Browse content similar to The Good Guys. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MUSIC: "I Predict A Riot" by Kaiser Chiefs | 0:00:39 | 0:00:45 | |
Jack... Jack! | 0:00:48 | 0:00:51 | |
-MUSIC STOPS -You're Mickey Turnbill. | 0:00:53 | 0:00:57 | |
Yeah. Sorry to interrupt. | 0:00:57 | 0:00:59 | |
Your boss told me you were in early. | 0:00:59 | 0:01:01 | |
-You expecting anyone else? -No. | 0:01:04 | 0:01:07 | |
Your articles for the student rag... | 0:01:09 | 0:01:12 | |
I like them. The one slagging off the police. | 0:01:12 | 0:01:14 | |
-That was spiky. -Thanks. | 0:01:14 | 0:01:17 | |
Me and Marianne want to pick your brains. Marianne's my girlfriend. | 0:01:17 | 0:01:20 | |
I know. | 0:01:20 | 0:01:22 | |
We got involved with the fees protests last year. | 0:01:22 | 0:01:25 | |
The sit-ins and stuff... | 0:01:25 | 0:01:27 | |
-You organised them? -Some. | 0:01:27 | 0:01:29 | |
Anyway, you know the story... | 0:01:29 | 0:01:31 | |
The public were with us, we had the government by the balls. | 0:01:31 | 0:01:34 | |
Then someone did a very stupid thing and it all went a bit Pete Tong. | 0:01:34 | 0:01:38 | |
But the resistance isn't over. | 0:01:38 | 0:01:39 | |
-Good. -We've got more actions planned for next term. | 0:01:39 | 0:01:43 | |
That's why we stayed for the summer. | 0:01:43 | 0:01:45 | |
But we want some legal advice. | 0:01:45 | 0:01:47 | |
-From me? -You've studied Civil Liberties. | 0:01:47 | 0:01:50 | |
-Yeah. -You know more than we do. You'll get a beer out of it. | 0:01:50 | 0:01:56 | |
-I know lawyers always like to be paid. -I don't know how much use I'll be. -When are you free? | 0:01:56 | 0:02:01 | |
-Later today? -Lunchtime at ours? -OK. | 0:02:01 | 0:02:04 | |
Dead easy to find. | 0:02:07 | 0:02:09 | |
-Keep all this to yourself though, yeah? -Of course. | 0:02:09 | 0:02:12 | |
Don't worry about the beer. | 0:02:14 | 0:02:16 | |
It's pro bono. | 0:02:16 | 0:02:18 | |
Is there a back way out of here? | 0:02:18 | 0:02:19 | |
Through the kitchen. | 0:02:19 | 0:02:21 | |
Ta. See you later. | 0:02:21 | 0:02:23 | |
# Shreds and patches... # | 0:02:30 | 0:02:32 | |
-Someone's cheerful. -The Mikado. | 0:02:32 | 0:02:34 | |
-Are you a fan, Lauren? -I love it. -Wonderful. -These arrived. | 0:02:34 | 0:02:37 | |
Ah! HE HUMS | 0:02:37 | 0:02:41 | |
# A dreamy lullaby... # | 0:02:41 | 0:02:44 | |
-I'm going to Japan. -Fan-tastic! -Ve-ly good! | 0:02:44 | 0:02:50 | |
HE HUMS | 0:02:50 | 0:02:52 | |
Stupid old fart. | 0:02:54 | 0:02:55 | |
-Where's Mickey Turnbill? -He left. | 0:02:59 | 0:03:02 | |
-When? -About 20 minutes ago. Went out the back. | 0:03:02 | 0:03:06 | |
What's happened? | 0:03:06 | 0:03:08 | |
-Do you know where he lives? -Why? -He tried to kill a policeman. | 0:03:08 | 0:03:12 | |
HESTON HUMS Shh! | 0:03:14 | 0:03:17 | |
-What's going on? -I think Heston's got an audition. | 0:03:17 | 0:03:20 | |
-Julia, you have to say something. -Me? | 0:03:20 | 0:03:24 | |
You're Rob Hollins' lad. | 0:03:29 | 0:03:30 | |
-For my sins. -You slagged us off in the paper. | 0:03:30 | 0:03:33 | |
It's a long story. What's this all about? | 0:03:33 | 0:03:36 | |
Last November, during an "occupation," a student dropped a microwave | 0:03:36 | 0:03:42 | |
from the fourth floor of the university building. | 0:03:42 | 0:03:44 | |
-Nearly killed a copper. -I remember. | 0:03:44 | 0:03:47 | |
So do I. Almost took my head off. | 0:03:47 | 0:03:50 | |
