Browse content similar to Perfect Storm. Check below for episodes and series from the same categories and more!
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-RADIO: -'Lots of nasty stuff on the highways and byways this morning. | 0:00:25 | 0:00:28 | |
'Still got the problems with the tunnels shut | 0:00:28 | 0:00:31 | |
'coming in off the Aston Expressway, only one lane open northbound. | 0:00:31 | 0:00:35 | |
'The Letherbridge Bypass is down to one lane, that's both ways, | 0:00:35 | 0:00:38 | |
'and our traffic desk has had calls telling us the A435 is gridlocked. | 0:00:38 | 0:00:41 | |
Mate, I really think I should come. | 0:00:41 | 0:00:43 | |
You should go. You should definitely go. | 0:00:43 | 0:00:45 | |
No, it does not mean I think you'll mess it up. | 0:00:45 | 0:00:48 | |
Belt and braces, mate, that's all it is. | 0:00:48 | 0:00:50 | |
Tell Daniel I've got the final fitting for my wedding dress and that it's a team effort. | 0:00:50 | 0:00:54 | |
Yep, yep, lunchtime. | 0:00:54 | 0:00:56 | |
Tell him...the Campus. | 0:00:56 | 0:00:59 | |
I don't want to see anything. | 0:00:59 | 0:01:01 | |
The Campus, yeah? See ya. | 0:01:01 | 0:01:03 | |
This is the final fitting for my wedding dress, my wedding dress, | 0:01:03 | 0:01:07 | |
this is very exciting. | 0:01:07 | 0:01:09 | |
-Argh, straight to answer machine. -Stop calling her. You're like a stalker. | 0:01:09 | 0:01:13 | |
How was I supposed to know? | 0:01:13 | 0:01:14 | |
PHONE RINGS | 0:01:14 | 0:01:16 | |
Zara? | 0:01:16 | 0:01:17 | |
Oh, Kate? What's wrong? | 0:01:17 | 0:01:19 | |
Don't panic. Tiny logistical problem. | 0:01:19 | 0:01:22 | |
I've got an amazing new client. I've got to see her tonight at seven, | 0:01:22 | 0:01:25 | |
on Lady Byron Lane. She's... | 0:01:25 | 0:01:27 | |
'No, no, no, no, no!' | 0:01:27 | 0:01:28 | |
You are not "popping" anywhere. I'm your client. | 0:01:28 | 0:01:31 | |
It's Solihull! She's got 12 bridesmaids and an unlimited budget. | 0:01:31 | 0:01:34 | |
No, Kate, don't do this to me. | 0:01:34 | 0:01:36 | |
You can't do this to me, Kate. | 0:01:36 | 0:01:38 | |
'Kate, Kate! Are you there?' | 0:01:38 | 0:01:40 | |
You could come to me at lunchtime. | 0:01:40 | 0:01:42 | |
I haven't got time. You'll have to come to me. | 0:01:42 | 0:01:44 | |
-But I've got white-coat syndrome. -Of course you have. | 0:01:44 | 0:01:47 | |
-I have! I can't bare the smell of hospitals. -It is a medical practice. | 0:01:47 | 0:01:51 | |
If I hear a rattle of phlegm I'm likely to throw up. | 0:01:51 | 0:01:53 | |
'You will come to meet me for 2:15, | 0:01:53 | 0:01:55 | |
'you will do the final fitting for my wedding dress' | 0:01:55 | 0:01:58 | |
on my lunch break, which is the only free time | 0:01:58 | 0:02:01 | |
'I've got before I get married.' | 0:02:01 | 0:02:03 | |
You're not going to leave until your contracted work for my wedding is complete. | 0:02:03 | 0:02:07 | |
I don't care if your new clients live in Buckingham Palace. | 0:02:07 | 0:02:10 | |
'Have I made myself clear?' | 0:02:10 | 0:02:12 | |
I'll see you after two. | 0:02:13 | 0:02:14 | |
'And leave plenty of time for the journey, traffic's a nightmare.' | 0:02:14 | 0:02:18 | |
Hmm. | 0:02:18 | 0:02:20 | |
What?! | 0:02:20 | 0:02:22 | |
I can be assertive, when I need to be. | 0:02:22 | 0:02:25 | |
Course you can. | 0:02:25 | 0:02:27 | |
I am not going to let one single fly land in my chardonnay. | 0:02:27 | 0:02:30 | |
Not tomorrow, not today. | 0:02:30 | 0:02:33 | |
Atta girl! | 0:02:33 | 0:02:34 | |
MUSIC: "Upside Down" by Paloma Faith | 0:02:35 | 0:02:40 | |
Hey, I like that song. | 0:02:40 | 0:02:41 | |
So? What did Jimmi want this time? | 0:02:41 | 0:02:43 | |
It is the final fitting frenzy. | 0:02:43 | 0:02:47 | |
Jimmi's insisting on coming with me to collect the suits with me | 0:02:47 | 0:02:51 | |
and I'm not having that. | 0:02:51 | 0:02:52 | |
