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Don't take any excuses. We're going into Beta today. | 0:00:35 | 0:00:38 | |
No, I'm not going to delay the launch. No, Shawna, this afternoon. | 0:00:38 | 0:00:42 | |
I'll call you back. | 0:00:44 | 0:00:46 | |
CAR HORN | 0:01:39 | 0:01:41 | |
Read this, please, it's really important. We can't let her back there. | 0:01:48 | 0:01:52 | |
Read this, please. It's important. | 0:01:53 | 0:01:55 | |
Sorry, I couldn't hear you. Read it. It's important. | 0:01:55 | 0:01:57 | |
36 Calton Street has too many terrible memories. | 0:01:57 | 0:02:01 | |
We can't let this woman open that house up. | 0:02:01 | 0:02:03 | |
I don't understand. | 0:02:03 | 0:02:05 | |
Read this, please. It's important. No, thank you. | 0:02:06 | 0:02:10 | |
TELEPHONE | 0:02:10 | 0:02:11 | |
What's this, Slow Motion Day? | 0:02:20 | 0:02:23 | |
Well, next time, I'll jump to it. Yes, see that you do. | 0:02:23 | 0:02:27 | |
Actually, I've got a little job for you. | 0:02:27 | 0:02:29 | |
Could you please make a list of all the patients who tried to contact us while the systems were down? | 0:02:29 | 0:02:34 | |
Is that meant to be a punishment? | 0:02:34 | 0:02:36 | |
Right, well, I'll just get Rob to have you swilling out the drunk tank | 0:02:37 | 0:02:42 | |
next time you're on shift at the station. What? | 0:02:42 | 0:02:45 | |
Just a joke, Howard. | 0:02:45 | 0:02:47 | |
What's this? | 0:02:47 | 0:02:49 | |
Well, yes, actually, I've signed up to be a special constable. | 0:02:49 | 0:02:53 | |
Did you know about that? Oh, yes. Helping out the local community. Very admirable. | 0:02:53 | 0:02:59 | |
Well, well, well. | 0:02:59 | 0:03:01 | |
I hope your truncheon's big enough to cope. | 0:03:01 | 0:03:04 | |
That's just childish. | 0:03:04 | 0:03:06 | |
Scott, how many have you got left? | 0:03:12 | 0:03:14 | |
Erm, only a couple now. We've done well. | 0:03:14 | 0:03:17 | |
Can we get breakfast now? No, I've got another batch waiting to be picked up. | 0:03:17 | 0:03:22 | |
Ah, love, I really appreciate you helping me get the word out. | 0:03:22 | 0:03:26 | |
You never forget how important this is. | 0:03:26 | 0:03:29 | |
I don't know what I'd do without you. | 0:03:29 | 0:03:32 | |
It's all right, Mum. You're a good boy. | 0:03:32 | 0:03:35 | |
If that cow thinks she can waltz into Letherbridge | 0:03:35 | 0:03:38 | |
and upset everybody, she's got another thing coming. | 0:03:38 | 0:03:41 | |
That house is not going to be used again...ever! | 0:03:41 | 0:03:45 | |
KNOCK ON DOOR | 0:03:52 | 0:03:53 | |
Mmm. | 0:03:53 | 0:03:55 | |
You sulking? I can take a joke. | 0:03:55 | 0:03:58 | |
Seriously, specials are invaluable. | 0:03:59 | 0:04:02 | |
They're so dedicated. You'll fit right in. | 0:04:02 | 0:04:05 | |
How's it going? | 0:04:05 | 0:04:07 | |
The first shift wasn't quite what I expected. | 0:04:07 | 0:04:10 | |
Don't worry, you'll pick it up. | 0:04:10 | 0:04:12 | |
What's wrong? | 0:04:13 | 0:04:15 | |
You remember Gary Lucas? Oh, yeah. Stab anyone in the back to get on. | 0:04:15 | 0:04:21 | |
Friends in high places to keep him there. | 0:04:21 | 0:04:23 | |
I thought all that was ancient history. It doesn't look like it. Can we chat later? Yeah. | 0:04:23 | 0:04:29 | |
Look what the cat dragged in. | 0:04:33 | 0:04:35 | |