So when this thing hit the ground, I look up and there he is. | 0:03:50 | 0:03:55 | |
-Mickey Turnbill. -So you saw him do it? -As good as. | 0:03:55 | 0:03:58 | |
I suppose there were quite a few students in that building. | 0:03:58 | 0:04:02 | |
Your point? | 0:04:02 | 0:04:04 | |
Sorry. | 0:04:04 | 0:04:06 | |
-I was just wondering why they hadn't charged him. -We're biding our time. | 0:04:06 | 0:04:09 | |
We thought he'd gone home for the summer. | 0:04:11 | 0:04:14 | |
Then this morning, there he is, strutting down the street, cocky as ever. | 0:04:14 | 0:04:18 | |
So, what did he want here? | 0:04:20 | 0:04:22 | |
To chat. | 0:04:22 | 0:04:24 | |
About? | 0:04:24 | 0:04:26 | |
Stuff. | 0:04:26 | 0:04:29 | |
Close friend? | 0:04:29 | 0:04:30 | |
Not really. | 0:04:30 | 0:04:32 | |
You seeing him again soon? | 0:04:32 | 0:04:34 | |
Word to the wise, being obstructive in an attempted murder case doesn't look good. | 0:04:36 | 0:04:42 | |
I'm sure your dad will back me up. | 0:04:42 | 0:04:44 | |
So, when are you seeing him next? | 0:04:44 | 0:04:48 | |
Later today. | 0:04:48 | 0:04:50 | |
At his place? | 0:04:50 | 0:04:52 | |
If he's innocent, there's no problem, is there? | 0:04:54 | 0:04:57 | |
Ta. Here's what you should do, Jack. | 0:05:02 | 0:05:07 | |
Go and see Turnbill and his girlfriend. | 0:05:07 | 0:05:09 | |
She's fit, so it shouldn't be any hardship. | 0:05:09 | 0:05:11 | |
And if anyone mentions anything about lobbing a microwave, | 0:05:11 | 0:05:14 | |
could you let me know? | 0:05:14 | 0:05:16 | |
If I go and see him, it's because Mickey's asked me. | 0:05:16 | 0:05:19 | |
You do want this crime solved, don't you? | 0:05:19 | 0:05:21 | |
-Well... -Good lad. | 0:05:21 | 0:05:24 | |
Then keep your ear out, yeah? | 0:05:24 | 0:05:26 | |
HE SINGS | 0:05:30 | 0:05:31 | |
KNOCK ON DOOR Come in! Da-da-dee-dee-dim! | 0:05:31 | 0:05:35 | |
Ah, Julia. Welcome to Titipu. | 0:05:35 | 0:05:37 | |
Is this your first visit? | 0:05:37 | 0:05:39 | |
-Is everything all right? -Yes, I'm preparing myself for my Letherbridge Light Operatic Society audition. | 0:05:39 | 0:05:45 | |
-And what would that be? -The Mikado. | 0:05:45 | 0:05:47 | |
-They want me to audition for Nanki-Poo. Leading part. -Has this director heard you sing? | 0:05:47 | 0:05:52 | |
Evidently, although I can't fathom where. | 0:05:52 | 0:05:54 | |
One has to assume he knows what he's doing. He's a man of impeccable taste. | 0:05:54 | 0:05:58 | |
-Let's hope so, Heston. -Yes? -I was just wondering | 0:05:58 | 0:06:03 | |
whether this was exactly the right place for singing? | 0:06:03 | 0:06:06 | |
Oh, the acoustics? Not great, but one does the best one can. | 0:06:06 | 0:06:09 | |
No, what I meant was... | 0:06:09 | 0:06:11 | |
could you wait till after work when you're at home? | 0:06:11 | 0:06:14 | |
-My audition is tomorrow evening. -I understand... | 0:06:14 | 0:06:16 | |
I haven't got a moment to lose. I finally have a chance to let the operatic world know what I can do. | 0:06:16 | 0:06:21 | |
-Obviously... -I have to get on. HE SINGS | 0:06:21 | 0:06:24 | |
In you come. | 0:06:28 | 0:06:29 | |
-Quite minimalist. -It's a squat. | 0:06:34 | 0:06:36 | |
Hi. | 0:06:38 | 0:06:40 | |
-Marianne. -All right? | 0:06:40 | 0:06:44 | |
What do you think? Real fur. | 0:06:44 | 0:06:48 | |
-So's that. -Not into animal rights then? -I prefer people. | 0:06:48 | 0:06:52 | |
A window was already smashed. In case you're worried, we broke it. | 0:06:52 | 0:06:57 | |