It's the best man's job to make sure the pressure's off. | 0:02:52 | 0:02:55 | |
-I wouldn't want to be the seamstress fitting the pinkness' frock. -Why? | 0:02:55 | 0:02:58 | |
You must have noticed, my darling, the bride's turning into a right porker. | 0:02:58 | 0:03:02 | |
Spiteful, darling. | 0:03:02 | 0:03:04 | |
Saddle that pig. | 0:03:04 | 0:03:06 | |
If you need to pee this much today what you going to be like tomorrow? | 0:03:09 | 0:03:13 | |
I'm excited! Have you got your list? | 0:03:13 | 0:03:14 | |
-Yep! -And have you thought about a present for Daniel? | 0:03:14 | 0:03:17 | |
-Nope! -Jimmi! | 0:03:17 | 0:03:18 | |
Come on, Sergeant Control Freak, I'll think of something, I'll sort it out. | 0:03:18 | 0:03:23 | |
I got Immie and Mandy's weeks ago. | 0:03:23 | 0:03:24 | |
Easy! Pendants and perfume. | 0:03:24 | 0:03:26 | |
Woah! Don't worry! It's all under control. | 0:03:35 | 0:03:39 | |
Everything is under control. | 0:03:39 | 0:03:41 | |
An hour and ten minutes? | 0:03:46 | 0:03:48 | |
-Insane. -We should have gone down Melrose Avenue. | 0:03:48 | 0:03:51 | |
In fact, you shouldn't've gone anywhere. | 0:03:51 | 0:03:53 | |
Oh don't start. Women all over the world work until they pop, until they really have to stop. | 0:03:53 | 0:03:58 | |
I am one of those women, | 0:03:58 | 0:03:59 | |
not some bored hausfrau sitting at home making herself miserable as sin | 0:03:59 | 0:04:03 | |
contemplating her own stretch marks. | 0:04:03 | 0:04:05 | |
Whatever you say, sweetheart. | 0:04:05 | 0:04:07 | |
Please give that to Julia. | 0:04:07 | 0:04:09 | |
-Yes, boss! -Now, I've got the bat phone, if you need anything you call me, | 0:04:09 | 0:04:14 | |
and I mean anything. | 0:04:14 | 0:04:15 | |
Brat phone, more like. Thank you, Commissioner Gordon. | 0:04:15 | 0:04:19 | |
Hey hey hey, have I told you I love you today? | 0:04:19 | 0:04:21 | |
I love you. | 0:04:23 | 0:04:24 | |
Even if you are looking a little bit more like The Penguin | 0:04:24 | 0:04:27 | |
than Cat Woman these days. | 0:04:27 | 0:04:29 | |
All right! Goodness! | 0:04:29 | 0:04:31 | |
Unnecessary. | 0:04:31 | 0:04:32 | |
See you! | 0:04:32 | 0:04:34 | |
It's deliberate, and I know why you do it. | 0:04:41 | 0:04:45 | |
You think if you make enough yuck cups of coffee people will stop asking. Well, I'm asking. | 0:04:45 | 0:04:49 | |
I'm not making. | 0:04:49 | 0:04:52 | |
It's your turn. | 0:04:52 | 0:04:53 | |
Since when is it my turn? | 0:04:53 | 0:04:54 | |
No-one else has turn. | 0:04:54 | 0:04:56 | |
I don't see Heston having a turn. | 0:04:56 | 0:04:58 | |
I'd love to see you make Zara have a turn. | 0:04:58 | 0:05:01 | |
You're the new boy. | 0:05:01 | 0:05:02 | |
You don't make Freya do it! Besides, you're on reception and as such, | 0:05:02 | 0:05:05 | |
there's an established allocation of tasks in our working relationship. | 0:05:05 | 0:05:09 | |
SHE SIGHS | 0:05:09 | 0:05:10 | |
What? | 0:05:10 | 0:05:12 | |
Are you saying that if I had my HCA hat on you would make me a coffee? | 0:05:12 | 0:05:18 | |
I might. | 0:05:18 | 0:05:20 | |
Kevin Tyler, if you don't get that kettle on it's tickle time. | 0:05:23 | 0:05:28 | |
No, you wouldn't dare! Ahhhhh! OK, OK! | 0:05:28 | 0:05:32 | |
And I'll have a biscuit with mine! | 0:05:32 | 0:05:34 | |
Oh, I've just been on line. | 0:05:36 | 0:05:38 | |
And? | 0:05:38 | 0:05:39 | |
What I might do is tick the box and pay for that music movie centre thing | 0:05:39 | 0:05:43 | |
but some little...tinker has already bought it for them. | 0:05:43 | 0:05:47 | |
Ah, no. What now? | 0:05:47 | 0:05:50 | |
D'you know what's left? | 0:05:50 | 0:05:51 | |
Tea towels and a bird feeder, that's what's left. | 0:05:51 | 0:05:54 | |
I have never approved of this wedding list business. | 0:05:54 | 0:05:57 | |
It smells of avarice. | 0:05:57 | 0:05:58 | |
Some of us have to watch our pennies. | 0:05:58 | 0:06:00 | |
