Browse content similar to Future Perfect. Check below for episodes and series from the same categories and more!
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# Three little speckled frogs | 0:00:25 | 0:00:29 | |
# Sat on a speckled log | 0:00:29 | 0:00:31 | |
# Eating some most delicious bugs. # | 0:00:31 | 0:00:35 | |
Sorry. I'm sorry. | 0:00:35 | 0:00:37 | |
Hong Kong wanted to speak to me. | 0:00:37 | 0:00:39 | |
-Their site's still not working properly. -That's fine. | 0:00:39 | 0:00:43 | |
Traffic was a nightmare. Hello, my darling little girl. | 0:00:43 | 0:00:47 | |
Are ready for your first ever holiday, sweetheart? | 0:00:47 | 0:00:50 | |
-Edinburgh seems a bit far away now. -Don't worry, we'll Skype you. | 0:00:50 | 0:00:54 | |
I, um, I've packed her raincoat, | 0:00:54 | 0:00:57 | |
her wellies, her sunhat, just in case. | 0:00:57 | 0:00:59 | |
That's fine. | 0:00:59 | 0:01:01 | |
Oh! And, um, don't forget the... | 0:01:01 | 0:01:04 | |
Baby monitor and the glass bottle. I've got it. | 0:01:04 | 0:01:06 | |
OK. | 0:01:07 | 0:01:09 | |
Everything's going to be all right. | 0:01:09 | 0:01:11 | |
Um...Jenny's coming, too. | 0:01:13 | 0:01:16 | |
-Come on, sweetheart. -What? -Come on. | 0:01:16 | 0:01:19 | |
She didn't think she could get time off. She just got the all clear. | 0:01:19 | 0:01:22 | |
Oh. | 0:01:22 | 0:01:24 | |
Honestly, she's great with Lola. | 0:01:25 | 0:01:27 | |
-They get on like a house on fire. Don't you, eh? -Do they? | 0:01:27 | 0:01:31 | |
Be more fun, won't it, Lola, eh? Someone else to play with. | 0:01:31 | 0:01:34 | |
-Sorry, I couldn't tell you before. We didn't know for sure. -No. | 0:01:35 | 0:01:39 | |
No, it's fine. | 0:01:39 | 0:01:41 | |
-I've got to spend some time at Mum's before we go, so... -Of course. | 0:01:41 | 0:01:46 | |
I love you, darling. | 0:01:53 | 0:01:54 | |
We'll see you in a couple of days. | 0:01:57 | 0:02:00 | |
-What are you going to be doing while we're away? -Oh, you know. Things. | 0:02:00 | 0:02:05 | |
OK. | 0:02:05 | 0:02:06 | |
Bye, then. | 0:02:07 | 0:02:09 | |
(Bye.) | 0:02:09 | 0:02:11 | |
PHONE BLEEPS | 0:02:56 | 0:02:57 | |
Come on in. Have a seat. | 0:03:09 | 0:03:10 | |
Still keeping up with your woodland therapy? | 0:03:12 | 0:03:14 | |
-What? -Come here. | 0:03:14 | 0:03:16 | |
There we go. All done. | 0:03:18 | 0:03:20 | |
Thanks. I try to get to the park every day. | 0:03:21 | 0:03:24 | |
That's good. Sit down. | 0:03:24 | 0:03:26 | |
Thanks. | 0:03:26 | 0:03:27 | |
So, how have you been? | 0:03:29 | 0:03:32 | |
Fine. | 0:03:32 | 0:03:33 | |
Just fine? | 0:03:33 | 0:03:36 | |
Good. | 0:03:36 | 0:03:37 | |
The anti-depressants have really helped and... | 0:03:37 | 0:03:40 | |
I'm beginning to see the wood for the trees. | 0:03:40 | 0:03:42 | |
Really? | 0:03:43 | 0:03:46 | |
Actually, I think they've been too good. | 0:03:48 | 0:03:50 | |
What do you mean? | 0:03:50 | 0:03:52 | |
I wanted to stop feeling, and I have. I'm...totally numb. | 0:03:53 | 0:03:58 | |
That loss of feeling, | 0:04:00 | 0:04:02 | |
it could be a side effect from the medication, | 0:04:02 | 0:04:05 | |
but it's more than likely | 0:04:05 | 0:04:06 | |
that it's just your depression pushing through again. | 0:04:06 | 0:04:09 | |
