Browse content similar to Have-Nots. Check below for episodes and series from the same categories and more!
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BIRDS SING | 0:00:31 | 0:00:33 | |
HE GROANS | 0:00:39 | 0:00:41 | |
"He's so masculine. He's got muscles in all the right places. | 0:00:41 | 0:00:45 | |
"Phil. Philip. I've always liked that name. | 0:00:47 | 0:00:50 | |
"He WILL ring today. I know he will." | 0:00:52 | 0:00:54 | |
KNOCK ON DOOR | 0:01:03 | 0:01:04 | |
KNOCKING CONTINUES | 0:01:05 | 0:01:07 | |
Ms Barlow? Ms Barlow? It's the bailiffs. We know you're there. | 0:01:07 | 0:01:11 | |
MUSIC: "Relax" by Frankie Goes to Hollywood | 0:01:14 | 0:01:17 | |
SHE PANTS | 0:01:17 | 0:01:19 | |
What are you doing?! | 0:01:22 | 0:01:24 | |
-BREATHLESS: -I'm... I'm getting in shape! You should. | 0:01:24 | 0:01:27 | |
-I don't think so. -You should! | 0:01:27 | 0:01:29 | |
Get fit for the Christmas parties! | 0:01:30 | 0:01:32 | |
I've got all this flab, it's disgusting. | 0:01:32 | 0:01:34 | |
Look, I've got to go to work... | 0:01:34 | 0:01:36 | |
I've got to ask you something important. | 0:01:36 | 0:01:38 | |
You haven't been reading my journal, have you? | 0:01:40 | 0:01:44 | |
You shouldn't. It's got some very important and personal thoughts | 0:01:44 | 0:01:50 | |
and feelings about my life. | 0:01:50 | 0:01:52 | |
OK. I'll continue to not read your journal then. | 0:01:52 | 0:01:56 | |
Have you looked at that wiki site yet? | 0:01:56 | 0:01:58 | |
No, I've been too busy. It's, erm, boring stuff from boring people. | 0:01:59 | 0:02:05 | |
Not necessarily. | 0:02:05 | 0:02:06 | |
What do you mean? | 0:02:08 | 0:02:09 | |
There is only one way to find out. I've gotta go. | 0:02:09 | 0:02:12 | |
Have a nice day, yeah? | 0:02:12 | 0:02:14 | |
SHE BREATHES HEAVILY | 0:02:17 | 0:02:19 | |
Clare. Can you come into the office, quick chat? | 0:02:23 | 0:02:27 | |
OK. I'll just finish putting these out. | 0:02:27 | 0:02:30 | |
All right, yeah. | 0:02:30 | 0:02:31 | |
-SANTA DOLL: -Ho, ho, ho, merry Christmas! | 0:02:34 | 0:02:38 | |
COLLEAGUES GIGGLE | 0:02:38 | 0:02:39 | |
That's better. Bit of festive spirit! | 0:02:39 | 0:02:42 | |
I'll see you in a couple of minutes. | 0:02:43 | 0:02:45 | |
-You wanted to see me. -Yeah, sit down. | 0:03:32 | 0:03:34 | |
You can take the hat off in here. | 0:03:36 | 0:03:38 | |
OK. You've completed the two-week work experience. | 0:03:42 | 0:03:47 | |
Unfortunately...we, erm... | 0:03:49 | 0:03:52 | |
We aren't able to offer you a permanent position. | 0:03:55 | 0:03:57 | |
I was promised a job. | 0:03:59 | 0:04:01 | |
Not promised, no. | 0:04:01 | 0:04:02 | |
The understanding is you do the two-week trial period... | 0:04:03 | 0:04:06 | |
Work for nothing. | 0:04:06 | 0:04:08 | |
The TRIAL period - which is unpaid, yeah - | 0:04:09 | 0:04:13 | |
then you could graduate to paid employment. | 0:04:13 | 0:04:16 | |
But in this case, there just isn't a job to give you. | 0:04:18 | 0:04:22 | |
I can't offer you any hours at all. | 0:04:22 | 0:04:24 | |