At least we would've been able to get them | 0:06:00 | 0:06:02 | |
something they really wanted and we could all have paid for it. | 0:06:02 | 0:06:05 | |
It's about not getting four toasters, really. | 0:06:05 | 0:06:08 | |
Thank the Lord they did not get two surround-sound home blu movie three dimensional televisions. | 0:06:08 | 0:06:15 | |
What an embarrassment of sensory experience that would have been. | 0:06:15 | 0:06:19 | |
It's Blu-ray, not blu movie, that's different, | 0:06:19 | 0:06:22 | |
specially in 3D. | 0:06:22 | 0:06:23 | |
Yeah. | 0:06:23 | 0:06:24 | |
-Powwow? -Lunchtime? -Have to be. | 0:06:24 | 0:06:26 | |
Icon bar? You with us, Mrs Tembe? | 0:06:26 | 0:06:29 | |
Thank you, but I have a peanut butter sandwich and a Cox's Orange Pippin. | 0:06:29 | 0:06:34 | |
Well, look, if I'd got my act together and bought the wretched thing last week... | 0:06:34 | 0:06:39 | |
So what I'm saying is it's really nobody else's fault but.. | 0:06:39 | 0:06:42 | |
Yours. | 0:06:42 | 0:06:44 | |
So, lunch is on me! | 0:06:44 | 0:06:47 | |
Oh! I will telephone Mrs Hollins and also see if Doctor Wilson is free. | 0:06:48 | 0:06:54 | |
Anyone else? | 0:06:56 | 0:06:57 | |
Well, I would ask Doctor Carmichael but I know what she will say. | 0:06:57 | 0:07:02 | |
How did she do that? | 0:07:02 | 0:07:03 | |
How did she go from a Cox's Orange Pippin | 0:07:03 | 0:07:05 | |
to inviting everyone to lunch and you're paying? | 0:07:05 | 0:07:08 | |
She's good. | 0:07:08 | 0:07:09 | |
We'll split the bill. | 0:07:09 | 0:07:10 | |
No, don't be daft. It'll be nice, anyway, all us girlies. | 0:07:10 | 0:07:13 | |
Talking about "us girlies", did you hear what I heard? | 0:07:13 | 0:07:18 | |
What, you mean about the hen night? | 0:07:18 | 0:07:20 | |
After we left? | 0:07:20 | 0:07:21 | |
Ahhh, | 0:07:21 | 0:07:23 | |
Freya and Mandy. | 0:07:23 | 0:07:25 | |
No! What happened? | 0:07:25 | 0:07:26 | |
Oh, well, according to Immie... | 0:07:26 | 0:07:30 | |
Major pash. | 0:07:30 | 0:07:31 | |
Major Pash? Corporal Snog? | 0:07:31 | 0:07:33 | |
Private Parts. | 0:07:33 | 0:07:35 | |
Did you hear about the scrap? | 0:07:35 | 0:07:36 | |
What scrap? | 0:07:36 | 0:07:38 | |
Cherry and Zara. | 0:07:38 | 0:07:39 | |
What? You're kidding. | 0:07:40 | 0:07:43 | |
Cuppa? | 0:07:44 | 0:07:45 | |
Don't mind if I do. | 0:07:45 | 0:07:47 | |
Where's Heston this morning? | 0:07:47 | 0:07:49 | |
He's not a stag night fatality, is he? | 0:07:49 | 0:07:52 | |
No, he's at home. | 0:07:52 | 0:07:54 | |
I think all this talk of the nuptials and all that | 0:07:54 | 0:07:56 | |
is really getting to him. Bless him. | 0:07:56 | 0:07:58 | |
Poor Heston. Poor Marina. | 0:07:58 | 0:08:00 | |
Yeah, I know. | 0:08:00 | 0:08:01 | |
I don't see why I can't knock off early. | 0:08:01 | 0:08:04 | |
We haven't had a single patient in the last half hour. | 0:08:04 | 0:08:07 | |
What if some poor soul is schlepping through the traffic | 0:08:07 | 0:08:10 | |
and mayhem to get their polyps looked at. | 0:08:10 | 0:08:12 | |
You don't even know what a polyp is. | 0:08:12 | 0:08:15 | |
To get their polyps looked at only to find you've bogged off for a pizza. | 0:08:15 | 0:08:18 | |
Tell you what, it's murder out there. | 0:08:18 | 0:08:21 | |
Oh, the suits, can I have a look? | 0:08:21 | 0:08:23 | |
No, it's bad luck. | 0:08:23 | 0:08:25 | |
Right, I'm off. | 0:08:25 | 0:08:27 | |
How come you get to go early?! | 0:08:27 | 0:08:29 | |
Because I am meeting up with Julia, and Elaine and Mrs Tembe. | 0:08:29 | 0:08:33 | |
And Freya if she finishes her house calls. | 0:08:33 | 0:08:35 | |
What a delightful luncheon party. What happened to your hypothetical polyp patient? | 0:08:35 | 0:08:40 | |
-Tell 'em if they pick it it'll never heal. -Zara not invited? | 0:08:40 | 0:08:43 | |
She likes lunch out with the girls. | 0:08:43 | 0:08:46 | |
Have you met Zara? | 0:08:46 | 0:08:48 | |