We can adjust your prescription. | 0:04:10 | 0:04:13 | |
It can take a few weeks to find the right balance. | 0:04:13 | 0:04:16 | |
Two years is a little late for post-natal depression. | 0:04:16 | 0:04:20 | |
There's no time limit. | 0:04:20 | 0:04:22 | |
Having a baby, that's life-changing. | 0:04:23 | 0:04:25 | |
And to become a single parent so soon... | 0:04:27 | 0:04:29 | |
No. It's no excuse. | 0:04:29 | 0:04:31 | |
Be gentle with yourself, Colette. | 0:04:31 | 0:04:33 | |
You will get through this. And the anti-depressants, they are just there to help you. | 0:04:35 | 0:04:39 | |
No. I want to stop taking them. | 0:04:40 | 0:04:44 | |
I feel...that if I don't stop, | 0:04:46 | 0:04:49 | |
I'm... I'm going to disappear. | 0:04:49 | 0:04:51 | |
HESTON HUMS A TUNE | 0:04:53 | 0:04:55 | |
Welcome, my very own queen of the night! | 0:04:58 | 0:05:01 | |
All right? | 0:05:01 | 0:05:02 | |
-Have you talked to Marcus about how you're feeling? -No. | 0:05:09 | 0:05:12 | |
Marcus is moving on. | 0:05:12 | 0:05:14 | |
I should be, too. | 0:05:14 | 0:05:16 | |
Is Lola with him today? | 0:05:16 | 0:05:18 | |
Yes. | 0:05:18 | 0:05:19 | |
All weekend. | 0:05:19 | 0:05:21 | |
In Scotland. | 0:05:21 | 0:05:23 | |
She's going on her first holiday. With Marcus and his new partner. | 0:05:23 | 0:05:27 | |
How does that make you feel? | 0:05:28 | 0:05:30 | |
Glad. | 0:05:31 | 0:05:33 | |
Glad she'll be with someone who'll make her happy. | 0:05:34 | 0:05:38 | |
You make her happy, too, Colette. | 0:05:38 | 0:05:40 | |
It's just you can't see that at the moment. | 0:05:40 | 0:05:42 | |
Maybe. | 0:05:42 | 0:05:45 | |
It'll be a while before I can afford to take her on holiday, though. | 0:05:45 | 0:05:48 | |
I think every day's a holiday when you're Lola's age. | 0:05:48 | 0:05:52 | |
Colette, I really think it would help you | 0:05:53 | 0:05:56 | |
to talk about what you're going through. | 0:05:56 | 0:05:58 | |
Have you had a chance to contact any of the support groups? | 0:05:59 | 0:06:02 | |
I tried, but I couldn't go through with it. | 0:06:03 | 0:06:06 | |
That's OK. | 0:06:06 | 0:06:08 | |
If you stay on the anti-depressants, | 0:06:08 | 0:06:11 | |
they'll give you the confidence to face talking to people. | 0:06:11 | 0:06:15 | |
-But I want to feel normal again. -And you will. | 0:06:15 | 0:06:18 | |
We can adjust the level of anti-depressants that you're on | 0:06:18 | 0:06:21 | |
so it's right for you, but... | 0:06:21 | 0:06:24 | |
if you come off them now, | 0:06:24 | 0:06:27 | |
I-I think it'll make you feel worse. | 0:06:27 | 0:06:30 | |
-OK. -Great. | 0:06:33 | 0:06:35 | |
Ah! So... | 0:06:38 | 0:06:41 | |
have you got any plans for the weekend? | 0:06:41 | 0:06:44 | |
Yes, I have. | 0:06:45 | 0:06:47 | |
Girls' night out? | 0:06:47 | 0:06:50 | |
You know, maybe now's the perfect time | 0:06:52 | 0:06:54 | |
for you to contact one of those groups I recommended. | 0:06:54 | 0:06:56 | |
Yes. Good idea. | 0:06:56 | 0:06:59 | |
There you go. | 0:07:00 | 0:07:01 | |
-Thanks for being so patient with me. -Not at all. | 0:07:05 | 0:07:09 | |
Thanks. | 0:07:10 | 0:07:13 | |
Goodbye. | 0:07:13 | 0:07:14 | |
It's tricky getting hold of you because I've got patients... | 0:07:21 | 0:07:24 | |
