Browse content similar to The Godiva Affair. Check below for episodes and series from the same categories and more!
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# Who do you think you are kidding, Mr Hitler | 0:00:02 | 0:00:07 | |
# If you think we're on the run? | 0:00:07 | 0:00:11 | |
# We are the boys who will stop your little game | 0:00:11 | 0:00:16 | |
# We are the boys who will make you think again | 0:00:17 | 0:00:22 | |
# Cos who do you think you are kidding, Mr Hitler | 0:00:22 | 0:00:27 | |
# If you think old England's done? | 0:00:27 | 0:00:31 | |
# Mr Brown goes off to town on the 8:21 | 0:00:31 | 0:00:37 | |
# But he comes home each evening and he's ready with his gun | 0:00:37 | 0:00:41 | |
# So who do you think you are kidding, Mr Hitler | 0:00:41 | 0:00:46 | |
# If you think old England's done? # | 0:00:46 | 0:00:51 | |
Right, men. This is top secret. Put the blackouts up. | 0:00:52 | 0:00:58 | |
Woods, Meadows, | 0:00:58 | 0:01:00 | |
stand guard outside the main door there and don't let anybody in. | 0:01:00 | 0:01:05 | |
I don't care who it is, right? | 0:01:05 | 0:01:07 | |
-All clear out there, Hancock? -All clear, sir. -Good. | 0:01:13 | 0:01:17 | |
Right, Jones. All clear. | 0:01:22 | 0:01:25 | |
Right, sir. Come on, lads. | 0:01:25 | 0:01:26 | |
BELLS JANGLE | 0:01:26 | 0:01:28 | |
Excellent, men. Very good turnout. | 0:01:38 | 0:01:42 | |
Sir, aren't you going to wear your attire? | 0:01:42 | 0:01:45 | |
No, not for just now. I shall just wear the hat. | 0:01:45 | 0:01:49 | |
Now, the reason I have taken | 0:01:49 | 0:01:52 | |
all these pains to keep this matter a secret | 0:01:52 | 0:01:57 | |
is because nobody must see this dance until it is perfect. | 0:01:57 | 0:02:02 | |
Otherwise, we might look like a bunch of idiots. | 0:02:02 | 0:02:06 | |
Captain Mainwaring, I want a word wi' ye. | 0:02:08 | 0:02:12 | |
I've got to tell you, sir, that as a Scot, | 0:02:12 | 0:02:16 | |
I feel a right Jessie dressed up in this pansy Sassenach get-up! | 0:02:16 | 0:02:23 | |
It's frightfully difficult getting about like this. | 0:02:23 | 0:02:26 | |
It really is most awkward. | 0:02:32 | 0:02:35 | |
-You'll soon get used to it. -Will I? | 0:02:35 | 0:02:37 | |
Mr Wilson isn't as other men. His legs point in the wrong direction. | 0:02:37 | 0:02:42 | |
What's the matter with them? | 0:02:44 | 0:02:46 | |
-Do try and sort yourself out. -Well, I haven't done it before. | 0:02:46 | 0:02:50 | |
-Thank you so much. -There you are. | 0:02:51 | 0:02:56 | |
-Now, as you can see... -Sorry, sir. | 0:02:56 | 0:03:00 | |
As you know, we're only £2,000 off our target... | 0:03:00 | 0:03:05 | |
which is to buy a Spitfire. | 0:03:05 | 0:03:06 | |
And during this week, during the coming week, | 0:03:06 | 0:03:09 | |
the people of Walmington will be doing their utmost to raise this. | 0:03:09 | 0:03:15 | |
The climax is the procession on Saturday, when we'll do our dance. | 0:03:15 | 0:03:20 | |
Sergeant Wilson will collect money. | 0:03:20 | 0:03:23 | |
I don't like the idea of asking strangers for money. | 0:03:23 | 0:03:27 | |
It's perfectly simple. Gallop the horse. Make it look lifelike. | 0:03:27 | 0:03:33 | |
That's right. And you make jocular remarks. | 0:03:33 | 0:03:37 | |
I see. | 0:03:37 | 0:03:38 | |