Tolerates, maybe. | 0:08:48 | 0:08:50 | |
Likes? | 0:08:50 | 0:08:52 | |
Even so, it would've been nice if she could've felt included. | 0:08:52 | 0:08:56 | |
Yeah, what a bunch of cowbags. | 0:08:56 | 0:08:58 | |
-She was invited! -Was she? | 0:08:58 | 0:09:00 | |
Yes. | 0:09:00 | 0:09:01 | |
She's making the most of quiet time. | 0:09:01 | 0:09:03 | |
She's got her feet up. | 0:09:03 | 0:09:05 | |
And fair play to Zara cos the pair of you | 0:09:05 | 0:09:07 | |
are not going to know what's hit you once that baby arrives. | 0:09:07 | 0:09:10 | |
I know. Can't wait. | 0:09:10 | 0:09:12 | |
Are you sure we can't tempt you? | 0:09:15 | 0:09:17 | |
I can't face it. | 0:09:17 | 0:09:18 | |
OK, fair enough but just remember, all serious suggestions welcome, OK? | 0:09:18 | 0:09:22 | |
OK, I promise I will keep thinking about the wedding present. | 0:09:22 | 0:09:26 | |
That's very good of you, thanks. See you later, bye. | 0:09:26 | 0:09:28 | |
Does anybody want half a tuna sandwich? | 0:09:28 | 0:09:32 | |
Where are they all off to? | 0:09:32 | 0:09:34 | |
Zara, will you please talk to me. | 0:09:34 | 0:09:36 | |
I don't want to. | 0:09:36 | 0:09:37 | |
Why? | 0:09:37 | 0:09:38 | |
Because you present yourself as all frilly and nice, | 0:09:38 | 0:09:41 | |
and that's bad enough, but inside you're not frilly at all, | 0:09:41 | 0:09:45 | |
you're ugly. | 0:09:45 | 0:09:47 | |
I hate the doctors. | 0:09:47 | 0:09:49 | |
What in the name of all that's holy have you done to yourself? | 0:09:50 | 0:09:53 | |
You're early. I haven't had lunch. | 0:09:53 | 0:09:55 | |
You're not having any lunch. I allowed double the journey time. | 0:09:55 | 0:09:59 | |
A couple of pounds, you said. What is that? Five? Six? Half a fudging stone! | 0:09:59 | 0:10:02 | |
Excuse me?! | 0:10:02 | 0:10:04 | |
Ugly and fat. | 0:10:04 | 0:10:06 | |
She's nice. | 0:10:06 | 0:10:07 | |
She's upset. | 0:10:07 | 0:10:09 | |
She's upset? | 0:10:09 | 0:10:10 | |
What you have done, Cherry Malone, | 0:10:10 | 0:10:11 | |
is present me with an extreme tailoring crisis. | 0:10:11 | 0:10:14 | |
She's upset? | 0:10:14 | 0:10:15 | |
A less skilled seamstress would run a mile, look at your bubblies. | 0:10:15 | 0:10:19 | |
You do realise you're being extremely rude? | 0:10:19 | 0:10:21 | |
Get your kit off. | 0:10:21 | 0:10:22 | |
Let's see exactly how much chubby we're talking about here. | 0:10:22 | 0:10:25 | |
Cake? Gridlock? Cake. | 0:10:28 | 0:10:32 | |
-You'll be having to move the button on your trousers. -Why's that? | 0:10:32 | 0:10:36 | |
Zara thinks Cherry looks bonny. | 0:10:36 | 0:10:38 | |
Bonny?! What?! | 0:10:38 | 0:10:39 | |
You know what I think about sex and skinny birds? | 0:10:39 | 0:10:42 | |
No, but I want you to tell me. | 0:10:42 | 0:10:44 | |
Like going to bed with a bicycle. | 0:10:44 | 0:10:46 | |
Yeah well, Cherry's just right size and my waist is the same size as the first time I got married so... | 0:10:46 | 0:10:51 | |
I'll put that in the speech. Check out your threads, brother. | 0:10:51 | 0:10:55 | |
Purple velvet?! | 0:10:55 | 0:10:58 | |
Oops! | 0:10:58 | 0:10:59 | |
OK. Gluteus medius muscle... | 0:11:03 | 0:11:07 | |
You are about to get yours. | 0:11:09 | 0:11:11 | |
SHE GASPS | 0:11:26 | 0:11:29 | |
OK, thanks very much. | 0:11:32 | 0:11:34 | |
What did they say? | 0:11:34 | 0:11:35 | |
There's no problem, there's just been a mix up. | 0:11:35 | 0:11:37 | |
They've got ours, we've got theirs. Easy to sort. | 0:11:37 | 0:11:40 | |
What did I tell you? | 0:11:40 | 0:11:42 | |
You've got to chill, Wallace. | 0:11:42 | 0:11:44 | |
"Oh no, Grommit, we'll not get wed in wrong trousers." | 0:11:44 | 0:11:48 | |
Do you have any idea how wrong they are? | 0:11:48 | 0:11:50 | |
We'll just swap them. | 0:11:50 | 0:11:51 | |
Do we have to? | 0:11:51 | 0:11:53 | |
Doesn't a tiny bit of you want to go to this wedding? | 0:11:53 | 0:11:57 | |
