Browse content similar to One Man's Trash. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Excuse me. | 0:00:35 | 0:00:37 | |
Yes, you. | 0:00:37 | 0:00:39 | |
Over here. | 0:00:39 | 0:00:40 | |
We have a litter situation. | 0:00:42 | 0:00:44 | |
Hang on. You need to pick that lot up. | 0:00:46 | 0:00:49 | |
-No, I don't. -You are a cleaner? | 0:00:49 | 0:00:51 | |
External spaces are the groundsman's job. | 0:00:51 | 0:00:54 | |
I'm just asking you to pick up a few bottles! | 0:00:54 | 0:00:56 | |
Like I said. | 0:00:56 | 0:00:58 | |
Do you know who I am?! | 0:01:00 | 0:01:01 | |
A prat in a hat. | 0:01:03 | 0:01:04 | |
What's going on? | 0:01:06 | 0:01:07 | |
Blatant noncompliance. | 0:01:07 | 0:01:09 | |
I ask a cleaner to clean up, only to be met with abuse. | 0:01:09 | 0:01:12 | |
Hey! What about these?! | 0:01:12 | 0:01:14 | |
Consider yourself reported! | 0:01:17 | 0:01:19 | |
What do you think you're doing?! | 0:01:22 | 0:01:24 | |
Check out the label. | 0:01:24 | 0:01:25 | |
It's a joke, Barry. | 0:01:28 | 0:01:30 | |
PHONE BEEPS | 0:01:32 | 0:01:35 | |
-'Hello, this is Bill Abbot...' -Hi. -'..sorry I can't take your call | 0:01:35 | 0:01:38 | |
'but please leave a message after the tone.' | 0:01:38 | 0:01:40 | |
Hi, It's me, Karen. | 0:01:40 | 0:01:43 | |
Yesterday was wonderful. | 0:01:44 | 0:01:47 | |
Would you fancy doing it again? | 0:01:47 | 0:01:50 | |
Lunch or dinner | 0:01:52 | 0:01:54 | |
or something else - food doesn't have to be involved. | 0:01:54 | 0:01:57 | |
We could... I don't know, clubbing? | 0:01:57 | 0:01:59 | |
That's always good, I'm always up for a boogie. | 0:01:59 | 0:02:02 | |
So... Well, you've got my number. Call me. Bye. Bye-bye. | 0:02:02 | 0:02:08 | |
Whoa, whoa, whoa, whoa! All right, move back. | 0:02:12 | 0:02:15 | |
Is this yours? | 0:02:17 | 0:02:18 | |
Step away from the cracker. | 0:02:18 | 0:02:20 | |
You three, clear the area. | 0:02:21 | 0:02:23 | |
Base, this is Barry. Over. | 0:02:27 | 0:02:29 | |
STATIC CRACKLES | 0:02:29 | 0:02:31 | |
HE TUTS | 0:02:31 | 0:02:33 | |
Base, this is Barry. Please respond. Over. | 0:02:33 | 0:02:36 | |
HE SIGHS | 0:02:36 | 0:02:38 | |
RINGTONE: BRASS VERSION OF THE SWEENEY THEME | 0:02:38 | 0:02:43 | |
Barry. | 0:02:43 | 0:02:44 | |
I have an emergency situation. | 0:02:44 | 0:02:46 | |
So call the station number. Don't use my personal mobile! | 0:02:46 | 0:02:49 | |
'I've told you that before.' | 0:02:49 | 0:02:50 | |
I have a suspicious package at Letherbridge University. | 0:02:50 | 0:02:53 | |
-Could you alert the bomb squad? -What?! | 0:02:53 | 0:02:55 | |
There is a potentially explosive device on campus. | 0:02:55 | 0:02:58 | |
I'm in the process of evacuating the area. | 0:02:58 | 0:03:00 | |
We need to deploy EOD personnel. | 0:03:00 | 0:03:03 | |
Oi, you lot! Keep it down! | 0:03:03 | 0:03:05 | |
Right, OK. You'd better give me some details. | 0:03:05 | 0:03:08 | |
It's approximately 18 inches in diameter and six feet in length. | 0:03:08 | 0:03:13 | |
What, a massive pipe bomb? | 0:03:13 | 0:03:15 | |
Erm... | 0:03:15 | 0:03:16 | |
It's more, er, cracker-shaped. | 0:03:17 | 0:03:20 | |
Barry... | 0:03:21 | 0:03:24 | |
is it a cracker? | 0:03:24 | 0:03:25 | |
Yes. | 0:03:27 | 0:03:29 | |
So you've got something that's shaped like a Christmas cracker | 0:03:29 | 0:03:32 | |
'and it's Christmas.' | 0:03:32 | 0:03:34 | |
You have to take this seriously. There could be anything inside it. | 0:03:34 | 0:03:37 | |
My money's on a paper hat but, all right, I'll send a panda car over. | 0:03:37 | 0:03:42 | |
No! | 0:03:43 | 0:03:45 | |
