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'It was a morning like any other.' | 0:00:30 | 0:00:33 | |
Police? Nigel Whiteley here. | 0:00:33 | 0:00:36 | |
Grangeview Estate Neighbourhood Watch. | 0:00:36 | 0:00:40 | |
I want to register a complaint. | 0:00:40 | 0:00:43 | |
Yes, again! | 0:00:43 | 0:00:46 | |
'No milk for his cornflakes. | 0:00:47 | 0:00:50 | |
'Not the best start to another boring day on the job.' | 0:00:51 | 0:00:54 | |
-There's no milk. -Hmm? | 0:00:54 | 0:00:56 | |
For my cornflakes. There's no milk! | 0:00:56 | 0:00:59 | |
It's not the best start to another boring day on the beat. | 0:00:59 | 0:01:03 | |
What? | 0:01:04 | 0:01:06 | |
I just had the strangest sense of deja vu. | 0:01:06 | 0:01:08 | |
See you've got your nose stuck in that again. What are you doing? | 0:01:10 | 0:01:14 | |
None of your business! | 0:01:14 | 0:01:17 | |
-Oh, so you're keeping secrets from me now, are you? -A woman has needs. | 0:01:17 | 0:01:21 | |
What, and I don't? | 0:01:21 | 0:01:22 | |
Well, I don't know! | 0:01:22 | 0:01:24 | |
You tell me what your needs are | 0:01:24 | 0:01:26 | |
and I'll see what I can do about fulfilling them. | 0:01:26 | 0:01:28 | |
-You could start with buying milk. -Milk? | 0:01:28 | 0:01:31 | |
-I offer you the world, and you ask for milk! -I don't want the world. | 0:01:31 | 0:01:34 | |
I want cornflakes. | 0:01:34 | 0:01:36 | |
-You know what you really want? -Breakfast? | 0:01:36 | 0:01:39 | |
Some imagination. PHONE BLEEPS | 0:01:39 | 0:01:41 | |
Might give you an idea where you can shove your cornflakes! | 0:01:41 | 0:01:43 | |
Oh, no! Narky Nigel. | 0:01:43 | 0:01:46 | |
Who's Narky Nigel? | 0:01:46 | 0:01:48 | |
Some Neighbourhood Watch liaison crank. | 0:01:48 | 0:01:51 | |
He's been driving CID mad with his constant calls about | 0:01:51 | 0:01:55 | |
break-ins and anti-social behaviour. | 0:01:55 | 0:01:58 | |
I've managed to avoid him so far, but, you know. | 0:01:58 | 0:02:01 | |
-Well, I'd better get going. -This conversation isn't over! | 0:02:01 | 0:02:04 | |
What, about Narky Nigel? | 0:02:04 | 0:02:05 | |
Or the milk? | 0:02:05 | 0:02:08 | |
No, the one about your imagination, or lack of it! | 0:02:08 | 0:02:11 | |
'He looked back, seething with a mixture | 0:02:17 | 0:02:20 | |
'of anger and a passion he couldn't quite place. | 0:02:20 | 0:02:24 | |
'Suddenly, his bulk filled the doorway. | 0:02:24 | 0:02:28 | |
'She looked up. He'd scared her.' | 0:02:28 | 0:02:30 | |
Rob, you scared me! | 0:02:30 | 0:02:32 | |
'If it was imagination she wanted, imagination she'd get.' | 0:02:33 | 0:02:38 | |
If it's imagination that you want... | 0:02:38 | 0:02:41 | |
..it's imagination you'll get. | 0:02:42 | 0:02:44 | |
Cornflakes and double cream? | 0:02:47 | 0:02:51 | |
The cream is not for the cornflakes. | 0:02:51 | 0:02:54 | |
In that case, can we have some honey? | 0:02:57 | 0:02:59 | |
'OK. Stop.' | 0:03:04 | 0:03:06 | |
-No, don't stop! -Never. | 0:03:06 | 0:03:08 | |
'He poured the honey, drizzling it on his wife's aching, yearning...' | 0:03:08 | 0:03:14 | |
Karen, I said that's enough. | 0:03:14 | 0:03:17 | |
-I haven't finished yet! -Oh, I think you have. | 0:03:17 | 0:03:19 | |
Really. | 0:03:19 | 0:03:21 | |
That's it for now, guys. I'll see you back here at the end of the day. | 0:03:22 | 0:03:26 | |
Karen? A quick word. | 0:03:26 | 0:03:28 | |
-You hated it. -"Hate" is a very strong term. | 0:03:29 | 0:03:33 | |
-Disliked? -I'm not sure there's a word that adequately describes | 0:03:33 | 0:03:36 | |
how I feel about your prose. | 0:03:36 | 0:03:39 | |