Franklyn, take them off. | 0:11:57 | 0:11:58 | |
Not here. | 0:12:01 | 0:12:02 | |
How could you? | 0:12:04 | 0:12:05 | |
I was happy. I ate cake. | 0:12:05 | 0:12:08 | |
Did you not see Kate Middleton? | 0:12:08 | 0:12:10 | |
Do you not think she was happy? Happy and thin. | 0:12:10 | 0:12:12 | |
I can't stand the smell in these places. | 0:12:12 | 0:12:14 | |
-I didn't expect to be here for long or I wouldn't have said I'd come. -It's disinfectant. | 0:12:14 | 0:12:18 | |
To you maybe, to me it's ill people blood and pus. | 0:12:18 | 0:12:22 | |
I couldn't work here. | 0:12:22 | 0:12:23 | |
Oh, there's hemline impact. | 0:12:25 | 0:12:27 | |
Which, correct me if I'm wrong, I am going to be paying you to fix. | 0:12:27 | 0:12:31 | |
Ow!! | 0:12:32 | 0:12:34 | |
Mmm. | 0:12:38 | 0:12:39 | |
Mmm. | 0:12:39 | 0:12:41 | |
This is delicious. | 0:12:41 | 0:12:43 | |
Embrace the carbs, ladies. | 0:12:43 | 0:12:46 | |
None of us are going to drop an ounce before tomorrow, are we? | 0:12:46 | 0:12:49 | |
So what are we going to do about a present? | 0:12:49 | 0:12:52 | |
Well, Zara did suggest that we send them potholing! | 0:12:52 | 0:12:56 | |
What a cow! | 0:12:56 | 0:12:59 | |
I know, and I asked Heston if he had any ideas | 0:12:59 | 0:13:01 | |
but I didn't want to push him. | 0:13:01 | 0:13:03 | |
I am very concerned about Doctor Carter. | 0:13:03 | 0:13:06 | |
Me too. | 0:13:06 | 0:13:07 | |
What happened with those two? | 0:13:07 | 0:13:09 | |
I haven't really asked. They just seem a bit too pained. | 0:13:09 | 0:13:13 | |
Well, it's a shame. | 0:13:13 | 0:13:15 | |
Because Marina's not going to stay on the shelf for long, is she? | 0:13:15 | 0:13:19 | |
It is Doctor Carter who is the one who is a good catch. | 0:13:19 | 0:13:22 | |
And they're lovely, they're lovely together. | 0:13:22 | 0:13:25 | |
I think that if we leave things as they are | 0:13:25 | 0:13:29 | |
Marina will be out there hooking up with someone new | 0:13:29 | 0:13:31 | |
before they realise they've made a big mistake. | 0:13:31 | 0:13:34 | |
Game over, good night, Vienna. | 0:13:34 | 0:13:35 | |
She'll be off and Heston will be on his own again. | 0:13:35 | 0:13:38 | |
No, that is not right. | 0:13:38 | 0:13:43 | |
A woman who lives on the banks of a river does not use spittle to wash her hands. | 0:13:43 | 0:13:47 | |
In some industries three centimetres means nothing | 0:13:51 | 0:13:54 | |
-but in bridal, I'm not saying we're zero tolerant but.. -GROANING | 0:13:54 | 0:13:57 | |
Shhh! What is that? | 0:13:57 | 0:13:58 | |
I'm focusing on your hem. | 0:13:58 | 0:13:59 | |
Turn the radio off a sec. | 0:13:59 | 0:14:01 | |
MUSIC PLAYS ON RADIO | 0:14:02 | 0:14:06 | |
SILENCE | 0:14:06 | 0:14:08 | |
Do you mind if I re-focus? | 0:14:11 | 0:14:12 | |
Elton's helping. | 0:14:12 | 0:14:14 | |
Suits you, sir. | 0:14:23 | 0:14:24 | |
Oh, suits you. | 0:14:24 | 0:14:25 | |
What's wrong with you? Don't you know how important this is to me? This is my wedding. | 0:14:25 | 0:14:30 | |
Ah, mate, come on, calm down. | 0:14:30 | 0:14:32 | |
-Deep breaths - in out, in... -Franklyn! | 0:14:32 | 0:14:35 | |
Everything is going to be fine. They're mortified. | 0:14:35 | 0:14:37 | |
The right trousers are at the main branch. | 0:14:37 | 0:14:40 | |
Nothing else is going to go wrong. | 0:14:40 | 0:14:42 | |
Ha! Jinxed it! | 0:14:42 | 0:14:43 | |
Shut up! The main branch? I thought this was the main branch. | 0:14:43 | 0:14:46 | |
No, it's not, it's ten minutes away. | 0:14:46 | 0:14:49 | |
-Do you think we'd be monkeying about if it wasn't all sorted? -Come on. | 0:14:49 | 0:14:52 | |
GROANING | 0:15:01 | 0:15:02 | |
No, seriously, what is that? | 0:15:02 | 0:15:04 | |
GROANING | 0:15:09 | 0:15:10 | |
What is it? | 0:15:10 | 0:15:11 | |
Sounds like one for you. | 0:15:13 | 0:15:15 | |
GROANING | 0:15:18 | 0:15:19 | |
SHE GROANS | 0:15:23 | 0:15:25 | |