CRACKER POPS | 0:03:45 | 0:03:46 | |
You could be dead! | 0:03:49 | 0:03:51 | |
OK, gather round. | 0:03:51 | 0:03:52 | |
Oh, isn't it wonderful? | 0:03:52 | 0:03:54 | |
Colleagues, friends, I know we've had a long and taxing week. | 0:03:54 | 0:04:01 | |
Very taxing. | 0:04:01 | 0:04:03 | |
And, yes, we've endured many hardships. | 0:04:03 | 0:04:06 | |
CLATTERING | 0:04:06 | 0:04:07 | |
Any chance of a hand? | 0:04:08 | 0:04:10 | |
Bucket's in the back. | 0:04:10 | 0:04:12 | |
All in good time, Howard. Where was I? | 0:04:12 | 0:04:17 | |
-Hardships. -Yes, we've endured many hardships, | 0:04:17 | 0:04:19 | |
and, yes, we have had our disagreements. | 0:04:19 | 0:04:22 | |
If you're giving a team talk, | 0:04:22 | 0:04:24 | |
shouldn't you wait for the rest of the team? | 0:04:24 | 0:04:26 | |
I will address the latecomers...later. Mandy. | 0:04:26 | 0:04:30 | |
Sorry! | 0:04:30 | 0:04:31 | |
We've had our disagreements but, with a fair wind, | 0:04:33 | 0:04:36 | |
we have a chance of not just of being marvellous but of restoring | 0:04:36 | 0:04:39 | |
a sense of history and Britishness to the pantomime tradition. | 0:04:39 | 0:04:45 | |
There's me thinking it was a bit of fun for the kids. | 0:04:45 | 0:04:47 | |
We are on the brink of something extraordinary here. | 0:04:47 | 0:04:51 | |
When we step out onto this stage tomorrow night | 0:04:51 | 0:04:55 | |
we have the opportunity of showing what we're capable of. | 0:04:55 | 0:05:02 | |
We few. We happy few. We band of brothers(!) | 0:05:02 | 0:05:06 | |
But it is imperative, Al, | 0:05:06 | 0:05:08 | |
that we iron out any issues in today's dress rehearsal. | 0:05:08 | 0:05:14 | |
So, costumes. | 0:05:14 | 0:05:16 | |
Heston, I just wanted to say I won't let you down. | 0:05:16 | 0:05:19 | |
That's the spirit. Mandy, can you set the stage for act one? | 0:05:19 | 0:05:22 | |
We don't have Mrs Tembe so we're skipping the prologue. | 0:05:22 | 0:05:24 | |
I'm going as fast as I can! | 0:05:24 | 0:05:26 | |
Just to let you know I've made a change to my dialogue, here. | 0:05:26 | 0:05:29 | |
-Change it back. -Yeah, it's bad English. | 0:05:29 | 0:05:32 | |
-Bad English? -Hm. -My language skills are impeccable. | 0:05:32 | 0:05:36 | |
I have checked every reference, every word, every syllable. | 0:05:36 | 0:05:39 | |
Yeah, but it's not funny. | 0:05:43 | 0:05:44 | |
Do you have a sense of humour? | 0:05:44 | 0:05:46 | |
I have spent my morning dealing with potentially hazardous situations. | 0:05:46 | 0:05:50 | |
There is nothing amusing about this. | 0:05:50 | 0:05:52 | |
Oh, there's been more than one situation? | 0:05:52 | 0:05:54 | |
Yeah, somebody left empty bottles on the footpath. | 0:05:54 | 0:05:57 | |
Oh! | 0:05:57 | 0:05:58 | |
They appeared empty, Dr Tyler. | 0:05:58 | 0:06:01 | |
What's to say they didn't contain sarin gas, or anthrax spores? | 0:06:01 | 0:06:04 | |
It was clearly a joke. | 0:06:04 | 0:06:06 | |
Someone had written "bowl me over" on the labels | 0:06:06 | 0:06:08 | |
and there was a ball made out of bottle tops. | 0:06:08 | 0:06:10 | |
It sounds like a silly prank. | 0:06:10 | 0:06:12 | |
Or a clever ruse to lull the public into a false sense of security. | 0:06:12 | 0:06:16 | |
So are you going to tell us what was in the cracker? | 0:06:16 | 0:06:20 | |
-Yeah. -Oh! | 0:06:20 | 0:06:23 | |
Hey! HE CHUCKLES | 0:06:24 | 0:06:25 | |
I saved them for finger-printing. | 0:06:27 | 0:06:29 | |
It looks like an anagram. | 0:06:29 | 0:06:31 | |
"Barry, you've pulled." Maybe the anagram is the location? | 0:06:31 | 0:06:39 | |
