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MUSIC: "Unchained Melody" by The Righteous Brothers | 0:00:26 | 0:00:29 | |
# Oh, my love | 0:00:29 | 0:00:31 | |
# My darling... # | 0:00:31 | 0:00:34 | |
Not a word to anyone? | 0:00:36 | 0:00:37 | |
Scouts' honour. | 0:00:38 | 0:00:40 | |
# A long, lonely time | 0:00:42 | 0:00:47 | |
# And time... # | 0:00:53 | 0:00:55 | |
-Got any soap? -Huh? | 0:01:00 | 0:01:02 | |
Oh, my... Yeah... | 0:01:03 | 0:01:05 | |
There. | 0:01:09 | 0:01:10 | |
Oh, lovely. | 0:01:13 | 0:01:15 | |
I thought I might grab a bowl of this to take upstairs. | 0:01:15 | 0:01:19 | |
Actually, you might need that? | 0:01:19 | 0:01:21 | |
I'm sure I can find you a bowl somewhere... | 0:01:21 | 0:01:24 | |
Eh, cereal with three-day-old beans... | 0:01:24 | 0:01:26 | |
-No, thanks! Gross! -It's not usually this bad. | 0:01:26 | 0:01:29 | |
Oh, well, so, secretly, you're hygienic! | 0:01:29 | 0:01:32 | |
-Like I say... -Thanks... | 0:01:50 | 0:01:52 | |
Yeah, good job. Thanks, man. Thanks. | 0:01:52 | 0:01:55 | |
Let's do it. | 0:01:56 | 0:01:57 | |
I managed to squeeze everyone in. | 0:02:00 | 0:02:03 | |
Cinderella, Buttons, the Uglies. | 0:02:03 | 0:02:05 | |
Look at Zara! | 0:02:06 | 0:02:08 | |
Makes me glad I'm just the stage manager. | 0:02:08 | 0:02:10 | |
"Just" stage manager? | 0:02:10 | 0:02:12 | |
There's no just about it, yours is a pivotal role! | 0:02:12 | 0:02:14 | |
Costume, props, scenery... | 0:02:14 | 0:02:16 | |
Talking of which, we need to have a chat later. | 0:02:16 | 0:02:18 | |
Yes, we can, but then, please, can I start to get on with it? | 0:02:18 | 0:02:21 | |
-Of course, how about lunch? I'm buying. -Ooh. | 0:02:21 | 0:02:24 | |
-My room, two o'clock, sandwiches? -Oh(!) | 0:02:24 | 0:02:26 | |
Erm, it's normal to have the director's name on the poster. | 0:02:29 | 0:02:32 | |
And the writer. | 0:02:32 | 0:02:35 | |
Silly old custom, I'll... | 0:02:35 | 0:02:37 | |
leave it up to you. | 0:02:37 | 0:02:39 | |
Oh, you've tidied up! Bless! | 0:02:39 | 0:02:41 | |
Don't do it for me. | 0:02:41 | 0:02:42 | |
I wasn't really... | 0:02:42 | 0:02:44 | |
Seriously, makes a nice change. | 0:02:44 | 0:02:46 | |
From being followed around with a dustpan and brush | 0:02:46 | 0:02:48 | |
and a massive can of air-freshener. | 0:02:48 | 0:02:50 | |
Tembe's not that bad, is she? | 0:02:50 | 0:02:52 | |
Give me a student dive any day! | 0:02:52 | 0:02:55 | |
I reckon I'd have made a good student. | 0:02:59 | 0:03:02 | |
Maybe not the studying bit, but all the rest. | 0:03:02 | 0:03:05 | |
-What do you reckon? -Huh? | 0:03:05 | 0:03:07 | |
Yeah, you'd have made a great student. | 0:03:07 | 0:03:09 | |
No, the colour. | 0:03:10 | 0:03:11 | |
I don't know about this. | 0:03:24 | 0:03:27 | |
Not now. | 0:03:27 | 0:03:29 | |
Not now we're here. | 0:03:29 | 0:03:31 | |
What if she...? | 0:03:31 | 0:03:32 | |
-I mean, what if...? -What if it goes great? | 0:03:34 | 0:03:37 | |
We should go. | 0:03:40 | 0:03:41 | |
You're not turning back now. | 0:03:42 | 0:03:44 | |
What was that promise? | 0:03:45 | 0:03:47 | |
-After the APC went up, the promise to yourself. -I know. | 0:03:47 | 0:03:50 | |
Well, go on, then. | 0:03:54 | 0:03:55 | |
-TV: -The over-crowding crisis in our... | 0:03:58 | 0:04:01 | |
Oh, why's everything so complicated? | 0:04:01 | 0:04:04 | |
Why can't you just get up and turn it over? | 0:04:04 | 0:04:06 | |