If you wear that I swear I'm getting a hat like Princess Beatrice. | 0:15:31 | 0:15:34 | |
Zara, you're in labour. | 0:15:34 | 0:15:36 | |
Way too early, these are just Braxton Hicks. | 0:15:36 | 0:15:41 | |
No, Zara, you're in labour. | 0:15:41 | 0:15:43 | |
You think I wouldn't know if I'd started? | 0:15:44 | 0:15:47 | |
Yep I think you're right. | 0:15:51 | 0:15:53 | |
Oh, your dress, | 0:15:53 | 0:15:54 | |
that really was not deliberate. | 0:15:54 | 0:15:57 | |
Never mind the dress. We're going to get you an ambulance. | 0:15:57 | 0:16:00 | |
Oi! | 0:16:04 | 0:16:06 | |
OK, well just get here as soon as you can. | 0:16:14 | 0:16:16 | |
It's madness out there it could be about 45 minutes, | 0:16:16 | 0:16:19 | |
but the motorcycle paramedic could get here first. | 0:16:19 | 0:16:22 | |
-What we need to do is... -Call Daniel. It's in my bag. | 0:16:22 | 0:16:25 | |
PHONE VIBRATES | 0:16:32 | 0:16:34 | |
'This is Daniel Granger, please leave a message.' | 0:16:34 | 0:16:37 | |
Straight to answer machine. I'll try Jimmi's. | 0:16:37 | 0:16:39 | |
'Jimmi here. I can't get to the phone so leave us a message. Cheers.' | 0:16:43 | 0:16:47 | |
What is it with everyone? | 0:16:47 | 0:16:49 | |
Julia. | 0:16:49 | 0:16:50 | |
PHONE VIBRATES | 0:16:52 | 0:16:54 | |
'Sorry I'm not available to take your call.' | 0:17:01 | 0:17:04 | |
Anyone else? | 0:17:06 | 0:17:08 | |
OK, try Karen. | 0:17:08 | 0:17:09 | |
She's not under Karen, she's under Gobby Hollins. | 0:17:09 | 0:17:12 | |
PHONE VIBRATES | 0:17:14 | 0:17:15 | |
So what are we going to do about a present? | 0:17:15 | 0:17:18 | |
'I'm sorry, there's nobody to take your call at the moment.' | 0:17:18 | 0:17:21 | |
What's the point of having a bloody mobile if you're not going to answer it? | 0:17:21 | 0:17:24 | |
SHE GROANS | 0:17:24 | 0:17:27 | |
Oh, for love of... | 0:17:30 | 0:17:32 | |
Go and deal with your Vivien Westwood! | 0:17:32 | 0:17:34 | |
-Thank you. -Thanks. | 0:17:39 | 0:17:41 | |
Oh, had a missed call from Zara. | 0:17:42 | 0:17:45 | |
She probably wants to suggest a gift voucher for colonic irrigation, | 0:17:45 | 0:17:50 | |
you know, for after the potholing. | 0:17:50 | 0:17:53 | |
Sorry. Sorry. | 0:17:53 | 0:17:55 | |
Come on, let's go over this plan one more time. | 0:17:55 | 0:17:58 | |
Right I have to distract Cherry before everybody is seated and then... | 0:17:58 | 0:18:04 | |
It's my job to find Heston and Marina's place cards. | 0:18:04 | 0:18:07 | |
PHONE BEEPS | 0:18:07 | 0:18:08 | |
Whilst I take an overview, being prepared to intercept if necessary. | 0:18:08 | 0:18:13 | |
What's that? | 0:18:13 | 0:18:15 | |
Nothing. | 0:18:15 | 0:18:18 | |
While I will act as wing man | 0:18:18 | 0:18:21 | |
in case Elaine doesn't have time to switch the place names whilst you, nosey Hollins... | 0:18:21 | 0:18:28 | |
Nosey Hollins! | 0:18:28 | 0:18:30 | |
Whilst I collar the DJ | 0:18:30 | 0:18:32 | |
with a request for Marina and Heston's our song | 0:18:32 | 0:18:35 | |
for shortly after the first dance. | 0:18:35 | 0:18:39 | |
And our tune being, and you're absolutely sure about this? | 0:18:39 | 0:18:43 | |
Yes, yes. | 0:18:43 | 0:18:45 | |
MUSIC: "You Might Need Somebody" | 0:18:45 | 0:18:47 | |
She bought him the "Best of" album just before Christmas. | 0:18:48 | 0:18:51 | |
Oh, well, all in all I think, | 0:18:51 | 0:18:54 | |
with the addition of several bottles of bubbly | 0:18:54 | 0:18:57 | |
that sounds like a really good plan and a fantastic evening. | 0:18:57 | 0:19:00 | |
Rather than a rainy night in Georgia! | 0:19:02 | 0:19:04 | |
What? I know rhythm and blues. | 0:19:06 | 0:19:09 | |
SONG CONTINUES | 0:19:09 | 0:19:14 | |
# When you look around | 0:19:14 | 0:19:18 | |
# You don't have to be alone | 0:19:18 | 0:19:22 | |
# Just one lover | 0:19:24 | 0:19:26 | |
# Is all you need to know | 0:19:26 | 0:19:29 | |
-# When you're feeling all alone. -# | 0:19:31 | 0:19:35 | |