Let's focus on the bigger issues. | 0:03:39 | 0:03:41 | |
-Your writing feels a little... -Jackie Collins? | 0:03:41 | 0:03:45 | |
Meets Benny Hill. It doesn't feel real. | 0:03:45 | 0:03:49 | |
-But I thought that was the point. To make things up. -Within reason. | 0:03:49 | 0:03:52 | |
The best writing comes from observation. What we see around us. | 0:03:52 | 0:03:56 | |
What we feel about it. You work in a health centre, right? | 0:03:56 | 0:03:59 | |
-Yeah. -And what do you see there? -Sick people. | 0:03:59 | 0:04:02 | |
And how do you feel about what you see? | 0:04:02 | 0:04:04 | |
Queasy? | 0:04:04 | 0:04:06 | |
Look deeper. | 0:04:06 | 0:04:08 | |
You work in a place where people come for help. | 0:04:08 | 0:04:11 | |
Where they're healed. Given hope. | 0:04:11 | 0:04:12 | |
Have you ever been to a health centre? | 0:04:12 | 0:04:16 | |
There must be a thousand stories from real life to draw on. | 0:04:16 | 0:04:19 | |
I just want one. | 0:04:19 | 0:04:22 | |
One good story. | 0:04:22 | 0:04:24 | |
By the end of the day. | 0:04:25 | 0:04:26 | |
Between 5am and 7:30am, my home was broken into | 0:04:37 | 0:04:42 | |
by a person or persons unknown. | 0:04:42 | 0:04:43 | |
Now, I'm not the first victim, and I won't be the last, | 0:04:43 | 0:04:46 | |
so if you saw anything or heard anything, I'm ready | 0:04:46 | 0:04:49 | |
to take witness statements, right? | 0:04:49 | 0:04:51 | |
Look, walk... Walking away won't solve the problem! | 0:04:52 | 0:04:56 | |
I know some of you have been victims! | 0:04:56 | 0:04:59 | |
Only by sticking together, will you... | 0:04:59 | 0:05:01 | |
-Johan, Johan! -I didn't see anything, Nigel. | 0:05:01 | 0:05:04 | |
No, you must have done! This is the third time. | 0:05:04 | 0:05:07 | |
I didn't, I'm sorry. Now, let me pass. I have an appointment. | 0:05:07 | 0:05:10 | |
I'm looking for the local Neighbourhood Watch liaison, | 0:05:17 | 0:05:20 | |
and I'm going to guess that's you, sir. | 0:05:20 | 0:05:22 | |
What kind of a response time do you call this? | 0:05:22 | 0:05:24 | |
-I call it about average. -Yeah, average. | 0:05:24 | 0:05:27 | |
Be a good way of describing your entire outfit. | 0:05:27 | 0:05:30 | |
The third incident in as many weeks and we get some tired-looking, indifferent, Mr Plod! | 0:05:30 | 0:05:34 | |
No wonder the police force is getting a bad name. | 0:05:34 | 0:05:39 | |
Why don't you take that gormless look off your face, son? | 0:05:39 | 0:05:44 | |
What's wrong with you? | 0:05:44 | 0:05:45 | |
Nigel? | 0:05:45 | 0:05:46 | |
Nigel Whiteley? | 0:05:46 | 0:05:48 | |
Sarge? | 0:05:51 | 0:05:52 | |
Rob? | 0:05:52 | 0:05:54 | |
Oh! | 0:05:56 | 0:05:58 | |
Oh! | 0:05:58 | 0:05:59 | |
Rob Hollins? | 0:06:01 | 0:06:02 | |
-Hey, what are you doing here? -Working. | 0:06:08 | 0:06:12 | |
Er, have you checked the rota? | 0:06:13 | 0:06:16 | |
No, not that type of work. This type. | 0:06:16 | 0:06:18 | |
Oh, your creative writing course! How are you doing with that? | 0:06:18 | 0:06:22 | |
I'm better at zorbing, to be honest. | 0:06:22 | 0:06:23 | |
Oh, Karen! | 0:06:23 | 0:06:25 | |
Oh, I can't believe this | 0:06:25 | 0:06:27 | |
is scarier than throwing yourself down a hill in a big ball! | 0:06:27 | 0:06:30 | |
I've got till the end of the day to come up with a story. From this lot! | 0:06:30 | 0:06:34 | |
Oh, I don't know. I mean, they might look... | 0:06:36 | 0:06:40 | |
Drab? Uninspiring? | 0:06:40 | 0:06:41 | |
..normal. | 0:06:41 | 0:06:43 | |
But scratch the surface, and who knows | 0:06:43 | 0:06:46 | |
what dark and mysterious secrets lurk beneath? | 0:06:46 | 0:06:51 | |