Oh, you all right? | 0:04:35 | 0:04:37 | |
Ugh... I was up all night working on the app. | 0:04:37 | 0:04:40 | |
You should be trying to fix the server. | 0:04:40 | 0:04:43 | |
I hate it when I can't solve a puzzle. Puts me in a bad mood all day. | 0:04:43 | 0:04:46 | |
Stay out of your way, then. Grrr. | 0:04:46 | 0:04:49 | |
You got one as well? | 0:04:50 | 0:04:52 | |
I thought she was going to chase me down the street until I took one. | 0:04:52 | 0:04:56 | |
It's quite a campaign. Little short of mob rule, if you ask me. | 0:04:56 | 0:05:00 | |
You can hardly blame them. What? | 0:05:00 | 0:05:02 | |
Chasing some poor woman out of town on the end of a pitch-fork? | 0:05:02 | 0:05:06 | |
You didn't grow up round here. | 0:05:06 | 0:05:08 | |
You wouldn't know that two girls were murdered in that house and buried in the cellar. Oooh. | 0:05:08 | 0:05:12 | |
House of Horrors indeed. | 0:05:12 | 0:05:14 | |
What was his name..? Roly Parkhouse! | 0:05:14 | 0:05:18 | |
He committed suicide. | 0:05:18 | 0:05:20 | |
Hung himself in his cell before the case came to trial. | 0:05:20 | 0:05:23 | |
Everyone's getting het up because someone else is moving in? | 0:05:23 | 0:05:26 | |
It's been 20 years. When do you move on, Letherbridge? | 0:05:26 | 0:05:29 | |
But some wounds are hard to heal and it was a terrible case. | 0:05:29 | 0:05:32 | |
And this woman, she's probably just walked into it not knowing what was going on. | 0:05:32 | 0:05:36 | |
TELEPHONE | 0:05:36 | 0:05:38 | |
Mill Health Centre. | 0:05:38 | 0:05:40 | |
Half day today? Yep. | 0:05:47 | 0:05:49 | |
I'm going to get my hair done, get my legs waxed, | 0:05:49 | 0:05:52 | |
then off to see an old friend. | 0:05:52 | 0:05:55 | |
Oh. What? Do you want to come and get your legs waxed? | 0:05:55 | 0:05:58 | |
OK, please don't shout at me but... | 0:05:58 | 0:06:00 | |
I've kind of volunteered you to help out with some of my kids. | 0:06:00 | 0:06:04 | |
Supermarket bag-packing to raise money for the youth club. | 0:06:04 | 0:06:08 | |
Chris! Please, please, it's for the youth club. No! | 0:06:08 | 0:06:11 | |
Come on. Not a chance. | 0:06:11 | 0:06:13 | |
You can't pull out now. Erm, I didn't pull in. | 0:06:13 | 0:06:16 | |
Do you not think I've already done enough for the youth club? | 0:06:16 | 0:06:19 | |
Putting up with Emma, dressing up as Diana Ross... | 0:06:19 | 0:06:23 | |
putting up with Emma. | 0:06:23 | 0:06:25 | |
Well, the kids were relying on you. | 0:06:26 | 0:06:29 | |
Oh...that is a low blow. | 0:06:30 | 0:06:33 | |
I was relying on you. Why can't you do it? | 0:06:33 | 0:06:36 | |
I am, but I'm doing one at another supermarket. | 0:06:36 | 0:06:39 | |
Please, I promise I will make it up to you. | 0:06:40 | 0:06:43 | |
You are going to regret saying that. Does that mean you'll do it? | 0:06:45 | 0:06:48 | |
Two hours max. | 0:06:49 | 0:06:51 | |
A-a-a-a-a! | 0:06:53 | 0:06:55 | |
Thank you. | 0:06:55 | 0:06:56 | |
KNOCK ON DOOR Yes? | 0:06:57 | 0:07:00 | |
Have you seen this? | 0:07:02 | 0:07:04 | |
Planning application? | 0:07:05 | 0:07:07 | |
Yes, for a polyclinic, all the bells and whistles, right on our doorstep. | 0:07:07 | 0:07:11 | |
It's going to be huge. All the parking you'd ever need, | 0:07:11 | 0:07:14 | |