I'll speak to you later. Yeah. Bye. | 0:07:24 | 0:07:26 | |
-Everything OK? -Yep. Er, just, er, | 0:07:27 | 0:07:31 | |
upgrading our home broadband. | 0:07:31 | 0:07:33 | |
-What? -Yeah. We live fast-paced lives, | 0:07:33 | 0:07:36 | |
so I thought I'd get go-faster broadband. | 0:07:36 | 0:07:38 | |
Once the baby comes, I won't be able to sort it out. | 0:07:38 | 0:07:41 | |
You OK? | 0:07:42 | 0:07:43 | |
Well, I'm 19 weeks | 0:07:43 | 0:07:46 | |
and I still haven't felt the baby move. Look, you feel. | 0:07:46 | 0:07:49 | |
Zara, you know more than anyone, | 0:07:50 | 0:07:53 | |
first-time mothers are the last to feel their babies kicking. | 0:07:53 | 0:07:56 | |
It's different when it's YOUR baby that isn't moving. | 0:07:56 | 0:07:59 | |
-You worry too much. -You can't just fob me off with doctor-speak. | 0:07:59 | 0:08:03 | |
All right. Look, if you're that worried, | 0:08:03 | 0:08:06 | |
we can get you another scan. | 0:08:06 | 0:08:08 | |
No, it's all right. | 0:08:08 | 0:08:10 | |
I don't want to join the ranks of neurotic first-timers. | 0:08:10 | 0:08:13 | |
I've got to get on. | 0:08:17 | 0:08:18 | |
-Right. -So, catch you later, yeah? | 0:08:20 | 0:08:22 | |
Sure. | 0:08:24 | 0:08:25 | |
PHONE BLEEPS | 0:08:27 | 0:08:29 | |
HORN BLASTS | 0:08:33 | 0:08:34 | |
PHONE RINGS | 0:08:46 | 0:08:48 | |
Aren't you going to answer that? | 0:08:48 | 0:08:51 | |
No. | 0:08:55 | 0:08:56 | |
Who are you trying to avoid? | 0:08:56 | 0:08:58 | |
Believe it or not, my own son. | 0:08:58 | 0:09:01 | |
-Patrick? Must be serious. -Yes, it is. | 0:09:01 | 0:09:04 | |
-I've found out that he's having an affair. -Not that serious. | 0:09:04 | 0:09:07 | |
Well, not for you maybe, but I'm used to being the wronged wife, | 0:09:08 | 0:09:12 | |
not the one that's involved in all the duplicity. | 0:09:12 | 0:09:15 | |
How would you cope with all the lies, the sneaking around and...? | 0:09:17 | 0:09:20 | |
Sorry. Nothing personal. | 0:09:21 | 0:09:23 | |
Well, in my experience, | 0:09:24 | 0:09:26 | |
it's usually the man making all the sneaky phone calls, | 0:09:26 | 0:09:29 | |
doing all the lying. | 0:09:29 | 0:09:31 | |
He's involved me in the subterfuge. I don't want anything to do with it! | 0:09:31 | 0:09:34 | |
Tell him you're not having it. | 0:09:34 | 0:09:36 | |
I would, if I could get him to listen to me. | 0:09:36 | 0:09:38 | |
I can't have a proper conversation with him. | 0:09:38 | 0:09:41 | |
He's so distracted, nothing I say goes in. | 0:09:41 | 0:09:44 | |
Right. | 0:09:44 | 0:09:45 | |
He's so secretive, as well. | 0:09:46 | 0:09:48 | |
I mean, that's when he's not actually lying to me, that is, or... | 0:09:48 | 0:09:52 | |
telling me one thing and doing something completely different. | 0:09:52 | 0:09:57 | |
I know exactly what you mean. | 0:09:57 | 0:09:59 | |
I'm trying to understand him, I really am. | 0:10:01 | 0:10:05 | |
I'm trying to see his point of view. | 0:10:05 | 0:10:08 | |
But all I can think about is... | 0:10:08 | 0:10:10 | |
what is going to happen to Sally and Chloe if this carries on? | 0:10:10 | 0:10:13 | |
The whole thing just explodes in his face?! | 0:10:13 | 0:10:16 | |
What do you think? Am I being a stupid idiot? | 0:10:20 | 0:10:24 | |