But they're stopping my benefits. | 0:04:24 | 0:04:26 | |
I've had the bailiffs round, I'm going to lose my flat... | 0:04:26 | 0:04:28 | |
The whole company is having to cut back. | 0:04:28 | 0:04:30 | |
I may even have to make some real employees redundant. | 0:04:30 | 0:04:33 | |
Real employees? They're kids. They haven't got a clue. | 0:04:33 | 0:04:38 | |
I work harder than all of them! | 0:04:38 | 0:04:40 | |
Yeah, well, that's partly the problem. | 0:04:40 | 0:04:42 | |
Older employees, like yourself... | 0:04:43 | 0:04:45 | |
I'm 38! | 0:04:45 | 0:04:47 | |
And as such you're very expensive to employ. | 0:04:48 | 0:04:50 | |
Someone just out of school, 16 or 17, is cheaper. | 0:04:51 | 0:04:55 | |
Plus, the skills you had in the army - | 0:04:57 | 0:05:00 | |
blowing things up or whatever... | 0:05:00 | 0:05:03 | |
I did not blow things up. | 0:05:03 | 0:05:05 | |
There isn't a place for you in the Brilliant Bargains family. | 0:05:05 | 0:05:08 | |
I'm sorry. | 0:05:08 | 0:05:09 | |
Then I want paying for the work I've done. | 0:05:10 | 0:05:12 | |
Clare, you signed a contract. | 0:05:15 | 0:05:18 | |
You agreed to work the trial period unpaid on the hope, | 0:05:18 | 0:05:21 | |
not the guarantee, that you would then move to paid employment. | 0:05:21 | 0:05:25 | |
You agreed to the terms. Even if you took us to court, you couldn't win. | 0:05:25 | 0:05:29 | |
Look, I'll write you a reference. A good reference. | 0:05:31 | 0:05:35 | |
I'm sure you'll find something soon. | 0:05:36 | 0:05:38 | |
Tell you what. Have some chocolate. | 0:05:41 | 0:05:45 | |
It always makes me feel better. Free gift. | 0:05:45 | 0:05:49 | |
After all, it is Christmas. | 0:05:49 | 0:05:50 | |
SHE SIGHS | 0:05:53 | 0:05:54 | |
-To be honest, I'm not happy with this either. -No? | 0:05:54 | 0:05:57 | |
It doesn't work. Taking on the long-term unemployed. | 0:05:59 | 0:06:03 | |
Most of them are unemployable. | 0:06:03 | 0:06:05 | |
Depressed or alcoholic or whatever. | 0:06:06 | 0:06:08 | |
Or just plain skivers. | 0:06:09 | 0:06:11 | |
People like that are a liability! | 0:06:12 | 0:06:14 | |
OK. | 0:06:16 | 0:06:17 | |
Oh, flaming Ada! | 0:06:33 | 0:06:34 | |
Oh... | 0:06:51 | 0:06:53 | |
PHONE RINGS | 0:07:05 | 0:07:08 | |
-Hello? -Al. It's me, Karen. | 0:07:08 | 0:07:11 | |
Oh, hi. How's the house? | 0:07:11 | 0:07:13 | |
Erm...have you got any decorations? | 0:07:13 | 0:07:17 | |
Christmas decorations? | 0:07:17 | 0:07:19 | |
-Obviously! -Well, I haven't got any. | 0:07:19 | 0:07:21 | |
Why not? | 0:07:23 | 0:07:24 | |
I don't celebrate Christmas. | 0:07:24 | 0:07:26 | |
Al, you are so sad! | 0:07:26 | 0:07:28 | |
Karen, I have to get back to work. | 0:07:28 | 0:07:30 | |
There's been another outbreak of hypochondria. | 0:07:30 | 0:07:32 | |
Then you should be grateful for me calling. | 0:07:32 | 0:07:36 | |
Take your mind off the moany patients with their | 0:07:36 | 0:07:39 | |
boring problems. | 0:07:39 | 0:07:41 | |
SHE GASPS | 0:07:41 | 0:07:42 | |
I've got a really brilliant idea. | 0:07:42 | 0:07:45 | |