Lint, if Mr Robinson's anything to go by! | 0:06:51 | 0:06:55 | |
Well, Mr Robinson is probably a bad example, but the theory is the same. | 0:06:55 | 0:06:59 | |
This place is full of characters, | 0:06:59 | 0:07:00 | |
Karen. They've got their own stories, journeys.... | 0:07:00 | 0:07:03 | |
-Characters, you say? -Yeah. | 0:07:03 | 0:07:06 | |
Dark and terrible secrets? | 0:07:06 | 0:07:08 | |
Oh, yeah! | 0:07:08 | 0:07:10 | |
There you go, sir. | 0:07:14 | 0:07:16 | |
Oh, cheers. | 0:07:16 | 0:07:18 | |
Well, well, well! | 0:07:18 | 0:07:19 | |
Who'd have thought it? Sergeant Nigel Whiteley, back from Manchester. | 0:07:21 | 0:07:25 | |
How long's it been? 20 years? | 0:07:25 | 0:07:27 | |
22 years, nine months. | 0:07:27 | 0:07:29 | |
Nine months. There you go. You've always had a head for figures. | 0:07:29 | 0:07:32 | |
No, I always had a head for facts, son. | 0:07:32 | 0:07:35 | |
So, you made Sergeant. | 0:07:36 | 0:07:38 | |
'Course I did! I had the best teacher! | 0:07:38 | 0:07:40 | |
It's all in the past now. | 0:07:40 | 0:07:42 | |
You finally retired? | 0:07:42 | 0:07:44 | |
-Last year. -Yeah, is that when you came back? | 0:07:44 | 0:07:47 | |
Yeah. I wanted to see home again. | 0:07:47 | 0:07:50 | |
Yeah, of course you did. | 0:07:50 | 0:07:53 | |
-How's Maureen? -She's fine. | 0:07:53 | 0:07:55 | |
Look, we've got all the time in the world to catch up. | 0:07:55 | 0:07:57 | |
You're here to do a job! | 0:07:57 | 0:08:00 | |
-Yes, I am. That's right. -Nothing's been stolen, | 0:08:00 | 0:08:02 | |
but it's a mess. I've preserved the crime scene as much as possible. | 0:08:02 | 0:08:06 | |
Yeah, I've seen that. Who'd have thought it, eh? | 0:08:06 | 0:08:08 | |
Neighbourhood Watch Narky Nigel would be my favourite old Sergeant! | 0:08:08 | 0:08:13 | |
"Narky Nigel?" | 0:08:13 | 0:08:14 | |
Is that's how I'm known by the police force nowadays? | 0:08:16 | 0:08:19 | |
He's handsome, isn't he? | 0:08:26 | 0:08:29 | |
Married. | 0:08:29 | 0:08:31 | |
Familiar. Where have I seen him before? | 0:08:31 | 0:08:33 | |
Here. His name's Johan Meyer. Third consult in as many weeks. | 0:08:33 | 0:08:38 | |
-What's his problem? -Don't know. Maybe he's diabetic? | 0:08:38 | 0:08:43 | |
Or a hypochondriac? | 0:08:43 | 0:08:45 | |
-Johan? Again? -I had to see you... | 0:08:46 | 0:08:49 | |
OK. | 0:08:49 | 0:08:50 | |
Or maybe there's nothing wrong with him at all! | 0:08:51 | 0:08:55 | |
Married. Nervous. Seeing Zara again and again. Doesn't take | 0:08:55 | 0:08:58 | |
-a genius to work out what's going on here. -She's pregnant! | 0:08:58 | 0:09:01 | |
But Daniel and Zara have been arguing! | 0:09:01 | 0:09:03 | |
Heavily pregnant. | 0:09:03 | 0:09:05 | |
It causes all sorts with your hormones! | 0:09:05 | 0:09:07 | |
Don't let your imagination run wild with you, Karen. | 0:09:07 | 0:09:11 | |
Are you kidding? That's the whole point! | 0:09:11 | 0:09:14 | |
Look, I know a broken window and a bit of food on the floor | 0:09:16 | 0:09:19 | |
don't seem like the crime of the century to you guys, | 0:09:19 | 0:09:21 | |
but this is my home. And it's not just me. | 0:09:21 | 0:09:25 | |
Other people have heard and seen strange things outside their home. | 0:09:25 | 0:09:29 | |
Look, I've kept a log book. | 0:09:29 | 0:09:32 | |
By themselves, each crime looks petty. You put 'em all together, | 0:09:34 | 0:09:38 | |
you've got a pattern. | 0:09:38 | 0:09:40 | |
Hmm, well. Maybe there is more to this than meets the eye. | 0:09:42 | 0:09:47 | |
We could solve this. | 0:09:47 | 0:09:48 | |
If we work together. | 0:09:50 | 0:09:51 | |