No. He is the stupid, selfish idiot. | 0:10:24 | 0:10:27 | |
He's the one betraying her trust and love in him. | 0:10:27 | 0:10:30 | |
He's the one jeopardising their future together. | 0:10:30 | 0:10:34 | |
CLASSICAL MUSIC | 0:10:39 | 0:10:41 | |
Oh! | 0:10:42 | 0:10:44 | |
UPBEAT MUSIC | 0:10:51 | 0:10:52 | |
Ooo! Takes me back. | 0:10:52 | 0:10:55 | |
Discos. Spiky hair. | 0:10:55 | 0:10:58 | |
-# Doo-doo-doo-doo-doo. # -I'm afraid punk rather passed me by. | 0:10:58 | 0:11:02 | |
-Is she always like this? -Dunno. | 0:11:02 | 0:11:04 | |
Oh. That goes upstairs, to our bedroom. | 0:11:04 | 0:11:08 | |
Oh, I'll take that. | 0:11:08 | 0:11:10 | |
No, you're all right. | 0:11:10 | 0:11:12 | |
Um, might I suggest a tea break? | 0:11:12 | 0:11:15 | |
Builder's for me, Choo-Choo. | 0:11:15 | 0:11:17 | |
-Coffee. -As luck would have it, | 0:11:17 | 0:11:19 | |
-your mother and I brought back wonderful coffee from a bar... -Instant will do. | 0:11:19 | 0:11:22 | |
-Not on the piano! -Oh. | 0:11:25 | 0:11:28 | |
You were right. | 0:11:28 | 0:11:30 | |
-What about? -Patrick's not the only one. | 0:11:31 | 0:11:34 | |
I think Daniel's having an affair. | 0:11:34 | 0:11:36 | |
What?! | 0:11:36 | 0:11:38 | |
He's behaving just like your son. It's obvious! | 0:11:38 | 0:11:40 | |
Oh, Zara. | 0:11:40 | 0:11:42 | |
For once in my life, I'm relying on a man. | 0:11:42 | 0:11:44 | |
-For once in my life, I needed someone that I can rely on. -Zara? | 0:11:44 | 0:11:48 | |
-I am going to kill him. This is not the hormones talking. -Zara? | 0:11:48 | 0:11:51 | |
Daniel is not having an affair! | 0:11:51 | 0:11:54 | |
I mean, it's obvious to everybody he's completely smitten with you. | 0:11:54 | 0:11:58 | |
None of us have seen him like this before, believe you me. | 0:11:59 | 0:12:02 | |
-Yeah, right(!) -Well, it's not just because of the baby either. | 0:12:02 | 0:12:06 | |
Have you got any proof he's having an affair? | 0:12:06 | 0:12:08 | |
No, but look at the way he's behaving. | 0:12:08 | 0:12:10 | |
He usually tells me everything, now it's all secrets and lies! | 0:12:10 | 0:12:13 | |
There is no way that Daniel | 0:12:13 | 0:12:16 | |
is going to jeopardise what he's got with you. | 0:12:16 | 0:12:18 | |
He's up to something. | 0:12:18 | 0:12:19 | |
It's probably some medical stuff he doesn't want to bore you with. | 0:12:19 | 0:12:23 | |
You two were made for each other. You know that! | 0:12:25 | 0:12:27 | |
We'll see. | 0:12:27 | 0:12:29 | |
'I want to thank you. | 0:12:39 | 0:12:41 | |
'I want to thank you for trying to help. | 0:12:46 | 0:12:48 | |
'But medication won't make me a good mother. | 0:12:48 | 0:12:51 | |
'What good is a miserable mum? | 0:12:55 | 0:12:56 | |
LULLABY PLAYS 'I know she'll be better off without me. | 0:12:57 | 0:13:01 | |
'People think you're being selfish. | 0:13:02 | 0:13:04 | |
'But you're not. | 0:13:04 | 0:13:06 | |
'It's the opposite. | 0:13:07 | 0:13:08 | |
'You don't want to inflict the pain. | 0:13:09 | 0:13:12 | |
'All the excruciating pain, | 0:13:12 | 0:13:15 | |
'onto anybody else. | 0:13:15 | 0:13:16 | |
'Say goodbye to Lola for me. | 0:13:18 | 0:13:19 | |
'Give her a big hug. | 0:13:19 | 0:13:21 | |