disabled access, masses of space for treatment rooms | 0:07:14 | 0:07:17 | |
and the ability to deal with any speciality you can think of. | 0:07:17 | 0:07:21 | |
How are we going to cope with that? Well, it's early days. | 0:07:21 | 0:07:24 | |
Don't worry, they haven't got planning permission. | 0:07:24 | 0:07:26 | |
It'll take at least three years before they can build anything. | 0:07:26 | 0:07:29 | |
Yes, well, I can't be that blase. I know the man behind this project. | 0:07:29 | 0:07:33 | |
Does that make a difference? Yes! He's a real mover. | 0:07:33 | 0:07:36 | |
Gets things done, | 0:07:36 | 0:07:38 | |
even if he does break a few rules and necks along the way. | 0:07:38 | 0:07:42 | |
I appreciate your concern, but don't underestimate our reputation. | 0:07:42 | 0:07:45 | |
It'll take quite a lot to put a dent in our patient base. | 0:07:45 | 0:07:48 | |
Yes, well, patients can be fickle. | 0:07:48 | 0:07:51 | |
All I'm saying is, we need to be prepared. Absolutely. | 0:07:51 | 0:07:54 | |
Believe me, we'll have a fight on our hands. | 0:07:54 | 0:07:57 | |
Oh, dear. | 0:08:05 | 0:08:08 | |
I just need to do the medicine review and you've completed your new patient registration. | 0:08:08 | 0:08:12 | |
It says here you've been taking paroxetine for... | 0:08:13 | 0:08:17 | |
Great! Erm, some of your notes are missing. | 0:08:20 | 0:08:23 | |
Everything from beyond seven years ago? | 0:08:24 | 0:08:26 | |
Some kind of mix-up at my last practice. | 0:08:26 | 0:08:30 | |
So, how are you getting along with the anti-depressants? | 0:08:30 | 0:08:33 | |
Fine. I mean, sometimes I have trouble concentrating. | 0:08:33 | 0:08:37 | |
That's not good in my line of work. What is it you do? | 0:08:37 | 0:08:40 | |
I run a start-up. A tech company. | 0:08:40 | 0:08:43 | |
No way! What are you working on? A retina reader. | 0:08:43 | 0:08:47 | |
You can lock your phones or tablet to protect sensitive data. | 0:08:47 | 0:08:51 | |
We're going into Beta phase today. | 0:08:51 | 0:08:54 | |
Must be a lot of pressure. | 0:08:54 | 0:08:56 | |
But...getting the start-up off the ground, launching today, | 0:08:56 | 0:09:00 | |
it's been good for me. | 0:09:00 | 0:09:02 | |
I feel stronger than I've felt in years. | 0:09:02 | 0:09:05 | |
Is that you? | 0:09:08 | 0:09:10 | |
They've been handing those things out all over. | 0:09:10 | 0:09:13 | |
Bunch of nutters whipping up a hate campaign. | 0:09:13 | 0:09:16 | |
Have you spoken to the police? No. No police. | 0:09:16 | 0:09:19 | |
These things can get out of hand when emotions are running so high. | 0:09:20 | 0:09:24 | |
They're not going to drive me out. | 0:09:24 | 0:09:26 | |
Look, the company's starting off. | 0:09:27 | 0:09:30 | |
Four employees now, in six months there'll be 40. | 0:09:30 | 0:09:34 | |
I'm in Letherbridge to stay. | 0:09:35 | 0:09:37 | |
I have as much right to be here as anyone else. Abso-bloomin-lutely. | 0:09:37 | 0:09:40 | |
But you need to keep yourself safe. | 0:09:40 | 0:09:43 | |
I can look after myself. | 0:09:43 | 0:09:45 | |
OUTSIDE: Calm down. Don't hurt him. Get off me! | 0:09:45 | 0:09:48 | |
Excuse me, I'm just going to see what that is. | 0:09:48 | 0:09:51 | |
Get out. | 0:09:53 | 0:09:55 | |
Oi! Please. | 0:09:56 | 0:09:58 | |
Read those. She's here. Get out. | 0:09:58 | 0:10:01 | |