When you've got 900 channels to flick through, | 0:04:06 | 0:04:08 | |
you'd be up and down the sofa, like a... | 0:04:08 | 0:04:11 | |
Like a tart's knickers? | 0:04:11 | 0:04:12 | |
Yeah, like a tart's knickers. | 0:04:12 | 0:04:14 | |
It is interesting, because you can use your phone and computer fine. | 0:04:15 | 0:04:19 | |
-But when it comes to the remote... -Oh, no idea. | 0:04:19 | 0:04:24 | |
Selective memory. | 0:04:24 | 0:04:25 | |
Oh, well, it's probably just shot. | 0:04:26 | 0:04:28 | |
-I am 100 years old, after all. -Hm. | 0:04:28 | 0:04:32 | |
We could always test it. | 0:04:32 | 0:04:34 | |
I could teach you some memorising techniques! Might be fun! | 0:04:34 | 0:04:37 | |
Hmm! | 0:04:38 | 0:04:39 | |
She's there. | 0:04:45 | 0:04:46 | |
Well, that's a good start. Go on. | 0:04:46 | 0:04:48 | |
Remember what we said all along? | 0:04:50 | 0:04:52 | |
Focus on the dream. | 0:04:52 | 0:04:54 | |
-Walk towards it, one step at a time. -I know. | 0:04:54 | 0:04:57 | |
Well, go on. Steps. | 0:04:58 | 0:05:00 | |
Dance steps. | 0:05:02 | 0:05:03 | |
Just go and say hello. | 0:05:03 | 0:05:06 | |
She's going to be gobsmacked. | 0:05:06 | 0:05:07 | |
What, that you're walking so well? | 0:05:07 | 0:05:10 | |
To see me! | 0:05:10 | 0:05:12 | |
What, she's not expecting you? | 0:05:12 | 0:05:14 | |
Course not! | 0:05:14 | 0:05:15 | |
What, you didn't tell her you were coming? | 0:05:15 | 0:05:18 | |
That's the dream - the surprise! | 0:05:18 | 0:05:21 | |
The look on her face when I walk in. | 0:05:21 | 0:05:23 | |
Frank! Hello, stranger! | 0:05:34 | 0:05:37 | |
What are you doing here? | 0:05:38 | 0:05:41 | |
I just wondered if you fancied a dance? | 0:05:41 | 0:05:44 | |
Of course I would! | 0:05:44 | 0:05:46 | |
OK, you can go. Sorry, guys. | 0:05:46 | 0:05:48 | |
MUSIC: "At Last" by Etta James | 0:06:08 | 0:06:12 | |
August, September, October, November, December. | 0:06:14 | 0:06:16 | |
The mnemonic device is a way of associating an object | 0:06:16 | 0:06:19 | |
you know really well with a thing that you're trying to remember. | 0:06:19 | 0:06:22 | |
So let's say you have to memorise the playing cards | 0:06:22 | 0:06:26 | |
king, queen, Jack. | 0:06:26 | 0:06:27 | |
What do you associate with king? | 0:06:27 | 0:06:30 | |
-Elvis. -Thank you very much. Queen? | 0:06:31 | 0:06:35 | |
-# Mama, I just killed a man... # -Bohemian Rhapsody. Great. | 0:06:35 | 0:06:39 | |
Jack. | 0:06:39 | 0:06:40 | |
Er... I dunno... | 0:06:40 | 0:06:43 | |
Jack Rabbit. | 0:06:43 | 0:06:44 | |
OK. Now what if you had to remember them | 0:06:44 | 0:06:47 | |
-in the order of Jack, queen, king? Hmm? -I... | 0:06:47 | 0:06:51 | |
You say Jack Rabbit, Mama, I just killed a man, Elvis. | 0:06:51 | 0:06:56 | |
-Weird? -Yeah, a bit. | 0:06:56 | 0:06:58 | |
Wouldn't it be a easier just to remember king, Jack, queen? | 0:06:58 | 0:07:01 | |
Yeah, but the order you were given was Jack, queen, king. | 0:07:01 | 0:07:03 | |
-Ah... -I think we're missing the point. | 0:07:03 | 0:07:07 | |
See, ultimately, I'm talking about visualisation. | 0:07:07 | 0:07:10 | |
Do you need to take a break? | 0:07:12 | 0:07:14 | |
Karen? | 0:07:16 | 0:07:18 | |
Wow! Wow! Who...? Who's this? | 0:07:24 | 0:07:27 | |
Oh, just an old friend. | 0:07:27 | 0:07:29 | |
Come on. | 0:07:29 | 0:07:31 | |
-You learning your lines? -Trying to. | 0:07:40 | 0:07:44 | |