-I'm not worried. -I told Marianne | 0:06:57 | 0:06:59 | |
-you're very concerned about right and wrong. -And are you? | 0:06:59 | 0:07:02 | |
-Yeah. -Well, the guy who owns this place is so rich, he left it empty. That's wrong. | 0:07:02 | 0:07:08 | |
-Squatting's not illegal. -It is a civil offence though. | 0:07:08 | 0:07:11 | |
-So? -So, you're not going to tell Daddy and his mates we're here then? | 0:07:11 | 0:07:15 | |
-Why would I do that? -Good. | 0:07:15 | 0:07:21 | |
HESTON SINGS | 0:07:21 | 0:07:22 | |
-We did that. -What? -The Mikado. | 0:07:22 | 0:07:25 | |
-We did it for a school play. -Do you mind? | 0:07:25 | 0:07:27 | |
Only trying to help. | 0:07:27 | 0:07:30 | |
-I insist. -Thanks. -That's why we want help. | 0:07:39 | 0:07:44 | |
So we don't screw it all up again this year. | 0:07:44 | 0:07:46 | |
-Were you in the admin building? -We both were. | 0:07:46 | 0:07:48 | |
-Along with 24 others. -But the police only had eyes for Mickey. | 0:07:48 | 0:07:51 | |
They were upset cause I'd called them "the enemy of the people." | 0:07:51 | 0:07:55 | |
So, do you know who did it? | 0:07:55 | 0:07:57 | |
We've got our suspicions. | 0:07:57 | 0:07:59 | |
There are a couple of people we're not 100% about. | 0:07:59 | 0:08:02 | |
-Whoever it was, it shouldn't have happened. -It derailed everything. | 0:08:02 | 0:08:05 | |
It was completely counter-productive. | 0:08:05 | 0:08:07 | |
What do you think of Lauren? | 0:08:09 | 0:08:12 | |
Way too pretty. | 0:08:12 | 0:08:13 | |
Hey, do you get your A-level results on Thursday? | 0:08:16 | 0:08:19 | |
-Oh. -We should have a tea party. Like we did for your GCSEs. | 0:08:19 | 0:08:23 | |
Jimmi's away. Perfect. | 0:08:23 | 0:08:25 | |
But there isn't going to be anything to celebrate. | 0:08:25 | 0:08:27 | |
-Why? -Cherry, you saw me. I was a total mess. -You're really bright. | 0:08:27 | 0:08:33 | |
I'm sure you've done fine. | 0:08:33 | 0:08:34 | |
-Your mum thinks so too. -Mum knows the score. | 0:08:34 | 0:08:39 | |
-She thinks you're going to surprise everyone like you did last time. -She said that? | 0:08:39 | 0:08:42 | |
Liberty think the reforms represent tinkering, rather than the wholesale review and revision that's needed. | 0:08:46 | 0:08:51 | |
-That's interesting. -I've got a question. Do the police still think | 0:08:51 | 0:08:55 | |
-Mickey chucked the microwave? -How should I know? | 0:08:55 | 0:08:57 | |
-But has your dad said anything? -Is that why you wanted to speak to me? | 0:08:57 | 0:09:00 | |
-Because of my dad? -No. Not just that. I want to know if | 0:09:00 | 0:09:06 | |
-they'll get off my back this year? -What did they do to you last year? | 0:09:06 | 0:09:09 | |
It was mainly this one copper, Radley. | 0:09:09 | 0:09:12 | |
The one who almost got hit. He kept doing stupid stop and searches on me, making threats, hassling my friends. | 0:09:12 | 0:09:17 | |
-Bugging his phone. -Even this morning when I came to see you, I swear he was following me. | 0:09:17 | 0:09:22 | |
I'm sick of being shoved around. BANGING ON DOOR | 0:09:22 | 0:09:24 | |
< Police! Open up! | 0:09:24 | 0:09:26 | |
It's Radley! | 0:09:28 | 0:09:30 | |
-What have you done? -Nothing. | 0:09:30 | 0:09:33 | |
Have you been served with a Court Possession Order? | 0:09:33 | 0:09:36 | |
-No. -Then they can't come in. | 0:09:36 | 0:09:38 | |
-Don't listen to him, Mickey. -Police! Open up! > | 0:09:38 | 0:09:40 | |
-Sure? -Positive. -SMASHING | 0:09:40 | 0:09:42 | |