Just like old times. | 0:09:53 | 0:09:54 | |
Yeah? | 0:09:54 | 0:09:56 | |
-Yeah? -Maybe. -Right then. We can start with this. | 0:09:57 | 0:10:01 | |
-What is it? -CCTV. | 0:10:01 | 0:10:04 | |
I hooked up me own street surveillance camera last week. | 0:10:04 | 0:10:07 | |
I shouldn't... | 0:10:14 | 0:10:17 | |
But you will. | 0:10:17 | 0:10:18 | |
-I can't... -But you must! | 0:10:19 | 0:10:23 | |
I'm married! | 0:10:23 | 0:10:24 | |
That's what makes it so exciting! | 0:10:25 | 0:10:28 | |
What on earth do you think you're doing? | 0:10:36 | 0:10:38 | |
Well? | 0:10:38 | 0:10:40 | |
Erm, I was, I was just checking the door. | 0:10:40 | 0:10:43 | |
KNOCKING | 0:10:43 | 0:10:45 | |
For what? | 0:10:45 | 0:10:47 | |
-Karen. -Yeah? | 0:10:47 | 0:10:49 | |
Go away! | 0:10:49 | 0:10:50 | |
Okey-dokey! | 0:10:50 | 0:10:52 | |
So, you've set up your own CCTV camera. | 0:10:54 | 0:10:57 | |
Yeah, a 320-gigabyte system. | 0:10:57 | 0:11:00 | |
CCTV, DVR, four CCD cameras, plus smartphone access. | 0:11:00 | 0:11:05 | |
Right. | 0:11:05 | 0:11:06 | |
-I guess I must come across as a bit of an anorak, right? -No, no, no. | 0:11:11 | 0:11:15 | |
There's nothing wrong with that. | 0:11:15 | 0:11:16 | |
However, there is a slight problem with conducting | 0:11:16 | 0:11:19 | |
a surveillance operation on a public street! | 0:11:19 | 0:11:22 | |
I'm the local Neighbourhood Watch liaison! | 0:11:22 | 0:11:24 | |
-Is that in the remit? -It's necessary. | 0:11:24 | 0:11:27 | |
As you well know, that is an invasion of privacy. | 0:11:27 | 0:11:29 | |
If the police won't do anything about the burglar of Bertrand Road, | 0:11:29 | 0:11:33 | |
then it's up to the private citizen to take up the slack. | 0:11:33 | 0:11:35 | |
Do your neighbours know that you've set up this camera? | 0:11:35 | 0:11:40 | |
I mean, do you even know that there's a burglar at all? | 0:11:40 | 0:11:43 | |
Because according to our records, nothing has been reported lost | 0:11:43 | 0:11:46 | |
or stolen. All there's been so far is a succession of broken windows! | 0:11:46 | 0:11:50 | |
That's how it starts! A broken window here, | 0:11:50 | 0:11:52 | |
a bit of criminal damage there. Before you know it, | 0:11:52 | 0:11:55 | |
the natural order's broken down. Zero tolerance, Hollins! | 0:11:55 | 0:11:58 | |
You understood that once upon a time! | 0:11:58 | 0:12:00 | |
Nigel, can I ask you a question? | 0:12:03 | 0:12:05 | |
What? | 0:12:05 | 0:12:06 | |
Where's Maureen? | 0:12:06 | 0:12:09 | |
Where's your wife? | 0:12:10 | 0:12:11 | |
Nigel? | 0:12:16 | 0:12:17 | |
Manchester, she stayed. | 0:12:22 | 0:12:26 | |
She left me. | 0:12:26 | 0:12:27 | |
Retirement not what you expected? | 0:12:27 | 0:12:29 | |
It wasn't what Maureen was expecting. | 0:12:29 | 0:12:33 | |
She found it boring. | 0:12:33 | 0:12:34 | |
She found me boring. | 0:12:36 | 0:12:38 | |
I'm sure that's not true. Come on, let's get something to eat. | 0:12:44 | 0:12:48 | |
Come on. | 0:12:48 | 0:12:50 | |
Hey, what are you doing? | 0:13:01 | 0:13:03 | |
Oh, what's the point? I'm never going to pass! | 0:13:03 | 0:13:06 | |
You won't if you don't try! | 0:13:06 | 0:13:08 | |
Oh, I am trying! I'm just no good at it. | 0:13:08 | 0:13:10 | |
I've got to meet my tutor later. I haven't even got a story! | 0:13:10 | 0:13:13 | |
Yeah, but you've got a character. That's a start! | 0:13:13 | 0:13:15 | |
I mean, every story has a beginning, a middle and an end, | 0:13:15 | 0:13:18 | |
-with a few turning points thrown in. -Maybe you're right. | 0:13:18 | 0:13:21 | |