-What? -I'm going to buy decorations. I've got loads of money. | 0:07:45 | 0:07:48 | |
And I'll put them up and turn the house into a Christmas grotto! | 0:07:48 | 0:07:51 | |
Yeah, I quite like it how it is... | 0:07:51 | 0:07:54 | |
I'm trying to do something nice for you, letting me stay. | 0:07:54 | 0:08:00 | |
That's very sweet of you. Just, er, don't go mad. | 0:08:00 | 0:08:04 | |
I won't! I'm going to take care of everything. | 0:08:04 | 0:08:07 | |
All right, see you later. | 0:08:08 | 0:08:09 | |
Excuse me, love, where are your razors, please? | 0:08:12 | 0:08:14 | |
-Just down there. -Thanks. | 0:08:14 | 0:08:16 | |
Natalie, can you put them singing baubles out? | 0:08:19 | 0:08:22 | |
They're our top sellers. | 0:08:22 | 0:08:23 | |
Paul, I want you to stay on Christmas trees. | 0:08:24 | 0:08:27 | |
Clare, you have to give that uniform back... | 0:08:29 | 0:08:32 | |
What are you doing?! | 0:08:32 | 0:08:34 | |
-Give me your keys, Elaine. -What? No! | 0:08:34 | 0:08:36 | |
Give me your keys, Elaine! | 0:08:36 | 0:08:38 | |
Please, d... | 0:08:38 | 0:08:40 | |
Shut up! Against the wall - all of you. | 0:08:40 | 0:08:42 | |
Matt. | 0:08:42 | 0:08:44 | |
Get their phones. Everyone, phones off, in the basket. | 0:08:44 | 0:08:48 | |
Do it now! | 0:08:48 | 0:08:50 | |
7244 to Control. | 0:08:53 | 0:08:55 | |
RADIO STATIC | 0:08:55 | 0:08:57 | |
Urgent assistance with an armed response unit required | 0:08:57 | 0:09:01 | |
at Brilliant Bargains, in Shopping City. IC-1 female threatening staff | 0:09:01 | 0:09:04 | |
-with a gun. -You won't get given a job by threatening everyone... | 0:09:04 | 0:09:07 | |
I said SHUT UP! | 0:09:07 | 0:09:09 | |
-Police is on their way. -No, they're not. Don't lie to me. | 0:09:09 | 0:09:13 | |
Yes, they are! Matt's called them. | 0:09:13 | 0:09:16 | |
There's a panic alarm, police will be here in minutes! | 0:09:16 | 0:09:19 | |
And armed officers, SWAT teams - everyone! | 0:09:19 | 0:09:21 | |
Don't make me laugh. There isn't a panic alarm. | 0:09:21 | 0:09:25 | |
Brilliant Bargains does EVERYTHING on the cheap. | 0:09:26 | 0:09:30 | |
You think they care about protecting the staff?! | 0:09:30 | 0:09:34 | |
I can do what I like. | 0:09:34 | 0:09:35 | |
And no-one's coming to help you. | 0:09:36 | 0:09:38 | |
What do you want? If it's money... | 0:09:38 | 0:09:40 | |
I wanted a job. I wanted some respect! | 0:09:40 | 0:09:44 | |
I've fought for my country. | 0:09:44 | 0:09:47 | |
All of you accept, sell rubbish to people | 0:09:47 | 0:09:50 | |
who can't afford anything else! | 0:09:50 | 0:09:52 | |
And YOU think you're better than me? | 0:09:52 | 0:09:57 | |
It's too late now. | 0:09:57 | 0:09:59 | |
SANTA DOLL: Merry Christmas! | 0:09:59 | 0:10:01 | |
MUSIC: "Merry Xmas Everybody" by Slade plays | 0:10:06 | 0:10:08 | |
PHONE RINGS | 0:10:10 | 0:10:12 | |
-Hello? -Is that Karen? | 0:10:17 | 0:10:19 | |
Speaking. Who is this? | 0:10:20 | 0:10:22 | |
Phil, from last night. In the pub? | 0:10:22 | 0:10:24 | |
-Phil! -How are doing, darling, all right? What you up to? | 0:10:24 | 0:10:28 | |