-Where's your Court Possession Order? -You broke in. -No, we didn't. | 0:09:42 | 0:09:45 | |
You smashed a window. That's criminal damage. | 0:09:45 | 0:09:48 | |
-And trespass. -The window was already smashed, Radley. | 0:09:48 | 0:09:50 | |
-I don't think so. -You can't do this. | 0:09:50 | 0:09:52 | |
Come on, sweetheart. Let's go. | 0:09:52 | 0:09:53 | |
-Hands where I can see them! -I want to show you something... | 0:09:53 | 0:09:56 | |
SHOUTING I was going to read out my rights! | 0:09:56 | 0:10:00 | |
I was going to read out my rights! | 0:10:00 | 0:10:02 | |
Mickey Turnbill, I'm arresting you for criminal damage and threatening a police officer. | 0:10:02 | 0:10:06 | |
You do not have to say anything but it may harm your defence if you do not mention | 0:10:06 | 0:10:09 | |
when questioned something which you later rely on in court. | 0:10:09 | 0:10:12 | |
Anything you do say may be used in evidence... | 0:10:12 | 0:10:14 | |
-Since when were you a friend of Mickey Turnbill? -Am I going to be interviewed? -No. | 0:10:47 | 0:10:51 | |
Great. Shall I just write "grass" on my forehead? | 0:10:51 | 0:10:53 | |
Don't worry, your name won't be mentioned in the interview. | 0:10:53 | 0:10:56 | |
-Bit late for that, Dad. -PC Radley didn't realise you were my son. | 0:10:56 | 0:10:59 | |
-Is that what he told you? You set me up. -Sorry? | 0:10:59 | 0:11:03 | |
Is this because of my shoplifting article? | 0:11:03 | 0:11:06 | |
They were trespassing, Jack. We had every reason to go in. | 0:11:06 | 0:11:09 | |
-And every reason to assault Mickey? -PC Radley has got | 0:11:09 | 0:11:12 | |
-every right to protect himself. -Mickey didn't attack him. | 0:11:12 | 0:11:15 | |
There are two other officers that said he was provoked. | 0:11:15 | 0:11:18 | |
-So what did they tell you, Jack? -Mickey had nothing to do with throwing that microwave. | 0:11:18 | 0:11:22 | |
He wishes it hadn't happened. They both do. | 0:11:22 | 0:11:25 | |
-Anything else? -Yeah. | 0:11:25 | 0:11:26 | |
-I'm going to make sure you lose your job. -Hey! What's got into you? | 0:11:26 | 0:11:30 | |
-Me? -Let's go have a word with them, Sarge. | 0:11:30 | 0:11:34 | |
Wait there. | 0:11:35 | 0:11:37 | |
You're a disgrace, Radley. | 0:11:40 | 0:11:42 | |
You're under a criminal investigation, my friend. | 0:11:42 | 0:11:45 | |
We finally get a proper poke around your dark little existence. | 0:11:45 | 0:11:50 | |
-Whoopee do. -Mobile phone, computer... | 0:11:50 | 0:11:53 | |
Sorry. Not even any porn to brighten up your sordid little life. | 0:11:53 | 0:11:56 | |
-I find that hard to believe. -Yeah? That's what happens when you have | 0:11:56 | 0:12:00 | |
a girlfriend who's attractive. | 0:12:00 | 0:12:01 | |
Why are you protecting Mickey? | 0:12:09 | 0:12:11 | |
-Why are you shafting your son? -I want to be sure that | 0:12:11 | 0:12:16 | |
you understand how serious this is. | 0:12:16 | 0:12:18 | |
Using your family to spy on students. | 0:12:18 | 0:12:21 | |
-You should be ashamed of yourself, Hollins. -Sergeant Hollins. | 0:12:21 | 0:12:26 | |
He's going to so hate you when he grows up. | 0:12:26 | 0:12:30 | |
That property was due for eviction. | 0:12:30 | 0:12:33 | |
This has nothing to do with Jack. | 0:12:33 | 0:12:34 | |
Total coincidence? | 0:12:34 | 0:12:36 | |
If you know Mickey threw the microwave, you could go to jail. | 0:12:36 | 0:12:40 | |
If I thought Mickey did it, do you really think I'd still be with him? | 0:12:40 | 0:12:44 | |
