chosen as great icons of Yorkshire. | 0:40:01 | 0:40:04 | |
It's a picture-postcard fishing port | 0:40:07 | 0:40:08 | |
cradled between two distinctive landmarks. | 0:40:08 | 0:40:12 | |
The whalebone arch on its west cliff, a symbol of its once thriving | 0:40:12 | 0:40:15 | |
whaling industry, and Whitby Abbey on its east. | 0:40:15 | 0:40:19 | |
The town and the abbey in particular also provided | 0:40:19 | 0:40:22 | |
the inspiration for Bram Stoker's Dracula, | 0:40:22 | 0:40:25 | |
all on the list of Yorkshire treasures. | 0:40:25 | 0:40:28 | |
I'm on the trail of another dark legacy that put Whitby | 0:40:28 | 0:40:32 | |
firmly on the map, not just here in Yorkshire, but worldwide. | 0:40:32 | 0:40:36 | |
It is one of the earliest gemstones used to make jewellery, Whitby Jet. | 0:40:36 | 0:40:41 | |
Whitby Jet is only found on a 7.5-mile stretch of the surrounding | 0:40:41 | 0:40:45 | |
coastline and I am scouring a small section of it with Mike Marshall. | 0:40:45 | 0:40:49 | |
He has been hunting for Whitby's unique treasure since he was a boy. | 0:40:49 | 0:40:54 | |
So what are we looking for? | 0:40:54 | 0:40:56 | |
We are looking for sort of | 0:40:56 | 0:40:57 | |
beach-washed pieces of Jet | 0:40:57 | 0:40:59 | |
that are washed up after the storms. | 0:40:59 | 0:41:02 | |
When it comes to the Whitby Jet set, Mike is top of the tree. | 0:41:02 | 0:41:05 | |
That is what you're looking for. | 0:41:05 | 0:41:07 | |
-That's a good-sized piece, isn't it? -It is, yeah. Lucky today. | 0:41:07 | 0:41:10 | |
That was a nice find. Very good. | 0:41:10 | 0:41:13 | |
So talk to me about its geology, what exactly is it? | 0:41:13 | 0:41:16 | |
Whitby Jet is fossilised monkey puzzle tree. | 0:41:16 | 0:41:19 | |
These things were washed into the sea by flash floods, | 0:41:19 | 0:41:24 | |
carried out to sea, waterlogged very quickly, | 0:41:24 | 0:41:26 | |
covered very quickly as well, and, under great pressure | 0:41:26 | 0:41:29 | |
-over 180 million years, it was turned to Whitby Jet. -This wonderful stuff. | 0:41:29 | 0:41:34 | |
So how do you know if you have got a good piece of Jet? | 0:41:35 | 0:41:38 | |
-How do you test the quality? -There is a simple test that can be done. | 0:41:38 | 0:41:42 | |
If you just score it on there, | 0:41:42 | 0:41:44 | |
then you get a really nice gingery-brown colour, | 0:41:44 | 0:41:48 | |
and that tells me that is good-quality Jet. | 0:41:48 | 0:41:51 | |
-Whitby Jet is the best quality. -And what about its value? | 0:41:51 | 0:41:54 | |
-Let's talk about money. -Money, yeah. -What's it worth? | 0:41:54 | 0:41:58 | |
For that sort of thing, you will get a good price for that. | 0:41:58 | 0:42:01 | |
-Maybe up to £100 a pound. -Well, that's good. | 0:42:01 | 0:42:06 | |
So, let's test the bit you got today. Your lucky find. | 0:42:06 | 0:42:09 | |
-That piece we found today. -It's good! | 0:42:09 | 0:42:13 | |
That's a good quality piece of Jet. | 0:42:13 | 0:42:14 | |
-It's your lucky day. -Yeah, definitely. | 0:42:14 | 0:42:16 | |
In the late 19th century, Whitby Jet | 0:42:18 | 0:42:20 | |
became the height of fashion | 0:42:20 | 0:42:22 | |
and the Victorians mined it | 0:42:22 | 0:42:24 | |
on an industrial scale. | 0:42:24 | 0:42:26 | |