Dead romantic. | 0:19:36 | 0:19:37 | |
So, we have completely abandoned the wedding present now? | 0:19:39 | 0:19:44 | |
Zara, will you please just let me help you? | 0:19:47 | 0:19:49 | |
This is a surgery, a doctors' surgery. | 0:19:49 | 0:19:51 | |
I want a doctor. | 0:19:51 | 0:19:53 | |
I do not want some miffed Tinkerbell who thinks I'm trying to hog all the fairy dust and limelight. | 0:19:53 | 0:19:58 | |
Zara, it looks easy, you made it look easy. | 0:19:58 | 0:20:01 | |
It's called having a stiff upper. | 0:20:01 | 0:20:03 | |
Get me a doctor! | 0:20:03 | 0:20:06 | |
There's no-one else here. There's only me but I can handle this | 0:20:06 | 0:20:10 | |
-if you just let me... -You go near me and I will slap you. | 0:20:10 | 0:20:13 | |
I want a doctor. Get me a doctor! | 0:20:13 | 0:20:15 | |
Somebody calling for a doctor? | 0:20:15 | 0:20:17 | |
Right, coffees all round. It's only ten past. | 0:20:22 | 0:20:24 | |
-If we're a bit late Cherry can cover. -Kevin can cope. | 0:20:24 | 0:20:27 | |
I want Daniel. And I want an ambulance. | 0:20:28 | 0:20:31 | |
Daniel's on his way and the ambulance isn't going to be long. | 0:20:31 | 0:20:34 | |
Liar! | 0:20:34 | 0:20:35 | |
I need to see how dilated you are. | 0:20:35 | 0:20:37 | |
SHE MOANS | 0:20:37 | 0:20:38 | |
Who is that? | 0:20:38 | 0:20:39 | |
That's my dressmaker. Zara, it's too soon, isn't it? | 0:20:39 | 0:20:42 | |
I know, that's why I need Daniel. | 0:20:42 | 0:20:44 | |
I can't let it be too soon, I can't let it happen. | 0:20:44 | 0:20:46 | |
You can't stop it. | 0:20:46 | 0:20:47 | |
I am not having my baby without Daniel. | 0:20:47 | 0:20:50 | |
I am not having my baby here and I am not having my baby with you! | 0:20:50 | 0:20:53 | |
Because I believed the everything is easy act? | 0:20:53 | 0:20:55 | |
-The act everyone was supposed to believe? -Doesn't seem fair. | 0:20:55 | 0:20:58 | |
-Butt out. -Daniel! | 0:20:58 | 0:21:00 | |
You did everything to get pregnant, that wasn't easy. You didn't share that with anybody else | 0:21:00 | 0:21:04 | |
but you did get through it. | 0:21:04 | 0:21:06 | |
It has been hard. | 0:21:06 | 0:21:07 | |
You're going to jeopardise that just cos you're mad at me? | 0:21:07 | 0:21:10 | |
-Look if you're not going to let me deliver the baby... -You are not a doctor. | 0:21:10 | 0:21:14 | |
..then let Kevin. | 0:21:14 | 0:21:15 | |
Open my legs in front of him? Are you mad?! | 0:21:15 | 0:21:17 | |
Zara, grow up! | 0:21:17 | 0:21:19 | |
I can do babies. | 0:21:19 | 0:21:20 | |
ZARA GROANS | 0:21:20 | 0:21:22 | |
I want Daniel! I'm not having this baby without Daniel! | 0:21:22 | 0:21:28 | |
I've left him messages, Zara, he's on his way. | 0:21:28 | 0:21:30 | |
Cherry, have you got a minute? | 0:21:30 | 0:21:32 | |
-Now? -Yes! | 0:21:32 | 0:21:33 | |
It has been hard, very hard. | 0:21:33 | 0:21:35 | |
I know. I know. | 0:21:35 | 0:21:37 | |
But I don't do asking for help. | 0:21:37 | 0:21:39 | |
It's a good job you don't have to. OK? Just one second. | 0:21:39 | 0:21:44 | |
What?! | 0:21:45 | 0:21:46 | |
What are we going to do? | 0:21:46 | 0:21:48 | |
Make sure Zara and the baby are OK then we're going to find Daniel. In that order. | 0:21:48 | 0:21:52 | |
-Daniel and Jimmi are with his mate. -They're with Franklyn? -Yeah. | 0:21:52 | 0:21:55 | |
OK, we can find them then. | 0:21:55 | 0:21:56 | |
Go into my room get my phone, call Franklyn | 0:21:56 | 0:21:58 | |
and tell him what's happened and get Daniel back here. | 0:21:58 | 0:22:01 | |
Daniel! | 0:22:01 | 0:22:02 | |
Kevin, Kevin, be quick. | 0:22:02 | 0:22:04 | |
When you get back you're going to be Daniel. | 0:22:04 | 0:22:06 | |
And I'm going to handle everything else, OK? | 0:22:06 | 0:22:09 | |
ZARA PANTS | 0:22:09 | 0:22:12 | |
Daniel, mate, it's kicking off. | 0:22:13 | 0:22:15 | |
We need to get you back to the Mill pronto. | 0:22:15 | 0:22:17 | |