-Depends how much you love him, I suppose. -How much will Jack love you after this? | 0:12:44 | 0:12:48 | |
They'll open up, Jack. | 0:13:00 | 0:13:01 | |
-What? -Stay close to them. | 0:13:01 | 0:13:03 | |
Play up the whole anti-police thing. | 0:13:03 | 0:13:06 | |
I don't have to pretend. Not after what you did. | 0:13:06 | 0:13:08 | |
Standard eviction procedure. | 0:13:08 | 0:13:10 | |
Let's see if the world agrees, shall we? | 0:13:10 | 0:13:13 | |
-What's that? -Video... | 0:13:13 | 0:13:15 | |
of your little raid. | 0:13:15 | 0:13:17 | |
Whoops. | 0:13:17 | 0:13:19 | |
Show me then. | 0:13:19 | 0:13:21 | |
All right, Dad? | 0:13:22 | 0:13:24 | |
Mickey! Wait! | 0:13:29 | 0:13:31 | |
Daddy's watching. | 0:13:31 | 0:13:33 | |
I gave Radley your address this morning. I'm sorry. | 0:13:33 | 0:13:36 | |
He did follow you to the Icon bar. | 0:13:36 | 0:13:38 | |
He asked me where you lived. I had no choice. | 0:13:38 | 0:13:40 | |
I didn't know it was a squat. | 0:13:40 | 0:13:43 | |
-And if you had known? -I really thought you were on our side. | 0:13:43 | 0:13:46 | |
I am. I want to help you. | 0:13:46 | 0:13:49 | |
I filmed the arrest. | 0:13:49 | 0:13:51 | |
It's dynamite. | 0:13:55 | 0:13:57 | |
-We can use this? -Put it online. | 0:13:57 | 0:13:59 | |
Better idea. I'll send it to Letherbridge News. | 0:13:59 | 0:14:02 | |
They like my stuff. | 0:14:02 | 0:14:04 | |
Jack! Can I have a word? | 0:14:04 | 0:14:05 | |
Wait here. | 0:14:07 | 0:14:10 | |
Do you want to get in? | 0:14:13 | 0:14:14 | |
Shut the door. There's a good lad. | 0:14:16 | 0:14:17 | |
Can I see this video? | 0:14:20 | 0:14:22 | |
It's best if you show us. | 0:14:22 | 0:14:25 | |
-Who's this "us", Dad? -Don't play silly beggars with me. | 0:14:25 | 0:14:28 | |
Radley's asked you to get it, hasn't he? | 0:14:28 | 0:14:31 | |
I just want to see it, Jack. Please. | 0:14:31 | 0:14:33 | |
What's the matter? Don't you trust me? | 0:14:34 | 0:14:36 | |
PC Radley had grounds to fear an attack. | 0:14:55 | 0:14:58 | |
Why? | 0:14:58 | 0:15:00 | |
Mickey is an attempted murder suspect. | 0:15:00 | 0:15:03 | |
-He's got no history of violence. -No-one could tell what he had in his pockets. It's borderline. | 0:15:03 | 0:15:08 | |
What?! I'd like that back, please. | 0:15:08 | 0:15:11 | |
-What did you have planned for it? -I haven't decided yet. | 0:15:12 | 0:15:16 | |
Don't do anything daft, I mean it. | 0:15:16 | 0:15:18 | |
Are you going to speak to Radley? | 0:15:18 | 0:15:21 | |
I need to be somewhere else. | 0:15:21 | 0:15:22 | |
I can get someone to drop you off. | 0:15:22 | 0:15:25 | |
No, thanks. My friends are waiting. | 0:15:25 | 0:15:27 | |
Any marks on you? | 0:15:39 | 0:15:40 | |
What did the police surgeon say? | 0:15:43 | 0:15:45 | |
I didn't show him. Wasn't sure if he was really on my side. | 0:15:45 | 0:15:49 | |
-What are you doing? -I'll send them with the video. -Good plan. | 0:15:49 | 0:15:54 | |
Where are you guys going to stay? | 0:15:54 | 0:15:56 | |
Don't know. We'll call around. See who's got a bed. | 0:15:56 | 0:16:00 | |
Come to mine for a bit. Till you sort yourselves out. | 0:16:00 | 0:16:03 | |
We can send the video from my laptop. | 0:16:03 | 0:16:05 | |
-OK. -Let's go. | 0:16:05 | 0:16:08 | |
Something like this? "Next thing, the door was beaten down and three police | 0:16:12 | 0:16:16 | |
"with no warrant charged in and started laying into them like they were paedophiles or terrorists." | 0:16:16 | 0:16:20 | |