Leave him alone. These people have a right to know what's happening. Not here, they don't. | 0:10:01 | 0:10:05 | |
There she is. I knew I'd seen her coming in. | 0:10:05 | 0:10:09 | |
She can change her name, but she can't change who she is. | 0:10:09 | 0:10:12 | |
Roly Parkhouse's daughter. The murderer's daughter. | 0:10:12 | 0:10:16 | |
She's back to open up old wounds. | 0:10:16 | 0:10:19 | |
She doesn't care about anything but herself. | 0:10:20 | 0:10:23 | |
Keep driving, you witch! | 0:10:31 | 0:10:33 | |
Are you on her side? What? I'm not on anyone's side, | 0:10:35 | 0:10:39 | |
but that was just ugly. Frightening that poor woman, you should be ashamed of yourself. | 0:10:39 | 0:10:44 | |
She deserves all she gets. It was 20 years ago! | 0:10:44 | 0:10:47 | |
I think it's time to move on. How can anybody forget what happened in that house? | 0:10:47 | 0:10:51 | |
Mum, leave it now. Why should it be forgotten? | 0:10:51 | 0:10:54 | |
The families of those two poor girls still live in Letherbridge. | 0:10:54 | 0:10:57 | |
Every time they pass that place it tears their hearts open. | 0:10:57 | 0:11:00 | |
Driving Samantha away is not going to change the past. | 0:11:00 | 0:11:03 | |
You don't get it because, thank God, you've never had to live through something like that. | 0:11:03 | 0:11:08 | |
That cow has turned up as if nothing ever happened. | 0:11:08 | 0:11:11 | |
I saw her standing outside when the men took the boards off the windows. | 0:11:11 | 0:11:15 | |
No emotions, not a glimmer of guilt. | 0:11:15 | 0:11:17 | |
She's rubbing our noses in it, stirring up all that pain. | 0:11:17 | 0:11:21 | |
Is that right? Is that fair? Where's the justice? Tell me that. | 0:11:21 | 0:11:25 | |
I'm not going to give up on those girls. | 0:11:25 | 0:11:28 | |
I'll do whatever it takes to drive that murdering scum's daughter out of there. | 0:11:28 | 0:11:32 | |
Violence is never an answer. | 0:11:34 | 0:11:36 | |
The two girls were... her school friends. | 0:11:36 | 0:11:39 | |
It's always been bad... her moods. | 0:11:41 | 0:11:45 | |
Ever since that woman moved back into the house, | 0:11:45 | 0:11:48 | |
it's like everything's come rushing up to the surface and it's worse than it's ever been. | 0:11:48 | 0:11:52 | |
I don't know what she'll do. | 0:11:55 | 0:11:57 | |
TELEPHONE | 0:12:13 | 0:12:15 | |
What? | 0:12:18 | 0:12:19 | |
I know we have a meeting. I'm tied up. | 0:12:21 | 0:12:24 | |
Deal with it. What do I pay you for? | 0:12:25 | 0:12:28 | |
LOUD THUD | 0:12:32 | 0:12:34 | |
What's this? A courgette. | 0:12:53 | 0:12:56 | |
Don't you eat vegetables, Lewis? What's wrong with chips? | 0:12:56 | 0:12:59 | |
Lots. Now, ssssh. | 0:12:59 | 0:13:01 | |
That's disgusting. | 0:13:02 | 0:13:04 | |
Look, I said... All right! | 0:13:05 | 0:13:07 | |
Thank you. There you go. | 0:13:07 | 0:13:10 | |
You need to sort yourself out, you. | 0:13:11 | 0:13:14 | |
Oi, missus. | 0:13:18 | 0:13:20 | |
Sorry. Sorry. | 0:13:22 | 0:13:23 | |
Gaffer, I am proper hungry. | 0:13:27 | 0:13:30 | |
There's that new gourmet burger place on the high street. | 0:13:30 | 0:13:32 | |
You want to watch what you're shovelling down your face. | 0:13:32 | 0:13:36 | |
Great, now you've hurt my feelings. | 0:13:36 | 0:13:38 | |