Queen Victoria wore Whitby Jet for 30 years | 0:42:31 | 0:42:34 | |
as part of her mourning attire. | 0:42:34 | 0:42:36 | |
For her, Albert's loss was a tragedy. | 0:42:36 | 0:42:38 | |
For Whitby, it was big business. | 0:42:38 | 0:42:41 | |
In 1875, Whitby Jet brought in an annual turnover of around £100,000. | 0:42:41 | 0:42:46 | |
Just over £3 million in today's money. | 0:42:46 | 0:42:50 | |
The town's fishermen were soon outnumbered by men in attics | 0:42:50 | 0:42:53 | |
carving the Jet into ornate jewellery and trinkets. | 0:42:53 | 0:42:57 | |
Hal Redvers-Jones owns the last remaining example of an authentic | 0:42:57 | 0:43:01 | |
Victorian Jet workshop in Whitby, | 0:43:01 | 0:43:03 | |
discovered by a builder about to demolish a house. | 0:43:03 | 0:43:06 | |
Wow! What an amazing place! | 0:43:07 | 0:43:10 | |
This is exactly how it would have been when in operation. | 0:43:10 | 0:43:14 | |
Registered 1867, one of perhaps 200 that would've been in the town | 0:43:14 | 0:43:20 | |
at this time, so a remarkable find, because this is the only one left. | 0:43:20 | 0:43:23 | |
I see. Why would there have been so many? | 0:43:23 | 0:43:25 | |
Was there not just one big warehouse where they could have all done it? | 0:43:25 | 0:43:28 | |
Well, the architecture of Whitby isn't industrial in any way. | 0:43:28 | 0:43:31 | |
It is a fishing town. So what they did have was plenty of attics. | 0:43:31 | 0:43:37 | |
So a literal cottage industry | 0:43:37 | 0:43:39 | |
which turned out to be a huge economic force. | 0:43:39 | 0:43:42 | |
There was very little written down about the Jet industry, | 0:43:42 | 0:43:45 | |
as the workers were poorly educated, | 0:43:45 | 0:43:48 | |
but what Hal has here provides many clues to the past. | 0:43:48 | 0:43:52 | |
A nickname for the 19th-century Jet carvers was the Red Devils. | 0:43:52 | 0:43:56 | |
This rusty old tin has nothing to do with Jet, | 0:43:56 | 0:44:00 | |
it's just a cocoa tin. | 0:44:00 | 0:44:01 | |
But when we opened it up, there was residue. | 0:44:01 | 0:44:05 | |
-Oh, yeah. Bright red. -Bright red. Jeweller's rouge or ferric oxide, | 0:44:05 | 0:44:09 | |
which was powdered in the 19th century. | 0:44:09 | 0:44:11 | |
So they would have put it on a polishing wheel like this. | 0:44:11 | 0:44:14 | |
Of course, as the craftsman stood in front of that, | 0:44:14 | 0:44:16 | |
he would have been sprayed with a bright red cream, | 0:44:16 | 0:44:19 | |
giving him a bright red visage every time people saw him. | 0:44:19 | 0:44:23 | |
There's the Whitby red devil. | 0:44:23 | 0:44:25 | |
So it was nice that the rusty old tin could have underpinned that nickname. | 0:44:25 | 0:44:30 | |
Hal is one of the only Whitby Jet carvers to restore | 0:44:30 | 0:44:34 | |
the very pieces originally worked by Victorian hands. | 0:44:34 | 0:44:38 | |
This is something I just finished off this morning. | 0:44:38 | 0:44:41 | |
This is typical of 19th-century work. | 0:44:41 | 0:44:44 | |
Amazing to think that it just comes from a bit of old dead wood. | 0:44:44 | 0:44:48 | |
180 million-year-old wood. | 0:44:48 | 0:44:51 | |
Whitby Jet is still popular today. | 0:44:51 | 0:44:54 | |
But the town isn't only famed for its velvety black fossil. | 0:44:56 | 0:45:00 | |