Erm, I'm... I'm just putting the decorations up. | 0:10:28 | 0:10:32 | |
-Superb. Listen, have you had lunch? -No. | 0:10:32 | 0:10:36 | |
I'm in town on business. Want to meet up? | 0:10:36 | 0:10:39 | |
Yeah. I'll come to you! W-Where are you? | 0:10:39 | 0:10:42 | |
The pub we met in last night, you remember it? | 0:10:44 | 0:10:46 | |
Yeah! I wasn't that drunk. | 0:10:46 | 0:10:48 | |
About half an hour? | 0:10:48 | 0:10:50 | |
That'd be brilliant! Thanks for ringing, Phil. | 0:10:50 | 0:10:55 | |
I mean, I knew you would. | 0:10:55 | 0:10:57 | |
I've been thinking about you and... | 0:10:57 | 0:10:59 | |
See you in a bit, OK? | 0:10:59 | 0:11:01 | |
OK, OK. Bye. | 0:11:01 | 0:11:02 | |
Yes! | 0:11:05 | 0:11:07 | |
SHE SIGHS | 0:11:09 | 0:11:11 | |
You see? The police have been called. | 0:11:11 | 0:11:13 | |
Actually, I was just in here shopping. | 0:11:13 | 0:11:15 | |
But I have called for back up. Armed response is on its way. | 0:11:15 | 0:11:19 | |
You're lying. | 0:11:19 | 0:11:21 | |
Why wouldn't I? | 0:11:21 | 0:11:24 | |
-Clare, why are you doing this? -Cos of her. | 0:11:24 | 0:11:28 | |
She called us a skiver! | 0:11:28 | 0:11:31 | |
-I didn't mean you, specifically... -Shut up! | 0:11:31 | 0:11:34 | |
But what do you achieve by shooting your fellow employees? | 0:11:34 | 0:11:37 | |
They're not my fellow employees. They wouldn't even give me a job! | 0:11:37 | 0:11:42 | |
OK, yeah. You know, you probably could | 0:11:42 | 0:11:45 | |
keep us all at gunpoint, but it's tricky. | 0:11:45 | 0:11:48 | |
Keeping tabs on one, two, three, | 0:11:49 | 0:11:52 | |
four, five, six, seven... eight of us. | 0:11:52 | 0:11:57 | |
SANTA TOY PLAYS CHRISTMAS CAROL | 0:11:57 | 0:11:59 | |
You're right. | 0:11:59 | 0:12:01 | |
Everyone else, go in the stockroom. You lock them in. | 0:12:01 | 0:12:05 | |
There's one condition. | 0:12:07 | 0:12:09 | |
-What's that? -You take their place. | 0:12:09 | 0:12:12 | |
Yeah. Oh, yeah. That's OK. | 0:12:13 | 0:12:16 | |
MUSIC: "Let's Dance" by David Bowie | 0:12:23 | 0:12:25 | |
Now give me the keys. | 0:13:10 | 0:13:11 | |
Go and stand over there. | 0:13:13 | 0:13:14 | |
You don't mind if I...? | 0:13:16 | 0:13:18 | |
CHRISTMAS CAROL CONTINUES | 0:13:22 | 0:13:26 | |
CHRISTMAS CAROL STOPS | 0:13:26 | 0:13:28 | |
That's better, Clare. You don't mind if I call you Clare? | 0:13:28 | 0:13:30 | |
I'm Sergeant Rob Hollins. | 0:13:30 | 0:13:32 | |
-I know what you're trying to do. -What's that? -Build a rapport. | 0:13:32 | 0:13:35 | |
And the way you do that, Rob, is by using my name a lot, Rob. | 0:13:37 | 0:13:41 | |
Making out you're my friend. | 0:13:41 | 0:13:43 | |
Getting me to see you as a human being, all that. | 0:13:43 | 0:13:45 | |
Ah, well. It was worth a try. | 0:13:45 | 0:13:47 | |
Take the weight off. | 0:13:50 | 0:13:51 | |
SIREN WAILS | 0:14:00 | 0:14:01 | |
There's your colleagues. Armed officers won't be far behind. | 0:14:04 | 0:14:09 | |
And a negotiator, of course. | 0:14:09 | 0:14:10 | |
Weren't in the SAS, were you? | 0:14:12 | 0:14:13 | |
Regular army. But I know how it works. They'll wait. | 0:14:13 | 0:14:17 | |