'Tell her her mummy loved her... | 0:13:21 | 0:13:24 | |
'and always will. | 0:13:24 | 0:13:26 | |
'Colette.' | 0:13:28 | 0:13:30 | |
-KNOCK AT DOOR -Come in. | 0:13:42 | 0:13:44 | |
Only me. Er, Mrs Jarvis. House call. | 0:13:44 | 0:13:47 | |
Sorry. I'm on my way. | 0:13:47 | 0:13:49 | |
Choo-choo! | 0:14:39 | 0:14:41 | |
Hang on. I don't think the living room can take any more furniture. | 0:14:41 | 0:14:45 | |
Course it can. Every home needs a nest of tables. | 0:14:45 | 0:14:48 | |
-It's a bit of a '50s throwback. -Are you suggesting that I'm a '50s throwback? | 0:14:48 | 0:14:52 | |
No, no. It just reminds me of my mother. | 0:14:52 | 0:14:54 | |
Cocktails at six, Valium at midnight. | 0:14:54 | 0:14:57 | |
Oh. So now I'm your mother. | 0:14:57 | 0:14:59 | |
Ah! Now, that would look fabulous over the fireplace. | 0:14:59 | 0:15:03 | |
Look, I hate to say it, Heston, but, er, | 0:15:03 | 0:15:05 | |
I think it'll be an awful lot better than what's there already. | 0:15:05 | 0:15:08 | |
I'm not sure I've had my taste in art questioned before, but for you... | 0:15:08 | 0:15:12 | |
-Ah! -Do you like it? | 0:15:12 | 0:15:15 | |
I think it would really bring the whole of that wall to life. | 0:15:15 | 0:15:18 | |
I'm not sure the wall needs livening up. What do you think, Ian? | 0:15:18 | 0:15:23 | |
You don't like it. | 0:15:23 | 0:15:25 | |
Well, I mean, it's striking. Um... | 0:15:25 | 0:15:27 | |
You think it's common, don't you? | 0:15:27 | 0:15:30 | |
Er, well, no, not exactly common. | 0:15:30 | 0:15:32 | |
Then what exactly? | 0:15:32 | 0:15:33 | |
I had no idea I was moving in with such a snob! | 0:15:33 | 0:15:37 | |
-I didn't think I'd be living with an arriviste. -I don't know what that means. -Exactly. | 0:15:37 | 0:15:42 | |
'What's happened to me? | 0:15:43 | 0:15:45 | |
'My face feels funny. W-Why can't I move? | 0:15:47 | 0:15:50 | |
'I wanted to die. | 0:15:54 | 0:15:55 | |
'Looks like I'm going to get what I wanted. | 0:15:57 | 0:16:00 | |
'At least it's not hurting. | 0:16:02 | 0:16:04 | |
'I didn't want any more pain. | 0:16:05 | 0:16:07 | |
'I wonder how long it will take. | 0:16:11 | 0:16:13 | |
'It doesn't matter. | 0:16:15 | 0:16:17 | |
'Nothing matters any more, as long as it's the end. | 0:16:19 | 0:16:21 | |
DOORBELL RINGS | 0:16:21 | 0:16:23 | |
Marina, don't be ridiculous! Ian, take that back inside. | 0:16:32 | 0:16:36 | |
Why? I know when I'm not wanted. Ian? Put it back in there. | 0:16:36 | 0:16:40 | |
Oh, Ian, hang on. | 0:16:40 | 0:16:41 | |
I said I didn't like the painting, not I didn't like you. | 0:16:41 | 0:16:45 | |
I should have known, with all your airs and graces. | 0:16:45 | 0:16:47 | |
Your Tuscan this and your Tuscan that. | 0:16:47 | 0:16:49 | |
I was never going to be good enough for you. | 0:16:49 | 0:16:52 | |
-Come on, you're being childish. -No. You're the one being childish. | 0:16:52 | 0:16:55 | |
I'll be all right. I've been on my own before. | 0:16:55 | 0:16:58 | |
What doesn't kill you makes you stronger. | 0:16:58 | 0:17:00 | |
Oh, so now I'm trying to kill you?! | 0:17:00 | 0:17:02 | |
Oh! I'm sorry, Heston. | 0:17:06 | 0:17:08 | |
Me, too. Come here. | 0:17:08 | 0:17:10 | |
I'm sorry. It's just a painting. | 0:17:10 | 0:17:14 | |