You can't come to Whitby | 0:45:00 | 0:45:02 | |
and not have fish and chips. | 0:45:02 | 0:45:04 | |
Whitby fish and chips are number 36 on the list, | 0:45:04 | 0:45:07 | |
and this place is top of the chip shop pops. | 0:45:07 | 0:45:11 | |
-Stuart, how are you doing? -Hello, how are you? -Good, thank you. | 0:45:11 | 0:45:14 | |
-Number one chip shop in the UK. What a position! -Fantastic. | 0:45:14 | 0:45:18 | |
We take a lot of time to source our ingredients. | 0:45:18 | 0:45:20 | |
I think the customers appreciate that and want to buy into it. | 0:45:20 | 0:45:23 | |
And there's even the science | 0:45:23 | 0:45:25 | |
that you look into once the fish has been caught. | 0:45:25 | 0:45:28 | |
We've looked into the freezing process | 0:45:28 | 0:45:30 | |
and we worked out that the rigor mortis in the fish | 0:45:30 | 0:45:32 | |
takes six weeks to come through in the frozen product. | 0:45:32 | 0:45:35 | |
To use fish before that date doesn't quite cook as well | 0:45:35 | 0:45:38 | |
so by leaving it for six weeks, you get nice, big, white flakes | 0:45:38 | 0:45:42 | |
and the really juicy, sweet taste of the cod, and it works brilliantly. | 0:45:42 | 0:45:47 | |
Now you're whetting my appetite. | 0:45:47 | 0:45:49 | |
-Can I please order fish and chips for one, please? -Not a problem. | 0:45:49 | 0:45:52 | |
That would be lovely. | 0:45:52 | 0:45:53 | |
What better way to get a true taste of Whitby? | 0:45:57 | 0:46:00 | |
Fish and chips on the harbour side | 0:46:00 | 0:46:03 | |
and a good few lungfuls of sea air. | 0:46:03 | 0:46:05 | |
That gull can think again though. He is fat enough already! | 0:46:06 | 0:46:09 | |
The Outstanding Farmer Of The Year Award is a prestigious title | 0:46:14 | 0:46:18 | |
and the competition is seriously tough. | 0:46:18 | 0:46:21 | |
We've met community champions, | 0:46:22 | 0:46:25 | |
vegetable innovators | 0:46:25 | 0:46:27 | |
and now I'm off to the Somerset hills to meet the third finalist. | 0:46:27 | 0:46:31 | |
Neil Darwin's been a dairy farmer | 0:46:33 | 0:46:35 | |
since graduating from agricultural college in 1986. | 0:46:35 | 0:46:38 | |
As his experience has grown, | 0:46:38 | 0:46:40 | |
his ideas for the UK dairy industry have got bigger and bolder. | 0:46:40 | 0:46:44 | |
-Hi, Neil. -Hi, Adam. How are you? -Good to see you. | 0:46:44 | 0:46:46 | |
These are lovely cattle. What are these? | 0:46:46 | 0:46:48 | |
These are Montbeliarde cows that actually originate | 0:46:48 | 0:46:51 | |
from the Swiss-French border in the Jura Mountains. | 0:46:51 | 0:46:53 | |
Renowned in France for producing really high-quality milk for cheese, | 0:46:53 | 0:46:57 | |
making some famous cheeses like Comte, Reblochon, Mont-d'Or. | 0:46:57 | 0:47:00 | |
But for me, the strengths are that they are really robust, | 0:47:00 | 0:47:02 | |
strong castle. | 0:47:02 | 0:47:05 | |
And is there a compromise when it comes to milk yield? | 0:47:05 | 0:47:07 | |
Our cows are no slouchers when it comes to milk. | 0:47:07 | 0:47:09 | |
I mean, we're averaging just under 7,000 litres a cow. | 0:47:09 | 0:47:12 | |
We have cows here doing over 8,000 litres. | 0:47:12 | 0:47:14 | |
But we offset that perhaps lower milk yield | 0:47:14 | 0:47:17 | |
than some of the Holstein cows would be doing | 0:47:17 | 0:47:19 | |