What sort of jocular remarks? | 0:03:40 | 0:03:42 | |
Try...um..."Har, har, har. Give till it hurts, har, har, har." Try that. | 0:03:42 | 0:03:48 | |
-IN A FLAT VOICE: -Ha, ha, ha. Give till it hurts. | 0:03:48 | 0:03:52 | |
If we want to collect £2,000, he'll have to be more jocular than that! | 0:03:55 | 0:04:00 | |
He could say, "We need Spitfires to beat the Hun - | 0:04:00 | 0:04:04 | |
"put money in my mouth and it goes to my tum." | 0:04:04 | 0:04:07 | |
Rubbish! All he's got to do is wave his stick and say, | 0:04:07 | 0:04:12 | |
"Give us your money or I'll bash your head in!" | 0:04:12 | 0:04:15 | |
All right, now let's form up. | 0:04:15 | 0:04:17 | |
Private Sponge, give the instruction book to Sergeant Wilson. | 0:04:17 | 0:04:22 | |
Now, where did we get to last time? | 0:04:26 | 0:04:29 | |
I was having trouble whiffling, sir. | 0:04:29 | 0:04:31 | |
Ah, whiffling. It's important that you understand this. | 0:04:31 | 0:04:37 | |
Read that bit out, Wilson. | 0:04:37 | 0:04:39 | |
Just a minute, sir. Here we are. Whiffling. | 0:04:39 | 0:04:43 | |
"The movement of the whiffling stick is to frighten away evil spirits." | 0:04:43 | 0:04:49 | |
-Away from what, Mr Mainwaring? -This is a fertility dance, Pike. | 0:04:49 | 0:04:56 | |
I don't think my sister Dolly would approve. | 0:04:56 | 0:04:59 | |
Ah, you silly old duffer. | 0:04:59 | 0:05:01 | |
It's to encourage the crops to grow. | 0:05:01 | 0:05:06 | |
It's danced every year by the young, fertile men of the village. | 0:05:06 | 0:05:10 | |
It's not much good us doing it! | 0:05:10 | 0:05:12 | |
You speak for yourself! | 0:05:14 | 0:05:17 | |
All right, that'll do. | 0:05:17 | 0:05:18 | |
Permission to speak, sir. | 0:05:18 | 0:05:20 | |
-I do not wish to stand opposite Frazer when he's whiffling. -Why not? | 0:05:20 | 0:05:27 | |
I've faced Whirling Dervishes and I've faced charging Fuzzy Wuzzies, | 0:05:27 | 0:05:31 | |
but I don't want to face him. He's got a mad look in his eye. | 0:05:31 | 0:05:37 | |
Mad? Mad! | 0:05:37 | 0:05:39 | |
My eyes are perfectly sane! | 0:05:39 | 0:05:41 | |
Captain Mainwaring, would you say I had mad eyes? | 0:05:41 | 0:05:46 | |
Well...no...not really mad. | 0:05:46 | 0:05:49 | |
There! | 0:05:49 | 0:05:52 | |
Just before we start, we'd better check that the bells are all right. | 0:05:52 | 0:05:56 | |
Right, left leg first. | 0:05:56 | 0:05:59 | |
Right leg. | 0:05:59 | 0:06:01 | |
Is that the best you can do? | 0:06:03 | 0:06:06 | |
A touch of rheumatism, I'm afraid. | 0:06:06 | 0:06:08 | |
-So sorry, sir. I beg your pardon. -DO try and control that animal! | 0:06:08 | 0:06:14 | |
He's not used to this type of work. | 0:06:14 | 0:06:17 | |
Right. From the top. Private Day. | 0:06:18 | 0:06:21 | |
-CONCERTINA PLAYS -One, two, three, four, five, six... | 0:06:21 | 0:06:28 | |
Back! | 0:06:28 | 0:06:30 | |
Forward! | 0:06:30 | 0:06:32 | |
Round! | 0:06:32 | 0:06:33 | |
Turn! | 0:06:37 | 0:06:39 | |
Whiffling! | 0:06:41 | 0:06:42 | |
-Beansprout! -WHOOH! | 0:06:46 | 0:06:49 | |
WHOOH! | 0:06:49 | 0:06:50 | |
WHOOH! | 0:06:50 | 0:06:53 | |
WHOOH! | 0:06:53 | 0:06:55 | |
Watch what you're doing! | 0:06:56 | 0:06:59 | |
APPLAUSE | 0:07:01 | 0:07:04 | |
That was very good indeed. | 0:07:09 | 0:07:11 | |
Right, take a break and change into your uniforms. | 0:07:11 | 0:07:15 | |