I've got to get to the town hall planning department and make some enquiries. | 0:13:38 | 0:13:42 | |
Hello, again. | 0:13:44 | 0:13:46 | |
Is there a problem? | 0:13:46 | 0:13:48 | |
Yeah. | 0:13:49 | 0:13:51 | |
I couldn't go to the police. Mum would only get in trouble. Why? What's happened? | 0:13:52 | 0:13:55 | |
Mum wanted me to break into that house, | 0:13:57 | 0:13:59 | |
rough that woman up, frighten her off. What?! | 0:13:59 | 0:14:02 | |
I'm not going to do anything like that. I couldn't. | 0:14:02 | 0:14:05 | |
Mum talked about burning the house down. | 0:14:06 | 0:14:09 | |
Please, don't tell the police. | 0:14:09 | 0:14:12 | |
If someone's life's in danger, I've got no choice. No. | 0:14:12 | 0:14:16 | |
Mum needs help, not getting arrested. | 0:14:16 | 0:14:19 | |
It'll only make everything worse. | 0:14:19 | 0:14:22 | |
You have to help. I can't. | 0:14:22 | 0:14:24 | |
Please! | 0:14:24 | 0:14:25 | |
Well, I can try and talk to her. | 0:14:28 | 0:14:31 | |
She won't listen to you. | 0:14:31 | 0:14:33 | |
I've tried that and it didn't do any good. She's out of control. | 0:14:33 | 0:14:36 | |
You have to get that Samantha to leave. | 0:14:37 | 0:14:40 | |
Or at least warn her, because there's no telling what Mum will do next. | 0:14:40 | 0:14:44 | |
Give it here. Sorry. | 0:14:49 | 0:14:51 | |
Put it back! What? | 0:15:00 | 0:15:02 | |
I saw you! Don't play dumb. Put it back. | 0:15:02 | 0:15:04 | |
Don't know what you're talking about. | 0:15:04 | 0:15:06 | |
I'll be back in a minute. | 0:15:07 | 0:15:09 | |
Lewis! | 0:15:25 | 0:15:27 | |
Howard? Erm...sorry. | 0:15:34 | 0:15:36 | |
What the hell are you doing? Don't let them know I'm here. | 0:15:49 | 0:15:52 | |
Who are they? Don't. | 0:15:52 | 0:15:54 | |
It's my brother. | 0:15:55 | 0:15:57 | |
KNOCK ON DOOR | 0:16:04 | 0:16:06 | |
Hi. | 0:16:11 | 0:16:13 | |
Sorry to intrude. Come to ban me from the practice? | 0:16:13 | 0:16:17 | |
Of course not. We didn't finish that new patient assessment, dealy thing | 0:16:18 | 0:16:22 | |
and my boss is a hell of a stickler for paperwork! Seriously? | 0:16:22 | 0:16:26 | |
No, it's just a ruse. Can I come in? | 0:16:26 | 0:16:28 | |
I just wanted to see how you were after this morning. | 0:16:39 | 0:16:42 | |
I was naive. | 0:16:42 | 0:16:45 | |
I thought changing my name would be enough to get a fresh start. | 0:16:45 | 0:16:49 | |
Some people, they'll go to any lengths | 0:16:49 | 0:16:53 | |
to make sure you don't live here again. | 0:16:53 | 0:16:56 | |
I should be free to live in my own home. Come on, | 0:16:56 | 0:16:59 | |
you must have known, when people found out who you were, | 0:16:59 | 0:17:02 | |
it would just reignite those emotions. | 0:17:02 | 0:17:04 | |
Don't you dare judge me. I'm not. I'm not my father. | 0:17:04 | 0:17:08 | |
I know you're not. I shouldn't have to carry his crimes | 0:17:08 | 0:17:11 | |
on my shoulders for the rest of my life. You are absolutely right. | 0:17:11 | 0:17:14 | |
But we don't live in a just world. | 0:17:14 | 0:17:17 | |
You have to think what the people out there see. | 0:17:17 | 0:17:20 | |
And they see this house and they see you. | 0:17:20 | 0:17:23 | |
It just... | 0:17:23 | 0:17:25 | |
brings back this awful moment of Letherbridge history. | 0:17:25 | 0:17:29 | |