PHONE RINGS Yeah? | 0:16:20 | 0:16:25 | |
I'll put the pictures here and talk about the injuries. | 0:16:27 | 0:16:30 | |
-Sounds good. -All right. | 0:16:30 | 0:16:32 | |
I'll be there soon... | 0:16:32 | 0:16:34 | |
What a surprise. The police found nothing and we're not going to be charged. | 0:16:34 | 0:16:38 | |
-At all? -What a bunch of crooks. | 0:16:38 | 0:16:40 | |
I'll take your car and get the stuff. | 0:16:40 | 0:16:42 | |
Won't be long. | 0:16:42 | 0:16:44 | |
-We're going to be fine. -I know. | 0:16:46 | 0:16:48 | |
-Looking forward to Thursday? -No. | 0:16:54 | 0:16:57 | |
-Not at all. -People seem to think you've done well. | 0:16:57 | 0:17:00 | |
-Who? -Everyone I've spoken to. | 0:17:00 | 0:17:02 | |
People seem to really rate you. | 0:17:02 | 0:17:04 | |
Mum, what have you been saying about my exams? Call me back. | 0:17:09 | 0:17:13 | |
You taking on the police like this, it's quite hardcore. | 0:17:16 | 0:17:18 | |
To me, something's either fair or not fair. | 0:17:18 | 0:17:21 | |
What Radley's doing here is basically ABH. | 0:17:21 | 0:17:23 | |
Someone's got to take a stand. | 0:17:23 | 0:17:24 | |
-Or those with power will just keep walking over us. -Even if your dad works for them? | 0:17:24 | 0:17:29 | |
My dad is part of the problem. He thinks what Radley did was justified. | 0:17:29 | 0:17:32 | |
And he doesn't seem to care that I was set up. | 0:17:32 | 0:17:35 | |
I was a victim of police aggression. | 0:17:35 | 0:17:39 | |
My mum left my dad for a copper when I was 12. | 0:17:39 | 0:17:42 | |
-That must have hurt. -Radley's baton couldn't come close. | 0:17:42 | 0:17:45 | |
Even being here in this house... | 0:17:45 | 0:17:47 | |
Sorry. I just want to hurt them all. | 0:17:47 | 0:17:52 | |
So how far would you go? | 0:17:55 | 0:17:57 | |
To hurt the police? | 0:17:57 | 0:17:59 | |
Further than Mickey. I love him. But his problem is that | 0:17:59 | 0:18:02 | |
-he doesn't think anyone should suffer deliberately. -He's a pacifist. | 0:18:02 | 0:18:06 | |
He just lies there. Like he did today. | 0:18:06 | 0:18:09 | |
Absorbing the blows and moaning about how terrible it is. | 0:18:09 | 0:18:12 | |
He really didn't throw that microwave, did he? | 0:18:12 | 0:18:15 | |
No! I did. | 0:18:15 | 0:18:19 | |
Wow. | 0:18:21 | 0:18:22 | |
-That's hardcore. -Serious movements need serious gestures. | 0:18:24 | 0:18:28 | |
History tells us that. | 0:18:28 | 0:18:30 | |
What does Mickey think about it? | 0:18:32 | 0:18:33 | |
-He doesn't know. -And if he did? | 0:18:33 | 0:18:35 | |
It would break his heart. | 0:18:35 | 0:18:37 | |
HESTON SINGS | 0:18:39 | 0:18:42 | |
We can't let him audition, they're just going to laugh at him. | 0:18:43 | 0:18:48 | |
I blew it earlier. Someone's got to tell him to stop. | 0:18:48 | 0:18:51 | |
I wouldn't know what to say. | 0:18:51 | 0:18:53 | |
Come on. It's just an old man keeping himself amused. Where's the harm in that? | 0:18:53 | 0:18:57 | |
It bothered me at first, but now I'm quite used to it. | 0:18:57 | 0:19:00 | |
Huh? Lauren? | 0:19:00 | 0:19:03 | |
-If no-one else is brave enough. -It's OK, Lauren. I'll do it. | 0:19:03 | 0:19:06 | |
Thank you, Kevin. | 0:19:06 | 0:19:09 | |
-Sorted? -Got the stuff outside. | 0:19:16 | 0:19:19 | |
-And Bagsy says we can stay with him. As long as we like. -Yes! | 0:19:19 | 0:19:24 | |
-How's it looking? -We were just waiting for you. | 0:19:24 | 0:19:27 | |
Ready? Send it. | 0:19:27 | 0:19:29 | |