JONES MOUTHS SILENTLY | 0:07:15 | 0:07:19 | |
Jones. Jones. Jones! | 0:07:19 | 0:07:22 | |
What's all this nonsense about Frazer hitting you with his stick? | 0:07:22 | 0:07:28 | |
That's not like you. | 0:07:28 | 0:07:30 | |
I know it isn't. I can't hide it, I'm in a highly nervous state. | 0:07:30 | 0:07:35 | |
-Have you got trouble at home? -No, it's trouble away from home. | 0:07:35 | 0:07:39 | |
-You'd better come in the office. -Thank you, sir. | 0:07:39 | 0:07:43 | |
-Could Mr Wilson come too, sir? -Why? -He's a man of the world. -Very well. | 0:07:43 | 0:07:50 | |
-Wilson? -Yes, sir? -Office. | 0:07:50 | 0:07:53 | |
Do you want me to walk or gallop? | 0:07:53 | 0:07:55 | |
Just come in the office, will you! | 0:07:55 | 0:07:57 | |
That's very kind of you. | 0:08:08 | 0:08:11 | |
Now, Jones... | 0:08:11 | 0:08:13 | |
Get this thing off my desk! | 0:08:14 | 0:08:17 | |
I'm terribly sorry, sir. It sort of sticks out. | 0:08:17 | 0:08:21 | |
Jones? | 0:08:21 | 0:08:23 | |
-It's rather delicate. It's Mrs Fox. -Mrs Fox? | 0:08:23 | 0:08:27 | |
Yes. She's a widow lady, and we have an arrangement. | 0:08:27 | 0:08:32 | |
We've been walking out. | 0:08:32 | 0:08:35 | |
Walking where? | 0:08:35 | 0:08:36 | |
Well, all over the place. | 0:08:36 | 0:08:38 | |
I go round to her place with a couple of chops, | 0:08:38 | 0:08:43 | |
she cooks, and we eat them together. | 0:08:43 | 0:08:46 | |
There's nothing between Mrs Fox and me. It's purely Teutonic. | 0:08:46 | 0:08:51 | |
I go round on a Saturday night, we listen to In Town Tonight, | 0:08:52 | 0:08:58 | |
and when the announcer says, "Carry on, London," I go home. | 0:08:58 | 0:09:02 | |
I don't see what this has got to do with me. | 0:09:04 | 0:09:07 | |
-Recently, you see, her affection has been taken by another. -Who? | 0:09:07 | 0:09:12 | |
Mr Gordon, the Town Clerk. | 0:09:12 | 0:09:15 | |
What? Not that silly, bald-headed old duffer? | 0:09:15 | 0:09:18 | |
I don't mean he's a bald-headed old duffer | 0:09:22 | 0:09:25 | |
just because he's got a bald head! | 0:09:25 | 0:09:26 | |
He'd be a silly duffer WITH hair. | 0:09:26 | 0:09:28 | |
-A full head of hair... -Yes, all right, all right. | 0:09:32 | 0:09:35 | |
-Everybody knows he's a roue and a philanthropist! -What can I do? | 0:09:37 | 0:09:44 | |
I want you to speak to her, sir. | 0:09:45 | 0:09:47 | |
I couldn't possibly do that. | 0:09:47 | 0:09:49 | |
Yes, you must. You must. Here's her telephone number. | 0:09:49 | 0:09:53 | |
-Don't go spreading it around, mind. -But I... | 0:09:53 | 0:09:58 | |
You must, otherwise I shall be a broken man, | 0:09:58 | 0:10:01 | |
and what good is a broken Lance Corporal? | 0:10:01 | 0:10:05 | |
-Oh, dear. What are you going to do? -I don't know. | 0:10:05 | 0:10:10 | |
I suppose I could ring her up. | 0:10:10 | 0:10:12 | |
Perhaps I ought to point out to her what sort of a chap this Clerk is. | 0:10:12 | 0:10:17 | |
I'll give her a ring later and arrange to see her. | 0:10:17 | 0:10:21 | |
Godfrey? Is that you, son? | 0:10:28 | 0:10:30 | |
Yes, I was just having my hot milk. | 0:10:30 | 0:10:33 | |
It has happened. I knew it would one day. | 0:10:33 | 0:10:37 | |
What? | 0:10:37 | 0:10:39 | |
It's Mainwaring. He's succumbed to the lure of the flesh. | 0:10:39 | 0:10:44 | |