The clock could be the date and the time. | 0:06:39 | 0:06:43 | |
Your date could be wearing a Santa hat. | 0:06:43 | 0:06:46 | |
Oh, now that is quite clever. | 0:06:46 | 0:06:48 | |
I've got it. Orca Bin - it's an anagram for Icon Bar! | 0:06:48 | 0:06:52 | |
-Oh! -Yeah. | 0:06:52 | 0:06:54 | |
All this washing and cooking and cleaning - | 0:06:54 | 0:06:57 | |
there aren't enough hours in the day. | 0:06:57 | 0:07:00 | |
I wish I were a little bird | 0:07:01 | 0:07:03 | |
then I would fly away. | 0:07:03 | 0:07:06 | |
I'd flutter out of the window | 0:07:07 | 0:07:09 | |
and dance upon the wind. | 0:07:09 | 0:07:12 | |
I'd soar... | 0:07:12 | 0:07:13 | |
-Look out! Look out! Look out! -Oops. | 0:07:13 | 0:07:16 | |
-Should I start again? -I'll move this bucket. | 0:07:16 | 0:07:18 | |
No, just carry on from there. And, Valerie... | 0:07:18 | 0:07:21 | |
-be careful. -Yes, I will. | 0:07:21 | 0:07:25 | |
I'd soar over the rooftops | 0:07:25 | 0:07:27 | |
leaving my all troubles far behind... | 0:07:27 | 0:07:31 | |
SHE CLEARS THROAT | 0:07:31 | 0:07:32 | |
Behind! | 0:07:32 | 0:07:33 | |
Uglies! | 0:07:35 | 0:07:36 | |
Cinders, what's the matter with you? My breakfast in bed is long overdue. | 0:07:41 | 0:07:44 | |
She's been shirking again that's plain to see. | 0:07:44 | 0:07:47 | |
Stop, stop! Can we inject a tad more passion, please? | 0:07:47 | 0:07:52 | |
-And, Cinders - less fluttering. -They missed their cue. | 0:07:52 | 0:07:55 | |
-Get on with it! -To be honest, we don't have a lot to work with here. | 0:07:55 | 0:07:58 | |
It's not really us, it's the script. What if I change my line...? | 0:07:58 | 0:08:01 | |
-No. -You haven't even heard my suggestion. | 0:08:01 | 0:08:03 | |
I suggest you focus on your performance. | 0:08:03 | 0:08:05 | |
Which, quite frankly, is abysmal! | 0:08:05 | 0:08:07 | |
'Still no contact from Phil. Have decided to play it cool. | 0:08:08 | 0:08:13 | |
'No more calls till four at the earliest. | 0:08:13 | 0:08:17 | |
'I will suggest Bertrando's for dinner. He can pay.' | 0:08:17 | 0:08:21 | |
PHONE BEEPS | 0:08:29 | 0:08:33 | |
RINGING | 0:08:33 | 0:08:35 | |
'You're through to Maggie's voice mail. Leave a message.' | 0:08:35 | 0:08:38 | |
Maggie, where are you? We need to meet up. I've got news! | 0:08:38 | 0:08:44 | |
I've met someone... | 0:08:44 | 0:08:47 | |
and he is gorgeous. | 0:08:47 | 0:08:50 | |
I think we're going out tonight, | 0:08:50 | 0:08:53 | |
so if you're free tomorrow that'd be fab. Give us a bell. | 0:08:53 | 0:08:57 | |
Um, yeah, bye-bye, bye. | 0:08:57 | 0:08:58 | |
Your sisters are stupid and ugly and...crass. | 0:09:01 | 0:09:05 | |
You're the one with the brains, beauty and class. | 0:09:05 | 0:09:08 | |
Where are the Uglies? | 0:09:08 | 0:09:10 | |
Powdering their noses? | 0:09:10 | 0:09:12 | |
What? They're on in a minute. | 0:09:12 | 0:09:13 | |
But, Buttons, I'm all grubby and dressed in rags. | 0:09:13 | 0:09:16 | |
Your sisters are stupid, ignorant nags. | 0:09:16 | 0:09:19 | |
-Zara, would you mind? -Isn't that your job? -Please? | 0:09:19 | 0:09:22 | |
Don't let them hear you. You'll get the sack. | 0:09:22 | 0:09:25 | |
And I'll be left to take the flak. | 0:09:25 | 0:09:27 | |
I'll never leave you. Have no fear. | 0:09:27 | 0:09:30 | |
While I still breathe, I will be here. | 0:09:30 | 0:09:32 | |
Sorry, wardrobe malfunction. Daniel's just coming. | 0:09:32 | 0:09:35 | |
-He got his bustle caught in the loo door. -THEY LAUGH | 0:09:35 | 0:09:37 | |
Hark! Is that a knock I heard? | 0:09:39 | 0:09:42 | |
Sh! Buttons, don't say another word. | 0:09:42 | 0:09:44 | |