They won't bust in here, not as long as I have a hostage and the gun. | 0:14:17 | 0:14:20 | |
They won't dare, in case I shoot you. | 0:14:20 | 0:14:22 | |
So it'll be a siege. | 0:14:22 | 0:14:23 | |
And the less of a target I am, the better. | 0:14:25 | 0:14:28 | |
They'll try and talk to you. | 0:14:30 | 0:14:31 | |
Find anyone who knows you, and get them to talk to you. | 0:14:33 | 0:14:36 | |
Good luck with that. | 0:14:36 | 0:14:38 | |
-There's no-one who knows me. -No family? | 0:14:38 | 0:14:40 | |
I said no-one. | 0:14:41 | 0:14:42 | |
I thought I was having a bad Christmas. | 0:14:43 | 0:14:45 | |
-Hello. -Hello, you. You're looking gorgeous. | 0:14:51 | 0:14:55 | |
-What do you want to drink? -Can I have a Babycham, please? | 0:14:55 | 0:14:59 | |
-LAUGHING: -Babycham?! | 0:14:59 | 0:15:01 | |
They don't make them any more, do they? Can I have a Chardonnay? | 0:15:01 | 0:15:03 | |
I like fine wine. I've got money, so... | 0:15:03 | 0:15:07 | |
Put it away. I'm paying. | 0:15:07 | 0:15:08 | |
You're a gentleman. | 0:15:10 | 0:15:11 | |
Are you going to take that coat off, or aren't you staying? | 0:15:11 | 0:15:14 | |
-Where'd you serve? -Everywhere. | 0:15:17 | 0:15:19 | |
Iraq, Afghanistan, Kosovo, | 0:15:19 | 0:15:21 | |
ex-Yugoslavia - no-one remembers that. | 0:15:21 | 0:15:23 | |
-You're still trying to do it. -Doing what? | 0:15:25 | 0:15:27 | |
Bond with me. | 0:15:28 | 0:15:29 | |
Unless I'm genuinely interested. Why did you leave? | 0:15:31 | 0:15:35 | |
I'd had enough. Done it long enough. | 0:15:36 | 0:15:39 | |
There was someone, same regiment. | 0:15:41 | 0:15:44 | |
We were going to be discharged together. | 0:15:44 | 0:15:47 | |
Go and run a pub in Cornwall. | 0:15:47 | 0:15:49 | |
He stepped on an IED. | 0:15:50 | 0:15:51 | |
I'm sorry. | 0:15:54 | 0:15:55 | |
If he'd lost his legs, or gone blind, anything... | 0:15:58 | 0:16:01 | |
I'd have stayed and looked after him, but... | 0:16:01 | 0:16:04 | |
there was nothing. | 0:16:04 | 0:16:05 | |
He was blown to bits. | 0:16:06 | 0:16:08 | |
Bringing the body back home, there was hardly enough | 0:16:09 | 0:16:12 | |
to go in a Jiffy bag. | 0:16:12 | 0:16:13 | |
I couldn't stay after that. I'd have been a liability. So... | 0:16:15 | 0:16:18 | |
So just in case you think I'm not really going to do this... | 0:16:20 | 0:16:26 | |
I could. | 0:16:26 | 0:16:28 | |
It doesn't matter what I do. | 0:16:28 | 0:16:29 | |
I could kill them all. And you. And myself. | 0:16:31 | 0:16:36 | |
I've nothing left to lose. | 0:16:37 | 0:16:39 | |
Really? Never married? | 0:16:41 | 0:16:43 | |
Nope. Footloose and fancy-free. | 0:16:43 | 0:16:45 | |
I am now. I was married but it was the biggest mistake I ever made. | 0:16:45 | 0:16:49 | |
You don't look old enough to be married. | 0:16:51 | 0:16:53 | |
That was the problem, I wasn't! | 0:16:53 | 0:16:54 | |
Have you seen the film Educating Rita? | 0:16:54 | 0:16:57 | |
-No. -It's got Julie Walters in it. | 0:16:57 | 0:16:59 | |
She wants to go back to university, to try and find herself, | 0:16:59 | 0:17:02 | |