Where are you going? | 0:13:21 | 0:13:24 | |
-Erm, to find a turning point. -Oh. | 0:13:24 | 0:13:27 | |
Look, if you won't tell your wife, I will! | 0:13:30 | 0:13:32 | |
I came to you for help, not threats! | 0:13:32 | 0:13:34 | |
This has gone too far! It has become a police matter! | 0:13:34 | 0:13:36 | |
I just need time to think about how I'm going to break it to her. | 0:13:36 | 0:13:39 | |
Johan! | 0:13:39 | 0:13:41 | |
Let me guess. | 0:13:53 | 0:13:55 | |
You're checking the door? | 0:13:55 | 0:13:57 | |
Actually, erm, the walls. | 0:13:59 | 0:14:02 | |
So this is what you're doing, hiding here? | 0:14:03 | 0:14:06 | |
Hiding? Who says I'm hiding? | 0:14:06 | 0:14:09 | |
Maybe I'm just hanging out. | 0:14:09 | 0:14:11 | |
-That's your story? -Yeah. | 0:14:11 | 0:14:13 | |
Not very good, is it? | 0:14:13 | 0:14:16 | |
Getting better all the time! | 0:14:18 | 0:14:20 | |
This is sublime! | 0:14:21 | 0:14:23 | |
Really? | 0:14:23 | 0:14:25 | |
More than sublime. It's transformative. | 0:14:25 | 0:14:29 | |
I don't know what that means, but it sounds good... | 0:14:30 | 0:14:32 | |
It means you have a gift. You could be the next... | 0:14:32 | 0:14:35 | |
-Katie Price? -Barbara Cartland! | 0:14:35 | 0:14:38 | |
Oh, blimey! Well, that's your teaching. | 0:14:38 | 0:14:41 | |
Oh, no, you can't teach this. | 0:14:41 | 0:14:44 | |
You can only feel it. | 0:14:44 | 0:14:47 | |
Oh, knackers! This isn't real, is it? | 0:14:53 | 0:14:56 | |
-You back with me? -Mm? Hmm? | 0:14:56 | 0:14:59 | |
Your eyes, you had this look. As if you were... | 0:14:59 | 0:15:02 | |
-A million miles away? -You were definitely somewhere else. | 0:15:02 | 0:15:06 | |
There's not much here, is there? | 0:15:08 | 0:15:10 | |
I mean, there's a couple of characters. | 0:15:10 | 0:15:13 | |
A germ of an idea. But no story. | 0:15:13 | 0:15:15 | |
Well, it's a work in progress. | 0:15:15 | 0:15:18 | |
I mean, there's lots of potential. It's going to be dramatic... | 0:15:18 | 0:15:22 | |
Why are you doing this, Karen? | 0:15:22 | 0:15:24 | |
You gave me a deadline! | 0:15:24 | 0:15:26 | |
No. I mean, why are you doing the course? | 0:15:26 | 0:15:29 | |
What do you want to get out of it? | 0:15:29 | 0:15:32 | |
Erm, well, I don't know. | 0:15:32 | 0:15:35 | |
Erm... | 0:15:35 | 0:15:37 | |
There's a couple of girls and me at work doing a bucket list thing, | 0:15:37 | 0:15:41 | |
you know, zorbing, Zumba dancing. | 0:15:41 | 0:15:44 | |
But this, I wanted to do on my own. | 0:15:44 | 0:15:46 | |
I suppose I'm looking for something. Something different. | 0:15:47 | 0:15:50 | |
-Different to what? -My life. -Why? | 0:15:50 | 0:15:53 | |
-Is there something wrong with your life? -No. | 0:15:53 | 0:15:56 | |
It's just a bit mundane. Real life is, isn't it? | 0:15:56 | 0:15:59 | |
No. | 0:15:59 | 0:16:00 | |
It only ever seems to be. But it rarely ever is. | 0:16:00 | 0:16:03 | |
The best writing, the most beautiful writing, | 0:16:03 | 0:16:06 | |
comes from observing those small moments. | 0:16:06 | 0:16:09 | |
You need to dig deeper. | 0:16:10 | 0:16:12 | |
Dig deeper. | 0:16:13 | 0:16:14 | |
What do you... What does anybody want out of a story? | 0:16:14 | 0:16:17 | |
-Er, entertainment? -Yes, but more than that. | 0:16:18 | 0:16:21 | |
-Escape? -Partly. -Bang for your buck? -Truth. | 0:16:21 | 0:16:24 | |
(Truth.) | 0:16:24 | 0:16:25 | |
Find out what your characters want. | 0:16:26 | 0:16:28 | |
What does Johan want? What does Zara want? | 0:16:28 | 0:16:31 | |
Then ask yourself what they need. | 0:16:31 | 0:16:33 | |
That's where you'll find your story. | 0:16:33 | 0:16:36 | |