-No, no. Now, hang on, Ian. -So, is it in or out? | 0:17:14 | 0:17:17 | |
-I think I could get used to it. -No, no, no. We'll put it in the attic. | 0:17:19 | 0:17:22 | |
You've already got a great picture. | 0:17:22 | 0:17:25 | |
Yes, but it's your home, too, now. So, Ian... | 0:17:25 | 0:17:28 | |
..it'll go nicely in the spare room. | 0:17:31 | 0:17:33 | |
First door on the left, top of the stairs. | 0:17:33 | 0:17:35 | |
Oh! | 0:17:38 | 0:17:40 | |
-Over there. -You're right! You're right! | 0:17:41 | 0:17:45 | |
Well done, sweetheart. Well done. | 0:17:46 | 0:17:48 | |
Come on, then. Come on, then. | 0:17:48 | 0:17:50 | |
-Come on, then, darling. -Mummy? | 0:17:50 | 0:17:53 | |
-Mummy? -Colette? | 0:17:53 | 0:17:55 | |
'Oh, no. I forgot he was coming. | 0:17:55 | 0:17:59 | |
'The rabbit!' | 0:17:59 | 0:18:00 | |
There, sweetheart. Come here, then. | 0:18:00 | 0:18:03 | |
There you go, darling. | 0:18:05 | 0:18:07 | |
-Alright? -Where's Mummy? | 0:18:07 | 0:18:09 | |
'I want them to get out of here. They can't see me like this!' | 0:18:09 | 0:18:12 | |
-We'll just see if Mummy's in, OK? There you go. -Mummy? | 0:18:12 | 0:18:16 | |
'No! She can't see me like this!' | 0:18:16 | 0:18:19 | |
-Mummy? Mummy? -Colette? | 0:18:20 | 0:18:23 | |
'Just go!' PHONE RINGS | 0:18:23 | 0:18:26 | |
Hiya, Jenny. | 0:18:28 | 0:18:29 | |
Yeah, yeah. I'm at Colette's. She forgot Lola's... | 0:18:31 | 0:18:33 | |
'No, Lola, stay away! Don't come any closer!' | 0:18:33 | 0:18:36 | |
I know, darling. When Lola's living with us, we won't have all this. | 0:18:36 | 0:18:39 | |
'What does he mean, living with them?' | 0:18:39 | 0:18:42 | |
Hold on, darling. I've got a client on the other line. | 0:18:42 | 0:18:45 | |
'They're going to take Lola away from me! | 0:18:45 | 0:18:47 | |
'She can't see me like this. It'll frighten her. | 0:18:47 | 0:18:50 | |
'No, Lola! Mummy doesn't want you to see her like this. | 0:18:50 | 0:18:54 | |
'Lola...your lovely face.' | 0:18:55 | 0:18:59 | |
I don't want... I want Mummy! | 0:18:59 | 0:19:01 | |
'It's OK, Lola. Mummy's just had an accident. | 0:19:01 | 0:19:04 | |
'Don't be scared.' | 0:19:05 | 0:19:06 | |
Come on, then, little 'un. Jenny is all packed | 0:19:10 | 0:19:13 | |
and Granny's got some lovely lemon cake waiting for us. | 0:19:13 | 0:19:16 | |
Come on. Shall we go? | 0:19:16 | 0:19:17 | |
'No, Marcus! Bring her back! | 0:19:17 | 0:19:20 | |
-Mummy? -Mummy's not here... | 0:19:20 | 0:19:21 | |
'I won't let them take her away from me. | 0:19:21 | 0:19:24 | |
'I've got to get out of this! | 0:19:25 | 0:19:27 | |
-I've got to get help!' -Where's Mummy? | 0:19:27 | 0:19:29 | |
-We'll see her in a couple of days. -'Marcus...! | 0:19:29 | 0:19:32 | |
'Come back! | 0:19:34 | 0:19:36 | |
'I need help!' | 0:19:37 | 0:19:38 | |
That is such good news. | 0:19:42 | 0:19:44 | |
Thank you. Bye. Bye-bye. Result! | 0:19:44 | 0:19:47 | |
-Survey came through. -Yes! -Completion should be in a few days. | 0:19:47 | 0:19:50 | |
I think a few celebratory drinks are on. | 0:19:50 | 0:19:52 | |
Too right. Just as soon as I can give Zara the slip. | 0:19:52 | 0:19:55 | |
Right! Jimmi, out! | 0:19:56 | 0:19:58 | |