with other attributes that the cow has. | 0:47:19 | 0:47:21 | |
She delivers us a really valuable beef calf, | 0:47:21 | 0:47:23 | |
she has a good value at the end of her working life and we also | 0:47:23 | 0:47:26 | |
enjoy other attributes such as great fertility and longevity. | 0:47:26 | 0:47:30 | |
OK, girls. Let's go. | 0:47:33 | 0:47:36 | |
Good girls. Come along. | 0:47:36 | 0:47:39 | |
Good girls. That's it. | 0:47:39 | 0:47:41 | |
Neil's cattle are used to routine and at this time of year, | 0:47:41 | 0:47:44 | |
they're turned out onto the pasture during the day. | 0:47:44 | 0:47:48 | |
As the mist is burnt off by the morning sun, | 0:47:50 | 0:47:53 | |
the cows seem really content. | 0:47:53 | 0:47:55 | |
Really, you believe that grass is an essential part of producing milk? | 0:47:57 | 0:48:00 | |
Absolutely. | 0:48:00 | 0:48:02 | |
At the end of the day, | 0:48:02 | 0:48:03 | |
it's what ruminants were born to do - graze grass. | 0:48:03 | 0:48:06 | |
We should be looking as much as possible to harness | 0:48:06 | 0:48:08 | |
that natural capability. | 0:48:08 | 0:48:10 | |
There will be a lot of dairy farmers who have their cattle in sheds | 0:48:10 | 0:48:13 | |
in the winter, but let them out to grass in the summer. | 0:48:13 | 0:48:16 | |
So what makes your system different? | 0:48:16 | 0:48:19 | |
We typify what a lot of dairy farmers do. | 0:48:19 | 0:48:21 | |
I think what I'm trying to do here is to enhance that system | 0:48:21 | 0:48:25 | |
in every which way I can, and at the end of the day, | 0:48:25 | 0:48:27 | |
what I'm really about is sharing that knowledge with other farmers | 0:48:27 | 0:48:30 | |
and getting farmers to help one another. | 0:48:30 | 0:48:32 | |
We have a wealth of knowledge between us, | 0:48:32 | 0:48:35 | |
but we're not very good sometimes at sharing it. | 0:48:35 | 0:48:37 | |
Good girls. Come on, then. | 0:48:38 | 0:48:40 | |
After a morning's grazing, it's time for milking, | 0:48:46 | 0:48:48 | |
and it's a short walk to the parlour. | 0:48:48 | 0:48:51 | |
And it's this milk that you're producing that you feel | 0:48:51 | 0:48:54 | |
-so passionate about telling the story. -Absolutely. | 0:48:54 | 0:48:56 | |
I think milk is a very undervalued food. | 0:48:56 | 0:48:59 | |
We are producing a great nutritious product from cows | 0:48:59 | 0:49:02 | |
that are enjoying a great life. | 0:49:02 | 0:49:04 | |
And I want the world to know really what that means to them | 0:49:04 | 0:49:07 | |
in terms of the value of that product to them. | 0:49:07 | 0:49:09 | |
-And have you got other producers taking that on? -I have, increasingly. | 0:49:09 | 0:49:12 | |
I have actually set up the free-range dairy initiative | 0:49:12 | 0:49:15 | |
for farmers and we are now marking milk and dairy products | 0:49:15 | 0:49:18 | |
under the Pasture Promise label, which I have here on this cheese. | 0:49:18 | 0:49:21 | |
And farmers who are committing to grazing their cows | 0:49:21 | 0:49:24 | |
for 180 days a year, I am allowing to use the label to demonstrate | 0:49:24 | 0:49:27 | |
their commitment to providing freedom to cows to graze. | 0:49:27 | 0:49:31 | |
Do you think this is the sort of thing consumers are looking for? | 0:49:31 | 0:49:34 | |