How am I supposed to know what they need? | 0:16:36 | 0:16:39 | |
Think of it like a detective. | 0:16:39 | 0:16:41 | |
-Your husband's a police officer, isn't he? -Yeah. | 0:16:41 | 0:16:44 | |
What would he do? | 0:16:44 | 0:16:46 | |
My name's Johan Meyer. | 0:16:50 | 0:16:52 | |
You're the officer who came to Bertrand Road this morning. | 0:16:52 | 0:16:55 | |
Yes, that's right. Is it about the break-in? | 0:16:55 | 0:16:58 | |
Well... It's about my wife. | 0:16:58 | 0:17:01 | |
-Is she all right? -No. | 0:17:01 | 0:17:03 | |
I don't know. She's fine. At least, I think she is. | 0:17:03 | 0:17:09 | |
You think she is? | 0:17:09 | 0:17:10 | |
-I'm not making much sense, am I? -Not really. Not so far. | 0:17:10 | 0:17:13 | |
Mr Meyer, are you OK? | 0:17:13 | 0:17:16 | |
Why do you ask? | 0:17:16 | 0:17:18 | |
Well, it appears you've got blood on your shirt. | 0:17:18 | 0:17:20 | |
Oh, that. It's not mine. | 0:17:20 | 0:17:23 | |
Well, whose is it, then? | 0:17:23 | 0:17:25 | |
-Look, er, I've got to go. -No, no, hang on a minute. | 0:17:26 | 0:17:29 | |
I can't. I'm sorry for wasting your time. | 0:17:29 | 0:17:33 | |
He's a funny fish, that one. | 0:17:37 | 0:17:40 | |
In what way? | 0:17:40 | 0:17:41 | |
Well, for the first six months, him and his wife | 0:17:41 | 0:17:43 | |
were the nicest pair of neighbours you could wish for. | 0:17:43 | 0:17:46 | |
Then a month or so ago, they changed. | 0:17:46 | 0:17:49 | |
-How did they change? -Just stopped being neighbourly. | 0:17:49 | 0:17:52 | |
He installed a fortified gate! | 0:17:52 | 0:17:55 | |
Changed the locks on his doors, that sort of stuff. | 0:17:55 | 0:17:57 | |
I thought you said there was a burglar in the neighbourhood? | 0:17:57 | 0:18:00 | |
And I thought you didn't believe me! | 0:18:00 | 0:18:03 | |
Come on, I'll give you a lift home. | 0:18:03 | 0:18:05 | |
We'll sort this thing out once and for all. | 0:18:05 | 0:18:08 | |
Have you seen Zara? | 0:18:08 | 0:18:10 | |
Er, she just popped out. | 0:18:10 | 0:18:12 | |
-Any idea where she went? -Called out on an emergency house call. | 0:18:12 | 0:18:16 | |
-Oh, really? Which patient? -I don't know. It was a private call. | 0:18:16 | 0:18:21 | |
Blimey! | 0:18:40 | 0:18:42 | |
'Zara? It's me, Johan. | 0:18:46 | 0:18:49 | |
'I tried, but I couldn't do it. I'm sorry. I need you to see her. | 0:18:49 | 0:18:54 | |
'Come, please.' | 0:18:54 | 0:18:56 | |
I'm not sure what you think you're going to find that I haven't! | 0:18:56 | 0:19:00 | |
Sometimes, a fresh pair of eyes can make the difference, can't it? | 0:19:00 | 0:19:04 | |
Anyway, until CSI arrive, I'll have to do. | 0:19:04 | 0:19:06 | |
I've had 40 years in the force. | 0:19:06 | 0:19:08 | |
I think I know me way around a crime scene! | 0:19:08 | 0:19:11 | |
Yeah. So, shall we assume that the window was broken from the outside? | 0:19:11 | 0:19:15 | |
Naturally. You can tell immediately from the broken glass fragments. | 0:19:15 | 0:19:20 | |
The burglar made his entrance by smashing the glass to gain access | 0:19:20 | 0:19:23 | |
to the kitchen window locking mechanism. | 0:19:23 | 0:19:26 | |
It's all in the logs! | 0:19:26 | 0:19:27 | |
-And then you closed it? -No! | 0:19:27 | 0:19:29 | |
Like it says in my notes - I left everything exactly as I found it! | 0:19:29 | 0:19:33 | |
-That's a bit odd then, isn't it? -What is? | 0:19:33 | 0:19:35 | |
That the window is closed and locked from the inside. I mean, why would a burglar do that? | 0:19:35 | 0:19:40 | |
How did he get out? | 0:19:40 | 0:19:42 | |
He must have used the back door. | 0:19:42 | 0:19:44 | |