but her husband doesn't want her to, he's horrible. | 0:17:02 | 0:17:05 | |
So she leaves him. It's a brilliant film. | 0:17:05 | 0:17:08 | |
And that's me. | 0:17:08 | 0:17:09 | |
So now you think it's time to have some adventures? | 0:17:10 | 0:17:12 | |
Do something outrageous? | 0:17:12 | 0:17:14 | |
What's the most outrageous thing you've done? | 0:17:15 | 0:17:18 | |
-Streaked through Manchester Piccadilly. -No?! Really?! | 0:17:18 | 0:17:22 | |
-To adventures. -Yeah! | 0:17:23 | 0:17:26 | |
Let's get you another drink. Same again? | 0:17:26 | 0:17:28 | |
What about you? Bet you've done some outrageous stuff already. | 0:17:29 | 0:17:32 | |
Have you ever fancied somebody that you shouldn't? | 0:17:35 | 0:17:38 | |
-Haven't we all? -No, I mean REALLY shouldn't. | 0:17:38 | 0:17:41 | |
Friend of mine, she met this bloke... | 0:17:42 | 0:17:44 | |
Wake up, there's people dying of thirst here! | 0:17:44 | 0:17:48 | |
And anyway... | 0:17:48 | 0:17:49 | |
Don't worry about it, love. | 0:17:49 | 0:17:51 | |
OK, I won't! | 0:17:53 | 0:17:54 | |
"Clare Barlow." | 0:17:57 | 0:17:58 | |
I know your name. | 0:18:01 | 0:18:02 | |
You were in the paper, you were on television. | 0:18:03 | 0:18:06 | |
You won a medal. | 0:18:06 | 0:18:08 | |
For bravery. So what? | 0:18:08 | 0:18:11 | |
What did you do to get it? | 0:18:14 | 0:18:15 | |
Rescued a little girl from a snipers' alley. | 0:18:16 | 0:18:19 | |
That's not brave. I wasn't doing it to be brave. | 0:18:19 | 0:18:22 | |
You just do it cos it needs doing. | 0:18:22 | 0:18:24 | |
-You understand that, or you wouldn't be here. -Yeah, I do. | 0:18:24 | 0:18:27 | |
Anyway, it doesn't make a difference. | 0:18:29 | 0:18:31 | |
It did to the little girl. | 0:18:31 | 0:18:32 | |
Maybe. | 0:18:34 | 0:18:35 | |
But you know what? | 0:18:36 | 0:18:37 | |
In civvy street, no-one gives a toss. | 0:18:37 | 0:18:40 | |
I do. | 0:18:40 | 0:18:41 | |
It doesn't get me a job, or a place to live. | 0:18:42 | 0:18:44 | |
I'm going to be on the streets by New Year. | 0:18:46 | 0:18:48 | |
The home for old soldiers. | 0:18:50 | 0:18:52 | |
And that is wrong. | 0:18:52 | 0:18:53 | |
You were brave. | 0:18:55 | 0:18:56 | |
No matter what you think, you were brave. | 0:18:56 | 0:18:58 | |
But that's why I don't get it. | 0:19:00 | 0:19:01 | |
You don't seem like the sort of person who'd point | 0:19:03 | 0:19:05 | |
a gun at women and teenagers. | 0:19:05 | 0:19:07 | |
You say you've nothing to lose, but you have. | 0:19:10 | 0:19:12 | |
-Like what? -Pride. | 0:19:12 | 0:19:14 | |
Self-respect. Cos you're not a criminal. | 0:19:16 | 0:19:20 | |
I should know, I've met enough of them. | 0:19:20 | 0:19:22 | |
You're not a murderer. This isn't you. | 0:19:22 | 0:19:26 | |
It is now. | 0:19:27 | 0:19:28 | |
So you kill someone, spend the rest of your life in prison? | 0:19:30 | 0:19:33 | |
And if I don't? You think, even if I | 0:19:33 | 0:19:35 | |
give myself up now, I'd just get a telling-off? | 0:19:35 | 0:19:37 | |
No. Of course not, you'd be in trouble. Serious trouble. | 0:19:37 | 0:19:40 | |