-You can't do this! -Come on, sweetheart, let's go. | 0:19:34 | 0:19:36 | |
-Oi, hands where I can see 'em! -I've got something... Agh! | 0:19:36 | 0:19:40 | |
-Ooh! -Ooh! | 0:19:40 | 0:19:41 | |
-Hello, Hollins. -What's going on? | 0:19:47 | 0:19:50 | |
I was right earlier. | 0:19:50 | 0:19:52 | |
Jack isn't happy with you at all. | 0:19:52 | 0:19:54 | |
-Get out. -Make sure you get the paper tomorrow, eh? | 0:19:56 | 0:20:00 | |
Wait for me outside, OK? | 0:20:00 | 0:20:02 | |
-How was he? -Not happy. | 0:20:18 | 0:20:21 | |
-Thanks, friend. -You are one of the good guys. | 0:20:21 | 0:20:26 | |
Come and see us. I'll text you the address. | 0:20:28 | 0:20:32 | |
Tell Radley he's got an open invitation. | 0:20:32 | 0:20:34 | |
-Actually, guys, I sent the article to the wrong email address. -Eh? | 0:20:34 | 0:20:38 | |
-'He really didn't throw that microwave, did he? -No, I did! | 0:20:38 | 0:20:43 | |
-'Wow. That's hardcore. -Serious movements need serious gestures. | 0:20:43 | 0:20:50 | |
'History tells us that.' | 0:20:50 | 0:20:53 | |
I was making it up... He set me up. | 0:20:53 | 0:20:56 | |
-Don't fall for this, Mickey. Babe... -Marianne Alcock, I'm arresting you for attempted murder. | 0:20:56 | 0:21:02 | |
You don't have to say anything, but it may harm your defence if you do not mention when questioned | 0:21:02 | 0:21:06 | |
something you later rely on in court. Anything you do say may be given in evidence. | 0:21:06 | 0:21:10 | |
# Here's a pretty mess! | 0:21:16 | 0:21:18 | |
# In a month or less, I must die without a wedding | 0:21:18 | 0:21:21 | |
-# Let the bitter tears I'm shedding... # -All right? | 0:21:21 | 0:21:22 | |
# ..Witness my distress Here's a... # | 0:21:22 | 0:21:24 | |
-Heston?! -What? -Mate, you've got to stop for everyone's sake. | 0:21:24 | 0:21:26 | |
-What do you mean? -You're not very good...at all. | 0:21:26 | 0:21:29 | |
Thank you for your feedback, Kevin. | 0:21:29 | 0:21:32 | |
Fortunately, there are staff in this surgery whose taste extends beyond TV talent shows. | 0:21:32 | 0:21:35 | |
-It's the staff in this surgery who asked me to speak to you. -I don't think so. | 0:21:35 | 0:21:40 | |
Then why are they all listening outside? | 0:21:40 | 0:21:43 | |
-Curiosity... -I don't think it is, mate. | 0:21:43 | 0:21:46 | |
Cherry said you sound like a bear in pain. | 0:21:46 | 0:21:49 | |
Julia reckons it's more like a fog horn. Imogen says it's so awful, | 0:21:49 | 0:21:52 | |
it might actually be art. | 0:21:52 | 0:21:54 | |
I think your voice is rather sophisticated, Heston. | 0:21:54 | 0:21:56 | |
-Really? -It's utterly unique, comes straight from the heart and... | 0:21:56 | 0:22:00 | |
dare I say has something of the abstract genius about it. | 0:22:00 | 0:22:04 | |
What is it Nanki-Poo's lover says? | 0:22:04 | 0:22:07 | |
"If we have failed in etiquette, toward a man of rank so high, we shall know better by and by." | 0:22:07 | 0:22:14 | |
"I'll charm your willing ears with songs of lovers' fears, while sympathetic tears my cheeks bedew." | 0:22:14 | 0:22:21 | |
Thank you, Lauren. | 0:22:23 | 0:22:25 | |
-What are you up to? -Mmm... | 0:22:28 | 0:22:31 | |
Sorry. | 0:22:35 | 0:22:37 | |
How could she have done that? | 0:22:37 | 0:22:39 | |
I knew she had this anger, but... | 0:22:39 | 0:22:42 | |
how could she have thought that would help in any way? | 0:22:42 | 0:22:44 | |
That's it, isn't it? | 0:22:44 | 0:22:48 | |
-It's all gone. -What about the protests? | 0:22:48 | 0:22:52 | |