Did you hear what I said? The flesh. The flesh! | 0:10:44 | 0:10:49 | |
I wish you wouldn't keep repeating that word. My sister Dolly may hear. | 0:10:49 | 0:10:54 | |
Besides, I don't believe a word. | 0:10:54 | 0:10:57 | |
I tell you, I heard it with my own ears. | 0:10:57 | 0:11:00 | |
I happened to be passing the office and I heard him speaking to a woman. | 0:11:00 | 0:11:06 | |
Who? | 0:11:06 | 0:11:08 | |
Mrs Fox, that fine big widow woman! | 0:11:08 | 0:11:13 | |
But Mr Mainwaring is a pillar of respectability. | 0:11:14 | 0:11:18 | |
Men like him are the worst! | 0:11:18 | 0:11:20 | |
Looking down their noses at other folk, | 0:11:20 | 0:11:23 | |
and all the time deep inside, lust, lust, sheer naked lust! | 0:11:23 | 0:11:29 | |
I tell you, the fires of hell | 0:11:29 | 0:11:32 | |
are lying in wait for him! He's doomed, DOOMED! | 0:11:32 | 0:11:37 | |
It's nonsense. | 0:11:37 | 0:11:39 | |
Nonsense?! | 0:11:39 | 0:11:41 | |
Listen, I heard him arrange to meet this woman at the Marigold Tea Rooms | 0:11:41 | 0:11:46 | |
tomorrow morning at 10:30. | 0:11:46 | 0:11:48 | |
Why don't you go and see yourself? | 0:11:48 | 0:11:51 | |
I will, to prove that you're wrong! | 0:11:51 | 0:11:54 | |
Right, I'll meet you there. | 0:11:54 | 0:11:57 | |
And don't forget it's your turn to pay for the coffee. | 0:11:57 | 0:12:01 | |
Hello, hello? Pikey, I must speak to you, boy. It's very important. | 0:12:04 | 0:12:10 | |
I want to know what time Captain Mainwaring has his morning coffee. | 0:12:10 | 0:12:16 | |
10:30 every morning at the Marigold Tea Rooms. Why? | 0:12:16 | 0:12:21 | |
My information is that he's meeting a certain lady there. | 0:12:21 | 0:12:26 | |
Mr Mainwaring doesn't know "certain ladies". He's married. | 0:12:26 | 0:12:31 | |
Well, she's not so much a lady as kind of a...big... | 0:12:31 | 0:12:36 | |
..oooh...ah ha... | 0:12:36 | 0:12:39 | |
I write this gossip column for the Eastbourne Gazette | 0:12:39 | 0:12:43 | |
called Whispers from Walmington. | 0:12:43 | 0:12:46 | |
I can see the headlines now. | 0:12:46 | 0:12:49 | |
A local bank manager's name linked with a certain widow. | 0:12:49 | 0:12:54 | |
No, you must have it all wrong. | 0:12:54 | 0:12:57 | |
My information is that he's besotted with her, boy, besotted! | 0:12:57 | 0:13:02 | |
What, like in that film "Rain?" | 0:13:02 | 0:13:05 | |
There was this clergyman, you see, | 0:13:05 | 0:13:08 | |
and he was besotted with a girl named Sadie Thompson. | 0:13:08 | 0:13:11 | |
Being a clergyman, he wasn't allowed to be besotted. | 0:13:11 | 0:13:15 | |
In the end, he walked into the sea. | 0:13:15 | 0:13:19 | |
You don't think that Mr Mainwaring will walk into the sea? | 0:13:19 | 0:13:22 | |
He'll have a long walk, the tide's out tomorrow morning. | 0:13:22 | 0:13:25 | |
Captain Mainwaring is a perfectly respectable married man. | 0:13:29 | 0:13:34 | |
You know your trouble, Godfrey? | 0:13:34 | 0:13:37 | |
You live in a dream world of your own. I tell you... | 0:13:37 | 0:13:42 | |
I'd hoped the place would be empty. | 0:13:47 | 0:13:50 | |
Don't worry, sir. Nobody will know why you're meeting Mrs Fox. | 0:13:50 | 0:13:54 | |
It doesn't do for a man in my position to be seen in public | 0:13:56 | 0:13:59 | |
with a flashy woman like Mrs Fox. | 0:13:59 | 0:14:02 | |