Yeah. I think consumers increasingly want to make an informed choice | 0:49:34 | 0:49:37 | |
when it comes to buying food and for us as dairy farmers, | 0:49:37 | 0:49:39 | |
it's important we distinguish our free-range grazing herds. | 0:49:39 | 0:49:43 | |
-It's a good story. -Thanks. | 0:49:43 | 0:49:45 | |
I've now got a difficult decision to make... | 0:49:47 | 0:49:49 | |
..but I will be revealing who my winner is very soon. | 0:49:53 | 0:49:55 | |
Today, we're in the County of the White Rose, Yorkshire, | 0:50:15 | 0:50:20 | |
finding out about the icons that have made this area great, | 0:50:20 | 0:50:24 | |
as voted for by the readers of The Dalesman magazine. | 0:50:24 | 0:50:27 | |
So we've drunk cups of tea, listened to brass bands, | 0:50:27 | 0:50:30 | |
we've marvelled at beautiful abbeys, | 0:50:30 | 0:50:32 | |
we've eaten Wensleydale cheese, hunted for Whitby Jet, | 0:50:32 | 0:50:35 | |
but we still don't know what is at the top of the list. | 0:50:35 | 0:50:38 | |
Well, I do, but you'll just have to wait and see. | 0:50:38 | 0:50:41 | |
A pint, you say? It would be rude not to! | 0:50:41 | 0:50:43 | |
Now, I think there's every chance | 0:50:44 | 0:50:46 | |
I'll find number 47 in here - | 0:50:46 | 0:50:49 | |
Black Sheep Bitter. | 0:50:49 | 0:50:51 | |
The landlord, Mark Thompson, has links to The Dalesman too, | 0:50:51 | 0:50:55 | |
as he was artist in residence for a good number of years. | 0:50:55 | 0:50:58 | |
I started when I was 14. | 0:50:58 | 0:50:59 | |
I sent off a pen and ink drawing to the editor, | 0:50:59 | 0:51:03 | |
-who was Bill Mitchell at the time. -Right. | 0:51:03 | 0:51:05 | |
And it went on from there, and I did 25 years. | 0:51:05 | 0:51:08 | |
Sending various line drawings in to them, | 0:51:08 | 0:51:11 | |
getting five shillings, 25p, in postal orders back. | 0:51:11 | 0:51:14 | |
-How wonderful. -And I'm very proud to be part of that. | 0:51:14 | 0:51:18 | |
Do you know, I was thinking it must be hard for you as an artist | 0:51:18 | 0:51:20 | |
-to pick the ultimate icon of Yorkshire. -The spirit. | 0:51:20 | 0:51:24 | |
The spirit of Yorkshire. | 0:51:24 | 0:51:26 | |
The spirit of the light, the spirit of the people, | 0:51:26 | 0:51:28 | |
the spirit of truthfulness of Yorkshire. | 0:51:28 | 0:51:30 | |
-That's what I would say to you. -Hang on a minute... | 0:51:30 | 0:51:33 | |
I recognise this lot. Let me finish up here. | 0:51:33 | 0:51:35 | |
-I've got to conduct them in the right manner. -No problem. | 0:51:35 | 0:51:38 | |
-Conduct them in the right manner. Good to meet you. -That was lovely. | 0:51:38 | 0:51:40 | |
-All the best to you. -Thank you. See you later. | 0:51:40 | 0:51:43 | |
Right, come on, then. Come on through. How many more are there? | 0:51:43 | 0:51:47 | |
Are you the last one? No. Are you the last one? No! | 0:51:47 | 0:51:50 | |
Come on. | 0:51:50 | 0:51:52 | |
Good. Everyone. Is everyone | 0:51:52 | 0:51:54 | |
-where they should be? -ALL: Yes. | 0:51:54 | 0:51:56 | |
Everybody in position? Good. Have a little warm-up. Can you remember it? | 0:51:56 | 0:52:00 | |
-ALL: Yes. -You can. Very good. | 0:52:00 | 0:52:02 | |
Right. Listen, I'll be right back. | 0:52:02 | 0:52:04 | |
I've just got to get something out of the oven. | 0:52:04 | 0:52:07 | |