Ever thought about using mnemonics? | 0:07:44 | 0:07:46 | |
Cheeky. | 0:07:46 | 0:07:48 | |
-Do you want me to test you? -Go on, then. | 0:07:48 | 0:07:50 | |
I have to say, it's a recurring nightmare of mine. | 0:07:52 | 0:07:54 | |
I'm stood up in front of a group of people, | 0:07:54 | 0:07:56 | |
haven't got a clue what I'm supposed to be saying. | 0:07:56 | 0:07:59 | |
I wonder where that comes from. | 0:07:59 | 0:08:00 | |
-Did you do school plays or something? -Just one. Had to say, | 0:08:00 | 0:08:03 | |
"Hark, three kings approach, riding upon donkeys." | 0:08:03 | 0:08:07 | |
See? Still got it. | 0:08:07 | 0:08:08 | |
OK. I am Cinderella. You are Buttons. | 0:08:10 | 0:08:13 | |
"Oh, Buttons, tall, dark, handsome is he." | 0:08:13 | 0:08:17 | |
Oh. Thank you very much. | 0:08:17 | 0:08:18 | |
"Prince Charming's got everything except..." | 0:08:18 | 0:08:21 | |
Except any chest hair, cos he's clearly played by a woman. | 0:08:21 | 0:08:24 | |
It doesn't say that. | 0:08:25 | 0:08:27 | |
Keep going. | 0:08:27 | 0:08:29 | |
"..except for me." | 0:08:29 | 0:08:31 | |
"You don't want the prince, with his... | 0:08:32 | 0:08:34 | |
"Cute little nose and sparkling eyes." | 0:08:34 | 0:08:36 | |
Sparkling? It's just cos he's drunk. Who wants a cute little nose? | 0:08:36 | 0:08:40 | |
You want Cyrano de Bergerac. | 0:08:40 | 0:08:41 | |
You know what they say, the bigger the nose, | 0:08:41 | 0:08:43 | |
the bigger the...handkerchief! | 0:08:43 | 0:08:46 | |
-You can't keep making it up. -I can't help myself. | 0:08:46 | 0:08:49 | |
OK. | 0:08:50 | 0:08:52 | |
"You don't want the prince, with his..." | 0:08:52 | 0:08:54 | |
"Cute little nose and sparkling eyes." | 0:08:54 | 0:08:56 | |
"..for it is closer to home that your true love lies." | 0:08:56 | 0:09:03 | |
"Pause for laughter." | 0:09:03 | 0:09:05 | |
Pause for tumbleweed. | 0:09:05 | 0:09:07 | |
Amway, come on, do it properly or else you'll never get it right. | 0:09:08 | 0:09:11 | |
Go from... | 0:09:11 | 0:09:14 | |
"You don't want the prince, with his..." | 0:09:14 | 0:09:16 | |
Can I just ask one quick question? | 0:09:16 | 0:09:18 | |
How come you've learnt my lines quicker than I have? | 0:09:18 | 0:09:22 | |
That's true. | 0:09:22 | 0:09:23 | |
Pause for laughter. | 0:09:25 | 0:09:26 | |
Pause for a cup of tea while I make a note of this. | 0:09:26 | 0:09:29 | |
Third prize. | 0:09:38 | 0:09:40 | |
We couldn't believe it. | 0:09:41 | 0:09:42 | |
Only been dancing two months. | 0:09:42 | 0:09:45 | |
I started cos I saw Kelly go in the hall and I thought, "Whoa!" | 0:09:45 | 0:09:50 | |
So, I walked in right behind her. | 0:09:50 | 0:09:53 | |
Next thing, the instructor's going, "Take your partners," | 0:09:53 | 0:09:55 | |
so I went straight up to Kelly. | 0:09:55 | 0:09:57 | |
You must have the feet for it. | 0:09:59 | 0:10:01 | |
I followed her, to be honest. I thought, "Don't blow it. | 0:10:01 | 0:10:05 | |
"Don't make her look stupid." | 0:10:05 | 0:10:07 | |
And I did OK. | 0:10:09 | 0:10:10 | |
I found something out that day. | 0:10:12 | 0:10:14 | |
You can do anything if you want it bad enough. | 0:10:14 | 0:10:16 | |
My friends ripped it out of me. | 0:10:18 | 0:10:20 | |
Started calling me Foxtrot Tango cos of my initials. | 0:10:21 | 0:10:25 | |
But it was never about dancing. It was always about Kelly. | 0:10:25 | 0:10:28 | |
Same with all this... | 0:10:30 | 0:10:32 | |