Let's get that recording backed up as soon as possible, eh? | 0:22:56 | 0:23:00 | |
And what shall we do about the video? | 0:23:00 | 0:23:02 | |
I'll make sure it gets dealt with properly. | 0:23:02 | 0:23:05 | |
Radley didn't have anything on Mickey at any point, did he? | 0:23:05 | 0:23:08 | |
-Jack... -I'm going to back up the recording. -Son... | 0:23:10 | 0:23:14 | |
-Just got your message. You all right? -Have you been telling people | 0:23:14 | 0:23:18 | |
-I'll do well in my exams? -No. -That's what you said to Cherry. | 0:23:18 | 0:23:22 | |
Well, all right, yes. I think you will. | 0:23:22 | 0:23:24 | |
-What? -You're a clever girl, Immie. -I don't believe this! | 0:23:24 | 0:23:29 | |
You pulled it out the bag last time. | 0:23:29 | 0:23:30 | |
Mum, that was totally different! | 0:23:30 | 0:23:33 | |
-How could you possibly have missed what was happening to me? -'Immie.' | 0:23:33 | 0:23:38 | |
Delete it. Imagine you're in there one night, | 0:23:47 | 0:23:54 | |
behind that bar, | 0:23:54 | 0:23:56 | |
and a punter suddenly loses it. | 0:23:56 | 0:23:59 | |
He jumps over the bar, picks up a till | 0:23:59 | 0:24:02 | |
and tries to smash it down on your head. | 0:24:02 | 0:24:04 | |
Later, if you meet the bloke you think did that to you, | 0:24:06 | 0:24:10 | |
you'd be pretty fired up too, right? | 0:24:10 | 0:24:12 | |
Because it does something to you. | 0:24:14 | 0:24:15 | |
When someone tries to kill you. | 0:24:15 | 0:24:19 | |
Changes something. | 0:24:20 | 0:24:22 | |
But Mickey didn't do it. | 0:24:24 | 0:24:25 | |
You were just looking for someone to blame. Police set the standards. | 0:24:27 | 0:24:32 | |
Everyone else follows your example. I'm sending this to the IPCC. | 0:24:32 | 0:24:36 | |
They'll listen. | 0:24:36 | 0:24:38 | |
If you've got a case. | 0:24:38 | 0:24:40 | |
My son... | 0:24:50 | 0:24:52 | |
-nearly lost his dad! -I copied the video. Obviously. | 0:24:52 | 0:24:57 | |
Go on. Do it. Make it even easier for 'em. | 0:24:57 | 0:25:01 | |
How did it go earlier, | 0:25:17 | 0:25:18 | |
with your mum? | 0:25:18 | 0:25:20 | |
-Disaster. -Really? | 0:25:20 | 0:25:22 | |
If you want to talk... | 0:25:22 | 0:25:24 | |
I... I've screwed up my exams. | 0:25:27 | 0:25:31 | |
Totally. I had a few issues and... Anyway, she refuses to believe it. | 0:25:31 | 0:25:36 | |
I understand. It's tough when people's hopes are riding on you. | 0:25:36 | 0:25:39 | |
She's going to have a heart attack on Thursday. | 0:25:39 | 0:25:41 | |
-But it's what you deserve though, isn't it? -Why? | 0:25:41 | 0:25:45 | |
For being a compulsive shoplifter, getting a criminal record and breaking your parents' hearts. | 0:25:45 | 0:25:53 | |
Failing the most important exams of your life sort of completes the set, doesn't it? | 0:25:53 | 0:25:58 | |
It's to do with Gilbert and Sullivan. | 0:26:11 | 0:26:12 | |
My colleague has been going on about that for days. | 0:26:12 | 0:26:15 | |
I don't want a special meal. I just want to be left alone. | 0:26:15 | 0:26:18 | |
Sometimes, you have to seize destiny with both hands. | 0:26:18 | 0:26:22 | |
Is there anything I can do | 0:26:22 | 0:26:23 | |
-to make it up? -We'll see. | 0:26:23 | 0:26:25 | |
I tend to grab Gilbert and Sullivan by the genitals and squeeze them | 0:26:25 | 0:26:30 | |
extremely hard. | 0:26:30 | 0:26:32 | |
Subtitles by Red Bee Media Ltd | 0:26:39 | 0:26:42 | |
E-mail [email protected] | 0:26:42 | 0:26:45 |