So now I'm off to meet the number one. | 0:52:07 | 0:52:10 | |
A couple of years ago, Ellie and I had a go at creating | 0:52:10 | 0:52:13 | |
the perfect one of these. | 0:52:13 | 0:52:14 | |
The thing is, it was a fix. | 0:52:14 | 0:52:17 | |
Yeah, whatever, Matt! | 0:52:17 | 0:52:20 | |
It was! It might have been a little bit burnt, | 0:52:20 | 0:52:23 | |
but I like crispy bits, and I've been using that recipe ever since. | 0:52:23 | 0:52:26 | |
But now, with a little bit of help, I'm going to nail the number one. | 0:52:26 | 0:52:29 | |
It's the classic Yorkshire pudding. | 0:52:29 | 0:52:32 | |
'I made mine very scientifically, | 0:52:32 | 0:52:33 | |
'while Ellie went along | 0:52:33 | 0:52:35 | |
'a more traditional route. | 0:52:35 | 0:52:37 | |
'It was very close, but Ellie won. | 0:52:37 | 0:52:39 | |
'I'm hoping that this time, champion Yorkshire pud maker | 0:52:39 | 0:52:42 | |
'Chris Blackburn can help me put things right.' | 0:52:42 | 0:52:45 | |
-Very hot indeed. -Smoking hot. | 0:52:47 | 0:52:50 | |
And what we're going to do now | 0:52:50 | 0:52:51 | |
is fill each one of these up | 0:52:51 | 0:52:53 | |
about three quarters full... | 0:52:53 | 0:52:55 | |
'But these are Yorkshire puddings with a difference. | 0:52:55 | 0:52:57 | |
'Our secret ingredient - chocolate bars. | 0:52:57 | 0:53:01 | |
'Top Yorkshire pudding tip - a seriously hot oven. | 0:53:01 | 0:53:04 | |
'Even the gravy's chocolate! And 20 minutes later...' | 0:53:05 | 0:53:08 | |
-Oh, my word! Gosh! -CHRIS CHUCKLES | 0:53:08 | 0:53:14 | |
-Look at those! -They are absolutely fantastic. -Are you happy? | 0:53:14 | 0:53:17 | |
Very, very happy with that indeed. | 0:53:17 | 0:53:20 | |
The gravy's ready, everyone. The gravy's ready. | 0:53:20 | 0:53:22 | |
Looks absolutely delicious. | 0:53:26 | 0:53:29 | |
-Oh, man! Hey! -Is it good? | 0:53:38 | 0:53:40 | |
That is... That is absolutely superb. Oh! | 0:53:41 | 0:53:46 | |
Ellie, it's time for a rematch. You do not stand a chance! | 0:53:46 | 0:53:52 | |
That might be so, Matt, but I have ticked off | 0:53:52 | 0:53:54 | |
way more on the list of 75 than you have, including these - | 0:53:54 | 0:53:58 | |
Whitby's finest fish and chips. | 0:53:58 | 0:54:01 | |
I've got a flat cap. Number 28. | 0:54:01 | 0:54:05 | |
See this? Sheffield stainless deal. | 0:54:05 | 0:54:07 | |
Number 74. | 0:54:07 | 0:54:09 | |
Ellie, you will never beat this - | 0:54:09 | 0:54:11 | |
using a stick of number 71, rhubarb, | 0:54:11 | 0:54:13 | |
to conduct a brass band, number 17. | 0:54:13 | 0:54:15 | |
Well, on that note, it's goodbye from Yorkshire, | 0:54:17 | 0:54:20 | |
and brace yourselves for | 0:54:20 | 0:54:21 | |
the Leyburn Band, plus one. | 0:54:21 | 0:54:23 | |
THEY PLAY COUNTRYFILE THEME | 0:54:25 | 0:54:28 | |
Hang on, hang on! We'll have to start again. My rhubarb snapped! | 0:54:28 | 0:54:32 | |
-THEY LAUGH -Hang on! Right. | 0:54:32 | 0:54:34 | |
Let's try this again. Hang on... | 0:54:34 | 0:54:36 | |
I tell you what, I'll use two this time. Right. | 0:54:36 | 0:54:39 | |
On that note, it's goodbye from Yorkshire. | 0:54:39 | 0:54:41 | |
Brace yourselves for the Leyburn Band, plus one. | 0:54:41 | 0:54:45 | |
THEY PLAY COUNTRYFILE THEME | 0:54:45 | 0:54:47 |