Getting back on my feet. | 0:10:32 | 0:10:34 | |
Well, it's been a long enough road, that's for sure. | 0:10:35 | 0:10:38 | |
But it's not over yet. | 0:10:39 | 0:10:40 | |
And now the reason for doing it's gone. | 0:10:41 | 0:10:45 | |
You can't think like that. | 0:10:45 | 0:10:47 | |
In fact, a suggestion... | 0:10:47 | 0:10:49 | |
Put the trophy away. Keep it for what it is - it's a good memory. | 0:10:51 | 0:10:55 | |
But there'll be plenty more. | 0:10:55 | 0:10:58 | |
PHONE RINGS | 0:10:58 | 0:10:59 | |
You can do this on your own. I'm serious. | 0:10:59 | 0:11:01 | |
What was it you just said? "If you want it bad enough"? | 0:11:01 | 0:11:06 | |
Bellamy. | 0:11:06 | 0:11:07 | |
Yes. | 0:11:09 | 0:11:10 | |
20 minutes. Bye. | 0:11:10 | 0:11:12 | |
I've got to get back to work. | 0:11:13 | 0:11:15 | |
I'll see you very soon. | 0:11:15 | 0:11:16 | |
You'll be fine, twinkle toes. | 0:11:18 | 0:11:20 | |
Ham and cheese sandwiches, essential for any pantomime, wouldn't you say? | 0:11:29 | 0:11:34 | |
So.. | 0:11:36 | 0:11:37 | |
So, I would like to get a couple of things nailed down, Heston, | 0:11:37 | 0:11:41 | |
make sure we're on the same song sheet. | 0:11:41 | 0:11:44 | |
-Can we talk about scenery? -Absolutely. | 0:11:44 | 0:11:47 | |
So, obviously we want to keep things simple. You know those... | 0:11:47 | 0:11:52 | |
Those folding partition things that you get in offices? | 0:11:52 | 0:11:55 | |
All we need is, like, three of them. | 0:11:55 | 0:11:56 | |
We can paint on bricks... | 0:11:56 | 0:11:59 | |
and windows, trees, | 0:11:59 | 0:12:01 | |
design something general onto lining paper, you know, | 0:12:01 | 0:12:04 | |
make it look quite fun. | 0:12:04 | 0:12:06 | |
Stick it on both sides, so we can turn it round. | 0:12:06 | 0:12:08 | |
And then the clever bit, I thought... | 0:12:08 | 0:12:10 | |
Actually, I think we can afford to be | 0:12:10 | 0:12:13 | |
a little bit more ambitious than that. | 0:12:13 | 0:12:16 | |
OK. First night, picture the scene. | 0:12:16 | 0:12:18 | |
The audience settles, ready to be transported through | 0:12:18 | 0:12:21 | |
the magic of theatre into a land of dreams. | 0:12:21 | 0:12:24 | |
The curtain opens, the lights come up | 0:12:24 | 0:12:26 | |
to reveal three office partitions covered in painted wallpaper. | 0:12:26 | 0:12:32 | |
Marvellous(!) | 0:12:32 | 0:12:33 | |
Fine. | 0:12:33 | 0:12:35 | |
It's not a criticism. I just don't want us to appear amateur. | 0:12:35 | 0:12:39 | |
-It IS amateur, though. -That's a bit defeatist, don't you think? -No! | 0:12:39 | 0:12:43 | |
Wonder and dreams are all very well, | 0:12:43 | 0:12:44 | |
but this is medical staff in their spare time | 0:12:44 | 0:12:47 | |
and it's happening soon. | 0:12:47 | 0:12:49 | |
-That's if it happens at all. -What do you mean? | 0:12:49 | 0:12:52 | |
I mean, we need to be practical, Heston. | 0:12:52 | 0:12:55 | |
You know, make lists, tick things off and stop getting carried away, | 0:12:55 | 0:12:59 | |
otherwise it's not going to happen. | 0:12:59 | 0:13:00 | |
Mandy, yes, of course. Thank you. | 0:13:00 | 0:13:03 | |
-You need a list of jobs. -Exactly. | 0:13:03 | 0:13:06 | |
OK. Let's start with the sub heading for design. | 0:13:06 | 0:13:10 | |
Scenery. Obtain/manufacture paint, set dressing... | 0:13:10 | 0:13:17 | |
We can discuss the details later. | 0:13:17 | 0:13:19 | |
..costume design. Obtain some fabric... | 0:13:19 | 0:13:22 | |