Careful! Oh, Valerie Pitman, you're an accident waiting to happen. | 0:09:44 | 0:09:49 | |
Hey, Cinders, you've kicked the bucket. | 0:09:49 | 0:09:52 | |
You'd better come inside with me. | 0:09:53 | 0:09:55 | |
We weren't expecting company. | 0:09:55 | 0:09:57 | |
Come on, Cinders, let me see. What's in your delivery? | 0:10:00 | 0:10:04 | |
Wait a minute while I look, then I'll let you off the hook. | 0:10:04 | 0:10:08 | |
Prince Charming's holding a Grand Ball. | 0:10:09 | 0:10:12 | |
At his castle, in the great hall. | 0:10:12 | 0:10:15 | |
There's no point in getting excited. | 0:10:15 | 0:10:17 | |
I don't suppose that we're invited. | 0:10:17 | 0:10:19 | |
There's an invite for father, and one for Daisy. | 0:10:19 | 0:10:23 | |
This one's for Buttercup and this one's for me! | 0:10:23 | 0:10:26 | |
Where's mine then? | 0:10:26 | 0:10:27 | |
It's OK, you go. I'll stay at home and watch the footie. | 0:10:27 | 0:10:30 | |
Al, I will not tolerate your ridiculous ad-libs. | 0:10:30 | 0:10:34 | |
What if I make them rhyme? | 0:10:34 | 0:10:35 | |
No. Let's go from the top. | 0:10:35 | 0:10:37 | |
And, Valerie, can you be a little bit more excited | 0:10:37 | 0:10:40 | |
when you realise you're invited? | 0:10:40 | 0:10:41 | |
You haven't been out of the house in years and now you're going | 0:10:41 | 0:10:44 | |
to the grand ball so... do a little dance or something. | 0:10:44 | 0:10:47 | |
Oh, yeah, right. | 0:10:47 | 0:10:49 | |
There's an invite for father and one for Daisy. | 0:10:50 | 0:10:54 | |
This one's for Buttercup... | 0:10:54 | 0:10:55 | |
-SHE GASPS -..and this one's for me! | 0:10:55 | 0:10:58 | |
Yeah! | 0:10:58 | 0:11:01 | |
Bucket! SHE SCREAMS | 0:11:01 | 0:11:03 | |
We've clearly got a health and safety issue here. | 0:11:18 | 0:11:20 | |
Take it up with Mandy. She's props. | 0:11:20 | 0:11:22 | |
You've tweaked your Achilles. | 0:11:22 | 0:11:24 | |
So maybe I can carry on if it's just a tweak. | 0:11:24 | 0:11:26 | |
Best thing is to put some ice on it, rest it up. | 0:11:26 | 0:11:28 | |
But what about rehearsals? | 0:11:28 | 0:11:30 | |
If she puts any weight on it, it's going to get worse. | 0:11:30 | 0:11:33 | |
-I'll be fine. -She'll be fine. | 0:11:33 | 0:11:35 | |
Ooh. Ah. | 0:11:37 | 0:11:38 | |
Oh, it's just like Judi Dench in Cats. | 0:11:38 | 0:11:42 | |
Perhaps I could do it sitting down, just for a bit. | 0:11:42 | 0:11:45 | |
Good idea. Crisis over. OK, Uglies, ready with your cue. | 0:11:45 | 0:11:49 | |
Al, take it from your first line. | 0:11:49 | 0:11:51 | |
Come on, Cinders, let me see. What's in your delivery? | 0:11:53 | 0:11:57 | |
INAUDIBLE | 0:12:01 | 0:12:02 | |
Invitations? | 0:12:04 | 0:12:05 | |
Wait a minute while I look. | 0:12:06 | 0:12:08 | |
-That's your line. -Oh! Sorry, sorry. I can't think! | 0:12:11 | 0:12:14 | |
-It's the pain. -Valerie's clearly in no... | 0:12:14 | 0:12:16 | |
HE SIGHS | 0:12:16 | 0:12:17 | |
She's clearly in no fit state to continue. | 0:12:17 | 0:12:19 | |
As her understudy, I'll take it from here. But... | 0:12:19 | 0:12:22 | |
No buts. Go and get an icepack on that. | 0:12:22 | 0:12:24 | |
Have I missed much? | 0:12:24 | 0:12:26 | |
Mandy, where are you? Mrs Tembe's here. | 0:12:26 | 0:12:29 | |
Dr Carter, I have been thinking about my costume. | 0:12:29 | 0:12:32 | |
Not now. | 0:12:32 | 0:12:33 | |
I think I've pulled a cracker. | 0:12:52 | 0:12:56 | |
Don't worry, I'm willing to forget your trashy past. | 0:12:58 | 0:13:03 | |
It was a joke. | 0:13:07 | 0:13:08 | |
Perhaps if I would vouch... | 0:13:10 | 0:13:12 | |