What is? | 0:22:17 | 0:22:18 | |
That was your man Kevin, Zara's having the baby. | 0:22:18 | 0:22:21 | |
Ha! Ha! Pack it in. You'd do anything to be best man. | 0:22:21 | 0:22:23 | |
-It's not going to happen. -I'm not joking. | 0:22:23 | 0:22:25 | |
If anything was to happen to Zara she'd call me on the brat phone. | 0:22:25 | 0:22:30 | |
Jimmi, I've lost the phone. | 0:22:30 | 0:22:31 | |
Let me do something. | 0:22:38 | 0:22:40 | |
I want Daniel. Not you! | 0:22:40 | 0:22:42 | |
Well tough, cos I'm what you've got. | 0:22:42 | 0:22:44 | |
Don't push yet, Zara. | 0:22:44 | 0:22:46 | |
I'm Daniel, until he gets here, OK? I'm him. I've got you. | 0:22:46 | 0:22:49 | |
Ohhhh! | 0:22:51 | 0:22:54 | |
It's too soon. | 0:23:00 | 0:23:01 | |
He wants to be here. | 0:23:01 | 0:23:02 | |
But not this early. | 0:23:02 | 0:23:04 | |
He's starting as he means to go on, showing you who's boss. | 0:23:04 | 0:23:07 | |
I have to push. | 0:23:07 | 0:23:09 | |
It's OK, it's OK. He's coming. | 0:23:09 | 0:23:12 | |
Zara, you're doing really well. | 0:23:12 | 0:23:14 | |
Keep pushing. That's it, keep pushing. | 0:23:14 | 0:23:18 | |
I can see the top of his head. | 0:23:18 | 0:23:21 | |
Keep pushing. That's it. | 0:23:21 | 0:23:24 | |
Keep pushing. | 0:23:24 | 0:23:26 | |
Stop pushing, Zara. | 0:23:28 | 0:23:29 | |
Please, please, Cherry, please. | 0:23:37 | 0:23:39 | |
It's OK. Just one more, Zara. | 0:23:39 | 0:23:41 | |
-I can't. -You can. Come on, Zara, you can do this. | 0:23:41 | 0:23:44 | |
-I can't, it's too much. -No, it's not Zara, not for you. | 0:23:44 | 0:23:47 | |
We both know how strong you are. Come on. | 0:23:47 | 0:23:50 | |
Just one more, that's it. One more. | 0:23:50 | 0:23:52 | |
SILENCE | 0:24:01 | 0:24:03 | |
Let me see him, I want to see him. Please! | 0:24:09 | 0:24:13 | |
Let her do it, Zara. | 0:24:13 | 0:24:15 | |
Come on, let her go. | 0:24:15 | 0:24:17 | |
Ah, let me out. | 0:24:25 | 0:24:27 | |
Let me in. | 0:24:27 | 0:24:28 | |
I'm sorry. I'm sorry. | 0:24:31 | 0:24:34 | |
No, I'm sorry. | 0:24:34 | 0:24:35 | |
I'm sorry. | 0:24:35 | 0:24:36 | |
OK. | 0:24:36 | 0:24:39 | |
Where's our son? | 0:24:40 | 0:24:41 | |
-Cherry. -Go on. | 0:24:41 | 0:24:43 | |
Cherry! | 0:24:52 | 0:24:54 | |
BABY GURGLES | 0:25:15 | 0:25:16 | |
He's breathing. | 0:25:16 | 0:25:17 | |
Is he? | 0:25:17 | 0:25:18 | |
See? I told you, didn't I? | 0:25:18 | 0:25:21 | |
Didn't I tell you?! | 0:25:21 | 0:25:23 | |
Here's Daddy. | 0:25:23 | 0:25:25 | |
Oh! | 0:25:31 | 0:25:32 | |
Hello. | 0:25:32 | 0:25:34 | |
BABY CRIES | 0:25:34 | 0:25:35 | |
SIREN WAILS | 0:25:35 | 0:25:37 | |
It's OK, they're coming. | 0:25:44 | 0:25:46 | |
-Where's Cherry? -She's fine. | 0:25:46 | 0:25:50 | |
You are so beautiful. | 0:25:55 | 0:25:59 | |
It's going to be OK. | 0:25:59 | 0:26:00 | |
BABY CRIES | 0:26:00 | 0:26:04 | |
Zara? Zara! | 0:26:12 | 0:26:15 | |
Zara, sweetie! | 0:26:15 | 0:26:16 | |
Are you all right? | 0:26:16 | 0:26:18 | |
It's all right, it's going to be fine. | 0:26:18 | 0:26:20 | |
Did you...? | 0:26:22 | 0:26:23 | |
Yeah, she was amazing. | 0:26:23 | 0:26:25 | |
The baby? | 0:26:25 | 0:26:26 | |
The next 24 hours are going to be crucial. | 0:26:26 | 0:26:29 | |
He's really, really tiny, | 0:26:29 | 0:26:32 | |
and he's here far too soon. | 0:26:32 | 0:26:34 | |
No, I think Daniel would want us to carry on. | 0:26:50 | 0:26:53 | |
Yeah, I know Zara would want us to, "Get the darn thing over with." | 0:26:53 | 0:26:57 | |
-Zara. -No, come on, Daniel, | 0:26:57 | 0:26:59 | |
you tell me, if you were to place a bet | 0:26:59 | 0:27:01 | |
on his chances what would you reckon? 50/50? More? Less? | 0:27:01 | 0:27:05 | |
What about... | 0:27:05 | 0:27:07 | |
that guy, the guy next to her? | 0:27:07 | 0:27:09 | |
Avoid. Like the plague. | 0:27:09 | 0:27:12 | |
Subtitles by Red Bee Media Ltd | 0:27:19 | 0:27:21 |