Is this place really worth all that hassle? | 0:17:30 | 0:17:33 | |
Do you want some tea? | 0:17:34 | 0:17:37 | |
Yeah...thanks. | 0:17:37 | 0:17:39 | |
Where is everybody? We're supposed to be having a protest. | 0:17:40 | 0:17:43 | |
Nobody cares, Mum. Not as much as you. | 0:17:43 | 0:17:45 | |
They should do. We have to make our voices heard. Mum... | 0:17:45 | 0:17:48 | |
If we don't, we're powerless. Mum! | 0:17:48 | 0:17:50 | |
Stop this. It's gone too far. | 0:17:51 | 0:17:53 | |
This isn't about me. Yes, it is! | 0:17:53 | 0:17:56 | |
It always has been. That's why Dad left and that's why you can't hold down a job. | 0:17:56 | 0:18:01 | |
This...this is all you think about! | 0:18:01 | 0:18:03 | |
That's not true! | 0:18:03 | 0:18:05 | |
People talk about you. | 0:18:06 | 0:18:09 | |
About me. | 0:18:09 | 0:18:10 | |
Who cares what people say? I care! | 0:18:10 | 0:18:13 | |
All my life... | 0:18:14 | 0:18:16 | |
the house...I want out of it. | 0:18:16 | 0:18:19 | |
You're walking out on me? I'm done. | 0:18:19 | 0:18:22 | |
So, you going to tell me what that was all about, then? | 0:18:27 | 0:18:30 | |
No. | 0:18:30 | 0:18:32 | |
That was the local gang, right? | 0:18:32 | 0:18:34 | |
And you're scared of them. Everyone's scared of them. | 0:18:34 | 0:18:37 | |
You think you know what it's like living round here. | 0:18:37 | 0:18:40 | |
People get hurt. People disappear. | 0:18:40 | 0:18:43 | |
You've got to watch your back all the time. | 0:18:44 | 0:18:46 | |
How did your brother get involved with them? | 0:18:46 | 0:18:49 | |
When they come for you, you don't have a choice. | 0:18:49 | 0:18:51 | |
My bro, two weeks ago, he almost got himself killed, | 0:18:51 | 0:18:55 | |
following orders. | 0:18:55 | 0:18:57 | |
I don't want to be a part of all that, all right? | 0:18:57 | 0:19:00 | |
Out on the street, in the park... | 0:19:00 | 0:19:04 | |
..nowhere's safe. | 0:19:05 | 0:19:07 | |
I can't even hide at home now my bro's with them. | 0:19:08 | 0:19:11 | |
Except the youth club. That's good. | 0:19:13 | 0:19:16 | |
Ah...they can't get you there. | 0:19:16 | 0:19:20 | |
LOUD MUSIC | 0:19:24 | 0:19:26 | |
Lewis! You're such a pain in the bum. | 0:19:26 | 0:19:30 | |
So, what are you planning to do with this place? | 0:19:43 | 0:19:46 | |
There are probably some people who would pay a little bit extra for it. | 0:19:49 | 0:19:52 | |
What are you doing? I'm going to burn this place to the ground. Stop! | 0:19:58 | 0:20:03 | |
Wait... I've been waiting 20 years! | 0:20:03 | 0:20:07 | |
You've wrecked enough lives and it's going to stop now. | 0:20:07 | 0:20:11 | |
And burning the house to the ground is going to help? | 0:20:11 | 0:20:14 | |
Think about your son. | 0:20:14 | 0:20:17 | |
How is he going to feel about his mother the arsonist? | 0:20:17 | 0:20:19 | |
Like I feel about my father. Don't you dare compare me to him! | 0:20:19 | 0:20:24 | |
I want you to know what those girls went through so you understand. | 0:20:24 | 0:20:29 | |
We're going down to where it all happened. | 0:20:29 | 0:20:33 | |
This is where he brought them. | 0:20:57 | 0:20:59 | |
Imagine how those girls felt, coming down these stairs, | 0:20:59 | 0:21:02 | |
listening to their footsteps, listening to his breathing. | 0:21:02 | 0:21:05 | |