You are up to something, Daniel. The last time I saw you being this cloak and dagger, | 0:20:00 | 0:20:04 | |
you were pulling the wool over Lisa's eyes with me! | 0:20:04 | 0:20:07 | |
-What? -It is pathetic! The subterfuge, the feeble excuses! | 0:20:07 | 0:20:10 | |
Whoa-whoa! Hold on, hold on. | 0:20:10 | 0:20:12 | |
No. All right? I wanted it to be a surprise. | 0:20:12 | 0:20:16 | |
What?! | 0:20:16 | 0:20:17 | |
OK. Um,... | 0:20:17 | 0:20:19 | |
How would you like to spend a few days at the Fernley Hall Spa | 0:20:21 | 0:20:25 | |
on a mother-to-be pamper weekend? | 0:20:25 | 0:20:27 | |
TEARFUL: Is that what all the... subterfuge has been about? | 0:20:32 | 0:20:35 | |
Yes. Look, I wanted it to be a surprise. | 0:20:35 | 0:20:39 | |
Jimmi was passing on ideas from Cherry, | 0:20:39 | 0:20:41 | |
I was looking at prices, venues. | 0:20:41 | 0:20:43 | |
-So, no super-fast broadband? -No. | 0:20:43 | 0:20:47 | |
So, come on, how about it? | 0:20:47 | 0:20:49 | |
Massage, manicures, fluffy towels, uggy puggy. | 0:20:49 | 0:20:52 | |
Well, take away the mothers-to-be...and I'd love it! | 0:20:55 | 0:20:59 | |
-Yeah? -Oh, thank you! | 0:20:59 | 0:21:02 | |
-OK. -That is so thoughtful! | 0:21:02 | 0:21:05 | |
Oh! My hormones! | 0:21:05 | 0:21:08 | |
I'm so sorry. They're turning me into a jealous monster! | 0:21:08 | 0:21:11 | |
You don't need to be jealous, OK? I'm your man. | 0:21:11 | 0:21:15 | |
-I'll see you this evening, then. -Yeah. | 0:21:18 | 0:21:20 | |
We can start...the pampering...then. | 0:21:20 | 0:21:24 | |
Ooh! | 0:21:24 | 0:21:26 | |
Fernley Hall Spa, please. | 0:21:36 | 0:21:38 | |
'I'm tired. | 0:21:38 | 0:21:40 | |
'It feels like everything's shutting down. | 0:21:42 | 0:21:44 | |
'Stay awake. | 0:21:45 | 0:21:46 | |
'That's what they say, isn't it? | 0:21:48 | 0:21:50 | |
'When you're hurt. | 0:21:50 | 0:21:52 | |
'Don't fall asleep. | 0:21:52 | 0:21:54 | |
'It's hard, though. | 0:21:56 | 0:21:58 | |
'I can't hear anything. | 0:22:00 | 0:22:01 | |
'No traffic, nothing. | 0:22:03 | 0:22:06 | |
'Stay awake, Colette. | 0:22:06 | 0:22:07 | |
'Think of all the things you'd like to do. | 0:22:10 | 0:22:13 | |
'Think of the future. | 0:22:14 | 0:22:16 | |
TEARFUL: 'I want to take Lola to the park again. Sing to her.' | 0:22:18 | 0:22:22 | |
INDISTINCT CHATTER | 0:22:24 | 0:22:25 | |
# Four little speckled frogs | 0:22:25 | 0:22:28 | |
# Sat on a speckled log | 0:22:28 | 0:22:30 | |
# Eating some most delicious bugs | 0:22:30 | 0:22:33 | |
# Yum, yum. # | 0:22:33 | 0:22:35 | |
LULLABY PLAYS | 0:22:35 | 0:22:38 | |
PHONE RINGS | 0:23:16 | 0:23:19 | |
LANDLINE PHONE RINGS | 0:23:25 | 0:23:27 | |
PHONE RINGS | 0:23:30 | 0:23:31 | |
Hello? | 0:23:32 | 0:23:34 | |
Mr Coleman, it's Dr Wilson. I'm trying to get hold of Colette. | 0:23:34 | 0:23:38 | |
Do you know where she is? It's... It's quite urgent. | 0:23:38 | 0:23:41 | |
No. Er, I saw her this morning, but not since then. What's up? | 0:23:41 | 0:23:45 | |
Um, I'm afraid I can't say. | 0:23:45 | 0:23:46 | |
It's... It's just really important that I speak to her. | 0:23:46 | 0:23:49 | |
She's not answering her mobile or picking up the landline. | 0:23:49 | 0:23:52 | |
I was at the house earlier. She wasn't there. | 0:23:52 | 0:23:54 | |