It's a good job I don't have any nursing to do, isn't it(?) | 0:13:22 | 0:13:25 | |
I know, but think how worthwhile it'll be | 0:13:25 | 0:13:28 | |
when the standing ovation lifts the roof. | 0:13:28 | 0:13:30 | |
And I have another surprise for you. | 0:13:30 | 0:13:32 | |
You will be on stage too, taking a bow, | 0:13:32 | 0:13:34 | |
-because I need you to play the part of Dandini. -What? | 0:13:34 | 0:13:37 | |
Pam the cleaner was down to do it, | 0:13:37 | 0:13:39 | |
but it conflicts with her pilates class. | 0:13:39 | 0:13:41 | |
Don't worry, there are no lines. You'll hardly know you're doing it. | 0:13:41 | 0:13:44 | |
I knew you'd be pleased. | 0:13:45 | 0:13:47 | |
Ta-da! | 0:14:17 | 0:14:18 | |
This is the Wiki site. | 0:14:18 | 0:14:20 | |
Wiki, coming from the Hawaiian term wiki-wiki, meaning fast. | 0:14:20 | 0:14:23 | |
The advantage here is the enhanced interactivity. | 0:14:23 | 0:14:27 | |
-You with me so far? -No. -OK | 0:14:27 | 0:14:29 | |
Why don't you just tell me what it does? | 0:14:29 | 0:14:31 | |
Basically, your friend Maggie gave me a list of all your friends | 0:14:31 | 0:14:34 | |
from back in the day and I e-mailed them, telling them that they | 0:14:34 | 0:14:37 | |
-could put stuff all about you on here. -Amazing. | 0:14:37 | 0:14:40 | |
It might help with your memory. | 0:14:40 | 0:14:42 | |
So much of our memory has to do with context. | 0:14:42 | 0:14:45 | |
If you read the real life stories, you might start to fill in the gaps. | 0:14:45 | 0:14:49 | |
-So when can they put things on? -It's live now. | 0:14:49 | 0:14:52 | |
Ah. A watched pot... | 0:14:54 | 0:14:57 | |
Realistically, it'll take a couple of days to get a bite. | 0:14:57 | 0:15:00 | |
So, how do you tell when people have done something? | 0:15:00 | 0:15:03 | |
You just hit refresh. | 0:15:03 | 0:15:04 | |
I need to see her. | 0:15:28 | 0:15:30 | |
Just get Kelly. | 0:15:31 | 0:15:33 | |
-Don't talk to me like that. -Don't stand in my way. | 0:15:33 | 0:15:36 | |
-She's not in. -You're lying. | 0:15:36 | 0:15:39 | |
Why don't you do one...freak? | 0:15:39 | 0:15:41 | |
You all right? | 0:15:54 | 0:15:55 | |
Hmm-hmm. Fine. Everything's fine. | 0:15:55 | 0:15:59 | |
One of those days, eh? Why don't you take five minutes? | 0:15:59 | 0:16:02 | |
Have a cup of tea. In fact, I might join you. | 0:16:02 | 0:16:04 | |
-I've been meaning to have a word. -I've got a patient... | 0:16:04 | 0:16:08 | |
It's about my costumes. I've got a few ideas. | 0:16:08 | 0:16:10 | |
PHONE RINGS | 0:16:10 | 0:16:12 | |
Excuse me. | 0:16:12 | 0:16:14 | |
Hello. | 0:16:14 | 0:16:16 | |
What? | 0:16:19 | 0:16:21 | |
I'm sorry, Howard. | 0:16:22 | 0:16:24 | |
Come on! | 0:16:32 | 0:16:34 | |
-Ah! There's one from Jo Brindley! -You got one. | 0:16:37 | 0:16:41 | |
"Hey Karen, remember Deakins Field | 0:16:41 | 0:16:43 | |
"when my brother and his mates went camping? | 0:16:43 | 0:16:46 | |
"You and me told our mums that we were staying with the other | 0:16:46 | 0:16:49 | |
"one for the night, | 0:16:49 | 0:16:50 | |
"and then we went drinking cider until it got light." Oh, yes. | 0:16:50 | 0:16:54 | |
"And a cow ran over the tent, and Betty grassed us up!" | 0:16:54 | 0:16:58 | |
Flipping Betty lived next door. | 0:16:58 | 0:17:00 | |
She could hear our garden gate squeak from a mile away. | 0:17:00 | 0:17:03 | |
My mum was mad, but we just laughed. | 0:17:03 | 0:17:07 | |