But you put the gun down on your own accord | 0:19:40 | 0:19:41 | |
and that would really count in your favour. | 0:19:41 | 0:19:44 | |
It's too late. | 0:19:44 | 0:19:46 | |
It's not too late. | 0:19:46 | 0:19:47 | |
It was too late the moment I walked in with a gun. | 0:19:47 | 0:19:50 | |
You can't go back from that. | 0:19:51 | 0:19:53 | |
-Only way I'm getting out of here is in a body bag. -No. | 0:19:54 | 0:19:58 | |
No, you're wrong. There is another way. | 0:19:58 | 0:20:00 | |
You give me the gun, and we walk out of here. | 0:20:00 | 0:20:03 | |
Yeah(!) Into a hail of bullets. | 0:20:03 | 0:20:05 | |
-Not if I stand in front of you. -A human shield? | 0:20:05 | 0:20:09 | |
-You'd do that? -(Yeah, I would.) | 0:20:11 | 0:20:13 | |
I don't want you getting shot. | 0:20:15 | 0:20:17 | |
That would be such a waste, | 0:20:17 | 0:20:18 | |
because you are too good for that. | 0:20:18 | 0:20:20 | |
I'll protect you. That's my job - serve and protect. | 0:20:21 | 0:20:24 | |
So...please, Clare, just... | 0:20:24 | 0:20:28 | |
..let me do my job. | 0:20:29 | 0:20:30 | |
-It's a big risk. -Come on. | 0:20:33 | 0:20:35 | |
This place sucks. Let me buy you a drink. | 0:20:37 | 0:20:41 | |
I really wish we could. | 0:20:43 | 0:20:45 | |
Maybe one day. | 0:20:46 | 0:20:47 | |
But we can walk out of here. | 0:20:49 | 0:20:53 | |
Oh, please, Clare. | 0:20:54 | 0:20:55 | |
Give me the gun. | 0:20:58 | 0:20:59 | |
SHE LAUGHS | 0:21:00 | 0:21:02 | |
You know what? You know what? It's not even loaded. | 0:21:06 | 0:21:11 | |
I just wanted to scare them. | 0:21:12 | 0:21:14 | |
So take it. Knock yourself out. | 0:21:15 | 0:21:17 | |
GLASS SMASHES | 0:21:17 | 0:21:18 | |
-ARMED POLICE, ARMED POLICE! -No! -PUT THE GUN DOWN, PUT THE... | 0:21:18 | 0:21:21 | |
HE LAUGHS | 0:21:26 | 0:21:28 | |
-Oops! -What are you like? | 0:21:28 | 0:21:30 | |
-I'm not used to drinking at lunchtime! -I can tell. | 0:21:30 | 0:21:33 | |
I'd better give you a lift home, and make you some coffee. | 0:21:33 | 0:21:36 | |
I think I prefer older men. | 0:21:38 | 0:21:40 | |
What you doing with me then? | 0:21:41 | 0:21:42 | |
SHE CHUCKLES | 0:21:42 | 0:21:44 | |
-You're daft as a brush, you. Get in. -HE SPANKS HER | 0:21:44 | 0:21:47 | |
MUSIC: "I Can't Pretend" by Tom Odell | 0:22:04 | 0:22:07 | |
There he is. He's a hero! | 0:22:09 | 0:22:13 | |
He saved all our lives. | 0:22:15 | 0:22:18 | |
THEY APPLAUD | 0:22:18 | 0:22:20 | |
Look at this, Phil, I decorated it all myself. | 0:22:23 | 0:22:26 | |
Look? It's fibre-optic. | 0:22:27 | 0:22:33 | |
Isn't it beautiful? | 0:22:33 | 0:22:34 | |
Come here. | 0:22:35 | 0:22:37 | |
-Oh! -Karen, mmm. You're lovely. | 0:22:37 | 0:22:42 | |
-Erm, wait! -Beautiful woman. | 0:22:42 | 0:22:44 | |
Mistletoe. | 0:22:44 | 0:22:46 | |
-Mistletoe. -It's romantic. | 0:22:48 | 0:22:51 | |
Yeah. | 0:22:51 | 0:22:52 | |
How are you feeling? | 0:22:57 | 0:22:58 | |
You've had a shock. You should go home, take it easy. | 0:23:00 | 0:23:04 | |
Yeah, some chance. | 0:23:05 | 0:23:07 | |