No, that's impossible! | 0:19:44 | 0:19:46 | |
I double locked. You can't get in or out without a key. | 0:19:46 | 0:19:48 | |
I don't get it, cos he wouldn't have gone back out the window. | 0:19:48 | 0:19:51 | |
So he either went through the front door, or... | 0:19:51 | 0:19:54 | |
BOTH: Or he's still here. | 0:19:57 | 0:19:59 | |
CAT MIAOWS | 0:20:03 | 0:20:05 | |
There's your burglar of Bertrand Road! | 0:20:06 | 0:20:09 | |
Hey, it's a cat burglar! Nigel, it's a cat burglar! | 0:20:11 | 0:20:15 | |
SHE KNOCKS ON DOOR HEAVILY | 0:20:20 | 0:20:22 | |
What would Rob do? | 0:20:24 | 0:20:26 | |
Come on, Nigel. | 0:20:33 | 0:20:36 | |
Sarge? I wasn't laughing at you! | 0:20:37 | 0:20:40 | |
Nigel, what really happened to Maureen? | 0:20:41 | 0:20:45 | |
-NIGEL SOBS -After 40 years... | 0:20:45 | 0:20:49 | |
she left me! | 0:20:49 | 0:20:52 | |
You miss it, don't you? | 0:20:52 | 0:20:54 | |
That's what all this is about, eh? Isn't it? The Neighbourhood Watch, | 0:20:54 | 0:20:58 | |
the CCTV, the quest for the burglar. | 0:20:58 | 0:21:00 | |
There were two constants in my life - | 0:21:00 | 0:21:04 | |
my job and my wife. | 0:21:04 | 0:21:08 | |
I don't know anything any more. | 0:21:13 | 0:21:16 | |
Anything. | 0:21:16 | 0:21:18 | |
Now, you listen to me. | 0:21:18 | 0:21:19 | |
I said, listen to me! | 0:21:21 | 0:21:23 | |
You are Sergeant Nigel Whiteley. | 0:21:24 | 0:21:28 | |
Mentor, leader, inspiration. | 0:21:28 | 0:21:32 | |
You don't have to prove anything to anybody. And if Maureen's too selfish | 0:21:32 | 0:21:36 | |
or too stupid to know that, then it's her loss. Right? | 0:21:36 | 0:21:40 | |
Yeah. Yeah, yeah. | 0:21:42 | 0:21:44 | |
And that cat didn't break that window. | 0:21:44 | 0:21:49 | |
Then who did? His accomplice? | 0:21:49 | 0:21:52 | |
-POLICE RADIO: -Security company reports break-in in progress | 0:21:57 | 0:22:00 | |
at 49 Bertrand Road. | 0:22:00 | 0:22:02 | |
-That's Johan's place! -7244 received. | 0:22:02 | 0:22:06 | |
Yeah, I'm next door. I'll be there in a minute. Come on! | 0:22:06 | 0:22:10 | |
Hello? Anyone home? | 0:22:14 | 0:22:19 | |
-ZARA: -'See you later.' | 0:22:21 | 0:22:23 | |
Zara! | 0:22:23 | 0:22:25 | |
-You won't get away with this! -I already have! | 0:22:34 | 0:22:37 | |
It doesn't have to be this way! | 0:22:37 | 0:22:39 | |
You brought it on yourself! | 0:22:39 | 0:22:41 | |
You had to tell my wife my terrible secret. | 0:22:41 | 0:22:45 | |
I begged you not to, but you di-i-id! | 0:22:45 | 0:22:50 | |
Now... | 0:22:51 | 0:22:52 | |
you both have to pay. | 0:22:55 | 0:22:57 | |
What terrible secret? | 0:22:57 | 0:22:59 | |
My secret. The terrible one! The one you told my wife. | 0:22:59 | 0:23:03 | |
The reason you're both tied up down here! | 0:23:06 | 0:23:09 | |
Why can't I remember? | 0:23:09 | 0:23:11 | |
Because it's all made up. It's inside her head. | 0:23:11 | 0:23:15 | |
-Whose head? -Hers! | 0:23:15 | 0:23:17 | |
'Stop! Police!' | 0:23:17 | 0:23:19 | |
Whoa. Get off me! I'm not... | 0:23:19 | 0:23:23 | |
-Rob? -Karen? | 0:23:24 | 0:23:26 | |
Your wife's the burglar of Bertrand Road? | 0:23:26 | 0:23:28 | |
I'm not the burglar of anywhere! Who's that? | 0:23:28 | 0:23:32 | |
Don't you remember Sergeant Whiteley? What are you doing here? | 0:23:32 | 0:23:35 | |
Looking for Zara. Check in the cellar! Something terrible's happened! | 0:23:35 | 0:23:39 | |
Zara's in trouble! He's got her down there | 0:23:39 | 0:23:41 | |
with his wife! | 0:23:41 | 0:23:43 | |
Karen, Zara is here, with Mr Meyer and his wife. | 0:23:43 | 0:23:46 | |