Are you sure she wasn't there? Did you try upstairs? | 0:23:54 | 0:23:57 | |
Yeah. She wasn't in. Has something happened? | 0:23:57 | 0:24:00 | |
I...can't say. | 0:24:00 | 0:24:02 | |
But i-if you do hear from her, will you please get her to ring me? | 0:24:02 | 0:24:05 | |
-'Right.' -Thank you. | 0:24:05 | 0:24:06 | |
You ready? | 0:24:08 | 0:24:09 | |
-'Dr Wilson.' -Yeah. Dr Wilson, it's Marcus. | 0:24:23 | 0:24:25 | |
Um, I've just remembered, Colette's handbag was on the hall table | 0:24:25 | 0:24:29 | |
and the front door wasn't double locked. | 0:24:29 | 0:24:31 | |
I think she might be at the house. | 0:24:31 | 0:24:34 | |
-FRANTIC KNOCKING -Colette? Colette! It's Dr Wilson! | 0:24:34 | 0:24:38 | |
I've left Lola with her grandma. | 0:24:38 | 0:24:40 | |
-All right. OK. You check upstairs. -OK. | 0:24:44 | 0:24:47 | |
Colette? | 0:24:47 | 0:24:49 | |
Oh, no! Marcus, you need to phone an ambulance now! | 0:24:59 | 0:25:03 | |
OK. Colette...? | 0:25:03 | 0:25:05 | |
Colette? Can you hear me, sweetheart? | 0:25:09 | 0:25:12 | |
Colette? Wake up, Colette. | 0:25:13 | 0:25:16 | |
-Have you taken anything? -As quick as you can. | 0:25:16 | 0:25:19 | |
Blink once for yes, twice for no. | 0:25:19 | 0:25:22 | |
Good girl. I think you might have suffered from a stroke, Colette. | 0:25:28 | 0:25:32 | |
'I'm alive.' | 0:25:32 | 0:25:34 | |
But the ambulance is on its way. | 0:25:34 | 0:25:36 | |
-We're going to do everything we can to help you. -Hang in there, Col. | 0:25:36 | 0:25:39 | |
'I've got another chance!' | 0:25:39 | 0:25:41 | |
Lola's with Grandma. I'll bring her to see you soon. | 0:25:41 | 0:25:44 | |
'I'm not going to lose her now.' | 0:25:44 | 0:25:46 | |
It's all right, darling. It's OK. | 0:25:46 | 0:25:48 | |
A word of advice. A good argument clears the air. | 0:25:52 | 0:25:57 | |
Your relationship will be all the better for it. | 0:25:57 | 0:26:00 | |
Your mother and I had a few on holiday. All now forgotten. | 0:26:00 | 0:26:04 | |
More than forgotten. Come here, you. | 0:26:04 | 0:26:06 | |
It makes the making up so much sweeter. | 0:26:08 | 0:26:10 | |
Pity Lily and Christine couldn't understand that. | 0:26:12 | 0:26:14 | |
Ancient history, Choo-Choo. | 0:26:14 | 0:26:17 | |
I suggest we do a bit more making up, Chee-Chee. | 0:26:17 | 0:26:20 | |
Sorry. | 0:26:23 | 0:26:25 | |
Yeah, well, I've got to go now. | 0:26:31 | 0:26:33 | |
Oh! Don't. | 0:26:33 | 0:26:35 | |
Ian, I can't thank you enough for today. | 0:26:35 | 0:26:38 | |
It's so much nicer to have a friendly face than a stranger. | 0:26:38 | 0:26:41 | |
Right. | 0:26:43 | 0:26:44 | |
He doesn't like conflict. | 0:26:45 | 0:26:48 | |
Just like his dad. | 0:26:48 | 0:26:50 | |
About, um, Saturday. It's just, you know, I've got these tickets. | 0:26:58 | 0:27:02 | |
I'm busy. | 0:27:02 | 0:27:04 | |
That doesn't stop you going. | 0:27:04 | 0:27:05 | |
Go on my own to choose my wedding dress? How sad is that? | 0:27:05 | 0:27:09 | |
-Give it back! -What's in the bag, Esme? -Give it back! Give it back! | 0:27:09 | 0:27:13 | |
-Come on, Esme, it's only a bit of teasing. -You think that's funny? | 0:27:13 | 0:27:17 | |
Subtitles by Red Bee Media Ltd | 0:27:37 | 0:27:40 | |
E-mail [email protected] | 0:27:40 | 0:27:43 |