HE CLEARS THROAT | 0:13:12 | 0:13:13 | |
-HIGH VOICE: -Perhaps if you would vouch for me, | 0:13:13 | 0:13:15 | |
they'd let me past security. | 0:13:15 | 0:13:17 | |
-DEEP VOICE: -I'm not without pity, darling daughter. | 0:13:17 | 0:13:19 | |
I am a stickler for procedure and order. | 0:13:19 | 0:13:23 | |
-HIGH VOICE: -Rules can bend. Please, let me attend. | 0:13:23 | 0:13:26 | |
-DEEP VOICE: -Well, if I did that I wouldn't know who I was any more. | 0:13:26 | 0:13:29 | |
-That's not right! -He's gone off-piste. | 0:13:29 | 0:13:32 | |
There will be other balls. | 0:13:32 | 0:13:34 | |
Keep your leg raised! | 0:13:34 | 0:13:36 | |
There will be other balls. | 0:13:36 | 0:13:38 | |
One day, when my remortgage application has been accepted | 0:13:38 | 0:13:41 | |
and my crippling financial situation has been quantifiably eased | 0:13:41 | 0:13:44 | |
then I will buy you a dress. | 0:13:44 | 0:13:46 | |
Howard, those are not your lines! | 0:13:46 | 0:13:49 | |
Buttons. Where's Buttons? | 0:13:50 | 0:13:53 | |
BALLROOM MUSIC PLAYS Oh, for heaven's sake! | 0:13:53 | 0:13:55 | |
Mandy! | 0:13:55 | 0:13:57 | |
-MUSIC STOPS -Sorry. | 0:13:57 | 0:13:59 | |
Just not good enough! | 0:13:59 | 0:14:00 | |
I said I was sorry! | 0:14:00 | 0:14:01 | |
Do you want me to continue where I left off? | 0:14:04 | 0:14:06 | |
No. Let's move on. | 0:14:06 | 0:14:07 | |
The Baron and Buttons have departed, leaving Cinders alone and sad. | 0:14:07 | 0:14:13 | |
-HIGH VOICE: -Oh, I'm so sad and alone. | 0:14:23 | 0:14:26 | |
While my sisters dance, I'm all stuck at home. Ooh. | 0:14:26 | 0:14:29 | |
Ooh, I wonder who that can be. | 0:14:31 | 0:14:32 | |
KNOCKING | 0:14:32 | 0:14:34 | |
I'd better go and see. | 0:14:38 | 0:14:40 | |
It's an old beggar woman. | 0:14:44 | 0:14:46 | |
I know, I know. | 0:14:46 | 0:14:47 | |
Mrs Tembe? A word. | 0:14:51 | 0:14:54 | |
Well, I do not know what all of the fuss is about. | 0:14:57 | 0:15:00 | |
This is a traditional English pantomime. | 0:15:00 | 0:15:03 | |
And what about multiculturalism? | 0:15:03 | 0:15:05 | |
I notice I am the only person of colour on this stage. | 0:15:05 | 0:15:08 | |
Oi! What about me? | 0:15:08 | 0:15:10 | |
With a speaking part. | 0:15:10 | 0:15:12 | |
I think Mrs Tembe looks splendid. | 0:15:12 | 0:15:15 | |
Well, thank you, Dr Carmichael. | 0:15:15 | 0:15:17 | |
She may look splendid but she doesn't look like a fairy godmother! | 0:15:17 | 0:15:21 | |
Have you ever seen a fairy godmother, Heston? | 0:15:21 | 0:15:24 | |
I say go with the pleats and the beautiful headdress. | 0:15:24 | 0:15:27 | |
You didn't spend hours sewing sequins on her flaming wings. | 0:15:27 | 0:15:30 | |
Why don't we get the cast together to vote on it? | 0:15:30 | 0:15:33 | |
-That is a fair solution. -This is not a democracy. | 0:15:33 | 0:15:36 | |
Why don't you come out and we can have a chat? Look, erm... | 0:15:58 | 0:16:01 | |
If you want a date, you can call me on this number... | 0:16:04 | 0:16:07 | |
Your dazzling beauty ha totally disarmed me! | 0:16:23 | 0:16:27 | |
Prince Charming, please, I ask to hush. | 0:16:27 | 0:16:31 | |
Methinks you're making me look quite blush. | 0:16:31 | 0:16:34 | |
If I cannot speak, then may I kiss your ch...! | 0:16:34 | 0:16:38 | |
SHE LAUGHS | 0:16:38 | 0:16:40 | |
You will be performing this in front of an audience in 24 hours! | 0:16:40 | 0:16:45 | |
I can't take it seriously! This is the cheesiest dialogue ever written, | 0:16:45 | 0:16:49 | |
and Cinderella's a six-foot-tall ex-para! | 0:16:49 | 0:16:52 | |
Valerie will be back in her glass slippers by tomorrow... | 0:16:52 | 0:16:56 | |