Doctor's orders. | 0:23:08 | 0:23:09 | |
-Do you know how Clare is? -The shooter? | 0:23:11 | 0:23:13 | |
Except she wasn't. | 0:23:13 | 0:23:15 | |
She's in hospital. Stable as far as I know. | 0:23:15 | 0:23:19 | |
Suppose she'll go straight from there to remand. | 0:23:19 | 0:23:21 | |
-It isn't right. -What do you suggest? | 0:23:23 | 0:23:25 | |
We let her go? | 0:23:27 | 0:23:28 | |
The way we treat ex-armed forces. | 0:23:28 | 0:23:31 | |
And she wouldn't have shot anyone. | 0:23:31 | 0:23:32 | |
She shouldn't wave a gun around then, should she? | 0:23:32 | 0:23:35 | |
You can't do that then complain when someone shoots you, | 0:23:35 | 0:23:38 | |
even if it was by accident. | 0:23:38 | 0:23:39 | |
Rob, you didn't know the gun wasn't loaded. | 0:23:42 | 0:23:44 | |
What you did was... Putting your life at risk like that... | 0:23:45 | 0:23:49 | |
-..was extremely brave. -No, it wasn't. | 0:23:50 | 0:23:53 | |
I wasn't being brave. | 0:23:55 | 0:23:57 | |
I just don't care what happens to me. | 0:23:59 | 0:24:01 | |
Well, a lot of other people do. | 0:24:01 | 0:24:03 | |
-That was wonderful. -For me too. | 0:24:07 | 0:24:10 | |
Don't go, Phil. Stay the night. My housemate won't mind. | 0:24:12 | 0:24:16 | |
He won't be back for hours. | 0:24:16 | 0:24:17 | |
And I've got some Baileys downstairs. | 0:24:17 | 0:24:19 | |
Sweetheart, I'd love to. | 0:24:19 | 0:24:21 | |
But I've got a really early start in the morning. | 0:24:21 | 0:24:24 | |
I'm speaking at a sales conference in Wolverhampton. | 0:24:24 | 0:24:27 | |
I've got to get my beauty sleep and work on my PowerPoint. | 0:24:27 | 0:24:29 | |
-We'll see each other again? -Yeah! | 0:24:31 | 0:24:33 | |
I'll check the diary and I'll call you tomorrow. | 0:24:33 | 0:24:36 | |
-Bye, lover. -Take care. | 0:24:41 | 0:24:44 | |
HE RUNS DOWNSTAIRS | 0:24:50 | 0:24:53 | |
DOOR OPENS AND SHUTS | 0:24:55 | 0:24:57 | |
"Me and Phil made love for the first time today." | 0:25:23 | 0:25:25 | |
HE SOBS | 0:25:25 | 0:25:27 | |
"He's so strong and powerful and tender | 0:25:27 | 0:25:30 | |
"and sensitive, and soooo dead sexy! | 0:25:30 | 0:25:33 | |
"We're right together, we're soul mates. It was meant. | 0:25:34 | 0:25:38 | |
"And we've got together just in time for the holidays. | 0:25:38 | 0:25:40 | |
"This is going to be the best Christmas EVER." | 0:25:40 | 0:25:45 | |
SHE UNDERLINES "EVER" | 0:25:47 | 0:25:49 | |
-Do you know who I am? -A prat in a hat? | 0:25:50 | 0:25:53 | |
Uglies! | 0:25:53 | 0:25:55 | |
"Cinders, what's the matter with you? | 0:25:55 | 0:25:56 | |
"My breakfast in bed is long overdue." | 0:25:56 | 0:25:58 | |
Do you have a sense of humour? | 0:25:58 | 0:25:59 | |
I have spent my morning dealing with potentially hazardous situations. | 0:25:59 | 0:26:03 | |
If my scene change isn't to your satisfaction, why don't you do it? | 0:26:03 | 0:26:07 | |
With or without the bloomers. | 0:26:07 | 0:26:08 | |
If I cannot speak, then may I kiss your...? | 0:26:08 | 0:26:11 | |
SHE LAUGHS | 0:26:11 | 0:26:13 | |
Subtitles by Red Bee Media Ltd | 0:26:14 | 0:26:17 |