"My dad was so cross, he cricked his neck and had a week off work." | 0:17:07 | 0:17:12 | |
Oh, I'd forgotten that! Wow! | 0:17:12 | 0:17:15 | |
-Don't worry. -Kelly, sorry. | 0:17:22 | 0:17:25 | |
I'm Howard Bellamy. | 0:17:28 | 0:17:29 | |
I saw you at the dance hall earlier. | 0:17:29 | 0:17:32 | |
We didn't get the chance to be introduced. | 0:17:32 | 0:17:34 | |
I've been mentoring Frank through rehab. | 0:17:34 | 0:17:37 | |
I'll make sure he behaves. | 0:17:37 | 0:17:38 | |
Please, Kelly, I don't want to cause you trouble - | 0:17:38 | 0:17:41 | |
that's why I left at the hall. But... | 0:17:41 | 0:17:43 | |
What's going on? | 0:17:43 | 0:17:45 | |
What's going on? You tell me. You turn up here and hit Mark! | 0:17:45 | 0:17:49 | |
I shouldn't have done that, but seeing him in my place... | 0:17:49 | 0:17:53 | |
Sorry? | 0:17:53 | 0:17:55 | |
Why are you being so harsh? | 0:17:55 | 0:17:56 | |
OK. What USED to be my place. | 0:17:59 | 0:18:01 | |
Frank, we've never been in a relationship. | 0:18:02 | 0:18:05 | |
-You're not taking that away from me. -There's nothing to take away. | 0:18:05 | 0:18:08 | |
What are you talking about? | 0:18:08 | 0:18:10 | |
-I'm not having this, Frank. Anyway, Mark'll be back any minute. -Kelly! | 0:18:10 | 0:18:13 | |
Leave me alone! | 0:18:13 | 0:18:14 | |
No. | 0:18:16 | 0:18:18 | |
Frank, what's going on? | 0:18:20 | 0:18:21 | |
Have you got a girlfriend? | 0:18:25 | 0:18:27 | |
Me? No. | 0:18:27 | 0:18:30 | |
Every time I dip my toes in Lake Romance, they get bitten off. | 0:18:30 | 0:18:35 | |
-And after last time... -What happened? | 0:18:35 | 0:18:37 | |
I don't know. | 0:18:39 | 0:18:41 | |
I'm not really built for affairs of the heart. | 0:18:41 | 0:18:44 | |
Besides, it's probably best just to stay clear. | 0:18:44 | 0:18:47 | |
Who was she? | 0:18:47 | 0:18:49 | |
A work colleague. | 0:18:49 | 0:18:52 | |
Oh, Buttons! You went after Cinderella. | 0:18:52 | 0:18:56 | |
HE LAUGHS | 0:18:56 | 0:18:58 | |
Yeah, I suppose I did. | 0:18:58 | 0:18:59 | |
Has this panto taught you nothing? | 0:18:59 | 0:19:01 | |
-What? I should go after an ugly sister instead? -Yeah! | 0:19:01 | 0:19:06 | |
For the practice. | 0:19:06 | 0:19:07 | |
You know. I mean, you've got to get back in the saddle. | 0:19:07 | 0:19:10 | |
Hmm. I think you're right. | 0:19:10 | 0:19:13 | |
The time has come. | 0:19:13 | 0:19:15 | |
-Yay! Get a girlfriend! -No. Do the washing up. | 0:19:15 | 0:19:19 | |
Oh! Go on, then, and I'll dry. | 0:19:19 | 0:19:22 | |
DOORBELL RINGS | 0:19:24 | 0:19:26 | |
I can't apologise enough. | 0:19:29 | 0:19:31 | |
I know there's something not right here. | 0:19:34 | 0:19:36 | |
Can I just explain something? | 0:19:36 | 0:19:38 | |
I'm guessing you haven't heard from Frank for a while, right? | 0:19:40 | 0:19:43 | |
Yeah. | 0:19:43 | 0:19:44 | |
-Well, he's been very badly hurt... -Not by me. | 0:19:44 | 0:19:46 | |
No. By a Taliban bomb. | 0:19:46 | 0:19:49 | |
It destroyed his vehicle and killed one of his friends, | 0:19:50 | 0:19:53 | |
and he's been struggling with his injury. | 0:19:53 | 0:19:55 | |
Perhaps more from post-traumatic stress. | 0:19:57 | 0:19:59 | |
He's had to pull himself out of a dark place. | 0:20:00 | 0:20:03 | |
For the last eight months, he's been on a very slippery slope. | 0:20:03 | 0:20:06 | |
And he's needed an anchor, | 0:20:06 | 0:20:09 | |