The dialogue still stinks... | 0:16:56 | 0:16:57 | |
She's right. No hot-blooded male would... | 0:16:57 | 0:17:01 | |
You will not...I repeat, NOT, change one word of this script! | 0:17:01 | 0:17:04 | |
Continue! | 0:17:05 | 0:17:07 | |
Midnight chimes! | 0:17:11 | 0:17:12 | |
Be still, my beating heart. It's almost midnight - I must depart. | 0:17:16 | 0:17:20 | |
And find myself some decent lines. | 0:17:20 | 0:17:23 | |
Stay awhile, my sweet! | 0:17:23 | 0:17:25 | |
Can you not see... | 0:17:25 | 0:17:27 | |
ZARA GIGGLES | 0:17:27 | 0:17:28 | |
Prince Charming you're so masterful - | 0:17:30 | 0:17:32 | |
demanding script changes with no thought to your personal safety. | 0:17:32 | 0:17:35 | |
-Hands off, Ugly! He's mine. -You want some, Cinders?! | 0:17:35 | 0:17:38 | |
-No need for me to brawl, I have grace and beauty on my side. -Easy. | 0:17:38 | 0:17:42 | |
Shame he's not more like panto man the rest of the time. | 0:17:44 | 0:17:46 | |
Would it be terribly wrong of me | 0:17:46 | 0:17:48 | |
to say that I prefer Howard's Cinders to Valerie's? | 0:17:48 | 0:17:50 | |
He does bring a certain je ne sais quoi to proceedings. | 0:17:50 | 0:17:53 | |
You've changed your tune. | 0:17:53 | 0:17:56 | |
It's a girl's prerogative! | 0:17:56 | 0:17:57 | |
Anyway, listen... | 0:17:57 | 0:17:59 | |
Thank you for talking me into putting on a frock | 0:18:00 | 0:18:04 | |
and making a fool of myself. | 0:18:04 | 0:18:06 | |
The pleasure is all mine. You're a breath of fresh air, Jimmi, | 0:18:06 | 0:18:09 | |
in or out of a DD bra. | 0:18:09 | 0:18:11 | |
Prince Charming, hush! You're making me blush. | 0:18:11 | 0:18:13 | |
We'd better stop there, Jimmi, or I'll have to kiss you. | 0:18:13 | 0:18:16 | |
What's happening? Ten minutes for a scene change is hardly audience-friendly. | 0:18:21 | 0:18:24 | |
What we need is a bit of business front of curtain. | 0:18:24 | 0:18:27 | |
-An ice cream vendor? -No! Not that kind of business! | 0:18:27 | 0:18:30 | |
A comedy act, say the Baron and Buttons | 0:18:30 | 0:18:32 | |
have a bit of banter in front of the curtain. | 0:18:32 | 0:18:35 | |
"How many ugly sisters does it take to change a light-bulb?" That kind of thing. | 0:18:35 | 0:18:39 | |
-I'm up for it. -I haven't got time to write a sketch! | 0:18:39 | 0:18:41 | |
Don't you worry about that, we'll come up with something. | 0:18:41 | 0:18:44 | |
Absolutely not! I'm not having my artistic integrity | 0:18:44 | 0:18:46 | |
compromised by your random insertions. | 0:18:46 | 0:18:50 | |
Mandy, it's taking too long. Can we lose the bloomers? | 0:18:50 | 0:18:52 | |
Tell you what, Heston, | 0:18:52 | 0:18:55 | |
if my scene change isn't to your satisfaction, why don't YOU do it? | 0:18:55 | 0:18:58 | |
With or without the bloomers. | 0:18:58 | 0:19:00 | |
On second thoughts, I'll have something by tomorrow.... | 0:19:00 | 0:19:03 | |
To me. | 0:19:03 | 0:19:05 | |
Hi, Phil. It's me again. | 0:19:26 | 0:19:29 | |
Listen. Bertrando's has got a two-for-one offer on tonight. | 0:19:30 | 0:19:36 | |
But you've got to book soon, so call me. | 0:19:38 | 0:19:42 | |
KEYPAD TONES | 0:19:44 | 0:19:46 | |
SHE SIGHS | 0:19:47 | 0:19:49 | |
Hey, Mum... Karen. | 0:20:00 | 0:20:02 | |
Man, this is weird... | 0:20:02 | 0:20:05 | |
OK. | 0:20:05 | 0:20:07 | |
Stuff to trigger your memory. | 0:20:07 | 0:20:09 | |
Remember that awful Christmas party where you poisoned everyone? | 0:20:10 | 0:20:13 | |
And you caught me in bed with the next door neighbour's daughter? | 0:20:13 | 0:20:16 | |