In a small town like this, tongues wag, tongues wag. | 0:14:02 | 0:14:06 | |
Nobody will pay any attention. | 0:14:06 | 0:14:10 | |
Now, where shall we sit? | 0:14:15 | 0:14:18 | |
-I'm going to sit over here. -I see. | 0:14:18 | 0:14:21 | |
You go and sit on your own. | 0:14:21 | 0:14:25 | |
-Psst. Mr Mainwaring. -Good morning. | 0:14:29 | 0:14:32 | |
-Jones? -Don't give me away, sir. | 0:14:36 | 0:14:39 | |
-Why are you dressed like that? -I'm heavily disguised. | 0:14:39 | 0:14:43 | |
Yoo-hoo! Mr Mainwaring! | 0:14:44 | 0:14:48 | |
Morning, Mr Frazer, Mr Godfrey. | 0:14:48 | 0:14:53 | |
Hello, Mr Wilson. | 0:14:53 | 0:14:55 | |
-I'm ever so sorry I'm late. -Please... | 0:14:55 | 0:14:58 | |
-I'm not usually late when I meet a gentleman friend, but... -Sit down. | 0:14:58 | 0:15:02 | |
-Please sit down! -Thank you. | 0:15:02 | 0:15:06 | |
See that, Godfrey. The way he manhandled her! | 0:15:06 | 0:15:09 | |
Well, this is cosy. | 0:15:22 | 0:15:25 | |
-Good morning. -Two coffees, please. | 0:15:25 | 0:15:28 | |
No coffee with Mr Wilson today? | 0:15:28 | 0:15:30 | |
No. I'm...I'm having this lady with my coffee... I mean...er... | 0:15:30 | 0:15:35 | |
I see(!) | 0:15:35 | 0:15:38 | |
The reason I asked you to meet me | 0:15:40 | 0:15:43 | |
is to... | 0:15:43 | 0:15:45 | |
-What do you want, Pike? -Excuse me, but Mrs Mainwaring's on the phone. | 0:15:47 | 0:15:53 | |
Oh. Right. Tell her I'll ring back later, will you? | 0:15:53 | 0:15:58 | |
Ring back later, right. | 0:15:58 | 0:16:02 | |
What is it now? | 0:16:02 | 0:16:05 | |
-Good morning, Mrs Fox. -Hello, dear. -It's nice to see you. | 0:16:10 | 0:16:15 | |
Get out, Pike. | 0:16:15 | 0:16:16 | |
Bye-bye, dear. | 0:16:18 | 0:16:21 | |
Mrs Fox, the reason I asked you to meet me here | 0:16:23 | 0:16:29 | |
was to discuss a rather delicate matter. | 0:16:29 | 0:16:31 | |
-Yes? -I find these affairs of the emotions very embarrassing. | 0:16:31 | 0:16:37 | |
You don't need to be shy with me. | 0:16:37 | 0:16:41 | |
The point is, Mrs Fox, you're a very attractive woman. | 0:16:41 | 0:16:47 | |
-And I... -Two coffees. | 0:16:47 | 0:16:49 | |
What was I saying? | 0:16:56 | 0:16:58 | |
You were saying how attractive I was. | 0:16:58 | 0:17:01 | |
Oh, yes...which indeed you are. Particularly to older men. | 0:17:01 | 0:17:07 | |
You're very attractive, too. | 0:17:07 | 0:17:09 | |
-That's got nothing to do with it. -But you are. You ARE. | 0:17:09 | 0:17:14 | |
Yes, well, we won't argue about it. | 0:17:14 | 0:17:17 | |
The point is, Mrs Fox, | 0:17:20 | 0:17:23 | |
you have had Mr Jones as an admirer for some time now, | 0:17:23 | 0:17:28 | |
and now you have another. | 0:17:28 | 0:17:32 | |
Mr Mainwaring! | 0:17:34 | 0:17:37 | |
Oh! | 0:17:37 | 0:17:39 | |
See! See there, Godfrey. | 0:17:39 | 0:17:42 | |
For goodness' sake, they're playing handy-pandy! | 0:17:42 | 0:17:46 | |
I think we'd better go. | 0:17:46 | 0:17:47 | |
No, man. | 0:17:47 | 0:17:49 | |
Being a public figure, I expect this admirer is of great attraction. | 0:17:51 | 0:17:58 | |
Oh, he is. He IS. | 0:17:58 | 0:18:01 | |
Yes. | 0:18:01 | 0:18:03 | |
Whereas Jones is just a simple butcher. | 0:18:03 | 0:18:08 | |
But he's a fine figure of a man, | 0:18:08 | 0:18:10 | |