something strong and definite. | 0:20:09 | 0:20:12 | |
And rightly or wrongly, that something was how he felt about you. | 0:20:12 | 0:20:16 | |
I didn't know. | 0:20:19 | 0:20:20 | |
I'm sorry. I assumed you did, | 0:20:20 | 0:20:23 | |
otherwise I'd have never have let it get this far. | 0:20:23 | 0:20:26 | |
But here we are. | 0:20:26 | 0:20:28 | |
But I'm worried if we... | 0:20:28 | 0:20:30 | |
I'm worried if we don't sort out this misunderstanding... | 0:20:32 | 0:20:36 | |
Well, he'll just... He'll be back where he started. | 0:20:36 | 0:20:39 | |
Oh...! | 0:20:43 | 0:20:48 | |
-How's your day? -Oh. Apart from horrendous Cinderella, fine. | 0:20:48 | 0:20:51 | |
-Right. -Can't anybody talk about anything else? | 0:20:51 | 0:20:54 | |
Yeah, I agree. Actually, I do have a question about my costume though. | 0:20:54 | 0:20:59 | |
All it is, what do I wear on my legs? Cos it's not stockings, is it? | 0:21:00 | 0:21:03 | |
I wouldn't have thought it would have to be stockings. | 0:21:03 | 0:21:05 | |
Are you talking costume? Great. | 0:21:05 | 0:21:08 | |
I was wondering if I could have a word, if you've got ten minutes. | 0:21:08 | 0:21:11 | |
-Ten? -I thought I'd save you the bother of designing mine. | 0:21:11 | 0:21:14 | |
-Well, I wasn't going to. I was just going to go to a charity shop. -Oh! | 0:21:14 | 0:21:20 | |
Oh, no. No, Mandy, that will look very am dram. | 0:21:22 | 0:21:26 | |
We need something striking for the ball. | 0:21:26 | 0:21:28 | |
I've actually done some sketches. | 0:21:28 | 0:21:31 | |
Sorry, I haven't drawn since I was at college, but you get the idea. | 0:21:31 | 0:21:34 | |
Who's going to make that? | 0:21:37 | 0:21:39 | |
Back to the stockings, just for a second. | 0:21:39 | 0:21:41 | |
Actually, It's not the stockings that I'm worried about, | 0:21:41 | 0:21:43 | |
it's the suspenders I'm not really keen on. | 0:21:43 | 0:21:45 | |
And... I wouldn't have thought tights would be good either, | 0:21:45 | 0:21:48 | |
so I was thinking trousers. Girls' trousers, obviously. | 0:21:48 | 0:21:51 | |
-Actually, yes, can I have a word? -Stitch and bitch. -I beg your pardon? | 0:21:51 | 0:21:54 | |
We need to talk boots. | 0:21:54 | 0:21:56 | |
Your sewing group. | 0:21:56 | 0:21:57 | |
I would have thought they'd be delighted to help. | 0:21:57 | 0:22:00 | |
After all, it is for children with cancer. | 0:22:00 | 0:22:02 | |
Frank. | 0:22:09 | 0:22:10 | |
Would you like me to stay? | 0:22:12 | 0:22:13 | |
Let's get this straight, Frank. | 0:22:26 | 0:22:29 | |
We used to dance together. We were mates. | 0:22:29 | 0:22:33 | |
You used to write letters to me about what was going on out there. | 0:22:33 | 0:22:36 | |
-I used to write back. -With kisses. | 0:22:36 | 0:22:39 | |
-They're not real, Frank. -There was one that one time. | 0:22:39 | 0:22:42 | |
-One kiss. -On the lips. | 0:22:42 | 0:22:43 | |
A kiss goodnight. And I'm sorry, Frank, it meant nothing. | 0:22:43 | 0:22:47 | |
I should have died. | 0:22:53 | 0:22:54 | |
You can feel it flowing out of you like a river. | 0:22:56 | 0:22:58 | |
But I thought of me and you dancing... | 0:22:59 | 0:23:03 | |
And you knew... | 0:23:06 | 0:23:08 | |
because I wrote it in the letters, didn't I? | 0:23:08 | 0:23:11 | |
I stopped opening them when you started getting heavy. | 0:23:19 | 0:23:23 | |
Yeah? Well, why didn't you throw them out, then? | 0:23:23 | 0:23:25 | |
I'm with Mark. | 0:23:25 | 0:23:27 | |