It was ages ago, before we moved. You really loved our new house. | 0:20:18 | 0:20:22 | |
Shame about the woman next door! | 0:20:22 | 0:20:23 | |
You hated her. She reported us for running a brothel. | 0:20:23 | 0:20:27 | |
Strictly speaking, that was just me and Immie. | 0:20:28 | 0:20:31 | |
You got her back at that Botox party. | 0:20:31 | 0:20:34 | |
You switched pens and Daniel drew all over her face in permanent marker. | 0:20:34 | 0:20:38 | |
-Amazing! -We're going! > | 0:20:38 | 0:20:40 | |
Yeah, I'm coming... Got to go, Mum. | 0:20:41 | 0:20:46 | |
Oh, about the misunderstanding at the hospital... | 0:20:46 | 0:20:49 | |
just forget about it. I just wanted to see you. | 0:20:49 | 0:20:53 | |
All right. OK, I'll see you soon. Bye! | 0:20:53 | 0:20:55 | |
J... | 0:21:09 | 0:21:10 | |
Jack. | 0:21:11 | 0:21:13 | |
RINGING TONES | 0:21:22 | 0:21:24 | |
Hello. | 0:21:24 | 0:21:26 | |
Jack? | 0:21:26 | 0:21:28 | |
Tom. Jack's popped out. | 0:21:28 | 0:21:29 | |
-Oh... -Who's calling? | 0:21:29 | 0:21:31 | |
Um... | 0:21:31 | 0:21:33 | |
A friend of the... | 0:21:33 | 0:21:36 | |
I went to school with his mum. | 0:21:36 | 0:21:38 | |
I heard she's been having a rough time. | 0:21:38 | 0:21:40 | |
Well, she's doing really well. | 0:21:40 | 0:21:43 | |
Um... | 0:21:45 | 0:21:46 | |
Are you a mate of his? | 0:21:46 | 0:21:48 | |
Flatmate. | 0:21:48 | 0:21:50 | |
Oh! | 0:21:50 | 0:21:51 | |
-And how is he doing? -Who did you say you were again? | 0:21:51 | 0:21:54 | |
A friend of Karen's. | 0:21:56 | 0:21:59 | |
And she really wants to know if he's got a girlfriend? | 0:21:59 | 0:22:02 | |
Well, maybe she could call Jack herself, then. Look, I need to go. | 0:22:02 | 0:22:06 | |
SHE SOBS | 0:22:06 | 0:22:08 | |
SHE WEEPS | 0:22:11 | 0:22:14 | |
Ahhh... | 0:22:16 | 0:22:18 | |
-You don't want any misunderstandings down the pub. -Thanks. | 0:22:22 | 0:22:25 | |
Thank you, everyone. I think we've finally got there. | 0:22:25 | 0:22:28 | |
You really need to rethink that last song, Heston. | 0:22:28 | 0:22:30 | |
-The audience aren't going to know the words. -They'll be long gone! | 0:22:30 | 0:22:33 | |
The Dickie Bird and the Owl is a classic... | 0:22:33 | 0:22:36 | |
All right, print some song sheets, just in case. | 0:22:36 | 0:22:39 | |
We're going to do the comedy interlude? The Baron-Buttons bit? | 0:22:39 | 0:22:41 | |
-Yes, I'll get it written. -The fundamental issue here | 0:22:41 | 0:22:43 | |
-is what are we going to do if Valerie can't perform? -Mandy'll step in. | 0:22:43 | 0:22:47 | |
Oh, yeah! Of course, she will! | 0:22:47 | 0:22:51 | |
She's the PERFECT person to play a downtrodden skivvy! | 0:22:51 | 0:22:55 | |
What shall I do for an encore? Fire-breathing? | 0:22:55 | 0:22:58 | |
Or maybe, I could spin plates on the end of my broom stick | 0:22:58 | 0:23:02 | |
while blowing smoke out of me ears! | 0:23:02 | 0:23:04 | |
Where did that come from? | 0:23:09 | 0:23:11 | |
I'm detaining you on suspicion of theft | 0:23:17 | 0:23:20 | |
and criminal damage in accordance with section 24A | 0:23:20 | 0:23:23 | |
of the Police and Criminal Evidence Act 1974! | 0:23:23 | 0:23:25 | |
You've been littering my campus! | 0:23:27 | 0:23:29 | |
-Your campus? -You stole my keys! Vandalised my car! | 0:23:29 | 0:23:34 | |
I decorated it. I am a creator. You are the destroyer. | 0:23:34 | 0:23:37 | |
I generate, you terminate. | 0:23:37 | 0:23:39 | |
What are you flaming on about? | 0:23:41 | 0:23:42 | |
It is very simple, Mr Barry Biglow, third head in charge of security. | 0:23:42 | 0:23:47 | |
Last week, you destroyed my final year project. | 0:23:47 | 0:23:50 | |