Mrs Fox, a full head of fine, distinguished grey hair. | 0:18:10 | 0:18:15 | |
While your new admirer, not to put too fine a point on it, is bald. | 0:18:15 | 0:18:21 | |
Mr Mainwaring, you know what they say about bald-headed men? | 0:18:21 | 0:18:26 | |
No, what do they say? | 0:18:26 | 0:18:30 | |
-Well... -The thing is, Mrs Fox, | 0:18:30 | 0:18:34 | |
Jones is a loyal member of my platoon, and I don't want him hurt. | 0:18:34 | 0:18:39 | |
-We won't hurt him, Mr Mainwaring. -WE? | 0:18:39 | 0:18:43 | |
He can have Mondays and Saturdays | 0:18:43 | 0:18:46 | |
and you can have Tuesdays and Fridays. | 0:18:46 | 0:18:49 | |
I'm talking about Mr Gordon, the Town Clerk! | 0:18:50 | 0:18:54 | |
He can have Wednesdays. | 0:18:54 | 0:18:56 | |
-What do you want now, Pike? -Sorry, but Mrs Mainwaring's on the phone. | 0:19:02 | 0:19:07 | |
I said you were having coffee with Mrs Fox, but she still wants you. | 0:19:07 | 0:19:11 | |
You stupid boy. | 0:19:18 | 0:19:20 | |
I tell you, I've never been so shocked in my life. | 0:19:27 | 0:19:29 | |
That woman, that frightful woman, really thought I had amorous ideas. | 0:19:29 | 0:19:36 | |
How awfully embarrassing for you. | 0:19:36 | 0:19:38 | |
And when my wife rang up, | 0:19:38 | 0:19:40 | |
that stupid boy Pike told her I was having coffee with Mrs Fox. | 0:19:40 | 0:19:44 | |
All hell broke loose. | 0:19:44 | 0:19:46 | |
Elizabeth wouldn't listen. Look what she did to my tie. | 0:19:46 | 0:19:52 | |
She rang the bank twelve times today. | 0:20:01 | 0:20:04 | |
-If she rings tonight, tell her I'm not here. -All right. | 0:20:04 | 0:20:08 | |
-Good evening. -Evening, Jonesy. | 0:20:12 | 0:20:15 | |
Thank you for talking to Mrs Fox. | 0:20:15 | 0:20:18 | |
-I'm sure it had an effect. -It certainly had. | 0:20:18 | 0:20:21 | |
Captain Mainwaring, we can't get into the hall, | 0:20:22 | 0:20:27 | |
the door's locked. | 0:20:27 | 0:20:28 | |
Mr Hodges told us to go away. | 0:20:28 | 0:20:31 | |
Right, you can come out now. Line up. | 0:20:31 | 0:20:37 | |
That's it. There we are. Very nice. | 0:20:37 | 0:20:39 | |
That's it. There we are then. | 0:20:40 | 0:20:42 | |
What do you think, Mr Town Clerk? | 0:20:44 | 0:20:48 | |
Oh, they're very nice, they are. | 0:20:48 | 0:20:51 | |
We've got to choose one of you | 0:20:51 | 0:20:54 | |
to play Lady Godiva in the procession. | 0:20:54 | 0:20:57 | |
-Can we see the first one? -Certainly. On the horse, dear. | 0:20:57 | 0:21:02 | |
Jones, I want you to show the men | 0:21:02 | 0:21:05 | |
how to strip down the Lewis gun in two minutes. I shall time you. | 0:21:05 | 0:21:11 | |
-Uncle Arthur. -What is it? -The hall is full of naked ladies. | 0:21:14 | 0:21:19 | |
Don't be silly, Frank. Pay attention to the lecture. | 0:21:21 | 0:21:24 | |
-It is! Come and have a look yourself. -Good Lord. What next? | 0:21:24 | 0:21:27 | |
Good heavens! | 0:21:30 | 0:21:32 | |
Shall we tell Mr Mainwaring? PHONE RINGS | 0:21:32 | 0:21:36 | |
-Answer the phone, Wilson. -Yes, of course. | 0:21:36 | 0:21:39 | |
-Hurry, you've only got 30 seconds. -Hello, yes. Just hold on a minute. | 0:21:39 | 0:21:46 | |
It's Mrs Mainwaring, sir. | 0:21:46 | 0:21:49 | |
I'm out. | 0:21:49 | 0:21:52 | |
-I'm sorry, I'm afraid he's gone out. -Yoo-hoo! Mr Mainwaring, I'm here! | 0:21:52 | 0:21:58 | |