We're getting married. You knew I stopped writing back, Frank. | 0:23:27 | 0:23:30 | |
The army stopped them cos we were stuck out in the middle of nowhere. | 0:23:30 | 0:23:33 | |
-Frank, why did you never call me? -When? | 0:23:39 | 0:23:43 | |
You've been back for months. Why not, Frank? | 0:23:43 | 0:23:47 | |
You didn't call because you knew it was all in your head. | 0:23:53 | 0:23:57 | |
I... I needed it to be true. | 0:23:59 | 0:24:01 | |
I'm sorry. | 0:24:09 | 0:24:11 | |
I'm sorry if you got the wrong idea. | 0:24:11 | 0:24:13 | |
But, Frank, please don't come round again. | 0:24:13 | 0:24:17 | |
MUSIC: "Unchained Melody" by Bobby Hatfield | 0:24:23 | 0:24:28 | |
Hope you don't fancy another dance. | 0:25:03 | 0:25:05 | |
Done that. No backward steps. | 0:25:06 | 0:25:09 | |
You know, it was only eight months ago they wheeled | 0:25:11 | 0:25:14 | |
you off a plane into Housmans. | 0:25:14 | 0:25:16 | |
You didn't even know if you were going to take any steps, | 0:25:16 | 0:25:19 | |
forwards or backwards. | 0:25:19 | 0:25:20 | |
Yeah. That was scary. | 0:25:20 | 0:25:22 | |
But today...a giant leap...forwards. | 0:25:24 | 0:25:29 | |
Yeah. | 0:25:29 | 0:25:30 | |
It's weird, but...yeah. | 0:25:31 | 0:25:34 | |
Thanks for everything, you know. | 0:25:38 | 0:25:40 | |
-Yes, Jimmi, got the message. -Not ones with a zip at the back. | 0:25:44 | 0:25:48 | |
They could probably work straight from these. Do you think? | 0:25:48 | 0:25:50 | |
I do need to know, is there going to be a fitting? | 0:25:50 | 0:25:52 | |
You do know the Principal Boy wears boots? | 0:25:52 | 0:25:54 | |
-They're absolutely essential. -I was going to try... -Thigh high. | 0:25:54 | 0:25:57 | |
It's part of the pantomime tradition. | 0:25:57 | 0:25:59 | |
Anything less is absolutely unacceptable. | 0:25:59 | 0:26:00 | |
Is this the healthy buzz of theatrical production I hear? | 0:26:00 | 0:26:03 | |
Good. Now, Mandy, since our last meeting, | 0:26:03 | 0:26:05 | |
-one or two thought have occurred to me. -What? | 0:26:05 | 0:26:07 | |
Like how I'm going to take everybody's | 0:26:07 | 0:26:09 | |
-coats as they arrive, as well? -No, I don't think that'll be... | 0:26:09 | 0:26:12 | |
Oh, you're making a joke. | 0:26:12 | 0:26:13 | |
Mandy is a fully paid up member of the cast, everybody. | 0:26:15 | 0:26:18 | |
Meet Dandini! | 0:26:18 | 0:26:19 | |
ALL TALK OVER EACH OTHER | 0:26:19 | 0:26:21 | |
I'm afraid, right now, Dandini has a patient waiting. So please... | 0:26:21 | 0:26:25 | |
Yes, Mandy is right. | 0:26:25 | 0:26:27 | |
There are far more important things to discuss than costume. | 0:26:27 | 0:26:31 | |
For example, stage lighting. | 0:26:33 | 0:26:35 | |
Mandy? | 0:26:37 | 0:26:40 | |
Mandy? | 0:26:40 | 0:26:41 | |
Your mum signed this? | 0:26:45 | 0:26:47 | |
This is her consent? | 0:26:47 | 0:26:49 | |
If you feel that strongly about it, you sort it. | 0:26:49 | 0:26:52 | |
You sent my vulnerable and confused wife to stay with that creep?! | 0:26:52 | 0:26:55 | |
No, I did not. I mean, it was not my idea. | 0:26:55 | 0:26:57 | |
First tell me what A-level grades you got. | 0:26:57 | 0:27:00 | |
I don't mean to sound ungrateful. | 0:27:00 | 0:27:02 | |
Well, you do. | 0:27:02 | 0:27:03 | |
It's a tricky job, this one. | 0:27:03 | 0:27:05 | |
-Surveillance. -Great. | 0:27:05 | 0:27:07 | |
Subtitles By Red Bee Media Ltd | 0:27:07 | 0:27:10 |