-I can assure you, I did not! -I have witnesses! | 0:23:50 | 0:23:53 | |
They challenged you as you stuck a term's worth | 0:23:53 | 0:23:56 | |
of my art in the incinerator. | 0:23:56 | 0:23:57 | |
Oh, you mean that old heap of junk in the Quad? | 0:24:00 | 0:24:03 | |
That was my Throwaway Life exhibition. | 0:24:03 | 0:24:05 | |
The mouldy mattress with the empty beer cans and half-eaten pizza? | 0:24:05 | 0:24:09 | |
My Breakfast In Bed piece. | 0:24:09 | 0:24:10 | |
A commentary on the fragile evanescence | 0:24:10 | 0:24:12 | |
-of post-compulsory education. -And the rusty bikes? | 0:24:12 | 0:24:15 | |
My Bypass project, a response to the abandonment of traditional, | 0:24:15 | 0:24:19 | |
low-impact transportation in favour of vehicular modes | 0:24:19 | 0:24:22 | |
based on carboniferous fuel-guzzling. | 0:24:22 | 0:24:24 | |
I thought a flytipper had breached perimeter security. | 0:24:24 | 0:24:27 | |
Well, now you know better! But that is the past. | 0:24:27 | 0:24:30 | |
I have channelled my pain, | 0:24:30 | 0:24:32 | |
and from the ashes of My Throwaway Life rises Pick Me Up. | 0:24:32 | 0:24:35 | |
After today, I hope that you'll be able to | 0:24:39 | 0:24:42 | |
differentiate between art and trash. | 0:24:42 | 0:24:44 | |
MUSIC: Theme From "The Benny Hill Show" | 0:24:47 | 0:24:50 | |
ALL LAUGH | 0:25:00 | 0:25:03 | |
ALL: Ooooh! | 0:25:07 | 0:25:09 | |
Don't worry. Pick Me Up will be available on YouTube from tomorrow. | 0:25:09 | 0:25:13 | |
You'll also be able to purchase DVDs at Letherbridge Uni's student art exhibition next term. | 0:25:13 | 0:25:18 | |
Have me arrested if you like. I won't go quietly. | 0:25:19 | 0:25:23 | |
Nothing like the fuel of publicity to ignite an artist's career! | 0:25:23 | 0:25:27 | |
STUDENTS LAUGH | 0:25:27 | 0:25:30 | |
What are we going to do about this disaster of a pantomime? | 0:25:35 | 0:25:41 | |
It's too late to do anything. Anyway, Heston won't let us. | 0:25:41 | 0:25:44 | |
Heston won't let us? How's he going to stop us? | 0:25:44 | 0:25:46 | |
Come on, our patient is suffering | 0:25:46 | 0:25:48 | |
from a debilitating case of bad writing. We have to intervene. | 0:25:48 | 0:25:51 | |
Agreed. But what do you propose doing about it? | 0:25:51 | 0:25:54 | |
We can't pull out. It's for charity. | 0:26:00 | 0:26:02 | |
That's not what I'm suggesting. | 0:26:02 | 0:26:04 | |
-Between us, we can come up with something better. -Al, it's tomorrow! | 0:26:04 | 0:26:07 | |
Hands up who thinks that that script is a horrorfest of cliched dullness. | 0:26:08 | 0:26:13 | |
So, are we going to sleepwalk onstage and regurgitate that nonsense | 0:26:14 | 0:26:18 | |
or are we going to do something about it while we still can? | 0:26:18 | 0:26:21 | |
-I'm with Al. -OK, OK, I'm in! | 0:26:22 | 0:26:24 | |
Aye. | 0:26:24 | 0:26:26 | |
Heston, I'm sure it'll all be all right on the night. | 0:26:26 | 0:26:32 | |
Of course, if they learn their lines and stick to the script. | 0:26:32 | 0:26:35 | |
It'll be wonderful. | 0:26:35 | 0:26:36 | |
I've always wondered how large-breasted women manage yoga. | 0:26:47 | 0:26:49 | |
When did you get so old? | 0:26:49 | 0:26:51 | |
I dunno. Maybe when I realised I'm pushing 50?! | 0:26:51 | 0:26:55 | |
Dr Carter, I'm ever so worried, | 0:26:55 | 0:26:58 | |
-my head and my donkey hurt? -Your donkey? | 0:26:58 | 0:27:01 | |
Oh, you're right! I mean, my ass! | 0:27:01 | 0:27:04 | |
Get off me! You're not allowed to touch me! You pervert! | 0:27:05 | 0:27:08 | |
Subtitles by Red Bee Media Ltd | 0:27:16 | 0:27:20 |