How dare you burst in on one of my lectures. | 0:22:00 | 0:22:04 | |
I'm sorry. I was just on my way to the hall. | 0:22:04 | 0:22:08 | |
Excuse me, boys. | 0:22:08 | 0:22:11 | |
Mr Gordon! Let me in. | 0:22:11 | 0:22:14 | |
It's only little me. | 0:22:14 | 0:22:16 | |
Good evening, my dear, come in. | 0:22:16 | 0:22:21 | |
Mr Mainwaring, stop him, stop him! What's he doing in there? | 0:22:21 | 0:22:26 | |
-Mr Mainwaring...? -I don't know, Jones, but I intend to find out. | 0:22:26 | 0:22:29 | |
-What's the meaning of this? -Buzz off, Napoleon. | 0:22:35 | 0:22:40 | |
I'm appalled, Vicar. | 0:22:40 | 0:22:42 | |
Wilson. Wilson! Don't stare at the girls. | 0:22:42 | 0:22:45 | |
-Get them covered. -What with? | 0:22:45 | 0:22:47 | |
Come away. | 0:22:47 | 0:22:51 | |
All this fuss over a few silly girls! | 0:22:51 | 0:22:53 | |
If the vicar wants girls, that's his affair. | 0:22:53 | 0:22:57 | |
Mr Gordon, shall I go and change into my swimming costume now? | 0:22:57 | 0:23:02 | |
I don't think I could stand the shock! | 0:23:02 | 0:23:04 | |
Of course. | 0:23:06 | 0:23:09 | |
He's doing it again. Stop him! | 0:23:09 | 0:23:11 | |
All right, Jones. Be quiet. I demand an explanation. | 0:23:11 | 0:23:15 | |
Keep your hair on! We're choosing a Lady Godiva for the procession. | 0:23:15 | 0:23:20 | |
-Lady Godiva? -Yeah, and it's better than your silly Morris dancing! | 0:23:20 | 0:23:26 | |
Our dancing is not silly! | 0:23:26 | 0:23:29 | |
Is one of these girls going to ride naked through Walmington? | 0:23:29 | 0:23:34 | |
Yes, it's a tribute to the brave city of Coventry. | 0:23:34 | 0:23:38 | |
The girl won't be bare, of course, she'll wear fleshings. | 0:23:38 | 0:23:44 | |
Fleshings? | 0:23:44 | 0:23:46 | |
It's quite all right, sir. They're all-over body tights. | 0:23:46 | 0:23:51 | |
We're not living in Victorian times! | 0:23:51 | 0:23:54 | |
Mr Gordon, might I have a word? | 0:23:54 | 0:23:57 | |
Certainly, my dear. | 0:23:57 | 0:23:59 | |
He's doing it again. Stop him! | 0:23:59 | 0:24:02 | |
All right! Look here, Mr Gordon... | 0:24:02 | 0:24:05 | |
Just a moment, Mainwaring. I think we have the solution. | 0:24:05 | 0:24:09 | |
You don't want a young girl to be Lady Godiva. | 0:24:09 | 0:24:14 | |
It's just been pointed out to me | 0:24:14 | 0:24:17 | |
that Lady Godiva Leofric was a woman of more mature years. | 0:24:17 | 0:24:22 | |
So in the course of historical accuracy, | 0:24:22 | 0:24:24 | |
I suggest that Lady Godiva should be Mrs Fox. | 0:24:24 | 0:24:30 | |
Quiet, please! Quiet! | 0:24:32 | 0:24:34 | |
Mrs Fox will be quite respectable, | 0:24:34 | 0:24:37 | |
covered from top to toe | 0:24:37 | 0:24:40 | |
in fleshings, and wearing a wig of long, golden tresses. | 0:24:40 | 0:24:44 | |
You'll never cover her up with long, golden tresses... | 0:24:44 | 0:24:48 | |
..you'd need a bell tent! | 0:24:49 | 0:24:52 | |
Yes, Elizabeth. | 0:24:56 | 0:24:58 | |
No, Elizabeth. | 0:24:58 | 0:25:01 | |
I had nothing to do with the choice of Mrs Fox as Lady Godiva. | 0:25:01 | 0:25:08 | |
No, dear. Yes, dear. | 0:25:08 | 0:25:12 | |
It was the Town Clerk who decided | 0:25:13 | 0:25:15 | |
she should be played by someone more mature... | 0:25:15 | 0:25:18 | |
Somebody of rather more ample proportions. | 0:25:18 | 0:25:24 | |