Kate, cellars aren't really my favourite places to be at the moment. | 0:21:05 | 0:21:10 | |
This is the first time I've been down here since... | 0:21:10 | 0:21:13 | |
He made them stand against that wall while he got everything ready. | 0:21:14 | 0:21:18 | |
Then he'd go back upstairs, | 0:21:18 | 0:21:22 | |
lock the door, leaving them down here in the dark, | 0:21:22 | 0:21:26 | |
waiting, knowing what was to come. | 0:21:26 | 0:21:29 | |
I was supposed to be the third victim. | 0:21:30 | 0:21:33 | |
I was lucky. Parkhouse forgot to lock the door. | 0:21:34 | 0:21:38 | |
When I got out, I ran for my life. | 0:21:38 | 0:21:40 | |
Are you OK? Of course she's not. | 0:21:40 | 0:21:43 | |
She knew exactly what was going on. | 0:21:43 | 0:21:45 | |
I saw you watching when your father brought me down here. | 0:21:46 | 0:21:51 | |
Samantha... why did you come back here? | 0:21:53 | 0:21:57 | |
Not just the house, | 0:21:57 | 0:22:00 | |
there was something else. | 0:22:00 | 0:22:02 | |
You let him do it. You knew what he was doing. | 0:22:02 | 0:22:07 | |
Yes, I knew! | 0:22:07 | 0:22:10 | |
I was traumatised. | 0:22:10 | 0:22:12 | |
I didn't know what to do. | 0:22:13 | 0:22:15 | |
He was my dad. | 0:22:16 | 0:22:19 | |
I loved him. | 0:22:20 | 0:22:21 | |
He was always kind and gentle. | 0:22:22 | 0:22:25 | |
I never saw a monster. | 0:22:26 | 0:22:28 | |
After he was arrested... | 0:22:32 | 0:22:34 | |
..I tried to kill myself. | 0:22:37 | 0:22:39 | |
I was sectioned for a while. | 0:22:41 | 0:22:43 | |
This small thing. | 0:22:44 | 0:22:47 | |
What is it? | 0:22:48 | 0:22:50 | |
It let me believe that I wasn't a bad person. | 0:22:51 | 0:22:54 | |
Not really. | 0:22:54 | 0:22:56 | |
Tell her. | 0:22:56 | 0:22:58 | |
I unlocked the door. | 0:23:03 | 0:23:05 | |
I left it open. | 0:23:09 | 0:23:10 | |
You... | 0:23:13 | 0:23:15 | |
..you saved my life. | 0:23:16 | 0:23:19 | |
I'm getting the bus, so... | 0:23:25 | 0:23:27 | |
Hang on, Lewis. | 0:23:33 | 0:23:36 | |
I'll keep you company. | 0:23:36 | 0:23:38 | |
RETCHING | 0:23:46 | 0:23:48 | |
20 years I've been waiting to get away from this house. | 0:24:17 | 0:24:21 | |
And now...now what do I do? | 0:24:21 | 0:24:24 | |
What do you want to do? | 0:24:24 | 0:24:26 | |
I don't know. It's all such a mess. | 0:24:26 | 0:24:30 | |
I'd say go and see your son. | 0:24:31 | 0:24:33 | |
They're gone. Who's gone? | 0:24:39 | 0:24:42 | |
It'll look completely different with some fresh paint, new curtains - the works. | 0:24:43 | 0:24:47 | |
Are you sure you want to live here? It'll be all right now. | 0:24:49 | 0:24:52 | |
TURNS TELEVISION ON | 0:25:42 | 0:25:44 | |
'The headlines tonight. | 0:25:47 | 0:25:50 | |
'Marching in protest, determined to save their local hospital.' | 0:25:50 | 0:25:54 | |
Oooh! How about a nice juicy steak? 'Steak? Have we won the lottery?' | 0:25:57 | 0:26:01 | |
It's three for a fiver, actually. | 0:26:01 | 0:26:02 | |
Oh, don't touch, it love, seriously. | 0:26:02 | 0:26:04 | |
So, you all find it funny that your work place is a health hazard? | 0:26:04 | 0:26:08 | |
I thought it was just a rumour that managers ate human hearts. | 0:26:08 | 0:26:11 | |
Oi! | 0:26:14 | 0:26:15 | |
Hey! | 0:26:17 | 0:26:18 | |
Subtitles by Red Bee Media Ltd | 0:26:37 | 0:26:40 |