Zara, you're safe! | 0:23:46 | 0:23:47 | |
Yes. Are you checking the floor? | 0:23:47 | 0:23:51 | |
No, I... | 0:23:51 | 0:23:54 | |
I was shouting out for you. There was no answer! | 0:23:54 | 0:23:56 | |
We were upstairs. I was treating Mrs Meyer's hand. | 0:23:56 | 0:23:59 | |
Then what's in the cellar? | 0:23:59 | 0:24:02 | |
A cupboard. | 0:24:05 | 0:24:07 | |
Well, I thought... I, I, I saw on the desk... I heard the message! | 0:24:07 | 0:24:11 | |
He's dangerous! He's got parasomnia! | 0:24:11 | 0:24:14 | |
Johan doesn't have parasomnia. | 0:24:14 | 0:24:16 | |
My wife does. | 0:24:16 | 0:24:19 | |
'Parasomnia, it turns out, | 0:24:19 | 0:24:21 | |
'is a type of sleep disorder.' | 0:24:21 | 0:24:24 | |
Apparently, it involves abnormal and unnatural movement, behaviour, | 0:24:24 | 0:24:28 | |
emotion, perception, and dreams that occur whilst asleep. | 0:24:28 | 0:24:34 | |
'About 4% of adults experience some form of sleepwalking.' | 0:24:36 | 0:24:39 | |
This can be as minor as sitting up in bed, walking to the bathroom | 0:24:39 | 0:24:43 | |
and cleaning, or as freaky as cooking, driving, losing it | 0:24:43 | 0:24:48 | |
with your bloke or, as in this case, it can be as simple as repeatedly | 0:24:48 | 0:24:53 | |
leaving one's own home, | 0:24:53 | 0:24:55 | |
and breaking into the neighbours'. | 0:24:55 | 0:24:58 | |
'Sometimes people, loved ones, | 0:24:58 | 0:25:02 | |
'can take more drastic action. | 0:25:02 | 0:25:04 | |
'So in the end, there was no great mystery of the cat burglar | 0:25:06 | 0:25:10 | |
'of Bertrand Road. | 0:25:10 | 0:25:12 | |
'No sordid affairs. No dank dungeons, | 0:25:12 | 0:25:15 | |
'no terrible secrets. | 0:25:15 | 0:25:17 | |
'These were nothing more than the fanciful creations | 0:25:17 | 0:25:20 | |
'of an overactive imagination... | 0:25:20 | 0:25:22 | |
'This was about a young wife with a rare condition | 0:25:23 | 0:25:27 | |
'and her terrified, overprotective, loving husband.' | 0:25:27 | 0:25:32 | |
The end. | 0:25:34 | 0:25:36 | |
THEY APPLAUD | 0:25:36 | 0:25:39 | |
That was sublime. | 0:25:40 | 0:25:42 | |
Really? | 0:25:42 | 0:25:44 | |
Transformative. | 0:25:44 | 0:25:45 | |
-You're not going to kiss me, are you? -What? | 0:25:45 | 0:25:48 | |
I'm just checking it was real! | 0:25:48 | 0:25:51 | |
That was a lovely story, Karen. | 0:25:51 | 0:25:52 | |
And my last. | 0:25:52 | 0:25:54 | |
I prefer my fiction stranger than fact. | 0:25:54 | 0:26:00 | |
-Weird day. -You're telling me! | 0:26:11 | 0:26:14 | |
If you ever got bored with me... | 0:26:14 | 0:26:17 | |
you would tell me, wouldn't you? | 0:26:17 | 0:26:19 | |
Yeah. Silly question. 'Course you would. | 0:26:22 | 0:26:25 | |
Ask me what's for dinner. | 0:26:25 | 0:26:26 | |
What's for dinner? | 0:26:26 | 0:26:29 | |
Now, ask me what's for pudding. | 0:26:37 | 0:26:40 | |
What's for pudding? | 0:26:42 | 0:26:43 | |
What are your first impressions of Harmony Heights? | 0:26:50 | 0:26:53 | |
It's very welcoming. | 0:26:53 | 0:26:54 | |
Ow! It's drilling and filling I need. | 0:26:54 | 0:26:57 | |
I have to make myself an emergency appointment today. | 0:26:57 | 0:27:00 | |
Stuff your review! | 0:27:00 | 0:27:02 | |
And listen, in any case, who the hell do you think you are | 0:27:02 | 0:27:04 | |
trying to tell me what to do? | 0:27:04 | 0:27:06 | |
I want the name of your dentist! He's put the snap back | 0:27:06 | 0:27:09 | |
-in your elastic. -Was it awful? | 0:27:09 | 0:27:11 | |
It's done now. | 0:27:11 | 0:27:13 | |
Subtitles by Red Bee Media Ltd | 0:27:25 | 0:27:31 | |
E-mail [email protected] | 0:27:31 | 0:27:37 |