Yes, I know that you have more ample proportions than Mrs Fox... | 0:25:26 | 0:25:30 | |
but you're not Lady Godiva, are you? | 0:25:30 | 0:25:34 | |
Hello? Hello? Hello? | 0:25:34 | 0:25:37 | |
Just chatting to the little woman. | 0:25:45 | 0:25:48 | |
-I see. What little woman? -My wife! | 0:25:48 | 0:25:51 | |
I've lost her! Since the Town Clerk asked Mrs Fox to be Lady Godiva | 0:25:53 | 0:25:59 | |
her head's been turned right round! | 0:25:59 | 0:26:02 | |
I'm sorry. | 0:26:02 | 0:26:04 | |
This is what comes of women interfering in men's affairs. | 0:26:04 | 0:26:09 | |
The platoon's been knocked sideways. | 0:26:09 | 0:26:12 | |
Mum, we're about to go on parade! | 0:26:12 | 0:26:15 | |
Go away, Frank. Evening, Captain Mainwaring. | 0:26:15 | 0:26:19 | |
What's this about Mrs Fox playing Lady Godiva? | 0:26:19 | 0:26:23 | |
-It's nothing to do with me. -You were there! | 0:26:23 | 0:26:26 | |
What? Yes...I was. I was standing around. | 0:26:26 | 0:26:30 | |
-A woman like Mrs Fox? -Yes. -I'm much slimmer than she is. | 0:26:30 | 0:26:35 | |
-I mean what's wrong with my figure? -What? Er...nothing, nothing at all. | 0:26:35 | 0:26:39 | |
You don't want to play Lady Godiva. | 0:26:40 | 0:26:44 | |
-I'd like to have been asked! -Consider the effect on your son. | 0:26:44 | 0:26:49 | |
His mother, riding through the streets, clad only in... | 0:26:52 | 0:26:57 | |
Fleshings! | 0:26:57 | 0:26:59 | |
Now... | 0:27:09 | 0:27:11 | |
are we ready, men? | 0:27:11 | 0:27:13 | |
When the... | 0:27:13 | 0:27:15 | |
When the procession has gone past, | 0:27:15 | 0:27:19 | |
Jones will open the door, | 0:27:19 | 0:27:21 | |
we will burst out on to the street and start our dance. | 0:27:21 | 0:27:25 | |
-Mr Mainwaring, the procession's coming now. -Good, good. Stand by. | 0:27:25 | 0:27:29 | |
-Put that horse away! -It's frightfully heavy. -Come along. | 0:27:33 | 0:27:37 | |
-Rest it on here. -KNOCK ON DOOR | 0:27:37 | 0:27:41 | |
There's someone at the door. Don't they know we're closed? I'm coming! | 0:27:41 | 0:27:47 | |
Wilson, I want you to collect as much money as you possibly can. | 0:27:47 | 0:27:52 | |
Mr Jones! Mr Jones! | 0:27:52 | 0:27:55 | |
Mrs Fox, what's the matter? | 0:27:55 | 0:27:58 | |
-It was terrible. -Don't upset yourself, | 0:27:58 | 0:28:01 | |
you're with your little Jack now. What happened? | 0:28:01 | 0:28:06 | |
-What happened? -Well, I went to one of the rooms | 0:28:06 | 0:28:10 | |
in the Town Hall to change, | 0:28:10 | 0:28:12 | |
I put my wig and fleshings on a chair | 0:28:12 | 0:28:15 | |
and went out of the room for a minute, | 0:28:15 | 0:28:17 | |
and when I came back they were gone. Gone! | 0:28:17 | 0:28:21 | |
GONE! | 0:28:21 | 0:28:23 | |
What a pity. We're not going to see Lady Godiva after all. | 0:28:24 | 0:28:30 | |
It's up to us now, men. | 0:28:30 | 0:28:33 | |
There IS a Lady Godiva. | 0:28:33 | 0:28:35 | |
-Good Lord, it's not Mavis, is it? -I wish you'd control that woman. | 0:28:35 | 0:28:39 | |
Don't look, don't look, sir. Whatever you do, don't look! | 0:28:41 | 0:28:45 | |
It IS Mrs Mainwaring! | 0:29:00 | 0:29:02 | |
Oh, Mr Mainwaring, speak to me! | 0:29:03 | 0:29:06 | |
Come round, come round! Poor man, he'll never get over the shock! | 0:29:06 | 0:29:12 | |
No...and neither will the horse! | 0:29:12 | 0:29:15 |